SANDRA DE BERDUCCY

I am a new media artist, weaver, specialist in Andean Textile Techniques and re-
searcher from Bolivia. I work, since twenty years ago bringing out artworks, exhibitions,
texts and conferences about researches on traditional textile techniques and
processes of the American continent, especially in Andean and pre-Columbian
textiles. Besides specializing in Natural Dyes, I specialized in backstrap looms
where I use to weave complex techniques and ancient techniques such as
those found in Pacaras, Chankay and Tiawanaku Cultures.

My work is an art-based research where Andean ancient technology is

translated into new media art practice, since is result of years of study
and practice of pre-Hispanic techniques and experiences that allowed me
to develop manual dexterity, as well as mastery of the processes to achieve
the structure of complex fabrics. I realized that these processes are
related with energy, understand the textile as technology: a way of
a complex system, where it is necessary to exercise mathematical reasoning,
and the loom as a portable thinking machine that could be incorporated.

While I work with simple and rudimentary tools like sticks, llama
bones, hand-spun animal fibers and natural dyes, I use to weave unusual
materials for the traditional Andean weave, as optical fiber, conductive thread,
copper as sensors, etc. and in the hidden structure of these weaves I included
electronics circuits, microcontrollers, movement or color sensors, digital LEDs,
code and so on. All those practices merge with each other, resulting in works that give
continuity to the ancient textile tradition of which I consider myself part.
www.sandradeberduccy.com
 AWAY I TAKIY
Interactive sound weave

Traditional weave, alpaca and

sheep fiber, 304 copper sticks,
one hundred meters of
conductive thread, speakers
and microcontrollers

Dimensions: 3.5 m x 40 cm
Year: 2018

This interactive textile was

woven on a backstrap loom. It
has a complex structure that
includes, within it, materials
conductors such as copper,
which when affected with elec-
tricity become touch sensors,
reacting with the
proximity of people. This
proximity generates data, that is
“translated” by a microcontroller
and are sonorized according to
the woven patterns.

A collaboration with the Project

PENELOPE Deutsches Museum,
Munich - Germany.

Video:
https://vimeo.com/286801798
 e-MANTA
Interactive installation

Optical fiber weave,

electronic components,
ultrasonic and colour sensor.

Dimensions: 180 x 80 cm
Year: 2019

The “manta paceña”,

is colorful without any demure,
with elaborate details of
macramé, is proudly carried by
contemporary Aymara women,
secured with a clasp-pin called
“tupu” in the front.

electric- manta, was

woven with optical fiber and
connected to a color sensor
that is secured as a clasp-pin.

This sensor acts like a

chameleon coloring the entire
fabric according to the color of
the dress of the person in the
range of the sensor.

Video:
https://vimeo.com/user106823661
 e-AWAYO
Interactive Installation

Optical Fiber weave,

electric components,
microcontroller
and ultrasonic sensor. LEDs.

Dimensions: 180 x 80 cm
Year: 2017

In this work the optical fiber

was woven with the loom and
tools of the Traditional Andean
textile.

The colors that circulate

through it, are like the color
lists of the Andean fabrics, the
same that remain transmitters
of information of the origin of
who wore it. Reminding us that
light and color are the best and
fastest information transmitters.

Light colours the optical fiber,

as dyes do with natural fibers.

Video:
https://vimeo.com/313641242
e-Allqamari
Interactive Installation

Traditional weave with alpaca

wool and optical fiber, LED,
motion sensor and
microcontroller
Dimensions: 100 x 180 cm
Year: 2016

e- allqamari, weave that uses

optical fiber and sheep wool
handspun by the author.

Using the same loom and

textile techniques as used
since ancient times, to make
sacks in
pre-hispanic times.  

The structure of this weave

maintains the strips
design distribution,
traditionally used to transport
and store seeds, being these
and the weave,  very effective
ways of data transmission.
e-TARIY
Interactive weave

Traditional weave for coca

leaves, wool and optical fiber

Dimensions: 100 x 100 cm

Year: 2017

e-tariy was woven in the

traditional way on back-strap
loom. Which is composed of
two symmetrical textile pieces
sewn at the centre also
symmetrically, creating a
four-sided fabric.

