Professional Documents
Culture Documents
2
Table of Contents
1 HAD STABILITY BEEN ACHIEVED BY 1924? ................................................................................................................................ 7
1. THE BASICS...................................................................................................................................................................................... 7
2. THE DEBATES ................................................................................................................................................................................... 7
3. RECAP: WHAT HAD BEEN ACHIEVED BY 1924? ....................................................................................................................................... 8
4. SIGNS OF CONTINUING ISSUES ............................................................................................................................................................. 8
2 STRESEMANN’S FOREIGN POLICY ........................................................................................................................................... 10
1. THE BASICS.................................................................................................................................................................................... 10
2. THE DEBATES/TYPICAL ESSAY QUESTIONS ............................................................................................................................................ 11
3. THE DAWES PLAN ........................................................................................................................................................................... 12
4. THE YOUNG PLAN ........................................................................................................................................................................... 12
5. HOW MUCH DID GERMANY ACTUALLY PAY?........................................................................................................................................ 13
6. THE LOCARNO PACT ........................................................................................................................................................................ 14
7. FURTHER DIPLOMATIC PROGRESS: 1926-1929 ................................................................................................................................... 15
8. RELATIONS WITH THE USSR – THE TREATY OF BERLIN, 1926 .................................................................................................................. 16
9. DID STRESEMANN’S FOREIGN POLICY STRENGTHEN THE WEIMAR REGIME? ............................................................................................... 16
10. TAKE IT FURTHER........................................................................................................................................................................ 18
11. PRIMARY SOURCE ANALYSIS .......................................................................................................................................................... 18
3 THE ECONOMIC PERFORMANCE OF THE WEIMAR REPUBLIC’S MIDDLE YEARS ...................................................................... 20
1. THE BASICS.................................................................................................................................................................................... 20
2. THE DEBATES/TYPICAL ESSAY QUESTIONS ........................................................................................................................................... 21
3. ECONOMIC GROWTH AFTER 1923...................................................................................................................................................... 22
4. UNEVEN GROWTH AND THE LEGACY OF INFLATION ................................................................................................................................ 22
5. THE WELFARE STATE AND GOVERNMENT FINANCES ............................................................................................................................... 23
6. INDUSTRIAL DISPUTES: CASE STUDY: THE GREAT RUHR LOCKOUT OF 1928 ............................................................................................... 24
7. USING STATISTICS AND MAKING SENSE OF THE WEIMAR ECONOMY ......................................................................................................... 24
8. TAKE IT FURTHER: ........................................................................................................................................................................... 25
9. PRIMARY SOURCES ANALYSIS ............................................................................................................................................................ 26
4 POLITICS IN THE WEIMAR REPUBLIC, 1924-29: STABILITY OR HIDDEN CRISIS? ....................................................................... 27
1. POLITICS – THE BASICS .................................................................................................................................................................... 27
2. THE DEBATES ................................................................................................................................................................................. 28
3. A PERIOD OF CALM IN GERMAN POLITICS? .......................................................................................................................................... 28
4. SYMBOLS, VALUES AND WEIMAR DEMOCRACY ..................................................................................................................................... 32
5. THE 1925 PRESIDENTIAL ELECTION .................................................................................................................................................... 32
6. MILITARY, ARISTOCRATIC AND BUSINESS ELITES AND THE PARLIAMENTARY SYSTEM ..................................................................................... 33
7. TAKE IT FURTHER: IDEAS OF A NEW GERMANY IN THE WEIMAR REPUBLIC: EVALUATION OF ARTHUR MOELLER VAN DEN BRUCK, DAS DRITTE REICH
(THE THIRD REICH) (1923) ....................................................................................................................................................................... 34
8. TAKE IT FURTHER ............................................................................................................................................................................ 36
9. PRIMARY SOURCE ANALYSIS GERMANY, 1924-9 .................................................................................................................................. 36
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5 SOCIETY AND SOCIAL CHANGE IN THE MID-WEIMAR REPUBLIC ............................................................................................. 37
1. THE BASICS.................................................................................................................................................................................... 37
2. THE DEBATES ................................................................................................................................................................................ 38
3. SOCIAL GROUPS ............................................................................................................................................................................. 38
4. EDUCATION AND YOUNG PEOPLE ....................................................................................................................................................... 39
5. THE CHANGING POSITION OF WOMEN................................................................................................................................................ 42
6. THE POSITION OF JEWS: ACCEPTANCE AND NEW ANTI-SEMITISM ............................................................................................................ 44
7. TAKE IT FURTHER ............................................................................................................................................................................ 46
8. PRIMARY SOURCE ANALYSIS .............................................................................................................................................................. 46
6 ART AND CULTURE IN THE WEIMAR REPUBLIC: A NEW BATTLEGROUND FOR POLITICS ......................................................... 47
1. THE BASICS.................................................................................................................................................................................... 47
2. THE DEBATES ................................................................................................................................................................................. 48
3. A CHANGING URBAN LANDSCAPE ...................................................................................................................................................... 49
4. THE JAZZ AGE ................................................................................................................................................................................ 49
5. PAINTING AND ART ......................................................................................................................................................................... 50
6.1.1 The impact of war ............................................................................................................................................................. 51
6.1.2 Dadaism ............................................................................................................................................................................ 51
6.1.3 Neue Sachlichkeit – ‘New Objectivity’ or ‘New Matter-of-Factness’ ................................................................................. 52
6. LITERATURE AND BOOKS .................................................................................................................................................................. 52
7. CINEMA ........................................................................................................................................................................................ 53
8. THE REACTION TO CULTURAL MODERNISM .......................................................................................................................................... 54
9. TAKE IT FURTHER ............................................................................................................................................................................ 55
7 CONSOLIDATION .................................................................................................................................................................... 56
1. WAS 1924-1928 A GOLDEN AGE FOR THE WEIMAR REPUBLIC? ............................................................................................................ 56
2. KEY DEBATES ................................................................................................................................................................................. 56
3. PRACTICE EXAM QUESTIONS ............................................................................................................................................................. 58
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1 HAD STABILITY BEEN ACHIEVED BY 1924?
1. THE BASICS
2. THE DEBATES
There’s a really important debate about the period of stability that Germany appeared to enter into during this period.
a) Was it real, offering a genuine chance for Germany to establish a functioning democracy, and re-enter ‘normal’
international relations?
b) Was is superficial (or ‘ethereal’, or sham), in which the trauma of war, defeat and hyperinflation merely caused
a pause in hostilities?
The debate over whether that stability was real (a ‘golden age’) or a sham will run through this whole booklet
Again and again, we’ll be coming back to this question, and at some point, you’ll have to organise your information in a
table like this:
7
3. RECAP: WHAT HAD BEEN ACHIEVED BY 1924?
- Revisit chapter 11 of booklet one
8
d. It left SPD supporters without a voice in government.
The new government was led by Wilhelm Marx, the leader of the Centre Party. He was chancellor from 1923-25, and
1926-28. He, and President Ebert, appointed Stresemann as Foreign Minister in the new Administration.
A more positive way of looking at the period is that the Marx government was long lasting and Stresemann’s long term
as Foreign Minister provided a much-needed element of continuity to the Weimar Republic.
Unresolved Problems
• The initial response to the ending of passive resistance was unrest (most notably the Munich Putsch). Although
Ebert’s use of Article 48 was effective in bringing the crisis under control, discontent did not go away.
• Stresemann was forced to adopt unpopular policies – such as a rise in taxation - in order to balance the budget.
• The economic problems explored in Booklet 1 did not go away overnight. Those who had lost their savings in the
collapse of the old currency did not gain anything from the introduction of a new currency. Additionally, the end of
cheap credit led to an increase in the number of companies that went bankrupt to over 6000 in 1924 (from 233 in
1923.)
• Permanent stabilisation of Germany’s economy would require a settlement of the reparations dispute. In
November 1923 Stresemann asked the Allies’ Reparations Committte to set up a committee of financial experts to
address Germany’s repayment concerns. However, accomodations from the allies would require that Germany
pursue a policy of fulfillment – show of good faith in trying to carry out the pecae terms properly.
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2 STRESEMANN’S FOREIGN POLICY
1. THE BASICS
• Unlike many nationalists, Streseman recognised that Germany had been militarily defeated and not simply ‘stabbed
in the back’ and understood the circumstances that had brought Germany to its knees in 1923.
• Like all nationalists, he aimed to free Germany from the limitations of Versailles and to restore his country to the
status of a great power. However, having ruled out offensive action, his only choice was one of diplomatic
fulfilment: the policy of conforming to the terms of the Versailles Treaty and encouraging cooperation and peace,
while aiming for moderate revision of the terms. His foreign policy reflected:
o A desire for cooperation with France and friendship with the USSR and Britain.
o A desire to play on Germany’s vital importance to world trade in order to earn the goodwill and cooperation
of Britain and the USA.
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2. THE DEBATES/TYPICAL ESSAY QUESTIONS
Historians are divided about whether to view Stresemann as
• an honest man in difficult circumstances trying to make the best of a situation
• or whether they should view him more cynically: a German nationalist, helping the Wehrmacht (German army),
determined to break the Treaty of Versailles and always wishing to threaten the new countries of Eastern
Europe to re-grow a German empire.
