Professional Documents
Culture Documents
CHAPTER 2
Learning Objectives
After studying this chapter, students should be able to:
1. Explain the major provisions of the Fair Labor Standards Act.
2. Define hours worked.
3. Describe the main types of records used to collect payroll data.
4. Calculate regular and overtime pay.
5. Identify distinctive compensation plans.
Contents
Chapter 2 outline:
LEARNING OBJECTIVES
THE FAIR LABOR STANDARDS ACT
Coverage
Enterprise Coverage
Individual Employee Coverage
Employer
Employee
Employees of a Corporation
Partnerships
Domestics
Statutory Employees
Statutory Nonemployees
Interns
Wages
The Minimum Wage
Paying Less than the Minimum Wage
Paying More than the Minimum wage
State Laws
Paying a “Living Wage”
Tips
Workweek
Overtime Hours and Overtime Pay
Exceptions to Overtime Hours and Overtime Pay Provisions
Compensatory Time Off
2–1
© 2015 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
V i s i t T e s t B a n k D e a l . c o m t o g e t c o
2–2 Payroll Accounting
© 2015 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
Chapter 2 2–3
© 2015 Cengage Learning. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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“Oh, we go up to the society rooms and play pool or chess,” replied
Jimmy sweetly. “Or we gather about the piano downstairs and sing glees.
Don’t you just love to sing glees? And rounds? Know that charming
thing about the Three Blind Mice? Shall we go down and sing it?”
“You make me sick,” groaned Monty.
“I’m going home to do some studying,” said Leon with a noticeable
lack of enthusiasm. “What time is it?”
“About a quarter past nine, old dear. What’s the matter with our
western friend?”
Monty had lowered his feet to the floor, and was gazing at Jimmy with
a strangely earnest expression, an expression absorbed and almost
exalted. “Where is this piano?” he asked softly.
“Oh, my poor Leon, he’s going to sing at us!” moaned Jimmy. “Don’t
tell him! Don’t tell him!”
But Monty was already crossing the room to the door. “Come on,” he
directed. “If we can’t break something let’s make a noise.”
The common room, a big apartment on the first floor comfortably
furnished with leather-cushioned chairs and couches and window-seats,
was deserted, but in the game room, which opened from it at one end, a
dozen boys were seated about the tables at chess or checkers or
dominoes. At the other end of the common room was the library, a
square apartment of book-lined walls and low reading lamps, and here a
few more denizens of Lothrop were ensconced. The evening was a trifle
chilly in spite of the warmth of the day, and a small fire flickered in the
big fireplace when Monty and Leon and Jimmy descended on the piano.
Jimmy was grinning in anticipation of the disturbance about to be
created. There was no rule that he knew of prohibiting the use of the
piano at that hour, but he fancied the chess players and the studious
youths reclining in the padded ease of the library armchairs would not be
especially sympathetic toward Monty’s craving for music.
If any such thoughts assailed Monty, he hid the fact. Up went the
piano lid, and he ran his fingers along the keys with a startling tri-i-ill.
“Some box,” he announced approvingly. Then he seated himself on the
bench, struck a chord resonantly, and put his head back. In the library
five books were lowered simultaneously, and in the game room a dozen
absorbed youths stared amazedly and frowned disapproval.
CHAPTER XII
KEYS: PIANO AND OTHERS
M onty had a good voice, and lots of it, a true baritone. And he
proved within a few moments that he could, to use his own phrase,
“pound the tombstones.” He could read easy notes, but his playing was
usually by ear, and he was not tied down by any particular method, style
or rules. Fingering may not have been one of Monty’s strong points, but
he had a good sense of harmony and rhythm and plenty of strength! His
first offering, however, afforded him small opportunity to prove his skill
as an accompanist, for the song required little assistance from the
instrument. Nor, for that matter, did it call for remarkable vocal effort. It
wasn’t a particularly cheerful song, and the fact that Monty sang it in a
drawling wail made it no livelier.
There was, evidently, another verse, but Jimmy interposed. “For the
love of lemons, Monty!” he begged. “Don’t you know anything
cheerful?”
