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T. J. FERGUSON
Department of Anthropology
University of New Mexico
and
BARBARA J. MILLS
Department of Anthropology
University of New Mexico
ABSTRACT
INTRODUCTION
The exact nature and extent of the first construction at Zuni Pueblo are
difficult to determine exactly, as the original settlement was gradually built
over and entirely reconstructed during the long occupation of the pueblo. The
original settlement was probably a planned, plaza-oriented pueblo similar to
The authors and The Kiva gratefully acknowledge a contribution from the Graduate Student
Association Student Research Allocation Fund, University of New Mexico, to help defray the cost
of publication of this paper.
243
1881
1915
1972
'lliail
qE U
l niw
the old edifice possessed infinite variety tempered by a fine sense of order. The ke
this order was the way in which all walls conformed to coordinate axes. Despite t
extent of the complex, each house with its terrace was unique, and even though m
persons lived in proximity, a sense of individuality and distinctiveness was preserve
tuated the compact character of the pueblo. In the late nineteenth cent
of the streets were partially covered with second story rooms that b
main room blocks of the pueblo core and created enclosed passa
tunnels (Mindeleff 1891:98). With the room blocks constructed so
one another, exterior space at ground level for outdoor activities wa
resource. As a result, the rooftop terraces were used for a variety of
including bread baking in the domed ovens and food drying and p
(Cushing 1920: Plate XV; Mindeleff 1891: Plate CXXVIII).
The rooftop terraces were one of the most distinctive features
architecture in the nineteenth century, and their construction provid
deal of individualized and variable open space. Due to the unevenness
underlying the village, and to the varying dimensions of the componen
a great variety prevailed in the height and configuration of te
three-terrace portion of a room block may have had but two terra
mediately adjacent, and in the pueblo core the exposed heights of th
varied from one to ten feet (Mindeleff 1891:97). Low walls, many
remnants of former rooms or extensions of underlying room walls,
the rooftop terrace used by one extended family from that of another
terraces were used as public walkways for access around the pueblo
walls had breaks in them, usually towards the edges of the roo
sandstone slabs were used as "gates" (Mindeleff 1891: Plate XCV
The stone and adobe masonry used to construct Zuni Pueblo wa
universally plastered with brown adobe in the nineteenth century
plaster protected the structural stability of the masonry and provid
uniformity that aesthetically tied together the modular and individu
houses and rooms comprising the room blocks. To preserve the wall p
to provide shading on the walls during the high sun of the summer
terraces and roofs with southern exposures were often constructed wit
overhang. Thin sandstone coping stones on the parapets of the roof
and carefully placed drains and splashstones helped to futher reduce t
force of rain and snow on the adobe plaster and walls. The roofs and
constructed of dirt overlying willow thatch on two perpendicular sets
beams, generally had a slight pitch to facilitate drainage (Mindeleff
156).
Historically, the Zuni Indians were subjected to occasional raids by bands
of Navajos and Apaches (Ferguson and Hart 1985:58-61), and many defensive
features were incorporated in the architecture of Zuni Pueblo. Prior to the late
nineteenth century, the large complex of interconnected room blocks at Zuni
Pueblo had few doors or windows in the ground story rooms. Openings in
exterior walls and in walls that faced onto the narrow interior streets were
generally small and placed very high in the wall. Access to the upper terraces
and to room interiors was by ladders that could be easily removed or disman-
stand (Mimbres and Associates 1977:81), and the pueblo core today is
cluster of recently constructed single storied houses sitting on the
remains of the earlier multistoried village. The impact of the autom
been immense, and virtually all exterior space, except for Ts:ya:a De
the smallest plaza used for sacred dances, has been modified so that
used as a roadway. New masonry styles, roof forms, and building
have become popular, and new construction has obscured the old ter
were formerly such a prominent aspect of Zuni architecture.
Today, the historic core of Zuni Pueblo is experiencing severe st
problems. Contemporary houses sit on top of 12 m or more of sof
debris (Figure 7), and it is difficult to build a house there with solid fo
Many houses in the old pueblo have settled, necessitating their recon
As in the past, this reconstruction is often done using a blend of tradi
new materials and techniques. Many of the building materials salv
structures dismantled in the old pueblo have been reused in new constr
both the pueblo core and the suburbs. Stockpiles of building s
structural timbers are common at Zuni even today. The reuse of s
timbers can be seen in the tree-ring dates obtained from five prov
within Zuni Pueblo (Table 1).
Two proveniences are located in the pueblo core. Provenience FN
suite of rooms in a multifamily room block located to the south of th
The ashlar masonry style of the exterior elevations and two 1935 da
primary roof beams suggest the building was reconstructed in or l
1935, yet the roof contains ten other beams with dates ranging fro
1910. Provenience FN 26 is visible in Figure 6 as the house with the por
corner ofDi'widon-lana plaza. Photographic evidence indicates this h
rebuilt after 1945, yet three beams in its roof have dates ranging fro
1917.
Table 1 (Continued).
Explanation of Symbols:
pp ponderosa pine
df Douglas fir
v a subjective judgment that, although there is no direct
evidence of the true outside on the specimen, the date is
within a very few years of being a cutting date.
vv there is no way of estimating how far the last ring is from
the true outside. Many rings may be lost.
+ one or a few rings may be missing near the outside whose presence
or absence cannot be determined because the series does not extend
far enough to provide adequate cross-dating.
+ + a ring count is necessary beyond a certain point in the series because
cross-dating ceases.
doors, they also retain the traditional roof entryway and ladders. Th
now the only buildings in Zuni with these features.
Another enduring aspect of Zuni architecture is the use of roo
viewing galleries for spectators during ceremonial events, including
and religious dances. The rooftops that ring the plazas have remained
level for this purpose, while almost all other roofs have marked pit
relatively flat roofs surrounding the plazas are also used for access ar
pueblo, and are still viewed as public areas.
The old Catholic church, Nuestra Senora de Guadalupe, stood roo
more than a century, but was restored in the 1960s in a cooperativ
involving Zuni Pueblo, St. Anthony's Mission, and the National Par
(Caywood 1972). Zuni artist Alex Seowtewa has painted beautiful m
the walls of the restored church, lifesize Kachinas enacting the annu
nial calendar.
CONCLUSION
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