Typical questions (if you want to practise planning them!) might be:
- ‘The domestic consequences of Stresemann’s policies were disastrous between 1923-29’. Do you agree?
- ‘Stresemann’s achievements were fundamentally economic in nature.’ Do you agree?
- ‘Stresemann’s most conspicuous success was his ability to convince the Allies to revise the Treaty of Versailles.’
Do you agree?
- ‘By 1929 Germany had returned to the community of nations as a full and equal member.’ Assess the validity of
this view.
- ‘Stresemann’s reputation as a man of peace is misplaced.’ Do you agree?
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acceptance. The campaign helped make Hitler a nationally known politicians. His fierce condemnation of the
plan contributed to the surge in NSDAP support in the 1930 elections, when both high unemployment and the
economic slump were blamed on reparations and the Young Plan.
• However, it is important to note that only 5.8 million Germans (or 14%) voted to reject the Young Plan.
Additionally, whilst it is perhaps true that Stresemann’s achievements were too subtle to be widely celebrated
by the majority of Germans, when the dire situation Stresemann inherited in 1923 is taken into consideration, it
is hard not to be impressed by Stresemann’s foreign policy which Kolb (1982) judged to be ‘astonishingly
successful.’
Perhaps a fair conclusion is that by 1929 Stresemann’s policy had not had time to establish itself and generate sufficient
support to survive the difficult circumstances of the 1930s.
Stresemann recognised that the longer the time frame that the loan repayments were supposed to be made over, the
more opportunities there would surely be for Germany to revise the payment sums. However, contemporaries did not
interpret Stresemann's policies in this way. The Dawes Plan was unpopular with German nationalists.
13
Between 1924 and 1929, some
25.5 billion marks flowed into
Germany in the form of loans
and investments (to put this
into context in the same
period Germany paid 22.9
billion marks in reparations)
This investment in Germany –
particularly from the USA -
continued a trend which had
already began earlier in the 1920s. Additionally, investors were attracted by the prospects for investment in a country
whose economic development was carefully watched over by Allied representatives. However, a long term problem was
that much of Germany’s recovery was dependent on these external loans, and they were not all loans to the central
government. US loans were given to large German corporations such as AEG, BASF, and IG Metal (79 firms in total) and
also to municipalities (cities) and states who used these to pay for their generous and experimental housing
programmes, and other improvements, like roadbuilding, hospitals, and new transport network. Remember – the
Weimar Constitution gave a lot of freedom to states in terms of spending – but they lacked accountability. The central
government were limited in their ability to control the level of debt which Germany was incurring.
Task: Exam-ready numbers
You need to know one or two examples from these statistics to be able to use in the exam. You could pick some
numbers here that seems really memorable to you for some reason and use those statistics as your evidence and
examples. You don’t need to know all of them! You could just note down the ‘net’ cost of reparations (the difference
between payments out and loans/investments in).
Reparations
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- The Arbitration Pact: Arbitration treaties between Germany, Poland, and Czechoslovakia agreed to settle future
disputes peacefully through a conciliation committee (but the existing frontiers on the east were not accepted
as final) France signed treaties of ‘mutual guarantee’ with Poland and Czechoslovakia. These said that France
would make sure that Germany did not break the agreement above.
Germany lost nothing by signing the Locarno Pact as it had no sound national claim
to Alsace-Lorraine. On the other hand, Stresemann also won advances on the
evacuation of the Rhineland. The Locarno Treaty significantly limited France’s
freedom of action since the occupation of the Ruhr or possible annexation of the
Rhineland was no longer possible. Additionally, by establishing a sold basis for
Franco-German understanding, Stresemann had lessened France’s need to find allies
in eastern Europe.
Conversely, the Locarno Treaty was a major setback for Poland as Stresemann had
deliberately refused to confirm the frontiers in the east. Stresemann also made clear
that the issue of German minorities living abroad was one which the Allies would
have to come back to at some point in the future and the Allies accepted this. This
represented a key triumph for Stresemann and his nationalist ambitions, and would
also have key implications for the future.
We know now, but contemporaries did not know, that Stresemann retained many of
his conservative goals from the First World War. He looked to the Treaty of Brest-
Litovsk as being the ultimate expression of Germany’s ambitions in the east
(remember: in the Treaty of Brest-Listovsk with Lenin’s Soviet Union, March 1918,
demanded 6bn gold marks in reparations, and Russia was forced to secede extensive
territories such as Poland, Lithuania, Latvia and Estonia to Germany). It is important
to remember however, that contemporaries were unaware of this “nationalist”
aspect to his foreign policy.
Entry into the League of Nations was required in order for the Locarno Pact to come
into operation. This was a positive as the more organisations in which negotiation
was conducted with Germany, then the more opportunities Germany would have to
revise and talk down the reparations bill and the features of the Versailles treaty
which it objected to. Stresemann insisted that if Germany was going to enter the
League of Nations, it would have to be a key member of the most important part of
the League of Nations, the council. This recognised Germany’s status as a great
power amongst other great powers.
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8. RELATIONS WITH THE USSR – THE TREATY OF BERLIN, 1926
The terms of the Treaty of Rapallo were reaffirmed by the Treaty of Berlin in April 1926, in which Germany also
promised to remain neutral in the event of Russia being involved in a war. This reduced strategic fears on Germany’s
Eastern Front and placed even more pressure on Poland to give way to German demands for frontier changes. It also
opened the possibility of a large commercial market and increased military cooperation.
The secret clause of the Treaty of Rapallo was carried forward into the Treaty of Berlin. This enabled the German
military to practise in the use of heavy weaponry in the territory of the USSR (another example of the on-going
continuity in the role of the military, acting as a ‘state within a state’). The German army also agreed to train officers of
the red Army. This was in contravention to the Versailles treaty, and showed that these two outcast nations were
prepared to co-operate slightly to improve their position. This shows that Stresemann was perhaps not quite as focused
on maintaining the Treaty of Versailles as appeared at the time.
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10. TAKE IT FURTHER
The Hiden chapters on Foreign Policy and Economics and Reparations are useful for setting this period in a broader
context of the whole period 1919-1929, as is the section on Foreign policy in Lee’s overview text on Weimar Germany.
There are a number of useful articles on Stresemann in the History Today archive. Wright’s Stresemann and Weimar
which is in the library folder gives a good introduction to the Stresemann’s debate.
Evidence which was secret during Stresemann’s lifetime was published after his death – and you can read about it in
‘Conan Fischer – The Stresemann Memoirs Scandal, 1932’. It’s in the library folder.
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3 THE ECONOMIC PERFORMANCE OF THE WEIMAR REPUBLIC’S MIDDLE YEARS
1. THE BASICS
Historians are deeply divided about whether there was a ‘return to prosperity’ between 1924-29, or it was just a
continuation of crisis, but hidden by superficial achievements.
Find a statistic from this chapter to support each of the points in the chart below
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2. THE DEBATES/TYPICAL ESSAY QUESTIONS
The big debate in this topic is whether the economic recovery was real, or whether it was an illusion.
It is often claimed that the introduction of the new currency – the Rentenmark – and the measures of the Dawes Plan
ushered in five years of economic growth and affluence. For many Germans looking back from the late 1920s it seemed
as if Germany had made a remarkable recovery.
However, the fact that the five years of ‘prosperity’ following the economic chaos of 1922-3 ended with the Great
Depression of 1929-1933 has led to claims that economic recovery was extremely superficial.
Typical questions for you to practice planning:
- ‘We should not view 1923-24 as a turning point in the economic history of the Weimar Republic; the
fundamental problems remained the same until 1929.’ Do you agree?
- ‘The German economy between 1924-29 recovered sufficiently to quell serious social and political conflict.’
Assess the validity of this view.
- ‘There was no “Golden Era” of the Weimar economy.’ Assess the validity of this view.
- ‘The achievements of the Weimar economy between 1924-29, particularly in the field of improving standards of
living and welfare, were remarkable.’ Were they?
- ‘The key weakness of the Weimar economy between 1924-29 was its reliance on debt.’ Was it?
There is also debate about who was responsible for the economic problems in the Weimar Republic
1. Responsibility lies with the government reliance on Debt: and the people who took on debt. This line of
argument emphasises that in all sorts of ways the German state lived beyond its means, and made the German
economy endlessly dependent on loan after loan after loan after loan. The Weimar Constitution gave such
enormous autonomy to the municipalities and the states (so maybe the constitution helped promote debt?)
that they could take on debts which the central bank and central government could not manage, and might not
even know about. The main political parties refused to engage with the problems of raising taxes to pay for new
welfare systems and so they were partly to blame for creating debt. This meant that huge amounts of money
were always going to interest payments, rather than investments in real things that make economies grow. The
lack of investment in the economy, so this argument goes, is one of the reasons why unemployment was always
above 1 million people. According to this argument, the recession began well before the Wall Street Crash of
1929, which should be viewed merely as the final stage in the drama. Also, in this interpretation, the working-
class share some of the blame, if that is the right word, by insisting on having a decent standard of living which
the rich refused to pay for responsibly.
2. Responsibility lies with German business leaders: In this interpretation, historians, typically left-wing
historians, emphasise that large businesses benefited very greatly from the hyperinflation, and then clubbed
together to form cartels (groups) in a process known as cartelisation. This allowed them to keep prices
artificially high, by forming clubs of rich businesses which prevented competition, and discouraged investment.