Monty grinned, nodded and struck the keys a resounding bang,
straightened back and started off blithely:
Monty said there were eighteen verses in all, but he compromised with
Leon and Jimmy on eight. By that time Monty’s audience had increased
vastly. The doorways were thronged, while a few of Jimmy’s friends had
joined him at the piano. Monty dashed into a rollicking cowboy ditty
called, “When Rob Got Throwed”:
Applause followed the final verse, and for the first time Monty
became aware of the size of his audience. “Hello,” he said to the room in
general. “Want to sing something? What do they know, Jimmy? How
about ‘Sam Bas’? or ‘The Shivaree’? or ‘Black Jack Davey’? Well, what
do you know?”
But it appeared that the audience preferred to hear more from Monty,
and Monty good-naturedly responded. The game tables were now
abandoned and the doorways were empty, and half a hundred inhabitants
of Lothrop had closed in around the piano or found points of vantage
near by. The big tables, one at each end of the room, were crowded, and
swinging feet kept time to the refrains. Monty had to ransack his
memory for songs. Now and then the listeners showed a disposition to
take part by humming a chorus, but it wasn’t until the soloist had got
halfway through “Cantankerous Charlie” that he had the audience with
him. They liked that song, for there was a fine swing to the refrain:
After that the concert was no longer a one-man affair. One singer after
another was pushed forward, held a brief conference with Monty and
launched into song. After the first verse was sung Monty was right with
him. When in doubt he “faked,” but he never went far wrong. They sang
all the popular songs of the moment, and many old favorites. Once, Mr.
Rumford appeared unnoticed at the door—his rooms were at the end of
the corridor—and looked and listened doubtfully. But the hour was still
early, and save that the noise was possibly a bit excessive, the
performance was violating no rule, and the assistant principal went softly
away again.
At last, Monty pleaded weariness, and a senior named Forbes took his
place at the keyboard, and they began on the school songs: “Here We
Go,” “The Scarlet and Gray,” “The Days to Memory Dear,” and many
others. Monty sifted his way through the crowd. He had had enough, and
was ready for bed. He tried to find Leon, but that youth was swallowed
up in the throng. Fellows near by were observing him curiously, but
approvingly, as he loitered across to the fireplace. At the piano Forbes
was making the strings hum under the strains of “Here We Go!” and half
a hundred throats—more, perhaps, since youths returning from the
village or other dormitories had joined the throng—were chanting the
chorus. Monty yawned. After all, singing had not altogether quieted his
craving for exciting deeds, but nothing more promised. Unobtrusively, he
left the room by the nearer door, and climbed the stairs to Number 14 to
recover his hat. As he went, the swelling refrain followed him:
The words, if not the sound, failed him as he pushed open the door of
Number 14. He considered awaiting Leon’s and Jimmy’s return, and
decided against it. Leon would probably go back to Trow without
coming back upstairs. Monty yawned again, picked up his hat, set it
askew on his head, and started out. But the sight of the key reposing
trustfully on the inside of the door gave him an idea. He chuckled as he
withdrew it, closed the door, inserted the key on the outside, turned it,
and pulled it out. He tried the portal and dropped the key in his pocket.
Up and down the corridor other doors stood invitingly open, some wide,
some barely ajar. A few were closed. Monty’s idea grew to splendid
proportions. He crossed the corridor to the nearest open portal and
knocked. There was no answer. As he had expected none, he was not
disappointed. Reaching around, he took the key of Number 13 from the
inside, transferred it to the outside, and closed and locked the door. The
key, with its little brass disk bearing the number, joined its fellow in
Monty’s pocket. He listened, a smile of dreamy delight on his face. They
were still at it downstairs. It would be a shame not to make a thorough
job of it, not to take advantage of such good fortune!
For the next few minutes he was busy. He didn’t hurry, and there was
nothing crafty in his movements. Quite boldly he walked to a door and
knocked. Only once did he meet a response. Then he asked for Jimmy,
was told to try Number 14, apologized and withdrew. At the end of five
minutes twelve doors were firmly locked and twelve keys jingled merrily
in Monty’s pocket. Whereupon, crooning softly and happily, he
descended the stairway at the south end of the building, and, carefully
avoiding the common room, let himself out into the night.