You are on page 1of 7

Health hist ory

All assessments involve collecting two kinds of data: objective and subjective.
The health history gathers subjective data about the patient.

Objective data Subjective data


■ Are obseNed ■ Provided by the patient , or ·subiecr
■ Are verifiable ■ Venf1ed only by the patient
■ Include findings such as a red , ■ Include statements such as "My
swollen arm in a patient with arm pain head hurts·· or "I have trouble sleeping"

Interviewing tips
The success
To make the most of your patient interview, create an environment in
of your patient
interview
which the patient feels comfortable. Also, use the following tech-
depends on niques to ensure effective communication.
effective
communication.
Components of a complete health history
Biograph ical data
Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Name and phone numbers of two people to call If necessary:
---------- R ELATIONSHIP P HONE #
Address - : - : - - - - - - - -_ N AME
Date of birth _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Advance directive explained: O Yes O No


Living will on chart: 0 Yes O No
Chief complai nt Obstetric history (females)
Last menstrual period _ _ __ Ask about the
History of present Illness
Gravida _ _ _ _ Para patient's feehngs of safety
to help identify physical,
Menopaus e O Yes O No psycholog ical, emotional .
Current medicat ions Paychoeocllll history and sexual abuse issues.
Coping strategies
• I 1e • FREQUENCY LAST DOSE

Feelings of safety

Medical histo~ ~ - Social history


Allergies ■
D Drug:_ _ __ _
· •· -~~ .:
-~-;;;;11::;1111::1::1:::,zn Smoker O No
Alcohol O No
D Yes (# packs/ day _ _ # years _ _ )
O Yes (type_ _ _ amount/d ay _ __ )
□ Food : _ _ _ _ Be sure to include prescriptio n
llllcJt drug use O No O Yes (type _ _ _ _ )
D Environmental: drugs, over-the-c ounter drugs, Rellgloua and cultural observan ces
□ Blood reaction: herbal preparations, and vitamins
D Other: _ _ _ __ and supplemen ts.
Activities of dally llvlng
Childhood illnesses Diet and exercise regimen _ __
Ask about the
D ATE Elimination patterns _ _ _ _ __
Sleep patterns _ _ _ _ _ _ __ patient's family
medical history,
Work and leisure activities _ _ __
including history
Previous hospitaliz ations Use of safety measures
of diabetes or
(Illness, accident or injury, surgery, blood transfusion) (seat belt, bike helmet, sunscreen)
heart disease.
D ATE Health maintena nce history

Colonosco py
Yes No io-n- - - ----.i1~- - - - - - - - -
Dental examin-a-:-t:-
Health problems
Arthritis . D D Eye examinatio n - - - ~, -- - - - - - - - - - -
Blood problem (anemia, sickie cell, clotting, bleeding) . D D Immunizat ions _ _ _ __,__ _ _ _ _ _ _ _ _ _ __
Mammogr aphy
Cancer D D
Diabetes mellitus . .□ D
Eye problem (cataracts, glaucoma) D D Family medical history
Heart disease (heart failure, Mi, valve disease) D □ Health problem Who (parent, grandparent,
D D Yes No
Hiatal hernia sibling)
HIV/AIDS D D Arthritis D D
Hypertension D D Cancer D D
Kidney problem D D Diabetes mellitus D D
Liver problem D D Heart disease (heart
Lung problem (asthma, bronchitis, emphysema, failure, Ml, valve disease) D D
pneumonia, TB, shortness of breath) D D Hypertens ion D D
Stroke □ D Stroke D D
Thyroid problem D D
Ulcers (duodenal, peptic) D D
Psycholog ical disorder D D
Review of structures and systems
- - - - -- General health
Neurologic system
Head - - -- - - - -
Eyes, ears, and nose
Psychological status
Mouth and throat
Neck
Endocrine system - - - - -~ Skin, hair, and nails

Cardiovascular system
Breasts and axillae
Respiratory system

Gastrointestinal During the final


system - - - - ~~-:::!...~ Hematologic part of the health
system history, ask about
each body structure
Urinary system and system to make
sure that important
Reproductive symptoms weren't
system missed. Star t at the
top of the head and
work your way down to
Musculoskeletal the toes.
system
Your patient is vague in describing
his chief complaint. Using your Health history
interviewing skills, you discover his
problem is related to abdominal
distention. Now what? This flowchart
will walk you through what to do next.

