Professional Documents
Culture Documents
edn.com/my-favorite-design-idea-of-all-time
The editors of EDN will tell you that the Design Ideas section is the most popular section of
the website, this goes back to the print editions, where that was the first section that most if
not all readers turned to first upon getting a new issue. This was so popular in the 1990s
that Linear Technology put paid advertisements into this section with their tear-out Design
Ideas. I still have some of those in my archives.
Design Ideas was, and are, a community where average ordinary readers could contribute to
the magazine some concept, clever circuit, or solution to a problem with only a few hours of
work on their part to draw it up and write 500 or so words on it.
Of course, the concept of design ideas predates EDN or any other electronics magazine. My
first encounter with the design idea concept was the ARRL publication QST [1] where they
had a “Hints and Kinks” [2] section in every issue. Even then, it was the most interesting
section of the magazine to look at. ARRL also published the “Hints and Kinks” collection in
book form, and I remember checking them out from the library on many occasions, others
liked it too as it was a well-dog-eared book.
But the design idea concept predates even QST. The publication Mechanics Illustrated also
had many pages devoted to reader submissions. Figure 1 shows a design idea from the
“Popular Mechanics” of January 1914 [3].
Figure 1 The concept of reader-submitted solutions to problems goes way back. This one
was published in the January 1914 edition of “Popular Mechanics” magazine. Source:
Popular Mechanics
So, I am sure that the concept of the design idea goes back to probably the first magazine
ever printed, where some editor turned a “letter to the editor” into a reoccurring section of
the publication.
Whatever the original origins, the concept was and remains very popular.
1/7
My most memorable design idea of
all time
2/7
Figure 2 My favorite design idea drawn from memory. The cleverness of using the LM318
for all the backend circuitry along with a user selectable input stage just had universal
appeal for me and others as it was used many more times in the coming years.
This was a perfect combination in my mind, the ability to use whatever front end you
wanted with the simplification of all the output stages by using the rest of the LM318s
internals.
I used this concept once or twice and in some test fixtures because it was fun and the
National Semiconductor LM318 was a very capable op-amp for its time with settling times
to the 10-bit region in less than a microsecond. I was also familiar with the 2N5912, which
was a low-noise, low-capacitance dual JFET in a TO-100 package, so I used that in my
implementations [4]. We bought that transistor from National Semiconductor also, so
instead of making one sale, National Semiconductor made two sales from that design idea.
They should have given the original author a commission.
3/7
While I have no idea about who invented this first, the basic idea spread all over the place.
In 1992 National Semiconductor published application note 299: “Audio Applications of
Linear Integrated Circuits” [5]. This application note contained an audio preamplifier that
used the LM394 NPN super matched pair and an LM318 to make a low-noise phonograph
preamp (Figure 3).
Figure 3 National Semiconductor used their LM394 Super matched pair as the input stage
for their take on the design idea Source: National Semiconductor Corporation
Then, in 1986, Linear Technology published Jim Williams’ take on the idea in application
note 21 [6]. There, Jim used the dual FET idea and, where I used to match the JFETs for
drift, Jim used a low drift amplifier in a Goldberg topology [7,8] to zero the drift of the
added JFETs (Figure 4).
4/7
Figure 4 Jim Williams’ take on the design idea circa 1986. Here Jim extended the idea to
include low drift as well using the Goldberg topology Source: Linear Technology
Corporation
The bypass the op-amp front end design idea concept shows up in conjunction with other
op-amps as well, like the NE5534 classic audio op-amp. This was a universally popular
concept for its time and caught many an eye besides my own.
Conclusion
I once worked for a fellow who told me to write our instruction manuals interactively, that is
to engage the user in a way that they felt part of the process. I think that is what this design
idea did; it engaged the designer to be part of the process and not simply use the op-amp,
but to extend it and customize it to one’s own liking.
At any rate, the design idea concept is as “old as the hills”, as they say, and is not going away
anytime soon.
I am also sure that many of the ideas that I have seen since my childhood have directly
influenced my designs and workshop practices over the years, even if I can’t directly
pinpoint the source of those ideas (Figure 5).
5/7
Figure 5 Many of our design and shop practices stem from design ideas that we have seen
in the past. The cover of the ARRL’s 1974 “Hints and Kinks” had a great idea of how to
accurately drill a chassis. I still drill my chassis like this today. Source: eBay image
6/7
References
—Steve Hageman has been a confirmed “Analog-Crazy” since about the fifth grade. He has
had the pleasure of designing op-amps, switched-mode power supplies, gigahertz-
sampling oscilloscopes, Lock In Amplifiers, Radio Receivers, RF Circuits to 50 GHz and
test equipment for digital wireless products. Steve knows that all modern designs can’t be
done with Rs, Ls, and Cs, so he dabbles with programming PCs and embedded systems
just enough to get the job done.
7/7