E

WIPO/CR/KRT/05/1
ORIGINAL: English
DATE: January 2005

REPUBLIC OF THE SUDAN WORLD INTELLECTUAL

PROPERTY ORGANIZATION

WIPO NATIONAL SEMINAR ON COPYRIGHT,

RELATED RIGHTS, AND COLLECTIVE MANAGEMENT
organized by
the World Intellectual Property Organization (WIPO)
in cooperation with
the Ministry of Culture

Khartoum, February 28 to March 2, 2005

OVERVIEW OF THE INTERNATIONAL PROTECTION OF COPYRIGHT AND

NEIGHBORING RIGHTS: FROM THE BERNE CONVENTION FOR THE PROTECTION
OF LITERARY AND ARTISTIC WORKS TO THE AGREEMENT ON
TRADE-RELATED ASPECTS OF INTELLECTUAL PROPERT RIGHTS
(THE TRIPS AGREEMENT)

prepared by Mr. Henry Olsson, Judge at the Court of Appeal,

and Special Government Adviser, Ministry of Justice, Stockholm
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1. Copyright protection in Sudan

Sudanese works

As we know, many things in our daily life have one connection or another with intellectual
property. Things we use can be patented or they may be branded products where the
trademark protection or the protection of designs come in. We are also surrounded by works
of art or music or, in particular, literature, and our computers run on computer programs and
we access data bases in order to obtain information. Here copyright and related rights come
into focus.

Much of those matters are of Sudanese origin and protected under the copyright law of the
country.

Copyright in Sudan is governed by The Copyright and Neighbouring Rights Protection Act,
0f 1996. This means in essence that rights under that Act applies in Sudan to Sudanese
nationals and also to works first published in Sudan, all according to the provisions of Article
4 of the Act.

However, certainly also a number of works which are used in Sudan are works of foreign
authors. Here comes the question of the copyright protection of foreigners. In this respect it is
important to note that Sudan is, since December 28, 2000, party to the Berne Convention.
From this fact follows that also foreign works are protected in Sudan. Thus, Article 4.2 of the
Act contains provisions which extends the protection to works of foreign authors which are
published or made available to the public in a foreign country on the basis of either a
reciprocal treatment or international instruments to which Sudan may become a party.

As regards Sudan´s international relations it should also be noted that Sudan is member of
WIPO and, as just mentioned, also a party to the Berne Convention. Sudan does not seem to
have acceded to any of the conventions in the field of neighbouring rights. As regards the
World Trade Organization, Sudan submitted its application for membership in October 1994
and the latest meeting of the Working Party set up to consider the application met in March
2004. It is to be expected that the country would comparatively soon join WTO. This will
mean some new intellectual property obligations but of course also considerable trade benefits
for the country.

The following parts of the presentation tries to give a brief overview of the international
system for the protection of copyright and related rights and how it affects and would affect
Sudan..

2. Main features of the international system

Copyright protection is based on national law

In Sudan as in all other countries the protection of copyright and related rights is provided by
a national legislation that has effects on the territory of the country.

Mechanisms for copyright protection of foreigners in Sudan

Protection of works which are not by Sudanese authors and not published for the first time in
the Kingdom are not per se covered by the national law. They are, instead protected by the
fact that Sudan is party to the Berne Convention. The main mechanism of that Convention is
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the following. Essentially the same applies to other treaties in the copyright/related rights
field.

a) National treatment

The first obligation is that Sudan is obliged to grant protection pursuant to the national law of
Sudan to works from all other member states of the Berne Convention. This is generally
called the “national treatment.”

b) Minimum rights

The protection to those foreign authors must not be below a certain level. This means that
certain rights which are specified in the Convention must be provided for in respect of those
foreign works, that the term of protection must not be shorter that mentioned in the
Convention, and that the limitations on the rights must conform with what the Convention
prescribes. This is called the principle of “minimum rights.” Those minimum rights apply
only to the foreign authors and not necessarily to the authors who are protected under the
national law itself.

c) No formalities

A third important element consists of a prohibition against any formalities as a condition for
protection of those foreign authors. Registration, a copyright notice or any other formalities
are prohibited in this respect. On the other hand, for instance registers may well be kept for
other purposes, as is the case with Sudan, but the protection must not depend on whether such
a recording has been made or not.

d) Some details about the international copyright system

The following part of this presentation contains some more detailed information about the
international system in this field.

This part will deal with three main subjects

1. The system under the Berne Convention and its impact on Sudan

2. The system for the international protection of related rights

3. The World Trade Organization (WTO) and the so-called TRIPS Agreement and its impact
when the Sudan enters WTO.

3. The Berne Convention

3.1. The history of the Convention; why is it there

As just indicated, copyright in any given country is governed by a national law on the subject
matter which lays down the basic rules about the protected works, the rights in such works,
period of protection, sanctions for infringements of those rights, etc.
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National laws apply, however, only on the territory of the country concerned, that is, to acts
that are accomplished or committed on that territory, and they have no effect in other
countries.

a) International dissemination of works

Works of the mind - which is the subject matter of protection under copyright law - are
intended to be disseminated regardless of national borders. In order to encourage such
international dissemination and at the same time protect such works even if they are used
outside their country of origin, countries started already during the last century to conclude
international agreements. France was in this respect a leading country.