My
stomach
gets
bloated.

Ask the patient to 1dent1fy the


symptom t hat's bother,ng h,rr

Form a fi rst impression.


Does the patient's condition alert you to an emergency? For example, does he say the btoat,nq developed suddenly?
Does he mention that other signs or symptoms occur with it, such as sweating and light-headedness?
(Indicators of hypovolemia)

Do you have
any other signs or Talce a thoroug h history. Note GI
symptoms? disorders that can lead to abdominal
distention.
Take a brief history.

Thoroughly examine the patient. O~rve


for abdominal asymmetry. Inspect the
skin. auscultate for bowel sounds.
Perform a focused physical examination percuss and palpate the abdomen, and
to quickly determine the severity of the measure abdominal girt.h.
patient's condition.

Evaluate your findings. Are emergency signs or symptoms present, such as abdominal rigidity
and abnormal bowel sounds?

Intervene appropriately to stabilize the Review your findings to consider


patient, and notify the doctor possible causes, such as cancer, bladder
immediately. distention, cirrhosis, heart failure, and
gastric dilation.

After the patient's condition stabilizes,


review your findings to consider possible Deviee an appropriate care plan.
causes, such as trauma, large-bowel Position the patient comfortably,
obstruction, mesenteric artery administer analgesics, and prepare the
occlusion, and peritonitis. patient for diagnostic te~~.
Physical assessment
Assemble the necessary tools for the physical assess- best picture
ment. Then perlom1 a general survey to form your
initial impression of the patient.
Obtain baseline data, including
Measuring blood
height, weight, and vital signs. Got your tools? pressure
This information will direct Good.
Let's get to work! ■ Position your patient with his upper arm at
the rest of your assessmen t. heart level and his palm turned up.
■ Apply the cuff snugly, 1" (2.5 cm) above the
brachia! pulse.
■ Position the manometer at your eye level.
■ Cotton balls ■ Palpate the
■ Gloves brachia! or radial
■ Metric ruler (clear) pulse with your fin -
■ Near-vision and visual acuity charts gertips while inflating
■ Ophthalmoscope the cuff.
■ Otoscope ■ Inflate the cuff to
■ Penlight 30 mm Hg above the
■ Percussion hammer point where the pulse
■ Safety pins disappears.
■ Scale with height measurement ■ Place the bell of
■ Skin calipers your stethoscope over the point where you felt the pulse, as
■ Specula (nasal and vaginal)
shown in the photo. (Using the bell will help you better hear
■ Sphygmomanometer
Korotkoff's sounds, which indicate pulse.)
■ Stethoscope
■ Release the valve slowly and note the point at which
■ Tape measure (cloth or paper)
Korotkoff's sounds reappear. The start of the pulse sound
■ Thermometer
indicates the systolic pressure.
■ Tuning fork
■ The sounds will become muffled and then disappear. The
■ WOOden tongue blade
last Korotkoff's sound you hear is the diastolic pressure.

Tips for interpreting vital signs


■ Analyze vital signs at the same time. Two or more abnormal values may provide
clues to the patient's problem. For example. a rapid, thready pulse along wi th low
blood pressure may signal shock. __
■ If you obtain an abnormal value, take the vital sign again to make sure it's iJCCli

rate.
. ' le. teniper
■ Remember that normal readings vary with the patients age. For exarnP
ature decreases with age, and respiratory rate can increase with age. f 11 ,
■ Remember that an abnormal value for one patient may be a norrna I value or·
other. which is why baseline values are so important.
Physical assessment techniques Because pa lpation
When you perfonn the physical assessment, you'll use four techniques: and percussion can
in-.1 '( t :on. palpation, percussion, and ausc·ultation. Use these alt er bowel sounds,
techniques in this sequence except when you perform an the sequence for
abdominal assessment. assessi ng the
abdomen is
in:;:)pection,
auscultation,
percussion, and
Inspection palpation.

