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This series is jointly published by the Cambridge University Press and the Edi-
tions de la Maison des Sciences de l'Homme, as part of the joint publishin
agreement established in 1977 between the Fondation de la Maison des Scienceg
de l'Homme and the Syndics of the Cambridge University Press. s
Cette collection est publiee en co-edition par Cambridge University Press et !es
Editions de la Maison des Sciences de l'Homme. Elle s'integre dans le pro-
gramme de co-edition etabli en 1977 par la Fondation de la Maison des Sciences
de l'Homme et les Syndics de Cambridge University Press.
90634 0
/J J,d7 "·1.I_,,. 1>0 >-r I
. ;\greeing and disagreeing with
4
ssessroents: some feature s of
areferred/ dispreferred turn shapes
J'NJf A pOMERANT Z
0 rd
u,,rr·1crsity of ~1°
A
1, Intr
oduction
routinely mak e asse ss-
When pers~n_s p~rta~e in social activities, they
that eve nt are rela ted
ments. Participating in a~ eve nt and assessing
enterprises, as the following excerpt illustrates:
(l) (VIYMC 1:4 )
J: Let 's fee l the wat er. Oh, it ...
R: It's won der ful. It's jus t rig ht. It's like
bat htu b wat er.
R proffers a series of
In response to J's sug ges tion to "feel the wat er,"
participation in feel-
assessments that are pur por tedl y derived from her
ing the water. The references within those
assessments ("It 's won der -
r to the wat er that R
ful. It's just right. It's like bath tub water.") refe
Assessments are pro -
claims, via the assessments, to have experienced.
ent, a spe ake r claims
duced as products of participation; with an assessm
knowledge of that whi ch he or she is assessing.
spe ake r's pro ffer ing
The feature of the connectedness between (1) a
access to, and kno wl-
an assessment and (2) that speaker's pres ume d
tions to assess. In eac h
edge of, the assessed referent is visible in declina
is requested in a prio r
of the following fragments, an assessment that
turn is not proffered. A declination is accompl
ished with a claim of no
icular referent in que s-
access to, or insufficient knowledge of, the part
tion:
57
58 A. Pomerantz
(3) (SBL:2.2. -1 )
A: How i s Aunt Kallie.
B: Well-, I (suspect ) she ' s better.
A: Oh that's good.
B: Las' titre we taJked tuh mother she was uh
better
B: Uh Allen , ( she wants to know about ),
(2.0)
➔ B: No, Allen doesn' t know anything new out there
either .1
( 4) (JS : II : 41)
J: [1] I -n then I tasted it [2] it w'z really
horrible
(5) (SBL:2.1.7.-1)
B: [1] I just saw Wengreen outside [2] an' she 's an
she's in bad shape.
Agree ing and disagreeing with assess me,rts 59
( 7) (NB:VIII .- 3)
A: [1 J We ' r e Painting like mad i n the kitchen and
[2) Cb ev' rythi ng' s wor ki n, out so prett y here ,
with our-
(B) (FD:1 )
C: Uh what 's the oonclition of the build ing.
D: Well, I have n't made an inspe ction of it.
[1] but I've drive n by it a few times [2] and
uh it does n't appear to be too bad, . : .
ts.
A third locus of assessments is in next turns to initial assessmen
at least
Recall that proffering an assessment is a way of participating in
ipating
some activities; for example, assessing the water is a way of partic
ting in
in "feeling the wate r." Persons also have ways of coparticipa
has just
activities. One way of coparticipating with a co-conversant who
t. It is _a
proffered an asses smen t is by proffering a second assessmen
of this
description of some features of second assessments that is the aim
paper.
2. Second assessments
of prior
Second assessments are assessments produced by recipients
as those
assessments in which the referents in the seconds are the same
- initial
in the priors. A sample of a larger corpus of assessment pairs
Initial
assessments followed by second assessments - is prese nted here.
assessments are notat ed with A1, second assessments with A2
.
(13) (M.Y.)
A: That (heh) s(heh)sounded (hhh) g(hh)uh!
B: That soun' -- that sounded lovely
(14) (SBL:2.2.4.-3)
A: Ch it was just beautiful.
