Professional Documents
Culture Documents
Southern Spotlight - A Tradition of Artistry
Southern Spotlight - A Tradition of Artistry
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A Tradition of Artistry
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Discover the myriad artistic contributions of our beloved region at a New Orleans museum
dedicated to the South’s distinctive cultural journey.
by Elizabeth Bonner Czapski | photography courtesy of Ogden Museum of Southern Art
At the Ogden Museum of Southern Art, you’ll find contemporary works like Ashley
Pridmore’s 2020 Dreams of Eve (above), a deconstructed forest tableau displayed in the
Entwined exhibition, as well as classics like Benny Andrews’ 1992 Grandmother’s Dinner
(opposite, left), a highlight of the museum’s permanent collection. Ogden also provides
countless creative learning opportunities for both children and adults. “Our museum is
unique in that it’s very community focused,” says Melissa Kenyon, director of marketing
and experience. “We try to make sure there’s programming for all ages and interests.”
A
mid the lively ambience of illustrations of social injustice by on a donation from New Orleans binding through the perspectives of art museum, Ogden is a very rooted in enhancing appreciation for the
New Orleans’ Warehouse Benny Andrews. entrepreneur Roger Ogden, who modern artists, and Revelations, welcoming environment and has Southern visual arts as well as other
District, the Ogden Museum Ogden’s curator of the collection, realized his private collection was too which features a selection of something for everyone,” she says. cultural traditions, from music and
of Southern Art stands out in its own Bradley Sumrall, explains that important to keep to himself. “He photographs that celebrates regional In the first-floor museum store, literature to culinary heritage. “We
right, infusing unique character into Southern art through the years has considered Southern art the last identity taken from the early 20th peruse books, jewelry, apparel, and hope that by representing a broad range
the vibrant sights and sounds all hewed to expected themes—craft frontier of American art scholarship,” century to the present. Louisiana works by regional makers facilitated of artists tackling a variety of subjects
around. Its striking edifice is cloaked traditions, narrative and vernacular Bradley says. In the two decades since, Contemporary, an annual exhibition through Ogden’s Center for Southern and practices—from depicting the
in an eclectic mural that blends a art, portrait and landscape painting— Roger’s original gift of more than 600 that will be open through the fall, Craft & Design, which offers artisans changing landscapes and demographics
kaleidoscopic assortment of shapes but has also stayed in step with every works has expanded into a compilation showcases artists currently living in and designers a platform to sell their of the region to facing the brutal history
painted by local artist MOMO. Inside major Western art movement. of 4,000-plus pieces spanning the state. creations. Monthly pop-ups bring in and enduring legacy of slavery—the
lies the largest, most comprehensive “The one unifying theme across all paintings, watercolors, drawings, The museum’s façade extends a new talent and keep inventory fresh, museum can help visitors separate
collection of art tied to the American genres and mediums is that thing prints, photographs, sculpture, wood, vivid greeting to visitors thanks to and the center’s quarterly Artist the reality of the region from the
South, boasting works from 1733 to that is sometimes fully present and crafts, and beyond—all by artists from MOMO’s eye-catching mural. It’s a Spotlight Series grants exhibition stereotypes,” Bradley says. “Ogden
today that include classic rural sometimes quietly influential, that the 15 Southern states as well as the fitting universal backdrop to the space to a rotating craftsperson in the hopes to tell the story of the
landscapes by Will Henry Stevens, thing which renowned Southern District of Columbia. sundry works inside, as the artist has field of ceramics, glass, wood, metal, South—a complicated, rich, diverse,
colorful folk depictions of plantation writer Eudora Welty described as a The permanent collection touts described his paintings as “music fiber and textiles, or mixed media. and ever-changing story that is
life by Louisiana native Clementine ‘sense of place,’” he says. legendary artists who happen to hail without lyrics,” carrying no theme or In addition to supporting local still being written.”
Hunter, and mixed-media The museum was founded in 1999 from the South, such as Jasper Johns, meaning. Upon entrance, an artists, Ogden also engages with the For information, visit ogdenmuseum.org.