To many businessmen, having high unemployment above 1 million people was a good idea, because it meant
that they would always have a pool of desperately poor unemployed people to find labour from, and it would
be very difficult for trade unions to campaign to raise wages. Like the ‘debt theory’, this theory also emphasises
that the German governments played a role: Businesses did not do it on their own; the government encouraged
cartelisation, and gave all sorts of subsidies to big business and protected old-fashioned, inefficient agriculture
on the Junker estates. Secondly, also in line with the ‘debt theory’, this line of argument also emphasises that
unemployment was caused in part by lack of investment, although in this case, these historians argue that the
lack of investment was caused by cartelisation and rich businesses profiting from the war and hyperinflation.
3. Responsibility lies with Industrial conflict: ordinary Germans, rich and poor, were responsible. Historians
working in local archives that emphasise the day-to-day experience of ordinary Germans in dozens of different
towns and cities across the Weimar Republic have emphasised that the major problems in the economy were
caused by a stand-off between employers and workers. Workers demanded ever larger pay rises and shorter
working days; employers tried to cut wages, safety at work, and welfare benefit contributions. This led to huge
amounts of strike action on the part of trade unions, and lockouts on the part of employers where employers
21
would lock factory gates and stop workers coming to work until, basically, they surrendered to the employers
demands the lower wages on longer hours.
22
national population. Indebtedness and bankruptcies grew and there were outbreaks of peasant violence against
evictions when they could not pay their debts. In 1928, in what has been called “the farmer’s revenge”, many farmers
voted for the Nazi party. Over time, NSDAP support was always higher in the rural North and East (that is to stay
Protestant) agricultural areas and small towns in the countryside, than in large cities in urban north and west (or in the
Catholic south).
It is also important that the most backward, most indebted parts of the agricultural system were the old Estates of
Prussia in eastern Germany. It is also significant that these estates tended to be owned by very large landowners of the
aristocratic Junker class. Thus, not only were the Junkers threatened politically from their traditional positions of
authority by the Weimar revolution, but the types of economic crisis which would strike industry after 1928 and 29
were persistent features of Junker economic life in the agricultural respect in the mid-1920s.
Spending was no longer financed by simply printing money. Expenditure and the circulation of money were tightly
controlled. These were orthodox policies but as a result there were insufficient resources to finance the ambitious
welfare state built into the Weimar Constitution. Which causes in the Weimar Constitution advocated or even
committed the government to extensive welfare spending? Much of this shortfall was financed by debt, often short-
term debt, and often debt taken up by municipalities and states and so in a way hidden from the central accounts of the
Weimar Republic itself. Historian Eberhard Kolb argues in The Weimar Republic that the German economy was
precarious even before the depression of 1928-29. Even Stresemann admitted in 1928: ‘Germany is dancing on a
volcano. If the short-term credits are called in [i.e., if a bank decides not to renew the credits and demand their money
back] then a large section of our economy would collapse.’
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Those in need of support, including large numbers of war veterans and their families, felt that they were being
humiliated and insulted and therefore their support for the Weimar Republic was undermined.
Welfare reform also affected many wealthier people’s attitudes towards the Weimar Republic, and it might surprise you
to learn that in fact it was the lower middle classes who often objected and most strenuously to the generosity of the
welfare state. While wealthy industrialists and landowners objected to the high tax burdens that welfare spending
would theoretically place on them, members of the lower-middle-class objected to the closing of the status between
them and manual workers and other members of the working classes. The resulting high taxation and comparative
redistribution of resources away from wealthy people reinforce many people’s suspicion of the new democratic system.
Before the slump of 1928 and 29 the eight-hour limit to the working day was changed to a ten-hour limit to help
employers. The arbitration system set up under the Weimar Republic protected workers but aroused the resentment of
employers who complained at “a political wage”, but these wages were set by arbitrators appointed by government
wanting to win working-class votes. In 1928, Ruhr industrialists rejected an arbitration award and locked out 250,000
workers in a clear attempt to break the power of the unions and defeat government-enforced compulsory arbitration.
The government did eventually arrange a compromise, but the original award had been undermined. This typified the
growing tension between employers and workers that was to become acute with the impractical depression.
Larry Peterson:
The decision of German employers in the Rhenish-Westphalian iron and steel industry to lock out workers in November
1928 rather than accept binding arbitration of a dispute over wages marked, in retrospect, the beginning of the
dissolution of the Weimar Republic. The strongest group of German capitalists, from the centre of German heavy
industry, frontally attacked the governing parliamentary coalition. It did so to stop the extension of socioeconomic
reforms, if possible, to reverse those that had been instituted since 1918, and above all to challenge that policy of state
intervention in economic affairs which regulated class
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d) Does the evidence from this economic data support the idea that the Weimar Republic favoured the working
class at the expense of the wealthiest or the elites?
8. TAKE IT FURTHER:
Both Hiden and Lee have interesting and relatively brief interpretations of the economy between 1924 and 1929. For a
more challenging read see the Economy chapter of Peukert’s ‘The Weimar Republic.’
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9. PRIMARY SOURCES ANALYSIS
With reference to these sources and your understanding of the historical context, assess the value of these sources to
an historian studying the extent of the economic recovery by 1928?
SOURCE 1
‘If we compare the present position with that of four years ago we see a very great advance in regard to the
economic development of the country as a whole.
There has been a far-reaching reorganisation and rationalisation of the industrial system of Germany; the standard of
living of the masses of the people has appreciably risen, and in the case of a great part of the working-class has again
reached or surpassed the pre-war level. The marked fluctuations of the first few years have made way for a steadier
line of development. Those who foretold a rapid and serious depression under-estimated the country’s economic
power.
At the same time there are still considerable branches of the national economy which have had an inadequate share
in the general recovery. The position of agriculture, though here and there improvement is apparent, remains on the
whole less favourable than the rest of the national economy.
Whatever turn the future may take, it is certain that there is a serious temporary shortage of capital. The difficulties
encountered in securing long-term loans have led to a growing reliance on short-term borrowing’
An extract from the report of the Commissioner of the Reichsbank, 1928. This report was written to inform
government ministers and business leaders about the state of the economy
SOURCE 2
Rationalization created its own market. Since the whole of German industry was being renovated technologically,
since new plants were being installed and the old reorganized, and new machines were being put to work, the
demand for building materials, machines, tools, and steel was very high, The branches of industry specializing in the
means of production experienced brisk sales. Since they employed more workers at better wages, the market for
those industries producing consumer goods also expanded. Thus was the economic crisis following the stabilization of
the mark overcome in 1926. The years 1926 to 1928 were the years of the great rationalization boom… But the
rationalization boom necessarily came to a speedy end. As soon as the majority of enterprises were finished
renovating their plants technologically, the process of technological adaptation had to proceed more slowly. The
slowing down caused the demand for manufactured goods to fall, confronting the industries with stagnation.
The views of Otto Bauer (a Marxist) on the influence of American production methods on Germany, 1931
SOURCE 3
‘Before the war the most important characteristic of the lower-middle class was a fundamentally secure existence,
based on a combination of capital owned and income from work. How differently the living conditions of the new
middle class appear today! The need of the white-collar employees who have lost their jobs far exceed the capacities
of unemployment provisions. In April 1928 official publications counted a total of 183,371 white-collar workers
seeking employment; of those approximately 62,000 received insurance payments and approximately 31,5000
received emergency provision; therefore 90,000 unemployed white-collar workers were without unemployment
support and in the best cases, received small payments from social welfare for the poor. Those receiving emergency
support, that is, one third of all those supported, had already been unemployed for over six months, and therefore in
many cases drew only about one third of their salaries over half a year’
In 1929, the German writer and former social worker Hilde Walter, wrote about the ‘misery’ of the new Mittelstand in
the weekly news magazine Die Weltbuhne
26
4 POLITICS IN THE WEIMAR REPUBLIC, 1924-29: STABILITY OR HIDDEN CRISIS?
1. POLITICS – THE BASICS
27
2. THE DEBATES
A key debate that runs throughout the history of the Weimar Republic is this:
- Did any significant group really support the Weimar Republic?
- In fact, did most significant groups really despise the Weimar Republic at worst, or just tolerate it at
best?
- Was the Weimar Republic a ‘Republic without Republicans’?
You need to know that this is a significant debate, and you need to recognise that sources might point in one direction
or another.
28
key cause of weakness in the Weimar system at the
national level. Too many parties stuck to their political
principles rather than accept the compromises necessary
for effective government. Even when politicians tried to
work together, the need for constant bargaining
discredited parliamentary government in the eyes of many,
because it appeared that everything was up for grabs and
there were no real principles at stake. The necessity of
making deals and striking bargains is a key part of all
democratic politics, but many Germans on the right and
left chose to view this as a corrupt system of manoeuvring and self-seeking. In fact, the political stability of the years
between 1924 and 1929 only seems stable in contrast to the years between 1916 and 1924, and 1929-35. Compared to
Britain or the USA, Germany looked very different.
Why was it hard for parties to work together at a national level?
