Professional Documents
Culture Documents
And that’s just openers. National’s Big Daddy you a mighty lot of stereocorder for the money.
RS790S stereocorder is an electronic miracle-box. And then some. See it. Hear it . . . soon!
With continuous automatic reverse, automatic r-“-1
stop, sound-on-sound, instant P.A., balanced I I^Sk To HACO DISTRIBUTING AGENCIES PTY. LIMITED >
4-pole motor, and a 20 watt output that sounds I 57-69 Anzac Parade, Kensington, N.S.W. 2033 I
more like 30, Big Daddy gives you crystal clear ! Please send me further information on National RS790S j
I Stereocorder. I
sound every time. Wow and flutter are under I I
0.09%, response 30—20,000 c.p.s., it’s solid I Name.....—---- I
state, and has 3 speeds. One of National’s unique I
“Golden Mechanism” series, Big Daddy gives Address.. . I
I
.Postcode.. G604 I
_I
Printed and published by Sungravure Pty. Limited, of Jones Street, Broadway, at Morley Avenue, Rosebery.
Incorporating "RADIO, TELEVISION and HOBBIES"
ABC certified circulation in excess of 47,000. Volume 30, No. 11
lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllltlllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllM
Editor;
NEVILLE WILLIAMS.
(VK2XV).
M.I.R.E.E. (Aust.)
Homes raided
Assistant Editor:
PHILIP WATSON. A.M.I.R.E.E. (Autt.)
A couple of days before this issue went to
(VK2ZPW). press, newspapers carried the story of a raid on
Technical Editor: a number of homes in the Sydney area, where the
JAMIESON
(Technology.
ROWE. B.A.
N.S.W.).
(Syd.). B.Sc.
A.M.I.R.E.E.
residents were suspected of illegally using two-
(Aust.). way radio transmitting and receiving equipment.
Technical Staff: By monitoring the frequencies involved, and by
IAN POGSON (VK2A2N).
ANTHONY LEO (VK2ZHK).
the use of direction fincling equipment, officers of
HARRY TYRER (VK2ZHH).
lOHN HORSFIELO.
the P.M.G. Radio Branch had previously pin¬
ROBERT FLYNN. pointed the sources of the alleged illegal trans¬
LEO SIMPSON.
missions. In company with C.I.B. detectives, they
Editorial Office:
12th Floor. 235-243 Jones Street.
raided 13 homes and seized a substantial quantity of radio transmitting
Broadway. Sydney. Australia. Phone equipment.
2-0944. Ext 2531 2525-6-7.
The raid came hard on the heels of complaints, lodged with the
Postal Address:
Box 2728. G.P.O.. Sydney. 2001. Aus¬
P.M.G. Radio Branch, by legitimate users of 27MHz equipment —
tralia. including people who had been involved in the recent bushfire
Advertising: emergency to the south and west of Sydney. They complained that
SELWYN SAYERS. Mgr.
BILL SUMMONS. Rep.. Sydney. short-haul communications in the fire area, using supplementary hand¬
Offices: 8th Floor, 235-243 Jones Street.
Broadway. Sydney. Australia. Phone
held transceivers, had been seriously interfered with by an illegal net¬
2-0944. Ext 2931, 2508.
CLARRIE LEVY. Rep., Melbourne. 392
2943. work of radio hobbyists; furthermore, that requests to the operators to
Little Collins Street. 3000. Ph. 67-8131. clear the channel for essential communications had brought only a flat
Circulation: refusal, plus an array of insults.
A. Parker, Mgr.
Offices 9th Floor 235-243 Jones Street.
It is interesting to recall that, in the November issue, we men¬
Broadway. Sydney. Australia. Phone tioned a letter from a New Zealand reader, who had requested us to
2-0944. Ext. 2505, 2509.
lend support to the so-called C-B operators, with a view to enhanced
Subscription Rates—See back page.
Club activities and Trans-Tasman DX. We replied with a firm “no”
Representation: because:
Melbourne—John Fairfax & Sons Ltd..
392 Little Collins St.. 3000. Ph. 67-8131 • Such activities are at complete variance with the original intention
Brisbane—Sungravure Pty. Ltd.. 78 of the 27MHz facility;
Elizabeth Street, 4000. Ph. 2-6688.
Adelaide—John Fairfax & Sons Ltd..
• They are illegal in both countries;
104 Currie Street. 5000. Ph. 51-3502. • They can too easily lead to irresponsibility, larrickinism and worse.
Perth—Sungravure Pty. Ltd.. 847 Hay It will be for the Courts to decide the guilt or innocence of those
Street. 6000. Phone 23-4513.
Newcastle. N.S.W.—Associated News¬ caught in the recent raids. However, as the regulations stand, they
papers Ltd. 22 Bolton Street 2300.
Phone 2-3696. could face charges involving up to 5 years imprisonment, and/or a
London—John Fairfax & Sons (Aust.) fine of up to $1000, plus confiscation of the equipment involved.
Ltd., Reuter Building, 85 Fleet Street.
