The document summarizes key passages from Aristotle's work "On the Soul". It discusses how Aristotle uses his definitions of anger and houses in the first chapter to subtly introduce his view that the soul is the unity of form and matter. For anger, he defines it as both a "craving for retaliation" as well as "surging of the blood and heat". For houses, he notes definitions focusing on either form (protection) or matter (bricks and timber). Both partial definitions point toward his view that the soul exists as the unity of both form and matter. The document argues Aristotle strategically introduces these fundamental ideas in the preliminary first chapter to set up his positive statements about the essence of the soul in
The document summarizes key passages from Aristotle's work "On the Soul". It discusses how Aristotle uses his definitions of anger and houses in the first chapter to subtly introduce his view that the soul is the unity of form and matter. For anger, he defines it as both a "craving for retaliation" as well as "surging of the blood and heat". For houses, he notes definitions focusing on either form (protection) or matter (bricks and timber). Both partial definitions point toward his view that the soul exists as the unity of both form and matter. The document argues Aristotle strategically introduces these fundamental ideas in the preliminary first chapter to set up his positive statements about the essence of the soul in
The document summarizes key passages from Aristotle's work "On the Soul". It discusses how Aristotle uses his definitions of anger and houses in the first chapter to subtly introduce his view that the soul is the unity of form and matter. For anger, he defines it as both a "craving for retaliation" as well as "surging of the blood and heat". For houses, he notes definitions focusing on either form (protection) or matter (bricks and timber). Both partial definitions point toward his view that the soul exists as the unity of both form and matter. The document argues Aristotle strategically introduces these fundamental ideas in the preliminary first chapter to set up his positive statements about the essence of the soul in
Now which of these is really the natural philosopher? The man who ignores the formula and is only concerned with the matter, or the man who is only concerned with the formula? – On the Soul (403b)
Book 1 of On the Soul reads as a kind of preamble, an introductory overview of previous
theories to pave the way for Aristotle’s positive statements in Book 2; however, Aristotle manages to hide his most fundamental ideas of the essence of the soul in this preliminary chapter. In the preliminary treatment of the affections, Aristotle presents two images that prefigure his definition of the soul in Book 2, all contained in the first five pages of the volume. The first image is Aristotle’s definition of anger. His methodical investigation starts from the premise that the soul must have some connection to the affections, such as anger, grief, and fear. The connection is not altogether clear, as the body and soul sometimes accord with one other in the expression of an emotion, such as anger, but at other times appear to act in total independence. This requires explanation: if the soul is separate from the body, then there should be some aspect of affection that is wholly unique to it; but if the soul and body are one, this would preclude times when “no irritation… is expressed, though the provocations are strong and obvious. (403a15)” To clear up this confusion, Aristotle attempts to define anger. He predicts that a logician would define anger as “craving for retaliation,” while a natural philosopher would insist it was a “surging of the blood and heat round the heart. (403a30)” Both of these definitions are valid, if partial, since “one is describing the matter, the other the form.” Without fanfare, Aristotle declares that if anger “is to exist, [the form] must appear in appropriate matter. (403b1)” Existence as the unity of form and matter is the very foundation of Aristotle’s understanding of the soul throughout the rest of the treatise, but he has slipped this idea into the first chapter under the guise of “digression (403b15)”. Aristotle’s second image is his definition of a house, and in a move of Socratic subtlety, he includes it as an addendum to the discussion on anger. To further develop the idea of form and matter, Aristotle considers how a logician would say a house is “a covering to protect from damage by wind, rain, and heat,” while a carpenter would say, “stones, bricks and timber.” These definitions are quite sensible, but Aristotle asks whether philosophy can afford to ignore the importance of form, as in the latter definition, or matter, as in the former. As he sets up his argument in book 2, Aristotle urges that the real natural philosopher, ὁ φυσικός, “is the man who bases his concept on both. (403b10)” Aristotle acknowledges that the inquiry of the soul is both highly important and highly challenging. To make this challenge surmountable, Aristotle uses his definitions of anger and a house as images to prefigure his core beliefs. The diligent student of Book 1 will find the philosophy of Book 2 to be logically coherent and therefore a “substantial contribution to the whole body of truth.”