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    The document provides a table analyzing a piano concerto movement. It divides the movement into measures and describes the musical elements in each section, including doubling between instruments, piano techniques, percussion effects, pedal usage, and solo piano passages. Elements like octave usage, scalar runs, chordal playing, and accent markings are identified for specific measures. The table examines the interaction between piano and orchestra throughout the movement.

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    The document provides a table analyzing a piano concerto movement. It divides the movement into measures and describes the musical elements in each section, including doubling between instruments, piano techniques, percussion effects, pedal usage, and solo piano passages. Elements like octave usage, scalar runs, chordal playing, and accent markings are identified for specific measures. The table examines the interaction between piano and orchestra throughout the movement.

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    © All Rights Reserved
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    5 views1 page

    (Trascinato) 2

    Uploaded by

    marco agozzino
    The document provides a table analyzing a piano concerto movement. It divides the movement into measures and describes the musical elements in each section, including doubling between instruments, piano techniques, percussion effects, pedal usage, and solo piano passages. Elements like octave usage, scalar runs, chordal playing, and accent markings are identified for specific measures. The table examines the interaction between piano and orchestra throughout the movement.

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    © All Rights Reserved
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    of 1

    142

    Table 8: Concerto for Piano and Winds

    Octave Pianistic Percussive Pedal Solo


    Measure Doubling usage effects effects usage passagework

    33-47 tutti orch both s/(47) X(tutti)


    (partial) hands,
    r.h.
    chordal
    49-54 counterpoint X
    w/ob,clt
    55-58 fl/clt(par) s/n& 3/n l.h. X
    bsn/cbsn/ 8 or 15va sustained
    tba/timp/ apart octave
    cbOh par)
    59-63 pic/fl/ob/ s/n,3/n & X
    cl/hm/(par) d/n(61-63
    scalar run) X
    d/n partial X(accom)
    64-68
    69-86 hrn(84-86) l.h.84-86 X
    l.h. syn accents X(accom)
    87-92
    ob,cl(var) syn accents X
    93-95
    96-103 tpt(99,8vaT) l.h. syn accents X
    tbn(96-98)
    104-109 d/n(par) 106-107 alt accents X
    hands
    ob/clt'bsn alt hands shifting >,
    110-115 X
    (par) meter

    pic/fl/tpt marcatissimo, X
    116-119
    accents
    X
    120-123 cl(123)
    125-141 fl/ob/cl(130- r.h.chord- X
    131) al(128-13i;)
    l.h. shifting > X
    142-162 pic(150)
    fl/ob/cl(148-
    150,var)
    db(168-172) l.h.168-172 shifting > X
    163-177
    bsn(172-177,
    var)
    192-232 LITERAL RECAPITULATION OF MEASURES 33-86
    X
    233-238
    239-251 LITERAL REPEAT OF MEASURES 96-108
    ob/cl/bsn(par) alt hands shifting >, X
    252-260

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