OLORUN IFE

By Ayo Ajayi

       
 
  = 50

                        
                
      
      
          
         


With much flexibility

  

   
        
6


           
                   
Ose O lo run o go,

          

      
          
        
    
22 22



                    
    
11
2


                     
Ose O lo run i fe o, Ose O lo run i gbagbo gbo, Iyin re y'o ma wa

              

       
2

                        
       
22


22 22

Declassical music
 
                      

16


          
             
l'e nu mi. Ose O lo run o go, Ose O lo run i fe o,

         
 

                          
          
22 22 22

  
               
     
   
21
2



            
Ose O lo run i gbagbo gbo, Iyin re y'o ma wa l'e nu mi.

  
            
         
2


           
      


  
            
22 22


             
26


            
       
             
Ose O lo run I fe

  

                  
        
   

2 Declassical music
                          
31
2

    
Iwo L'olo run i gbagbo gbo, Ose O ba a i ku Iyin re y'o ma wa

           
         
       
2

                        
    
       
2

   
                      
Rall............
36   = 45

 
         
l'e nu mi, Iwo L'olo run, o ki i s'eni yan, Iyin re y'o ma wa

 
          
   
 

          
        
       
2


              

  


  
40

 
             
Iwo L'olo run, o

       
l'e nu mi, mo ni ki i s'e ni yan, Iyin re y'o ma wa l'e nu

        
 

      
                  
             
   
3   

Declassical music 3
 
             
45   = 50

                  
mi. Ose O lo run i

     
   
       

           
                
    

               
         
50
2


                 
fe, I wo L'olo run i gba gbo gbo, O se O ba a n sa ya,

       
           


2

                       
      
2


  
                    
Rall.......

 
55   = 45


     
I yin re y'o ma wa l'e nu mi, I wo L'olo run, o ki i s'e ni yan, I yin re y'o ma wa

       

         
   
 
 
                 
              
  
2

4 Declassical music
 
                 
     
  
60


     
       
     
l'e nu mi, mo ni I wo L'olo run, o ki i s'e ni yan, I yin re y'o ma wa

              

                    
        
 3 

 

                       
64   = 50

         
                        
l'e nu mi. Ose O lo run o go, Ose O lo run i fe o,

                 

     
                    
        
22 22 22

 



                         
69
2

    
               
Ose O lo run i gbagbo gbo, Iyin re y'o ma wa l'e nu mi.

   
                   

Broadly
2

                     
a tempo

     

         
22


22

 
2

Declassical music 5
    

75

 
            
  

          
   

6 Declassical music