It should be noted that at state and city level the SPD worked effectively and democratically to form majority and
coalition governments, especially in Prussia, Germany’s largest state. Historians do not really have a convincing
explanation of why the system should have worked so badly at the national level, but so well at the local level. They
usually point to the crises in Germany in 1917 and 18, and the ways that they were resolved by Reichstag politicians
who had never had real responsibility before. In Imperial Germany parties were able to pursue their own narrow
interests in the knowledge that it was the Kaiser who ultimately decided policy. This was very much unlike local
politicians, who had exercised real responsibility in the Kaiserreich.
Another cause of public dissatisfaction with politicians was the voting system. Citizens cast their votes in 35 vast
electoral regions, and they voted for a party list rather than an individual politician. It was therefore the party machine
that decided who actually became a Reichstag deputy on the basis of the number of votes the party list won. Politicians
had to manoeuvre within their parties to end up near the top of the party list in the proportional representation system
dictated by the Weimar Constitution. This meant that individual politicians did not have a direct relationship with
specific groups of electors as occurs in a constituency system, and nor were they particularly tied to the interests or
needs of specific regions. The only route to election to the Reichstag was to ensure that you were near the top of the list
of your party’s proposed candidates for the nation as a whole.
The prospects for stable government were further reduced during this period by the growth of narrow sectional interest
parties which gave a total of 78 deputies at their peak in 1930. “Sectional” parties are parties which serve tiny little
interest groups, like a region, a town, or small economic grouping. Such sectional groups were encouraged by the
proportional representation system because only 60,000 votes were needed to get representation in the Reichstag, and
remember, because of the list system the 60,000 votes could come from absolutely anywhere in the country. Their
advocacy of narrow interests, such as compensation for the losers from hyperinflation in the Reich Party for People’s
Rights and Revaluation (but also in other parties, like the Business Party, German Farmers Party, Agricultural League,
Saxon Peasants, German-Hanoverian Party…) reduced the chances of the broader compromises required for effective
democratic government.
Were the parties themselves to blame?
The political parties themselves can also be blamed for some of the public disenchantment with the Weimar system.
The moderate parties were inconsistent in their attitudes to government. The only way for governments to gain
approval for policies in the Reichstag, given the presence of the radical opposition groups on the left and right, was by
building a majority in the middle ground. However, on any issue the moderate left (SPD) and centre-right (DVP) might
join forces with the radicals to defeat government policy. This dissolved trust between politicians themselves, and
between German people and the Weimar system. Right-centre coalitions of ZP, DVP and DNVP created a situation in
which the parties tended to agree on domestic issues but disagree on foreign affairs. Whilst coalitions that included the
SPD, DDP, ZP and DVP tended to agree on foreign policy but differ on domestic issues.
Look at the overview of the key political parties on the next page. What makes it difficult for them to work together?
Are changes within the parties promoting or discouraging cooperation?
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• The SPD was the largest party until
1932. However, those on the left of
the spectrum feared that joining
coalitions with other parties would
lead to a weakening of their principle
s. On one occasion in November
1928, SPD government ministers
voted with their party against their
own government which was
proposing the funding of a new
battleship (the Battleship A affair).
• The Centre Party provided the
political leadership throughout the
period, participating in every single
coalition government from 1919 to
1932 and retaining a solid share of
the vote. However, the appeal of the
party was limited to traditional
Catholic areas and so it couldn’t
increase its share of the vote. The
party was divided amongst itself on
social and economic issues. When
the leadership passed to Kaas and
then Brüning in 1928 there was a
shift to the right.
• The Liberal Parties – the DDP and the
DVP – joined all the governments in
this period and Stresemann – one of
the few true ‘statesmen’ of the
Weimar Republic was a DVP member. However, their share of the vote nearly halved from 22% in 1920 to 14% by
1928. Moves to bring about some kind of united liberal party came to nothing, German liberalism failed to gain
popular support; and after 1929 its position declined
dramatically.
• The DNVP had opposed the republic since 1919 and Alfred Hugenburg had made a fortune in heavy industry before
on during the First World War, becoming an important
refused to take part in government but in 1925 and
shareholder in the Krupp munitions and steel concern. After the
1927 the DNVP joined government coalitions after
war, he joined the DNVP, and was a deputy in the Reichstag for
influential groups argued that the party needed to be them throughout the Weimar Republic. He used his fortune to
prepared to participate in government in order to snap up newspapers and film studios during the hyperinflation.
have any influence on government policy. However, At the same time, he took control of Germany’s largest chain of
this was unpopular with the extreme right wing of cinemas.
the party who exerted their influence when, in the The DNVP performed poorly in the 1928 general election, and
1928 election the DNVP vote fell by a quarter. Alfred he staged a coup within the DNVP, taking over its leadership
Hugenberg, an extreme nationalist, was elected as and using his huge newspaper empire to promote a political
the new leader. He rejected parliamentary ideology based on authoritarian, hard-right messages. He would
democracy and – a media tycoon – used his go on to play a hugely important role in the collapse of the
resources to promote his political message. The Weimar Republic, and was successful in the 1930 elections. He
DNVP reverted to a programme of opposition to the sponsored the referendum against the Young Plan in 1929.
republic and worked with the Nazis against the
Young Plan.
• By 1928 the NSDAP had become the largest of the Volkisch parties but still only polled 2.6% of the vote.
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What do you notice about the direction that Weimar politics
appeared to be moving in?
What other patterns can you spot in the list of Weimar
governments? The table (right) should give you some ideas.
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Why was it so difficult for Müller to form a cabinet with sufficient support in the Reichstag?
The election results of 1928 appear to be an endorsement of Weimar democracy. However, Müller’s ‘Great Coalition’
struggled for a number of reasons:
• In December 1928 Marx resigned the leadership of the Centre Party to Ludwig Kaas who triumphed over other
candidates close to the Catholic labour movement. This moved the Centre Party further from the SPD.
• The SPD and the DVP were ‘class enemies.’ Stresemann kept the DVP more central but he died suddenly in October
1929. Meanwhile trade unions and leftist opposition groups within the SPD wanted to pull it to the left.
• The extremes were becoming more troublesome. In 1928 the KPD changed its tactics in response to Stalin’s move
to the left and broke off all collaboration with the SPD (they had never joined a coalition at national level but they
sometimes voted with the SPD.) Henceforth they branded the SPD ‘Social Fascists.’ On the far right, Hugenberg
worked with the NSDAP to oppose the Young Plan.
• The economic situation was deteriorating. US investment dried up in 1928 and the Wall Street crash followed in
1929. It was exceptionally hard for coalition governments to deal with economic crisis as will be explored in the
next government. In the event Müller’s resigned when Hindenburg refused to use Article 48 to support his
government. This marked the end of parliamentary government – no subsequent government had a majority in the
Reichstag and Article 48 was increasingly used. Rule by decree became the norm rather than the exception.
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The Constitution declared that if no candidate in a presidential election gained over 50% in the first round of the voting,
a second round, in which new candidates could stand, had to be held. The candidate then winning most votes will
become president. In 1925 after indecisive first round when most parties put forward their own candidate, the parties
regrouped. The right, in an attempt to broaden its support, rallied behind a new candidate, Paul von Hindenburg – one
of the key Army generals in 1917-8. His attitude towards the republic is perhaps revealed in the fact that he had asked
the ex-Kaiser’s son (to many, the ‘crown prince’) for his permission to stand. The influential SPD Prussian leader Braun
withdrew from the presidential race in favour of a unity candidate, the drab Wilhelm Marx, leader of the Centre party,
in the hope of consolidating support for reforming Republic. The communists however refused to withdraw their
candidate to allow a united democratic front to oppose the right. Voting figures suggest this may have been vital in
determining the result of the 1925 presidential election.
Hindenburg did prove totally loyal to the constitution and so those who had hoped that his election might lead to the
restoration of the monarchy, or the creation of a military-type regime were disappointed. It has been argued by some
that the status of Hindenburg as president gave Weimar some respectability in conservative circles – he acted as a
substitute Kaiser and was well respected. On the other hand, he had no real sympathy for the republic or its values and
was an old man, set in his ways. He preferred to include the DNVP in government and, if possible, to exclude the SPD
and was influenced by anti-republican figures, many from the military. The historian Nicholls concluded ‘he refused to
betray the republic, but he did not rally the people to its banner.’
Arnold Brecht, a government legal officer (civil servant) in the Weimar years, wrote this in his 1966 autobiography about
Hindenburg’s victory in 1925:
The real surprise was not Hindenburg’s victory, which in view of the lack of pro-democratic majorities was quite logical,
in case the Communists abstained. The real surprise came later. It was the unexpected fact that Hindenburg subjected
himself quite loyally to the Weimar Constitution and maintained this attitude unhesitantly during his first term in office.
Both sides had expected his support for right-wing attempts to restore the monarchy, to abolish the colours of the
democratic republic in favour of the former black-white-red, to reduce the rights of the working classes, to reintroduce
more patriarchal conditions. The great surprise—disappointment on the one side, relief on the other—was that he did
not do any of this. During the election campaign he said that now he had read the Constitution for the first time and had
found it quite good. “If duty requires that I act as President on the basis of the Constitution, without regard to party,
person, or origin, I shall not fail.” Campaign promises are often mere sedatives; no one trusts them. But the Field
Marshall kept his for seven years. He swore an oath to the Constitution before the Reichstag. He had the black-red-gold
standard fly above his palace and on his car and made no attempt to show the black-white-red colours instead. He
made no step toward a monarchistic restoration. He performed his presidential functions conscientiously in the manner
prescribed by the Constitution. During the first five years, he did not even once make use of the President’s emergency
power under article 48, as Ebert, much to Hindenburg’s annoyance, had done repeatedly, and then did so only at
Chancellor Brüning’s request. For seven years he dismissed and appointed chancellors in strict accordance with the
Constitution without regard to his personal preferences; the Social Democrat Hermann Müller was chancellor under him
for two years (1928–1930). He signed all acts passed by the Reichstag, whether or not he liked them, even the first
extension of the Act for the Protection of the Republic in 1927, though with a little grumble about the paragraph on the
further exile of former royal families, the “Kaiser-Paragraph.”
