CONJUGAL SCAM 2023

Scene 1, Long Shot Scene 2, PAN, POV, OTS

EXT. CHICKEN INN PARKING LOT. DAY INT. CHICKEN INN. DAY
NANDWA AND MORAA WALK TO RESTAURANT NANDWA AND MORAA INSIDE RESTAURANT

Scene 3, Wide Angle Shot Scene 4, Close Up, POV, OTS

INT. CAR. EVENING EXT. NANDWA’S APARTMENT PARKING LOT. DAY
NANDWA AND MORAA DRIVE HOME. NANDWA AND MORAA ARRIVE BY CAR TO THERE
HOME PARKING LOT
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Scene 5, Tracking Shot Scene 6, Close Up ,OTS

INT. NANDWA’S HOUSE. DAY EXT. JOMO BUSINESS STREET. DAY
MORAA STORMS OFF TO HER ROOM NADWA DRIVES IN HIS CAR

Scene 7, Wide Angle Shot Scene 8, Close Up, PAN

EXT STREET CORNER DAY INT.CAR DAY
DETECTIVE ON HIS PHONE NANDWA AND MORAA IN THERE CAR.
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Scene 9, PAN Shot Scene 10, Low Angle Back Shot

INT. CAR EXT. SLUM, PATHWAY - DAY
NANDWA AND MORRA IN CAR NANDWA ON HIS NANDWA AND MORAA FOLLOWING A MAN THROUGH
PHONE A NARROW PATHLEADING TO A SHACK.

Scene 11, Wide Angle Shot Scene 12, Close Up, OTS

EXT. SLUM - DAY. INT. SIAN’S SHANTY HOUSE. DAY
NANDWA , THE DETECTIVE AND MORAA WALK IN THE NANDWA , MORAA ENTER THE SHANTY HOUSE , TO
SLUM. TO NJERIS HOUSE FIND SIAN.

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Scene 13, close up, pan, ots Shot Scene 14, Low Angle Back Shot
EXT. SHANTY SLUM. DAY INT. HOSPITAL WARD. DAY
DETECTIVE SMOKING A CIGARETTE AS NANDWA AND NANDWA AND MORAA BRING SIAN FLOWERS IN THE
MORAA EXIT THE SHANTY HOUSE HOSPITALL.

Scene 15, Wide Angle Shot Scene 16, Close Up, PAN

INT. DINNER RECEPTION. DAY INT. HOSPITAL. DAY
NANDWA AND SIAN HAVE A ROMANTIC DINNER. SIAN GETS AN ULTRASOUND NANDWA IS BY HER SIDE.

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Scene 17, Tracking Shot Scene 18, Low Angle Shot, POV

INT. HOSPITAL. DAY INT. MATERNITY WARD. DAY
NANDWA WEARS SCRUBS FOLLOWS THE DOCTORS SIAN GIVES BIRTH WITH NANDWA HOLDING HER
AND SIAN TO THE MATERNITY WARD HAND .

Scene 19, Wide Angle Shot Scene 20, TRACKING, PAN

INT. NANDWA ́S HOUSE. DAY INT. SUPERMARKET. NIGHT
NANDWA , SIAN AND MORAA (8YRS_) HAVE NANDWA , SIAN AND MORAA AT THE SUPERMARKET.
BREAKFAST.
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Scene 21, Long Shot Scene 22, Low Angle Back Shot

EXT. SUPERMARKET. NIGHT INT. NANDWA’S HOUSE. NIGHT
NANDWA AND SIAN ARGUE WITH MORAA WATCHING SIAN TALKS ON PHONE
HELPLESS

Scene 23, Wide Angle Shot Scene 24, Close Up, PAN

EXT. RESTAURANT. DAY INT. RESTAURANT. DAY
SAIN EXITS CAR AT RESTARUANT PARKING SIAN HAS LUNCH WITH RUGANO AT RESTAURANT
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Scene 25, Long Shot / Pan Scene 26, Low Angle Back Shot ots
EXT. RESTAURANT. DAY INT.NANDWA’S HOUSE.DAY
RUGANO WALKS SIAN TO HER CAB NANDWA MAKES BREAKFAST FOR MORAA

Scene 27, Wide Angle Shot Scene 28, Close Up

EXT. RESTAURANT. DAY INT. NANDWA ́S HOUSE NIGHT
SIAN AND RUGANO FLIRT WHILE WAITING FOR A CAB NANDWA AT HIS HOUSE AS SIAN WALKS IN , MORAA IS
HAPPY YO SEE HER MOM.
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Scene 29, TRACKING, PAN , POV Scene 30, Low Angle Shot-TRACKING

