Professional Documents
Culture Documents
● Michaelangelo
Description
● What Do You See?
Analysis Of Elements
● How Did The Artist Do It?
Interpretation
● Theory
Evaluation
● Do You Like It? Why?
Spolarium
● Juan Luna
Description
● What Do You See?
Analysis
● Interpret The Elements
Interpretation
● Theory
Evaluation
● Do You Like It? Why?
PS:
ETO NA MGA BESSY MAE! Patawarin nyo ang
person for wrong grammar and spelling kasi SINO
BA KAYO PARA MAGREKLAMO? ARE YOU GUYS
Week 8
Forms Of Art
Visual
● Visual In Nature
● Ceremonial, Artistic Expression, Narrative ,
Functional And Persuasive
Performing
● Use Of Voice , Body Or Inanimate Object
● Collaborative And Enhances Focus
Media
● Created Through Use Of New Media And
Technology
● Communicate, Challenge And Express Own
And Others' Ideas
Week 9 WHAT ARE THE STORIES IN THESE PHO O S ?
WHERE DO YOU FIND DOCUMENTRAY
PHOTOGRAPHY PHOTOGRAPHS?
● Newspaper
WHATISPHOTOGRAPHY? ● Magazines
PHOTOGRAPHY ● Books
● Photography is an art form like drawing and ● Internet
painting- similar to them since its part of the DOCUMENTARY PHOTOGRAPHS CAN BE EITHER
visual art. Not moving. LANDSCAPE OR PORTRAIT
- Painters used materials such as water
color, paint, etc. used cameras in a TOOLS IN PHOTOGRAPHY
idffrent ways to record. IMPORTANT TOOLS IN PHOTOGRAPHY
● Photographers use their camera to make us ● CONTRAST
see life in a different way, feel emotions, and ● RULE OF THIRDS
record stories and events. ● POINT OF VIEW
- Even not mvng it tells lesson or story ● PROXIMITY
BASIC STYLES OF PHOTOGRAPHY CONTRAST
● LANDSCAPE ● Contrast refers to the brightness between the
● PORTRAIT light and shadow areas of a picture.
● DOCUMENTARY - Shadow area, etc.
LANDSCAPE - Not just light and shadow but also light
● Landscape is a photograph of the environment. and dark colors.
It could be the forest, mountains, oceans, or ➔ DOESITHAVECONTRAST?
your backyard. ➔ WHAT DIRECTION IS THE LIGHT ON THE
- Not the orientation but the style. TREES COMING FROM ?
- Phtos of environment, city ligths, RULE OF THIRDS
building, houses, etc. outside world ● A photo is more interesting if the subject is
● Ansel Adams is a famous landscape NOT directly in the center. Try placing your
photographer. subject 1/3 to the left or right, or 1/3 from top or
PORTRAIT bottom.
● • Portrait photography is a photo of a person or - Put subject at the middle of the frame.
animal. ⅓ part of the frame ung subject.
- Person or animals - Makes you see the subject and the
- Subject must show emotion to tell your background
story. One photograph uses rule of thirds and the
- Directing the subject. You manipulate. other uses central focus.
● It is important to show an emotion. ➔ CENTRAL FOCUS
● Portraits can be the whole body, half body. - Middle of the frame ung subject
➔ THEDRESSBYSALLYMANN - Focus lang is subject and cannot see
➔ B OYAN D CAR , N E WYO R K C ITYB the background or minimal only.
Y J E R O M E L I E B L I N G , 1949 ➔ RULE OF THIRDS
DOCUMENTARY - Right side of the frame ung subject.
● Documentary photography presents facts POINT OF VIEW
without changing anything. ● Try selecting an unusual point of view.
- - Position of the the camera
● Good documentary photographs make you - Top or the bottom of the subject, etc.
wonder what the story is behind the - Straight angle- directly opposite
photograph. (goback recordings..)
- Can be landscape or portrait. PROXIMITY
- See a moment without manipulating ● Don’t be shy! Get close to your subject.
anything and captures it. - How near or how far to the subjects.
FIBONACCI RATIO
8 Mos t Common Photography Effects ● Fibonacci Ratio or spiral is another guideline
for composition and is an intricate version of
BOKEH the rule of thirds.
● BO K E H is the aesthetic quality of blur, the - And rule of thirds is quite the same
out of focus area of the image. It is how the - More complicated since it uses spiral;
light renders the lighted areas that are out of could be vertical or horizontal
focus - Begining of the spiral- most interesting
- Can do with mobile phones. Can do it part of the subject is place.
manually. FILL FLASH
- Focus. ● Fill Flash is a technique in photography where
- Scattered Light behind the subject to the photographer uses flash to “fill in” dark
make this effect much more creative areas of the image. It is perfect for backlit
PANNING environments
● PANNING is the horizontal, vertical or - To combat against the light flash.
rotational movement of an image still or video. - Behind the subject is too bright kase,
- Bokeh and panning is quite similar ano? Anonas. To fight the light behind
since they focus on a subject the subject.