B: Well thank you Uh I thought it was quite
nice,
(15) (NB:VII.-2)
E: e-that Pa:t isn'she a do: :117
M: · - [iYeh isn't she
pretty,
(16) (NB:VII.-13)
E: . . . yihkna.v he ' s a goodlooking fel' n eez got
a beautiful wi: fe. =
M: =Ye:s::. Go:rgeous girl-
(17) (SBL:2.2.3.-46)
B: Well, it was fun Cla[ire,
A: Yeah, I enjoyed every
minute of it.
(19) (JK: 3)
She was a nice lady--I liked her
I liked her too
(20) (:tve:1.-45)
... I'm so dl.IDlb I don't even know it.
hhh! -- heh!
Y-no, y-you're not du :ni>, ...
Agreeing and disagreeing with assessments 61
(17 ) ( SBL: 2 . 2 . 3 . - 46 )
(A and B both attenood the bri dge party which is
referred to.)
~ B: Well, it was f un Cla[ire,
A: Yeah, I enjoyed every
minute of it.
(10) (JS.II.28)
J: T's- tsuh beautiful day out isn't it?
L: Yeh it's jus' gorgeous ...
(18) (M:::: 1)
A: Isn 't he cute
➔ B: 0 : :h he: :s a: :OORable
luative descriptor is
(2) An intensifier modifying the prior eva
included :
66 A. Pomerantz
(J & J)
Yeah I lik e it ( )
I li ke it too ...
(26) (J & J)
A: Yeah I lik e it ( )
B: [[1] I lik e it too [2] but uhh
habheh it blows my mind.
(31) (GJ:l)
A: She's a fox!
~ L: Yeh, she's a pretty girl.
(15) (NB:VII:2)
E: ~-that Pa:t ..!_sn'she a do:[ :11?
~ M: iYeh isn't she
pretty,
(14) (SBL:2.2.4.-3)
A: Cb it was just beautiful.
~ B: Well thank you uh I thought it was quite nice.
(32) (KC:4:10)
F: That's beautiful
➔ K: Is ' n it pretty
( 31) (GJ:1)
A: She'.s a fox.
L: Yeh, she's a pretty girl.
➔ A: Oh , she's gorgeous!
Agreeing a11d disnxreei11t~ will, nssessmct,ts 69
(l 5 ) (NB:VII: 2)
E: ~-that Pa : t _!sn' she a 00 : : 11?
M: pretty,
I 1Yu h _sh
1 It
" sho
.
( )
.. E: Oh: she's a beautiful gi rl.
(33) (AP:1)
G: That's fantastic
➔ B: Isn't that good
G: That's marvelous
(l4) (SBL:2.2.4.-3)
B: ~ I_thought thet uh (1.0) uhm Gene's (1.0)
singing was --
A: Oh, was lo[vely.
B: pretty much like hirnse lf
-+A: [Yes , uh huh ,
it's- Oh it was wonderful
(34) (NB:PI':19:r)
L: (bd it s good.= I
(35) (JS:I:17)
B: Isn' at good?=
~ E: =It's duh:: licious.
( 24) ( SBL: 2 . 1. 8 . -5 )
B: She seems like a nice little [lady
➔ A: Awfully nice
little person .
70 A. Pomern nlz
( 25 ) ( JS : I : 11 )
E: Hal couldn I get over what 11 good ~ that WOH
( Jon)
+ J: [Yeah 'Il111.t ' s a r- a ( rerry [good buy) ,
-+ E: Yea: h, Great bu :y,
(18) (M::: 1)
A: They keep 'im awful nice ooirehow
B: Cb yeah I think she nrust wash 'm[every \reek
➔ A: Cbd-che rrust(h)
wash ' im every day the way he looks [to re .
B: I know it
partial repeats, and other repair initiators, tum prefaces, and so on.
Incorporating delay devices constitutes a typical turn shape for disagree-
ments when agreements are invited.
One type of delay device is "no immediately forthcoming talk." Upon
the completion of an assessment that invites agreement or confirmation,
a conversant, in the course of producing a disagreement, may initially
respond with silence. In the fragments below, gaps are notated with
(➔), disagreement turns with (D).
(37) (TG:3)
A: . . . You sound very far away.
( ~)
(0.7) -
8: I do?
A: Yrreahm.
(D) B: mNo .!.'m no:t,
( 39) (TG: 1)
B: Why whhat'sa mattuh with y-Yih sou[nd=
A: - - Nothing.
