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Noli Me Tangere
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The COVER
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The COVER
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Background
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Inspired by the Novel :
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Objectives
• In another letter to Ferdinand Blumentritt, Rizal described what
he expects when the novel will be in circulation. Finally, he
pointed out his primary objective, which are to :
• (1) Defend Filipino people from foreign accusations of
foolishness and lack of knowledge;
• (2) Show how the Filipino people lived during Spanish colonial
period and the cries and woes of his countrymen against
abusive officials;
• (3) Discuss what religion and belief can really do to everyday
lives; and
• (4) Expose the cruelties, graft, and corruption of the false
government at honestly show the wrongdoings of Filipinos that
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Writing the
Noli Me Tangere
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Printing and Publication
Maximo Viola
First edition of
Noli Me Tangere was printed in Berlin on
March 29, 1887 , Berliner Buchdruckerei-
Aktiengesellschaft
In 1887, the first edition of Noli was
published in Berlin, Germany. To express his
gratitude, he gave the original manuscript
plus the plume he used to Viola. Rizal also
signed the first print and gave it to Viola with
dedication. tsbalgos
Contents
• Dedication
• Introduction
• Characters
• Chapters : 63
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Contents
16. Sisa
Chapters 17. Basilio
1. A Gathering 18. Souls in Torment
2. Crisostomo Ibarra
3. Dinner 19. Adventures of a Schoolmaster
4. Heretic and Subversive 20. The Meeting at City Hall
5. A Star in the Dark Night 21. A Mother’s Tale
6. Captain Tiago 22. Light and Shadow
7. Idyll on a Terrace 23. A Fishing Expedition
8. Memories 24. In the Forest
9. National Affairs 25. At the Philosopher’s House
10. The Village
11. Sovereignty 26. Festival Eve
12. All Saints 27. At Nightfall
13. The Storm Brews 28. Correspondences
14. Tasio, Madman or Philosopher 29. Morning
15. The Sextons 30. In the Church
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31. The Sermon
Contents
Chapters 46. The Cockpit
31. The Sermon 47. Two Ladies
32. The Crane 48. An Enigma
33. Freedom of Thought 49. Voice of the Persecuted
34. The Banquet 50. Elias’s Family
35. Comments 51. Changes
36. The First Cloud
52. The Card of the Dead and the
37. His Excellency
38. The Procession Shadows
39. Doña Consolacion 53. Il buon di si conosce da mattina
40. Right and Might 54. Quid quid latet
41. Two Visitors 55. Catastrophe
42. The de Espadañas
43. Plans
44. An Examination of Conscience
45. The Persecuted
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Contents
• Chapters
• 56. What Is Said and What Is Believed
57. Vae victus!
58. The Accused
59. Homeland and Interests
60. Maria Clara Weds
61. Pursuit on the Lake
62. Father Damaso Explains Himself
63. Christmas Eve
• Epilogue
Appendix: Elias and Salome
Notes tsbalgos
AUTHOR’S DEDICATION
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AUTHOR’S DEDICATION
Desiring thy welfare which is our own, and seeking the best
treatment, I will do with thee what the ancients did with their sick,
exposing them on the steps of the temple so that every one who came
to invoke the Divinity might offer them a remedy.
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Major Characters
Juan Crisostomo
Othercharacters
Padre Hernando dela
María Clara
Sibyla
Capitán Tiago
Padre Bernardo Salví
Padre Dámaso El Alférez or Alperes
Elías Doña Consolacíon
Filosofo Tacio Don Tiburciode
Doña Victorina Espadaña –
Sisa, Crispín, and Teniente Guevara
Basilio Alfonso Linares
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Non-recurring characters
Don Pedro
Tía Isabel
Eibarramendia
GovernorGeneral
Don SaturninoIbarra
Don Filipo Lino
Salomé
PadreManuel Martín
Don Rafael Ibarra Sinang
Dona PíaAlba Iday,
Neneng and Victoria
Capitán Basilio
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Pedro
Tandáng Pablo
El hombre amarillo
Lucas
Bruno and Tarsilo
Ñor Juan
Capitana Tika (Rustica)
Albino
Capitana María Elena
Hermano Pedro, Hermana Rufa, Hermana Sipa,
Hermana Juana
Sacristán Mayor
Capitán Tinong and Capitán Valentín
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• Son of a Filipino businessman,
Don Rafael Ibarra, he studied in
Europe for seven years. Ibarra is
also María Clara's fiancé. Several
sources claim that Ibarra is also
Rizal's reflection.
• He symbolizes the idealism of the
privileged youth.
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María Clara
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Doña Victorina de los Reyes de Espadaña
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PilosopoTacio
❖ Don Anastacio
❖ He spent most of his money on books and now lives in poverty
Rizal can relate to his character as his oldest brother, Paciano
Rizal.
❖ He is a pessimist
❖ Seek for reforms from the government, he expresses
his ideals in paper written in a cryptographic alphabet
"that the future generations may be able to decipher it"
and realized the abuse and oppression done by the
conquerors.
❖ “baliw” para sa mga di nakapag-aral at “pilosopo”
para sa mga edukado.
❖ He symbolizes the learned Filipinos..
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Sisa, Crispín, and Basilio
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Sisa, Crispín, and Basilio
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Sisa, Crispín, and Basilio
• Padre Salvi
➢He replaced Padre Damaso
➢Padre Salvi was the town curate of San
Diego and the successor of Padre Damaso.
Possessing a rivalry with the town's alferez,
he later orchestrated the downfall of
Crisostomo Ibarra, manipulating the
townspeople in the process.
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Doña Consolacion
➢Wife of Alferes
❖ Wife of the Alferez of San Diego
Often has violent arguments
with her husbands
❖ Pretends not to know Tagalog
and often uses Spanish words
even if she does not know the
meaning
❖ Symbolizes the Filipinos in our
society who are ashamed of
their own race and nationality.
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• Rizal depicts Doña Consolación as
incredibly crass and very ugly, writing that
her one “sterling trait” is that she seems to
have “never looked in the mirror.” Much
like Doña Victorina, with whom she
eventually gets into an intense fight, she
believes herself to be much more worthy
of respect than she actually is, constantly
deceiving herself in regards to her station
in life. She even pretends to not
remember her native language, Tagalog,
instead speaking very bad Spanish.
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Alferez
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Pia Alba
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SALOME
sweetheart of Elias
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Fray Hernando Sibyla
❖ He is often cool and intelligent, especially when correcting
the other friar, Padre Damaso, of the latter's ostentatiousness.
❖ Dominican friar who is the curate of Binondo and had been
a former professor at San Juan de Letran college Symbolizes
the liberal friar but would rather stay in the background
rather than incur the wrath of other priests in power.
❖ He is aware of the injustices done to the natives but would
not do anything to change it, as all he cares about is getting
his congregation in power.
❖ a Dominican friar who is the curate of Binondo
and had been a former professor at San Juan de
Letran college Symbolizes the liberal friar but
would rather stay in the background rather than
incur the wrath of other priests in power.
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The Theme
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Theme
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