Best Fiend.
 
 
 
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INT. ROOM. MORNING
An alluring girl is sleeping on a very comfortable bed. She
maybe have fever. The room is organised in a way which
reflects the feminine touch.
A young man is sitting near her on a chair, staring at her
very diligently.
NAINDEEP (V.O.)
Mujhe yad nahi, kab akhri bar maine
tumhe itni der tak dekha tha.
Shayad kabhi nahi. Yha baithe aaisa
lag rha hai mai tumhe puri zindagi
aasai he dekh sakta hu. Mera pyar
badtha he ja rha hai. Har shan tum
mujhe aur pyari lag rhi ho. Bas
kuch pal or fir tum or mai ek.
Achha hai. Tumhari ankhe band hai,
varna meri nazro mai itni taakat
nahi ki tumse nazro se kuch pal bhi
mil sake. Ha ha ha ha.
(beat)
Mujhe nahi dekhna chaiye. Kl ke
pade bartan manj leta hu.
(beat)
Nazar hat he nahi rahi.
He comes close, dragging the chair. Close up of the girl. She
stirs a bit hearing the sound. He has a vile smirk on his
face and teary eyes.
She stirs a bit. Opens her red eyes. Sees a man is sitting
near her. She frowns but soon recognized the man. She is
confused. As their eyes match.
The young man lowers down his eyes. His anxiety starts to
grow.
She wipes her face with the bed sheet.

INT. ROOM. MORNING

Before she can even ask the question. He leans forward to
touch her head. She feels weird.
NAINDEEP
Kaisa mehsoos ho rha hai tumhe.
She doesn't reply. Kept looking at him. She seems offended.
She keep looking at him with a straight face.
He is struggling to keep a second of eye contact.
 2.

NAINDEEP (V.O.)
(uncomfortable)
Tum mujhe aaise kyu dekh rhi ho.
Haye ye nazar. Tum bhi mere pyar
mai padh rhi ho! Hai na!. Haye!
Teri nazro ka milna bta do tujhe.
Dil ruk sa jata hai , sans tham si
jati hai.
DIVYANSHI
Tum wapis laut ke kyu aa gye.
NAINDEEP
Hm sab tumse se mil kr nikle, to
mujhe laga ki ye sab to dost hai.
Mai thodi. To chala aaya, or
darwaza bhi khula tha.
DIVYANSHI
Dost nahi ho to kya ho.
NAINDEEP
Dost to nahi hu. Rishte ko nam dena
zaruri to nahi. Kuch nahi hoke bhi
hm bat kr sakte hai.
DIVYANSHI
Kuch nahi to anjano ke sath hota
hai.
NAINDEEP
Mai anjana to nahi.

DIVYANSHI
To fir tum kon ho.
NAINDEEP
Tumhra chane wala.
DIVYANSHI
Kya tum sach bol rhe ho.
His hands shivers a bit, he looses his confidence. Before he
replies.
Her phone rings.
She quickly picks up the call. She smiles for the first time.
DIVYANSHI (CONT'D)
Hello, maine tumhe bola na mai
theek hu, tum mat karo call mujhe.
Kam pr dhyan do.
 3.

She starts to cry.

DIVYANSHI (CONT'D)
Mujhe achha nahi lag rha, ki mai
tumhari prashani ka karan banu.
DIVYANSHI (CONT'D)
I love you to.
Naindeep hand clutches. Face become tight. Eyes are hungry.
She glance at him. He leans forward, looks down changing his
expression to a lover boy. Close on him.
NAINDEEP (V.O.)
Tum mujhe aaise mat dekha kro.
Tumhre chane walo ko khatam krne ka
man krta hu. Bas tum or mai. Bas
tum or mai.

INT. ROOM. AFTERNOON

He leans back on the chair. Coming out of his imagination. He
looks at her. She lies unconscious. The signs of the struggle
can be seen on the bed. Creased bed sheet.
On the near table lies a bottle of chloroform and cottons.
White cloth.
He again looks at her with pleasing eyes.
She stirs and sees naindeep. The anger grows in her. She sits
up.
DIVYANSHI
Tum andar kese aaye
NAINDEEP
Darwaza khula tha, mujhe laga tumne
mere liye khola hai, insaan pyarr
mai sab pelhe he jan jata hai.
DIVYANSHI
Kya pelhe he janta hai.
NAINDEEP
Ashas ho jata hai ek dusre ke bare
mai, ye he pyar hai. Jaise
mahabharat mai abhimanyu ki jhund
mai mrityu ho gyi thi to arjun koso
dur they. Unhe abhimanyu ke maut ka
ashas ho gya tha. Unka dil kachha
ho gya tha.
(MORE)
 4.
NAINDEEP (CONT'D)
Aansu aapne aap bhene lag gye they.
Ye he ahsas hai jo pyar mai hota
hai.
DIVYANSHI
Tum dimagi taur pr bimar ho. Tumhe
illaj ki zarurat hai.
NAINDEEP
Kya.
DIVYANSHI
Ha. Ye ahsas he to hai jo pyar ko
zinda rakhe hue hai.
NAINDEEP
Tum bhi samajti ho.
She smiles.