1. Read the excerpt. Who was it by? When was it written? Who was it aimed at? What was it intended to do, do
you think? How do you think these factors influence the usefulness of the source?
2. What are the major claims made by Brecht? How plausible do you find them, given what else you know about
the mid-1920s? (Politics, economics, social class, events, crises, developments etc.)?
Think carefully. What do you know about civil servants/government officials in the Weimar Republic?
7. TAKE IT FURTHER: IDEAS OF A NEW GERMANY IN THE WEIMAR REPUBLIC: EVALUATION OF ARTHUR MOELLER VAN DEN
BRUCK, DAS DRITTE REICH (THE THIRD REICH) (1923)
People like Hindenburg and Hugenburg drew on a rich strand of German thought and culture; they were not bizarre
extremists, but represented a core set of ideas shared by many Germans on the right wing of politics.
Moeller van den Bruck was not a ‘national socialist’, nor did he directly inspire National Socialism. This book was
published around the time of the Beer Hall Putsch, so definitely was not an early inspiration to Hitler. However, as more
and more people read the work, radical right-wing groups like the NSDAP started to absorb his ideas. But Moeller van
den Bruck would be excellent evidence to use in an exam answer to show a fairly typical upper-middle-class response to
the Weimar Republic’s key political features!
The attempt this book makes was not possible from any party standpoint; it Summary of each paragraph’s
ranges over all our political problems, from the extreme Left to the extreme main meaning/point in your own
Right. It is written from the standpoint of a third party, which is already in being. words:
Only such an attempt could address itself to the nation while attacking all the
parties; could reveal the disorder and discord into which the parties have long
since fatefully fallen and which has spread from them through our whole political
life; could reach that lofty spiritual plane of political philosophy that the parties
have forsaken, but which must for the nation’s sake be maintained, which the
conservative must preserve and which the revolutionary must take by storm.
Instead of government by party we offer the ideal of the third empire. It is an old
German conception and a great one. It arose when our first empire fell; it was
early quickened by the thought of a millennium; but its underlying thought has
always been a future that should be not the end of all things but the dawn of a
German age in which the German people would for the first time fulfil their
destiny on earth.
In the years that followed the collapse of our second empire [the Kaiserreich] we
have had experience of Germans; we have seen that the nation’s worst enemy is
herself: her trustfulness, her casualness, her credulity, her inborn, fate-fraught,
apparently unshakable optimism. The German people were scarcely defeated—
34
as never a people was defeated before in history—when the mood asserted
itself: “We shall arise again all right!” We heard German fools saying: “We have
no fears for Germany!” We saw German dreamers nod their heads in assent:
“Nothing can happen to me!”
We must be careful to remember that the thought of the third empire is a
philosophical idea; that the conceptions which the words third empire arouse—
and the book that bears the title—are misty, indeterminate, charged with
feeling; not of this world but of the next. … Let us be perfectly explicit: the
thought of the third empire—to which we must cling as our last and highest
philosophy—can only bear fruit if it is translated into concrete reality. It must
quit the world of dreams and step into the political world. It must be as realist as
the problems of our constitutional and national life; it must be as sceptical and
pessimistic as befits the times.
There are Germans who assure us that the empire that rose out of the ruins on
the ninth of November is already the third empire: democratic, republican,
logically complete. These are our opportunists and eudaemonists. There are
other Germans who confess their disappointment but trust to the
“reasonableness” of history. These are our rationalists and pacifists. They all
draw their conclusions from the premises of their party–political or utopian
wishes, but not from the premises of the reality that surrounds us. They will not
realize that we are a fettered and maltreated nation, perhaps on the very verge
of dissolution.
Our reality connotes the triumph of all the nations of the earth over the German
nation; the primacy in our country of parliamentarism after the Western model—
and party rule. If the third empire is ever to come it will not beneficently fall from
heaven. If the third empire is to put an end to strife it will not be born in a piece
of philosophic dreaming. The third empire will be an empire of organization in
the midst of European chaos.
The occupation of the Ruhr and its consequences worked a change in the minds
of people. It was the first thing that made the nation think. It opened up the
possibility of liberation for a betrayed people. It seemed about to put an end to
the “policy of fulfilment” that had been merely party politics disguised as foreign
policy. It threw us back on our own power of decision. It restored our will.
Parliamentarism has become an institution of our public life, whose chief
function would appear to be—in the name of the people—to enfeeble all
political demands and all national passions.
Today we call this resolution not conservative but nationalist.
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d. What is the tone of the work? How does this help us understand the value of it? Does it look like a practical
set of demands? How might the answer to this question shape our assessment of its usefulness.
8. TAKE IT FURTHER
For an overview of party realignment in this period see this podcast:
https://www.history.org.uk/student/categories/915/module/8684/a-level-topic-guide-germany-1871-1991/8993/how-
stable-was-the-weimar-republic1924-29
He explores this theme in more detail in this series: https://www.massolit.io/courses/the-weimar-republic-1918-
33/introduction-88215d35-6ad0-4be0-9376-85da7e248b93 (Lectures 2, 3 and 4 apply to this period.)
36
Let us not fool ourselves about this: we are in the midst of a parliamentary crisis… This crisis has two roots: one the joke
that has emerged as the parliamentary system in Germany, secondly the completely false position of parliament in
relation to its responsibility to the nation. What does a ‘parliamentary system’ mean? It means the responsibility of the
Reich minister to parliament, which can pass a vote of no confidence and force him to resign. In no way does it entail
the allocation of ministerial offices according to the strength of the parliamentary parties. The minister is designated by
the Reich President. … I personally resist the adoption of the idea that a parliamentary party ‘withdraws’ its minister. …
The Reichstag can withdraw its confidence from them… but ‘withdrawing’ a minister means in reality that the individual
ceases to exist and becomes a mere agent of one or another organisation. This conception means the end of liberalism
in general.
Young People
There was a perception that young people were
becoming more rebellions. Concern about anti social
behaviour and the activity of youth ‘cliques’ in large
industrial cities. For young people themselves, a
major concern was the rise in youth unemployment.
Educational reforms did not fully break down social
and religious divides in education. In theory the new
system (right) was much fairer. In practice, the higher
classes still dominated the Gymnasiums. The
influence of the churches still remained strong.
Youth groups remained strong having been a feature
of German life since the 1890s. This included church
youth groups, political groups and also more
independent young groups such as the Wandervogal.
37
Women
There was much talk in Weimar Germany about the ‘new woman’ – free, independent, sexually liberated and having
greater opportunities in employment and public life. However, there was fierce resistance to change from conservative
forces in society and for many women there was much continuity.
Jewish People
• There were more than half a million Jews living in Germany in the 1920s. 80% lived in large cities
• Most Jewish people were fully assimilated members of German society.
• Many Jews were successful (16% of lawyers and 11% of doctors.)
• Anti-Semitism was strong among nationalist groups throughout the 1920s but most widespread at times of national
crisis. Jewish bankers and businessmen often accused of corruption.
2. THE DEBATES
The key debate here is generally the extent of change v continuity.
Typical exam questions on social change in Germany might go something along the lines of:
- ‘Most Germans experienced profound liberation in the years 1924-29.’ Assess the validity of this view.
- ‘Society and social life changed little in the years 1924-29.’ Assess the validity of this view.
- ‘Weimar society between 1924-9 was marked by social transformation and liberty.’ Was it?
- ‘The status of women and/or young people was transformed in the Weimar Republic between 1924-1929.’ Do
you agree?
- Was there a ‘new woman’ in Weimar Germany?
3. SOCIAL GROUPS
The study of social groups is especially important because the Weimar Republic’s constitution promised many things to
many different social groups, and its electoral system (proportional representation) meant that often, different social
groups had the ability to create small parties and win seats in the Reichstag.
The Composition of German Society
- The economic elite of industrialists, entrepreneurs, financiers and great landowners comprised about 5% of the
population.
- The middle classes ranged from the upper middle classes (doctors, lawyers, university professors, senior civil
servants, army and navy officers) to the Mittelstand of small business people, shop owners, and lower raking
civil servants, comprised about 30% of the population.
- The working classes made up about 50% of the population but their composition too varied widely between
skilled and unskilled workers; urban and rural workers; domestic servants and company employees; Catholics
and Protestants; a more prosperous North and West, and a poorer East and South.
This is very important, because it means we need to emphasises divisions within social groups, and not treat them as
blocks. In an essay, you’d need to say that – it would show you understood some of the pitfalls of talking in
generalisations. But you’d also need evidence for different groups! For example, working-class people in the countryside
relying on agriculture, and working-class people in the cities working in skilled industries. There was a growing sense of
38
class division across the 1920s (something which, to a degree, was covered up in the Kaiserreich by appeals to
nationalism, and loyalty to the Kaiser and local ruling houses).
