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dance. Those folk dances don't include the folk dances of our
own country but from the other country. Folk dances are based
on the culture and beliefs of the people inhabiting the area. They
Each country throughout Asia has its unique forms of dance based on its culture, tradition, and
history, lifestyle, the social and living environment also play a significant role in many ethnic
dances. The music and instrument reflect the difference and uniqueness of each region.
Their dances are more RITUAL, such as at a wedding, a feast of saints, and/or thanksgiving for a
good harvest. The dances reflect the enjoyment they feel when they are doing the dances.
Europe has a long tradition of dancing. Most of their folk dances are formed for the need of the
people to socialize, interact and enjoy, unlike the dances from Asia. Their dances are
Varsovienne from Germany, Irish Lilt from Ireland, and Tarantella from Italy.
The dances are more on feet movement because of the climate. They have dances only for men
and dances for women, and they even have dances for couples.
There are two folk dances from America; the La Cucaracha from Mexico and the Red River
Valley from the United States of America, which is a square dance. As you dance their dances,
you can feel the lifestyle of the Americans because it shows the tradition and their daily life.
COMMON DANCE STEPS
BLEKING STEP- Place R heel in front and hop on the L foot (ct. 1); with a spring, reverse the
position of the feet, that is, L heel is placed in front (ct. 2). This is taking one count for each
movement. Place R heel in front (ct. 1), step R close to L (ct. 2). This takes two counts for each
movement.
CHASSE (slides)- Slide R sideward (ct.1), step L close to R, or cut with the L (ct and). Two chasse
ROCKING STEP- fall unto L foot forward and raise R foot in rear (ct. 1), fall unto R foot backward
and raise L foot in front (ct. 2). The body is inclined slightly forward and back in a rocking motion.
SHUFFLING STEPS- shuffling steps are tiny sliding steps forward on the balls of the feet. Execute
as many as necessary.
SKIP STEP- the movements are the same as in step-hop but done in one count only. Step on R
(ct. 1) and hop on R (ct. and). There are two skip steps in one measure. This may be executed in
any direction.
STEP-HOP- step R foot forward (ct. 1), hop on the same foot and raise the L foot in front or in
rear (ct. 2)
STEP-SWING-HOP- step R foot sideward (ct. 1), swing the L foot across the R in front, and hop on
STEP-SWING- step R foot sideward (ct.1), swing the L foot across the R in front (ct. 2). This may be
TOUCH STEP-A. point R foot in front (ct.1), step R close L foot (ct.2)
B. hop on L and point R in front(ct.1); with a spring, reverse the position of the feet
MAZURKA- slide R foot sideward (ct.1), cut R sideward with the L foot (ct.2), hop on L and bring
the R foot in front or in rear of the L ankle (ct.3). This is done with one foot leading and usually in
close to R in the third rear (ct. 2), and step R forward (ct. 3). There is a slight bending of the knees
on ct. 1. Step on the ball of the rear foot on ct. 2. This step is usually done in forwarding or
sideward direction.
WALTZ BALANCE- step R foot forward (ct.1), close L to R in the third position or in the first
position and raise both heels (ct.2), lower heels with the weight of the body on the R foot (ct.3).
VARSOVIENNE STEP- step R foot diagonally forward R (ct.1), step L close to R in the third or in the
first position (ct. 2), step R sideward (ct.3). Point L foot in front (cts. 1,2,3). Bend the body toward
WALTZ STEP- step R sideward (ct.1), then close L to R (ct.2) and step R in place (ct.3)
REDOBA- slide R diagonally forward (ct.1), cut R with L (ct.2), and cut L with R (ct.3)