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Program Outcomes
Disciplinal Knowledge: Apply evidence-based practices derived from the social sciences and humanities in teaching and learning
Pedagogical Practices: Apply multidisciplinary knowledge and skills in culture, arts and design in the teaching-learning practice anchored on the meanings of values of human
creativity in changing life-worlds
Competency and Proficiency in the Creative Expressions: Demonstrate competence in the planning and development of market and non-market oriented visual arts, music,
drama and dance productions in local, regional, and global settings
Professional Accountability and Responsibility: Practice professional and ethical standards for teachers as well as principles and guidelines governing arts production,
research and publication
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Course Information
Pre-requisite - Principles and Practice: The Philosophical & Educational Course Credit 3 units
Subject Foundations of Creative Drama
Course Requirement
Grading System
Course Description
Foundational course on drama focusing on basic principles of mounting a theater production with theories and exercises in Acting, Directing, Playwriting, Scenography, and
Management
Course Outcomes
Demonstrate an understanding of the basic principles of mounting theater production with emphasis on acting, directing, playwriting, scenography and management (CO1)
Demonstrate competence in mounting drama productions that are reflective of the values of the community (CO3)
Show awareness of the value of cooperation and collaboration in the creative process (CO4)
Discuss basic theater process and the II. BASIC THEATER PROCESS Teacher-Managed: Recitation
importance of actor’s tools and its Lecture and interactive discussion on the
application in theater production III. ACTING actor’s tools; theater games that focus on Physical
(CO1) A. Actor’s Tools the exploration of body, voice and demonstration of
1. Training the Body imagination actor’s tools
2. Training the Voice
3. Training the Mind Student-Managed:
Body movement exercises applying actor’s
tools
Week 2 Execute actor’s awareness of the body B. Laban’s Eight Basic Effort Actions Teacher-Managed: Recitation
in performance as professional Lecture and interactive discussion on the
reflection and learning to improve topic; video showing on Laban’s 8 Basic Physical
practice (CO1, CO3) Efforts demonstration of
Laban’s 8 Basic
Student-Managed: Efforts
Physical exploration of Laban’s 8 Basic
Efforts
Scene works
Week 5 Explain character’s given circumstances 6. Given Circumstances and Objectives Teacher-Managed: Quiz
and objectives with positive use of ICT Lecture and interactive discussion on
(CO1) objectives and given circumstances Recitation
Student-Managed:
Creating an original theater production
Week 18 Produce a classroom production as final FINAL PRODUCTION
output of the course as a strategy for Classroom Production and Post-Evaluation
developing critical and creative thinking
(CO1, CO2, CO3, CO4)
References
Bradley, K. (). Rudolf Laban. NY: Routledge
Benedetti, R. (1997). The actor at work. Needham Heights, MA: Allyn and Bacon
Cohen, R. (2000). Theatre Brief Version 5th edition. Mountain View, CA: Mayfield Publishing Company
Fernandez, S.P. (2010). Making theatre: The craft of the stage. Iligan City: IPAG-ARM
Gillete, M.J. (2013) Theatrical Design and production: An Introduction to Scenic Design and Construction, Lighting, Sound, Costume and Makeup (7 th Edition). New York, NY: Mc
Graw-Hill Companies, Inc.
Griffiths, T. (1982). Stagecraft The complete guide to theatrical practice. Oxford: Phaidon Press Limited
Kelly, T. (2009). The Backstage Guide to Stage Management: Traditional and New Methods for Running a Show from First Rehearsal to last Performance. New York, NY:
Backstage Books
Lim, A. (2014) Theater for wellness: Creative techniques to be well and whole. Mandaluyong City: Anvil Publishing, Inc.
Newlove, J. (1993). Laban for Actors and Dancers Putting Laban’s Movement Theory into Practice: a step-by-step guide. New York, NY: Routledge
Wainscott, R. & Fletcher, K. (2004). Theatre Collaborative acts. Boston, MA: Pearson
Additional Readings
Adams, K. (2007). How to improvise a full-length play The Art of Spontaneous Theater. New York: Allworth Press
Augusto, Boal. (2002). Games for Actors and Non-Actors. New York, NY: Routledge.
Bedore, Bob. (2004). 101 Improv games for Children and Adults. Alameda, CA: Hunter House Inc., Publishers.
Campbell, D. (2004). Technical Theater for Nontechnical People. New York, NY: Allworth Press, Inc.
Diamond, D. (2007). Theatre for Living: The Art and science of community-based dialogue. Victoria, Canada: Trafford Publishing.
Down, W., Wright, L.A., Ramsey, E. (2007). Experiencing the Art of Theatre: A Concise Introduction. Belmont, CA: Lachina Publishing Services
Online References
Augusto, Boal. Games for Actors and Non-Actors. http://clearwalksoft.com/art-photography/77303-games-for-actors-and-non-actors.html
Acting – What is it? How to do it? Why do it?
https://www.youtube.com/watch?v=PvXehZX81Fw&feature=share&fbclid=IwAR1_7UWlBFZaHV0MNdlaYs8rsVvI1rlem7Hz0xx4i64zPAjKlKqzPSSco2w
The authentic actor / Michael Laskin https://www.youtube.com/watch?v=9JamV9URdv0&feature=share&fbclid=IwAR12P2JQbO-
o6U214ftSHNKWefM9TDEow2BHO29Ib56X9TwocTlyUt0MKbI
The Essence of Acting / Mirjana Jokovic https://www.youtube.com/watch?v=KZFGNo7RgJw&feature=share&fbclid=IwAR1_m9WCi2ias6CLP2NlJkj6Ii6pLr-
B1DFsdGLRIc7QONtQaWcgS5OG2aE
All students who are enrolled in this course should conform to the following class policies:
A. Attendance
1. A student will be marked “late” if he / she enters the class 5 minutes after the indicated time. A student who comes to class 15 minutes after the scheduled time shall
be marked “absent”.
2. All students are responsible for fulfilling the essential requirements of course, including class attendance.
3. No one is allowed to attend a class unless officially enrolled.
4. Students who fail to attend classes for three (3) consecutive days, or absences of maximum total of six (6) class days without justifiable reasons will be dropped from
class.
5. Should a student miss a term exam, he/she should notify the instructor by writing satisfactory explanation of such absence. A special examination shall only be
administered when such absence is proven to be valid.
6. Students who are excused from classes to participate in university-approved events or competitions (whether in-campus or off-campus) must present a letter signed by
Director of Student Affairs and faculty adviser/coach.
7. Students who face emergencies, such as death or serious illness of family members, court appearances, hazardous weather or emergency situations beyond their
control should inform the instructor immediately to be excused from the class.
8. Students without notification of their absences will not be allowed to submit course requirements or assignments.
Prepared by
FELIMON B. BLANCO, PhD (Jose Rizal Memorial State University, Dipolog City)
MA. ROSALIE A. ZERRUDO, MA (University of San Agustin, Iloilo City)
SHIRLEY N. MALOLES, EdD (Bicol University, Legazpi City)