Whatever the outcome, the P.M.G. Radio Branch should con¬
New York—"The Sydney Morning
Herald" Ltd., "Times Annex," 229 West tinue to keep a close watch on 27 MHz, not with a view to harassing
43rd Street.
legitimate licencees, who would appear to offend rarely, but on those
Distribution: who either ignore or defy the administrating authority.
Distributed in N.S.W. by Sungravure
Pty. Ltd.. Jones St., Broadway. Sydney.
Enthusiasts and licensed amateur operators should also examine
N.S.W.: In Victoria by Sungravure Pty. their loyalties in this kind of situation. No one likes to be cast in the
Ltd.. 392 Little Collins Street. Mel¬
bourne: in South Australia by Sun¬ role of a “dobber” but it doesn’t do either group any good in the
gravure Pty. Ltd.. 104 Currie Street.
Adelaide: In Western Australia by eyes of the public, when the newspapers headline the anti-social activi¬
Western Press; In Queensland by
ties of radio “hobbyists.”
w. n
Gordon and Gotch (A'sla) Ltd.: in New
Zealand by Truth (N.Z.). Ltd.; in Tas¬
mania by Davies Bros.. Ltd.. "Mercury."
Hobart.
............in..
Febnuary, 1969
Simulation . 8 Forum . 60 Variety Fare . 103
Navigation Simulators in U.K. 13 Regenerative Gate SCR. 65 Trade Reviews and Releases .. 116
Computer-Matched Fingerprints 15 Solid-State Dip Oscillator . . 66 Technical Publications . 125
Alloys Magnets . 16 Serviceman . 77 Amateur Band News . 133
Television Translators Stations 18 Guitar Treble-Boost Preamp . . 83 Listening Around the World . . 145
Review—Electrons Cure Paint 23 Reader Built It . 87 Answers to Correspondents . . 151
Review—Night Vision Goggles 25 Audio Topics—Phasing Stereo Classified Advertisements .... 159
Loudspeaker Systems . 92 Classified Advts. Form . 160
Review—"Piccolo" Teletype
System . 27 Classical Reviews . 96 Advertisers' Index . 160
Documentary Records . 101 Errata and Notes . NIL
Scientific and Industrial News 29
Power Supply, Probes for Solid
State Volt-Ohm Meter .... 36 COVER PICTURE: After being melted down in a high-frequency furnace
at about 1800 degrees C., Alnico alloy is poured into oil-sand moulds that
High Impedonce Probe, Preamp 43 closely approximate the desired shape of the finished magnet. Alnico
Installing a Car Radio . 46 magnets are **powerfuV* and not easily degraded by vibration, heat or
Additions to Playmaster Organ 54 stray magnetic fields.
SPECIAL
Two compact, shelf or table mounting systems — quality at very
low cost.
(A) Instrol 20-20 Solid State Am¬ (B) Instrol 20-20 Solid State Am¬
plifier, plus BSR UA70 Player, plifier, plus Dual lOlOF or
fitted to Instrol Model 75 Garrard AT60/2 Player, in
Cabinet (Teak) which feat¬
ures hinged perspex top. Add Model 50 Cabinet, plus two
two Instrol-Mullard mini Instrol-Playmaster Bookshelf
speaker systems. $229.00 speaker Systems (all Teak).
$249.00.
PLAYER STANDS
The Instrol range includes a wide
variety of player stands and com¬
bination amplifier-player cabinets.
High quality perspex covers (clear
and tinted) are also available, some
hinged, others separate.
EQUIPMENT CABINETS
There are more than sixteen Instrol
equipment cabinet designs, all
available builf and polished or as
kits of parts to assemble yourself.
They range from massive floor
units to compact table models, and
include cabinets for record storage
and wall shelf units.
10
dB 0
-5
-in
20 100 1.000 10,000
FREQUENCY IN CYCLES PER SECOND
BSR;P100
CUE/PAUSE LEVER
to raise or lower tone arm
gently, precisely
TURNTABLE
made in heavy
die-cast alloy
WHOLESALE DISTRIBUTORS
BSR (ABASIA) PTY. LTD. GOLDRING ENGINEERING (A’ASIA) PTY. LTD.
Southern Section Industrial Estate, N.S.W.: 443 Kent St., Sydney, 29-1275
VIC.: 368 Little Bourke St., Melbourne, 67-1197
St. Marys, N.S.W. OLD.: 235 Edward St., Brisbane, 2-7010
Phones: 623-0375, 623-0376 W.A.: 91 Hay St., Subiaco, Perth, 8-4988
S.A.: 77 Wright St., Adelaide, 51-5117
C646A
6 ELECTRONICS Australia, February, 7969
EPOCOR OTHERS
AN
IIIASSOCIATE
worldwide telecommunications and electronics
L636
Two military pilots sit at the cockpit controls, and Thus are illustrated the two features of this aircraft
through the windscreen in front of them they see, 200ft mission simulator which have elicited the most favourable
below, a hilly jungle, while they hurtle at 500 mph to¬ comments from military aviation personnel. First, it is a
wards a high cliff straight ahead. Anxiously they scan the “full-mission simulator,” able to tie the world outside the
area ahead, looking for a target.^ Completely isolated, cockpit to that inside the cockpit precisely. Each frame
they hear only the crackle of static in their headphones, of the 70mm colour film showing on the curved screen
while before them they see only the rushing earth and sky. in front of the cockpit is computer synchronised to cockpit
To them, the scene appears completely real, but it is only instruments.
