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The concept of kapwa as a shared inner self turns out THE VALUE OF KAGANDAHANG-LOOH: RECIPROCITY
to be very important, psychologically as well as OR NOBILITY?
philosophically. The concept of kagandahang-loob (shared inner
nobility), once again, displays the characteristic
A person starts having kapwa not so much because internality/externality dimension A Filipino
of a recognition of status given him by others but psychology that confuses so many American-
more because of his awareness of shared identity. oriented social scientists. The concept is manifested
The ako through an act of generosity or kabutihan. Thus, one
(ego) and the iba-sa-akin (others) are one and the sees kagandahang-loob in the act of lending utensils
same in kapwa psychology: Hindi ako iba sa aking to neighbors or graciously accomodating a guest. But
kapwa (I am no different from others). Once ako to qualify as kagandahang-loob, such acts of
starts thinking of himself as separate from kapwa, generosity must spring spontaneously from the
the Filipino "self" gets to be individuated in the person's goodness of heart or kabantan A display of
Western sense and, in effect, denies the status of kagandahang-loob must have no motive save that of
kapwa to the kindness and inherent graciousness.
other. By the same token, the status of kapwa is also
denied to the self. KARANGALAN: BEYOND THE SUPERFICIALITY OF
HIYA
The Filipino concept of saling-pusa may be "playtul" English-oriented social scientists who think Filipinos
in tone and may not be found in other cultures, but it value hiya (commonly translated as "shame’ instead
is nonetheless significant. It indicates the value of propriety") must be told about dangal or
attached to the feelings of kapwa so that hypocrisy in karangalan. Puri, onor, and dignidad are listed as
social interaction is avoided. For example, if a young synonyms of karangalan (English 1986). The closest
girl was invited to an important gathering and English word to karangalan is "dignity," but that is
discovers she was a panakip-butas (literally only one aspect of the concept. The best way to
afterwards that she was only a second choice, she define the term is to look at the two components of
may be hurt, for it would appear that she was a the concept-dangal and puri. Puri or praise/accolade
panakip-butas "filling a gap.” is the external manifestation of karangalan. This is
given to the person in recognition of a sterling
This is not to say that the Filipino is imprecise about quality or accomplishment. As such it is a recognition
the insider vs. outsider distinction. In fact, the that comes entirely from without. The other aspect
Filipino language has three pronouns for the English of karangalan is dangal. Dangal is referred to as
"'we". honor' and even "'self-respect."
A dual “we” kita
An inclusive “we” tayo It is the inner strength of a person that allows him to
An exclusive “we” kami face the rich and the mighty with confidence and
resolve.
Kita focuses on the listener in relation to the
speaker, tavo includes the listener, while kami KALAYAAN: A MATTEROF LIFE AND DEATH
excludes him as referent. The socio-psychological Kalayaan is often interpreted as the freedom and
point to remember is a conceptual, behavioral, and license to do as one pleases. This definition carries
value-laden imperative which states that whether within itself its own limitation: The concept of
kita, kami, or tayo, the Filipino is dealing with kapwa freedom as license for a person or group to act in
and he thinks and acts accordingly. whichever way they please so long as the rights of
others are not affected thereby may be adequate, in
a sense, especially in the urbanized Philippine
setting. For a resident of Metro Manila, for example,
his sense (or balayaan is oftentimes measured within
the parameters of existing rules and regulations of
social norms or resources. For the greater portion of
the population, however, kalayaan means life itself.
The freedom to commit a particular act, or the lack
of it, determines whether a person or a community
survives or perishes. In many instances then,
kalayaan carries life and death dimensions.