b) Bilateral agreements

The international agreements were at the outset bilateral, that is, they were concluded between
two countries, but became later multilateral, i.e. with validity between several countries.
Whichever the case was, the countries bound by such international agreements undertook to
give protection to works from the other country or countries bound by that same agreement in
the same way as protection was given to works from that country itself.

c) International agreements; the Berne Convention

As the bilateral agreements were nor comprehensive nor particularly uniform, the need was
soon felt to establish a multilateral treaty on the subject matter. This led to the adoption of the
Berne Convention for the Protection of Literary and Artistic Works, on September 9, 1886.
That Convention is administered by the World Intellectual Property Organization (WIPO), in
Geneva.

d) Revisions of the Convention

The original text of that Convention has since been revised several times in order to deal with
the social and technological developments that affect the contents and the application of
copyright law. Thus, the Convention was revised in Berlin in 1908, in Rome in 1928, in
Brussels in 1948, in Stockholm in 1967 and in Paris 1971. It should be mentioned that the
Stockholm Conference was intended not only to revise the substance of the Convention but
was also a first effort to deal, in the context of international copyright law, with the special
problems which the developing countries were faced with. The efforts in Stockholm were,
however, not successful, and new provisions in this respect were introduced in the Paris text
of the Convention, which are briefly dealt with below.

After the Paris Conference, the Berne Convention has not been revised. It has been considered
politically impossible, because any revision must build on consensus and such is very difficult
to obtain in to-day´s world.

New international norms in the field of copyright came into being not through a revision of
the Berne Convention but through the adoption of the 1996 WIPO Copyright Treaty (WCT).

The Berne Convention is by far the most important convention in the field of copyright.
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3.2. The Basic Principles of the Convention

The basic aim of the Convention is to provide an effective and uniform protection of the
rights of authors. For that purpose, the Convention relies on some basic principles. These are
essentially the same general principles that were mentioned above. In the context of the Berne
Convention, they are essentially the following. As Sudan is party to the Berne Convention,
this also shows which commitments that Sudan has towards the other around 150 members of
the Convention.

a) The principle of national treatment.

This means that in each country bound by the Convention works originating in another
country also bound the same Convention shall be given the same protection as the former
country grants to its own author

b) The principle of automatic protection.

This means that such national treatment shall not be depending on any formality, such as
registration or deposit or special marking of copies of the works.

c) The principle of independent protection

This means that the enjoyment and exercise of the rights in a protected work in a certain
country is independent of the existence or non-existence of protection in the country of origin
or in any other country.

d) The principle of minimum rights

This means that certain rights, which are described fairly in detail in the Convention, always
shall be granted to authors who enjoy protection under the Convention. It should be noted in
this context that the mechanism of the Convention is to provide for protection for works
originating in other countries and not to guarantee protection to works originating in that same
country.

3.3 Subject Matter of Protection; what must be protected under the Berne Convention

a) Literary and artistic works

The subject matter of protection under the Berne Convention is "literary and artistic works"
by which is meant any original production in the literary, scientific or artistic domain,
regardless of the mode or form of its expression. Provisions in this respect are included in Art.
2. of the Convention.

As examples can be mentioned novels, short stories, musical tunes, artistic works, audiovisual
works and, according to an increasing trend in the world to-day, also, for instance, computer
programs and data bases; some countries also protect sound recordings under copyright,
although most of those countries give protection for them not as works but as subject matter
other than works.

Also so-called derivative works are protected, that is, works which are created on the basis of
other pre-existing works, for instance, translations, adaptations and arrangements of music.
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Those are types of works where it is mandatory to grant protection. In the case of other
special categories of works the protection is optional, for instance as regards official texts of a
legislative, legal or administrative nature, works of applied art, lectures, addresses and oral
works and works of folklore.

b) No need for fixation in order to be protected

Generally, protection under the Convention does not presuppose that the work be fixed in a
material form, e.g. that a piece of music is actually written down on paper or recorded. The
Convention allows, however, the countries to make protection depending on the work being
fixed in such a material form.

3.4 Beneficiaries of the protection; to whom must copyright protection be given

a) The authors

The persons who enjoy protection under the Berne Convention are the authors and their
successors in title.

b) Provided that they have certain links to the Convention

Authors are protected under the Convention under certain conditions (points of attachment),
namely that they are nationals or residents of a country which is party to the Convention or, if
this condition is not met, if they first publish their works in such a country (or do so
simultaneously in such a country and in a non-party country). As mentioned above, the aim
of the Convention is to protect foreign authors; consequently, the protection does not operate
in what is called the country of origin of the work, which is primarily the country where the
work is first published.

3.5. Rights to be granted; minimum standards of protection

The Berne Convention prescribes certain minimum standards of protection, that is, certain
standards that have to be granted to those authors who enjoy protection under the Convention
in a certain country (that is, primarily, foreign authors). Those standards apply to the rights
that have to be granted and to the period of protection.

The rights that shall be granted are the so-called economic rights and the co-called moral
rights.

3.5.1. The economic rights

a) The rights

Those rights include the rights to

- translate/adapt/arrange or otherwise alter the work,

- reproduce it in any manner or form, and to

- make it available to the public (e.g. perform publicly dramatic, dramatico-musical and
musical works, to broadcast and communicate the work to the public by wire etc., to recite the
work publicly, and to make cinematographic adaptations and reproductions of the work.
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b) The exclusive nature of the rights

Those rights have to be exclusive, that is, no one else than the right-owner, or a person having
his authorization, is entitled to carry out an act covered by the right in question.

c) The mandatory nature of the rights

Also, those rights that have been mentioned now are mandatory in the sense that they have to
be provided for. Another right, namely the so-called "droit de suite" (right to a share in the
proceeds from the selling of original works of art and original manuscripts) is, however,
optional and applies only if the country to which the author belongs so permits.

