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    The document provides a detailed analysis of musical elements in Stravinsky's Suite de L'Oiseau de feu from 1919, breaking down each measure and indicating doublings, octave displacements, instrumental techniques, dynamics, and solo passages. It examines the use of instruments, octave displacements, percussion effects, pedal tones, and solo passagework throughout various measures of the piece. The table analyzes the musical texture, instrumental techniques, and other elements employed in Stravinsky's composition measure by measure.

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    The document provides a detailed analysis of musical elements in Stravinsky's Suite de L'Oiseau de feu from 1919, breaking down each measure and indicating doublings, octave displacements, instrumental techniques, dynamics, and solo passages. It examines the use of instruments, octave displacements, percussion effects, pedal tones, and solo passagework throughout various measures of the piece. The table analyzes the musical texture, instrumental techniques, and other elements employed in Stravinsky's composition measure by measure.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    8 views1 page

    (Trascinato) 4

    Uploaded by

    marco agozzino
    The document provides a detailed analysis of musical elements in Stravinsky's Suite de L'Oiseau de feu from 1919, breaking down each measure and indicating doublings, octave displacements, instrumental techniques, dynamics, and solo passages. It examines the use of instruments, octave displacements, percussion effects, pedal tones, and solo passagework throughout various measures of the piece. The table analyzes the musical texture, instrumental techniques, and other elements employed in Stravinsky's composition measure by measure.

    Copyright:

    © All Rights Reserved
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    139

    Table 6: Suite de L'Oiseau de feu (1919)

    Octave Pianistic Percussive Pedal Solo


    Measure Doubling usage effects effects usage passagework

    22 s/n run X
    34 fl/vn/vla s/n 15va
    apart
    36-37 cl/bsn/hm tremolo
    41,45 picc/fl s/n 8va sf, > l.v.
    apart
    47, 49, 50 vn/vc (beat 2) gliss (r.h.) X
    arpeggio (l.h.)
    48 arpeggio X
    52-54, 56-57 vn (2nd half ol arpeggios X
    each beat: 52,
    54, 56)
    59 hrp gliss (r.h.)
    arpeggio (l.h.)
    62,66 fl s/n 8va sf, > l.v.
    apart
    72,73 hrp gliss l.v.(beat 3)

    74-81 arpeggios X
    gliss (ms. 80)
    204,214,218, full orch d/n 15va sfff
    222,224,226, apart
    230
    230-237 fl,pic(233-37), sf sempre l.v. X
    xylo(231,235),
    hrp(234-237)
    238,240 picc/fl/ob/cl/ d/n 8va
    bsn/hm/tpt/ apart
    hrp/stgs
    241 fl/bsn/hrp arpeggio
    250,252,254,, vc
    256
    257-258 fl/hrp
    d/n alt > each octave l.v. X
    266-267 fl/ob/hm
    fl/vn d/n alt > each octave
    270-271
    272-275 fVob/cl/hm d/ntgthr
    tpt in canon
    276-277 pic/fVob/cl/
    Ibsn/hm/tpt/
    tbn/tba

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