Announcing the

ITHACA COLLEGE THEATRE

2013–14 SEASON!

Fires in the Mirror

by Anna Deavere Smith

Into the Woods

by Stephen Sondheim
book by James Lapine

Mere Mortals
by David Ives

L’étoile
by Emmanuel Chabrier

Gone Missing By Henrik Ibsen

by The Civilians Adapted by Arthur Miller

The Crucible
by Arthur Miller

ithaca.edu
Chair’s Notes

Welcome to our theatre. And, while we’re at it, welcome to one of our larger
classrooms.

This is the space where we put into practice what we have learned and taught
throughout the studios, shops, and classrooms of Dillingham Center for the
Performing Arts. For almost 100 years, thousands of students have participated
in theatrical productions at Ithaca College. Our shows serve as the practical
application of the theories, methods, and techniques that are taught in our
theatre arts classes. Every one of the many students involved with the show
you are about to see (each of whom is named in this program) is acquiring
valuable experience in the art and business of theatre. They are also earning
academic credit toward the fulfillment of their respective degree programs:
theatre studies, theatre arts management, theatrical production arts, acting,
or musical theatre.

Every day in our classes we strive to employ best practices in the art, craft,
business, and study of theatre. That way, our graduates will be ready to
contribute professionally to the theatre of the future just as soon as they
leave Dillingham Center. If you read the biography section of programs in
professional theatres across the country, you will often come across the names
of former students who are proud to declare themselves alumni of the Ithaca
College Department of Theatre Arts.

Whether you are a returning patron or a newcomer to our theatres, I want

to thank you for being a member of this audience. Your presence is both a
quintessential element of theatre and a touchstone for the accomplishment
of our student theatre practitioners.

Welcome to class!

Greg Bostwick
Interim Chair
Department of Theatre Arts
 ithaCa CoLLege

sC hooL oF humaNities aND sC ieNCes

Leslie W. Lewis, Dean

Department of theatre arts

Greg Bostwick, Interim Department Chair
Colin Stewart, Interim Co-Director of Theatre
Norm Johnson, Interim Co-Director of Theatre

present

an enemy
of the People
By Henrik Ibsen
Adapted by Arthur Miller
april 23, 25–28
DireCtor sCeNiC DesigNer
Robert Moss Emilio Martinez Zurita de la Garza
Costume DesigNer LightiNg DesigNer
Johanna Pan Kristof Janezic
souND DesigNer teChNiCaL DireCtor
Alexander Dietz-Kest Margaret McCarthy
stage maNager Dramaturg
Alyssa Carlucci Ben Shipley

An Enemy of the People is presented by special arrangement

with Dramatists Play Service Inc., New York.
Notes From the Dramaturg

Arthur Miller seems the most perfect playwright to translate the Norwegian
Henrik Ibsen for the American stage. Both men were deeply concerned with
societal issues, specifically, the role of the individual in society and the tension
and interplay between one person and the group. An Enemy of the People was
written in 1882 and concerned one man's vision of a particular situation in his
town in juxtaposition to the majority's view of things.

Seventy years after Ibsen wrote An Enemy of the People, Miller found himself
facing the House Un-American Activities Committee (HUAC) headed by
Senator Joseph McCarthy as they sought to sniff out anyone with Communist
affiliations. Along with a few other brave artists (Lillian Hellman and Zero
Mostel, among others), Miller refused to answer their questions. He saw the
terrifying erosion of basic American values and refused to be intimidated. He
stood up against enormous public and political pressures. It took great courage
to do that in the 1950s. The Crucible, one of Miller's most notable plays, was a
re-telling of the Salem witchcraft trials as a thinly veiled warning against the
tyranny of the majority.

Miller belonged to a group of theatre artists known as Stage for Action (SFA).
This group arose from the Federal Theatre Project that had come into existence
with President Franklin Delano Roosevelt's New Deal. SFA was committed to
performing work about pressing issues that affected the masses and promoting
a liberal political agenda.

And why this play now? Doctor Stockmann, Ibsen's central character, has an
opinion about his town's mineral springs. Are the waters beneficial, as the
town's citizens believe, or are they a menace? Do the waters have curative
powers, or will they make people sick? The doctor thinks he knows the answer.
Actually, he is convinced. But the townspeople are planning on financial
security from the onset of tourists coming to partake of the springs, and they
are equally convinced. How to resolve this dilemma?

In Albany today, the studies pile up regarding hydrofracking in our immediate

neighborhood, in the Marcellus shale. Politicians line themselves up on
opposing sides. Some studies demonstrate the benefits, others the liabilities.
The monetary benefits to those folks who lease their lands are huge. But are
there serious health risks? And are those “potential” risks immediate, long
Notes From the Dramaturg

term, or trumped up? A similar battle is raging in our nation's capital with the
Keystone XL oil pipeline project: will it bring jobs and prosperity, or will it foul
the nation's air and water? Who to believe? There are imposing studies on
both sides. The money is tempting. And the nation needs jobs.

If Doctor Stockmann were in Ithaca today, he'd surely be effectively and

actively lobbying against the hydrofracking industry because of the risks
it presents. But many local landowners are in support and are signing leases
that are financially tempting.

Perhaps our play can illuminate the issues from the safe distance of 1882
Norway. Perhaps our play can aid the conversation, illuminate the issues
from a different point of view, and provide clarity. Arthur Miller and Henrik
Ibsen believed in the power of theatre, the live theatrical event, to stimulate
important discussions and to help people make up their minds. Please enjoy
our production and remember: it's only a play.

Ben Shipley,
Dramaturg
settiNg aND sCeNes

A coastal town in Norway at the turn of the last century

aCt 1
scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stockmann’s home, early evening

scene 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . the following morning

scene 3 . . . . . . . . . . . . . . . . . . . . . the editorial office of People’s Daily Messenger,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . the following day

aCt 2
scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Captain Horster’s home, that evening

scene 2 . . . . . . . . . . . . . . . . . . . . . . . . Stockmann's home, the following morning

There will be one 15-minute intermission between acts.

Cast

Kiil. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brett Moellenberg

Billing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Madden

Randine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel Rosen

Catherine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Georgi McCauley

Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Berlingeri

Hovstad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Lindenfelzer

Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Prigge

Ejlinn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Donovan Lockett

Morten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Riley Frankhouser

Cast

Horster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ari Veach

Petra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Serrana Gay

Aslaksen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grant Carey

Knut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Doug Hansen

Sven. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Mazzella

Edward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Justin Kasian

Gunnar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josh Rivera

Henrik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Greenberg

Georg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jake Daniel

Hedwig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Brennan

Helga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bernadette Carter

Ingrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laine Levitt

Tora . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kayley Anne Collins

Engstrand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TJ Wagner

Oswald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Sullivan

Hans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jordan Friend

ProDuCtioN staFF

Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeremy Ehlinger

Assistant Stage Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Kanter,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Purrone

Production Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Danielle Campbell

Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhiannon Randall

Master Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Noonan-Pomada

Properties Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Grigo,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Wendel

Charge Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ravi Rakkulchon

Lighting Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clay Harding

Master Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Horrocks

Sound Engineer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Aloi

Choreographer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Shipley

CreWs

CarPeNtry
Emma Duncan Patricia Edwards Ryan Edwards
Abigail Eichorn Evan Herman-Chin Nikolas Kaim Season sponsored by
Ashley Kristoff Michael Marchese Jeffrey Mettler
Hailee Murphy Caitlin Ort Michael Saccento
Sam Schloegel Phoebe Sullivan-Bing

Costumes
Alexa Cepeda Rebecca Dwight Kelly Frisch
John Shea Jordan Silver Kathleen Taylor
Max Weinstein

eLeC triCs
Lauren Angelos Rachel Fitzgerald Dorothea Hinman
Dana Kempf Benjamin Poppleton Joshua Samuels
Hakeem Vera Brianne Wylie

sCeNiC art
Erik Jaworski Chloe Kirkwood Eric Rothstein
Matthew Ryan Skyler Schlenker Nicole Veit
Rachel Wong-Westbrooke Ray Zanders

ProPerties
William Allen Anna Blazer Emily Freeman
Angela Griggs Andrew Kenworthy-Rodriguez Emily Loewus
Anthony Marchitto Robert Praderio

souND
Carly Braff Scott Halstead Evan Hawkins
Andrew Miller Guthrie Park
aBout the DePartmeNt oF theatre arts maNagemeNt staFF, sPriNg 2013

The Department of Theatre Arts at Ithaca College offers a powerful combination Production Liaisons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Barth,
of intensive classroom and performance experience that has made it one of . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gabriella Napoli
the most effective and highly respected training programs in the nation. The
Marketing Associates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa DeAlesandro,
department’s stated mission is to prepare its students for careers in the theatre
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Esposito
and entertainment industry. This is a highly selective program, staffed by faculty
members whose academic training and professional theatre experience have Publicity Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson
prepared them for the focused, personalized instruction that is the key to
Displays Coordinator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tara Murphy
successful theatrical training.
Assistant Displays Coordinator. . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric Rothstein
Five degree programs are available to our undergraduate students: Electronic Media Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Kay
Bachelor of arts in theatre studies Group Sales Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alex Schintzius
This degree provides a liberal arts approach to theatre and offers the student
maximum flexibility in exploring a wide range of career opportunities. Students Promotions Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brendan Tetro
are eligible to audition for productions and are encouraged to become involved Reception Coordinators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa DeAlesandro,
in productions as stage managers, assistant directors, dramaturgs, and . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Esposito
technical assistants.
House Managers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Todd Piskin,
Bachelor of Fine arts in acting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa Stoeckl
This degree program is performance-oriented and provides training and
experience designed to prepare students for a professional acting career. Concessions Managers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kylie Adams,
Instruction is highly individualized and concentrated, but there are also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Saccento
opportunities within the liberal arts curriculum for a broader general
Ticket Office Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dominic Barbaro,
education.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bridget Cafaro
Bachelor of Fine arts in musical theatre
Program Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Rothfus
This is an intensive, performance-oriented major designed to offer the student
Assistant Program Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . Hannah Trachy
professional training in singing, acting, and dance.
Senior Directing Project Liaison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tricia Edwards
Bachelor of science in theatre arts management
This degree program combines intensive and practical training in virtually
all aspects of theatre and management with a well-rounded education in
the liberal arts.