INT. RUGANO’S BEDROOM. MORNING EXT. ESTATE AREA. DAY
RUGANO SERVES SIAN BREAKFAST IN BED RUGANO AND SIAN WALK AROUND THE ESTATE

Scene 31, Wide Angle Shot Scene 32, Close Up

EXT. RESTAURANT NIGHT INT. RESTAURANT. NIGHT
RUGANO AND SIAN WALK ACROSS A PATHWAY RUGANO AND SIAN ENJOY A ROMANTIC DINNER
THROUGH TO THE RESTAURANT

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Scene 33, PAN, CLOSE UP Shot Scene 34, Low Angle Back Shot
INT. RUGANO’S KITCHEN. MORNING EXT. RUGANO’S GATE. MID MORNING
SIAN PREPARES BREAKFAST SIAN ENTER CAB AND WAVES AT RUGANO

Scene 34, Wide Angle Shot Scene 35, Close Up LOW ANGLE

INT. NANDWA’S HOUSE.EVENING TRACK
NANDWA AND SIAN HAVING DINNER AS SIAN WALKS EXT. HOUSE- DAY
IN SIAN WALKS OUT OF THE GATE
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Scene 36, Long Shot Scene 37, Low Angle Back Shot

INT. SUPERMARKET - DAY. INT.HOTEL DAY
SIAN GOES SHOPPING SAIN AND RUGANO MEET AT HOTEL, HE HAS
FLOWERS FOR HER.

Scene 38, Wide Angle Shot Scene 39, Close Up

EXT. HOTEL PARKING LOT -NIGHT INT. CAR - NIGHT
SIAN IS SURPRISED WITH A NEW CAR SIAN TEST DRIVES HER CAR
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Scene 40, PAN Scene 41, Low Angle Back Shot

EXT. MARKET DAY EXT. HOUSE DAY
SIAN AT THE MARKET SAIN TAKES RUGANO TO MEET HER FAKE FATHER

Scene 42, Wide Angle Shot Scene 43, LONG SHOT, PAN

EXT. CLUB NIGHT EXT. RUGANO ́S APARTMENT DRIVEWAY DAY
SIAN AND FREIND AT CLUB SIAN IN RUGANOS DRIVE WAY
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Scene 44, TRACKING Scene 45, Low Angle PAN

EXT. NANDWA ́S HOME DAY INT. CAR - DAY
SIAN DRIVES HOME SIAN PARKS THE CAR AND ALIGHTS FROM THE CAR

Scene 46, Wide Angle Shot Scene 47, Close Up, PAN

INT. NANDWA ́S HOUSE DAY INT. NANDWA ́S HOUSE DAY
MORAA IN HER ROOM NANDWA SEATED ON HIS COUCH SIAN WALKS IN AND

HUGS HIM FROM BEHIND.
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Scene 48, POV OTS, CLOSE UP Scene 49, Low Angle Back Shot
INT.NANDWA’S BEDROOOM DAY INT.NANDWA’S LIVING ROOM DAY
NANDWA IN HIS ROOM NANDWA CONFRONTS SIAN

Scene 50, Wide Angle Shot Scene 51, MEDIUM

INT. NANDWA’S DINING ROOM DAY INT. NANDWA’S DINING ROOM DAY
NADWA AND SIAN CONTINUE ARGUING

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Scene 52, OTS, PAN Scene 53, PAN

EXT. NANDWA’S COMPOUND DAY EXT. OUTSIDE MORAA’S SCHOOL GATE DAY
NANDWA HELPS MORAA GET INTO THE CAR NANDWA SEES HIS NEIGHBOR WALKING,

APPROACHING HER.

Scene 54, Wide Angle Shot Scene 55, Close Up

INT. INSIDE THE HOUSE. DAY INT. NANDWA’S BEDROOM
NANDWA ARRIVES HOME TO AN ANGRY SIAN SIAN PACKS HER MONEY AND CREDIT CARDS
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Scene 56, Long Shot Scene 57, Low Angle Shot

INT. NANDWA’S LIVING ROOM DAY INT. KEVIN LIVING ROOM DAY
SIAN AND NANDWA ARGUE KEVIN CALLS AND FLIRTS WITH SIAN

Scene 58, Close Up, PAN Scene 59,  PAN

INT. NANDWA’S LIVING ROOM DAY EXT. MORAA’S SCHOOL PARKING LOT DAY
SAIN TALKS TO KEVIN MOORA WAVES TO HER DAD

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Scene 60, PAN OTS, POV Scene 61, Low Angle Back Shot
INT. NANDWA’S LIVING ROOM DAY INT. SIAN’S CAR -DAY
SIAN WATCHES NANDWA FROM THE WINDOW SAIN AND NANDWA DRIVE TO THE BUS STATION

Scene 62, Wide Angle Shot Scene 63, TRACKING

INT. BAR. DAY EXT. BUS STATION DAY
RUGANO AND FREINDS AT BAR NANDWA DROPS SIAN AT THE BUS STOP
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Scene 64, PAN Shot, MEDIUM Scene 65, Low Angle Back Shot
INT. BUS DAY EXT. BAR. DAY
SIAN INSIDE BUS RUGANO GETS A CALL AS HE LEAVES THE BAR.