B: = HA:PPY, hh
( *) A: I -sound ha: P [PY.?
B: Ye :uh.
(0.3)
(D) A: No:,
(37) (TG: 3)
A: You sound very far a':!!_aY.
(0.7)
(*) B: I do?
A: M=ahm.
(D) B: mNo? I'm no :t,
72 A. Pomerantz
Tokens
(42) (JG:II:1.-27)
C: ... 'hh a:n' uh by god I can' even send my
kid tuh public school b'cuz they're so god
dann lousy.
D: We: :11, that's a generality.
C: 'hhh
D: We've got srn pretty [(good schools.)
➔ C: Well, yeah but where in
the hell em I gonna live.
Agreeing and disagreeing with assessments 73
Asserted agreements
(44) (SBL:2.1.7.-15)
A: Well, oh uh I think Alice has uh:: i- may- and
maybe as you say, slightly different, but I
think she has a good sense of hurror
? B: [ Yeh, I think she
does too but she has a different type.
(45) (SBL:1.1.10.-9)
B: I think I'll call her and ask her if she's
interested because she's a good nurse, and I
think they would like her don't you?
➔ A: Well, I' 11 tell you, I haven't seen Mary for
years. I should- As I remember , yes.
B: Well do you think she would fit in?
➔ A: Uhm, uh, I don't know, What I'm uh
hesitating aoout is uh -- uhm maybe she would.
(1.0)
A: Uh but I would hesitate to uhm --
(41) (MC:1.-13)
L: I know but I, I-I still say thet the sewing
machine's quicker.
-+W: Oh it c'n be quicker but it doesn' do the jo:b,
(36) (SBL:2.1.7.-14)
B: . . . well a sense of hum::>r, I think is sorrething
yer born with Bea.
74 A. Pomerantz
(46) (MC:1.-22)
w: ... The-the way I feel about it i:s, that as
long as she cooperates, an'-an'she belie:ves
that she's running my li:fe, or, you know, or
directing it one way or anothuh, and she feels
~PY about it, I do whatever I please (h)any
(h)wa(h) ,HHH![( )
L: Yeah.
➔ L: We: :11 - eh-that's true: - I mean eh-that's
alright, -- uhb-ut uh, ez long ez you do::.
But h-it 's-eh-to me::, -- after anyone ...
(47) (S~:144)
R: ... well never mind. It's not important.
➔ D: Well, it is in:portant.
( 43) ( G'l'S 4: 32 )
R: Butc hu adm it ho i s huvl ng fun ,ul·'u Y<JU th i nk
it ' s f unny .
➔ I{: I t hi nlt it ' s f unn y, yea h . Out :t L, n
r i dicu lous f wmy . H
nized with an
In response to C's initial critical assessment, D's turn is orga
rable asse ss-
initial agre eme nt toke n (" Essentially") followed by a favo
ing the class of
ment ("we 've hadd a good relationship et home"). In shift
reement. The
evaluation from critical to favorable, D performs a disag
the favorable
specification of the refer ent ( "relationship et home") in
critical assess-
assessment perm its D to claim agreement with the prior
ent as a quali-
ment while prod ucin g the favorable assessment/disagreem
ing to note 6).
fication of, or exception to, the prior. (See the material relat
are pres ent
Although both agre eme nt and disagreement components
turn shap es
in the agre eme nt-p lus-d isag reem ent turn organization, such
reement, and
are used for disa gree ing rath er than agreeing . That is, disag
turn.
not agreement, is centrally sequentially implicative in next
ssments, dis-
To reiterate, whe n agre eme nts are invited by initial asse
turn s and se-
agreements that are proffered regularly are performed in
sion of dela y
quences that exhibit the following features: (1) the inclu
ating prefaces,
devices prior to state d disagreements like silences, hesit
ly state d dis-
requests for clarification, and/ or (2) the inclusion of weak
l disagree-
agreement com pone nts, that is, partial agreements/partia
nts of an ac-
ments. These two features - delaying the stated compone
pone nts of
tion being performed, and/ or prod ucin g weakly stated com
organizations
that action - are partially constitutive of turn /seq uenc e
associated with dispreferred actions.
ents whe n
These turn / sequence shap es not only house disagreem
for accom-
agreemen ts are invited, but constitute part of the appa ratus
76 A. Pomerantz
(48) (SBL:3.1.-8)
B: ... an' that's not an awful lotta fruitca ke.
