1. You need to draw the line. Choose the answer good answer.

Classical Renaissance

Hallellujah
Symphony (tonality)

Rigoletto: "La donne

1450-1600 e mobile" (medium)

Ave Maria
Major (era)

Fair Phyllis I Saw

Renaissance Sitting All Alone

Symphony No. 5,
Romantic mvt I (era)

2. Select your answers for question below.

1. ends in unresolved dissonance

A. Name the Middle Ages genres C. In the Lovely Month of May (harmony)

B. Intermezzo in A Major (rubato) D. The Sorcerer's Apprentice (medium)

2. Concerto

A. Spring, movement I (genre) C. Emperor String Quartet, movement II

(tempo)

B. Eine kleine Nachmusik, D. Eine kleine Nachmusik, movement I

(era), movement I (form)
SECTION 1 |
3. Etude

A. Little Fugue in G Minor (genre) C. La Campanella Etude (subgenre)

B. Intermezzo in A Major (meter) D. In the Lovely Month of May (genre)

4. strophic (a a)

A. In the Lovely Month of May (composer) C. La Campanella Etude (medium)

B. Intermezzo in A Major (tonality) D. In the Lovely Month of May (form)

5. Name the Classical genres. Choose the correct answer.

I. Opera
II. Serenade
III. string quartet
IV. symphony
V. sonata

A. I, II AND III C. I,II AND IV

B. I, III AND IV D. ALL ABOVE

SECTION 1 END
SECTION 1 |
1. Fill the blank recorded piece to the correct historical era. Choose the correct answer.

Romantic instrumental solo 1. NOCTURE

Classical EINE KLEINE NATCHMUSIK
MUSIC
Renaissance secular FAIR PHYLLIS I SAW SITTING
ALL ALONE
Baroque choral FOR UNTO US
Twentieth Century FIVE PIECES FOR
ORCHESTRA
Late Middle Ages secular LASSE! COMMENT
OUBLIERAY
Romantic TRISTAN UND ISOLDE

TRISTAN Fair
Five Eine UND Phyllis I
Pieces for Kline ISOLDE Saw
Orchestra Nacht Sitting All
Music Alone

FOR UNTO Nocturne Lasse!

US Comment
oublieray

SECTION 2 |
2. Fill the correct answer below.

• Ev'ry Valley (medium)

TENOR
DAN
ORCHESTR

HOMOPHONY
• Hallellujah (texture)
AND
POLYPHONY

• Eine kleine Nachmusik, movement I (genre)

SERENADE

Eine kleine
Ev'ry Valley
Nachmusik,
(medium)
movement I (genre)

Hallellujah (texture)

SECTION 2 END
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