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An
An Introduction
Introduction to
to
Linguistic Alchemy
alchemy ¦ alkəmē¦
nounFrom
the medieval forerunner of chemistry, based on the totransformation of matter.
figurative:: a process by which paradoxical results are achieved • incompatible elements
combined with no obvious rational explanation to create an inexplicable result..•
•a process of transforming something common into something special•
2
ab
is All You Are is Changing All You Are Is Change is All You Are Is Changing All You Are Is
stra
Change All You Are is Changing All You Are is Change is All You Are Is Change is All You Are
Is Changing All You Are Is Change All You Are is Changing esAll You Are is Change is Changing
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All You Are is Change is Changing All You Are is Change va is All You Are is Changing All You
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All You Are Is Change is All You Are Is Changing All You Are s Is Change All You co Are is Changing
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All You•Aristotlean
Are Is Change isLogic
All You Are Is Changing All You i n iAre Is Change All YounAre
o ce is Changing
p pt
All You Are is Change is All You Are Is Change is All oYou Are Is Changing All You Are s Is Change
All You Are is Changing All You Are is Change is Changing All You Are is Change is Changing
All You Are is Change is All You Are isChanging All You Are is Change is All You Are is
Changing All You Are is Change is All You Are is Changing All You Are Is Change is All You
Are Is Changing All You Are Is Change All You Are is Changing All You Are is Change is All You
Are Is Change is All You Are Is Changing All You Are Is Change All You Are is Changing All
You Are is Change is Changing All You Are is Change is Changing All You Are is Change is All
You Are is Changing All You Are is Change is All You Are is Changing All You Are is Change
Every limiting construction grows from these two!
is All You Are is Changing All You Are Is Change is All You Are Is Changing All You Are Is
Change All You Are is Changing All You Are is Change is All You Are Is Change is All You Are
Is Changing All You Are Is Change All You Are is Changing All You Are is Change is Changing
All You Are is Change is Changing All You Are is Change is All You Are is Changing All You
Are is Change is All You Are is Changing
Linguistic Creators ofAll
theYou Are
Illusion WeisAreChange
Not Changingis All You Are
© Copyright is Changing
2009, John Overdurf
All You Are Is Change is All You Are Is Changing All You Are Is Change All You Are is Changing
6
Inclusion
Expand Frame
On-going processing
Denominalize
Assimilation Accommodation
(Deductive Processing) (Inductive Processing)
Nominalization/
Abstraction:
Conflict Old
Belief New
Nominalization
Value Nominalization/Abstraction
State and/or
etc. New Complex Equivalence
REALITY
What we get back.
How we measure it.
How we experience the result.
What is "Really" the Reality the Observer Creates? © Copyright, 2008, John Overdur
9
Ellen Langer's Mindfulness Model Adapted
3. Re-wiring the brain to what is most adaptive for our current situation.
4. Creating a priming effect to more easily find what is new and different.
Ellen Langer's Mindfulness Model Adapted © Copyright 2011, John Ovedurf
10
The Quantum Zeno Effect:
aka "A Watched Pot Never Boils!
Any system observed in a sufficiently rapid and repetitive fashion will reduce the
rate that the system changes occur.
In 2005, Stapp and Schwartz applied the Quantum Zeno Effect to mental experience.
Self directed neuro-plasticity of the brain - rapid, repeated observations not only stabilize
transient chemical links but eventually can alter physical changes in the brain's structure.
Unconsciously
Unconsciously
The Quantum Zeno Effect:aka "A Watched Pot Never Boils! © Copyright 2007, John Overdurf
Attention Shifting Coaching Model: Mind, Brain and Hemispheres11
Your mind is using your brain to create itself!
MIND
(Non-Physical)
"Objects/Events Awareness
of the brain" Consciousness
Biochemistry Intention
Physiology Attention
Brain
Dominant Hemisphere (an organ of the body) Sub-Dominant Hemisphere
Labeling Sensing
Serial Processing Parallel Processing
Attention Shifting Coaching: MInd, Brain and Hemispheres © Copyright, 2010, 2011, John Overdurf
12
Is Memory More Like...
a Blender Running
a Filing Cabinet With the Lid off?
OR
Signals from different sensory sources are registered in separate brain areas.
Eg. Reading
This means that when a memory is retrieved (revivified) it becomes "plastic," making it
susceptible to alterations created by the current context.