Bachelor of Fine arts in theatrical Production arts

This is an intensive, undergraduate, preprofessional degree that emphasizes
practical theatre training and its place in the liberal arts. Theatrical production
arts has two degree concentrations: theatre technology and theatrical design.
BiograPhiC aL Notes
Cast
Dan Berlingeri (Peter) is a senior B.F.A. acting major from Sandy Hook,
Connecticut. His Ithaca College credits include Uncle Peck in How I Learned
to Drive, Angelo in Measure for Measure, Yolland in Translations, William
Ashbrook in Coram Boy, and Tom in Five Fights. He played Max in Lend Me
a Tenor, Mr. Scary in Junie B, and Dennis in This Is Our Youth at the Hangar
Theatre, as well as Caleb in The Whipping Man at the Kitchen Theatre. He
would like to thank the cast, crew, and production team for this magnificent
final show at IC and give a special thanks to his very special family: Mom,
Dad, Adam, and Graciegirl for their shining love and support.
Laura Brennan (Hedwig) is a sophomore B.F.A. acting major from Pittsburgh,
Pennsylvania. Her previous Ithaca College credits include Marie and Sarah
understudy in Translations, Claire in Proof, and Doris in Brad Carrigan,
American. “A thousand thank yous to God, my family, and my friends for
their unconditional love and support.”
grant Carey (Aslaksen) is a senior B.F.A. musical theatre major. His previous
Ithaca College credits include performances in Legally Blonde, Baby, Chicago,
Much Ado about Nothing, and Children of Eden. His compositional works
include Illuminated Bodies and How I Learned to Drive. “Thanks to Bob and
this incredible cast. Love to Mom, Dad, Sis, and Kate.”
Bernadette Carter (Helga) is a junior B.F.A. acting major. Her credits include
Mrs. Muller in Doubt: A Parable with IC Players; Rose in The Story of Rose with
Problems and Possibilities/Performing Arts for Social Change; and Katherina
in The Taming of the Shrew with IC Shakespeare. “Thank you, Robert Moss and
production team, for this opportunity and for constant inspiration and to the
faculty at Ithaca College who continue to inspire the art of excellence in all that
I do. I want to thank my family, friends, colleagues, and strangers for their
influences in my life. 'The skills you have gathered will one day come in handy.'
—fortune cookie"
Kayley anne Collins (Tora) is sophomore B.F.A. musical theatre major from
Harrington Park, New Jersey. Her previous Ithaca College credits include
Kate, Chutney, and Video Inmate in Legally Blonde, as well as female cover
in Working. She was also previously Sister Margareta in The Sound of Music
geNeraL iNFormatioN
For more detail, please visit ithaca.edu/mainstage.
LateComers will be seated at the discretion of the management.
eXits are clearly marked by red signs. Please check for the nearest exit when
seated. In case of fire, please walk—do not run—to the nearest exit and follow
the directions of the house staff.
smoKiNg is prohibited in Dillingham Center for the Performing Arts.
Free, well-lit ParKiNg is available in the lot next to Dillingham Center (F lot),
the visitor parking area (V lot), or the area across Route 96B (Y lot). Drop-off
for the theatre and access to the Dillingham Center elevator are available
from the Peggy Ryan Williams Center parking lot.
For more information about sPeCiaL seatiNg (wheelchair or other),
call the ticket office at 607-274-3224.
Cameras and reCorDiNg eQuiPmeNt are forbidden in the theatre
by section 31:01 of the New York State Arts and Cultural Affairs Laws.
grouP DisCouNts for groups of 10 or more can be arranged by calling
the group sales director at 607-274-3796.
restrooms are located down the stairs directly across from the ticket office.
a Coatroom is available for your convenience in the upper lobby.
Ithaca College assumes no responsibility for lost or stolen articles.
Lost artiCLes may be reported or claimed at the ticket office.
iNFaNts are not permitted in the theatre.
assistiVe heariNg DeViCes are available at the ticket office.
tiCKets are available for purchase at all Ticket Center outlets: visit the ticket
office at Dillingham Center, log on to ithacaevents.com, or call 607-274-3224
or 607-273-4497.
aCKNoWLeDgmeNts

Hangar Theatre at the Surflight Theater. "I would like to thank Bob for this wonderful
opportunity along with the amazingly talented cast and crew for this incredible
Cornell University, Department of Performing and Media Arts
and unforgettable experience. Much love to my amazing family, friends, and
The William Henry Miller Inn the class of 2015!”

Jake Daniel (Georg) is a freshman B.F.A. acting major from Muskogee,

Oklahoma. His previous Ithaca College credits include a staged reading of
Curse of the Starving Class. His other credits include Eugene in Brighton Beach
Memoirs at Muskogee Community Theatre and Stanley in Greater Tuna at Fort
Gibson High School. “Special thanks to my parents, grandparents, and Melanie
Wicks for the unconditional love and support!”

riley Frankhouser (Morten) is a freshman B.A. theatre studies major from

sChoLarshiPs New Hope, Pennsylvania. His previous Ithaca College credits include George
Gibbs in Our Town and ensemble in Too Much Light Makes the Baby Go Blind.
Through the generosity of alumni and friends, several scholarships have been “Special thanks to my mom and dad, friends, and DPAC for all their support!”
established to benefit theatre students. This assistance has made it possible for
many of our students to complete their education at Ithaca College and to enter Jordan Friend (Hans) is a freshman B.F.A. acting major from Chevy Chase,
the theatre professions. We are grateful to those who have contributed to the Maryland. His previous Ithaca College credits include understudy for Hugh
following theatre scholarships: and Owen in Translations and various roles in 44 Plays for 44 Presidents. His
other credits include King Arthur in Spamalot, Macbeth in Macbeth, Nathan
Peter Bergstrom Scholarship Arno Selco Guest Artist Fund
Detroit in Guys and Dolls, and Bobby Strong in Urinetown. “A massive thank
Cissy Cheskis Scholarship Patricia Stevens Musical Theatre you to Bob for this incredible opportunity and to my parents, my brother, my
Toby Clarey Scholarship Scholarship friends, and Emma for giving me the love and support that keeps me going.”
Richard M. Clark Scholarship Clarence Straight Award
serrana gay (Petra) is a senior B.F.A. acting major from Santa Fe, New Mexico.
Common Ground Scholarship Theatre Arts Alumni Her previous Ithaca College credits include understudy for Greek Chorus in
Memorial Scholarship Electra. Her other credits include a reading of Timber Land with the Civic
Friars Foundation Scholarship
Jane Woods Werly Scholarship Ensemble. She would like to thank Bob Moss and Jeremy Ehlinger for giving her
Laura Hinckley Hauer Scholarship
Lillian Speakman Vail the opportunity to play this wonderful part, Mom and Dad Stockman (her lizard
George Hoerner Scholarship family), and the whole cast and crew for creating this beautiful world with her.
Memorial Scholarship
Earl McCarroll Program She would also like to thank her family, friends, and Mike for supporting her
Development Fund through these crazy four years of college. It has been quite a ride.