39
40
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5. THE CHANGING POSITION OF WOMEN
Evaluating Continuity and Change in Women’s Lives
- What impresses you more: the continuities or changes in women’s lives brought about in the Weimar Republic?
- First, draw up two lists of key continuities, and key changes. Then write a couple of paragraphs developing your
arguments to the continuity/change question.
42
43
Evidence: Diary of a Working-Class Woman, 1928
This extract comes from an anonymous description of a typical day in her life in 1928.
A summer morning! The sun is shining in my face. I wake up, jump out of bed and to the window. The smell of flowers
wafts up from the garden below and the golden-yellow fields of grain undulate in the distance. The birds are singing
their morning songs. It’s so solemn, so still. I stand there, as if in a dream. Suddenly I hear a voice: “Don’t you want to go
to work today?” What? Work in the gloomy factory halls on a day such as this? It’s much too beautiful for that. But it’s
not for you to enjoy, proletarian girl, go to the foul-smelling factory halls and toil, so that the factory owners can spend
their summers somewhere on the seashore. I eat my breakfast and set out for work. On the way I meet all my fellow
sufferers. They’re in a hurry and it seems to me that they are fleeing the splendour of the summer day. No sooner have I
arrived in the factory than the siren howls, piercing body and soul. Now I will stand at the loom, with all its mind-
numbing clatter, for nine long hours. If only it were noon already! For variation I sometimes go out to the privy and like
a prisoner watch the dancing rays of sunlight through the grid. But, oh, dear, when I return, it turns out I was outside
three minutes too long and I am once again scolded by our foreman, who stands at the door the whole day long and is
probably training to be the privy director. Finally, it’s noon and we rush home, eat and quickly return to work. Once
again the siren howls and once again I stand at the loom, where I will remain this long afternoon. It’s very hot. My
thoughts are already confused and drift off. If only the weather were this nice on a Sunday! One Sunday is far too little
free time and nine hours far too much time spent in the factory each day. Yes, eight hours of work, eight hours of rest,
eight hours of sleep, the sweet triad of life. If only we had an eight-hour day. But even eight hours would be too long for
most women, who must also attend to the household. Thus pass the days, the years, the sweetest hours of our lives,
and we lose track of what has become of them. Once again I look at the clock. It's four p.m. Well, one more hour and
this torture will be over. Finally, it’s time to stop work. I rush out, but I feel no joy. I am too exhausted.
You can use sources like this to provide evidence for your essays. Some phrases you could use:
o Evidence from working-class women’s accounts, however, clearly shows…
o As we can see in anonymous accounts and diaries from the 1920s, working-class women aspired to…
o Evidence from diaries and anonymous accounts of working women’s lives in this period paint a very
different picture. They show…
44
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7. TAKE IT FURTHER
The final chapter of Lee’s Weimar Germany (in the library folder) gives a good overview. Weitz: ‘Weimar Germany:
Promise and Tragedy’ has good coverage of Weimar Society. There are also specific books on groups such as women
(e.g. Boak) and Jews (e.g. Niewyk ) available in the college library for those with specific interests on particular aspects.
46
Source B
This new figure never became average, never became the mass female. There was no time for that. Until today this new
figure has remained a pioneer, the standard bearer…that had yet to develop. But before she could evolve into a type
and expand into an average, she once again ran up against barriers. Her old womanly fate—motherhood, love, family—
trailed after her into the spheres of the new womanliness, which immediately presented itself as a new objectivity. And
she therefore found herself not liberated, as she had naively assumed, but now doubly bound: conflicts between work
and marriage now appeared, between uninhibited drives and inhibited mores, conflicts between the public and private
aspects of her life, which could not be synthesized… It easily appeared as if the new freedom for women had achieved
nothing.
From Back to the Good Old Days by Alice Ruhle Gerstel, an article published in January 1933.
Source C
Women have become unpopular. That is not good news because it touches on things that cannot be explained by
reason alone. An uncomfortable atmosphere is gathering around all working women, perhaps unorganized but very
powerful countermovement is taking place at all of them… Along the entire spectrum from left to right the meaning of
women’s employment and their right to it are suddenly being questioned, more or less directly. At the moment it is not
even the old discussion over socalled ‘equal rights’, over ‘equal pay for equal work’ that occupies the foreground,
Suddenly we are obliged to counter the most primitive arguments against the gainful employment of women
From Twilight for Women?, an article published on 7 July 1931.
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However, away from the cities, traditional values and tastes still held sway and radical, experimental, modernist ideas
were viewed with suspicion and hostility. In the eyes of nationalistic Germans who wished to preserve authority,
traditional family values, conservative behaviour by women, respect for the teachings of the churches, and a Germanic
culture, the cultural experimentation of the Weimar years was leading to moral degeneracy and the influx of
unwelcome foreign influence.
2. THE DEBATES
There are several areas of debate that you could be asked about on this topic:
- Weimar culture was innovative, yes, but was it generally confined to a small, middle-class, urban clique?
- Were the really impactful innovations the ones from America, like film, jazz and radio? Not Germany…
- Were the conspicuous features of Weimar art, literature and architecture already around before the war?
- Did cultural change cause genuine social change?
- Did Weimar culture cause genuine political conflict, or was it really mostly marginal artistic figures and
intellectuals having a debate amongst themselves?
Typical questions you could get include:
- ‘Weimar culture tells us little about politics and society in this period.’ Do you agree?
- To what extent did the arts in Weimar Germany reflect the social and political tensions in the country?
- ‘The arts in Weimar Germany fundamentally undermined support for the Republic.’ Do you agree?
- ‘Weimar culture was generally unpopular; it was American culture which ordinary Germans most appreciated.’
Assess the validity of this view.
- ‘The most important feature of the arts in Germany between 1924-29 is the freedom and change they offered
for ordinary Germans.’ Assess the validity of this view.
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3. A CHANGING URBAN LANDSCAPE
In the 1920s, local governments tried to improve the urban
environment by constructing parks, libraries, better transport, huge
housing schemes, hospitals and nursery schools.
However, much of this was financed through debt. Furthermore,
often the housing schemes were highly modernist in nature, and
they served to provoke people by being a constant visual reminder
throughout Germany’s cities of the break with the past and the
revolutionary commitment to the workers.
In fact, workers themselves often hated these modernist housing
developments because they weren’t traditional, did not blend in,
were a ‘visual shock’ and, because they were so experimental, were Figure 1 An experimental Modernist block of flats in
very expensive to live in and often leaked because they Stuttgart by Mies van der Rohe, built for an exhibition of
experimental architecture in 1927. It shaped architecture
experimented with new materials (concrete walls, metal window
for the next 100 years – but was deeply controversial at
frames) and flat roofs (which often leaked). the time.
To many contemporaries, and not just those on the right, the new
architecture seemed to reject practicality, tradition, comfort and convention. It seemed to be ‘making a point’ – and a
political point at that. And indeed it was!
The architects pursuing this new style of architecture (Modernism), especially in the new housing estates, were
generally socialists, or even communists. They wanted to create symbols that everyone would have to confront that the
old world was dead, destroyed and over, gone for ever. This was bound to be provocative!
Task: Bruno Taut and the Utopian Housing Estate
Take a look at the words and images at https://theculturetrip.com/europe/germany/articles/profiling-bruno-taut-
germany-s-utopian-modernist-architect/.
Then have a go at answering the following questions, in full sentences. It’ll mean writing at least two paragraphs.
- What buildings and estates did Taut design?
- What were his goals and objectives?
- What stands out to you about his designs? Describe the features that strike you most.
- One of his estates is called Uncle Tom’s Cabin (or Onkel Toms Hütte, in German). What is the symbolism of that
name? (Google can help you…)
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In this article below in a magazine, The Literary World, Ivan
Goll celebrated the change that jazz brought. We need to be
cautious in how we read this and quote from it: it might seem
racist to us, but in fact, Goll was trying to celebrate new
music and dancing, but using the language of his time. Up to
this point, Europeans danced something like this image on
the left – it was formal, synchronised, and in routines. It was
still fun – think Strictly Come Dancing!
But with the arrival of jazz, new, freer styles of dancing
became more popular, like the rag, the cakewalk, the
Charleston or the bear. The most famous exponent of this
newer style of dancing was Josephine Baker, who appeared in
music halls, theatre and cabarets in Paris, and then across
Europe. Here you can see her dancing for some peasants
somewhere in Europe in 1928:
https://www.youtube.com/watch?v=W-htW75ATJg. She was
probably the biggest star of her age.
Goll was an avant-garde artist, who tried to promote peace between France and Germany, and was a member of
important movements like Surrealism and Expressionism in theatre, art, music and poetry. In this essay in Uhu in 1926,
he argues that new forms of culture are breathing new life into a dead, corrupt Europe:
The Negroes Are Conquering Europe
The Negroes are conquering Paris. They are conquering Berlin. They have already filled the whole continent with their
howls, with their laughter. And we are not shocked, we are not amazed: on the contrary, the old world calls on its failing
strength to applaud them. …
Negroes dance with their senses. (While Europeans can only dance with their minds.) They dance with their legs,
breasts, and bellies. This was the dance of the Egyptians, the whole of antiquity, the Orient. This is the dance of the
Negroes. One can only envy them, for this is life, sun, primeval forests, the singing of birds and the roar of a leopard,
earth. They never dance naked: and yet, how naked is the dance! They have put on clothes only to show that clothes do
not exist for them.