a film projected on a screen in front of the cockpit mock- The other feature is the desi^ of the test area. It
up, simulating a military flying mission. includes a briefing room equipped with training aids; offices
This scene was enacted at the Renton, Washington, for test engineers; an elevated, sound-proofed observation
plant of the Boeing Company. As the scene raced on, booth with readout equipment; the cockpit itself, and the
viewers stood on the second floor of a two-storey building, adjacent Boeing hybrid (analog-digital) computer bank.
and looked down through forward tilted green tinted glass The ability to isolate a test crew during a mission
at the filmed action and at the two-section cockpit on the permits observers to monitor a flight without “contaminat¬
floor below.
ing” the crew’s performance. Engineers can follow each test
In the cockpits, special instruments, some of them
by closed-circuit television, on-line data recording equip¬
experimental, verified the plane’s attitude, speed and exact
ment, audio communications systems and visually through
location in the simulated mission.
the sound-proof window. The crews can be briefed, tested
The aircraft seemed to bank and dip as the horizon
and debriefed without leaving the area. Nearby, test engin¬
tilted dizzily. The lead pilot saw his first target. He triggered
eers can go on with other work undisturbing and undis¬
a button on the stick. Then he levelled off and swept
seemingly only feet above the sharp bluff, over a river and turbed.
on to the next target. Having a full-mission simulator in this self-sufficient
Meanwhile test engineers and support personnel were test area distinguishes the operation from any other in the
upstairs with the observers watching the “flight” through the country. While it is not unique in its several parts, it is in
large, soundproof glass wall, listening to the pilots talking, this comprehensive setting.
observing data recording devices. They talked to each other This idea for this arrangement grew out of studies
about performance, passed on instructions, and in, general, Boeing conducted for the Navy and for Joint Task Force
made noises, but none of this intruded on the pilots. 2 (JTT7). This is a tri-service organisation formed to in¬
vestigate all phases of low-altitude military aircraft missions.
lillllitllllllllliiiiiiilliliiiliiiiiniiiiiiiitiiiiiiiiiiiiiuiniiiiiiiiiiiiiiiiiiiihiiiiiiiiniiiiiiiiiiiiuiiiiiiiiiiiiiiiiiiilliiiiiiiiiiiiiiiiii During more than 600 flights over areas of Arkansas
and Oklahoma, JTF2 tested the ability of pilots to find
"Electronics Australia" wishes to acknowledge the follow¬ targets. Boeing, under contract, shot motion picture films
ing sources used in the preparation of this article: of the terrain and accumulated radar and infrared data,
Simulation — Preparing for the Game of Life, by Tom
television recordings and other information on the sanie
Schachtman (RCA’s "Electronic Age," Spring, 1968). flights. The films and electronic data are used now in
re-creating these flights on the simulator. In effect, simula¬
Screen Test for Tomorrow's Plane and Tomorrow's Pilot,
tor pilots are re-flying the Arkansas and Oklahoma missions
by Tom Cole ("Boeing Magazine," May, 1968).
but with control of such conditions as altitude, light and
wind drift.
The new simulator, which has been in use since
November, 1967, is not part of any one program. It
has been used in a number of studies, and in research
for J]^2 in some follow-on work to their live “target
acquisition” study. Since July, 1968, JFT2 crews have
been using the simulator to find out how such factors
as cockpit layout, instruments, speed, altitude and
weather affect the ability of the pilot to find a target he
knows about but has never seen.
U.S. Navy crews, under a different contract, ended
a data-collection series of simulator missions last March.
They used the same film and electronic data but their
purpose was different. They sought to determine whether
a two-man or one-man crew would be needed to handle
a variety of missions in an advanced, high-performance jet.
Such missions might include hitting ground targets, fighting
enemy aircraft, reconnaissance, or combinations and varia¬
tions of these. After the two-man crew data was acquired,
all pertinent instruments were moved to the front cockpit
panel and the same mission re-flown with one man perform¬
ing all the tasks. The missions were flown several times,
under both visual flight rules and instrument flight rules.
The results are now under study and could very well
influence both design details and crew complement sizes
of some future aircraft.