Current
New
Plastic
Rep
Rep
Re-Consolidation
Dominant Sub-Dominant
Hemispheric Hemispheric
Functioning* Functioning*
New
Everything else that's Rep
Everything else that's primary
related to formalims
experience, patterns and wholeness
and language you're not Old you're not paying attention to
paying attention to
Rep in the forever now.
Long Term Memory
Serial processing
Secondary experience Parallel processing
Unconscious Awareness Primary experience
Past and future
Everything else you are not Sense
Distinctions/separateness
paying attention to consciously Present/Now
Creates relationships
between me and not me Patterns/wholeness
Experience all as one
Re-Consolidation © Copyright 2010, John Overdurf
14
Bringing the Coaching into Now
The only "time and place" where change can occur is now.
Past- Future-
Oriented Oriented
Construction construction
NOW
Current Sensory and/or Cognitive Awareness
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
CHANGE
Each time you bring the client and the coaching relationship into now you:
ATTENTION-SHIFTING COACHING
&
DIRECTIONALIZED AMBIGUITY
The Basic Principles of Attention-Shifting Coaching 16
1. BASIC BELIEFS:
5, ATTENTION-SHIFTING FORMULA
Change one or more of the above variables and a different result will occur.
6. UNIVERSAL EQUATION
Change one or more of the above variables and a different result will occur.
Basic Principles of Attention-Shifting Coaching © Copyright 2010, 2012John Overdurf
Applying the Universal Formula to Attention Shifting Coaching Model 17
Below is the universal formula for creation. Every form exists as a result of these four coordinates.
Changing one or more of these elements will result in a different manifestation.
Time + Space
+ Matter
+ Energy
= Manifestation
Below is the basic model for how to "ASC" questions to shift one's experience. Changing one or more
of the first three elements will change the result and when combining all of the possible time, space, matter,
energy coordinates the combinations are virtually infinite. Working on this level will usually create fairly
significant formal trances because the work is being done at the level of attention.
Applying the Universal Formula to Attention Shifting Coaching Model © Copyright 2008, 2010 John Ovedurf
The Basic Principles of Attention-Shifting Coaching in Action 18
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
Now
CHANGE
1. Associate 2. Redirect Attention 3. Associate to
Problem State Dissociate from Resource State
Problem State
What are you experiencing NOW?
Activate increased
What are you noticing, NOW?
Sub-Dominant
What are you seeing, NOW?
Hemispheric
What are you hearing, NOW?
Functioning
1st interation
What are you feeling, NOW?
What are you thinking, NOW?
What's happening, NOW?
2nd interation
3rd interation
Re-consolidation
Re-consolidation
Re-consolidation
The Basic Principles of Attention-Shifting Coaching in Action © Copyright 2010,2011 John Overdurf
19
The Use of "Not"
To "not" or not to "not"...that is the question.
The reason why "nots" can have the effect that they do is because they exist only in
language as a form of abstraction and are not sensory based. "Not" is a basic symbol in
Predicate Calculus/Logic.
Two negatives do not cancel out and make a positive in experience - only in first order logic!
This is a flaw of Aristotelean logic, based on the principle of "this or that" - exclusive "or."
Non Aristotelean is based on principle of "this and not this" which creates more three
dimensional inclusion.
Not safe
Safe
Unsafe
Not known
Known
Unknown
Not, not known
Not unknown
But aside from that what's not unknown that you're not thinking about now?
and Beyond that... what's not unknown that you weren't thinking about until now?
This is a basic construction using the double "not" pattern to shift identity.
Remember, the double not is not just about creating "confusion," it also
transforms a dichotomy into a continuum.
Now consider what happens when you include spatial prepositions, temporal
predicates and quantifiers.
Space
The reality strategy is like the legs of a table or the moorings on a ship: they create form
and maintain stability. It is the "proof" or "evidence" our mind uses to create and maintain
a form.
Most of the time, the formation of a reality strategy is unconscious, often a function of more
or less associations from contiguity of time and space.
Therefore, they may go un-evaluated, may generalize and become foundational elements
to forms we perceive as being real whether it is a construction we call "a problem,"
"a resource," "an Identity," "relationship," etc.
What
<VAKOG>Ad Where
Boundary When it is not?
How
Why
<VAKOG>Ad
<VAKOG>Ad
What
Form
Where and/or
When it is? Nominalization
How
Why
<VAKOG>Ad
At this point you are using the same Aristotelian constructions that created it to transform it.
The idea is to find out what is the boundary between a particular form and what it is not.
When you know what the boundaries and what is stabilizing
them you can then use ASC to loosen them.