- Pinning the subject is moving- - Flash has a very limited range like 1
- Focus of the photgrapher is on a meter.
specific subject, even the subject is CONTRE-JOUR
moving, it does not matter, the subject ● Contre-jour is a popular photography effect. It
still clear but not the background. is French for ‘against daylight’,the camera is
- Faking panning- manipulattion of directly pointing towards the light source.
subjects. Subject is not rally moving Contre-jour is the fancy speak of ‘silhouette
naturally. photography’. The light source is located
- Statue cannot be use since its not directly behind the subject.
moving can only be part of the - Behind the subject is a light source
background. - Silhouette or outloine only of the
- Subject must be moving subject will be capture instead of the
RULE OF THIRDS whole profile
● Rule of thirds is one of the most basic LONG EXPOSURE
techniques of composition. With the rule of ● Long Exposure is another interesting
thirds, the photographer breaks down the photography effect which entails a narrow
photo into thirds, horizontally and vertically so aperture and long duration shutter speed. This
you have nine equal parts. is done in order to create dreamy landscapes,
- Separate frame into 9 equal parts capturing the stationary elements while blurring
- Place the subject in any of the the moving elements of the image.
intersecting lines in grids. - Shutter of camera is open for a long
THE GOLDEN HOUR period of time then it closes
● The golden hour, also known as the magic - It is basically like a video but in photo
hour, refers to the first hour that the sun rises format.
and the last hour the sun sets. - You caan only see the direction of the
Need to patient to capture the sun light only when you use it into a moving
- since during noon time or lunch the car with bright tail light.
light is too harsh. No presence of - Record the totality and direction of the
horizon. light
- light of the sun is softer pag hapon na. - Taking photos of fireworks
- Using tripod.
- As long as there is a light or movement.
IN CONCLUSION:
★ Art is about exploring yourself and your
medium. After all, to be an artist of your own
you have to learn the basics first.
★
Lecture 10 ● Straight on
● Canted angle
Reel
- Makes it looks like it is moving. PHI FOCUS
- Mounted on the projector to0 move, making it - Where is the mcamera trying to highligh
appear like it is moving. ● Close-up
Lecure Film - Shot is head until chest area
● A series of still images that produces the - To show emotion. Or romantic scene to
illusion of a moving image high light
● Using a motion picture camera, films are ● Extreme close-up
created by photgraphing actual scenes,( by - Focusing on a certain detail of an
photographing miniature models, by means of object or body parts details
computer animation, or by a combination of all ● Medium Shot
these techniques - Head until torsow or waist area or head
FOUR BASIC ELEMENTS OF FILM: until knee area
● Cinematography - Interaction between different
● Sound characters. Daloguie or conversataion
● Editing ● Long shot
● Mise-en-scene (color and editing) - Specific subject but at the same time a
Film Techniques little bit far from the object so you can
● Angles see the backgroud
- How you are holding your camra. - Ratio of the subject to the background
Below to directly to your actor is almost close
● Focus ● Extreme long shot
● Lighting - Taken far far away from the subject. Do
● Color not really focus on the subject.
● Sequence of Film - Ratio of the subject to the background
● Point of View is big or wide.
● Camera movement - Higlihthing the background
CINEMATOGRAPHY
● ANGLES CAMERA MOVEMENTS
ANGLES - Camera is not fixed and it’s moving
● High angle ● Framing: what elements surround the actor
- Tilted downwards - Whatever is enclose or inside the box is
- To denote inferiority , less intimidating part of the film or shot.
- Smaller subject ● Blocking: how the actor is positioned for the
● Low angle shot
- Tilted upwards - Position camera to show them in the
- Superiority , making the character screen or to hide the actor in the screen
powerful or scarier - For hiding or suspense, scary, or horror
● Straight on films.
- Not tilting at all ● Tracking: following an actor
● Canted angle - Whenerver the actor moves, camera is
- Tilting sidewards also moving along with the subject
- To distort reality, show illusion or out of ● Panning: camera movement horizontally
the ordinary. - Camera is fixed but move horizontally.
● Low angle ● Booming: camera movement up or down
● Straight on - It moves up and down
● Canted angle
● High angle
● Low angle
SOUND POINT OF VIEW
● DIEGETIC - 1st person; only seeing what the main
- Whatever the noise pickup during the charater is seeing
shoot - 3rd person: you can see everyone on the
● NON-DIEGETIC scene
- Added sound during post production. Lighting
● Music - pwere
○ • Background music can create a mood ● Natural
or a feeling in the viewer. - Powered by environment
● Soundtrack ● Artificial
○ Recently, popular music has been used - electricity
extensively in films. ● Bright
○ -usually used - Too bright, angel scene or heaven
● Special effects scene
○ Sound and visual effects created by ● Soft
technical methods. - For dim scenario poorly lit area
○ Firworks, addition of sound effects ● Top lighting
EDITING ● Back lighting
● SEQUENCE OF FILM - Light behind the character
- Normally are not shot chronological,lly based ● Side lighting
on the script. Start shooting 3 than 1 ● Under lighting
- Arramgnemnt of the shot since in order. - Light comes from below.