(1.0)
~ B: Cburse it is. A little piece goes a long way.
(51) (JS:I.-1)
A: D'yuh li:ke it?
( +)D: "hhh Yes I do like it=
(➔ )D: =although I -rreally: :=
C: =Dju nake it?
A: NoWe bought it, It's a "hh a Mary Kerrida
print.
D: O:h (I k-)=
A: =Dz that make any sense to you?
C: Mn nil. I don' even know who she is.
A: She's that's, the Sister Kerrida,[who,
D: "hhh
D: Oh [that's the one you to:ld [me you bou:ght.=
C: Oh-
A: [Ye:h
D: [
Ya:h.
A: Right.
(1.0)
A: It's worth, sarething,
(1.0)
A: 'lllere's only a hundred of'm
(0.5) -
D: Hom
E: Which picture is that .
A: The one thet says Life.
(1.5)
A: ( ).
(-)D: 'hhh WellI don't- I'm not a great fan of this
type of a:rt. There are certain- ones I see
thet I like, But I like thew-=
E: =Is there ano[thuh way of spelling Life?
(-)D: -rmre realistic-
A: hhmh!
E: That's all[.!. wd loo(hh)k fo(h),
D: hh!
(-)D: Yih d-know why I don't go fer this type of uh::
art, Becuz it- it strikes me ez being the
magazine adverti:sement ty:pe. Which some uh-uh
79
Agree ing and disagreeing with assessments
sare a' t hem are really great. But tu.t1n 1-my ,
taste in art is for t he nore uh :: uh ll- t-tre h-
it tends t uh be real istic .
eaker's copartici pant cri ticism may be poten tial through a number
may
A ~s in which no stated cri ticism ls prod uced. That ls, 0 spea ker
5
(52 ) (JG : R5 : 6 )
F: 'hh well _!!ow did the poli sh v.ork otherwise.
(+)N: F-eh , _!i:ne, fi:ne . In fact I didn' even
touch em up this week at all
F: You didn 't
(+)N: No
f: 'hh Well I was afra id maybe they might uhh uh
bubble a littl e bit y'know they [kinda
(-)N: Well they di: d.
Tha-tha-that ~ne thing it with the arti fici al
nail bubbled sare
F: Yeah. Well I was afra id it would
(-)N : ( ) the patch bubbled ...
over the
Coparticipant criticisms may be withheld, that is, not said,
usly, unavail-
course of entire sequences. Since what is not said is, obvio
ot be
able in the record of what is said, instances of withholds cann
A class
directly pointed out. There are, however, reports of withholds.
holdable, is
of talk routinely reported as withheld, or normatively with
15
coparticipant criticism:
(54) (JG:4.6.-20)
C: An 1 said now wait till you see rre get all t his
stuff on. Well you know what I looked like . I
looked like I was thirt y-six old- years old
tryin to look sixte en.
J: Cl1hh Go: d
➔ c: [ An you know everybody just sorta
stood there an nobody wanned to say ~11 you
look prett y stupi d h-h-h no:th er.
Withholdable talk like a copar ticipa nt criticism provi des for recipie
nts'
interp reting silences.
(2) When copar ticipa nt criticisms are proffe red, the criticism turns
frequently have weak -type criticism comp onent s. This feature may
be
seen most clearly with criticisms that are delive red with contrastive
prefaces:
(26) (J & J)
((Bi s asses sing a copa rticip ant's change of hair
color ))
B: I like it too but uhh hahheh It blows my mind
With this type of const ructio n, the prefac ing favorable assessment
is
typically a mode rately positive term (e.g. "like" ) and the prefaced
un-
favorable asses smen t is generally forme d as an exception.
The contrastive-preface turn shape for copar ticipa nt criticisms (favor-
able asses smen t plus critical asses smen t) is struct urally similar to
the
turn shape for disag reeme nts (agre emen t plus disagreement). In
each
case the contrastive prefacing comp onent is a weak or token instance
of
Agreeing and disagreei11g with nssessme11 ts 81
(55) (SBL:2.2.3.-15)
A: But she doubled uh Gladyses three hearts , and
ubm -- Lil uh, -- uh mh mh gosh she led out a
real small heart , a little three 'r somethin
like that 'n hehh I th(hh)ink I th(hhh) think
Elva ·took it wi(h)th a four .
