Professional Documents
Culture Documents
Regulations:
I. The area up to 200m from the HTL is be
earmarked as 'No Development Zone'. No
construction shall be permitted in this zone except
for repairs of existing authorized structures not
exceeding existing FSI, existing plinth area and
existing density. However, the following uses may
be permissible in this zone-agriculture,
horticulture, gardens, pastures, parks, play fields,
forestry and salt manufacture from sea water.
Table 3 : Travel distance II. Development of vacant plots between 200 and
Source: NBC 2016
500m of High Tide Line in designated areas of CRZ-
1.3.5 COASTAL ZONE REGULATION III with prior approval of Ministry of Environment
NORMS and forests permitted for construction of
hotels/beach resorts for temporary occupation of
Framed by Ministry of Environment, Forest tourists / visitors.
and Climate Change. III. Construction/ reconstruction of dwelling units
In India, the CRZ Rules govern human and between 200m and 500m of the High Tidal Line
industrial activity close to the coastline, in permitted so long as it is within the ambit of
order to protect the fragile ecosystems near traditional rights and customary uses such as
the sea. existing fishing villages and gothans. Building
They restrict certain kinds of activities like permission for such Construction/reconstruction
large constructions, setting up of new will be subject to the conditions that the total
industries, storage or disposal of hazardous member of dwelling unit shall not be more than
material, mining, reclamation and bunding twice the number of existing units; total area
within a certain distance from the coastline. covered on all floors shall not exceed 9 meters and
construction shall not be more than 2 floors
(ground floor plus one floor
IV. Reconstruction/alteration of an existing
authorized building permitted subject to (1) to (3)
above.
Site
2. PERMISSIBLE FAR 2
4. SETBACK 6m
1. DIRECTION AND 20 4 80
SCREEN PLAY
WRITING
2. CINEMETOGRAPHY 25 4 100
TOTAL 380
TV WING
1. DIRECTION 20 4 80
3. ELECTRONIC 25 4 100
CINEMATOGRAP
HY
TOTAL 280
ADMINISTRATION BLOCK
GROUND FLOOR
1. Waiting and reception 50sq.m. 1 50sq.m
FIRST FLOOR
1. Director’s room 25sq.m. 1 25sq.m.
ADMINISTRATION BLOCK
3. 5
S.NO. SPACE AREA COUNT TOTAL AREA
SECOND FLOOR
1. Director’s room 25sq.m. 1 25sq.m.
4.1.2 Television
India is currently the world’s second-largest
telecommunications market with a subscriber
base of 1.18 billion India’s growing mobile
economy now constitutes about 98% of all
telephone subscriptions. TV is expected to
remain the largest segment and likely to post a
CAGR of 7%. Fig.3 – Share of Major Industry Segments 2023
Television and AGV (Animation, Gaming and Source –Media and Entertainment Industry
VFX) segments are expected to lead the
industry growth, with opportunities in digital WORLD WAR 1 ERA (1914-1918)
technologies as well. The segment With the rise of Hollywood, the United States'
has produced over 1,600 hours of original OTT film industry flourished to its highest peak until
content, 1,800+ films and over 200,000 hours of the First World War. D.W. Griffith's work was
entertainment television. prominent in The Birth of a Nation (1914) and
TV has become an indispensable part of our Intolerance (1916). However, the European film
daily lives. It has had a huge impact on our industry's growth curve was skewed by World
lives. We have been now addicted to this mode War II.
of entertainment. This has had both positive and
negative consequences. Television has become
more popular than any other medium due to the
availability of multiple channels in regional
languages.
POST WORLD WAR ERA
In 1920s. European filmmakers (Sergei
Eisenstein, F.W. Murnau, and Fritz Lang)
returned to work and increased the film
industry's output level. Music, speech, and
sound effects synchronized with the actions in
the film were introduced in this era thanks to
new technology. Instead of being known as
silent films, the films began to be referred to as
"talking pictures" now. However, these "talking
pictures" lacked color.
