Professional Documents
Culture Documents
2022
English 1301
Dr. Frances Johnson
29 September 2022
deep understanding of themselves (Bazerman & Tinberg, 2015). For them to have this they need
years of practice, advanced metacognition, along with an understanding of their emotions. The
purpose of this synthesis is to explain that writers need to be able to have a complex thought
Writing itself is always a cognitive action (Dryer, 2015). Writing begins before a person
starts to write (Dryer, 2015). Questions have to be asked and answered before words are written
down so that the narrative, structure, and flow of ideas are able to be comprehensible to the
reader (Dryer, 2015). However, sometimes the way a person writes a narrative does not fit into
the structure of what they are writing (Dryer, 2015). To avoid confusing the reader the writer
must use their cognitive abilities to think through what they are writing in order to make it match
To obtain the complex cognitive abilities to master writing, years of practice are needed.
Over these years skills will be developed that will increase a writer's cognitive function to the
point of mastery. Doing an activity for the first time requires the brain to form new neural
connections (Dryer, 2015) that take time to become a mastered skill or a habit (Anson, 2015).
However, while forming these habits performance in other areas of the brain is reduced (Dryer,
2015).
Joseph Lewis Fall 2022
English 1301
Dr. Frances Johnson
29 September 2022
Habits are able to expand a writer's abilities to the point where they do not have to think
about an action (Anson, 2015) to do it. This allows them to use their mind to be able to focus on
Writers unknowingly use thought processes and writing styles they are well versed in
when writing outside of their comfort zone (Anson, 2015). This leads to problems when the
writer needs to do something new or wants to expand their skills. A way to fix this problem is by
using metacognition (Taczak, 2015). Metacognition is thinking about the thought process itself
and why we made the choices we made (Tinberg, 2015). By using metacognition writers can
become aware of the way they are writing and subconsciously do so that they are able to
overcome them. However, cognition and metacognition come together when reflecting (Taczak,
2015) which is done throughout the writing process. To properly reflect a writer needs to
systematically remember past writing experiences to use them in the needed situation (Taczak,
2015). A writer that has the ability to utilize metacognition along with reflection is able to
transfer the skills they have developed from one genre of writing to another. Having that skill
will drastically improve a writer's ability to create work in different fields of writing.
There is another type of complex mental process at work that adds an additional element
to cognition (Bazerman & Tinberg, 2015). It is called embodied cognition which uses the mental
process, physical and affective aspects of writing instead of only using mental processes like
cognition. The physical part is how your body reacts to writing such as tension in their body
while the affective part is how a person's emotions change what they are writing (Bazerman &
Joseph Lewis Fall 2022
English 1301
Dr. Frances Johnson
29 September 2022
Tinberg, 2015). It stands to reason that how a person’s emotion would affect their writing is
different for everyone. That is when a writer must use metacognition to figure out how and why
their emotions and physical state are influencing what they do.
In conclusion, in order for a person to master writing, they need to have advanced
cognitive abilities to produce a piece of writing that matches their goal for writing (Dryer, 2015).
To avoid subconscious decisions in their writing a writer must use metacognition (Tinberg,
2015) and reflect on what they wrote to improve their work (Taczak, 2015). Forming habits is
beneficial to a writer by increasing their cognitive abilities. Emotions can influence the way a
E. Wardle (Eds.), Naming what we know, classroom edition: Threshold concepts of writing
L. Adler-Kassner & E. Wardle (Eds.), Naming what we know, classroom edition: Threshold
E. Wardle (Eds.), Naming what we know, classroom edition: Threshold concepts of writing
& E. Wardle (Eds.), Naming what we know, classroom edition: Threshold concepts of writing
(Eds.), Naming what we know, classroom edition: Threshold concepts of writing studies (pp. 75-