INT. ROOM. AFTERNOON

Suddenly he remember something. He looks up. We find her
unconscious on the bed.
He gets up. Go up to the balcony. Looks at the rose pot which
is loose and weak. He is pissed.
NAINDEEP
Mere diye hue phoolo ko samhal ke
nahi rakha hua. Kya ab tum mujhse
pyar nahi karti.
The unconscious her sits on the bed like a puppet. She is
frail and experiencing vortex. She is concerned. She looks at
the balcony.
DIVYANSHI (V.O.)
Phoolo ko pani bhi nahi diya.
Naindeepppp.
DIVYANSHI
Nain...
Before she even speak he turns. She smiles very lovingly.
NAINDEEP
Ha btao.
DIVYANSHI
Phoolo mai pani dal do, murjha rhe
hai.
 5.

He looks at her and smiles.

NAINDEEP
Lekin mera khyal rakhna to tumhra
kam hai.

DIVYANSHI
Mujhe maf kardo.
She gets up slowly experiencing vertigo. She walks slowly and
cough a bit. He put his hand on her forehead.
NAINDEEP
Ab sahi ho rha hai.
She watches the pot while smiling at him lovingly. She picks
the water container and water the roses.
She looks at him in the eyes. The gaze is getting
uncomfortable for him. He shivers.
Suddenly he remembers something.
NAINDEEP (CONT'D)
Bartan pade hai mai dho deta hu,
tum aaram karo.

INT. ROOM. EVENING

She vanishes from their. The last bit of sun peeking through
the windows. He walks to the kitchen.
She lies unconscious on the bed.

INT. KITCHEN. EVENING

He is washing utensils. Holding a creepy smile on his face.
He is lost in his thoughts.
he closes the tap. The last few drops from it comes to halt.
He grabs the knife. He stares at it for a while.
He is done washing.

INT. ROOM. EVENING

She wakes up for real. Blurry vision. Headache. She slowly
opens her eyes. Scared. Very scared. She sits up. Her head
hurts. She looks around. Finds no one. She starts to cry. She
feels safe. She cries harder.
 6.

He hears the crying and came running. With a knife in his

hand.
as she sees him, she is in sheer panic. She is stunned.
Doesn't know how to react.
DIVYANSHI
Nahi, nahi, nahi, nahi, please,
NAINDEEP
Shus! Shus! Shus!
He came to her. Slowly.
He pours chloroform on the handkerchief.
She shivers.
He tries to force. She repels. he hit her head on the wall.
She fells on the bed. He grabs her check and shakes. He
panics.
He goes to the window. To looks outside but people are there.
Blurry vision. She opens her eyes. Find the knife in her
vision. She quickly takes it. Sits up and hurries off towards
him. He turns as she inserts the knife in his body.
And through him hard on the wall. His head strikes in the
edge.
He lies unconscious on the floor.
She sits on the ground. The blurry vision. She slides down
with teary eyes.
Night happens.
We stay on them. Both lies unconscious.
A few hours have passed. Little blood is on the floor near
him.
He get back to his senses. he gets up looks around. He check
his wound. The blood is on the floor. He is with his straight
face. Pain is out of question.

INT. ROOM. NIGHT

he checks her breathing. She is alive. He smiles. A big blood
strain is on his shirt and on the floor.
To be very sure he apply the chloroform cloth on her nose.
 7.

He sits on the chair and he applies cotton and black tape on

his wound.
He tied her hand with the tape. Does the same for the legs.
Put a cloth on her face. He cries looking at her condition.
He drags her out. The door closes.
We stay on the door for a while.
The credit rolls.
............................................................
What will happen to the girl. Will she be able to survive
this monster. Write it.
What's it about?
Its about the bleak line between imagination and reality. How
childhood trauma and isolation and social relevance can turn
one into a sadistic monster. Its about the people whose life
is about making conclusion about everything. And how these
conclusions can effect their total being.
But this short is only exploring the thought process of the
sadistic sociopath. And his conclusion about love. What is
love??