3.5.2. The moral rights

Those rights are independent from the economic rights and include

- the right of the author to claim authorship to his work (called the paternity right) and

- the right to object to any distortion, mutilation or other modification of, or other derogatory
action in relation to, the work, if such an act would be prejudicial to his honour or reputation
(called the right to integrity).

3.6 Limitations/exceptions to the economic rights

The Convention contains provisions giving possibilities for countries to provide for certain
limitations on the exclusive rights. In certain of those cases, the limitations mean that certain
uses are permitted without the authorization of the author and without payment of any
remuneration ("free use").

One of those possible limitations concern reproduction in certain special cases if that
reproduction does not conflict with the normal exploitation of the work and does not
unreasonably prejudice the legitimate interests of the author. This is called the three-step-test.
This is an important provision because it is a standard against which a court has to judge
whether a certain limitation and its use is actually admissible. It appears also in the TRIPS
Agreement.

Other such limitations concern the use of works for the purpose of quotations or by way of
illustration for teaching purposes, reproduction of newspaper or similar articles or of works
for the purpose of reporting current events. In other cases use is permitted without
authorization by the author but against payment of a remuneration (generally called "statutory
licenses"). This is the case in respect of the right of broadcasting or communication to the
public by wire and the right to make sound recordings of musical works in case authorization
for such use has earlier been granted.

3.7 Duration of the protection

As far as the duration of the protection is concerned, that is, the period for which the rights
shall last, the general rule is that the term shall be the life of the author and 50 years after his
death. For cinematographic works the term may be calculated to be 50 years after the work
was made available to the public. For photographic works and works of applied art, the
minimum term is 25 years from the making of the work.
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The rationale for the limitation in time is two-fold. First, it is considered that works should
after a certain time form part of the cultural heritage and thus be free for use. On the other
hand the time has to be sufficient to provide an economic incentive for authors to create.

3.8 Administration of the Convention, etc.

The Berne Convention is administered by the World Intellectual Property Organization

(WIPO). Its secretariat, the International Bureau, is also the secretariat of the Union ("the
Berne Union") of which all Contracting States to the Convention are members.

A State can become party to the Berne Convention by depositing an instrument of accession
with the Director General of WIPO; the accession becomes effective three months after the
deposit of the instrument. As just mentioned, presently around 150 countries are party to the
Berne Convention; those include both developing countries and industrialized countries in all
the continents.

4. International Conventions in the Field of Related Rights.

4.1. General

As mentioned above, there are three "classical" international conventions in the field of the
so-called neighbouring rights:

- The International Convention for the Protection of Performers, Producers of Phonograms

and Broadcasting Organizations (the Rome Convention) of 1961;

- The International Convention for the Protection of Producers of Phonograms Against

Unauthorized Duplication of Their Phonograms (the Phonograms Convention), of 1971;

- The Convention Relating to the Distribution of Programme-Carrying Signals Transmitted

by Satellite (the Satellites Convention) of 1974.

To these Conventions should be added the 1996 WIPO Performances and

Phonograms Treaty (WPPT), which provides for protection of performing artists in audio
contexts (not audiovisual performers), and also phonogram producers.

As its name indicates, the Rome Convention provides for protection of all three categories of
right-owners in the field of related rights/neighbouring rights, while the other two conventions
provide for protection only of one category, namely phonogram producers and a special type
of broadcasters, viz. operators of certain types of satellite transmissions.

As Sudan is presently not party to those Conventions they are left aside in the main body of
this document. A description is contained in Annex.

Instead some attention is given to the World Trade Organization (WTO) because Sudan is
presently negotiating its entry into that Organization which means that new intellectual
property obligations will arise for Sudan.
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5. The World Trade Organization; The TRIPS Agreement

The TRIPS regime that was briefly mentioned above contains provisions also on the
protection of copyright and related rights. In order to fully understand the TRIPS system and
its place in the context of international intellectual property law it is necessary to give a short
summary of the main features of the developments leading to the setting up of the World
Trade Organization (WTO) and the adoption of the TRIPS Agreement. This is of special
importance for Sudan when it enters the WTO.

5.1. General about the TRIPS Agreement

On December 15, 1993, the negotiations under the Uruguay Round in the framework of the
General Agreement on Tariffs and Trade (GATT) were concluded. One of the many areas of
negotiations was intellectual property that had not before been under the GATT regime. The
result of the negotiations in the field of intellectual property is contained in the above-mentioned
Agreement on Trade-Related Aspects of Intellectual Property Rights, Including Trade in
Counterfeit Goods (generally called "TRIPS").

The Agreement was formally signed by 111 of the members of GATT at Marrakesh in Morocco
on April 15, 1994, and entered into force on January 1, 1996 (The new organization set up under
the Uruguay Round, the World Trade Organization, WTO, started its work on January 1, 1995).

WTO has presently 148 members.

To put matters into a proper context, it should be emphasized that the results of the Uruguay
Round was

1) the Convention Establishing the WTO,

2) 14 multilateral trade agreements,
3) the General Agreement on Services (GATS),
4) the TRIPS Agreement and,
5) four so-called plurilateral agreements (on government procurement, civil aircraft, diary
products and bovine meat).