The square is par excellence

an abstract element, base of
the Andean design and unity
symbol.

The word Tariy in

Quechua means “encounter.
”Tariy is the square fabric,
where coca yungueña is put
to chewing and around which
community meets.
 Op/tar
Interactive weave

Traditional Andean weaving,

handspun threat, optical
fiber and Dark detecting
electronic circuits, LEDs

Dimensions: 174 x 43 cm
Year: 2017

If this work, woven with the

“pallay“ technique, is seen with
enough light, you will see
several strips of tones blue,
ordered in narrow color
scales, these strips produce the
impression that the same tone
is transformed, generating a
subtle step between
contrasting colors.

Seen in the dark, highlights the

light that passes through the
fiber optics. It is not possible to
see this tissue in the light and in
the darkness at the same time.
 SERIE

e-CHANCAY
Interactive weave

Optical fiber, alpaca wool,

Dark detecting electronic
circuits, LEDs
Dimensions: 90 x 45 cm
Year: 2018

In this series of weaves there

are 3 warp threads, black
alpaca fiber, optical fiber and a
thin natural alpaca thread.

In this technique, the weft will

appear, supporting the entire
structure of the weave. It is a
technique pre-Hispanic that
appears in Chancay and Chimú
textiles, developed in the Late
Intermediate Period (1000 to
1400 AD) on the central and
north coast of Peru. In this
series, this textile technique is
related to the binary code and
the QR code.

This is the best technique to

maintain the optical fiber strai-
ght, in order to better let the
light go through this fiber

Video:
https://vimeo.com/313642216
 SERIE
QR Code
Tapestry to decode

Kelim tapestry weaves,

Alpaca fibre and cotton
5-piece series
50 x 50 cm
One sigle piece
1.5 x 1.5 m
Year: 2017

The QR Code (Quick

Response Code) is a resource
commonly used to store infor-
mation in a greed based on the
square.

A parallel exists
between this code and the
pre-Columbian tapestry
technique  known as kelim,
used hundreds  years  ago by
the Huari - Tiawanaku culture.

This series uses the

same textile technique to
develop QR codes, which when
decoded with
applications installed on cell
phones, allow decode informa-
tion encrypted in the works.
 e-CHUMPI
Interactive weave

( two pieces )
Traditional fabric with optical
fiber, LEDs and sound
reactive electronic circuit

Variable dimensions
Year: 2018

Weaving in traditional looms is

an activity that involves
technological knowledge and
the implementation of  cultural
and oral memory.
E-chumpi are two pieces of
fabric that, like traditional “chum-
pis”, are made to be worn. In
addition, they have an electronic
system in order to react to sound
through quick pulses.

The more constant the sound

emitted by the visitor or the
environment, the more the
weaves will be illuminated.

Video:
https://vimeo.com/380859585
 Llimphiri
Electrochemical variations
Cotton and natural dye,
under controlled electrical
impulses.

Size: variable dimensions

Date: 2014 - 19

Llimphiri, is a Quechua word

that means “blow-up that
provokes color”.

Electrocromatographic experi-
ments, based on the dynamics
between acidic and alkaline
mediums.

When these dyes, applied on a

surface, are affected by
controlled electrical impulses,
a kind of chromatography is
generated, where the chromatic
spectrum that composes them is
revealed.

Each dye will react

differently to the same impulse.

Video:
https://vimeo. com/115396409
 Llimphiri
Electrochemical variations

Several experiences with natural

dyes, on a microscopic scale
were made and registered on
video.

Subsequently, these color

reactions captured by the mi-
croscopic were projected on salt
as video Installations

Video:
https://vimeo.com/196499725
 CRUX
Interactive weave

Andean Traditional Fabric

Double Cloth ( kurti ), LEDs,
electronic circuits

Dimensions: 90 x 45 cm
Year 2014

In this work, as in many Andean

fabrics, the stars are
represented.

