The unexpected link between Britney Spears and

Olivia Rodrigo explains so much about being a

pop star today
Onwuamaegbu, Natachi . The Washington Post (Online) , Washington, D.C.: WP Company LLC d/b/a The
Washington Post. Aug 3, 2021.

Enlace de documentos de ProQuest

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America's newest pop princess made her way to the White House press stand clad in a baby-pink tweed and plaid
skirt suit, chunky white high heels and black socks. Olivia Rodrigo, the Disney star turned Billboard sensation, had
met with President Biden and taken a photo with Vice President Harris before facing the masses with her signature
half-smile to advocate for vaccines.
Contrast was essential to Rodrigo's look. The actress-singer-songwriter's outfit was "Clueless" meets punk, her
effortlessly calm demeanor belying some of her debut album's most affecting songs, including the aptly titled
opening track, "Brutal."
In the tune's first few lines, Rodrigo asks, "Who am I, if not exploited?" —a line that would not have been out of
place as the rallying cry of a protest taking place approximately one mile away. As Rodrigo addressed the Briefing
Room, fans and advocates gathered for a #FreeBritney demonstration to call for Britney Spears, who has spoken
out about being controlled by her conservatorship, to be freed from its restrictive ties.
The eventful afternoon, which took place last month, proved that if one thing remains consistent in the music
business, it is the enduring dedication and attention paid to our young, hit-producing female royalty —and how we
inevitably chew them up and spit them out.
At a glance, it may not seem like Rodrigo, 18, and Spears, 39, have similar journeys to stardom, but the overlaps are
there. Spears's career launched when she was a Mouseketeer on Disney's "The Mickey Mouse Club," while
Rodrigo's rise to fame was in part propelled by her starring role on Disney's "High School Musical: The Musical: The
Series." Spears's most famous songs are danceable, catchy, bubblegum-pop hits from the late '90s and early
2000s. Rodrigo's debut album "Sour" pays homage to that era with an angsty edge.
But the expectations put on the two pop stars are drastically different. Spears was never expected to take a stand
on political issues; her role was to provide earworms with a side of eye candy. Rodrigo's job description, on the
other hand, includes weighing in on social ills, writing heartbreak anthems and (if she so chooses) posting a
picture of herself in a bikini. Our most popular pop princesses have certainly evolved. Or have they? Could it be that
they're as beholden to the zeitgeist as ever?
Experts point to a rise in social media, changing market tastes and a heightened fixation on individuality and
female empowerment as a reason for the change over the past two decades.
"Hollywood will always give people what it thinks they want," said Mara Wilson, an author and former child star
best known for her work as the title character in "Matilda." "It all comes back to objectification and turning these
young women into objects to be consumed. I think now we're realizing with people like Britney Spears that women
are human beings. They've been under so much control for so long and they've been objectified for so long. We're
finally having a reckoning with that."
It's possible that fans and listeners want their pop stars to play the role of social justice warriors —Gen Z is
notorious for naming and addressing issues of inequity. But it's also possible that girl-boss energy, individuality