Such studies demonstrate both the versatility of the
simulator and the carefully staged “reality” of the tqst
iiiiiiniiniiiiiiiitiiiiiiiiiiuiiiiiiiiiiiiiniiiiKiiiiiiiiiiiniiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiii
situation. This “reality” is enhanced by the motion picture greater part of their application, their use is spreading into
projection equipment which creates the scene, the set?ting, other fields.
the landscape and horizon for each mission flown. The Electronic simulation is now a rapidly Rowing science
movie screen, viewed from 15 feet away by the pilot, is that encompasses activities that take place in outer space
a segment of a sphere, 160 degrees (in this case nearly or the inside of the body, with waystops in the fields of |
40 feet) wide and 60 degrees vertical. The screen is tilted education, business, medicine and engineering. The reason i
at the top 15 degrees away from the cockpit, and the for the rapid rise of simulation is simple: the real world j
projector, likewise tilted, is mounted above and behind the — where astronauts can crash into the moon, or business- !
crew. The simulator pilot’s field of vision is virtually men can drop several million dollars on a wrong decision
filled by the motion picture. The 70-mm projection lens, — is an exciting, everchanging, dangerous, and expensive ^
the same one used to photograph the film, is an out¬ place. Adequate preparation for problems that arise in the
growth of a Boeing-designed lens used in the 1962 Seattle real world, by means of simulation, can serve to make !
World’s Fair Spacearium. Built by Fairchild Camera and people better players in the game of life.
Instrument Company, it projects an image covering the The modern practice of simulation has its roots in ;
160-degree screen. The film was taken by a camera mount¬ military war gaming. A relevant example is a game de- !
ed in the tail of a converted B-52 bomber and must be veloped during the eighteenth century by a Prussian mili- i
projected in reverse to give the illusion of forward tary writer named Georg Vinturinus. Different types of
motion. battle terrain were represented by 3,600 squares, which
Enou^ film was taken and enough data gathered so could be arranged into a playing board. A 60-page rule I
that the simulator can show a wide variety of diJBferent manual was given the the players. Factors for logistics |
missions programs. Thus far, five missions under instru¬ and supplies were carefully included in the game to make I
ment flight rules and twenty-seven under visual flight rules it realistic. A later version, in 1840, qualified and codified i
have been developed for test purposes. In addition to the the game more, giving political information and intelligence
film, the missions are simulated on sensor displays in the reports to the participants and introducing “chance” factors
cockpit, including infrared, forward-looking and side-looking into it. The primary purpose was to educate young officers
radar, television, a moving map display and navigation in the arts and sciences of war and to give them experience
subsystems. in decision-making. War gaming continued to develop as
“It’s the closest thing to actual flying yet devised,” a training device in the twentieth century, reaching the sta¬
according to Russell Light, director of Boeing’s military tus of a unique art during World War II, when invasions
airplane product development group. “We can systematical¬ such as Midway and Normandy were played out on huge
ly investigate a wide range of realistic flight conditions boards at Allied command headquarters — before being
such as variations in wind and temperature. We can vary executed.
any of the conditions, while holding the others constant, During the war, gaming became the province of men
to see how mission performance is affected. Soon we concerned with operations research — a technique used
may be able to predict pilot performance under specific t!o break down events or operations into their component
mission conditions.” parts and then rebuild them with a surer knowledge of
The simulator just described is one of a number the components. This led to simulations of increasingly
currently in use in many parts of the world for pilot complex character. During the war, another parallel
training. Some are used for training civilian pilots, such development came into its own: the Link Trainer. This ij
as that used by Qantas at Mascot Airport, Sydney, for early simulator allowed pilots to experience the feeling of i
training pilots in jet aircraft procedures. Although the flying a plane without leaving the ground — training I
military and civil aviation use of simulators makes up the them (as the generals and admirals were trained by war •
ELECTRONICS Australia, February, 7969 9
Twelve AWV Universal Replacement Picture
Tubes replace at least 125 popular picture
tube types.
All AWV replacement tubes use glass bulbs
which are inspected to exacting standards
before re-use; all other parts and materials
used are brand new and of the same high
quality as the materials used in our premium
quality tubes.
AWV supports its key range of Universal types
with on-the-spot installation assistance—a
comprehensive information sheet is packed
with each tube detailing the simple modifica¬
tions required for replacement of the less
common original types.
Contact your AWV Distributor or AWV, Rydal-
mere, for the free AWV Interchangeability
Chart.
PICTURE TUBE
INTERCHANGEABILITY CHART
12=125
TwiWt AWV unitciial leplacimint plctuii (ubn
Kplicc at Itiit I2J popular plctura tuba lypit.
monarchs advice on choices they must make among alter¬ happens to that system — say, in the eyes of a man
native strategies for administering their kingdoms well. watching a radar scope for approaching enemy planes —
Thus, the computer becomes a fund^ of information, a under stress. Researchers in many drug companies make
suggester of alternatives, a tally machine for decisions, a a computer model of a part of the human body. Then,
consequences reporter — and an excellent and challen^g they make numerical equivalents of the chemical actions
programmed learning device. After the students have finish- a new drug might have on a body system —; before they
ted a simulation, they understand a very great deal about compound the new drug in the laboratory.
what Sumer and its kings must Shave been like. Companies in other fields can try out designs for
Simulation for decision-making training and for other aircraft structures or revised marketing and pricing practices
educational purposes is widespread. But simulation can also with simulation. A numerical model of the system to be
be used in ways that presage a new era in original re¬ tested is made up and put into the computer’s memory. T^en
search. With the aid of a computer, scientists can now individual factors within the numerical model are manipu¬
simulte many areas of life not previously accessible to lated and the effects on the total model are calculated.