At the same time, a schematic or

electrical scheme is reproduced
in it, which shows the different
components that operate in a
night-sensitive circuit and their
connection between them, crea-
ting a  circuit-weave, within two
interwoven fabrics.

While the environment darkens,

- as in the constellation CRUX-,
the LED lights begin to
illuminate.

Video:
https://vimeo.com/150414115
CRUX

Previous page:

Left:
• Circuit virtual breadboard
• PCB circuit design
• Study for weaving
• Quechua weavers with
the work

Right:
• Process weaving and
soldering

On this page, left to right:

• Double cloth with circuits

in its structure.
• Reverse of the weave
• Textile, circuit and dark
sensor working
• x-ray visualization
 electric-aRuma
aruma is an Aymara word that in its
more simple translation means night and in its
complex nuances encompasses the physiological
phenomenon when colors are seen while closing
the eyes, that colourful darkness . In this project, most of
the weaves are luminescent and its brightness depends
on the darkness. It is in the darkness of the native forest
that they reach their true dimension.

Video: e-aruma in the native forest

https://vimeo.com/aruma/bosque-aruma
 aruma
Sandra De Berduccy
Oruro - Bolivia, 1976

Sandra De Berduccy is an artist and researcher of Andean textiles in the context

of new media art. In 2000 began a research where the textile is understood as technology
She has a Fine Arts Degree from the Universidad Mayor de San Andrés, UMSA and
completed the Master of Visual Arts at the Federal University of Bahia-Brazil. In 2013
she was Associate Artist of ESCALA-Essex Collection of Art from Latin America,
United Kingdom. In 2018 collaborated with the PENELOPE Project: A Study of
Weaving as Technical Mode of Existence, of the Deutsches Museum, Munich, Germany.

De Berduccy’s research results and artistic work have been shown in international
contexts. Recently participated in Algomech Festival, Sheffield, United Kingdom - 2019,
Ars Electronica Festival, Linz, Austria - 2019, Mercosur Biennial, Porto Alegre, Brazil - 2020,
among others. In 2020 was invited to participate in Boulder Museum BMoCA Residency,
Colorado, United States

Her works are in collections such as ESCALA Essex Collection of Art from Latin America,
United Kingdom, PINTA - Contemporary Latin American Art. London and New York, Nation-
al Art Museum of La Paz, Bolivia and private collections around the world.
 2019- 2020 Self-managed art-based research: Deep Weave

2018 Collaboration with PENELOPE Project: A Study of Weaving as

Technical Mode of Existence. Deutsches Museum / European
Research Council (ERC) Munich, Germany.

2014 – 2019 Self-managed research: e- aruma:: Textile as technology

2013 ESCALA Associated Artist- Essex Collection of Art from Latin

America. University of Essex, Colchester- United Kingdom.
Research: Text Textile Code.

2006 - 2008 Master of Visual Arts. Programa de Pós -Graduação em Artes Visuais
Escola de Belas Artes. Universidade Federal da Bahia.
Fellowship of Fundação de Amparo à Pesquisa do Estado da Bahia.
FAPESB. Research: DESENVOLVER, lines that provoke art practices.

2001 Diploma in Philosophy and Art History. Universidad Mayor de

San Andrés. La Paz – Bolivia.

1996 - 2001 Fine Arts Degree. Universidad Mayor de San Andrés. La Paz – Bolivia.
Title of thesis: Tapestry: painting with thread.
Studies & Researches__________________________

2014 - 2020 Territorio Lupaqa. Art and Technology in the Native Forest,
Qollpamayu - Cochabamba, Bolivia.

2013 VIII Bienal Internacional SIART. General Curator, La Paz - Bolivia.

2012 WEYA – Young Bolivian Artists in to the World Encounter Young Artist.
Nottingham, UK Comisioned by: RedesArte, mARTadero and
Fundación Visión Cultural.