The TRIPS Agreement contains a special regime for intellectual property which is partly self-
contained, partly based on the contents of the conventions administered by WIPO, primarily the
Paris and the Berne Conventions and the Rome Convention and also, in the industrial property
field, the so-called Washington Treaty on Integrated Circuits.

The TRIPS regime consists of several elements, primarily

- norms on the contents of the rights ("standards")

- certain basic principles
- enforcement
- dispute prevention and settlement
- transitional arrangements, and
- institutional arrangements.

The system means that protection for intellectual property must be given according to the
standards prescribed in the Agreement and that there must be a system for enforcement which is
in accordance with the detailed provisions contained in the Agreement. If a country does not live
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up to these obligations, there is a risk that the country will be subject to a dispute settlement
procedure and as a possible end result also trade sanctions for non-implementation of TRIPS.

The results of the Uruguay Round form one package, or, in other words, the Round forms “a
single undertaking” including also the TRIPS Agreement. It is not possible to adhere to the
World Trade Organization without also becoming bound by all the Agreements attached to it, for
instance the TRIPS Agreement. It is, in other words, not possible to opt out of the TRIPS
Agreement. Consequently, when a country has adhered to that Organization, the Agreement will,
as from that date, have effect in the State concerned. (As regards transitional measures; see
below).

The basic obligation of the Agreement is that member States have to give effect to it. In other
words, the protection provided for in the Agreement must be granted. Members may, in addition,
grant more far-reaching rights provided that they do not contravene the Agreement, for instance
by violating the principle of national treatment.

The method of implementation is left to each State. Such implementation may, for instance, by
carried out by incorporating the contents of the Agreement in domestic law or by a provision of
self-execution.

5.2. The Standards to be Applied; which obligations will arise for Sudan

a) Beneficiaries to whom the standards apply

A WTO member State shall grant the protection to the nationals of other members of the WTO.

A "national" shall be understood as meaning those natural or legal persons who would be eligible
for protection if all Members of WTO were also bound by the Paris, Berne and Rome
Conventions and of the Washington Treaty on Intellectual Property in Respect of Integrated
Circuits (generally called "IPIC"). The protection to be given under the TRIPS Agreement is
consequently to be given on the basis of nationality. After accession to the WTO Sudan will
consequently have to give protection for all intellectual property rights covered by the
Agreement to nationals from all other WTO members.

b) Standards for the protection

A general remark is that TRIPS contains very detailed provisions on what the intellectual
property legislation of any WTO member must contain. Those provisions are essentially based
on the standards in the industrialised world. The effects of this comparatively high standard of
protection for intellectual property on developing countries has caused some discussion. One
remedy is that there are transitory regimes for developing countries and there are also some other
specific measures to assist in the implementation of the Agreement.

As regards industrial property, the Agreement contains detailed provisions on what the
protection for patents, trademarks, geographical indications, industrial designs and lay-out
designs for integrated circuits must contain and also provisions for the protection to be given to
trade secrets. The standards which apply to industrial property rights are, however, left aside in
this presentation.
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c) The copyright regime under TRIPS

The standards applicable to copyright consist of one general provision and several special
provisions.

The general provision states that members of WTO shall comply with Articles 1-21 of the 1971
Paris Act of the Berne Convention and, where applicable, with the Appendix to that Act
(containing special provisions for developing countries). This means that there is an obligation
under TRIPS for the WTO member States to comply with the substantive provisions of Berne
Convention. In practical terms most countries carry out this obligation through accession to that
text of the Convention (and Sudan is party to the Convention). It also means that the WTO
dispute settlement mechanism will be applicable in case of non-compliance with those
obligations.

An important exception from the application of the Berne standard concerns the moral rights;
there are no rights or obligations under the Agreement in respect of those rights (contained in
Article 6bis of the Berne Convention). Consequently, the Agreement may not be invoked in
respect of those rights; the Berne Convention remains solely applicable.

The general provision also expresses a general principle in copyright law, namely that copyright
protection extends only to the expression and not to the ideas, procedures, methods of operation
or mathematical concepts as such. (Algorithms, for instance in computer programs, are not
mentioned). This provision merely restates that copyright is a protection of the individual
expression that the author has given to his ideas and not to the ideas as such and not to the facts
or the data contained in the work.

The special provisions in the copyright field prescribe the following.

Computer programs shall be protected as literary works under the Berne Convention; this
protection shall apply both to source code and object code. This means, inter alia, that the
provisions on literary works in the Convention are applicable, that limitations on the rights must
be kept within the framework of what that Convention allows, that the period of protection shall
comply with the 50-year standard in that Convention and that the principle of national treatment
shall apply, meaning that computer programs from other Berne Convention member States shall
be protected.

Compilations of data (“data bases”) shall be protected as intellectual creations (that is, as
works) provided that they meet the criteria of originality by reason of the selection or
arrangement of their contents. Protection shall apply regardless of whether the compilation exists
in a machine-readable form or another form. The protection of the compilation does not extend
to the data or material itself and it shall be without prejudice to the copyright or other protection
for that material included.

A right in respect of commercial rental shall be granted as regards copies of computer

programs (except when the program itself is not the essential object of the rental, such as when it
is incorporated in various appliances) and of cinematographic works (this does, however, not
apply unless such rental has lead to widespread copying which is materially impairing the
exclusive right of reproduction). A rental right shall be granted also in respect of phonograms;
see below.