A: ·hhh hehh heh heh [heh heh heh heh G(hh)od I=
B: Hhehh heh heh
A: =cow.da died
A: ·hhh heh heh heh
B: [ · hhh bhh hhh hhhh
A: · hbh This' s when she had the trump all th-
well I only had two an' so on, but but an'
she was tryina get- But it seem' tuh me
li(bh)ke she had eh- she had [ace-king left
B: heh heh heh=
B: =heh heh heh ·
A: heh heh heh ·heh heh [heh heh heh heh
B: An' then she lays down
has the ace, a little ol' little you know,
An' here-
A: [.heh heh
B: An' she lets everybody take 'm
A: . heh heh heh
B: [hbh ·hhh hh hh .hhh [Well you know uh-
(SD) A: Well, at least I feel
82 A. Pomera ntz
(55) (SBL:2.2.3.-15)
Disagreanent: No. You play beauti fully.
Transi tion: But
Agreanent: y' uh see, when we get used to
people we' 11 just realiz e with
Gladys she's gonna do this.
The units in the prior turns with which the disagre ements disagree are
the self-deprecatory components. Such disagre ements are specifically
and selectively responsive to the prior self-deprecations. They are locally
Agreeing and disagreeing with assessments 83
(57) (SBL:1.6.-1)
B: ... I'm tryina get slim.
(PR) A: Ye:ah? [You get slim, my heavens.
B: heh heh heh heh hh lj1
(D) A: You don't need to get any slirrrnab,
( 59) (JG : 4 . G. - 6 )
C: I lmve no dLtLcti . I don' L g-o:
t her ei s no sense in hanging on Lo Lhc-• <· I <>L h<•s .
J: [(Are you-) ((high piLch))
(PR) J: What do ya rrean you don' t have any
da:tes ((low pitch))
C: Well: I just don' t go out anyrrore that 's a l 1
(D) J: Oh: that's ridiculous
(60) (JG:2)
R: Did she get my card.
C: Yeah she gotcher card.
R: Did she t' ink it was terrible
-+ C: No she thought it was very adohrable.
t61) (SBL:2.1.8.-8)
B: I was wondering if I'd ruined yer- weekend
[by uh
➔ A: No. No. Hm-nil. No. I just loved to have-
(56) (AP:fn)
((L, the hostess, is showing slides.))
L: You' re not bored (huh)?
S: Bored?=
➔ S: =No . We' re fascinated
(55) (SBL:2.2.3.-15)
A: I feel like uh her and I play alike helm
➔ B: No. You play beautifully.
a...-, · 1. - 45)
20 ) ( JYI',.,.
( J.J : . . • l 'm so dunt., l d m' t PV.m km,."
.w: y- no, y-you' re:' nut du : rrt , , .. .
➔
(62) ( JK: 1 )
G: but 1 t ' s not bad for ltn o ld JOLiy.
~ c: You're not old, Grandma .. .
( 55 ) (SBL:2.2 .3.-15)
A: I mean I feel good when I'm playing with he r because
I feel like uh her and I play alike hehh
➔ I3: No. You play beautifu lly.
(64) (MC)
c: ...'ere Moorna She talks better than I do
-+ B: Aw you talk fine
(60) ( JG: 2)
R: Did she get my card.
c: Yeah she gotcher card.
R: Did she t' ink it was terrible
,. . c: No she thought it was very adohrabl e.
( 56 ) ( AP : f n )
L: You ' re not bore d ( huh) ?
➔ S: Bore d? No . we ' re [ascina led .
(65) (EB: 1)
S: ... I hope by nex t serooster i~ ' ll be a bi( h)t
b(h) edd(h)e r heh heh heh heh hh
'hh heh (pro b'ly not)
-+ B: [( ) You're doing very great no: w
(66) (SBL:2.2.3.-10)
B: And uh tha t poor li ' 1 Gladys she , kno.v she
never did get it righ t about where she played
A: hh
B: She was heh!
A: She was al..nmt as bad [ as I was.
B: heheh
➔ B: [ No, but she ] =
A: heh heh hehheh
... B: =[even up to the last one, they pra ctic ally =
A: heh heh
B: =hadtuh th(h)row her out ta tha t [fir st ta(h
hh)ble
'heh heh ...
