Professional Documents
Culture Documents
Living
Treasures
of The
Philippines
Submitted To:
Mrs. Mary Grace V. Candido
Submitted By:
Abanis, Jamela D. XI-PLEIONE
Campanero, Gwyneth S. XI-POLLUX
"There is no must in art, because
Uwang
Some of his
Ahadas Works
01 kayu
02 His
Uwang
Ahadas
of his locale. He keeps on performing and
instruct despite his diminishing visual
He first learned how to play the
perception, keeping the Yakan melodic
gabbang, a wooden bamboo
custom alive and thriving. a people to
instrument similar to the xylophone
whom instrumental music is of much
then learned how to play the agung Yakan/ Lamitan, Basilan Island,
Ambalang
Bangsamoro
(continuation)
Apuh Ambalang, is significantly
Autonomous Region in
Muslim Mindanao
(BARMM)
weaver in Basilan and first practiced the
Some of her
(embroidery-like embellishment)
works
Bunga sama teed peneh pitumpuh
Ambalang
design)
process, mindful at the same time
and
Ambalang was renowned for her mastery
community
Masino
His
About Masino
Intaray
Pala’wan, Palawan Island,
Contributions:
An outstanding master of the basal
Region IV-B
music played on the kusyapi), also
playing multiple indigenous
MIMAROPA
played the aroding (mouth harp)
instruments namely the basal (gong),
all, he was a prolific and pre�eminent (ring flute). Intaray is also known for
Some of
Intaray's
Works ⬇️
Intaray. Basal (gong)
The lyrical poems he wrote are his
(mouth harp)
Epic Chanter
Palawan indigenous roots which