The term of protection for works (other than photographic works and works of applied art)
where the term is not calculated from the death of the author shall be 50 years from the end of
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the year of authorized publication or, if such publication has not taken place, from the year of the
making of the work.

Finally, certain provisions are given on the possibility to provide for limitations on the rights.
Those shall be confined to a) certain special cases which b) do not conflict with a normal
exploitation of the work and, 3) do not unreasonably prejudice the legitimate interests of the
author (the so-called “three-step test” which was mentioned above in the context of the Berne
Convention where the test applies, however, only to the right or reproduction).

As already indicated, this provision in the Agreement is of great significance both for national
legislators and for the courts. When a country becomes a member of the WTO it is a legal
necessity to interpret all limitations in the light of the three-step test.

d) The protection of "Related Rights" under TRIPS

Performing artists shall under the TRIPS Agreement have the right to prevent the fixation of
their unfixed performances on phonograms, the wireless broadcasting and communication to the
public of such performances, and the reproduction of a fixation of the performances. It is
important to note that the TRIPS Agreement does not cover audiovisual artists but only
performances that are recorded on phonograms.

This right is construed as a right to prevent and not as an ownership-type right to authorize or
prevent the acts concerned.

Furthermore, there are no provisions on rights - whether exclusive rights, right to prevent or
simply a right to remuneration - in respect of the broadcasting or communication to the public.
As mentioned, audiovisual fixations of performances are not covered. Consequently, the rights
provided for in the TRIPS Agreement are in some respects lower than the ones provided for in
the Rome Convention.

Producers of phonograms shall under the TRIPS Agreement enjoy the right to authorize or
prohibit the direct or indirect reproduction of their phonograms. Direct reproduction means direct
copying from a master copy; indirect copying is, for instance, when the sounds of a record are
broadcast and then recorded by the receiver. The right is an exclusive ownership-type right.

Broadcasting organizations - both sound radio and television bodies -shall have the right to
prohibit (once again, simply a prohibition right and not an exclusive right) the fixation of their
broadcasts, the reproduction of such fixations and the wireless re-broadcasting of such
broadcasts and the communication to the public (by wireless means or by wire) of television
broadcasts (not sound radio broadcasts). However, if rights are not granted to broadcasting
organizations, owners of the rights in the works broadcast shall have the possibility of preventing
the acts now mentioned.

As indicated above, the Agreement provides for a rental right in respect of producers and
other right-owners in phonograms as determined in domestic law. If, however, a country on the
date of the Ministerial Meeting adopting the TRIPS Agreement (April 15, 1995) had in force a
system of only an equitable remuneration for rental of phonograms, this system may be
maintained as long as such rental does not give rise to "material impairment" of the exclusive
right of reproduction of the right-holders concerned. This provision aims specifically at Japan,
which has in force such a remuneration system.
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The minimum term of protection is 50 years for performers and producers of phonograms and
20 years for broadcasters. The former period of protection corresponds to the international trend
and is higher than the one provided for in the Rome Convention where the minimum term is 20
years.

Generally, the same limitations etc. may be provided for as regards the related rights as those
that are allowed under the Rome Convention. There is, however, as regards the application in
time, an obligation to apply Art 18 of the Berne Convention in respect of the rights of performers
and producers of phonograms. This means, in essence, that, when national laws implement the
provisions on protection of those beneficiaries, the protection shall apply to all subject matter
that has not fallen into the public domain at that time.

5.3. The Basic Principles under which the TRIPS standards shall apply

a) The Principle of National Treatment

As mentioned above, the basic obligation under the Agreement is to give effect to it under
national law in the sense that it shall apply in relation to right-owners from other member States
of WTO.

This principle is expressed in two ways in the Agreement. First, there is a provision on national
treatment. This provision prescribes that each Member of WTO shall accord to nationals of
other members the same treatment that it accords to its own nationals with regards to the
protection of intellectual property. This means that right-owners from other WTO member
States shall, in this respect, be assimilated to the national right-owners.

Application to copyright

The principle applies in different ways in relation to copyright and in relation to the related
rights. As regards copyright it applies globally to all rights, that is, not only those expressly
provided for in the Agreement but also those flowing from other sources, principally the Berne
Convention. This principle parallels the one provided for in Art. 5 (1) of the Berne Convention.

Application to related rights

As regards the rights related to copyright, (performers', phonogram producers' and broadcasting
organizations' rights) the principle of national treatment applies only to the rights provided for in
the Agreement. If a country grants wider rights (for instance, remuneration to artists and
phonogram producers for the use of phonograms in broadcasting), there is no obligation under
the Agreement to grant those also to foreigners

The principle of national treatment in the field of copyright and related rights under the TRIPS
Agreement is subject to those exceptions as already provided for in the Berne Convention and
the Rome Convention. It is a particularly important provision because developing countries are
obliged to apply that principle already from the time when they become bound by the TRIPS
Agreement even if they may be entitled to apply the standards for protection only from January
1, 2000 or January 1, 2006 (se below under Transitional provisions).
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b) The Most-Favoured-Nation Principle (MFN)

The Agreement contains, moreover, a Most-Favoured-Nation Principle. This implies that any
advantage, favour, privilege or immunity with regard to the protection of intellectual property
shall immediately and unconditionally be accorded to nationals of all other Members.

