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Quarter 1-Module 1
The Commonality and Distinguishing Elements
of Artistic Expression in All the Arts
RO_Q1_Creative Writing7_Module 1
Creative Writing – Grade 7
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Management Team:
Dr. Ramir B. Uytico, CESO IV
Dr. Pedro T. Escobarte, Jr., CESO V
Dr. Neri Anne M. Alibuyog, CESO V
Dr. Bernie L. Libo-on
Dr. Athea V. Landar
Melgar D. Coronel
Ana Lee C. Bartolo
Mithos V. Hiponia
i
CREATIVE WRITING
Quarter 1-Module 1
The Commonality and Distinguishing Elements
of Artistic Expression in All the Arts
ii
Introduction
For the facilitator:
A warm welcome for accepting Creative Writing – Grade 7 of the Alternative Delivery
Mode (ADM) Module!
This educational help is hoping to connect the learner to guided and free learning
based on their abilities, pace and time. This also aims to help the learners to achieve
the 21st century skills while considering their needs and condition.
As a facilitator, you are expected to give first-hand information to the learner on how
to use this module. Their learning progress should also be guided and recorded while
they are allowed self-learning. Moreover, it is expected from you that you guide and
encourage the learners while they are doing the assigned tasks in this module.
A warm welcome for accepting Creative Writing – Grade 7 of the Alternative Delivery
Mode (ADM) Module!
This module was developed in order to help your learning needs. This is aims to help
you study while you are not inside the four corners of a classroom. This also aims to
give you essential learning opportunities.
iii
What I Need to Know
This module was designed and written with you in mind. It is here to help you master
the art of Creative Writing. The scope of this module permits it to be used in many
different learning situations. The language used recognizes the diverse vocabulary
level of students. The lessons are arranged to follow the standard and sequence of
the course.
1
What I Know
2. Line, shape, color, value, texture, space and form as a group are called the
3. The principle of art that an artist may use in order to bring sense of wholeness
or completeness to his work is called
4. A principle of art in which is many differences among the elements are used to
create added interest in the work is called
5. Emphasis is when
2
What’s New
Have you ever been in an art gallery and found yourself wishing that you could say
something really impressive?
Directions: Study the famous painting below made by Picasso titled, “Tete d'une
Femme Lisant”.
Question: In 5 simple sentences, describe the painting according to its color, texture
and message that it conveys.
-
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
___________________________________________________________________________
Reference:
https://www.pablopicasso.org/tete-dune-femme-lisant.jsp
3
What is It
https://study.com/academy/lesson/composition-in-art-definition-elements.html
Artists and those who study art share their own unique language, and learning this
language is the first step to not only truly understanding and appreciating art, but
also being able to talk about it. The first step is learning the rules of composition.
When talking about the composition of a work of art, we're not talking about the
meaning or message, we're only talking about the physical components. For many
great masterpieces, we can't even begin to truly appreciate the meaning until we've
examined and talked about the composition. Plus, it's really impressive.
https://study.com/academy/lesson/composition-in-art-definition-elements.html
4
The Visual Elements
The visual elements are the building blocks in painting and comprise of:
1. Line - The visual path that enables the eye to move within the piece.
2. Shape - Areas defined by edges within the piece, whether geometric or
organic.
3. Color - The different hues.
4. Texture - Surface qualities which translate into tactile illusions.
5. Tone - essentially a color which is not a pure hue, white or black.
6. Space - The space taken up by (positive) or in between (negative) objects.
7. Depth - Perceived distance from the observer, segmented into the foreground,
background and optionally middle ground.
https://study.com/academy/lesson/composition-in-art-definition-elements.html
5
What I Can Do
Directions: Create your own simple art piece that showcase the integration of artistic
expression. Paintings below are made by two famous painters in the world. This will
serve as your guide. Then, write a narrative about your own piece of art.
https://www.tate.org.uk/art/artworks/picasso-weeping-woman-
t05010https://www.britannica.com/topic/Mona-Lisa-painting
Assessment
Direction: Answer the following questions below. Choose your answer from the box.
LINE SHAPE
MOVEMENT
UNITY FOCUS
COLOR
______________ 1. Creating a visual sense of movement in your painting through the
placement of elements.
______________ 2. The arrangement of elements to place emphasis on desired areas
in your painting.