To loosen a model, start with the nominalization then ask, "How do you know?"
Ultimately the idea is to back up the process into you are in direct experience
or speechlessness/Void. . At this point true choice is available to change
the "original" nominalized form.
Loosening Reality Strategies © Copyright 2009 John Overdurf
22
De-nominalizing and Including Exercise
This is just one example of a line of questioning to help shift attention to open
up neural networks through de-nominalizing the issue and expanding
attention to include more.
(What are you focusing on that makes it seem the issue is not changing
in the way you want?)
3. What have you not been paying attention to, that is not the problem...
that is changing the way you want?
4. As you are considering (response to #3) how are you feeling now?
.....and what are you noticing now?
5. As you are feeling (response from #4) and noticing what you are noticing.
what happens when you think about that problem now?
De-nominalizing and Including Exercise © Copyright 2012 John Overdurf
23
Attention-Splitting
Often the "problem" would be associated with the "conscious mind" since it
was the more limited of the two minds. The unconscious mind was the
reservoir of resources.
The key feature, however, is not in the use of the terms/concepts of "conscious"
and "unconscious" but rather the use of dissociation - or the splitting of attention.
Below are a few examples to get you thinking. There are lots more.
Split-Attention
Conscious Unconscious
Awareness, attention Brain- implicit learning/memory
This approach uses presuppositions of awareness, negation and the deductive use of "NOW" to shift attention
Below are the basic questions where you can shift rep. systems. Rather than staying in the same rep. system
for each pair of questions, shift to a different one each time to increase the likelihood of trance development.
Conscious/Foreground Unconscious/Background
Voice tone/locus #1 Voice tone/locus # 2
What are you experiencing, now? What have you not been experiencing,
that you are now?
What are you seeing, now? What have you not been seeing, that you
can now?
What are you hearing, now? What have you not been hearing, that you
can now?
What are you feeling, now? What have you not been feeling, that you
are now?
What are you thinking, now? What have you not been thinking, that you
are now?
What are you considering, now? What have you not been considering, that
you can now?
Attention Shifting Coaching Model: Conversational Trance "Induction" By Simple Attention Shifting 3.0 © Copyright 2011John Overdurf
25
All You
WaveAre Synthesis
Is Change Alland You Are Is Change
Source All You Are and
of Attention Is Change All You Are
Perspective
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Where do you put your attention?
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
From what
Is Change All You Are Is Change All source
You AreorIsperspective?
Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
How does that change your experience... of change?
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
There
Is Change AllisYou
an Are
infinite numberAll
Is Change of You
perspectives to anyAll
Are Is Change one experience!
You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
All You Are Is Change All You Are Is Change All You Are Is Change All You Are
Is Change All You Are Is Change All You Are Is Change All You Are Is Change
Wave Synthesis and Source of Attention and Perspective ©!Copyright 2008, John Overdurf
26
Shifting Attention Using Spatial Prepositions
Effecting Location, Point of View and Distance
Beyond
About
Above
Up
Over
On top of
Away That Far
Through
apart among
In together
inside
Left Right
Aside Here This Beside
Toward
between Near
against
Across
opposite
long In back of
In front of
Behind
Below Ahead of
Down out
There outside
Under
Beneath
Shifting Attention Using Spatial Prepositions Effecting Location, Point of View and Distance © Copyright 2008, John Overdurf
27
Chaining Quantifiers to Shift Scope of Attention
in Directionalized Ambiguity
Now the same pattern but shifting reality coordinates more consistently. Note
that the end of the sequence stays with How (energy) questions.
Time
+ Space
+ Matter
+ Energy
= Manifestation
Where have you been feeling some of that... some of the time?
How are you feeling just some of the this?... some of the time?
What are you feeling, now? ...what have you not been hearing, that you
That
can now?
What are you thinking, now?
...what have you not been feeling, that you
What are you considering, now? Through are now?
Not Knowing,
New Resource State Confusion
"
What's it like ...?" "That's right, you are...
How is your body
feeling?"
Problem
Construction
New Feeling
on
Higher Logical Level
3.You're confused
Increased and
Dissociation your body is feeling
(client's words),
Utilizing Confusion and Not Know to Create Resource States © Copyright 2010, John Overdurf
Linguistic Alchemy: 31
Elements of Construction:
Analogically Marked-Out Words
Reality Outcome/
Present State
Strategy Resource State
Words
Words Words
Ask as a question
Ambiguity Spatial Predicates Temporal Shifts Negation Quantification
*Phonological Not Every, All
*Punctuational Not, not Most
*Syntactic tag questions Some, Few
*Scope Only, Just
None
Self-Referencing Reverse syntax
Ecology:
Only do in the presence of rapport
Use judiciously
Don't help client process the question.