We invite you to contribute to any of these funds. Please contact the matt greenberg (Henrik) is a sophomore B.F.A. musical theatre major from
Department of Theatre Arts, Ithaca College, Dillingham Center, Room 226, Westport, Connecticut. His previous Ithaca College credits include Bud Todd
953 Danby Road, Ithaca, NY 14850; 607-274-3920; gbostwick@ithaca.edu. in The Man from Nebraska and Robert in Proof. Previously he performed in
BiograPhiC aL Notes
various roles for Ithaca Shakespeare Company's productions of The Taming
of the Shrew and Romeo and Juliet. “Thank you to Bob Moss for this awesome
opportunity. My gratitude to the production team, cast, and crew. Love to
my family, friends, and brother, Ryan.”
Doug hansen (Knut) is a senior B.F.A. acting major. His previous Ithaca College
credits include Ned Mellish in Cashel Byron's Profession, Andre in Five Flights,
Farmer in Electra, Hunter in Bachelor Holiday, a male swing in Plumfield, Iraq,
Father in The Yellow Boat, and Wesley in Curse of the Starving Class. “Special
thanks to everyone I've crossed paths with over the past four years, to my
friends, to my family. Never stop doing. Always play. Adieu. (Exeunt).“
Justin Kasian (Edward) is a freshman B.F.A. acting major from Marietta,
Georgia. His previous Ithaca College credits include male understudy for
Dream of the Burning Boy. His other credits include ensemble in By Wheel
and By Wing and Jesus in Godspell Junior at Act3. “I would like to thank God
and my family for helping me discover my passions.”
Laine Levitt (Ingrid) is a junior B.A. theatre studies major from Stamford,
Connecticut. Her previous Ithaca College credits include performing in Far
Away for IC No Bucks. Her other credits include Ilse in Spring Awakening at
Melodramatics Theatre Company and Mama Euralie at Curtain Call Inc. She
spent last semester at the National Theater Institute at the Eugene O'Neill
Theatre Center. "I would like to thank my family and friends for their endless
support and Bob Moss for this amazing opportunity."
richard Lindenfelzer (Hovstad) is a senior B.F.A. musical theatre major from
Tyngsboro, Massachusetts. His previous Ithaca College credits include Warner
in Legally Blonde, Dancer in Illuminated Bodies, Handel in Coram Boy, Orestes
in Electra, Slim and Bishop understudies in Floyd Collins; Wallace in Cashel
Byron's Profession with Bob Moss, and Talib in Generation Graffiti with Cynthia
Henderson. His other credits include Sergeant Cadwallader in The Unexpected
Guest with the Gretna Theatre and Mitch Mahoney in The 25th Annual Putnam
County Spelling Bee with LymeLight Productions. “Thank you, Bob, for giving
me the perfect way to end a college career that began with you three short
years ago--and to the cast, crew, and creative team, my family and friends
(and my fellow Heikens), SKOL!”
Amy Walker O'Brien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Instructor [Ballet]
Greg Robbins . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Costume Design]
Arno Selco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Professor Emeritus [Acting]
Colin Stewart . . . . . . . . . . . . . . . . . . . . . Associate Professor [Technical Direction],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Interim Co-Director of Theatre
Steve TenEyck** . . . . . . . . . . . . . . . . . . . . . Associate Professor [Lighting Design],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Department Chair
Don Tindall** . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Sound Design]
*London Center
**On sabbatical, spring 2013
staFF
Sherri Dunham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Linda Ellis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Joel Gelpe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Accompanist/Music Director
Adam Klein . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technical Supervisor
John Kontogiannis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scene Shop Supervisor
Susan Monagan. . . . . . . . . . . . . . . . . . . . . . . . . Manager of Audience Development
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and Special Projects
Mary Scheidegger . . . . . . . . . . . . . . . . . . . . . . . Coordinator of Theatre Operations
Cynthia Stewart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Lilly Westbrook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costume Shop Manager
sChooL oF humaNities aND sCieNC es
Leslie W. Lewis, Dean
Kathy Lucas, Assistant Dean for Student Services
Michael Richardson, Associate Dean for Faculty and Special Initiatives
Stacia Zabusky, Associate Dean for Curriculum and Undergraduate Programs
DePartmeNt oF theatre arts FaCuLty aND staFF
FaCuLty
Barbara Anger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adjunct Instructor [Acting]
Ruth Barber . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Instructor [Scenic Art and Design]
Susannah Berryman . . . . . . . . . . . . . . . Associate Professor [Acting and Directing]
Greg Bostwick . . . . . . . . . . . . . . . . . Professor [Acting], Interim Department Chair
Angela Branneman . . . . . . . . . . Associate Professor [Theatre Arts Management]
Tom Burch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Scenic Design]
Lee Byron. . . . . . . . . . . . . . . . . . . . . . . . . . . Professor [Directing and Management]
Paula Murray Cole. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Acting]
Saviana Condeescu Stanescu. . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [Playwriting and Theatre Studies]
Mary Corsaro . . . . . . . . . . . . Associate Professor [Musical Theatre, Jazz, and Tap]
Chrystyna Dail. . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Theatre History]
Wendy Dann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Directing]
Brian DeMaris . . . . . Assistant Professor [Director of Opera and Musical Theatre]
Lindsay Gilmour . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Modern Dance]
Cynthia Henderson . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Acting]
Jennifer Herzog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Acting]
Timothy Kidd* . . . . . . . . . . . . . . . . . . . . . . . . . . . . London Drama Program Director
Jennette Kollmann . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Computer Aided Design]
Norman W. Johnson Jr. . . . . . . . . . . Associate Professor [Acting and Movement],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Interim Co-Director of Theatre
William Langan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Acting]
Judy Levitt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adjunct Instructor [Acting]
Elizabeth Livesay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Tap]
Kathleen Mulligan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Voice]
Donovan Lockett (Ejlinn) is a sophomore B.F.A. acting major from New Orleans,
Louisiana. Her previous Ithaca College credits include Clara Mendoza in The
Dirty War Project and various roles in 44 Plays for 44 Presidents. Her other
credits include The Laramie Project, The Skin of Our Teeth, The Importance of
Being Earnest, and the New Orleans Fringe Festival show Se-Pa-Rate=. “To Bob
Moss, this glorious cast and crew, my Ithaca family, and my New Orleans family,
all the words in the world could not express my gratitude. In all of you, I see how
good God has been to me.”
matt madden (Billing) is a sophomore B.F.A. musical theatre major from
Newtown, Connecticut. His previous Ithaca College credits include Priest cover
in The Light in the Piazza, Manus in Translations, and Measure for Measure.
His other credits include Bellboy in Titanic and Jeremy Jacob in How I Became
a Pirate: The Musical at the Hangar Theatre. “Thanks to Bob Moss and the entire
creative team for this fantastic experience. Special thanks to friends, family,
parents, and Hannah for their endless love and support. Enjoy the show!”
Patrick mazzella (Sven) is a senior B.F.A. acting major from Bellmore, New
York. His previous Ithaca College credits include Harry in The Man from Nebraska,
Meshak in Coram Boy, Dancer in Illuminated Bodies, and ensemble in Electra.
His other credits include work with the Manhattan Repertory Theater in New
York City and the Ithaca Shakespeare Company. “Special thanks to my parents
who have always supported me in everything I have done. I couldn't do this
without them.”
georgi mcCauley (Catherine) is junior B.A. theatre studies and B.S. television-
radio major from Baltimore, Maryland. Her previous Ithaca College credits
include Rachel in The Dream of the Burning Boy, India in All Hail Hurricane
Gordo, Waitress in Rhinoceros, and various Park School thesis films. “Special
thanks to Bob Moss for this incredible opportunity and to my family and friends
for all their love and support.”
Brett moellenberg (Kiil) is a senior B.F.A. acting major. His previous Ithaca
College credits include Hugh in Translations, Dr. Smith in Coram Boy,
Polydeuces in Electra, and Friar Francis in Much Ado about Nothing. He is
also a summer artist in residence at the St. Thomas Playhouse in Sun Valley,
Idaho. "Thanks to Bob and the rest of the cast and crew. My love and respect
BiograPhiCaL Notes
to the class of 2013. It has truly been an honor to work with all of you. To the
Octagon, it has been an honor to live with all of you. Love to my parents and
family for all of their support; and, to the little one, I love you. 'First came the
hurricane, then the morning sun.'"
matt Prigge (Thomas) is a senior B.F.A. acting major. His previous Ithaca
College credits include Owen in Translations, Messenger in Electra, Louis
Ironson in Angels in America Part I: Millenium Approaches, Septimus Hodge
in Arcadia, and Silvio Ayala in The Dirty War Project. He previously studied
at the Moscow Art Theatre through the National Theatre Institute. “Thanks
to Robert Moss for this opportunity and for his constant inspiration, to the
performance faculty at Ithaca College who taught me everything I know, and
to the members of the class of 2013 who have walked beside me on this
incredible journey these past four years. This performance is dedicated to
Tommy Argenti, lost too soon, who taught everyone around him what it
means to live to the hilt."
Josh rivera (Gunnar) is a freshman B.F.A. musical theatre major from Lafayette,
Colorado. This is his first Ithaca College performance. He is humbled by the
experience to work with such talented people and would like to thank all the
instructors who helped accommodate him on his recent knee injury. He plans
to keep performing at Ithaca and learn all he can from all the incredible people
with whom he's working.
rachel rosen (Randine) is a junior B.F.A. acting major from Ridgewood,
New Jersey. Her previous Ithaca College credits include directing The Little
Prince and playing Grocer’s Wife in Rhinoceros with IC Underground as well
as Nora in Dave DaVinci Saves the Universe with No Bucks. “Thanks to Bob and
the entire cast and crew for making this experience possible. A special thanks
to my friends and parents for their constant love and support. Enjoy the show!”
mike sullivan (Oswald) is a freshman B.F.A. acting major from Guilford,
Connecticut. His previous Ithaca College credits include Dane in Dream of
the Burning Boy. His other credits include Conrad Birdie in Bye Bye Birdie
for Downtown Bridgeport Cabaret Theater and Johnny Blood in Desperate
Measures at Spirit of Broadway Theatre. “Thank you so much to my parents
for being so supportive and being the best people I know!”
stuDeNt assistaNts, sPriNg 2013
Assistant to the Coordinator of Theatre Operations . . . . . . . . . . . . . . Alyssa Carlucci
Assistants to the Designers . . . . . . . . . Clay Harding, Miriam Milder, Amanda Perry
Properties Shop Assistants. . . . . . . . . . . . . . . . . . Carson afKlinteberg, Renny Cullen,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Wendel
Scene Shop Assistants . . . . . . . . . . . Will Burns, George Horrocks, Joseph Kurzawa,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine LemMon, Margaret McCarthy,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Noonan-Pomada, Alexander Pitt
Paint Shop Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . Elysse Helms, Heather Huang
Costume Shop Assistants. . . . . . Ashlynne Abraham, Anna Eden, Maxine Etchison,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manny Garcia, Anna Grigo, Tyler Hampton,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine LemMon, Margaret McCarthy,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna Pan, Rhiannon Randall
Light Shop Assistants . . . . . . . . . . . George Horrocks, Mike Lonuzzi, Michael Roche
Sound Shop Assistants . . . . . . . . . Ezra Chamberlain, Ian Crawford, Alex Dietz-Kest
Studio 2 Technical Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Aloi
Ticket Office Assistants. . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson, Sam Gates,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Rothfus, Kaylyn Syvret
Front of House Design Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson
Web Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-Hui Woo
Office Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Abernathy, Dan Berlingeri,
. . . . . . . . . . . . . . . . . . . . . . . . . . . Haley Brannelly, Kelsey Dunne, Pascale Florestal,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Taj Harvey, Timothy Rheiner, Carly Richards
Library Assistants . . . . . . . . . . . . Samantha Cotton, Serrana Gay, Madeline Landin,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gabriella Napoli, Joe Pietropaolo,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maxwell T. Robin, TJ Wagner
teaching assistants
Audition Accompanists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Cox, David Klodowski
Dialects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Austin
History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Stevens
Introduction to Theatre . . . . . . . . . . . . . . . . . . . . Hannah Goldstein, Miriam Salzman
Jazz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chloe Tiso
Sophomore Movement. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan Ort
Stagecraft. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elysse Helms
Voice and Movement. . . . . . . . . . . . . . . . . . . . . . . . . Joe DePietro, Ryan J MacConnell
TV Acting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Belmonte
BiograPhiCaL Notes