The musicians play with, they do not merely play along! They are located left of the stage, then soon enough they are
following after a dancer or throwing out their remarks in a song. They are genuine actors. They also help to emphasize
the parody. They laugh continuously. Whom are they making fun of? No—they aren’t making fun of anyone: they are
just enjoying, the playing, the dancing, the beat. They enjoy themselves with their faces, with their legs, with their
shoulders; everything shakes and plays its part. It often seems as if they had the leading roles.
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6.1.1 The impact of war
Left: One of several confronting images from Otto
Dix’s works titled War
The lingering effects of World War I had an obvious
impact on Weimar era art. Nowhere was this more
noticeable than in the work of Otto Dix.
A former soldier who served almost the entire
duration of the war, Dix was haunted by his
wartime experiences to the point of mental
breakdown. He moved to Dresden, one of
Germany’s leading artistic cities, where he was
influenced by the Expressionists, the Dada
movement and other modernist schools.
In the early 1920s, Dix began work on a series of
paintings depicting the war. He utilised dark tones
and grotesque detail, showing injured soldiers, decomposing bodies and skeletons to depict the horrors of mechanised
warfare. Probably the best known of these pieces is The Trench (1923, see image above). Dix also represented the home
front of Weimar, painting depictions of crippled war veterans and despairing civilians on the streets of Berlin. The
confronting themes and monstrous detail in Dix’s work created such a stir that many galleries blacklisted him.
On coming to power, the Nazis deemed Otto Dix a “degenerate artist” and ordered him to paint landscapes. Many of his
older pieces were either removed from public display or burned.
6.1.2 Dadaism
Left: This Dadaist piece by Raoul Hausmann contains typical anti-war anti-
bourgeois themes.
Though not native to Germany, the Dada art movement also became
popular there in the early 1920s. Dadaism emerged in Switzerland during
the war. It could be found in painting, graphic design, photography,
literature and poetry.
Dada artists were an anarchistic bunch, unlike any established artistic
movement. They despised war, rejected tradition and discarded capitalist
middle-class values. Instead, they sought to create an ‘anything goes’
artistic movement that celebrated chaos and disorder.
Some Dada artists spoke about their wish to offend art lovers and destroy
perceptions about what art actually is. Dadaist creations had no logical
form or rules: they were intended to shock or confuse. Dada artists made
extensive use of collage and montage, though these compositions rarely
made much if any sense. George Grosz and Hannah Hoch were at the
forefront of a small but prolific Dada clique based in Berlin.
Most German artists, however, were too politically motivated to be
swept up by Dadaism. They preferred not to divorce themselves from the political and social events of the Weimar
period. Even Hannah Hoch’s collage Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch
in Germany, though disjointed and random, still contained political overtones.
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6.1.3 Neue Sachlichkeit – ‘New Objectivity’ or ‘New Matter-of-Factness’
Left: Self Portrait by Christian Schad, 1927. This shows a stripped down,
slightly ugly or brutal realism, as well as stripping the ‘New Woman’
(see her hair cut) and making her a sex object.
Neue Sachlichkeit got its name from the exhibition Neue Sachlichkeit
held in Mannheim in 1923. The exhibition was part of the phenomenon
of the ‘return to order’ following the First World War (when artists
rejected the more extreme avant-garde forms of art for more
reassuring and traditional approaches); and was described by the
organiser G.F. Hartlaub, as ‘new realism bearing a socialist flavour’.
Two key artists associated with Neue Sachlichkeit are Otto Dix and
George Grosz, two of the greatest realist painters of the twentieth
century. In their
paintings and drawings
they vividly depicted
and excoriated the
corruption, frantic
pleasure seeking and
general demoralisation
of Germany following
its defeat in the war, and the ineffectual Weimar Republic which
governed until the arrival in power of the Nazi Party in 1933. But their
work also constitutes a more universal, savage satire on the human
condition. Other artists include Christian Schad and Georg Schrimpf.
The New Objectivity artists did not belong to a formal group. Various
Weimar Republic artists were oriented towards the concepts associated
with it, however. Broadly speaking, artists linked with New Objectivity
include Käthe Kollwitz, Otto Dix, Max Beckmann, George Grosz, John Figure 2 Käthe Kollwitz - Mother with Child. This was
Heartfield, Conrad Felixmüller, Christian Schad, and Rudolf Schlichter, part of Kollwitz’s commitment to tell the raw emotion
who all "worked in different styles, but shared many themes: the of the horrors of war but from a woman’s perspective.
horrors of war, social hypocrisy and moral decadence, the plight of the
poor and the rise of Nazism".
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- Hermann Hesse in Steppenwolf (1927) is about a man
having a breakdown, reading a book about a man having
a breakdown, who seems to resemble him. He wanders,
lost, through city streets, seeking meaning in a world
where, he realises, there is none. He loses himself in a
world of sex, drugs, dance… and then love. It was an
immediate hit, but loathed by conservatives and
nationalists. He won Nobel Prize for literature in 1946.
- Erich Maria Remarque in All Quiet on the Western
Front, published in episodes in 1928 in a magazine, and
as a book in 1929, and was a full-frontal attack on the
‘stab in the back’ myth. A soldier from the front fights in
battles he can no longer even name, and goes home on
a visit to a world that he cannot recognise. He spends a
night by his mother’s bedside, talking to her as she dies.
He longs to return to the front, and revels in killing a
man with his bare hands. His best friend has his leg
blown off, and the soldier does everything in his power
to stay with him. The war is ending, and his beloved
brothers are dying one by one of disease, hunger,
machine-gun fire and shelling. He realises the war is
about to end, and expresses hope for a different future –
a different Germany. He is killed on almost the last day
of the war, when finally the headline in the papers read
‘All Quiet on the Western Front’. It was an immediate
global bestseller, and in 1930 there was a Hollywood
Oscar-winning blockbuster – an early talkie, and you can
see the trailer here https://www.youtube.com/watch?v=grapXipP3fM . The book and film outraged nationalists,
yet portrayed a true German hero giving his life for his country, and protecting his brothers in arms. This book
was one of the first to be burnt in 1933. The 1930 movie has one of the greatest battle scenes in cinema history:
https://www.youtube.com/watch?v=fHuNQER_8rI – not easy watching.
7. CINEMA
Weimar Germany’s political and social instability, as well as its economic shortages, had a profound impact on post-war
German culture. A new cultural movement emerged, later described as German Expressionism. This Expressionism was
most obvious on film. German cinema recovered quickly in the 1920s as ordinary people sought cheap entertainment
and escapism from the decade’s political and economic woes.
Unable to afford the huge sets, lavish costumes and extensive props of Hollywood, German film-makers looked for new
ways to convey atmosphere, mood and emotion. They also explored much darker themes than Hollywood: crime,
immorality, social decay and the destructive powers of money and technology. As a consequence, German
expressionism gave birth to two new cinematic genres: the Gothic horror movie and film noir (crime thrillers which
explore the darker aspects of human behaviour). Some of the best-
known German expressionist films were:
The Cabinet of Doctor Caligari (1920)
One of the earliest horror films in history, The Cabinet of Doctor
Caligari tells of a performing mystic and his stage sidekick, a
sleepwalking man who can predict the future. Directed by Robert
Wiene, the son of a Jewish actor, The Cabinet of Doctor Caligari made
extensive use of light, shadow and expressionist styles in its sets and
backdrops. It also featured a ‘twist’ ending, one of the first in movie
history, with the entire story revealed to be the delusional flashback
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of a mental patient. You can watch it here: https://www.youtube.com/watch?v=aimAeeDx2p4 – and find stills (photos)
of important scenes on google images.
Nosferatu (1922)
Sub-titled Eine Symphonie des Grauens (‘A symphony of
terror’), Nosferatu was the first film of a now-common
genre: the vampire movie. It is ostensibly a retelling of
Bram Stoker’s Dracula, though the characters’ names were
changed. Nosferatu was directed by F. W. Murnau.
Operating on a limited budget with only one camera,
Murnau used light, shadow, time, movement and suspense
to portray horror, rather than complex sets or special
effects. The main character, the vampire Orlok, is a
repulsive rat-like creature, rather than the well-spoken
aristocratic vampires of future films.
Nosferatu has become one of the most famous horror films
of all time. Along with Metropolis, it is considered the
showpiece of German cinematic expressionism and some
of its scenes – such as Orlock’s silhouette ascending a
staircase – have become iconic moments in cinema history. You can watch the trailer here -
https://www.youtube.com/watch?v=ZxlJxDr26mM – but the whole thing is on YouTube. Remember, the effects might
seem limited to us – but this was one of the first horror movies ever made.
Metropolis (1927)
Probably the best-known German expressionist film (some stills from it are on the front of this booklet), Metropolis is
part-science fiction and part-social allegory. It depicts a future society where citizens have been split into two distinct
classes: the elite, who enjoy lives of leisure in the sun, and the workers, who toil monotonously beneath the ground.