Give adequate time for processing.
Ask: "What's happening, now?"
Linguistic Alchemy: Constructing Directionalized Ambiguity Patterns ©Copyright 2005, 2009 2012John Overdurf
32
Even if you think you are not "doing hypnotherapy" all the phenomena are still present.
Ratification
"What's happening now?"
conscious recognition that change
has taken place.
This is a chunk down in logical levels of abstraction, but will easily translate into a
more abstract concept that can be directionalized to other logical types then applied
back to the original problem context. This can be done as a thought process done by
the coach to design a linguistic intervention or can be asked directly to the client.
In most cases when you find the hidden ability you automatically set up paradox and
therapeutic double-binds.
Problem Outcome
State
When you have found the hidden ability you can do the same thing as you
would any other base elements of the problem such as:
Reframe the PS
Re-organize personal history
Re-direct toward outcome
Re-direct it back on the PS
Discovering the Gold in Lead: Finding the Hidden Abilities of the Problem © Copyright 2010, John Overdurf
38
Linguistic Alchemy
The "Oh, You Must Be Good at This" Game:
Utilizing the Hidden Abilities
This is a fun game that teaches us how to think differently about limitations. It
sets-up opportunities to transform all or part of an limitation into something else
which is more useful. You can use just one element or use number of them
to create a new result. The more elements you use, the more new neural
networks are activated which will make it more difficult to re-create the form of
the limitation.
Chunk-down
Hidden Abilities
New Context
"Oh, you must be good at........."
Re-contextualize:
Where have you used this (HA) and it worked really well for you?
Re-directionalize:
Outcome
IR
-Use of Overlap C
of to this C
PC IR
to transform of
PC
In most cases, you are transitioning from a K to V or At, but the idea
is to move the problem from the one it is currently in to a different one
then re-integrate the result back into the original rep system.
2. Dissociation between Observer "Self" and self which had the problem
and the K of the problem
Time Space Matter Energy
Observer
Self Self
Image
3. Shifting of Base Elements
IR of
PC
SMD's and fractals and their opposites
eg. "dark" >>>>>>>>"light"
PC: "Frustrated" with husband's X ESE: Free can move and choose
"unfair"
"complicated"
" making a mess of everything"
dark stuck (didn't get shape)
2. floating, moving
Observer Self Free to move all around square
Current
Awarness
Self
Image 3. spontaneous shift
Re-contextualization of IR of PC
formerly frustration
chess game chessboard.
"not significant"
I"t has it's place"
chess is complicated game
which I don't know, but
everything important is moving
over the board."
Synesthesia Splitter Case Example:"I don't know were to put it..." © Copyright 2012, John Overdurf
Synesthesia Splitter Case Example: 41
Listening to Myself
PC: Tension..turmoil" ESE: "Want to look after myself"
"stress out eating sweets and drinking "listen to myself"
huge amounts of coke--shakes, sick" calm...excited...TOGETHER
Daughter very sick in ER night before
Husband very sick in hospital for 2 weeks now home
Dark mess
1. Coach: lighten up
JO: That's right (did "not knowing" pattern) like a swarm"
the swarm
JO: How do you know you'll be OK?
C; Deep sigh ... "light on wide horizon
it's just easy"
JO: that's right.. and your body knows, doesn't it?
C; I can listen to my body."
Synesthesia Splitter Case Example: Listening to Myself © Copyright 2012, John Overdurf
42
The Synesthesia Splitter
3. As an Observer, see dissociated self image separate from dissociated IR for problem
and ask "What's happening, now?" Chunk down to get SMD's.
Self
Below is just one variation. There are many others, once you have done the first three steps
Image First Level it, that
Dissociation
4. Elicit ESE and/or anchor other resources out there
"How would you be if that were no longer an issue in your life?
What do you have with all of what you have now, s/he doesn't, that if s/he had it would make it IR
of
no longer an ssue in his/her life? PC
still
As you're feeling all of ESE...notice..."What's happening,now? ..How is your body feeling now? small
ADDENDUM:
44
The Neurological Basis of State Control:
Overcoming the Negativity Bias
Inherent in the vertical organization of the brain as well as the development of
the vagus nerve is a "Negativity Bias." This is very well documented and well
agreed upon by researchers.
