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  • 5432 Rythm Bridge

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    Yann van der Cruyssen
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    This document contains a musical transcription of a jazz piano solo over a 12-bar blues progression in B-flat major. It consists of 4 choruses or sections played over the standard blues changes of I-IV-V chords. The solo demonstrates swinging eighth note phrasing and use of common jazz licks and patterns for improvisation over the blues form.

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    5432 rythm bridge

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    This document contains a musical transcription of a jazz piano solo over a 12-bar blues progression in B-flat major. It consists of 4 choruses or sections played over the standard blues changes of I-IV-V chords. The solo demonstrates swinging eighth note phrasing and use of common jazz licks and patterns for improvisation over the blues form.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    21 views1 page

    5432 Rythm Bridge

    Uploaded by

    Yann van der Cruyssen
    This document contains a musical transcription of a jazz piano solo over a 12-bar blues progression in B-flat major. It consists of 4 choruses or sections played over the standard blues changes of I-IV-V chords. The solo demonstrates swinging eighth note phrasing and use of common jazz licks and patterns for improvisation over the blues form.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    5432

    Rythm bridge
    (practice tune from some video)
    Barry Harris ?

       Bb/D 
     = 250

       Bb   
                                      
    Swing

     
    Eb E○ Bb/F G-7 C-7 F7 Bb Bb/D Eb E○ Bb/F G-7 C-7F7

       Bb/D
     Bb                 
     Bb/D
              
               

    9
    Eb E○ Bb/F G-7 C-7 F7 Bb Eb E○ Bb/F G-7 F7 Bb6

                      
                      
     
    17 1.

        F#7
                 D7    C7
      G7    Bb
             
                  
    2. BΔ


    25 B7 E7 A7
    C-7 F7 Bb/D Eb E○ F7 Bb

         B7
           E7   A7

         F#7
                 D7  G7
           
      
    3. Bb6
    34
    F7

    Eb    E○
         Bb/F
                       
        
           
    38 F7 Bb/D
    C7 Bb

      
          
                           
    Bb7

          
    44

         E○
      Bb/F
         
                          
    Eb

     
    49
    F B7 Bb

       
                                     D7
          

    56


     Ab7 
                         Gb7
      

          
    62 G7 G7
    C7 Db7 C7

                     Cb7
         
         
    66 F7 Gb7 F7 Bb

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