detailed work. One obvious boon is to medical research. Whether your concern is a hypersonic aircraft of a special
Many things about the human body are still unknown — design collapsing at 60,000 feet or a new pricing policy for
for example, what happens to the body when tShe heart is a breakfast cereal that will lower or raise your share of
weakened. John McLeod, scientist and editor of the maga¬ the market for that product, the results of the simulation
zine. Simulation, has built a computer model of the blood¬ are valuable. Simulation allows for mistakes to be made
stream, a simulation in which oxygen, carbon dioxide, before they become too costly. In 'the words of a Rand
nutrients, wastes, heat, chemicals, and radioactive tracer researcher, they let the i^rson using the simulation learn
elements are quantified and then manipulated as they might from bitter experience without suffering the consequences
be in a pathological condition .such as that of a weak of those experiences.
heart. Rand hydro-dynamicists are studying blood flow in But military matters are not always so spectacular
the minute capillaries of the eye, simulating by computer as trying to outguess a future nuclear war. Logistics, supply
methods a small body system in hopes of finding out what —factors that concerned even Vinturinus in the eighteenth
ELECTRONICS Australia, February, 1969 1 1
Now you can save more than ever with a substantial magnet structure, SPECIFICATIONS:
without loss of audio quality. You buy the well proven WHARFEDALE tweet¬
a WHARFEDALE speaker kit which Is er with an “Acoustiprene” dome, a BASS/MID-RANGE
SPEAKER 48,000 maxwells.
complete to the last nut and bolt . . . ready wired crossover network, acous¬ 12,000 oersteds.
and you build a compact speaker tic wadding, wiring and ail necessary Flexlprene surround.
system with a frequency range of nuts and bolts. Your finished enclo¬ 35 Hz. resonance.
40-17,000 Hz. and a power handling sures can be 14" x x or
capacity of 15 watts R.M.S. Complete IIV2" X 21" X 9V2"; these recommen¬ TWEETER 10,500 oersteds.
instructions make the job a walkover ded dimensions will provide excellent Acoustiprene dome.
for the handyman . . . and your results. Intermediate sizes are quite CROSSOVER
speaker enclosures may be personal¬ acceptable. FREQUENCY 1750 Hz.
ised to match your own lounge room Although this new WHARFEDALE kit
decor. Is budget priced, each component IMPEDANCE 4-8 ohms.
In the WHARFEDALE “Unit 3“ you has been matched electronically and POWER HANDLING
will find an 8" bass/mid-range speaker acoustically. CAPACITY 15 watts.
S.G. W3 11/68
Australian National Distributors:
INTERSTATE REPRESENTATIVES:
NT.: Pfitzner’s Music House, Smith Street, Darwin. Tel. 3801
O'land: Sydney G. Hughes, 154*158 Arthur St., New Farm, Brisbane. Tel. 581422
Head Office; 28 Elizabeth St., Melbourne, Vic. Tel. 63 8101* S.A.: Eilco Sales Pty. Ltd., 7-9 Osmond Terrace, Norwood, S.A. Tel. 63 4844
Sydney Office: 22 Ridge St., North Sydney, N.S.V/. Tel. 929 6816 Tas.: K. W. McCulloch Pty. Ltd., 57 George Street, Launceston. Tel. 2 5322
Canferra Office; 31-33 London Circuit, Canberra City, A.C.T.. Tel. 49 6050 W.A.: Athol M. Hill, 613-615 Wellington Street, Perth. Tel. 21 7861
NAME...:. 1
AQFA-QEVAERT LIMITED
ADDRESS. ! MELBOURNE • SYDNEY • BRISBANE • ADELAIDE • PERTH
A333
14 ELECTRONICS Australia, February, 1969
Fingerprints Matched by Computer
The National Bureau of Standards in the U.S.A. has completed the first stage in
the development of a computer system for encoding fingerprint identification.
progress
4000
INDUCTION
(GAUSS)
2000
the composition’s outstanding resis¬
tance to demagnetisation.
Although other materials have also
been found to be excellent permanent DEMAGNETISING FORCE DEMAGNETISING FORCE
magnets, these two — Alnico and (OERSTEDS) (OERSTEDS)
barium ferrite—are by far the most
Figure I Figure 2
commonly used materials. Both pro¬
ducts are extremely hard and brittle,
but here any real similarity ends, as
can be illustrated by a brief outline
of the mianufacturing processes.
SOFT IRON POLE PIECE
The elements that make up the metal¬ & FRONT PLATE
lic Alnico magnets are melted in an
induction furnace at approximately
1,800 deg. C. This alloy, of aluminium,
nickel, cobalt and iron, is then poured
into fine oil sand moulds. These
moulds approach as exactly as pos¬
sible the ordered shape of the magnet
because of the difficulties of machin¬
ing this brittle alloy.
