Name Date: _Per. Pg.

64
Movement: Etruscan and Roman Republic Historical/Cultural Facts:
1.fe
Time Periods: -

j00 6E
Identifying Features:
2. Kome wos
erde b
1 grn tht e abgvt the
. Innovations/Materials:
1. auadus
2.ruscanS ¬xCetled ioOA 'Y wa 2.heGchttecbrtel detly i, lorgtr he
3. Rone
Aeing
(picd m ony aspects rom CveeceArtists (or artist characteristics):
1. Roman arr berdes
frres
befwe ti Geek
4.
Roma at JOS anix 2.
an d
ruscon a styles emps is on
-th on o
thc loirg
Draw or Print 1 Representative Artwork
Annotation 1:
wriakles 3hu olo

MO M
Annotation 2:
trats MO o

fefiestnt a v t o s an
Ir ths

Annotation 3: fel neie

oten adophd veihe tenclerie
la heir
pota e ve

Annotation 4: The adophiunn o

Sunch styles nS tcti
AKEEEIHEHE)EUEIEUEHÍEOEEEIEEEEEEKG to lead Fon iliol gatest

Heod oa Ros porian

 Name: Date Per Pg. 65

Citation: M:eo+ y(e a

pe
n Ve
Se B R:

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S:ci

Citation: M: L r Prege
Tr A:
A: e zrc
R: parhops
C:1cier or ora0 ecfe

'nu.i j
Citation:
M:fd
A:9e
R: 4 h e on
C:ri

Citation: M:afropheg
A: 1 (er '
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C:o the o5i, t3 raHar

 Per Pg. 66
Name: Date:

Citation: M:
Hoad o+ a h
A:ivtol heaod

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Citation: M:

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 Per._ Pg. 67
Name: Date:

WORD PART OF SPEECH AND DEFINITION

| 1.Apotropaic

2.Stucco
shr 5?A tor (oting wall Sutaces
n:Pine
3.Necropolis
Cepaetory

4.Tumulus

5.apse
0la9 semcevl' (ecein a
cch, hypically ontnng he a t
6.Veristic
od.extrenely nalunlstic
7.Arcade
vith achey alauq the sides
(oveyed poSsngevay
8.Keystone
whole togetmer
9.clerestory
n uppac ort a ckyrch with windgwS

10.Encaustic dPigntits +hot vax buiaed inas nla

11.atmospheric ePrect ataosphee nes on oc 4 apfrane as svitved ran
perspective
distance
12.coffer n.sfongb. ot ches+

13.Amphitheater 'Open cirtala O 0l ba.a9 vth cenfral Space Sutddec

t o sPechafors

14.gravitas n'dign ty or olemity o nenatr

15.Coninous narration llstratrs ulpe sers oh a naianJe Pithtan a Agc Frane

16. atrium :0P fouted cntraate hall or cenfral conr

17Architrave a o e n n (e5ting actos) -p o roluns
18.Basilica nloige delerg hall vih doube oloanades
19. Mosaic opatean th nall coled bs aieigtd together
20.Cubiculum
Avate M ina denus
 Name: Date: Per. Pg. 68

Art Speak-outs
Choose of the three
Type of Question? (HL):
one
topics (Highlight): Question l: Comparison
1Tension between idealism and realism In the human form Question 2: Visual/Contextual
2Art and Family Themes Question 3: Visual beyond 250 list
3. Borrowing art forms from previous cultures Question: Contextual Analysis
Question : Attribution beyond 250
Complex Question: Question 6: Continuity and Change
Three works discussed
1. Ara ais,1 15CE
Spous"S, 51" BL
2, Saidehogus o Tht
3. Mar ble

Thesls:
P1-The An foxis was a onecntAlr Rome cdelicabed to Paxte Komay
odr of Vracc,it vo (v t o henonc fhe sefun otAugutw o p e
ate he had sotat thire yeas padane Oawi. cvRtal ofhe relieCarvnVs
i he valls ot ht mn w ea deprer Mastas alony ith øfhen meoirs
ipccisl hovsehold, Ihc alter 0miia cd3 8E,nd opleed 4 8LE

P2TheSa/cdphaqv ot he ponse isa lore sixth (enhury Ekrujtan

Stpigns F/om (aeem adt ot tisacotta uhteh as nce righl painted.
Ldeprchs e d ovple rclinay o ng ur tvethe in he a FFerlire.
Featn/e of thc fw ie Sh reek i0Fluence, FHowtves, the Makel conrat
betyeen he b ano the Plateatd ks Pally
Fo the lceilwhtueb vety were resveA Ti Vmen the ruscan wom h
iepresented in this artoe ahe husboi sidei thsot ro or rovts.

p3 1ht M arble aaye stele_wina arirowp narole_ depdiny huo

wdmA a mavl, aad a child, Because he oNIA h e that onc Suanded tae
shl 5 MIAGhe no spons 1ha Mykf jdeatif the olece oved.
rhes (atvinqrouleldepit« FamilymoMiMy Fhir cdated dowgaer, or a
okte Mttng the fes o her family
 Name: Date: Per. _Pg.69

Artist Portrait
STs cen a
alths a n fepaul
Asti t7us cen
Movemans
min. for each box)
|Analysis (PICS) Say, Mean, Matter Answers (3 sentences

he gvech majont Trwsto

Purpose (aMe Sntcopha3??5
What is the Artist's Artist Sketch:
reason for making his
art? What is he otted stangly connecre to relngon
trying to accomplish of their afterlite.
and why?
ith
Etr on rert alom pkyhed sculpor5,
Ideas eMnples e r r Co olontt,
In the artist's own
Sacvivy
words (if possible), albeyrer, Scnl ptuse ftontombs nclveiya
what are some of the the ar e ~se nes, hve Sual'ly
themes and Survied M 990d condsian
techniques he
explores?
Etrustan tombs ert henvil oread
early on, olthonyh iaihy onl £or precous
Critique metols, Jater, , ttvyan dbjers, e cially
How did society
Pinted vass an5ArCO phag, te kerniy
receive his work?
What was the Colected
public's reaction?
trascan / t Jo5 heailyinFluence y Greek a , bn
Style a ays etained dotinc cnofeteiy es Es(an ar
How would you
describe the artwork
whot 5nvvesrelgofion,vos
depienS o
Primaily' olominated yy
nA ia t i u la Phe ntlony
itself? What
principles of design
alt
are emphasized?
Attribution of MajorWorks Collage of three works:
8C
|1 Cnpitoliae uljlt, I-12"cerhwy
2. Chimera of kieteo, 00 BLE

|3. Sarephngns d the pes, ute 6h cenuy bl

 Name: Date: Per

Thematic Unit: o r y
iscssed or articpated

Portret of Humanity: (Nhat doesttetene reveal atout wst

bumans value? ierthy S g e s dhetee depictes in at hisory)

Questions to consider: (Ceate3questices about how an history

relates to the theme cisaussed for furtier researc

does
 Name Date: Per P&.71

Art in Transition: Compare this movement with the previous movement

Analysis Commonalities Departure

Mesag:
What is the Artist trying to
convey through his work? What
is the function of the artwork?

Actheti
Desibe the elements/
ptincples of design that are
mort sgnificant in identifying
this artwork. What makes it
unique?

Reptese
whats the putpose behind the
techniques and elementsof
design emphasited in the
twort?

hat the tultufal contet of

c dr ediomirateily thic

r a r cr mivehe