The addition of natural colors to talking films
resulted in the mass development of the film
industry. This achievement has now surpassed
the importance of musicians and silent films. Fig.4 - Revenue share by industry—language
The introduction of a three-strip version of the Source - Economic impact of the film, television, and
Technicolor process was the most significant. online video services industry in India, 2019
This version was first used in the production of
short films (1934). Becky Sharp (1935) was the 4.1.5 INDIAN TELEVISION INDUSTRY
first feature film to incorporate both color and Television is the dominant mode of media
sound. These films were extremely expensive consumption in India, and remains the country’s
to produce on their own, but because they largest sub-sector within the broader M&E
became a popular form of entertainment, box- industry. India’s TV industry is a good example
office receipts justified the costs. of successful private enterprise, with the
industry offering a large quantum of content
4.1.4 NDIAN FILM INDUSTRY (hundreds of channels) to over 150 million pay
India produces the most films per year, with TV subscribers, at affordable price levels of
1500 produced on average each year, roughly US$ 3-5 per month. The Indian TV industry’s
three times the amount produced in the United size was about INR 70k crores (US$ 10.0
States. However, the film industry only reaches billion) in FY2019.94 In FY2020, the presence
a small percentage of the population. More of big-ticket events, including the Cricket World
audiences must be targeted by the industry, and Cup and central government elections on the
new talent must enter the industry to do so. This calendar had created expectations for strong
will boost the confidence of newcomers to seek advertising revenue growth.
opportunities and contribute to Indian cinema.
Fig.3 - ReveNumber of movies produced vis-a-vis revenue share: Evolution over a decade
Source - Economic impact of the film, television, and online video services industry in India, 2019
Fig.5 – Estimated size and growth of the television industry market
Source - Economic impact of the film, television, and online video services industry in India, 2019
4.1.6 FILM EDUCATION IN INDIA As a result, it becomes very difficult for young
The popular perception about the film industry, film students to get into the industry.
even today, is that it comprises (and has always
comprised) mostly semi-educated workers or 4.1.7 DESIGN STANDARDS
people who have learnt their skills on the job. Various facilities, such as office space for
This would also include the numerous ‘star- establishing a production office, indoor and
children’ that have speckled the industry thanks outdoor shooting areas, green studios, and so
to their actor-fathers and actor-mothers. The on, are required as the film moves through the
advent of film schools aimed to alter this by stages of production, from development to
formalizing film education. distribution. The facilities required for the
The history of film education in India would completion of any motion picture are listed
either begin in 1947 when Sri below and are organized according to the
Jayachamarajendra Polytechnic in Mysore, set stages of making a motion picture.
up by the Mysore Maharajas, taught I. Pre-production facilities
cinematography as part of its vocational courses Office space
(V.K. Murthy, the legendary cinematographer II. Production facilities
studied there) or with the setting up of the iconic Workshops
FTII in Pune around 1960. Dressing room
The goal of establishing a film school is to Animation studio
formalize film education, but also to ground Equipment rental
filmmaking in film theory and situate it in a global Backlot
context. Sound stage
The filmmaking education system has taken a III. Post production facilities
significant hit, leaving students with the ability to Post production studio
work professionally but few opportunities to Photography studio
participate in the actual filmmaking process. In Film development lab
India, the filmmaking industry operates in such a Other facilities
way that only those with industry connections
are allowed to participate in the actual
filmmaking process, regardless of whether they
directed a film or were trained in filmmaking.
4.1.8 TECHNICAL STANDARDS REVIEW LECTURE THEATRE:
This Section will be explaining about A lecture room should be so placed in a
Architectural Planning and design standards building that it is accessible to students without
and Building codes that is followed in both overcrowding of corridors or stairways. The
International and Regional Level. room itself should be arranged properly so that
the audience can see well, hear well, and be
SPATIAL PLANNING AND DESIGN comfortable. In part this depends on
STANDARDS FROM TIME SAVER- temperature, humidity. background of light and
STANDARDS AND NEUFERTS DATA sound, and seating space.
Objective:
I. The standards are intended to give basic
design criteria for each major type of
building.
II. It will give those unfamiliar with a specific
type of building a talking or
III. working knowledge of its functions,
organization, and major components.
IV. It is intended to act as a guide or reference
point from which the specific design
solutions can be established.
V. It is used to study general and specific
functional relationships.
VI. It is used to assist in the preparations of
preliminary architectural designs.
CLASSROOMS:
Major factors to be considered in designing a
classroom are the following:
I. Seating and writing surfaces
II. Space and furnishings for the lecturer
III. The use of wall space, including
chalkboards, screens, size and location of
windows, etc.
IV. Facilities for projection and television
V. Coat racks, storage, and other
conveniences
VI. Acoustics and lighting
VII. Heating and air conditioning
VIII. Aesthetic considerations
Fig.11 – Lecture hall scheme with
seating arrangement
Source – Time Saver Standards for building
types