2011 AGregadoS LaB. Multidisciplinary exhibition. Espacio Patiño, La Paz Bolivia

2009 DESENVOLVER Curatorial Project in collaboration VigaGordillo -­Prize
Diálogos Estéticos Curadoria em Artes Visuais, Fundação Cultural do
Curatorial projects_____________________________
Estado da Bahia. FUNCEB Bahia, Brazil

2020 BMoCA Boulder Museum of Contemporary Art + Swoon 2020 International Artists
Residency Program. Boulder, Colorado - United States

2018 Ebenböck-Haus & Goethe Institute & Deustches Museum. München – Germany.
AEI-Arte Electrônica Indígena. Thydêwá. Aldeia do Cachimbo, Bahia - Brazil

2016 rural.scapes. Laboratório em Residência. Sao Paulo – Brazil.

2014 ABUBUYA KM 0. KIOSKO Gallery, Triangle Art Trust. Beni - Bolivia

2011 Casa Tres Patios. AECID – Residencias en Red Network, Medellín - Colombia.

2010 Batiscafo Residency. Hivos. Triangle Art Trust, La Habana – Cuba.

2009 Atlantic Center For the Arts. Master Artist Residence. Florida – United Estates

2008 Kiosko Gallery. Hivos. Triangle Art Trust, Santa Cruz - Bolivia.

__________________________ Residencies
2004 ArtCorps - New England Biolabs Foundation & WCS. Uaxactún, Petén – Guatemala.

2019 ST+ART+S Prize 2019 Honorary Mention with Arte Electrônica Indígena Project, Brazil.
Ars electronica Festival. Linz Austria.

2016 XX Biennial Award. Santa Cruz de la Sierra – Bolivia.

Abaroa Award. Contemporary arts / Itinerant installations - Bolivia.
Installation award. Manzana 1. Santa Cruz - Bolivia

2013 Programa Nacional de Estímulos Ministerio de Cultura de Colombia. National

and International Circulation Fellowships for artists and visual art agents. Colombia.

2012 Bice Bugatti Award. Third Prize. Bugatti Bicce Award. Nova Milanese - Italy

2011 Goethe Prize. SiART Laboratories. International Art Biennal SIART. La Paz - Bolivia
Bice Bugatti Award. Panoramas del Sur. Third Prize. Nova Milanese - Italy

2008 Diálogos Estéticos Prize – Visual Arts Curator. Fundação Cultural do Estado da
Bahia. FUNCEB, Salvador – Bahia, Brazil
__________________________ Awards Selection
 Forthcoming solo exhibition:
2022 Museo Nacional de Bellas Artes, Santiago - Chile.

2018 Constelación aruma. Honour exhibition Biennial SiArt. National Museum of Art. La Paz -Bolivia

2017 e-aruma:: colours in the dark. Alianza Francesa. La Paz - Bolivia

e-aruma:: emissions of the thinking machine. NUBE Gallery. Santa Cruz – Bolivia
e-aruma:: the planet`s lines. Native forest Territorio Lupaqa, Capinota-Cochabamba- Bolivia.

2013 TEXT TEXTILE CODE. Centro Simon Patiño. Cochabamba - Bolivia

2010 DESENVOLVER. National Museum of Art. La Paz – Bolivia.

2008 DESENVOLVER práticas de arte. Forte São Marcelo, Salvador – Bahia – Brazil.

2004 En la Hora del Saj´ra. El Sitio Cultural. Antigua Guatemala - Guatemala.

___________________ Solo Exhibitions Selection

2003 En la Hora del Saj´ra. Museo de Bellas Artes Bonaerense. La Plata - Argentina

2011 kutikutimuy pisando. Collaboration with Bernardo Rozo. INDI Digital Interactions Festival.
Cinemateca Boliviana, La Paz - Bolivia

2009 360 Grados, Collaboration with Bernardo Rozo. VI Art Biennial SiArt. La Paz - Bolivia.
12 veces por segundo. with Bernardo Rozo. KIOSKO Gallery. Santa Cruz - Bolivia.