In other words, if we didn't find the berries we were looking for one day, we might
be hungry, but we live to search another day. If we didn't pay attention to possible
threats, whether we get berries becomes a moot point!
The challenge is, in today's world, our brain can still respond to a nasty look,
or bad tonality as if it's a threat to our survival, so a little training is in order!
However, because we sculpt our brains, through our attention and experience
there are ways to create circuits that are as muscular as the fear/worry
circuitry.
Conscious Attention-Shifting
using executive functions to
modulate amygdala activity.
Pre-frontal Cortex (not reacting to initial reaction)
executive functions "It's just my symptoms"
purpose-intent
Most of the elements below are designed to transform fear and other sympathetic
states - which are usually at least a part of most presenting issues.
The idea here is to use levers that effect the lower centers of the brain to short-
circuit the biochemistry of fear.
There are a number of other maneuvers, but these are some of the easiest ones
to use with a little bit of practice.
Jaw Drop
Stimulates vagus nerve to shift breathing
undoes freezing response
Relax Tongue
Stimulates satiation response - parasympathetic nervous
system
PRESENT STATE
•Typically the client will first give you the state and/or the behavior.
•Use this to identify one context.
•Use the context to revivify the PS Strategy to elicit the Trigger
and/or Synesthesia.
OUTCOME STATE
Context
POSITIVELY STATED
CONSTRUCTED ACCESS
Present State - Outcome State Criteria © Copyright 2001, 2006, John Overdurf
HNLP Coaching: 47
Associate to Problem State Dissociate from Problem State... Associate to Resource State(s)
What do you want to work through? What's it like when you're _______?
When do you________?
That's the way you've been...
How do you want to be different?
HNLP Coaching: Basic Conversational Change Model © Copyright 2006, 2009 John Overdurf
48
“To Not or Not to Not”...that is the Question...
Would You Not Agree?
There are a number of uses for employing the mysterious power of not.” Some are
well-known and some are less known. Generally, they all work in the process of making
suggestions, to create a “yes” set or to facilitate agreement to follow through with a
proposal.
In the case of Attention-Shifting Coaching, there is another powerful use with many
variations, which you may have not considered.
1. Do not think of a purple tree. Youʼve all heard that one, have you not? The oleʼ
“the unconscious canʼt not think about what it doesnʼt want to think without thinking
about it first.” This is based on Gregory Batesonʼs work in Steps to Ecology of the Mind
on primary process as it is observed in nature with animals.
Linguistically though, what really drives this effect is not the “not,” but presuppositions
of awareness. Generally speaking, although it is effected a lot by how you deliver this
construction, a presupposition of awareness directs the listenerʼs attention to what
follows it in a sentence. They are a one-stop pace and lead construction. : )
These also can set up embedded commands if shift your voice in some way.
Perhaps youʼre thinking about learning some cool new things in TCU.
You might be considering you can do this construction too!
Perhaps youʼre not thinking about learning some cool new things in TCU.
You attention goes to the same place.
2. Use of “not” or negation for “polarity” responses, clients who rigidly sort for
difference while having an external frame, or those who mismatch themselves in the
same way. In everyday life this is what people refer to as “reverse psychology.”
This maneuver comes directly from Erickson. His explanation is when you include the
“not” it “takes it away” from the listener. By giving the person the proposal of “X or not”
you have defined the field, but they have nothing to respond “against.” His take was it
frees the unconscious mind to choice what it really wants rather than just automatically
doing the opposite.
To Not or Not to Not, that is the Question...Would You Not Agree? © Copyright 2012 John Overdurf
49
Future > present You may find yourself agreeing... are you not.
Future > past: You may find yourself agreeing... have you not.
*A little tip is to match the intensity with how you deliver the negation to how much the
client is mismatching.
b. Use of contractions or tag questions. The purpose is the same, just a bit
smoother, but be careful if you are doing big tense changes, as it can come across as
being less than earnest.
Future > present: You may find yourself agreeing, arenʼt you.
Future > past: You may find yourself agreeing, havenʼt you.
c. Spurious not is special class created by positioning the “not” the earlier in the
syntax before the request, rather than at the end of the sentence.
Would you not agree that “nots” are useful? This can often create mild confusion which
can result in conscious awareness wanting to grab hold of the next clear representation.
The most subtle and one which tends to be most effective from my experience and will
be one of the moves that is highlighted in the video example weʼre using for class.
