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    Kc Siron
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    The document outlines an audio engineering course that will teach essential live mixing skills. It will cover topics like analog mixing, equalization, microphone positioning, monitoring different types of instruments, cabling, noise gates, compression, frequency response, and mixing vocals and wireless microphones. The objective is to open students' technical understanding of live audio mixing and prepare them for current technology used in live productions worldwide. The training will be provided by an experienced sound reinforcement and lighting company to help students gain confidence in audio engineering techniques over the course of several weeks.

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    The document outlines an audio engineering course that will teach essential live mixing skills. It will cover topics like analog mixing, equalization, microphone positioning, monitoring different types of instruments, cabling, noise gates, compression, frequency response, and mixing vocals and wireless microphones. The objective is to open students' technical understanding of live audio mixing and prepare them for current technology used in live productions worldwide. The training will be provided by an experienced sound reinforcement and lighting company to help students gain confidence in audio engineering techniques over the course of several weeks.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views3 pages

    Cover Letter

    Uploaded by

    Kc Siron
    The document outlines an audio engineering course that will teach essential live mixing skills. It will cover topics like analog mixing, equalization, microphone positioning, monitoring different types of instruments, cabling, noise gates, compression, frequency response, and mixing vocals and wireless microphones. The objective is to open students' technical understanding of live audio mixing and prepare them for current technology used in live productions worldwide. The training will be provided by an experienced sound reinforcement and lighting company to help students gain confidence in audio engineering techniques over the course of several weeks.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    BASIC BUT POWERFUL TOOLS FOR WHAT YOU WILL LEARN IN PREPARATION TO DIGITALLIVE

    AUDIO ENGINEERING MIXING.


    ANALOG INTRODUCTION LEARN HOW TO DO AND MIX LIVE ON A ANALOG MIXER
    MIXING KNOW THE LAW OF EQUALIZATION FROM AN ANALOG 1/3
    OCTAVE
    EQUALIZATION  
    MIC IN SYSTEM LEARN HOW TO POSITION AND LEARN WHAT KIND OF
    MICROPHONES ARE DEDICATED TO THE INSTRUMENT
    DEFINITION OF RHYTHM SECTION ACCESS THE INTERNAL PART OF BLENDING AND
    HARMONIZING ALL TYPES OF RHYTHM INSTRUMENT
    MONITORING BASIC MONITORING RULES
    DEFINITION OF DIFFERENT TYPES OF ADDRESSING ALL PHYSICAL MONITORS DEDICATED TO THE
    MONITORS PERFORMER
    CABLING AND PROPER PATCHING PROPER CABLING AND HANDLING
    DEFINITION OF NOISE GATE AND UNDERSTANDING OFU ADIO SECURITY AND PROCESSING
    COM[PRESION RELEASE
    SPL CUT OFF HOW AND LEARN TO REMOVE EXCESS SPL
    FREQUENCY RESPONSE READING AND RELATED TO EQUALIZATION
    CALIBRATION
    FREQUENCY CUT OFF OFF LEARN AND MASTER THE LAW OF EQUALIZATION WITH
    MASTERING EQUALIZATION COMPLETELY WITH RTA METHOD
    FOH BUILDING AND UNDERSTANDING FOCUSING ON
    TARGETING ALL CLEAR PATHS AND CROSS PATHS
    FRONTAL MONITORS SETTING UP LEARNING UP COMPRESSING IP GATING UP
    LOADING EFX
    RHYTHM SECTION MONITORS BLENDING THE INSTRUMENT ADDRESS TO THE PLAYERS
    DRUM MONITORS LOW FREQUENCY MONITORS HOW TO SETUP 2 WAY
    SYSTEM PASSIVE MONITOR
    SIDE FILL MONITORS DEFINITION OF FILLERS SERVING AS LONG TROW
    MONITORS
    EAR MONITOR MIXING LEARN HOW TO HANDLE LEARN HOW TO MIXDOWN OF
    ALL REQUIRED PPL PFL
    VOCAL WIRED MICROPHONES INTRODUCTION TO ALL STANDARD BRANDAND HANDLING
    WIRELESS MICROPHONES OF ALL INTRODUCTION TO ALL STANDARD BRANDAND HANDLING
    TYPES
    OUR OBJECTIVE ISTO OPEN YOUR
    TECHNICAL ASPECT VIEW IN RELATION TO LIVE
    AUDIO MIXING

    ALSO. IS TO PREPARE YOU FOR THE PRESENT


    TECHNOLOGY THAT HAS BEEN OPERATING. ALL
    OVER THE WORLD. WE DON’T WANT YOU TO ENTER
    INTO A TECHNOLOGY WITHOUT THE PLATFORM OF
    BASIC AUDIO ENGINEERING REASON IS. THERE ARE
    PRETENDERS WHO COME OUT TO BE THE CULPRIT
    OF MISLEADING KNOWLEDGE.

    WE, AS TMCPRO SOUND


    REINFORCEMENT TEAM AND
    LIGHTING GEAR TOUR SUPPLIER, ARE
    WILLING TO GIVE YOU ALL OUR
    KNOWLEDGE AT OUR BEST LEVEL AS
    PER TECHNICAL ASPECTS AND
    TECHNICS TO MAKE YOU IMPROVE
    YOUR SELF CONFIDENT IN A MATTER
    OF WEEKS. BEING WITH US.
    MAY GOD HELP US ALL….

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