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and unabashed youthfulness are just trendy right now, in the way that low-waisted jeans and hypersexuality was
20 years ago.
"The market has always wanted options," said Tonya Butler, chair of Berklee's Music Business and Management
department. "Different women view themselves in different ways, and they just want to be reflected in music.
Unfortunately, the industry didn't always offer a lot of options and that was the problem. Now they do."
Of course, there have been plenty of young female stars along the way who broke traditional molds (think Queen
Latifah, Lauryn Hill, Alanis Morissette or Avril Lavigne). What it means to be an "outsider" or to exist within the
"norm" has changed over the years as individuality has become increasingly commercialized. In addition to our
usual scantily clad blond women, we see fame for green-haired teenagers in oversized band tees. Instead of
paparazzi photos of underage girls in clubs, we see girls in tweed meeting the president.
The more popular female empowerment becomes, the more the music industry will pump out people to fill that
role, said Butler. Honesty sells, especially when it comes to youth and heartbreak (see: any album from Rodrigo's
inspiration, Taylor Swift).
Industries of all kinds "tend to commodify us, commodify our body positivity, our agency, our female
empowerment," said Alison Trope, director of the Critical Media Project at the University of Southern California. "It's
not just if you're a person in the [entertainment] industry like Britney Spears or Billie Eilish. We're all being
commodified. All of us."
Sex is never out of style, but our modern teenage pop stars appear to be less likely to put it overtly on display. It's
hard to say whether this move is a direct response to the criticism Spears and her ilk faced in the public eye —a
protection mechanism of sorts.
"I do think there's a rebellion against being sexual when you don't want to be," said Samantha Stark, creator of the
New York Times's "Framing Britney Spears" documentary. "But if the pressure to not be shamed like Britney is the
reason to not show your sexuality, then that's really sad."
A lot of Spears's sexuality was a personal choice, such as the decision to roll down her pants to show off her
hipbones because she felt it was sexier, said Stark. The look was a trend among teens, but it still managed to
shock the public that "teenagers do have sexuality."
Eilish, 19, famously wore baggy clothes that hid her body shape, so when she posed in a corset for the June cover
of Vogue, there was pushback, objectification, anger at her for breaking her self-made image. Eilish responded by
thanking the magazine's creative team for "respecting my vision," and told her fans to "do whatever you want when
you want." It was her body on her own terms.
The problem with young female stars showing skin or presenting themselves in a sexual light isn't with them, said
Wilson, now 34, but rather the older men who feel like they have the right to comment and lust over underage
bodies. That will happen no matter how much skin is showing, she said.
"I thought [being less sexual] would paint less of a target on my back," said Wilson, who wrote "Where Am I Now?
True Stories of Girlhood and Accidental Fame." "Unfortunately, I have been sexualized and stalked by people who
only know me from children's movies. It still happens."
One of the biggest differences between Rodrigo's and Spears's respective rises to fame is the proliferation of
social media. It's easier to transition from a media object to a relatable teenager when you can take control of
documenting your life. Stars like Rodrigo don't have to wait and hope for tabloids to show their humanity —they
can go on Instagram Live, post a photo with their friends, show their lunch and tweet their thoughts.
That being said, the private lives of our favorite stars are still a commodity.
When Rodrigo debuted her single "Drivers License," fans obsessed over her relationship with her HSMTM co-star,
Joshua Bassett. Rodrigo has said little about the source of her inspiration, but in an interview this January she
claimed it was "not important." She still hasn't discussed her exes publicly, and her social media presence is
mostly devoid of men. In stark contrast to Spears's barrage of questions and tabloid covers regarding her
relationship with Justin Timberlake, Rodrigo appears to have more control regarding her love life, and what
information she chooses to share.

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The transparency of social media provides a level of protection. When pop stars feel unfairly attacked or
objectified, they can air their feelings.
"We don't know what they were doing to Britney and Mariah [Carey] and Christina [Aguilera]," said Butler, the
Berklee chair. "Today, you turn on Twitter or TikTok and we know what's going on in everybody's business."
"Transparency is what led to the shift in treatment," she added. "It's the fact that we can say, 'Hey, wait a minute,
you can't do that to her!' or 'That's not fair.' Thirty years ago, what those women went through was so private. But
today, I don't care how much you want to keep it a secret. Somebody's going to tell on you."
This summer was pivotal for Rodrigo and Spears. The 18-year-old made her first big foray into politics at the direct
request of the White House after her debut album went platinum, while the 39-year-old publicly spoke up in court
for the first time about her conservatorship.
It only makes sense that the pop stars took to Instagram to celebrate their wins. Rodrigo, whose most recent
images were all promotion for "Sour," uploaded a selfie of herself with President Biden and wrote a lengthy caption
about the importance of vaccines. Spears, in between posting memes with captions alluding to her legal plight,
posted a photo of herself topless, her arms strategically placed, with a simple plant emoji.
Both images received millions of likes. Both images showed how differently fame affects people. Both images
proved that there's not one right way to be America's pop princess.
This post has been updated.

DETALLES

Materia: Conservatorship; Presidents; Musicians &conductors; Sexuality; Musical

performances; Social networks; Empowerment

Término de indexación de Asunto: Conservatorship Social networks

negocios:

Personas: Rodrigo, Olivia; Biden, Joseph R Jr; Spears, Britney

Título: The unexpected link between Britney Spears and Olivia Rodrigo explains so much
about being a pop star today

Autor: Onwuamaegbu, Natachi

Título de publicación: The Washington Post (Online); Washington, D.C.

Año de publicación: 2021

Fecha de publicación: Aug 3, 2021

Sección: Entertainment

Editorial: WP Company LLC d/b/a The Washington Post

Lugar de publicación: Washington, D.C.

País de publicación: United States, Washington, D.C.

Materia de publicación: General Interest Periodicals--United States

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 ISSN: 26419599

Tipo de fuente: Blog, podcast o sitio web

Idioma de la publicación: English

Tipo de documento: News

ID del documento de 2557684860

ProQuest:

URL del documento: https://www.proquest.com/blogs-podcasts-websites/unexpected-link-between-

britney-spears-olivia/docview/2557684860/se-2?accountid=14529

Copyright: Copyright WP Company LLC d/b/a The Washington Post Aug 3, 2021

Última actualización: 2021-08-05

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