A: [ 'heh 'heh heh
heh heh heh
(67) (fn)
C: I'm talk ing nonsense no.v
➔ A: No::
A: but I thin k I'm ready for dinn er anyway.
(55 ) (SBL:2.2.3.-15)
A: . . . I feel like uh he r and I play alJ ke hchh
➔ B
0
0
No. You play beaui i.fu l ly.
( S9 ) (JG: 4 . 6 . -6 )
c: I have no dates. I don't go:
there [is no sense in hanging onto t he clothes .
J: ( Are you-) ( ( high pitch) )
J: Wha do ya rrean you don't have any da : tes.
( ( low pitch) )
C: Well: I just don't go out anyrrore that's all.
➔ J: Oh: that's ridiculou s.
collection of letter grades that has other members ("A" and "B") ranked
above it. C's formulation "passing" involves a shift to the collection of
grades, "pass" - "fail," where the selection is the success member of the
set.
( 72 ) (JC:4.6.- 26)
C: They ' 11 take up a collectio n for my examination
J: Ila hu bu
C: [with the taddered stocking s
Agreeing and disagreei1tg wit/1 assessme11 ts
89
c: [an( the knees torn out h
an t e whole sctrnere you=
J: ha) ha
c: =know. An the t hree i nch unct er ski rt
on
-+ J: [ Right You're a perf- ( P0rfec t1onj s )
( 'i3) (G'TS : 1 : 19 )
R: Wo ' 1~ 1m ntally i l] c hi ld.ro
-t L: ahh ha ha ha ha hehh ,Wh ,8n run ohhehhh
today? at wrong with you
(75) (SBL:2.2.3.-20)
A: And I shoulda went back tub diam:mds.
➔ B: I think we were [all so confused,
A: So-
➔ B: I kno.v I wasn't bidding right, I wasn't --
eh playing right-,I wa' nt doing anything right.
With responses such as "Me too" and "I think we were all so confused"
recipients implicitly agree with the prior self-deprecations by proposing
themselves as "also" instances. The agreements are weak in that though
they agree they simultaneously undermine the prior self-deprecations
by proposing that the prior deprecating attributes are more generally
shared (see also example [69]) and/or are less negative than prior speak-
ers had proposed.
Another type of stated agreement with a prior self-deprecation is a
confirmation of the prior. Confirmations, as well, tend to be done in
weak forms. One way to weaken a confirmation is with a suppositional:
A: (Self !Eprecation]
[Gap]
➔ B: [AgreeIIEn t]
(79) (SBL:2.2.3.-27)
ay.
B: . . . I wasn' t understanding anybody tod
➔ A: Uh huh,
(77) (G'fS:2.15)
K: .!. cou ldn 't, I'~ a weak[ling.
(); hnn!
(1. 0)
➔ K: I am. I'm comin t' tha t conclusion.
I'm a drum weakling.
(1. 0)
➔ K: No damn good.
hehh hhh
R: Well we 're not gonna stic k up for ya,
rhehh hhh
A: hehhh
A: Mr. run,
➔ B: Uh y'kn aw? -how it is,
A: Yea h.
(80) (SBL:2.2.3. - 7)
B: I like ' er ve.!l_ truch.
B: Hut s he s till haa t hat s1 Uy chat ter abou t ' er.
A: ~tn hm,
B: That ie like a
(1.0 )
(SD) B: a1, I'm not much 01' u. toWJOr
(gap ) (1.0J
+ B: Well no.v this is IT\Y faul t. I oon' t like teas ing.
A: Mn hm,
B: And I know people love it.
(79) (SBL:2.2.3.-27)
(SD) B: . . . I wasn' t understanding anybody today .
(Aclrn) A: Uh huh,
~ B: Course I was bidding poorly.
➔ B: And uhm I coul dn't rerrenber, and I know
it's just because I've had so much on my
mind.
A: Yeah,
➔ B: And uh I have fer the last two 'r thre e rronths
you know,--
if I c'n get things sett led Clai re, '
then I c'n star t think-w(hh)at I(h) 'm do(hh)ing.
(81) (SBL:2.2.3.-13)
(SD) B: ... course I shouldn' be s'damn nosey eith er.