____________ Bi-personal Exhibitions Selection

 2020 MERCOSUR Biennial. Memorial do Rio Grande do Sul. Porto Alegre - Brazil

2019 Cocoon- Arte eletrônica Indigena. British Academy Showcase. London - United Kingdom
Patterns of Movement, Algomech Festival. Sidney & Matilda. Sheffield - United Kingdom
Out of the Box. Arte Electronica Indigena. Ars electronica Festival. Linz - Austria

2018 Away I Takiy – Penelope Project Museum für abgüsse klassischer bildwerke Munich - Germany
WOMAN WEAVERS, Ideobox Art space, Miami – United Estates.
AEI- Arte Electrônica Indigena. Museu de Arte Moderna da Bahia. Salvador – Brazil
Artefactos de Artes Mediales. CENTEX – Ministerio de Culturas. Valparaiso – Chile.

2017 Pacific Standard Time: LA/LA - Video Art in Latin America, Getty Research Institute,
LAXART, California - United Estates.

2016 Pinta Miami. NUBE Gallery. Miami - United Estates.

Vivir Bien/Das Gute Leben. Espacio Odeón. Bogotá – Colombia
Instalaciones Espaciales. Manzana 1. Santa Cruz - Bolivia
IX SIART Biennial. National Museum of Art La Paz – Bolivia.

2014 Connecting through Collecting: Art from Latin America. Beecroft Art Gallery. United Kingdom
PINTA London. England & Co. Gallery, Londres – Reino Unido

2013 Visualissing Affect.. Lewisham Arthouse. London - United Kingdom

Arranjos Experimentais. CINUSP. Sao Paulo - Brazil
Refractive Distance. Art Exchance. Colchester - United Kingdom
PINTA London. England & Co. Gallery, London – United Kingdom
London Art Fair. England Gallery. London – United Kingdom

2012 PINTA New York. England & Co. Gallery, New York - United States.
PINTA London. ESCALA Gallery and England & Co. Gallery,. London – United Kingdom
Unravelling Threads. ESCALA Gallery. Curated by: Valeria Paz. Colchester – United Kingdom

2011 VI Bienal WTA-Aire. International Biennial of Contemporary Textile Art. México.

AGregadoS LaB. Creative Production Laboratory. Espacio Patiño. La Paz, Bolivia.
Cine A Contra Corriente. CCCB Center of Contemporary Culture of Barcelona. Spain

Group Latidos urbanos. SIART Selection. Museum of Contemporary Art. MAC. Santiago de Chile.
2010

Exhibitions Selection __________________________

2009 Visionários. Audiovisual Panorama of Latin America. Itaú Cultural. (2009 -2011) Brazil

2018 AWAY I TAKIY Interactive textile. Rodeo Festival. Museum for Plaster Cast. Munich, Germany.

2016 ::sensitivae:: Interactive Instalation. Manzana1. Santa Cruz - Bolivia.

2014 Corriente Mamoré, Site specific installation. Mamoré River, Beni - Bolivia

2013 Agua Nocturna. CIMIENTOS III Performance Festival, Live Cinema.

Collaboration with Manrico Montero. Centro Simón Patiño. Cochabamba – Bolivia

2013 Un ser de sensaciones. Feat. Son Negro, Galeria Plaza de La Paz. Barranquilla – Colombia.

2012 Si Me Permiten Hablar. Pinta London. ESCALA & England Gallery. London – United Kingdom
Brote de Monte. Live cinema. Collaboration with Manrico Montero. mARTadero. Cochabamba–Bolivia.
Carta de Viaje. Horse Latitudes. Audiovisual Project. Espacio Simon I. Patiño. La Paz- Bolívia.
errantes. Urban Intervention: stencils animated in real time. With Adriana Bravo. Mexico City - Mexico.
Chamakani. Collaboration with Daniel Cotillas. CONART. mARTadero. Cochabamba - Bolivia
Buscaban las fronteras. Interactive intervention: Cultural Center of Spain, La Paz - Bolivia

2011 High Tech, low tech. Multimedia concert. Museo de Etnografía y Folklore. La Paz – Bolivia.
Horse Latitudes. Audiovisual Project. AGregadoS Lab. El Desnivel. La Paz – Bolivia.
TRAKKING. Interactive intervention: Noite Blank, Museo Nacional de Arte. La Paz –Bolivia
Yawarniyki… Interactive installation, Cinemateca Boliviana Festival INDI La Paz –Bolivia

