Professional Documents
Culture Documents
I have been working with the theme of ‘Tsumo Nemadikira’ (African- Shona Proverbs) for a
few years. Tsumo are small sayings or proverbs used to instruct children and are told in the
Shona language, a Tribal language in Zimbabwe. When they are translated directly into
English they make little to no sense, and are rather humorous. I remember being told these
proverbs as a child, and having no idea what they meant. As I got older I began to
understand the significance and lessons within the proverbs.
I created a series of visual representations of these proverbs; printing linoleum blocks into
various surfaces, such as cement, copper foil, and elephant dung paper to expand the
projects conceptual narrative. The concept is based on the inspirations that Tsumo give me,
in relation to my observations on how to live my life; and the imagery it provokes in my
mind. Linoleum, specifically floor tiles, are used extensively by Zimbabwean printmakers,
as it is an easily accessible material. The cement is in representation of how these proverbs
are strong and stand the test of time. They are steady and constant. The copper foil has a
modern aesthetic, being smooth and manufactured. Although I grew up hearing these
Tsumo, they still belong to a different culture. I am a white Zimbabwean of colonial descent,
interpreting a native tradition. The modern material shows my colonial interpretation of
Tsumo. The elephant dung paper is made from a duplicitous substance. Elephants have
different significance in different circumstances to the people of Zimbabwe. Their dung is
believed to hold spiritual power by some, and is used as a drug by others. I used this paper
as a symbol of taboo, to display something beautiful on something repulsive. A western
version of a Tsumo would be ‘you can polish a turd, but it’s still a turd’. Consider this a
polished turd, whether or not it’s still a turd is up to you.
The Tsumo in the first composition are:
These are depicted literally into a single composition. I want the viewer to feel a sense of
bombardment and be overwhelmed with the scene. Tsumo do not make sense at first, they
require one to ponder and carefully consider the metaphors and symbolism within. The
circular arrangement vaguely alludes to a Mandela form, hinting to the lofty thoughts
portrayed.
No comments:
Post a Comment
My Life Story
Joshua.Strydom
I was born and raised in Harare, Zimbabwe. Currently, I live in Memphis- i'm a student at
Memphis College of Art majoring in Fine Arts, double concentration in Photography and
Printmaking and Minor in Art History. The experiences I had growing up heavily
influence my work. I am in love with nature and adventure, I aim to educate and reform
peoples ideologies of art through my observations and commentaries on social cultures.
View my complete profile
Exhibitions
'Best and Brightest'- Diamond Gallery, Memphis TN- August 2015
'Ndino Ona Nzvibo Yavo'- Celebration Center, Harare Zimbabwe- June 2015
‘Reborn: The Home made Camera’- Memphis College of Art – November 2014
Zimbabwe Art Festival- Harare Zimbabwe, June 2014
‘Best of Memphis 2013/2014’ – Memphis College of Arts Main Gallery, Memphis TN May-June
2014
Follow by Email
Subscribe
Posts
Comments
Contact Me
Name
Email *
Message *
Tsumo Nemadimikira
*Featured in Best of Show 2014/2015 at Memphis College of Art and 'Best and
Brightest', Diamond Gallery, Memphis TN* I hav...
Shot with Canon Rebel T3i with a 18-55mm and a Macro attachment (on some
Photographs) In Memphis TN- Overton Park Earlier this week I was...
Inconclusive Evidence
I am alienating people from their identities, from whom they think I am portraying them
as. The people I photograph trust me to give an accu...
Blog Archive
▼ 2015 (6)
o ► September (1)
o ► June (1)
o ▼ May (1)
Tsumo Nemadimikira
o ► April (1)
o ► March (1)
o ► January (1)
► 2014 (16)
► 2013 (6)