(Aclm ) A: Mn,
-. B: Heh heh heh heh heh heh 'hh
A: [Well I know she rrrusta thought
2 Se lf-dep recati on
A:
.. 8: Copar ticipan t praise /Copa rticipant critic ism
Within each set of alterna tives, one of the actions is norma tively o ri-
ented to as offensi ve, compr omisin g, wrong , or for some other reason
uncomfortable to perform . As dispref erred actions in their respec tive
enviro nments , both disagre eing and criticizing one's copart icipan ts may
be delaye d, downp layed, or withhe ld. If a partici pant produc es some-
thing that is not an overt instanc e of either of the two alterna tives, such
as a silence, it is interpr etable as the dispref erred alterna tive: disagr ee-
ment over agreem ent, criticism over praise.
The actions of praisin g a coparti cipant subseq uent to a self-de preca-
tion and agreein g with a prior initial assess ment that invites agreem ent
also exhibit similarities. Both actions in their respec tive enviro nment s
constitute ways of suppor ting and ratifyin g the interac tants and interac -
tion. Both actions in their respec tive enviro nment s are routine ly per-
formed as stated instanc es of the actions, have priorit y positio ning, that
is, are first actions perfor med by recipie nts, and occupy the entire turn
unit with no contras tive prefaces.
The above discus sion sugges ts that at least some feature s of turn/se -
quence organi zation operat e with respec t to the prefere nce/di s-
preference status of actions - that diverse actions , by being prefer red or
dispreferred, may be perform ed in turn/se quence shapes specific to that
status. 17
Notes
1. This utteranc e contain s B's report to A of Allen's declina tion. Whatev er
Allen may have said to B is inaudib le on the tape recordi ng of the telepho ne
conversation betwee n A and B, and is treated by Bas inaudib le to A. In B's
report to A, B incorpo rates a disclaimer of Allen's knowle d~e ("does n't
know anythin g new") as a warran t for not profferi ng the request ed assess-
ment.
2. A speaker may claim insufficient knowle dge to assess on his or her own
behalf, and follow with a report of someon e else's assessm ent A ff of the
I
re ferent in question:
96 A. Pomerantz
(J S:II:0 1)
no access -. E: No [ hLtvcn 'l BCOll I t
Ar -+ Mlle sect 1L ' 11 Hl10 1-m I d t;llc
r- depressed Iler L<'J'l' l l> Jy
(SBL :2.2 . -1 )
qualif ied A: HCM' is AWl t Kallie
access -. B: Well-, I ( suspe ct ) s he ' s bcltc r
A: 01 t hat ' s good.
➔ B: Las' tirre we talke d t uh rrot he r
she was uh bet t e r
(JG:R :1)
F: 'hh hCM' iz our fri : :end
N: Oh: he' z much bette r I 'm ' f raid --
hh h h h
➔ F: lwelT uh-th at ' s marve lous
(SBL: I : 11.-2)
B: Say didju see anythi ng in t he paper last night
or hear anythi ng on t he local radio , hh -Rut h
Notes 97
(JG: II . 1. -4)
I
D: .. . oh I got ta n- .!_ don'know th' las' ti.Ire
High Scho ol
talk ed t'yu h=I 'm out here et Taft fnn
now, -- In the uh West Valley not too far
a
hcxre=I'm the boys' D?an out ther e ' so I gott
new jo:b 'n=
C: =Yea h?
D: So it's a pre tty good setup yihknow
➔ C: W' 1 my God it sounds rmrvelous fun ' '
chap . 2.
For a fuller discussion, see Pomerantz (1975),
ted with initial assessments are intri-
4. How second assessments are coordina
ted with anticipatable nexts.
cately bou nd up with how initials are coordina
assessments remain, by and
In this chapter, however, features of initial
cts of initial assessments are
large , unexplicated. References to some aspe
requires.
included only insofar as the analysis to date
al complaint assessment invites
5. Whereas it is being argu ed that the initi
ent, it also should be men-
agreement or a subs equ ent complaint assessm
, often are converted by one
tioned that negative assessments, as a class
tive assessments.
party or the othe r in a subs equ ent turn to posi
that is, accompanying disagree-
6. The sequential work that "tho ugh " does,
in the following assessment
ments containing para met er shifts, may be seen
series as well:
( F.N. )
A: G.'.)od sho t
B: Not very soli d though
A: You get any oore soli d you ' 11 be terr ific
incorporating the positive
A's initial assessment is a praise assessment,
proffered as a qualification of
descriptor "go od." The second assessment is
pt the prior while proffering a
the prior: With the "tho ugh ," B claims to acce
nd may be formed as a quali-
critical assessment ("no t very solid" ). The seco
98 A. Pomerantz
(JS:II: 137)
A
1
A: They look nic.e to~th er.