Scene 66, POV Scene 67, Close Up

INT. SIANS CAR / NANDWAS CAB EXT.RUGANO’S HOUSE.DAY
NANDWA PICKS RUGANO UP. RUGANO ,SIAN AND NANDWA HAVE A
CONFRONTATION
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Scene 68, PAN, OTS Scene 69, Low Angle Back Shot

INT.RUGANO’S HOUSE.DAY INT. SUPERMARKET. DAY
RUGANO AND SIAN CONTINUE TO ARGUE SIAN HAS TROUBLE AT CHECKOUT

Scene 70, Wide Angle LONG Shot Scene 71, Close Up

EXT. RUGANOS ESTATE DAY EXT: KEVIN’S HOUSE.DAY
SIAN DRIVIGN ARRIVES AT RUGANOS GATE SIAN AT KEVINS DOOR STEP
 CONJUGAL SCAM 2023

Scene 72, Long Shot Scene 73, Low Angle Back Shot

EXT: PARKING AT THE GATE. DAY EXT. PARKING AT THE GATE - LATER.
SIAN FINDS POLICE FACING CAR. SIAN IS COMFORTED BY HER FRIEND NJERI

Scene 74, Wide Angle Shot Scene 75, Close Up. Long Shot

INT.NJERI‘S HOUSE EXT. PROSTITUTE SITE NIGHT
SAIN AND NJERI ARGUE SIAN IS DRESSED PROVOCATIVLY.
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Scene 76, Long Shot Scene 77, PAN

INT. CAR NIGHT EXT. NJERI ́S APARTMENT NIGHT
SAIN WITH HER CLIENTS SIAN LEAVES THE CAR AND WALKS TO NJERIS HOUSE

Scene 78, Wide Angle Shot Scene 79, Close Up , OTS

INT.NJERI‘S HOUSE INT. DETECTIVE’S OFFICE PRESENT DAY
SAIN IN NJERIS MESSY HOUSE NANDWA MEETS THE DETECTIVE.

 CONJUGAL SCAM 2023

Scene 80, DRONE Shot Scene 81, POV OTS

EXT. SLUMS. DAY INT CAR.
CAR DRIVES THROUGH SLUMS NADWA AND MORAA DRIVE THROUGH THE SLUMS

Scene 82, Wide Angle Shot Scene 83, Close Up

INT.NJERI’S HOUSE.DAY INT. HOSPITAL. DAY
NJERI AND SIAN IN THE HOUSE MORAA AND SIAN AT THE HOSPITAL

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Scene 84, CLOSE UP, WIDE PAN Scene 85, Low Angle Back Shot
INT NJERI ́S ROOM DAY INT. NANDWA’S HOUSE DAY
NJERI PACKS A BAG NANDWA AND MORAA BRING SIAN HOME.

Scene 86, Wide Angle Shot, CLOSE Scene 87, DRONE SHOT

UP EXT NADWAS HOUSE
EXT. NANDWA ́S HOME GATE DAY CUT AWAY
SIAN IS CRYING AS MORAA ́S HUGS
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Scene 88, CLOSE UP Scene 89, PAN, OTS

INT. SIANS ROOM DAY INT. NANDWA ́S OFICE DESK DAY
SIAN IN HER ROOM NANDWA IS SEATED IN HIS OFFICE DESK

Scene 90,CLOSE UP PAN Scene 91, Low Angle Side Shot

EXT. STREET DAY EXT. NANDWA ́S HOME DAY
NANDWA WALKS OUT OF THE OFFICE AND BUYS NANDWA KNOCKS ON HIS FRONT DOOR
FLOWERS

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Scene 92, Long Shot Scene 93, Low Angle SIDE Shot

INT. SIANS ROOM. DAY INT. NANDWAS BEDROOM
SIAN RECORDS A MESSAGE SIANS IS SEEN ON THE BALCONY

Scene 94, Wide Angle UP Shot Scene 95, Close Up

EXT . SIAN IS SEEN FROM THE GROUND OUTSIDE ON NANDWA AND HIS NEW FAMILY VISIT SIANS GRAVE
THE BALCONY