In 1937 Picasso was the most famous artist in the world.

A prolific innovator of art forms,

he had already pioneered cubism, invented collage, and made major contributions to symbolism
and surrealism. And he was just about to create the most powerful anti-war painting in history.
ART IN TIMES OF WAR
Monday April the 26th 1937 - German warplanes began appearing in the sky above the
small Basque village of Guernica. It was 4:30 p.m. and the planes were here on behalf of general
Franco's fascist regime. and as a macabre rehearsal for the blitzkrieg tactics of World War II. The
attack was timed to maximize civilian casualties. For over three hours 25 bombers dropped
100,000 pounds of explosive and incendiary bombs on the village, reducing it to rubble and killing
1/3 of the population. This brutal and unprovoked attack shocked the world, it also inspired Picasso
to produce a political painting, which is as relevant today as it was when he produced it over 80
years ago.
THE COMMISSION
In 1936 a group of right-wing generals launched a military coup on the legally elected
Spanish Republic and started the Spanish Civil War. The war had been going on for six months
when Picasso was given a commission to produce a large-scale mural for the Spanish Republic's
Pavilion at the 1937 World's Fair in Paris - where Picasso was living. Picasso was famously
apolitical and told the Republicans "I don't do politics", but after months of staring as a blank
canvas he was still struggling to come up with ideas. History intervened and Picasso found his
subject. Like the rest of the world, he opened his newspaper on April the 27th to find devastating
images of the bombing of Guernica. Picasso was horrified and frantically started work on new
sketches for the Commission. He would complete the enormous painting in only three weeks.
Perhaps Picasso's greatest skill was reinvention? In the Demoiselles d’Avignon he played with
idealized female beauty. and in Guernica, he would reinvigorate the genre of historical painting.
MATERIALS
The first thing you notice is the gigantic size. It is four meters by eight meters or 11 feet by 26 feet,
and is one piece of material rather than several canvases sewn together. After Paris it was to be
sent around the world to raise money for Spain. Because of the size, each time it travelled the
canvas had to be removed from the stretcher, rolled up, packed, and shipped again and again. In
that sense we can compare Guernica to portable tapestries known in Spain as "Sagas". They were
used in Spain and other countries, from the fifteenth century - as temporary curtains banners and
wall hangings during Lent like Guernica, it was propaganda - but of a religious kind. He primed
the canvas with several layers of reflective lead-white, an antiquated paint base used by Leonardo
da Vinci. Picasso wanted a reflective surface to paint on. The ground layer was important, as it
was to form part of the composition. He used normal household paint with a minimum amount of
gloss, so the white parts of the painting are luminous, whereas the blacks are matt black. The speed
at which he paints, leave splashes such as here and mistakes - adding to the urgency of the painting.
The other thing you notice straight away is the absence of color, but in 1937 people only experience
current events in black and white, and Guernica was as current as you could get. Picasso himself
saw the Spanish Civil War play out in black and white in newspapers, and he even gives us a
suggestion of torn newsprint in the horse's chainmail.
INSPIRATION
Picasso was the magpie of the art world, with an encyclopedic knowledge of art history.With
Guernica, it is these visual references that anchor the work. Peter Paul Rubens, was an artist
Picasso loved, and Rubens painting "An Allegory Showing the Effects of War” from 1638, is the
work the most inspired Picasso's Guernica. If we flip Rubens painting, we can see the similarities
in composition. From left to right we get a weeping woman with a child in her arms. A flying fury
of war. holding out a torch, and a woman facing the heavens with outstretched arms. We can also
compare the weeping woman to Michelangelo's "La Pieta “and the flying fury to Prud'hons
"Allegory of Justice" Goya, an artist Picasso admired is another inspiration. 3rd of May 1808 also
depicts a nighttime massacre. The central figures pose is reminiscent of the screaming woman and
inevitably both figures can be compared to a crucifixion, and in both paintings, we find the sign
of the stigmata. There are also comparisons to be made with his own earlier work. But there is
more than just iconographic inspiration here. Surprisingly - Picasso's Guernica has no specific
references to the actual bombing of the Basque village. He has created a fictitious scene whose
intensity evokes the suffering of all wars. Guernica is an allegorical painting in the same way
Rubens work is an allegorical response to the 30 Years War.