All in the Timing (Ithaca High School), Hedwig and the Angry Inch (SROPAC),
and Dave DaVinci Saves the Universe (IC Studio). Ithaca College main-stage
credits include Plumfield, Iraq, Electra, Baby, Much Ado about Nothing, The
Little Prince, and Children of Eden. "This is for my parents, Bob, Lilly, and the
costume shop, Kristof, DK, Emilio, Rhiannon, Jeremy, Alyssa, the Bungalow,
and every one at home who believes in me."
Benjamin shipley (Dramaturg) is a B.A. drama and writing major with a
minor in dance from Los Angeles, California. Some of his previous Ithaca
College credits include dramaturg for Illuminated Bodies and stage manager
for Suor Angelica, Translations, and Fool for Love. Other credits include
stage management positions with New York Stage and Film and the Ithaca
Shakespeare Company. "Thanks to the cast, creatives, and production
team for all their fantastic work on this timely and important show! Special
thanks to Bob Moss for this incredible opportunity. Finally, thanks to family,
friends, and the class of 2013 for all their love and support. This one's for you.
Cheers!"
ari Veach (Horster) is a sophomore B.F.A. acting major from Oak Hill, Virginia.
His previous Ithaca College credits include understudy for Yolland, Doalty,
and Lancey in Translations as well as Abhorson in Measure for Measure. His
other credits include Baptista in The Taming of the Shrew and Master Ford in
The Merry Wives of Windsor for Theatre under the Stars in New Hampshire.
“Thanks to Mom and Dad for their endless love, compassion, and belief in me;
to Bob and the entire cast, crew, and creative team for such a memorable and
special experience; and to life for all that has been given to me and all of the
adventures still to come.”
tJ Wagner (Engstrand) is a senior B.F.A. acting major from Malvern,
Pennsylvania.
BiograPhiCaL Notes
artistiC staFF
alyssa Carlucci (Stage Manager) is a senior B.A. drama major from South
Abington Township, Pennsylvania. Her previous Ithaca College credits include
assistant stage manager for Legally Blonde and Measure for Measure as well
as production assistant for Coram Boy. She was also an assistant stage
manager for the Allenberry Playhouse in Boiling Springs, Pennsylvania.
“Thank you to my family and friends, especially my parents, who have
supported me all this time!”
alexander Dietz-Kest (Sound Designer) is a junior B.F.A. theatrical production
arts major from Baltimore, Maryland. His previous Ithaca College credits
include sound designer for Illuminated Bodies and The Bacchae, as well
as master carpenter for Working. Previously he was a sound intern for the
Berkshire Theatre Group. “Thanks to my moms, Amy and Deb, and the
rest of my family. Thinking every day about Jessie and Jon. Thanks to Don,
Adam, and Tom for helping me get through this process. Thanks to Aubrey
for training your owner so well; you couldn't have made a better friend.”
Kristof Janezic (Lighting Designer) is a senior B.F.A. theatrical production
arts major concentrating in lighting design from Chestnut Hill, Massachusetts.
His previous Ithaca College credits include lighting designer for The Bacchae,
The Dream of the Burning Boy, and The Stonewater Rapture; assistant lighting
designer for Plumfield, Iraq; and master electrician for The Man from Nebraska
and How I Learned to Drive. Other credits include electrics apprentice for
the Santa Fe Opera’s summer 2012 season. “I'd like to thank my family for
supporting me through the last four years, my friends at IC for tolerating me
for the last four years, and campus safety for all the times they DIDN'T kick
me out over the last four years...four years is a long time...”
emilio martínez Zurita de la garza (Scenic Designer) is a senior B.F.A.
theatrical production arts major from Mexico City, Mexico. Previous Ithaca
College credits include lighting designer for Man from Nebraska, scenic and
costume designer for The Dream of the Burning Boy, scenic and projection
design for Working, and director of I Don’t Need No Stinking Badges with IC
Teatro. Additional credits include assistant to Sergio Villegas ’01 in Mexico’s
Bicentennial Celebrations Parade and design participant under the artistic
direction of Fiona Watt for The Six Acts Project at the Prague Quadrennial.
“This is the last of my senior year capstone projects, and I am truly grateful
to all the mentors that believed in me along the way, Bob Moss, ‘y, por
siempre, a su familia.’”
margaret mcCarthy (Technical Director) is a senior B.F.A. theatrical production
arts major. Her previous Ithaca College credits include assistant technical
director for Legally Blonde, wardrobe supervisor for The Magic Flute, master
carpenter for Light in the Piazza, wardrobe supervisor for L’Orfeo, assistant
master carpenter for Chicago, carpenter for Much Ado about Nothing, and
dresser/stitcher for The Little Prince. Her other credits include carpenter for
the Hope Summer Repertory Theatre, stitcher for the Hangar Theatre, and
carpentry intern for the Barrington Stage Company. “Thank you to my Ithaca
family for always being there and supporting me. I have been so blessed to
know and learn from so many talented and wonderful people. I love you guys!”
robert moss (Director) is directing his first Henrik Ibsen play. In the early
days of Playwrights Horizons, he produced Ibsen’s Emperor and Galilean
(trying to support the translator as playwright), and it was directed by Barnet
Kellman, currently directing T.V. in Hollywood. He produced Hedda Gabler
while running the Queens Theatre in the Park, and it was directed by Philip
Himberg, now director of the Sundance Institute Theatre Program. At the
Hangar he produced Nora (Ingmar Bergman’s translation of A Doll’s House),
and it was directed by Lisa Peterson who is now directing at theatres all across
America. He did not, alas, include Ibsen in any of his 12 seasons at Syracuse
Stage. Currently, he is studying French on Thursdays, teaching directing
at IC, and working with three new playwrights, Ira Fuchs, Mary Mott, and
Logan Medland, on three upcoming projects. This coming summer, he will
be directing James Goldman’s The Lion in Winter with Treat Williams and
Christine Lahti at the Berkshire Theatre Festival. He is supposed to be retired.
Johanna Pan (Costume Designer) is a senior theatrical production arts major
(design) from sunny Singapore. Her previous credits include scenic and costume
designer for Stonewater Rapture (IC Studio) and Cinderella (ACSian Theatre),
scenic designer for A Midsummer Night's Dream and As You Like It (Ithaca
Shakespeare Company), costume designer for Translations (IC’s main stage),
BiograPhiCaL Notes
artistiC staFF
alyssa Carlucci (Stage Manager) is a senior B.A. drama major from South
Abington Township, Pennsylvania. Her previous Ithaca College credits include
assistant stage manager for Legally Blonde and Measure for Measure as well
as production assistant for Coram Boy. She was also an assistant stage
manager for the Allenberry Playhouse in Boiling Springs, Pennsylvania.
“Thank you to my family and friends, especially my parents, who have
supported me all this time!”
alexander Dietz-Kest (Sound Designer) is a junior B.F.A. theatrical production
arts major from Baltimore, Maryland. His previous Ithaca College credits
include sound designer for Illuminated Bodies and The Bacchae, as well
as master carpenter for Working. Previously he was a sound intern for the
Berkshire Theatre Group. “Thanks to my moms, Amy and Deb, and the
rest of my family. Thinking every day about Jessie and Jon. Thanks to Don,
Adam, and Tom for helping me get through this process. Thanks to Aubrey
for training your owner so well; you couldn't have made a better friend.”
Kristof Janezic (Lighting Designer) is a senior B.F.A. theatrical production
arts major concentrating in lighting design from Chestnut Hill, Massachusetts.
His previous Ithaca College credits include lighting designer for The Bacchae,
The Dream of the Burning Boy, and The Stonewater Rapture; assistant lighting
designer for Plumfield, Iraq; and master electrician for The Man from Nebraska
and How I Learned to Drive. Other credits include electrics apprentice for
the Santa Fe Opera’s summer 2012 season. “I'd like to thank my family for
supporting me through the last four years, my friends at IC for tolerating me
for the last four years, and campus safety for all the times they DIDN'T kick
me out over the last four years...four years is a long time...”
emilio martínez Zurita de la garza (Scenic Designer) is a senior B.F.A.
theatrical production arts major from Mexico City, Mexico. Previous Ithaca
College credits include lighting designer for Man from Nebraska, scenic and
costume designer for The Dream of the Burning Boy, scenic and projection
design for Working, and director of I Don’t Need No Stinking Badges with IC
Teatro. Additional credits include assistant to Sergio Villegas ’01 in Mexico’s
Bicentennial Celebrations Parade and design participant under the artistic
direction of Fiona Watt for The Six Acts Project at the Prague Quadrennial.
“This is the last of my senior year capstone projects, and I am truly grateful
to all the mentors that believed in me along the way, Bob Moss, ‘y, por
siempre, a su familia.’”
margaret mcCarthy (Technical Director) is a senior B.F.A. theatrical production
arts major. Her previous Ithaca College credits include assistant technical
director for Legally Blonde, wardrobe supervisor for The Magic Flute, master
carpenter for Light in the Piazza, wardrobe supervisor for L’Orfeo, assistant
master carpenter for Chicago, carpenter for Much Ado about Nothing, and
dresser/stitcher for The Little Prince. Her other credits include carpenter for
the Hope Summer Repertory Theatre, stitcher for the Hangar Theatre, and
carpentry intern for the Barrington Stage Company. “Thank you to my Ithaca
family for always being there and supporting me. I have been so blessed to
know and learn from so many talented and wonderful people. I love you guys!”
robert moss (Director) is directing his first Henrik Ibsen play. In the early
days of Playwrights Horizons, he produced Ibsen’s Emperor and Galilean
(trying to support the translator as playwright), and it was directed by Barnet
Kellman, currently directing T.V. in Hollywood. He produced Hedda Gabler
while running the Queens Theatre in the Park, and it was directed by Philip
Himberg, now director of the Sundance Institute Theatre Program. At the
Hangar he produced Nora (Ingmar Bergman’s translation of A Doll’s House),
and it was directed by Lisa Peterson who is now directing at theatres all across
America. He did not, alas, include Ibsen in any of his 12 seasons at Syracuse
Stage. Currently, he is studying French on Thursdays, teaching directing
at IC, and working with three new playwrights, Ira Fuchs, Mary Mott, and
Logan Medland, on three upcoming projects. This coming summer, he will
be directing James Goldman’s The Lion in Winter with Treat Williams and
Christine Lahti at the Berkshire Theatre Festival. He is supposed to be retired.
Johanna Pan (Costume Designer) is a senior theatrical production arts major
(design) from sunny Singapore. Her previous credits include scenic and costume
designer for Stonewater Rapture (IC Studio) and Cinderella (ACSian Theatre),
scenic designer for A Midsummer Night's Dream and As You Like It (Ithaca
Shakespeare Company), costume designer for Translations (IC’s main stage),
BiograPhiCaL Notes