To Not or Not to Not, that is the Question...Would You Not Agree? © Copyright 2012 John Overdurf
50
This effect can be mediated by the degree of use of quantification, spatial prepositions,
other hot words, and self-referencing constructions and many others you may not be
searching for right now.
Simplest and most general: What is not (problem), that you havenʼt been noticing?
Attention shift of rep system: What werenʼt you seeing that you can now?
As you are seeing what you are right now, what were you not hearing ...that you can
now?
Adding quantification: What is everything you werenʼt seeing... that you can now?
Quantification can mediate how much open or limited the field is. more on all this
later.: )
4. The “double not” pattern. More on this “the use of Not or Not” in the manual.
To Not or Not to Not, that is the Question...Would You Not Agree? © Copyright 2012 John Overdurf
51
Self-referencing Patterns to Create Induction & Accommodation
Apply meaning
use of negation
back on to
use of "about"
referent
Referent:
Word
and/or
Process
J: Just as it is right now, even if you still have this feeling, what is the issue right now,
that you'd like to work through, as you understand it right now?
S: I think that because of the way that I've been in the past, or had to be, at least over
the last few years, I don't think that I am the fun person that I used to be… and I guess I
feel that I've got... just that little bit of anxiety all the time, that's following me around
J: Ok. Ok. So, and you said over the last few years.
S: Yeah, I think, I've been thinking about it, like you suggested over the last couple of
days. And I think it's something to do with, having to... have that control over me and
how I felt at the time, because it was my decision…. um, so that, um, it was when I left
my husband. And I left him and the children, who were grown up, they were sort of, the
youngest was sort of 18 at the time, but I didn't expect them to feel that I had left them
at all, but they did… so I felt that my husband needed everyone around him at the time,
to help him, because it was my decision… I just had to do whatever I had to do to look
after me, and the best way to do that…
J: Well hold… It sounds like you were looking after them, to the extent that you realized
that they all needed to be around him.
J: It was the fair thing to do. And so you weren't just looking after you
S: No
J: I just want you to consider that for a moment. It was the fair thing to do, and it was a
very gutsy thing to do. It's a gutsy thing to leave, in the first place. It is, would you not
agree?
S: Yeah
J: But it was something, obviously you made the decision… yeah it was something you
had to do
Demonstration of Untying the Not Deserving kNOT with Sally and John © Copyright 2012, John Overdurf
53
J: So then since that time, you're saying you don't think that… and so, at that time you
had to be a certain way
S: You had to be controlled, and look after yourself, and not share the sort of stuff that
you would probably share with people … and that Mike was probably sharing with the
children and all of our friends at the time
S: Yeah, because there are elements of that still left with the children particularly
(Moves head back and forth, left to right with brow furrowed, thinking and not sure
as she is still doing this...)
J: You should be (laughs) Well you haven't had any fun with that, have you
S: Yeah
To group: So now did you see the unconscious response to that question was (eyes up
right, head nodding)
J to client: You don't have to believe me, you can believe yourself. It works better that
way.
Demonstration of Untying the Not Deserving kNOT with Sally and John © Copyright 2012, John Overdurf
54
So as it is right now, you feel as though you haven't really been letting yourself feel
things
J: Yeah, I don't know! That was very good! You're not so sure about that, are you?
That's, I'm really serious, I want you to really think about that for a moment. I'm really
serious. Just take, don't worry about any of this stuff (points away to group?) Is it really,
it is really easier... at this point?
S: No it's not easier, but it's um, I almost feel that I don't deserve to have the fun
J: You don't deserve to have the fun….. (pause)... do you NOT deserve that belief?
S: Which one?
S: That's why it's nice to be in control, because you don't have that confusion, you can
see things clearly
J: Oh, yeah, and it looked like the confusion here was really uncomfortable... And a lot
of hard work! (joking)….
(Both laughing)
S: Um...I was thinking that maybe I didn't.... deserve... to have fun (voice trailing off)
(lapses and looks over at J with mouth open)
J: We're really working at it now, aren't we… you THINK, that, it had something to do...
that you don't deserve, that you don't deserve to have fun.
S: Yes
S: Yes (confused)
S: Yes, everybody deserves to have fun…. ( deep breath while laughing..)..EVEN ME!
(laughs)
J: (To audience) Did something change there, or was it just me... or you (pointing to
Sally)….. (To Audience) Did you guys notice what just happened there?
S: Warm
S: Yes (warmly)
Demonstration of Untying the Not Deserving kNOT with Sally and John © Copyright 2012, John Overdurf