GOOD

MORNING
MAPEH 7
 OPENING PRAYER
We ask that You would open our ears so that we
may hear your voice. Open our minds so that we
may receive Your eternal wisdom. Open our
spirits so that we may know Your leading and
guidance. And open our hearts so that we may
receive Your wonderful love.
 Identify the characteristics
of arts and crafts in specific
areas in Visayas.
Trace the external and

LEARNING internal influences that are

reflected in the design of

OBJECTIVES the artwork or in the

making of a craft or
artifact.
Create crafts that can be
locally assembled with
local materials.
PRE-ASSESSMENT
DIRECTIONS: Use the symbols to decode
and guess the correct term.
DIRECTIONS: Use the symbols to decode and guess
the correct term.

1.
DIRECTIONS: Use the symbols to decode and guess
the correct term.

2.
DIRECTIONS: Use the symbols to decode and guess
the correct term.

3.
DIRECTIONS: Use the symbols to decode and guess
the correct term.

4.
DIRECTIONS: Use the symbols to decode and guess
the correct term.

5.
ANSWER
KEY
DIRECTIONS: Use the symbols to decode and guess
the correct term.

1.
PATADYONG
DIRECTIONS: Use the symbols to decode and guess
the correct term.

2.
CAPIZ SHELL
DIRECTIONS: Use the symbols to decode and guess
the correct term.

3.
SINAMAY
DIRECTIONS: Use the symbols to decode and guess
the correct term.

4.
ATIATIHAN
DIRECTIONS: Use the symbols to decode and guess
the correct term.

5.
MASSKARA
Arts and
Crafts of
Visayas
Group of
Islands
 The Visayas is one of the
three principal divisions of

VISAYAS the Philippines consisting of

major and minor Islands
It is divided into 3
administrative regions:
Central Visayas, Eastern
Visayas, and Western
Visayas.

They speak different

languages including
Cebuano, Hiligaynon,
Kinaray-a,Waray-Waray, etc.
WESTERN
VISAYAS
PANAY
ISLAND
PANAY ISLAND
One of the archipelago’s largest islands is composed
of the Provinces of Iloilo, Antique, Aklan, Capiz, and
the Island of Guimaras.

Weaving is a primary form of arts and crafts in Panay

Island before the Spaniards came to the Philippines.

It was once tagged as the “Textile Capital of the

Philippines.
PANAY ISLAND:
ILOILO
 A wrap-around piece of
cloth worn by women as a
PATADYONG skirt and usually paired
with a kimono.
Can be used as a shade to
protect from the heat of the
sun or the onslaught of rain.
Often colorful and features
linear and geometric
designs.
Abaca and cotton as the raw
materials used.
PANAY ISLAND:
AKLAN
Weave Baskets, Weave baskets, trays,
Trays, and Mats. and mats are popular
crafts in Aklan.
They use Pandan and
Bariw plants to make
their products.
Weaving or pagrarara
is often a form of social
interaction for them.
Pandan Bariw Plant
PANAY ISLAND:
CAPIZ
 Capiz is known as the
CAPIZ SHELL Seafood Capital of the
Philippines.
Shells are bleached and
dried before they are
pressed or cut into
different objects.
They are formed into
various craft products
like plates, utility boxes,
chandeliers, windows, etc.
CENTRAL
VISAYAS
NEGROS
ISLAND
NEGROS ISLAND
Negros is the fourth largest and third most
populous island in the Philippines
In the Pre-Hispanic times, the Island of Negros is
called Buglas after a type of grass similar to
sugarcane that grows abundantly on the Island.
Weaving is an integral part of the lives of the
Negrenses.
NEGROS ISLAND:
NEGROS
ORIENTAL
 Sinamay is one of the most
SINAMAY popular hat-making
WEAVING foundations in the world.
It is woven from the
processed stalks of the
abaca tree, a type of banana
native to the Philippines

Abaca fiber is three times

stronger than cotton or silk,
and a fabric made from
100% abaca can last for
over 100 years.
 FIBER (HIBLA)-PROCESSED
STALKS OF THE ABACA TREE ABACA TREE
 Basket weaving is among

BOHOL the earliest industries in

Bohol, particularly in the
town of Antequera.
Antequera is known as the
“Basket Capital of Bohol”.
Basket weaving is the major
source of livelihood in
Antequera.
Basket weaving skills have
been passed down from
older generations to
younger generations in
Antequera since the 1900s.
BASKET WEAVING IN BOHOL
EASTERN
VISAYAS
 The town of Basey is
known for having a
BASEY, SAMAR famous colorful sleeping
mat called Banig
The typical banig usually
measures around 2x3
meters and is as thin as a
sheet of chipboard.
From sleeping mats, the
weavers have produced
other products such as
bags, decors, place mats,
furniture matting, etc.
MAT WEAVING
 SOME OF
THE
FESTIVALS
IN VISAYAS
ATI-ATIHAN FESTIVAL
ATI-ATIHAN FESTIVAL
It is regarded as one of the most popular,
colorful festivals in Kalibo, Aklan.
It is held every 3rd Sunday of January in
honor of the arrival of the Santo Nino as a gift
from Ferdinand Magellan to the queen of
Cebu
Ati-Atihan means “make believe Ati”. Ati is
one of the indigenous natives of the Island.
MASSKARA FESTIVAL
MASSKARA FESTIVAL
It is considered as the most spectacular display of
colors, beauty, and the culture of Negrenses.
Masskara comes from the 2 words “mass”
meaning crowd and “cara” which means smile.
The smiling masks have become the city’s symbol
which earned them the tag, “City of Smiles”
(Bacolod)
PINTADOS-KASADYAAN FESTIVAL
PINTADOS-KASADYAAN FESTIVAL
Tacloban City is a cultural-religious celebration to
honor the feast day of the Santo Nino or the Holy
Child
Pintados refers to the body tattoos of the native
warriors whose bodies were adorned with tattoos
from head to toe with beautiful designs that look
like armor to resemble the tattooed warriors of
pre-colonial times.
ARCHITECTURE
IN
VISAYAS
 It is regarded as a
MOLO CHURCH: “Women’s Church”
ILOILO because of the 16 women
saints inside and its Patron
saint, St. Ann
Molo church was made as
an evacuation center for
civilians during WWII
It is built with white coral
rock and is considered one
of the most beautiful
churches in the Philippines
MIAG-AO CHURCH: It is an example of
ILOILO Baroque-Romanesque
architecture.

Completed in 1797, the

church is famous for the
artistic sculptural relief
carved on its facade.
It is included in the list of
World Heritage Sites by
UNESCO.
 THE RUINS It is an example of
CHURCH: ILOILO neoclassical architecture.

Built by a wealthy
haciendero for his
Portuguese wife in the
early 1900s
It was destroyed by fire
during World War II,
leaving behind the
concrete structure that
stands to this.