The castings are then heat-treated
at around 1300°C. A controlled cool¬
ing process then follows to form the
characteristic crystal structure needed
to optimise the permanent magnetic
properties. Where anisotropic magnets
are required, a strong magnetic field SOFT IRON CENTRE POLE PATH OF MAGNETIC FLUX
is applied in the preferred direction
at a critical stage in the heat treat¬
ment cycle. FERRITE RING ^
SOFT IRON FRONT
The ferrite magnets, as they are MAGNET-► ^ & REAR PLATE
/
known, are ceramic in nature and the
raw materials are initially synthesised
by blending, then reacted chemically Figure 4
with heat. This reaction product is
finely ground before being compacted
in high pressure dies. The compact is
sintered, or baked, at a controlled tem¬
perature (usually around 1300®C) to
impart the optimum magnetic proper¬
ties. To provide a preferred direction
of alignment to a ferrite magnet, a
strong ma^etic field is applied in the
required direction during the pressing,
or compacting, phase of the operation.
Because of its crystalline form the
ferrite magnet is even harder to work
and the only effective method of shap¬
ing or sizing is by use of diamond
impregnated grinding wheels.
To differentiate between the relative
values and uses of t)he two materials
it (is necessary to point out that the
key properties of magnetic materials
form points on the “demagnetisation”
curve, or second quadrant of the
hysteresis loop for the material. The
de-magnetisation curves for those two
most commonly used permanent mag¬
nets appear in figures 1 and 2.
Perhaps a simpler illustration can be
provided by the application of both
types of magnets in the manufacture
of loudspeakers.
Until recently, the most commonly
used loudspeaker magnet assembly was
the centre-block type, using a cylindri¬
cal Alnico magnet in a soft iron
shell. A pole piece and front plate
collected the magnetic flux and con¬
centrated it in the small annular gap
in which the voice coil works. This
assembly can be seen in figure 3.
The characteristics of Alnico re¬
quired the magnet’s length to exceed
its diameter for efficient operation, but
(Continued on page 158)
ELECTRONICS Australia, February, 1969 17
TRANSLATORS ARE FILLING THE GAPS
Many pockets of population which cannot receive satisfactory tele¬
vision signals from the main stations operating in their districts are
now being provided with programs retransmitted from translator
stations. Some of the problems involved in establishing these sta¬
tions, both political and technical, are discussed in this article.
by Brian Carroll
While the industrialised nations have tember, 1963. Concurrently with the ing in Mudgee, New South Wales, pick¬
brought television to most of their land spread of the commercial television ing up the signals of Channel 8, Central
areas (Britain now covers 96 per cent, service, 13 National stations planned Tablelands, and retransmitting them on
for example) about 85 per cent of the for the same country areas began to Channel 5. Two days later, the trans¬
Australian continent will not have tele¬ operate, and the last of these began missions ceased, on official directions.
vision coverage in the foreseeable transmitting in September, 1964. Other unauthorised transmissions took
future. This is not because the tele¬ A further program for the establish¬ place from a translator unit in Crook-
vision planners have fallen down on ment of 17 more commercial stations well during April, 1965, using the sig¬
the job. The reason is simply that and 20 national stations was then nals of WIN Channel 4, Wollongong.
there is nobody there to watch tele- begun, to serve smaller country areas. Before a translator could be in¬
vsion programs, even if they were This was completed in August, 1968. stalled, each area had to be separately
available. However, just providing pro¬ However, it had been apparent to those surveyed, to find the best site. First
grams for the areas where people do planning the television service that and foremost, there had to be good in¬
live has had its problems. there was an economic limit to the coming signals. Sometimes these had
After 12 years of Australian tele¬ number of television stations which to be recorded over a period to test
vision, the population within reach of could be established, and that some their suitability. In the case of western
television transmissions is now reach¬ smaller communities could not hope Tasmania, for instance, a recording sta¬
ing close to 97 per cent. This has been for a station of their own. This ap¬ tion was set up on Mount Read, and
achieved by the use of translator plied particularly to the commercial signal strengths from Launceston re¬
stations to fill the gaps left after the television service, which had to make corded for two weeks. Sometimes the
main stages of television development, a profit from its advertising revenue, signals were of useful strength, but at
planned by the Australian Broadcast¬ based on mass coverage. Even some other times they were quite unsatis¬
ing Control Board, had been com¬ of the areas for which a commercial factory for translator use. At the same
pleted. In the past few years, increas¬ service had been planned did not get a time, signals from Hobart, received on
ing numbers of translators have beeji commercial station, since no suitable Mount Owen, were found to be con¬
brought on the air to serve pockets of applications for licences were received. siderably stronger and steadier. So it
population which previously had not The time was ripe for the introduc¬ was decided that western Tasmanians
been able to obtain satisfactory recep¬ tion of translator stations, the function should get their television from Hobart.
tion from the existing service. of which was to receive programs It is also important that a trans¬
This was by no means an unexpect¬ transmitted from a parent station, lator site be suitable for transmission
ed development, for it was already a amplify the received signals and re¬ into the target area. Test transmis¬
well-known problem overseas. Two transmit them on a different frequency. sions are sometimes necessary to
methods had been used elsewhere to But since the translators were tech¬ ensure that reliable reception is pos¬
overcome this: community television nically television transmitting stations, sible from the site.
