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MULTIPLE CHOICE. Choose the one alternative that best completes the statement or answers the
question.
2) -9 = x - 7
A) x = -16
B) x = 16
C) x = -2
D) x = 2
Answer: C
3) x - 5 = 18
A) x = 23
B) x = -23
C) x = -13
D) x = 13
Answer: A
4) x + 18 = 19
A) x = 37
B) x = -37
C) x = 1
D) x = -1
Answer: C
5) -10 = x - 3
A) x = -13
B) x = -7
C) x = 13
D) x = 7
Answer: B
6) x - 3 = 5
1
7) -16 = x - 14
A) x = -2
B) x = -30
C) x = 224
D) x = 2
Answer: A
2
8) 9 + 11 + x = 6 + 8
A) x = -22
B) x = -6
C) x = 16
D) x = 34
Answer: B
9) 5 - 17 + 8 = 6 + x - 3
A) x = -13
B) x = 33
C) x = 5
D) x = -7
Answer: D
10) 17 - 12 = x - 6
A) x = 35
B) x = -1
C) x = 11
D) x = 23
Answer: C
12) 8.3 = 15 - x
A) x = 6.7
B) x = 22.8
C) x = 23.3
D) x = 6.2
Answer: A
3
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How well I remember the first sight of her, so long ago! We first saw her
at church—Dr. Channing’s. It was a presence one did
not speedily tire of looking on—most attractive and
Personal
impressive; yet the features were plain, and only saved appearance.
from seeming heavily moulded by her thinness. She was
rather taller and more strongly made than most American ladies. Her
complexion was neither fair nor sallow, nor yet of the pale, intellectual tone
that is thought to belong to authorship. It was the hue of one severely
tasked, but not with literary work. She had rich, brown, abundant hair,
folded away in shining waves from the middle of a forehead totally unlike
the flat one described by those who knew her as a child. It was now low
over the eyes, like the Greek brows, and embossed rather than graven by the
workings of thought. The eyes themselves were light and full, of a grayish
greenish blue, varying in color with the time of day, or with the eye of the
beholder—les yeux pers of the old French romance writers. They were
steadily and quietly alert, as if constantly seeing something where another
would have found nothing to notice. Her habitual expression was one of
serene and self-sufficing dignity—the look of perfect and benevolent repose
that comes to them whose long, unselfish struggle to wring its best from life
has been crowned with complete victory. You might walk the livelong day,
in any city streets, and not meet such a face of simple, cheerful strength,
with so much light and sweetness in its play of feature.
M W C : ‘Memorials of Harriet Martineau.’
It was while she was in the United States that the first
portrait of her which I have seen was painted. She Her best portrait
herself did not like it, calling the attitude melodramatic; described.
but her sister Rachel, I am told, always declared that it was the only true
portrait of Harriet that was ever taken. At this point, then, some idea of her
person may be given. She was somewhat above the middle height, and at
this time had a slender figure. The face in the portrait is oval; the forehead
rather broad, as well as high, but not either to a remarkable degree. The
most noticeable peculiarity of the face is found in a slight projection of the
lower lip. The nose is straight, not at all turned up at the end, but yet with a
definite tip to it. The eyes are a clear gray, with a calm, steadfast, yet sweet
gaze; indeed, there is an appealing look in them. The hair is of so dark a
brown as to appear nearly black. A tress of it (cut off twenty years later than
this American visit, when it had turned snow-white), has been given to me;
and I find the treasured relic to be of exceptionally fine texture—a sure sign
of a delicate and sensitive nervous organization. Her hands and feet were
small. She was certainly not beautiful; besides the slight projection of the
lower lip, the face has the defect of the cheeks sloping in too much towards
the chin. But she was not strikingly plain, either. The countenance in this
picture has a look both of appealing sweetness and of strength in reserve;
and one feels that with such beauty of expression, it could not fail to be
attractive to those who looked upon it with sympathy.
M .F M : ‘Harriet Martineau.’
Among the drawbacks of this wretched weather is that I have not yet
been able to get to Ambleside to see Miss Martineau. When she has dined
with us, or been at all to Liverpool, I have always missed her by being at
Cambridge; and I own myself a little curious to hear from her, viva voce,
some of her experiences. Her latest “craze” (to use a word of DeQuincey’s),
is the establishment of a shop in London for the sale of—in plain English—
infidel literature. She complained most bitterly, the other day, to my
brother-in-law, that whenever her book on ‘Man’s Nature and
Development’ is inquired for, the shopman pulls it stealthily out from under
the counter, as if ashamed of selling it, and fearful lest some bystander be
scandalized. So that there’s to be a shop in a central situation, full of Miss
Martineau and August Comte, and Froude, who wrote the ‘Nemesis of
Faith’; and Frank Newman, who wrote ‘Phases of Faith,’ and (as Clough
said), the world is to receive the unbiassed truth: “That there’s no God, and
Harriet is his Prophet.”
H B : Letter to Nathaniel Hawthorne. ‘Nathaniel Hawthorne
and his Wife: a Biography,’ by Julian Hawthorne. Boston: James R. Osgood
& Co., 1885.
Cigars.
I had the privilege of providing her privately with
some very mild cigars, and many and many a summer night have we sat
together for half an hour or so in her porch at “The Knoll,” smoking. If
some of the good people, her neighbors, had known of that, it would, we
agreed, have really given them something to talk about. She only tried this
remedy, if I remember right, for a few months, but she fancied it had a
beneficial effect upon her hearing. For my part, I enjoyed nothing so much
as these evenings.
J P : ‘Some Literary Recollections.’
Proud, I think she was, but not in the least vain; and
the pride was rather the consciousness of power, and the “Proud, not vain.”
unconscious sense, so to speak, of absolute rectitude and
truthfulness.... The clear, quick apprehension of the nature and merits of a
question was her strong point, and she never talked or wrote of what she did
not understand, and saw at once how to make a difficult matter intelligible
to others.
H G. A : Letter to Maria Weston Chapman, published in the
latter’s ‘Memorials of Harriet Martineau.’