1.

1 INT. A DARK CAR THAT IS TRAVELING DOWN THE ROAD. THERE ARE 1
INTERMITTENT STREET LIGHTS THAT ILLUMINATE TYHE INSIDE OF
THE CAR. HOWEVER THEY ARE DIM. THERE IS A DRIVER IN THE
FRONT SEAT AND THE MAIN CHARACTER IS SAT IN THE BACK OF THE
CAR. THERE IS A RADIO PLAYING MUSIC AT A LOW VOLUME.

the woman is sat slumped against the door of the car

looking out the window. she is humming along to the music
that is coming out of the radio.

the driver is driving the car while facing forward with

their eyes on the road. the driver is also humming along
with the music. they are also tapping with their thumb on
the steering wheel to the beat of the music.

Her face is illuminated intermittently by the passing

streetlights.

RADIO PRESENTER
BREAKING NEWS (interrupting the
music)

the driver reaches over to the radio and turns up the

volume on the radio with 2 fingers. the driver keeps
looking at the road ahead while doing this.

RADIO PRESENTER

Another woman has been abducted from her home last

night. No traces have been found.

Hannah moves her body up from the car window and begins to
listen closely.

RADIO PRESENTER
This is the 15th young woman to go
missing this past month. We warn
everyone to stay vigilant and be
careful. Remember to lock your
windows and doors. We still do not
know who is taking these young
women, where they’re taking them
and if they’re alive or dead.
report anything suspicious you see
to the police.

The driver looks up at their rear view mirror making eye

contact with Hannah.

DRIVER
 2.

you better be careful, whoever's

doing this sounds fucking scary.

Hannah looks back at the driver

HANNAH
Yeah, its terrifying, I mean who
would do such a thing to all those
people?

DRIVER
someone who lacks all human
compassion for those women and
their families.

HANNAH
Hopefully they catch whoever it is
soon.

DRIVER
I hope they do too. Anyway, here is
your stop.

the driver pulls up to the side of the road outside a block

of apartments.

Hannah gathers her things and shuffles over to the other

side of the car to exit the car on the side that is facing
the curb.

2 EXT. IT IS DARK. THE SKY IS CLEAR AND YOU CAN SEE ALL OF 2
THE STARS. THE SOUROUNDINGS ARE LIT UP BY THE MOONLIGHT
WITH A WHITISH BLUE LIGHT ILLUMINATING THE GROUND. THERE IS
A LARGE APPARTMENT BUILDING THAT HANNAH LIVES IN. THERE ARE
FEW SOUROUNDING STREETLIGHT AND A FEW CARS PARKED UP
AROUND.

HANNAH
Thanks for dropping me of.

DRIVER
no problem.

Hannah proceeds to get out of the car and shuts the door
behind her looking up at the block of apartments Infront of
her. the building towers over her.

The driver rolls down their window and leans over to be

closer to the window.

DRIVER
you be careful.
 3.

HANNAH
I will, see you later.

the driver rolls up their windows and pulls of away from

the curb. Hannah waves of the car as it drives of into the
distance and out of sight.

Hannah then begins to walk towards the building and enters

through the front door.

3 INT. THERE IS A THIN CORRIDOR WITH DOORS DOTTED ALONG EACH 3

SIDE LIKE A HOTEL. THE CORRIDOR IS DIMLY LIT WITH SPARCLY
DOOTED WALL LAMPS. EACH OF THE DOORS HAS A NUMBER ON IT.
THESE INCREASE AS SHE WALKS. THERE ARE SPARCLY SEPERATED
WINDOWS ASLONG THE LEFT WALL WHICH ILLUMINATED THE FLOOR
WITH MOONLIGHT.

Hannah walks along the corridor fumbling her keys for her
room between her fingers. she walks a medium pace looking
around constantly with a sort of feeling like she being
followed.

Hannah walks to the end of the corridor and turns round the
90 degree corner at the end of the corridor. she turns to
see that the door to her apartment's is cracked open with
the lights on. (the lights are pulsing from dim to bright)

Hannah hesitates looking around the corridor to see if

there is anyone around her in the corridor. there is no
one.

4 INT. THE APARTMENT LOOKS JUST LIKE YOUR AVERAGE FLAT WITH A 4
SMALL KITCHEN, A BED AND A SOFA WITH A SMALL TV IN FRONT OF
IT. THE LIGHTS ARE PULSING FROM DIM TO BRIGHT. THE LIGHT IN
THE BATHROOM IS ON AND CAN BE SEEN BY THE LIGHT LEAKING
FROM UNDERNEATH THE DOOR.