All in the Timing (Ithaca High School), Hedwig and the Angry Inch (SROPAC),
and Dave DaVinci Saves the Universe (IC Studio). Ithaca College main-stage
credits include Plumfield, Iraq, Electra, Baby, Much Ado about Nothing, The
Little Prince, and Children of Eden. "This is for my parents, Bob, Lilly, and the
costume shop, Kristof, DK, Emilio, Rhiannon, Jeremy, Alyssa, the Bungalow,
and every one at home who believes in me."
Benjamin shipley (Dramaturg) is a B.A. drama and writing major with a
minor in dance from Los Angeles, California. Some of his previous Ithaca
College credits include dramaturg for Illuminated Bodies and stage manager
for Suor Angelica, Translations, and Fool for Love. Other credits include
stage management positions with New York Stage and Film and the Ithaca
Shakespeare Company. "Thanks to the cast, creatives, and production
team for all their fantastic work on this timely and important show! Special
thanks to Bob Moss for this incredible opportunity. Finally, thanks to family,
friends, and the class of 2013 for all their love and support. This one's for you.
Cheers!"
ari Veach (Horster) is a sophomore B.F.A. acting major from Oak Hill, Virginia.
His previous Ithaca College credits include understudy for Yolland, Doalty,
and Lancey in Translations as well as Abhorson in Measure for Measure. His
other credits include Baptista in The Taming of the Shrew and Master Ford in
The Merry Wives of Windsor for Theatre under the Stars in New Hampshire.
“Thanks to Mom and Dad for their endless love, compassion, and belief in me;
to Bob and the entire cast, crew, and creative team for such a memorable and
special experience; and to life for all that has been given to me and all of the
adventures still to come.”
tJ Wagner (Engstrand) is a senior B.F.A. acting major from Malvern,
Pennsylvania.
BiograPhiCaL Notes
to the class of 2013. It has truly been an honor to work with all of you. To the
Octagon, it has been an honor to live with all of you. Love to my parents and
family for all of their support; and, to the little one, I love you. 'First came the
hurricane, then the morning sun.'"
matt Prigge (Thomas) is a senior B.F.A. acting major. His previous Ithaca
College credits include Owen in Translations, Messenger in Electra, Louis
Ironson in Angels in America Part I: Millenium Approaches, Septimus Hodge
in Arcadia, and Silvio Ayala in The Dirty War Project. He previously studied
at the Moscow Art Theatre through the National Theatre Institute. “Thanks
to Robert Moss for this opportunity and for his constant inspiration, to the
performance faculty at Ithaca College who taught me everything I know, and
to the members of the class of 2013 who have walked beside me on this
incredible journey these past four years. This performance is dedicated to
Tommy Argenti, lost too soon, who taught everyone around him what it
means to live to the hilt."
Josh rivera (Gunnar) is a freshman B.F.A. musical theatre major from Lafayette,
Colorado. This is his first Ithaca College performance. He is humbled by the
experience to work with such talented people and would like to thank all the
instructors who helped accommodate him on his recent knee injury. He plans
to keep performing at Ithaca and learn all he can from all the incredible people
with whom he's working.
rachel rosen (Randine) is a junior B.F.A. acting major from Ridgewood,
New Jersey. Her previous Ithaca College credits include directing The Little
Prince and playing Grocer’s Wife in Rhinoceros with IC Underground as well
as Nora in Dave DaVinci Saves the Universe with No Bucks. “Thanks to Bob and
the entire cast and crew for making this experience possible. A special thanks
to my friends and parents for their constant love and support. Enjoy the show!”
mike sullivan (Oswald) is a freshman B.F.A. acting major from Guilford,
Connecticut. His previous Ithaca College credits include Dane in Dream of
the Burning Boy. His other credits include Conrad Birdie in Bye Bye Birdie
for Downtown Bridgeport Cabaret Theater and Johnny Blood in Desperate
Measures at Spirit of Broadway Theatre. “Thank you so much to my parents
for being so supportive and being the best people I know!”
stuDeNt assistaNts, sPriNg 2013
Assistant to the Coordinator of Theatre Operations . . . . . . . . . . . . . . Alyssa Carlucci
Assistants to the Designers . . . . . . . . . Clay Harding, Miriam Milder, Amanda Perry
Properties Shop Assistants. . . . . . . . . . . . . . . . . . Carson afKlinteberg, Renny Cullen,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Wendel
Scene Shop Assistants . . . . . . . . . . . Will Burns, George Horrocks, Joseph Kurzawa,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine LemMon, Margaret McCarthy,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Noonan-Pomada, Alexander Pitt
Paint Shop Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . Elysse Helms, Heather Huang
Costume Shop Assistants. . . . . . Ashlynne Abraham, Anna Eden, Maxine Etchison,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manny Garcia, Anna Grigo, Tyler Hampton,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christine LemMon, Margaret McCarthy,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna Pan, Rhiannon Randall
Light Shop Assistants . . . . . . . . . . . George Horrocks, Mike Lonuzzi, Michael Roche
Sound Shop Assistants . . . . . . . . . Ezra Chamberlain, Ian Crawford, Alex Dietz-Kest
Studio 2 Technical Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Aloi
Ticket Office Assistants. . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson, Sam Gates,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Rothfus, Kaylyn Syvret
Front of House Design Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson
Web Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-Hui Woo
Office Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Abernathy, Dan Berlingeri,
. . . . . . . . . . . . . . . . . . . . . . . . . . . Haley Brannelly, Kelsey Dunne, Pascale Florestal,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Taj Harvey, Timothy Rheiner, Carly Richards
Library Assistants . . . . . . . . . . . . Samantha Cotton, Serrana Gay, Madeline Landin,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gabriella Napoli, Joe Pietropaolo,
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maxwell T. Robin, TJ Wagner
teaching assistants
Audition Accompanists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeff Cox, David Klodowski
Dialects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Austin
History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Stevens
Introduction to Theatre . . . . . . . . . . . . . . . . . . . . Hannah Goldstein, Miriam Salzman
Jazz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chloe Tiso
Sophomore Movement. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan Ort
Stagecraft. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elysse Helms
Voice and Movement. . . . . . . . . . . . . . . . . . . . . . . . . Joe DePietro, Ryan J MacConnell
TV Acting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Belmonte
DePartmeNt oF theatre arts FaCuLty aND staFF
FaCuLty
Barbara Anger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adjunct Instructor [Acting]
Ruth Barber . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Instructor [Scenic Art and Design]
Susannah Berryman . . . . . . . . . . . . . . . Associate Professor [Acting and Directing]
Greg Bostwick . . . . . . . . . . . . . . . . . Professor [Acting], Interim Department Chair
Angela Branneman . . . . . . . . . . Associate Professor [Theatre Arts Management]
Tom Burch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Scenic Design]
Lee Byron. . . . . . . . . . . . . . . . . . . . . . . . . . . Professor [Directing and Management]
Paula Murray Cole. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Acting]
Saviana Condeescu Stanescu. . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [Playwriting and Theatre Studies]
