MAJOR TECHNIQUE

ARTIST ARTWORK AND STYLE

The  Babaeng Nagbabasa
Philippine  Afternoon Meal of the Amorsolo used natural light in
artist Workers (Noonday Meal his paintings and developed
Fernando of the Rice Workers) the backlighting technique
Amorsolo (1939) Chiaroscuro, which became
(1892-  Assassination of Governor his artistic trademark and his
1972) was Bustamante greatest contribution to
a portraitis  Bataan Philippine painting.
t and  The Bombing of the
painter of rural land scapes. Intendencia (1942)
He is best known for his
 The Building of
craftsmanship and mastery in
Intramuros
the use of light. Fernando
Amorsolo was born May 30,  Burning of the Idol
1892, in the Paco district of  The Burning of
Manila. Manila (1946)
 El Ciego (1928)
 The Conversion of the
Filipinos (1931) Et.Al

Juan Luna
de San
Pedro y
Novicio
Ancheta
was born
on
October
23, 1857 –
December
7, 1899) was a Filipino
painter, sculptor and a
political activist of the
Philippine Revolution during
the late 19th century. He
became one of the first
recognized Philippine artists.
Hidalgo was born in Binondo,
Manila on February 21, 1855.
He was the third of seven
children of Eduardo
Resurrección Hidalgo and
María Bárbara Padilla. He
studied in the University of
• Spoliarium, 1884.
• The Death of Cleopatra,
1881.
• El Pacto de Sangre, 1884.
• La Batalla de Lepanto, 1887.
• The Parisian Life, 1892.
• The River, 1885.
• Despues del Baile.
 La barca, 1876
 Vendedora de lanzones,
1876
 Las Virgenes Cristianas
Expuestas al Populacho,
1884
 The Young Woman
With iconic and remarkable
masterpieces such
as ‘Spolarium’, ‘Blood
Compact’ and ‘The Death of
Cleopatra’, Luna is known for
his dynamic and unique style,
along with his dramatic and
captivating canvases. His work
is remembered as one of the
principal examples of
Romanticism and Realism
schools of art. Juan was not
just an artist, he was a
revolutionary and influential
political activist who was an
active participant in the
Philippine Revolution that took
place in the late 19th century.
In a letter to Paterno, Hidalgo
marveled about his discovery
of a painting technique that
ever so subtly to imbued oils
on canvas with a watercolor
brilliance. The Impressionist
Santo Sewing, 1885 style revolved around the
Tomas.  Jesucristo, 1887 theory of complementary
 La Barca de Aqueronte, colors and their emotional
1887 effect.
 La Laguna Estigia, 1887
 La Pintura, Undated (c.
1890s)
 Adios del Sol, 1891, Et.Al