This document summarizes the key differences between Japanese and Korean music fandom cultures. It notes that Japanese idols have more direct interaction and participation from fans, while Korean K-pop idols are treated more like Hollywood celebrities and are less accessible. However, both cultures have been able to spread their music worldwide through technology, with K-pop spreading more widely due to its emphasis on global accessibility. The document also argues that K-pop should not be limited only to Korean groups, and that genres naturally adapt when spreading to new cultures.
This document summarizes the key differences between Japanese and Korean music fandom cultures. It notes that Japanese idols have more direct interaction and participation from fans, while Korean K-pop idols are treated more like Hollywood celebrities and are less accessible. However, both cultures have been able to spread their music worldwide through technology, with K-pop spreading more widely due to its emphasis on global accessibility. The document also argues that K-pop should not be limited only to Korean groups, and that genres naturally adapt when spreading to new cultures.
This document summarizes the key differences between Japanese and Korean music fandom cultures. It notes that Japanese idols have more direct interaction and participation from fans, while Korean K-pop idols are treated more like Hollywood celebrities and are less accessible. However, both cultures have been able to spread their music worldwide through technology, with K-pop spreading more widely due to its emphasis on global accessibility. The document also argues that K-pop should not be limited only to Korean groups, and that genres naturally adapt when spreading to new cultures.
June 20th,2021 Response Paper #2 The material that was provided to us this week mentioned different aspects of the Japanese and Korean culture, we learned about the Japanese music industry and the impact that it made in the country and worldwide over the years, we learned how other Asian countries take Japanese music and adapt it to their own country and style, that was something that I was not aware of and found it fascinating. the more I get to learn about the countries and their music the more I realize how different they are although they are neighbor countries and with a lot of values in common. When we talk about fan culture, we are talking about a group of people, a community that shows interest in the same activities, events, bands, and more. In the readings and videos, we get to learn about the differences between Korean and Japanese fandom, In Japan, the experience that the idols deliver is more one of entertainment, the fans can meet the idols in meet and greets and they get to know them even before they debut since they are often used as back up dancers of veteran idols to test the waters, and see what the fans would like, so by the time that they debut they already have a fan-based. That’s why I consider Japanese fandom to be more of participatory culture since they are more involved with the performances of the idols in comparison to the Korean fandom that mainly consumes what the K-pop industry has to offer and since they have a product that is appealing the fandom will consume it. In Korea K-pop idols are closer to Hollywood celebrities, they are less accessible in comparison to Japan and they are displayed more. I think that because of technology Korean and Japanese fandoms have been able to spread worldwide, more in the case of Korea because they put more emphasis on the accessibility of their content worldwide. K-pop is more than just a Korean group that looks good and can dance, It come a long way and it demonstrated be its genre, and I don’t think it should matter who in the group as long as it follows the characteristics of K-pop, I understand it might not be easy for certain people to understand so but it should not be limited to just groups of people from Korea. I agree with Lee Gyu-tag because that’s the case with all genres, they all take something from another one, and whenever a genre from a certain country arrives at another one, there’s always a chance, a way to adapt the genre to the culture of the country, almost like a need to make it more the countries style. I think it is understandable to have the fear of having what we like changed but I think it is necessary to continue to discover new music.