2010 Una chica tan decente como Yo, 3XAMORemix. Feat. Noelle Lieber and Maria Isabel Rueda.
ASim´tria 6 Festival. Arequipa y Cusco-Perú.
REMIX de lo MISMo. Feat Noelle Lieber & Amaury Pacheco. Teatro de Artes y Letras. La Habana - Cuba
Pushka High Info. Cimientos, Performance Festival. Centro S. Patiño, Cochabamba-Bolivia.

2008 envolver-desenvolver. Performative action - Forte San Marcelo Museum. Bahía - Brazil.

2006 Las industrias & Chordatha griphus. Site specific Installations. Ruínas. Creative Processes
Old Factory Fratelli Vita, Salvador – Bahia – Brazil.

______________ Live Cinema, Urban Interventions

& Performances Selection
 2019 Deep Weave. Braiding and Dancing Symposium. Algomech Festival. Sheffield - United Kingdom

2018 Weaving as early digital technology. Conference Jetopa. MUSEF, La Paz - Bolivia
Textile and sound. Collaboration with Penelope Project Museum for Plaster Cast. Munich, Germany.
Weaving/ Programming Conference MAC - Museum Of Contemporary Art of Santiago - Chile

2017 Can you read this textile? Conference. CCELP – Cultural Center of Spain in La Paz. La Paz - Bolivia

2016 Textile as technology and phenomenology. MAC- Museum of contemporary art of Oaxaca. Mexico
Weaving/ Programming Textile Museum of Oaxaca, Mexico.
Andean Textile in contemporary art. Space Fidencia. Mexico City.

2015 Alchemy in the workshop. II Festival Enjambre, Buenos Aires - Argentina

Textile / technology. Conference. CCELP – Cultural Center of Spain in La Paz. La Paz - Bolivia 2013

2011 +audio - visual and vice versa: multidisciplinary proposals. High Tech Low tech.
Scientific conferences of La Salle University. MUSEF. La Paz, Bolivia.
DESENVOLVER. The practice of art as becoming. Philosophy. Goethe Institute. La Paz - Bolivia.

Conferences __________________________
DESENVOLVER in real time. Performace-Conference. Casa Tres Patios. Medellin - Colombia.

2019 Weavers Trawun. Workshops with Mapuche Weavers. Los Hualles, Osorno - Chile
e-textiles with warp techniques. Royal College of London, London - United Kingdom
e-textiles Workshop. Algomech Festival. Access Space. Sheffield - United Kingdom

2018 Electrical properties of the andean textiles, workshop SiArt, CCELP, COSUDE. La Paz - Bolivia

2017 Electronics of secret things workshop. CCELP – Cultural Center of Spain. La Paz - Bolivia

2016 kurti, incorporando el telar andino. Textile Museum of Oaxaca, Oaxaca - Mexico.
Andean Textile techniques. Fidencia Space. Mexico City - Mexico.

Workshops Selection__________________________
2012 Live Cinema workshops. CONART Process. mARTadero. Cochabamba – Bolivia
 ESCALA - Essex Collection of Art from Latin America. University of Essex,
Colchester- United Kingdom
ENGLAND & Co. – Art Gallery. London - United Kingdom
PINTA – Contemporary Latin American Art. London & New York.
Museo Nacional de Arte La Paz- Bolivia.
Museo de Arte contemporáneo Santa Cruz – Bolivia
Museo Nacional de Etnografía y Folklore. La Paz- Bolivia

Work in Collections __________________________

Private collections around the world.
News
sandradeberduccy.com/noticias/
March 2020
www.artealdia.com BMoCA International Residency announcement
http://www.artealdia.com/News/SANDRA-DE-BERDUCCY-SELECTED-FOR-THE-RESIDENCY-PROGRAM-OF-BMoCA-MUSE-
UM-COLORADO-UNITED-STATES