______________ 3. - Using similar elements throughout your painting to create a
general sense of harmony
______________ 4 . The visual path that enables the eye to move within the piece.
______________ 5. The different hues.
6
What I Know
A. To inform/explain C. To persuade
B. To express ideas/feelings D. To entertain
3. If you are including the number 5 in your writing, what is the correct way to write
it?
4. During 1986, more than 600,000 immigrants entered the United States from at
least twenty countries.
What’s New
Directions: Read the famous narrative below written by John Updike, Hub Fans Bid
Kid Adieu.
***
"The afternoon grew so glowering that in the sixth inning the arc lights were turned
on--always a wan sight in the daytime, like the burning headlights of a funeral
procession. Aided by the gloom, Fisher was slicing through the Sox rookies, and
Williams did not come to bat in the seventh. He was second up in the eighth. This
was almost certainly his last time to come to the plate in Fenway Park, and instead
of merely cheering, as we had at his three previous appearances, we stood, all of us,
and applauded."
7
***
Question: How would you describe the message being conveyed by the writer? Where
do you think is the setting of the story? What is it all about?
__________________________________________________________________________
___________________________________________________________________________
https://www.4tests.com/exam/ged-practice-test/review/34265496-5065-5065-1-
v-26--2
What Is It
Essay Writing - a piece of writing that gives the author's own argument. Essays have
traditionally been sub-classified as formal and informal.
Informal essay
(sometimes also called
Characteristic personal or familiar Formal essay
essay)
8
FORMAL VS. INFORMAL WRITING
Informal essay
(sometimes also called
Characteristic personal or familiar Formal essay
essay)
1. Introduction – gives reader a clear idea of what your essay will cover.
Purpose of an Introduction:
a. Sets the scene (briefly mention key actors, events)
b. Puts the issue in a wider context
c. Answers the reader’s question: ‘
d. Tells the reader roughly how you are going to answer the essay question
but avoids general, bland statement
e. Hold the reader’s attention by intriguing them.
2. Body - develop from bullet points (written at the essay plan stage)
9
- start with the broad, background points to set the scene, then
advance chronologically, or conceptually, building the argument
with each successive paragraph.
3. Conclusion – last part of your essay. Brings all the threads of your argument
together. Ideally, using what you have discussed, forge a new synthesis of
knowledge!
Points to Consider in Making Conclusion
a. The conclusion should not merely be a restatement of the
introduction
b. Leave your reader feeling satisfied.
Try to refine your argument down to one or two sentences, and state them
convincingly.
https://www.google.com/search?q=essay+introduction+body+conclusion+burger&client=m
s-android-samsung-gj-
rev1&prmd=inmv&sxsrf=ALeKk03tUJS09uVVz1xW3mztMwnL96kV0A:1626839464845&so
urce=lnms&tbm=isch&sa=X&ved=2ahUKEwjg7qGjofPxAhUMad4KHRQOCRMQ_AUoAXoEC
AIQAQ&biw=412&bih=670&dpr=1.75#imgrc=Wzjj37JcI3woxM
Ideally, the narrative should be beautifully crafted, with relevant facts, cogent
analysis and poetic turns of phrase. What comes next? Hold attention by means of
anticipation. Insert small surprises. Jolt reader awake with something unexpected
now and again. Reader should never have to stop, look back, or look ahead. Read
out loud to check it flows well.
https://www.educationcorner.com/writing-an-essay.html
10
Practices to Avoid in Writing an Essay
1. Avoid talking in the present tense about historical events
2. Avoid defining commonplace words
3. Avoid quoting historians at length when you could paraphrase just as easily.
Only quote historians when their point is contentious and pointedly worded.
4. Avoid using phrases such as “I believe”
5. Avoid the passive voice whenever possible. Be direct.
What’s More
Direction: Circle all the reasons you write. Pick your top 3 and say why:
To tell
I write ___________________, because _____________________
To heal
________________________________________________________
To discover
________________________________________________________
To share
________________________________________________________
To connect
To transform
I write ___________________, because _____________________
To energize
________________________________________________________
To answer
________________________________________________________
To remember
________________________________________________________
To understand
To create
I write ___________________, because _____________________
To enjoy
________________________________________________________
To breathe
________________________________________________________
To grow
________________________________________________________
To inspire
To explore
To transcend
11
What I Can Do
Key Answer
12
References
Eugenio, Damiana L. Philippine Folk Literature: The Epics (Philippine Folk Literature).
Volume III.
Walsh, M. (2010). Multimodal literacy: What does it mean for classroom practice.
Australian Journal of Language and Literacy, 33(3), 211-239.