● Shot: all the action filmed in one take COLOR
without distruption - Important in mis-en-scene
- By the time director say action - Give life
● Cut: the conclusion of a shot - Have meaning
- Yells cut - Signify times- flashing back memory
● Take: an attempt to shoot a scene in its ● Black: elegance, sophistication, evil, darkness,
entirety mourning
- Morethan 1 scene or shot. - Flash backs of time
MISE-EN-SCENE ● White: purity, snow, cold, angels
● TO PUT INTO THE SCENE - Kind person, innocent
- Adding different elements to tell your ● Red: passion, aggression, fire, blood, strength
audience the mode of the scene - Brave,
- Not relying on dialogue or sounds. ● Blue: water, life, depression
- french - to put into a scene ● Yellow: cheerfulness, optimism, confidence
- Use of elements
Different elements: SCENES
- Setting and props: location where they would Setting
shoot. Adding materials to turn it to the scene ● Time, place, location, mood, and time span.
they want. You trasform the settings using - When did it happen, place, times,
props. romantic, etc
- Actors and costumes: para bagay setting Sequence
bitch! ● A progression of related scenes.
- Sound: - Linear from start to finish
- Camera angles: high angle, - Non linear begins wiiith the end and
- Editing and cuts rebirths back
Present sila dapat para ma communicate ung Sets
message sa audience. ● An arrangement or display of scenery,
backdrop, or landscape.
- Titanic or shot in an ocean
Location
● Where the movie is actually being filmed.
- Recorded in a studio not in sea (titanic)
- Arrange the studio to make it look like a
sea or forest location even though
studio lang sya
Plot
● The narrative or progression of events.
- The story itself
CHARACTERS & ACTORS
Dialogue
● The words spoken by the actors.
Body Language
● Non-verbal communication such as facial
expression, eye contact, and posture.
- Posture, etc.
Interaction
● How the characters work together or conflict.
- Chemistry of actors.
Wardrobe or costumes
● The items of clothing that the actors wear to
portray their characters.
Week 12 - You are recording your staff while
Documentary and film setting up their equipment
- Under media arts ARCHIVE
- Follow a script. In docu to show the flow of the ● • Collection of historical documents or records
story. - `old photos or videos that will serve as
- Film creative script an evidence about your topic.
DOCUMENTARY - If subject is 6ft under or dead already.
- To inform and educate Since you cannot interview them.
● Fact + Art = Factual Art THINGS TO CONSIDER WHEN CREATING A
● A film or television program that is educational DOCUMENTARY:
● A film or television program that tells a true ● The story
story. - Great story
ELEMENTS OF A DOCUMENTARY - Relatable.
● INTERVIEW ● Interesting character
● CUTAWAYS - Great characters that fits on the role
● CHILL FOOTAGE - Audience can emphatize on them.
● PROCESS FOOTAGE - Will make them hook on the character
● ARCHIVE ● Quality interviews
- Ask subjects that are appro. And the
INTERVIEW audience might ask in their minds.
● • Utilized to communicate important information - Have as many as you can
about the story ● Striking visuals
- More personal and credible - For it not to be boring
- Alternative for narrators. - Show scenes what the subject is talking
- Narrators are thirdperson about. Not just showeing the face of the
CUTAWAYS character.
● Story-telling ● Sound
- Tell story without the narrator. E.g. - their character is audible via using mic.
documentary about psych student. - Use subtitles.
Secret na sunod dko natandaaan beh ● Take-aways
● Emotional - NEW LEARNING
- Affect the mood of the audience. ● Equipment
Human standdong alone. Old man - WORKING AND ACCESS SA mga
holding flowers wating for a woman. tools. Editing and other equipments
● General neeFhded to finish the docu
- Showing what the scene is about ● Feasibility
overall - Funding. Possibility of creating the
● Close-ups documentary.
- Visual poetry. Any photos. Related or - Resources even sa mga tao na
not related sa topic/scene gagamitn
- To give variety on the scene to change ● Relevance
the scene from long shot to close up - Topic is current and relatable to the
❖ Sort of filler in the documentary to avoid audience.
dead scene
CHILL FOOTAGE
● Observational footage
- Observing the subject,. Not doing
anything. Following the subject using
the camera.
PROCESS FOOTAGE
● • Behind-the scenes footage