Mary Corsaro . . . . . . . . . . . . Associate Professor [Musical Theatre, Jazz, and Tap]
Chrystyna Dail. . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Theatre History]
Wendy Dann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Directing]
Brian DeMaris . . . . . Assistant Professor [Director of Opera and Musical Theatre]
Lindsay Gilmour . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Modern Dance]
Cynthia Henderson . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Acting]
Jennifer Herzog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Acting]
Timothy Kidd* . . . . . . . . . . . . . . . . . . . . . . . . . . . . London Drama Program Director
Jennette Kollmann . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Computer Aided Design]
Norman W. Johnson Jr. . . . . . . . . . . Associate Professor [Acting and Movement],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Interim Co-Director of Theatre
William Langan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Professor [Acting]
Judy Levitt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adjunct Instructor [Acting]
Elizabeth Livesay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lecturer [Tap]
Kathleen Mulligan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Voice]
Donovan Lockett (Ejlinn) is a sophomore B.F.A. acting major from New Orleans,
Louisiana. Her previous Ithaca College credits include Clara Mendoza in The
Dirty War Project and various roles in 44 Plays for 44 Presidents. Her other
credits include The Laramie Project, The Skin of Our Teeth, The Importance of
Being Earnest, and the New Orleans Fringe Festival show Se-Pa-Rate=. “To Bob
Moss, this glorious cast and crew, my Ithaca family, and my New Orleans family,
all the words in the world could not express my gratitude. In all of you, I see how
good God has been to me.”
matt madden (Billing) is a sophomore B.F.A. musical theatre major from
Newtown, Connecticut. His previous Ithaca College credits include Priest cover
in The Light in the Piazza, Manus in Translations, and Measure for Measure.
His other credits include Bellboy in Titanic and Jeremy Jacob in How I Became
a Pirate: The Musical at the Hangar Theatre. “Thanks to Bob Moss and the entire
creative team for this fantastic experience. Special thanks to friends, family,
parents, and Hannah for their endless love and support. Enjoy the show!”
Patrick mazzella (Sven) is a senior B.F.A. acting major from Bellmore, New
York. His previous Ithaca College credits include Harry in The Man from Nebraska,
Meshak in Coram Boy, Dancer in Illuminated Bodies, and ensemble in Electra.
His other credits include work with the Manhattan Repertory Theater in New
York City and the Ithaca Shakespeare Company. “Special thanks to my parents
who have always supported me in everything I have done. I couldn't do this
without them.”
georgi mcCauley (Catherine) is junior B.A. theatre studies and B.S. television-
radio major from Baltimore, Maryland. Her previous Ithaca College credits
include Rachel in The Dream of the Burning Boy, India in All Hail Hurricane
Gordo, Waitress in Rhinoceros, and various Park School thesis films. “Special
thanks to Bob Moss for this incredible opportunity and to my family and friends
for all their love and support.”
Brett moellenberg (Kiil) is a senior B.F.A. acting major. His previous Ithaca
College credits include Hugh in Translations, Dr. Smith in Coram Boy,
Polydeuces in Electra, and Friar Francis in Much Ado about Nothing. He is
also a summer artist in residence at the St. Thomas Playhouse in Sun Valley,
Idaho. "Thanks to Bob and the rest of the cast and crew. My love and respect
BiograPhiC aL Notes
various roles for Ithaca Shakespeare Company's productions of The Taming
of the Shrew and Romeo and Juliet. “Thank you to Bob Moss for this awesome
opportunity. My gratitude to the production team, cast, and crew. Love to
my family, friends, and brother, Ryan.”
Doug hansen (Knut) is a senior B.F.A. acting major. His previous Ithaca College
credits include Ned Mellish in Cashel Byron's Profession, Andre in Five Flights,
Farmer in Electra, Hunter in Bachelor Holiday, a male swing in Plumfield, Iraq,
Father in The Yellow Boat, and Wesley in Curse of the Starving Class. “Special
thanks to everyone I've crossed paths with over the past four years, to my
friends, to my family. Never stop doing. Always play. Adieu. (Exeunt).“
Justin Kasian (Edward) is a freshman B.F.A. acting major from Marietta,
Georgia. His previous Ithaca College credits include male understudy for
Dream of the Burning Boy. His other credits include ensemble in By Wheel
and By Wing and Jesus in Godspell Junior at Act3. “I would like to thank God
and my family for helping me discover my passions.”
Laine Levitt (Ingrid) is a junior B.A. theatre studies major from Stamford,
Connecticut. Her previous Ithaca College credits include performing in Far
Away for IC No Bucks. Her other credits include Ilse in Spring Awakening at
Melodramatics Theatre Company and Mama Euralie at Curtain Call Inc. She
spent last semester at the National Theater Institute at the Eugene O'Neill
Theatre Center. "I would like to thank my family and friends for their endless
support and Bob Moss for this amazing opportunity."
richard Lindenfelzer (Hovstad) is a senior B.F.A. musical theatre major from
Tyngsboro, Massachusetts. His previous Ithaca College credits include Warner
in Legally Blonde, Dancer in Illuminated Bodies, Handel in Coram Boy, Orestes
in Electra, Slim and Bishop understudies in Floyd Collins; Wallace in Cashel
Byron's Profession with Bob Moss, and Talib in Generation Graffiti with Cynthia
Henderson. His other credits include Sergeant Cadwallader in The Unexpected
Guest with the Gretna Theatre and Mitch Mahoney in The 25th Annual Putnam
County Spelling Bee with LymeLight Productions. “Thank you, Bob, for giving
me the perfect way to end a college career that began with you three short
years ago--and to the cast, crew, and creative team, my family and friends
(and my fellow Heikens), SKOL!”
Amy Walker O'Brien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Instructor [Ballet]
Greg Robbins . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Costume Design]
Arno Selco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Professor Emeritus [Acting]
Colin Stewart . . . . . . . . . . . . . . . . . . . . . Associate Professor [Technical Direction],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Interim Co-Director of Theatre
Steve TenEyck** . . . . . . . . . . . . . . . . . . . . . Associate Professor [Lighting Design],
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Department Chair
Don Tindall** . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Professor [Sound Design]
*London Center
**On sabbatical, spring 2013
staFF
Sherri Dunham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Linda Ellis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Joel Gelpe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Accompanist/Music Director
Adam Klein . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technical Supervisor
John Kontogiannis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scene Shop Supervisor
Susan Monagan. . . . . . . . . . . . . . . . . . . . . . . . . Manager of Audience Development
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and Special Projects
Mary Scheidegger . . . . . . . . . . . . . . . . . . . . . . . Coordinator of Theatre Operations
Cynthia Stewart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Administrative Assistant
Lilly Westbrook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Costume Shop Manager
sChooL oF humaNities aND sCieNC es
Leslie W. Lewis, Dean
Kathy Lucas, Assistant Dean for Student Services
Michael Richardson, Associate Dean for Faculty and Special Initiatives
Stacia Zabusky, Associate Dean for Curriculum and Undergraduate Programs
aCKNoWLeDgmeNts