There are some exceptions from this principle. As far as the copyright and related fields are
concerned, one exception is that it need not apply in case the Berne Convention or the Rome
Convention allows reciprocity (as is the case, for instance, in respect of the droit de suite).
Another exception concerns the related rights; here, MFN need not be applied to rights other than
those provided for in the Agreement. A third exception relates to what may be provided for in
agreements that have entered into force before the Agreement (for instance bilateral agreements
or the so-called NAFTA Agreement between the United States, Canada and Mexico).

The Most-Favoured-Nation Principle implies that it is not possible to treat different members of
WTO differently as regards the protection of intellectual property. Like the national treatment
principle also the MFN principle applies to developing countries from the outset even if they
may not be bound by the standards.

5.3 Enforcement

The part of the TRIPS Agreement that applies to enforcement is of particular significance. This
is the first time that an international instrument in the intellectual property field contains detailed
provisions on enforcement measures. Also, it is part of TRIPS obligations and failure to respect
them may entail sanctions under the dispute settlement system in WTO.

The enforcement provisions in the TRIPS Agreement are dealt with more in detail in a separate
presentation and are therefore left out in this context.

5.4 Dispute Prevention and Settlement

A particularly important element of the TRIPS Agreement are the rules on dispute prevention
and on dispute settlement. These provisions concern disputes between member States concerning
whether the obligations under any of the WTO Agreements, including TRIPS, have been
properly implemented. Consequently, these provisions concern mainly relations between states
and not disputes between individuals.

However, there does not seem to be any need for any detailed description of the WTO dispute
settlement system in this context. Only a few general remarks shall be made.

The intellectual property conventions administered by WIPO in general do not contain any
detailed provisions on dispute settlement. The Berne and the Paris Conventions provide for
recourse to the International Court of Justice in the Hague in case of a dispute between States
concerning the implementation of the conventions. Such recourse has, however, hardly ever
occurred. Countries have generally preferred to solve potential disputes bilaterally.

The provisions on dispute prevention and settlement under the TRIPS Agreement have a
different structure. First, they concern both measures aiming at preventing disputes and
measures for solving disputes that have arisen and failure to comply with the results of a
process under the dispute settlement procedures may result in trade sanctions.
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Even if there has been some dispute settlement cases in the copyright field, this part of the
TRIPS Agreement is, as just said, not further dealt with here.

5.5. Entry into force of TRIPS

The TRIPS Agreement as well as the entire WTO trade regulatory system has been in force since
the middle of the 1990s. However, developing countries which were members of WTO, and
also countries which were in the process of transformation into a market free-enterprise
economy and therefore had special problems in adapting their intellectual property systems
could, if they so desired, avail themselves of an additional period of four years to comply with
that Agreement, which meant that the obligations did not have to be applied until January 1,
2000.

The corresponding period for Least-developed countries is 2006. Upon a specified request, that
period may be extended on an ad hoc basis.

This possibility for a later application of the Agreement did not apply to certain provisions,
namely those on the Most-Favoured-Nation treatment and on National Treatment. The
provisions of those Articles had to be respected as from the date when the country became a
member of the WTO.

6. The “Internet treaties” of 1996

At a Diplomatic Conference in Geneva in December 1996 two treaties were adopted which
aimed at regulating a number of issues concerning the application of copyright and certain
related rights in the digital environment. As Sudan is not presently party to any of those
treaties, only a brief mention is made here of their contents.

6.1. WIPO Copyright Treaty (WCT)

This treaty entered into force on March 6, 2002, when 30 States had adhered to it. Presently
there are around 45 members of that Convention.

As indicated above, the treaty is intended to provide copyright protection for certain
phenomena in the digital environment, especially in the domain of the Internet.

As both the WCT and the WPPT will be covered by separate presentations, only a brief
mention shall be made here of their content.

To some extent the Treaty mirrors the provisions in the TRIPS Agreement and thus confirms
existing provisions (for instance by prescribing protection for computer programs and for data
bases).

In other respects the Treaty provides new and extremely important rules. One such rule
concerns an exclusive right in respect of so-called interactive on-demand-services. Those are
situations where protected works are made available in such a way that members of the public
can access them at a time and from a place chosen by those members. This is of course a
particularly important right in the Internet age when much material, be it computer programs,
music or films, is being distributed in precisely this way.

Furthermore – and this is particularly important – the Treaty contains obligations to provide
legal protection against manipulation of so-called technical protection devices (encryption
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and other forms of technological protection against unauthorised use of protected works and
contributions). This is a remarkable step because it means that a new layer of protection has
been added; in addition to the protection flowing from the rights now also the technical
measures used for protection of those rights are have been given legal protection. Finally, the
Treaty contains a similar prohibition against manipulation of so-called electronic copyright
management information (by which is means information identifying the right-owner, the
work and any terms and conditions about the use of that work).

6.2. The WIPO Performances and Phonograms Treaty (WPPT)

Also this Treaty was adopted by the above-mentioned Diplomatic Conference in Geneva and
entered into force on May 20, 2002. The Treaty now has around 45 member States.

The WPPT mirrors to a large extent the provisions in the Rome Convention on the protection
of performers and phonogram producers and to some extent also the TRIPS Agreement. Like
to WCT, also the WPPT contains new provisions, for instance on rights in interactive on-
demand-services and on protection of technological protection devices and copyright
management information. Moreover, the treaty prescribes, for instance, for the first time in
international law moral rights for performers and contains provisions on a distribution right
and a rental right etc. but it deals, as far as performers are concerned, only with aural
performances and not with audiovisual performances).