aerial systems, and translators. Several within the meaning of the Act con¬ Often it has been found necessary
community antenna systems had been trolling public broadcasting, there were to have the receiving and transmitting
authorised, and they were all very well certain legal difficulties which had to aerials some distance apart. The trans¬
in small areas of concentrated popula¬ be overcome. lator at Lithgow provides a good ex¬
tion. But, by and large, translators ample of that. The best site for a
seemed to be a better idea for Aus¬ Translator stations could have been
established under the existing legisla¬ transmitting aerial to serve the city
tralia. was not the best site for receiving sig¬
Since translators are intended to tion, for they fitted the definition of a
television station. But there were two nals from CBN Channel 8, because of
serve a limited service area, their out¬ a high noise level. A much better site
put is low, the smallest having only inhibiting factors. First was the need
to go through the rigmarole that usu¬ was found half a mile away. The two
one watt of output, and the largest installations were joined by an under¬
one kilowatt. In comparison with this, ally accompanied the granting of a
licence for a commercial television sta¬ ground co-axial cable, with an amplifier
the capital city stations have an effec¬ in a pit near the receiver.
tive radiated power (vision) of lOOKW. tion, including public hearings. Second,
there was the limitation on ownership Translator stations are particularly
Naturally, the first places in Aus¬ of television stations to two. Once the effective in Tasmania, where the moun¬
tralia to have television stations were owner of a commercial station had a tainous topography creates many
the capital cities. To Sydney’s TCN 9 translator also, he would not be pockets where direct reception is im¬
goes the honour of being first on the allowed any more licences. Few would possible.
air, with transmissions beginning Sep¬ be willing to give up the possibility of
tember 16, 1956. Next was Mel¬ Hobart commercial channel TVT
bourne’s HSV 7, on November 4. By another full-scale television operation operates on Channel 6. Its signals are
just for the sake of a translator. picked up by the repeater station on
the end of 1956, both cities had three
stations each on the air. Brisbane, The regulations relating to television Mount Owen, which transmits them on
Adelaide and Perth all received their broadcasting had therefore to be Channel 8 to Queenstown and Zeehan.
first television programs in 1959, and amended to exempt translators from The Channel 8 signals from Mount
Hobart in 1960. the provisions intended to apply to Owen also go to another translator on
In 1961, television moved into the main stations. Introducing the proposed Mount Read, which directs them on
country areas for the first time. changes, the Postmaster-General spoke Channel 10 into Roseberry and Renison
Licences were granted for the estab¬ of “areas which, although not a great Bell. There are similar arrangements
lishment of 13 commercial stations for distance from existing transmitters, are for Channel 2. TVT 6 also has trans¬
large provincial areas, and in Decem¬ inadequately served because of the lators at Swansea-Bicheno, Taroona,
ber, 1961, these began coming into topography of the country.” and the logging town of Maydena,
service. The remaining stations came Actually, television translators had where the timber for the Australian
on the air at mtervals, the last to be¬ already got off to an unscheduled start. Newsprint Mills Ltd. plant at Boyer,
come operational being ready in Sep- On March 27, 1965. one started operat- (Continued on page 21)
18 ELECTRONICS Australia, February, 1969
AKAI RECORDERS LOOKING FOR LOWTHER LOUDSPEAKERS?
FIVE LOW COST, HIGH PERFORMANCE
All AKAI models are now in stock . . . M9, Models PM6 and PM7 are now in stock at Encel
SPEAKER SYSTEMS FROM ENCEL ELECTRONICS!
XV. 4000D, X150D, X360, X300, 1710W and Electronics. Both are fine performers — and
Separate speaker systems are essential if you
the X1800SD. Ask for your Encel price or a cabinet specifications are available to suit both
wish to exploit the full potential of your amp¬
trade-in valuation. Sorry ... we cannot adver¬ speakers. Encel’s low prices cannot be advertised
lifier, tape recorder or radio. Sonics speaker
tise the low Encel prices! — call for your personal Lowther price!
systems are beautifully finished in selected
SAVE YOUR RECORDS ... USE THE walnut/teak veneers, are styled to blend with
UNIVERSAL NiKKA-LUSTRE period or modern decor and are extremely effective
TONE ARM LIFT! from an audio point of view. The following five
This beautifully finished and functional universal models are the most popular.
tone arm lift will fit all tone arms ... the
MODEL AS-57 Bookshelf type — Measuring 15{
lowering action is pneumatically dampened and
in. X 51 in. x 8} in., this enclosure is compact
extremely smooth. Risk of record
and most effective. The speaker unit
damage may now be eliminated. cn
is an oval wide range loudspeaker. C99
Including Sales Tax . ^pO.JU
Priced at only .