Hangar Theatre at the Surflight Theater. "I would like to thank Bob for this wonderful
opportunity along with the amazingly talented cast and crew for this incredible
Cornell University, Department of Performing and Media Arts
and unforgettable experience. Much love to my amazing family, friends, and
The William Henry Miller Inn the class of 2015!”

Jake Daniel (Georg) is a freshman B.F.A. acting major from Muskogee,

Oklahoma. His previous Ithaca College credits include a staged reading of
Curse of the Starving Class. His other credits include Eugene in Brighton Beach
Memoirs at Muskogee Community Theatre and Stanley in Greater Tuna at Fort
Gibson High School. “Special thanks to my parents, grandparents, and Melanie
Wicks for the unconditional love and support!”

riley Frankhouser (Morten) is a freshman B.A. theatre studies major from

sChoLarshiPs New Hope, Pennsylvania. His previous Ithaca College credits include George
Gibbs in Our Town and ensemble in Too Much Light Makes the Baby Go Blind.
Through the generosity of alumni and friends, several scholarships have been “Special thanks to my mom and dad, friends, and DPAC for all their support!”
established to benefit theatre students. This assistance has made it possible for
many of our students to complete their education at Ithaca College and to enter Jordan Friend (Hans) is a freshman B.F.A. acting major from Chevy Chase,
the theatre professions. We are grateful to those who have contributed to the Maryland. His previous Ithaca College credits include understudy for Hugh
following theatre scholarships: and Owen in Translations and various roles in 44 Plays for 44 Presidents. His
other credits include King Arthur in Spamalot, Macbeth in Macbeth, Nathan
Peter Bergstrom Scholarship Arno Selco Guest Artist Fund
Detroit in Guys and Dolls, and Bobby Strong in Urinetown. “A massive thank
Cissy Cheskis Scholarship Patricia Stevens Musical Theatre you to Bob for this incredible opportunity and to my parents, my brother, my
Toby Clarey Scholarship Scholarship friends, and Emma for giving me the love and support that keeps me going.”
Richard M. Clark Scholarship Clarence Straight Award
serrana gay (Petra) is a senior B.F.A. acting major from Santa Fe, New Mexico.
Common Ground Scholarship Theatre Arts Alumni Her previous Ithaca College credits include understudy for Greek Chorus in
Memorial Scholarship Electra. Her other credits include a reading of Timber Land with the Civic
Friars Foundation Scholarship
Jane Woods Werly Scholarship Ensemble. She would like to thank Bob Moss and Jeremy Ehlinger for giving her
Laura Hinckley Hauer Scholarship
Lillian Speakman Vail the opportunity to play this wonderful part, Mom and Dad Stockman (her lizard
George Hoerner Scholarship family), and the whole cast and crew for creating this beautiful world with her.
Memorial Scholarship
Earl McCarroll Program She would also like to thank her family, friends, and Mike for supporting her
Development Fund through these crazy four years of college. It has been quite a ride.

We invite you to contribute to any of these funds. Please contact the matt greenberg (Henrik) is a sophomore B.F.A. musical theatre major from
Department of Theatre Arts, Ithaca College, Dillingham Center, Room 226, Westport, Connecticut. His previous Ithaca College credits include Bud Todd
953 Danby Road, Ithaca, NY 14850; 607-274-3920; gbostwick@ithaca.edu. in The Man from Nebraska and Robert in Proof. Previously he performed in
BiograPhiC aL Notes
Cast
Dan Berlingeri (Peter) is a senior B.F.A. acting major from Sandy Hook,
Connecticut. His Ithaca College credits include Uncle Peck in How I Learned
to Drive, Angelo in Measure for Measure, Yolland in Translations, William
Ashbrook in Coram Boy, and Tom in Five Fights. He played Max in Lend Me
a Tenor, Mr. Scary in Junie B, and Dennis in This Is Our Youth at the Hangar
Theatre, as well as Caleb in The Whipping Man at the Kitchen Theatre. He
would like to thank the cast, crew, and production team for this magnificent
final show at IC and give a special thanks to his very special family: Mom,
Dad, Adam, and Graciegirl for their shining love and support.
Laura Brennan (Hedwig) is a sophomore B.F.A. acting major from Pittsburgh,
Pennsylvania. Her previous Ithaca College credits include Marie and Sarah
understudy in Translations, Claire in Proof, and Doris in Brad Carrigan,
American. “A thousand thank yous to God, my family, and my friends for
their unconditional love and support.”
grant Carey (Aslaksen) is a senior B.F.A. musical theatre major. His previous
Ithaca College credits include performances in Legally Blonde, Baby, Chicago,
Much Ado about Nothing, and Children of Eden. His compositional works
include Illuminated Bodies and How I Learned to Drive. “Thanks to Bob and
this incredible cast. Love to Mom, Dad, Sis, and Kate.”
Bernadette Carter (Helga) is a junior B.F.A. acting major. Her credits include
Mrs. Muller in Doubt: A Parable with IC Players; Rose in The Story of Rose with
Problems and Possibilities/Performing Arts for Social Change; and Katherina
in The Taming of the Shrew with IC Shakespeare. “Thank you, Robert Moss and
production team, for this opportunity and for constant inspiration and to the
faculty at Ithaca College who continue to inspire the art of excellence in all that
I do. I want to thank my family, friends, colleagues, and strangers for their
influences in my life. 'The skills you have gathered will one day come in handy.'
—fortune cookie"
Kayley anne Collins (Tora) is sophomore B.F.A. musical theatre major from
Harrington Park, New Jersey. Her previous Ithaca College credits include
Kate, Chutney, and Video Inmate in Legally Blonde, as well as female cover
in Working. She was also previously Sister Margareta in The Sound of Music
geNeraL iNFormatioN
For more detail, please visit ithaca.edu/mainstage.
LateComers will be seated at the discretion of the management.
eXits are clearly marked by red signs. Please check for the nearest exit when
seated. In case of fire, please walk—do not run—to the nearest exit and follow
the directions of the house staff.
smoKiNg is prohibited in Dillingham Center for the Performing Arts.
Free, well-lit ParKiNg is available in the lot next to Dillingham Center (F lot),
the visitor parking area (V lot), or the area across Route 96B (Y lot). Drop-off
for the theatre and access to the Dillingham Center elevator are available
from the Peggy Ryan Williams Center parking lot.
For more information about sPeCiaL seatiNg (wheelchair or other),
call the ticket office at 607-274-3224.
Cameras and reCorDiNg eQuiPmeNt are forbidden in the theatre
by section 31:01 of the New York State Arts and Cultural Affairs Laws.
grouP DisCouNts for groups of 10 or more can be arranged by calling
the group sales director at 607-274-3796.
restrooms are located down the stairs directly across from the ticket office.
a Coatroom is available for your convenience in the upper lobby.
Ithaca College assumes no responsibility for lost or stolen articles.
Lost artiCLes may be reported or claimed at the ticket office.
iNFaNts are not permitted in the theatre.
assistiVe heariNg DeViCes are available at the ticket office.
tiCKets are available for purchase at all Ticket Center outlets: visit the ticket
office at Dillingham Center, log on to ithacaevents.com, or call 607-274-3224
or 607-273-4497.
aBout the DePartmeNt oF theatre arts maNagemeNt staFF, sPriNg 2013

The Department of Theatre Arts at Ithaca College offers a powerful combination Production Liaisons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Barth,
of intensive classroom and performance experience that has made it one of . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gabriella Napoli
the most effective and highly respected training programs in the nation. The
Marketing Associates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa DeAlesandro,
department’s stated mission is to prepare its students for careers in the theatre
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Esposito
and entertainment industry. This is a highly selective program, staffed by faculty
members whose academic training and professional theatre experience have Publicity Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adrian Anderson
prepared them for the focused, personalized instruction that is the key to
Displays Coordinator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tara Murphy
successful theatrical training.
Assistant Displays Coordinator. . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric Rothstein
Five degree programs are available to our undergraduate students: Electronic Media Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sara Kay
Bachelor of arts in theatre studies Group Sales Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alex Schintzius
This degree provides a liberal arts approach to theatre and offers the student
maximum flexibility in exploring a wide range of career opportunities. Students Promotions Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brendan Tetro
are eligible to audition for productions and are encouraged to become involved Reception Coordinators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa DeAlesandro,
in productions as stage managers, assistant directors, dramaturgs, and . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amy Esposito
technical assistants.
House Managers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Todd Piskin,
Bachelor of Fine arts in acting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alyssa Stoeckl
This degree program is performance-oriented and provides training and
experience designed to prepare students for a professional acting career. Concessions Managers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kylie Adams,
Instruction is highly individualized and concentrated, but there are also . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Saccento
opportunities within the liberal arts curriculum for a broader general
Ticket Office Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dominic Barbaro,
education.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bridget Cafaro
Bachelor of Fine arts in musical theatre
Program Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Rothfus
This is an intensive, performance-oriented major designed to offer the student
Assistant Program Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . Hannah Trachy
professional training in singing, acting, and dance.
Senior Directing Project Liaison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tricia Edwards
Bachelor of science in theatre arts management
This degree program combines intensive and practical training in virtually
all aspects of theatre and management with a well-rounded education in
the liberal arts.