Inspect each body system using vision, smell,


and hearing to assess normal conditions and
deviations. Observe for color, size, location,
movement, texture, symmetry, odors, and
sounds as you assess each body system.

Palpation
Palpation requires you to
touch the patient with dif-
ferent parts of your hands,
using varying degrees of Light palpation Deep palpation
pressure. Because your ■ Use this technique to feel for surface ■ Use this technique to feel internal or-
hands are your tools, keep abnormalities. gans and masses for size, shape, tender-
your fingernails short and ■ Depress the skin ½" to %" (1.5 to 2 cm) ness, symmetry, and mobility.
your hands warm. Wear with your finger pads, using the lightest ■ Depress the skin 1112" to 2" (4 to 5 c m)
touch possible. with firm, deep pressure.
gloves when palpating
■ Assess for texture, tenderness, tem- ■ Use one hand on top of the other to
mucous membranes or perature, moisture. elasticity. pulsations, exert firmer pressure, if needed.
areas in contact with body superficial organs. and masses.
fluids. Palpate tender
areas last.
Percussion Auscultation
Percussion involves tapping your fingers or hands quickly and Auscultation involves listen-
sharply against parts of the patient's body to help you locate organ ing for various breath, heart,
borders, identify organ shape and position, and determine if an or- and bowel sounds with a
gan is solid or filled with fluid or gas. stethoscope .
.
.• I.'~ II
n Getting ready
■ Provide a quiet enviror,
Direct percussion Indirect percussion ment.
This technique reveals tender- This technique elicits sounds that • Make s~re the area to L, •
ness; it's commonly used to as- give clues to the makeup of the auscultated is exposed. (A1,
sess an adult patient's sinuses. underlying tissue. Here's how to cultating over a gown or be .
Here's how to do it: doit: ._.liner:is can interfere with

■ Using one or two fingers, tap
directly on the body part.
■ Press the distal part of the
middle finger of your nondominant !' S~H"l9~L-
i~

llll~Warm.
., --:· ~ • t
the ~tethoscope ,,.,
■ Ask the patient to tell you hand firmly on the body part. t.-t,fruyour hand.
!.' . '.c~ • . : :, • •',.' ~ ,·
which areas are painful, and ■ Keep the rest of your hand off i_' ■-ifi~~;i~~ eyes to help t
watch his face for signs of dis- the body surface. rE cus_your·attention.
comfort. ■ Flex the wrist of your dominant
hand.
~1f.iow~
..... ·. :·to·1 auscultate
:
~-.•· .

■ Using the middle finger of your


f1 ■ · · us~·the· diaphragm to p1,,
dominant hand. tap quickly and .. 'u p_.}1g_~~P . il~~.ed
sounds. $UC'
directly over the point where your as\firpt tSi) and second (S ,!
. '·•°'tr. ➔' ·....;J.~,:-.. ~
[ heart sounds:-Hold the d1a-
other middle finger touches the
patient's skin . ' , phra,gm fim:ily against the
' ,v..! .. , ' f
:,· patier:,t,'~ •~k!n, enough to lea\·
■ Listen to the sounds produced .
~ a-~H~~Jrjn,g' on the skin after ·
t ward.-:· · .·
:; ■ ·u~e the bell to pick up le:.
'i pitch~d sounds, such as th 11u
~ (S3) and :f<?urth (S4) heart
. sounds. Hold the bell lightly
against the patient's skin. 1us:
enough to form a seal. Holdi:'r,
the bell too firmly causes th P
skin to act as a diaphragrn
obliterating low-pitched
sounds.
■ Listen to and try to ider,'., ·
the characteristics 01 one
sound at a time.

You might also like