Hannah pushes the door open and tentatively moves into the
flat.

(as she enters the lights stop pulsing and settle to a dim
brightness. just enough to vaguely see what is going on
around her.)

Hannah looks around the room. (nothing looks out of place

or tampered with.

she then notices the light coming from underneath the

bathroom door. she slowly moves towards the bathroom door.
 4.

as she moves away from the door that she entered through it
then slams shut making her jump. we then hear the door
lock.

Hannah looks back at the door with a face of panic. she

stares at the door.

Hannah begins to move forward again towards the bathroom.

(all that can be heard is Hannah's breathing which gets

increasing heavy and panicky)

As hannah approaches the bathroom door she goes put her

hand on the door handle. however as she reaches for the
handle it starts shaking and turning violently and rapidly.
the whole door begins to shake and a high pitch, blood
curdling scream comes from the door.

Hannah jumps back terrified and begins to move backwards

swiftly keeping her eyes locked on the door as she moves
back from the door. she continues to back away from the
door till she reaches the door that she entered.

she tries the door handle and it is locked. she then begins
to turn around to face the door she entered and pull it
open with all her might. however the door stays shut.

Hannah turns to look at the bathroom door. the screaming

and the door rattle has quieten down. it is silent except
her own heavy and panicked breathing.

slowly the door handle begins to turn and a black hand

reaches round the door and pushes the door open. the room
becomes cold. the sweat on her head freezes.

the figure stands in the doorway with the bathroom light

still on behind it. it locks eyes with Hannah

FIGURE
RUN. RUN AWAY (whispering) RUN RUN
RUN RUN

the figure continues to repeat this getting louder and

louder. turning from a whisper to screaming.

The figure start to walk slowly towards Hannah. without any

urgency to its walk.

Hannah maintains eye contact with the figure.

the door unlocks behind her and hannah desperately opens

the door.
 5.

she propels herself out of the room and into the corridor.

FIGURE
Yes, Run, Run away. Makes it more
fun for me.

makes an evil smile

5 INT. A THIN CORRIDOR WITH DOORS DOTTED ALONG EACH SIDE LIKE 5
A HOTEL. THE CORRIDOR IS DIMLY LIT WITH SPARSLY DOTTED WALL
LAMPS. EACH OF THE DOORS HAS A NUMBER ON IT. THESE INCREASE
AS SHE WALKS. (SAME AS SCENE 3)

she runs down the corridor as fast as she can. pushing

against the wall for more propulsion to go faster.

she looks back occasional to see the figure pursuing.

FIGURE
That's it. Run, Run away. Run x4

Hannah runs to the end of the corridor and exits the

building. heavy breathing and heart racing.

6 EXT. THE ONLY LIGHT IS THE MOON AND STREET LIGHTS DOTTED 6
AROUND.

Hannah stops for a second to look around to see if there

anyone around to help.

she then continues to run of into the distance.

7 A DIMLY LIT STREET WITH HOUSES ALONG EACH SIDE. THERE ARE 7
NO LIGHTS ON IN ANY OF THE HOUSES. THERE ARE SPARSELY
SEPARATED STREET LIGHTS. WITH DARK AND LIGHT SPOTS ALONG
THE STREET.

Hannah runs along the street looking around to see if she

can see anyone.

HANNAH
HELP!, HELP ME PLEASE! IS ANYONE
AROUND. SOMEONE PLEASE HELP.

FIGURE
They can't hear you. no one can
hear you.

they talk from a large distance.

 6.

Hannah looks back and continues to run away towards the end
of the road and a forest.

8 A DARK FOREST WITH TOWERING TREES. THERE IS LITTLE TO KNOW 8

LIGHT EXCEPT THE MOONLIGHT ABOVE. THERE IS A DIRT PATH AND
LARGE THICK TREES DOTTED ALONG THE SIDE.

Hannah runs along the path constantly looking for the

figure.

she stops and looks around frantically as she cannot see

him. she backs up as she looks around.

she backs up into the figure that stops her from moving.

she has a face of fear and looks forward to see a very

large shadow towering over her own.

FIGURE
Got ya!

HANNAH
Screams

she screams as she gets wisped away into darkness by the

figure.