7. Some words about present developments in the copyright/related rights field

The international system for the protection of copyright and related rights has developed for
more than 100 years and has proved to function well also in to-day´s worlds. Inevitably,
however, the political, economic and technological developments in recent years have put
challenges to the traditional system. A need has emerged to develop that system in some
respects. Some of those efforts have succeeded, for instance the adoption of the two WIPO
“Internet treaties” in 1996. Other efforts have not succeeded so well. In the following part a
short information is given about some of the present-day developments.

a) Performers in audiovisual performances

As just mentioned, the WPPT does not cover performers in audiovisual performances. A
new Diplomatic Conference on this issue was held in December 2000 but failed to achieve a
final result. The main reason was differing views between – primarily – the United States and
the European Union concerning the desirability and designing of provisions in the treaty on
the transfer of rights from the performer and the producer. Informal consultations are
presently going on to see if there is sufficient progress to convene a new Diplomatic
Conference on this issue.

b) Protection of broadcasters

Another issue which is presently dealt with in the framework of the WIPO Standing
Committee on Copyright and Related Rights concerns the protection of broadcasters. The
international protection of those is primarily based on the Rome Convention which is now
more than 40 years old and of course fails to take into account the enormous technological
development which have occurred since then. The discussions in the Standing Committee on
a treaty dealing with these issues may result in a Diplomatic Conference in the nest few years
to come.
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c) Protection of non-original data bases

Furthermore, some discussions – although not as advanced as in the case of broadcasters – are
going on concerning a possible treaty on the protection of non-original databases (i.e.
databases that are not protected under copyright). This is, however, an issue which is
contested by a number of developing countries.

d) Protection of traditional cultural expressions/folklore

Finally, it should be mentioned that some discussions are presently conducted on an issue that
has links to copyright and neighbouring rights. Those are the deliberations on a possible
international protection of traditional knowledge and folklore (or, more correctly,
“traditional cultural expressions”) Those issues are dealt with in a special Committee within
WIPO, namely the Intergovernmental Committee on Genetic Resources, Traditional
Knowledge and Folklore but they are far from finalised.

e) General trends

Finally, it should be added that the international environment for copyright has become more
turbulent in recent years. One reason is an increasing tension between developing and
developed countries in the field of trade as a result of the breakdown of the negotiations at the
WTO Ministerial Meeting in Cancún. There are also some misgivings about the impact of
TRIPS which has been experienced in certain developing countries.

Another reason lies in the divide between those who have access to new information
technologies and the “have-nots” which came to surface for instance in the context of the
World Information Summit in December 2003.

Therefore, it would seem that any international negotiations in the field of intellectual
property and consequently also as regards copyright are becoming increasingly difficult.

Furthermore, at the WIPO Assembly in 2004 some developing countries proposed a

Development Agenda for WIPO. The main point was that development concerns always
should be taken into account in WIPO´s norm-setting activities and that more weight should
be given to “the civil society”. The details of this proposed Development Agenda are left
aside here as that is a mainly political exercise and no end result exists. However, a
mechanism has been set up in the WIPO framework to deal with this and the matter will be
discussed further at the Assembly in September 2005.

8. Some words about regional cooperation in the field of copyright; the European Union

Regional cooperation for the development of intellectual property, including copyright/related

rights is a rather common phenomenon. There are many examples of cases in both the Arab
countries, Asia, Africa and Latin America where regional cooperation has developed in this field.

Only one example shall be mentioned in this context, and this is only by way of example,
because it may show which the areas are where regional cooperation may play a role.

The European Union comprises now 25 member states with a combined population of around
450 million people.
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The basis for that Union was originally to provide for a common market for goods and services.
Such a common market presupposes that the copyright laws of the participating countries do not
differ too much because this would create a distortion of the free circulation of goods and
services. Consequently, it is desirable and even necessary to harmonize the copyright laws;
different levels of protection within a "common market" obviously distorts trade.

The way in which harmonization within the European Community is achieved is by means of
"Directives." Such Directives, which are adopted by the Council of Ministers of the Members
States of the Community acting together with the European Parliament, consist of rather detailed
instructions for how the national copyright laws of the Member States have to be changed,
before a certain date, in order to comply with the directive in question. It is, by means of such
uniformity in important areas, possible to facilitate the free flow of goods and services in the
Community.

Until now, seven directives have been adopted in the copyright area. Those are

1) the Computer Program Directive (91/250 EEC)

2) the Rental and Lending Directive (92/100/EEC)
3) the Satellite and Cable Directive (93/83/EEC)
4) the Term of Protection Directive (93/98/EEC) and
5) the Data Base Directive (96/9/EC).
6) the Directive on Copyright and Neighboring Rights in the Information Society (“The
Infosoc .Directive”) and
7) the Directive on Authors´ Resale Right (Droit de Suite).

In addition, a Directive on Enforcement has been adopted which covers both copyright and
industrial property. This Directive is basically an elaboration of the provisions in the TRIPS
Agreement and is the subject of a special presentation.

The contents of the other Directives are not dealt with here. It shall only be noted that the
Computer Program Directive provides that such programs shall be protected as literary works
under copyright law and that the Term of Protection Directive provides, details aside, for a term
of 70 years for the protection of copyright and 50 years for the protection of neighboring rights.
The Data Base Directive provides, in essence, that such bases which are original are to be
protected as literary works under copyright law; data bases which do not meet the criterion of
creativity enough to qualify as works but which nevertheless represent a significant investment
are to be protected under a "sui generis" right which includes a right to prevent unfair extraction
of data. The Infosoc Directive contains provisions on copyright/neighboring rights issues in
relation to the new technologies and its implementation will also make it possible for the
European Community to join the 1996 WIPO treaties (“the Internet Treaties”).