Bachelor of Fine arts in theatrical Production arts

This is an intensive, undergraduate, preprofessional degree that emphasizes
practical theatre training and its place in the liberal arts. Theatrical production
arts has two degree concentrations: theatre technology and theatrical design.
Chair’s Notes

Welcome to our theatre. And, while we’re at it, welcome to one of our larger
classrooms.

This is the space where we put into practice what we have learned and taught
throughout the studios, shops, and classrooms of Dillingham Center for the
Performing Arts. For almost 100 years, thousands of students have participated
in theatrical productions at Ithaca College. Our shows serve as the practical
application of the theories, methods, and techniques that are taught in our
theatre arts classes. Every one of the many students involved with the show
you are about to see (each of whom is named in this program) is acquiring
valuable experience in the art and business of theatre. They are also earning
academic credit toward the fulfillment of their respective degree programs:
theatre studies, theatre arts management, theatrical production arts, acting,
or musical theatre.

Every day in our classes we strive to employ best practices in the art, craft,
business, and study of theatre. That way, our graduates will be ready to
contribute professionally to the theatre of the future just as soon as they
leave Dillingham Center. If you read the biography section of programs in
professional theatres across the country, you will often come across the names
of former students who are proud to declare themselves alumni of the Ithaca
College Department of Theatre Arts.

Whether you are a returning patron or a newcomer to our theatres, I want

to thank you for being a member of this audience. Your presence is both a
quintessential element of theatre and a touchstone for the accomplishment
of our student theatre practitioners.

Welcome to class!

Greg Bostwick
Interim Chair
Department of Theatre Arts
CreWs

CarPeNtry
Emma Duncan Patricia Edwards Ryan Edwards
Abigail Eichorn Evan Herman-Chin Nikolas Kaim Season sponsored by
Ashley Kristoff Michael Marchese Jeffrey Mettler
Hailee Murphy Caitlin Ort Michael Saccento
Sam Schloegel Phoebe Sullivan-Bing

Costumes
Alexa Cepeda Rebecca Dwight Kelly Frisch
John Shea Jordan Silver Kathleen Taylor
Max Weinstein

eLeC triCs
Lauren Angelos Rachel Fitzgerald Dorothea Hinman
Dana Kempf Benjamin Poppleton Joshua Samuels
Hakeem Vera Brianne Wylie

sCeNiC art
Erik Jaworski Chloe Kirkwood Eric Rothstein
Matthew Ryan Skyler Schlenker Nicole Veit
Rachel Wong-Westbrooke Ray Zanders

ProPerties
William Allen Anna Blazer Emily Freeman
Angela Griggs Andrew Kenworthy-Rodriguez Emily Loewus
Anthony Marchitto Robert Praderio

souND
Carly Braff Scott Halstead Evan Hawkins
Andrew Miller Guthrie Park
ProDuCtioN staFF

Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeremy Ehlinger

Assistant Stage Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Kanter,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Purrone

Production Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Danielle Campbell

Wardrobe Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhiannon Randall

Master Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Noonan-Pomada

Properties Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anna Grigo,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Wendel

Charge Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ravi Rakkulchon

Lighting Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clay Harding

Master Electrician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Horrocks

Sound Engineer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Aloi

Choreographer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Shipley

Cast

Horster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ari Veach

Petra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Serrana Gay

Aslaksen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grant Carey

Knut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Doug Hansen

Sven. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Mazzella

Edward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Justin Kasian

Gunnar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Josh Rivera

Henrik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Greenberg

Georg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jake Daniel

Hedwig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Brennan

Helga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bernadette Carter

Ingrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laine Levitt

Tora . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kayley Anne Collins

Engstrand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TJ Wagner

Oswald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Sullivan

Hans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jordan Friend

settiNg aND sCeNes

A coastal town in Norway at the turn of the last century

aCt 1
scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stockmann’s home, early evening

scene 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . the following morning

scene 3 . . . . . . . . . . . . . . . . . . . . . the editorial office of People’s Daily Messenger,

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . the following day

aCt 2
scene 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Captain Horster’s home, that evening

scene 2 . . . . . . . . . . . . . . . . . . . . . . . . Stockmann's home, the following morning

There will be one 15-minute intermission between acts.

Cast

Kiil. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brett Moellenberg

Billing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Madden

Randine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel Rosen

Catherine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Georgi McCauley

Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dan Berlingeri

Hovstad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richard Lindenfelzer

Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matt Prigge

Ejlinn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Donovan Lockett

Morten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Riley Frankhouser

Notes From the Dramaturg

term, or trumped up? A similar battle is raging in our nation's capital with the
Keystone XL oil pipeline project: will it bring jobs and prosperity, or will it foul
the nation's air and water? Who to believe? There are imposing studies on
both sides. The money is tempting. And the nation needs jobs.

If Doctor Stockmann were in Ithaca today, he'd surely be effectively and

actively lobbying against the hydrofracking industry because of the risks
it presents. But many local landowners are in support and are signing leases
that are financially tempting.

Perhaps our play can illuminate the issues from the safe distance of 1882
Norway. Perhaps our play can aid the conversation, illuminate the issues
from a different point of view, and provide clarity. Arthur Miller and Henrik
Ibsen believed in the power of theatre, the live theatrical event, to stimulate
important discussions and to help people make up their minds. Please enjoy
our production and remember: it's only a play.

Ben Shipley,
Dramaturg
Notes From the Dramaturg

Arthur Miller seems the most perfect playwright to translate the Norwegian
Henrik Ibsen for the American stage. Both men were deeply concerned with
societal issues, specifically, the role of the individual in society and the tension
and interplay between one person and the group. An Enemy of the People was
written in 1882 and concerned one man's vision of a particular situation in his
town in juxtaposition to the majority's view of things.

Seventy years after Ibsen wrote An Enemy of the People, Miller found himself
facing the House Un-American Activities Committee (HUAC) headed by
Senator Joseph McCarthy as they sought to sniff out anyone with Communist
affiliations. Along with a few other brave artists (Lillian Hellman and Zero
Mostel, among others), Miller refused to answer their questions. He saw the
terrifying erosion of basic American values and refused to be intimidated. He
stood up against enormous public and political pressures. It took great courage
to do that in the 1950s. The Crucible, one of Miller's most notable plays, was a
re-telling of the Salem witchcraft trials as a thinly veiled warning against the
tyranny of the majority.

Miller belonged to a group of theatre artists known as Stage for Action (SFA).
This group arose from the Federal Theatre Project that had come into existence
with President Franklin Delano Roosevelt's New Deal. SFA was committed to
performing work about pressing issues that affected the masses and promoting
a liberal political agenda.

And why this play now? Doctor Stockmann, Ibsen's central character, has an
opinion about his town's mineral springs. Are the waters beneficial, as the
town's citizens believe, or are they a menace? Do the waters have curative
powers, or will they make people sick? The doctor thinks he knows the answer.
Actually, he is convinced. But the townspeople are planning on financial
security from the onset of tourists coming to partake of the springs, and they
are equally convinced. How to resolve this dilemma?

In Albany today, the studies pile up regarding hydrofracking in our immediate

neighborhood, in the Marcellus shale. Politicians line themselves up on
opposing sides. Some studies demonstrate the benefits, others the liabilities.
The monetary benefits to those folks who lease their lands are huge. But are
there serious health risks? And are those “potential” risks immediate, long
 ithaCa CoLLege

sC hooL oF humaNities aND sC ieNCes

Leslie W. Lewis, Dean

Department of theatre arts

Greg Bostwick, Interim Department Chair
Colin Stewart, Interim Co-Director of Theatre
Norm Johnson, Interim Co-Director of Theatre

present

an enemy
of the People
By Henrik Ibsen
Adapted by Arthur Miller
april 23, 25–28
DireCtor sCeNiC DesigNer
Robert Moss Emilio Martinez Zurita de la Garza
Costume DesigNer LightiNg DesigNer
Johanna Pan Kristof Janezic
souND DesigNer teChNiCaL DireCtor
Alexander Dietz-Kest Margaret McCarthy
stage maNager Dramaturg
Alyssa Carlucci Ben Shipley

An Enemy of the People is presented by special arrangement

with Dramatists Play Service Inc., New York.
Announcing the
ITHACA COLLEGE THEATRE
2013–14 SEASON!

Fires in the Mirror

by Anna Deavere Smith

Into the Woods

by Stephen Sondheim
book by James Lapine

Mere Mortals
by David Ives

L’étoile
by Emmanuel Chabrier

Gone Missing By Henrik Ibsen

by The Civilians Adapted by Arthur Miller

The Crucible
by Arthur Miller

ithaca.edu