The plot centres on two women: the compassionate Maria, who wants to reconcile the workers with the ruling class;
and the robotic Hel (which means ‘light’ in German), who is programmed to destroy the city.
Metropolis was an incredibly ambitious project for its time. It cost around five million marks, took several months to film
and employed up to 300 extras. It proved unpopular with movie-goers but was critically applauded and is considered a
forerunner to modern science-fiction movies. If you like Star Wars, BladeRunner, or amazing visual art – watch it here
https://www.youtube.com/watch?v=-I9FD21k7Cs . Or zoom through and watch some clips.
M (1931)
Also directed by Fritz Lang, M had an extraordinarily dark
storyline for its time, focusing on the activities of a child
murderer and the criminal underclass.
Hans Beckert (played by Peter Lorre) is a paedophile and child
killer, pursued by both police and the Berlin underworld. He is
caught first by the city’s crooks and given a mock trial.
Confronting his captors, Beckert explains what drives him to
commit his crimes, asking: “Who knows what it’s like to be
me?”
M not only made use of expressionist styles but also
introduced cinematic techniques still used in crime movies
today. Even now, watching this film is gripping and shocking,
as this terrifying still (right) shows.
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The cultural creations of the Weimar Republic in furniture, art, architecture, painting, music and film are viewed by
most people today as one of the absolute high points of human creativity. The buildings cannot be altered – they are
protected by heritage laws; the art is in the most famous galleries in the world; the films are revered as classics.
But at the time, many contemporaries did not see them that way. They saw them as an aggressive assault on ‘values’,
‘morals’ and ‘common sense.’ Many people felt that they were an insult to morality and good taste. But even other
Modernists saw in this new style something challenging or damaged, revealing deeper problems in society.
Source A: Hermann Hesse
Hermann Hesse was a major author in Germany, and went on to win the Nobel Prize for Literature in 1946. He grew up
in a middle-class, deeply religious Protestant household. He had an idiosyncratic youth, attending a seminary, training as
a mechanic (unusual for a man of his class), and collecting books. He became a successful writer before the First World
War. He signed up for the war, and fought in it, but was critical of it. He was, in many ways, a modernist writer himself –
his most famous novel is Steppenwolf. He despised the NSDAP, and went into exile when they seized power.
This extract comes from an essay he wrote for a successful magazine aimed at the middle classes, Uhu, in 1926.
The Longing of our Time for a Worldview
The new image of the earth’s surface, completely transformed and recast in just a few decades, and the enormous
changes manifest in every city and every landscape of the world since industrialization, correspond to an upheaval in
the human mind and soul. This development has so accelerated in the years since the outbreak of the world war that
one can already, without exaggeration, identify the death and dismantling of the culture into which the elder among us
were raised as children and which then seemed to us eternal and indestructible. If the individual has not himself
changed (he can do this within two generations no more than any animal species could), then at least the ideals and
fictions, the wishes and dreams, and the mythologies and theories that rule our intellectual life have; they have changed
utterly and completely. Irreplaceable things have been lost and destroyed forever; new, unheard-of things are being
imagined in their place. Destroyed and lost for the greater part of the civilized world are, beyond all else, the two
universal foundations of life, culture and morality: religion and customary morals. Our life is lacking in morals, in a
traditional, sacred, unwritten understanding about what is proper and becoming between people.
Source B: Paul Schulze Naumburg
Paul Schulze Naumburg was one of the most famous architects of the Kaiserreich and the 1920s. However, he was not a
modernist (although he was considered cutting edge before the war). He believed that art and architecture should
reflect the traditions of the places they find themselves, and try to learn from the best examples of art and architecture
from across history. In 1928 he published a successful book, Art and Race.
The activities chosen for representation in contemporary art, and which in every art are extremely characteristic of an
era, refer more or less to a physical and moral nadir as well. Were one to name the symbols that find expression in the
majority of the paintings and sculptures of our period, they would be the idiot, the prostitute, and the sagging breast.
One has to call things by their right name. Spreading out here before us is a genuine hell of inferior human beings, and
one sighs in relief upon leaving this atmosphere for the pure air of other cultures—in particular that of antiquity and the
early Renaissance in which a noble race struggled to express its own longings in art. It is necessary to assume that the
reader is acquainted with the representations filling today’s art exhibits and the horror chambers of museums, those
works about which the master advertisers are always crying “unheard of, unheard of.” This book can do no more than
refresh the memory with a few small illustrations and evoke an idea of the world into which the creators of these
pictures are attempting to lead us.
9. TAKE IT FURTHER
Do some research online to find the Weimar literature, art, architecture, music and cinema that interests you and
impresses you most. Print out excerpts, stills, images or reactions from the things you find most significant, most
artistically impressive, most emotionally touching. Annotate these with key names, dates, interpretations,
observations, ideas, reactions.
For further reading see the Lee chapter recommended in section 5 or Peukert: Mass Culture and the Neue Sachlichkeit
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7 CONSOLIDATION
1. WAS 1924-1928 A GOLDEN AGE FOR THE WEIMAR REPUBLIC?
Draw out the table below and complete it using evidence from across this booklet.
What is your overall verdict on the period 1924-28? What were the biggest strengths? What were the biggest
concerns?
Politics
Economics
Social Policy
Foreign Policy
Culture
2. KEY DEBATES
As you revise select evidence to fit into some of these key debates
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Were Weimar governments effective at
running the German economy between 1923-
1929?
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3. PRACTICE EXAM QUESTIONS
- ‘The improvement of Germany’s international position in the years 1924–29 could not have been achieved
without the significant contribution of Gustav Stresemann.’ Assess the validity of this view. (A Level Sample Set
2)
- ‘Stresemann’s achievements were fundamentally economic in nature.’ Do you agree?
- ‘Stresemann’s most conspicuous success was his ability to convince the Allies to revise the Treaty of Versailles.’
Do you agree?
- ‘By 1929 Germany had returned to the community of nations as a full and equal member.’ Assess the validity of
this view.
- ‘Stresemann’s reputation as a man of peace is misplaced.’ Do you agree?
- ‘German foreign policy successes between c. 1923 and c. 1930 were based largely on German acceptance of the
principle of “fulfilment”.’ Assess the validity of this view.
- ‘The domestic consequences of Stresemann’s policies were disastrous between 1923-29’. Do you agree?
- ‘We should not view 1923-24 as a turning point in the economic history of the Weimar Republic; the
fundamental problems remained the same until 1929.’ Do you agree?
- ‘The German economy between 1924-29 recovered sufficiently to quell serious social and political conflict.’
Assess the validity of this view.
- ‘There was no “Golden Era” of the Weimar economy.’ Assess the validity of this view.
- ‘The achievements of the Weimar economy between 1924-29, particularly in the field of improving standards of
living and welfare, were remarkable.’ Were they?
- ‘The key weakness of the Weimar economy between 1924-29 was its reliance on debt.’ Was it?
- How far was the improved economic and political stability of the Weimar Republic, in the years 1923 to 1925,
due to Gustav Stresemann? (A Level 2017)
- ‘By 1928, the Weimar Republic was both economically prosperous and politically stable.’ Assess the validity of
this view. (A Level Sample Set 1)
- ‘The Weimar Republic failed to achieve political stability in the years 1924 to 1928.’ Assess the validity of this
view. (AS 2017, AS 2018 – same question but for economic stability)
- ‘The Presidential Election of 1925 was a blow for Weimar Democracy.’ Assess the validity of this view in
relation to the years 1924-1929.
- ‘The most damaging political trend facing Weimar Politics in this period was the electoral decline of the liberals.’
Assess the validity of this view.
- ‘A Republic without Republicans.’ Is this a fair assessment of Weimar Germany in the years 1924-1928.
- ‘Support for the Weimar Republic was always limited by nostalgia and the desire for authoritarian government.’
Do you agree?
- How far do you agree that the decline of liberalism was the most dangerous political trend in German politics
during this period.
- ‘For most Germans, the 1920s were an era of unprecedented tolerance and personal freedom.’ Assess the
validity of this view.
- ‘Society and social life changed little in the years 1924-29.’ Assess the validity of this view.
- ‘Weimar society between 1924-9 was marked by social transformation and liberty.’ Assess the validity of this
view
- ‘By 1930, the Jews had become fully assimilated into German society’ Assess the validity of this view.
- ‘The status of women and/or young people was transformed in the Weimar Republic between 1924-1929.’ Do
you agree?
- Was there a ‘new woman’ in Weimar Germany?
- ‘Changes in German society in the years 1924 to 1928 did much to heal post-war social discontent.’
- To what extent was there a social and cultural revolution during the Golden years of the Weimar Republic?
- ‘Weimar culture tells us little about politics and society in this period.’ Do you agree?
- ‘German culture in this period accurately reflected the realities of German politics and society.’ Assess the
validity of this view.
- ‘The arts in Weimar Germany fundamentally undermined support for the Republic.’ Do you agree?
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- ‘Weimar Germany in the 1920s was seen as culturally rich primarily because of its writers.’ Assess the validity of
this view.
- ‘German culture, design and art was overwhelmingly rejected by the people it was meant to serve.’ Assess the
validity of this view.
- ‘The most important feature of the arts in Germany between 1924-29 is the freedom and change they offered
for ordinary Germans.’ Assess the validity of this view.
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