COMPOSTION
The scene is intentionally chaotic to evoke the horror and confusion of war. We are thrown into
apocalyptic action where characters overlap and intersect. Destruction, violent death and
mutilation are everywhere. Despite Picasso's avant-garde qualities. he trained as a classical artist
and Guernica uses classical language. Despite the chaos, there is in fact a clear visual order. Picasso
balances the composition by organizing the figures into three vertical groupings, moving left to
right, while the central figures are stabilized within a large triangle of light. To the far left we see
a wide-eyed bull with a dark body and white head. The horse and bull are images Picasso used his
entire career. Part of the life and death ritual of Spanish bullfights. The bull is the only figure that
is looking at us, the viewer. Picasso himself thought of the bull as representing brutality and
darkness. Its gaze is cold and detached. It has come to be seen as representing Fascism or Franco
himself. Its tail smolders like the smoking remains of Guernica. Underneath the bull, a woman is
holding a dead child, screaming towards the heavens, her bare breasts that once fed her child are
exposed, and her eyes are in the shape of tears. She is a secular virgin and child tainted by war.
Further down lies a dead soldier representing both futility and hope. His disjointed parts are strewn
about the floor. One severed arm carries a Broken Sword of failure from which grows a white
poppy - the symbol of remembrance and hope. In his other hand the signs of the stigmata, represent
the ultimate sacrifice. Between the bull and the horse, we can just about see a dove, normally a
representation of peace the Picasso version, with his pained expression and broken body suggests
that peace is all but destroyed. The light bulb is the single image of 20th century technology and
has multiple meanings. Perhaps it is the eye of God overlooking the madness of war? The more
accepted interpretation is that it represents the technology that destroyed Guernica. In Spanish the
word for lights bulb is "bombilla", which brings to mind the word "bomb". The screaming horse
at the center is collapsing from his gaping wound but its head remains upward as it struggles to
live. You can almost hear those ear-piercing screams. Picasso himself saw the terrorized horse as
the people of Guernica. The burning woman is perhaps the strongest representation of the paintings
anti-war feeling. A woman is trapped in a burning building, pleading at the sky, perhaps to God?
Perhaps to the German planes to stop the destruction? As she does so, the building continues to
burn and crumble around her. Death is inevitable. Another terrified woman with an injured leg
bleeding from the knee and trying to stop the blood with her hand. She is looking longingly towards
the oil lamp. It is actually the oil lamp that is the source of light in the scene and NOT the electric
light bulb. The tiny flame is hope. And it is strong enough to shed light upon the entire scene. It
is the only sliver of Hope in the painting and is thought to represent the spirit of the Spanish
Republic. Guernica is not supposed to have a singular interpretation. As Picasso said: "We all know
that art is not truth. Art is a lie that makes us realize truth" Guernica's ambiguity and lack of specific
historical detail make the painting timeless.
RECEPTION (PARIS EXHIBITION OPENED)
Picasso worked on the painting for 35 days and finished it on the 4th of June 1937. When it was
unveiled at the Paris Expo, the public reaction was mixed. It was too avant-garde for the Spanish
officials, who preferred another more traditional painting that they'd also commissioned By
Horacio Ferrer. However - after Paris, Guernica's reputation started to grow steadily, as it travelled
the world to raise money for the Republican cause. The start of the Second World War made its
imagery more recognizable - and painfully familiar. News announcer: "A most eventful year -
Spain's three-year-old civil war ends, and Generalissimo Franco enters Barcelona" Picasso refused
to allow the painting to be seen in Spain while Franco ruled. And Guernica was sent on another
tour. This time to the United States, to raise money for Spanish refugees fleeing Fascism. By 1940,
it was at the Museum of Modern Art in New York, where it stayed on semi-permanent display...
For the next forty years. Picasso continued living in Nazi occupied Paris. It is said that when a
German officer visited him, he saw a photograph of Guernica on Picasso's wall. He asked Picasso:
"Did you do that?" Picasso replied: "No YOU did" In New York, Guernica's fame grew, and during
the Vietnam War it became a powerful anti-war symbol. In 1974 a protester defaced the painting,
with the words "KILL LIES ALL". It created international headlines. Guernica was covered in
heavy varnish and the graffiti did no real damage at all. The fact that Guernica inspired such
passions was a testament to its enduring power Picasso died in 1973 at the age of 91. He had
produced 50,000 works of art, including 1,885 paintings. While numerous works by Picasso are
masterpieces Guernica stands alone. Franco died in 1975, and with democracy restored, the
paintings long exile was over. Even in the 21st century, Guernica was causing controversy. A
tapestry of Guernica was put on display at the United Nations. In 2003 the, then Secretary of State
Colin Powell. delivered a televised speech at the UN - arguing for war on Iraq. In a form of blatant
censorship, the Bush administration, requested that the tapestry was covered up. It is extraordinary
that over 60 years AFTER its completion Guernica's message worried even the most powerful
nation on earth. No work of art in the 20th century has left its mark, in quite the way Guernica has.
It has become the universal symbol of indiscriminate slaughter, and it has helped to shape a century.
The lessons of Guernica, of universal suffering have still not been learned. And that is why
Guernica is just as important today as it was in 1937 Guernica is not just "contemporary art", It is
history.