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Quarterly.
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BOOK REVIEWS
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126 THE NEW ENGLAND QUARTERLY
now provideda whole new assortmentof apparatuswithwhich to
examine in minute detail what was thoughtto be a thoroughly
familiar (and predictable) subject. Of this, the editor observes,
"The essaysin thisvolume diverselyattestto the creativeenergy
of earlyNew England writing,to the remarkablenew avenues of
interpretation opened by an awarenessof exegeticaltradition,and
to the need forviewingthe culturewithinits Christian-European
context." He goes on to suggestthat the essaysshould serve as
"... a guide to a recentlyestablishedfieldof growingimportance
in American intellectual,cultural, and aesthetic history.They
constituteat once a fulfillment of over two decades of promising
researchand a stimulusforfutureinvestigations."
The problemof typologyand its use and abuse had long been
thecommonpropertyofliteraryhistorians.ProfessorKennethBal-
lard Murdock (to whom Vol. VI, No. 3, winter 1971-1972 of the
Journalis a tribute)provideda seminaldiscussionon the subject
in his now classicessay,"Clio in theWilderness"(ChurchHistory,
Vol. 24, 1955, 221-238). Noting that we might well tire of the
allegorical excessesof an Edward Johnsonand a Cotton Mather,
Murdockobservedthatthe readersforwhom theywroteprobably
didn't feel the same way. "For one thing,the reasonablywell in-
formedamong them knew somethingabout the then respected
science or art of typology,on which it is worthnoting,Cotton
Mather'suncle wrotean importantbook. Typologywas the 'dis-
coveringand expoundingin the recordsof personsand eventsin
the Old Testament prophetical adumbrationsof the Person of
Christor of the doctrineand practiceof the ChristianChurch.'"
Typologywas thusemployedto providea contextof antiquityfor
Christianityin generaland to affordto it the richesand treasures
of an Old Testament,abrogatedbut not by any means discarded.
Having foughtand vanquished the Marcionites,the Church was
now readyto "take possession"ofitsredeemedbook witha passion.
It was not a processof apologyforand explanationof thepresence
of Jewishscripturein themidstof a Christiancommunity.Typol-
ogy was to do for the Jewishscripturewhat Christwas to do for
the Jews themselves:provide a new birth and a new meaning
which transcendedthe old, making it indeed a part of the new
created order. Every word, everydescription,everysituation of
the Old Testamentis the fairobject of such reclamation,and in-
deed, if the "dumb reading" of scripturewhich the Puritans ab-
horredwas to be overcomein a biblicallyliteratecommonwealth,
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BOOK REVIEWS 127
no featof exegesiswas too greatto entertain.Murdock,writingin
"Clio," observes,"Not manyof thelaityin colonial Bostonor New
Haven can have been experttypologists or explorersof the meta-
phorical possibilitiesof the Bible, but most of them must have
had enough knowledgeof typologicalwaysof thoughtto be more
interestedthan readersnow can be in the allegoriesand parallels
involvingboth the Bible and the classics,given to them by bi-
ographersand historians."But typologyis not simply the har-
monizationof the Hebraic and Hellenistic traditions.It involves
the divine and human as well. SummarizingSt. Augustineon the
subject of typology,ProfessorBerylSmalleyas cited by Professor
Manning in his essay on "Exegesis and the LiteraryCritic,"ob-
serves:"Since the Bible is the only book which has both a divine
and human authorship,only the Bible can have both a literaland
a spiritualsense." Augustine,whose harmonyof the Gospels was
an effortto assurethereadersthat"the writersin question do not
stand in any antagonismto each other,"was not unwillingto de-
vote his considerableenergiesto the entirecanon, an exercisein
whichhe was willinglyjoined by the sons of New England over a
thousandyearslater.
The book is arrangedchronologicallyand thematically. Thomas
M. Davis and StephenManningshareresponsibility fortheexegeti-
cal background,Davis speakingof the "Tradition of Puritan Ty-
pology," and Manning of "ScripturalExegesis and the Literary
Critic." William Bradford,Roger Williams, and Cotton Mather
are then consideredas "Three Aspects of SeventeenthCentury
New England Typology" by ProfessorsJasperRosenmeier,Rich-
ard Reinitz,and Mason I. Lowance, Jr.Of particularinteresthere
forits treatmentof thewoefullyneglectedHenryAinsworthis the
discussionof Bradford,whose repute as a typologistpales beside
his colleagues of the Bay. ProfessorRosenmeieracknowledgeshis
scholarlydebts,but unfortunately he was able to employneither
the verysignificantstudyof Bradfordby Alan B. Howard ("Art
and Historyin Bradford'sOf PlymouthPlantation," William and
Mary Quarterly,xxvni, April, 1971) nor ProfessorIsidore E.
Meyer'snewlyexpanded essay,"The Hebrew Exercisesof Gover-
nor William Bradford,"publishedby the PilgrimSocietyin 1973.
The thirdmajor sectionof the book is devoted to Edward Taylor
in essaysby ProfessorsRobert E. Reiter, Karl Keller, and Ursula
Brumm.Finally, thereis the "EighteenthCenturyand Beyond"
with a stimulatingessayby ProfessorMason I. Lowance on "Im-
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128 THE NEW ENGLAND QUARTERLY
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