Modos

Gregos
sobre os 7 acordes do Campo Harmônico de Dó maior

(acorde m.e./escala até a nona)

Prof. Marcelo Teixeira

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Modo Jônio (Escala menor natural)

    
           
   
C7M

    












 
escala: 1 2 3 4 5 6 7 8 9 8 7 6 5 4 3 2

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Modo Dórico

  
            

Dm7

 
5

       
          
1 2 b3 4 5 6 b7 8 9 8 b7 6 5 4 b3 2

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Modo Frígio

    
            

9 Em7

       
          
1 b2 b3 4 5 b6 b7 8 b9 8 b7 b6 5 4 b3 b2

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    
Modo Lídio

 
           
13 F7M

       
         
1 2 3 #4 5 6 7 8 9 8 7 6 5 #4 3 2



2 Modo Mixolídio

      
 
         
17 G7

       
         
1 2 3 4 5 6 b7 8 9 8 b7 6 5 4 3 2




  
Modo Eólio (Escala menor natural)

       
       
21 Am7

   












 

1 2 b3 4 5 b6 b7 8 9 8 b7 b6 5 4 b3 2

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Modo Lócrio

      
     
     
25 Bm7(♭5)

   












 

1 b2 b3 4 b5 b6 b7 8 b9 8 b7 b6 b5 4 b3 b2

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           
                    
29 Dm7

               
                        
1 2 3

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           
 
33 Dm7 G7 C7M


   
                      
       