In addition to this cooperation in the legislative field there is a close cooperation between the
Community Member States also in a number of other areas touching upon intellectual property.
This is particularly so in the context of trade policy issues in the World Trade Organization.
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Annex

Neighbouring rights conventions.

1. The Rome Convention

The Rome Convention is often referred to as a pioneer convention in the sense that it -
contrary to most other intellectual property conventions -was based on an effort to establish
international regulations in a field where at that time few national legislations existed.
Consequently, one of the main features of that Convention is the impact it had on national
legislators rather than the number of accessions to the Convention.

The system under the Rome Convention is, as is the case in respect of most other intellectual
property treaties, based on certain main principles.

The Convention determines only the protection that a Contracting State is obliged to grant in
respect of beneficiaries from other Contracting States. Its aim is thus to provide for an
international protection and not to protect the country's own performing artists etc.

The principle of national treatment applies, which means that a Contracting State is obliged
to protect beneficiaries from other Contracting States in the same manner as it protects its
own beneficiaries. This means that such foreign beneficiaries are assimilated to the national
ones.

Also, the Convention provides for a certain minimum protection. This means that the
protection granted to foreign beneficiaries must not be below a certain level, which implies
that those beneficiaries must be granted certain minimum rights.

The principle of national treatment applies if certain criteria are met ("points of
attachment"). In respect of performers Contracting States shall grant national treatment if the
performance takes place in another such State or the performance is incorporated in a
phonogram that is protected under the Convention or is included in a broadcast which is thus
protected. Producers of phonograms shall enjoy national treatment if the producer is a
national of another Contracting State or the first fixation of the sounds was made in such a
State or the phonogram was first published in another such State. Finally, as regards
broadcasters, national treatment shall be granted if the headquarters of the broadcasting
organization is situated in another Contracting State, or the broadcast is transmitted from a
transmitter in such a State.

The minimum rights under the Convention include

As regards performers, that they shall have the possibility to prevent the broadcasting or
communication to the public of a live performance, the recording of such a performance and
(under certain conditions) the reproduction of a recording of a performance;

As regards producers of phonograms, that they shall have the right to authorize or prohibit
the direct or indirect reproduction of their phonograms; and

As regards broadcasting organizations, that they shall have the right to authorize or prohibit
the re-broadcasting of their broadcasts, the recording of their broadcasts, the reproduction of
recordings of their broadcasts (under certain conditions) and the communication to the public,
against payment, of television broadcasts.
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The Convention also contains a provision according to which an equitable remuneration

shall be paid to the performers and/or phonogram producers if a phonogram published for
commercial purposes is used directly for broadcasting or communication to the public. The
Convention, however, allows Contracting States to exclude wholly or in part the application
of this provision.

As can be seen, there are clear links between the rights of authors and the rights of the
beneficiaries under the related/neighbouring rights concept. The intention is, however, that
one shall not interfere with the other. Therefore, the first Article of the Convention provides
that the protection granted under the Convention shall leave intact and shall in no way affect
the protection of copyright in literary and artistic works.

The Convention gives a possibility for States to provide for limitations to the rights, which
limitations are similar to those under copyright law. The minimum period of protection is 20
years to be computed from the fixation of a phonogram or a performance, from the
performance or the broadcast, as the case may be. There is also in the Convention a limitation
on the formalities that may be requested as a condition for protection of phonograms. Such
formalities shall always be considered as fulfilled if published phonograms have a notice
consisting of the letter P within a circle, the name of the right-owner and the year of the first
publication.

The Convention has presently around 70 members.

2. The Phonograms Convention

The Phonograms Convention is a typical anti-piracy convention; it was established in order to

create an efficient international legal instrument designed to combat piracy, which at the time
when the Convention came into being was becoming an increasingly harmful problem. A
number of countries that wanted to improve the means to fight piracy were not able to adhere
to the Rome Convention and thus a specialized convention like the Phonograms Convention
was seen as the solution.

The substantive provisions of the Phonograms Convention are fairly simple. The Contracting
States are obliged to protect phonogram producers who are nationals of other Contracting
States against the reproduction of their phonograms without their authorization and against
the importation of such unauthorized reproductions if the reproduction or the importation is
made for the purposes of distribution to the public. This protection must last at least 20 years
from the first fixation of the phonogram.

The Convention has presently around 70 members.

3. The Satellites Convention (or Brussels Convention)

The Satellites Convention is structured somewhat differently from the other conventions in
this field; it does not confer rights to the beneficiaries but contains an undertaking for the
Contracting States to take adequate measures in order to prevent distribution on or from their
territory of programme-carrying signals by any distributor for whom the signal is not
intended. The Convention does not apply to so-called direct broadcasting satellites (satellites
where the signals can be received directly in individual households by means of fairly small
antennas) but only to other types of satellites (so-called "fixed-satellite services" where the
signals go to a receiving earth station from where they are distributed further). The
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undertaking under the Convention can be met in different ways, such as by administrative or
penal law or by the granting of exclusive rights similar to copyright.

The Convention has presently around 25 members.

[End of document]