Sunday, 15 April 2019

Los Tiempos / Cochabamba - Bolivia
https://www.lostiempos.com/oh/entrevista/20190415/aruma-tejido-es-forma-ver-mundo?fbclid=IwAR0Hr_mAlEHlVAG_00x-
p6EbE9hzI1jNRlZ9TR2AICRXxVn3iK1tPSbLlCv4

Algomech Festival, Sheffield / United Kingdom

May 2019
https://algomech.com/2019/artists/sandra-de-berduccy/

Latin American Boreau, London /United Kingdom

June 12, 2019
https://lab.org.uk/indigenous-brazilian-electronic-art-comes-to-londons-royal-academy/

Sunday, 1st December 2018

El Deber / Santa Cruz - Bolivia
http://www.eldeber.com.bo/brujula/Los-origenes-de-la-noche-20181130-9461.html?fbclid=IwAR3zoHvi5FsPBP-
PCRYlsy0H1VYLmb0YxcaLk9-1Y2RS_qKbfc5xHIYsSy6kl

Phitart, Munich / Germany

21. Oktober 2018
https://philtrat-muenchen.de/away-takiy-trifft-penelope-was-mathe-und-musik-verbindet/?fbclid=IwAR2lfQt-
2mW9_suYM2X1BEvUXkEa6BTHGN3iP8MAK4kwOgmykdIBU68RY9Ig

Sunday, 25 November, 2018.

Los Tiempos / Cochabamba - Bolivia
http://www.lostiempos.com/doble-click/cultura/20181125/junto-su-obra-sandra-berduccy-inauguracion-exposici-
on-que-honra-su?fbclid=IwAR2PsBGqnwvo7o2tVnIPiPE7U-kPNNaaF4vZ34fhUtp4EWGZS_LTa1jIDTc

Pagina 12, Buenos Aires / Argentina

Sunday, 30 August 2015
https://www.pagina12.com.ar/diario/suplementos/espectaculos/17-36503-2015-08-30.html
Links
Artnodes Journal on art, Science and Tecnology NODO 25. Diálogos entre Arte y Ciencia Fundamental 2020
Autora:: Valentina Montero
El telar como máquina sensorial y de pensamiento. La investigación artística de Aruma-Sandra De Berduccy
sandradeberduccy.com/texts/
https://artnodes.uoc.edu/articles/abstract/3277/

Ars Electronica STARTS PRIZE Honorary Mention 2019

https://starts-prize.aec.at/en/arte-eletronica-indigena/

PENELOPE Project website / Alemania

https://penelope.hypotheses.org/807

Bolivian Contemporary art Web site / Bolivia

http://artecontemporaneoboliviano.blogspot.com/2018/12/sandra-de-berduccy-arumala-bienal.html

Proyecto IDIS - Argentina

https://proyectoidis.org/sandra-de-berduccy/

Arte eletrônica Indigena / Brazil

http://aei.art.br/residencias/pulsacao/

Rural Scapes Residency / Brazil

https://vimeo.com/196499725

Abubuya Km0 - Kiosko Gallery / Bolivia

https://vimeo.com/133149241

ESCALA . Essex Collection of Art From Latin America. / United Kingdom

http://www.escala.org.uk/collection/artists/aruma-sandra-de-berduccy/AUTH542/efectivo/O764

ESCALA RESEARCH PAPER No.2 Unravellling Threads.: Valeria Paz. Essex Collection of Art From Latin America.
2012 http://www.escala.org.uk/resources/2D/2DD8C9E3-3404-966E-5C9D-2A358A3242A1/ESCALA%20Research%20Paper%202.pdf

Interview Textile curator

http://www.textilecurator.com/home-default/home-2-2/sandra-deberduccy/

NUBE GALLERY / Bolivia

http://www.nubegallery.com/biografia/sandra-de-berduccy/

Goethe Institute “Das Gute Leben” Project / Bolivia - Alemania

https://www.youtube.com/watch?v=n7e2GLREcVg
 Oficial Web Site:
www.sandradeberduccy.com
(English)