~ B: Yes they' re lovely .
(KC:4:35)
K: 'n that nic.e
➔ R: Yah. It really is
Notes Cf:/
( SBL : 1 . 1 • l O. - G)
l s n ' L llml Rlld .
Mn 1 L l'C'll I I y I H,
Asserted ngrccmcnls with Intensifiers C)(hlblt tH'qut•ntl nl f<•.1 t11rt thilt ,1r,•
1~
(lte: 1.-27)
L: Maybe, en rmybe by instinc t, she took over
fran there, not really realizin g, the extent
of it?
~ W: Uh:: hh
L: You think that's possible with her?
( 1. 5)
-t W: Uh v.ell/ I' 11 tell you ,
(SBL : 2.1.7.-1 4)
A: . . . cause those things take working at,
(2.0)
➔ B: (hhhbh) well , they do, but-
In D's modified assertion, the assess ment "awful high _ta(h)xes:· replac
es th
prior estimate "about fifty percen t." The replacemen t 1_s a partia l conces
sio~
to the disagreemen t inasmuch as the assess ment admits not only the
origi-
nal estimate but lower ones as well.
( TG : 1)
B: Yih sound HA :PPY, hh
A: I sound ha:p[p y?
B: Ye:uh .
(0 . 3)
A: No : ,
B: N:o :?
A: No.
(0.7)
➔ B: 'hh You sound sorta cheer ful?
[M:: : x]
A: How wz the trip?
B: O:h it was nice .
(0 .5)
➔ B: U:: :h It was very nice indee :d.
(K:: : 1.-10 )
L: ... they' re robbin g thems elves blind .
(1.0)
➔ L: Jus' robbin g thems elves blind
o.c:1.-42 )
W: ... sooebo dy carre along and ju :s t , didn' t ,
like rre ,
(1.0)
➔ W: They j(h)u( hh)st didn' t.
idzing ~ c~ia~ti~ifa~t •~ay engender a rcll1rn rrilicl qn1. I t,j q c;ort of rx·
change 15 a u e O Y ~ 88 an OCl:ount for " not mnklng or1y <.ommcntc;''
(NB : rIB: 14) (T has just ~old li' a 'Cul Jok o ' - purportcdJ y
said to him on ru1 earliet occusion - thuL ho JUTf)(•d Into
the ocean and caused huge waves ovor the pl Ol'.)
f: I : \\On' t ~ay anything. 1 ~Y care do : w: n .
eh-ha-ha : ha: -ha _
T:
loh( h )okhl1a(h) ay l -
'f: =hih hu:h hu(h'
F: - 'huhllhhhh (hh~
'f: , ~ring yer s ui : t ,=
-+ f: =Ah-ee-!t~~l thl~t s why I said I, m not g' nnuh
say ~y 1ng m not making any COOll'Ents
about anybu:ddy. -
_ for a discussion of forms and functions of some repeat types, see Jefferson
16
(1972) , . .
The range of a~hons that are oriented to as preferred and dispreferred and
17· hoW these actions_ ~re performed and recognized in turns and sequen~es
constitute a pro1!usmg r~se~~ch area. For example, refusing an invitation
rnay risk offending the mv1tmg party. A dispreferred-action turn shape,
prefacing, may be used when speakers refuse invitations. Refusals are often
prefaced with appreciative person assessments:
(SBL :1.1.10.-14)
B: Uh if you'd care to care over and visit a
little while this rrorning, I'll give you a
cup of coffee.
➔ A:
hehh! Well that's awfully sweet of you. I don't
think I can rrake it this rooming uh, I'm running
an ad in the paper and-and uh I have to stay
near the phone.
(NB:2.-14)
B: wanna cooe cbNn 'n have a bite a' lunch with me?
I got sOOE beer en stuff.
➔ A: Wul yer real sweet hon, uhm, let-=
B: D'you have stmpn else?
A: [[I have-
A: No, I have to uh call Bill's rrother