LOW PRICED DYNAMIC MICROPHONE- MODEL AS-60E Slim Line 2 Speaker System —
IDEAL FOR TAPE RECORDERS! NEW SHIPMENT OF HIGH QUALITY, LOW PRICED Although only 18 in. x 12 in. x 51 in. the
The Piezo DX75 is a robust dynamic microphone COSMOS STEREO AMPLIFIERS AS-60E houses a bass/mid-range
which is small in size and quite unobtrusive. Once more the popular Cosmos Model SW-30C speaker and a high frequency repro- (IjOy CH
Dual impedance is 50 ohms and stereo amplifiers are in stock. Output is 8 ducer. Impedance: 8 ohms. ^Li nJ\3
50k ohms. Encel price me. sales CC QH watts R.M.S. or 15 watts I.H.F.M. in each MODEL AS-61 5 Speaker Slim Line System —
tax. only . >pU.JU channel, all necessary control facilities are in¬ Four bass/mid-range speakers and Z\ in. tweeter
cluded and the price is only $79.50. (IMPOR¬ unit are housed in this attractive
NEW LIFT RELEASED BY GRACE — $11.50 TANT: The sensitivity of the Cosmos suits mag¬ teak/walnut enclosure. Impedance: 8
This beautifully designed lifting/lowering device netic cartridges at 5 mV.) Provision is made for ohms. 2,11 in. x 17| in. x 41 in. '^OO.UU
lits all types of tone arm. Action is velvet-smooth use of stereo headphones and a DIN socket
. . •, and the lift is a fitting companion to permits connection of tape recorders. The pre¬ MODEL AS-202 3 Speaker Systehi — This drama¬
the high quality precision Grace arms. amplifier is fully transistorised. Speaker outputs tically effective 3 way system measures 201 'n. x
allow for use of 4, 8 and 16 ohm. speakers or 111 in. X 111 in. and features an 8 in. bass
NEW GRACE CARTRIDGE! speaker systems. The Cosmos is ideal for use speaker, a 61 in. mid-range reproducer with a
With an output of 7mV. the superb new Grace with tape recorders and tape decks. When used sealed back with a 2\ in. tweeter.
stereo cartridge Model F-8M provides out¬ with high quality stereo pick-ups and wide Power handling capacity is 20 watts C/lfi
standing results. Frequency response is 5-35.000 range speaker systems, results are music power .
Hz. Stylus pressures recommended are \ to very satisfying. Encel price, inc. ^70 Kfl MODEL AS-330. A 3-way speaker system with 5
2\ grams. Ask for details! sales tax . ^/7.JU speakers housed in a magnificent, hand finished,
oiled teak enclosure. Frequency response is '
COMPLETE ENCEL STEREO SYSTEMS DUAL 1019 & lOlOF TURNTABLES 30-20,000 Hz. Size: 151 in. x 11| in. x 26 in.
Make your choice from the greatest range of NOW ON SPECIAL OFFER! Speaker complement includes a 12
equipment and cabinets when you select your Looking for a Dual Turntable? Write or call in. bass reproducer, two 61 in. mid- CQQ RH
new Encel Stereo System. Prices are the lowest now for a very special Encel proposition. You’ll range speakers, two horn type tweeters. 'P70.JU
in Australia. save more at Encel Electronics ... but we’re
not at liberty to advertise the low Encel prices. IMPORTANT: All Sonics enclosures have 8 ohm.
MICRO DUST PICKUPS—$3.50 impedances. Sales tax is included in all Encel
An effective automatic record cleaner which re¬ prices.
CONNOISSEUR STEREO CARTRIDGE —
moves dust as the record plays. An ideal gift.
ONLY $10.80! SONICS STEREO HEADPHONES — FROM $9.50
$3.50 inc. sales tax. Designed to load any amplifier or tape recorder, The popular Model HS-304 offers fatigue free
the Model SCU-1 is regarded as the finest listening on a personal basis . . the headset
THE NEW LUSTRE MODEL ST-510 TONE ARM . . . ceramic stereo cartridge ever pro¬
TRACKS AT LESS THAN j GRAM . . .
AND COSTS ONLY $19!
duced. Ask for copies of re- $10.80 is very comfortable even over lengthy periods.
Price? Only $12.50. The Models HS-303 and
Orders for the new Nikka-Lustre Model ST-510 HS-303H (High impedance) are also available . . .
tone arm can now be filled immediately. Minia¬ frequency response is 20-15,000 Hz.
SAVE ON SANSUI! and the price only $9.50. All models (TQ CQ
ture ball - races are used throughout, the head All popular model Sansui tuner/amplifiers are
shell accepts all standard mounting- cart¬ have foam rubber earpads. From ....
now in stock and trade-in valuations are at an
ridges, finish is satin chrome and anodised all-time high. Ask for your price! SAVE MORE ON ALL LEADING MAKES OF
alumihium. An outrigger bias adjustment is fitted TAPE RECORDER
and stylus pressure is adjusted with the counter Encel Stereo Centres stock all the best makes
JUNCTION BOXES FOR ONLY $3.90!
balance weight. The Model ST-510D is fitted with . . . Akai, Sony, National, Toshiba, Philips, Revox,
Add a headset to your amplifier even if it’s net
a lifting/lowering device and costs Tandberg, Nivico and many more. You’ll be wise
fitted with a headphone jack. Model
$24.50. The Model ST-510 (without ^1Q to secure an Encel price before you commit
JB3 junction boxes may be fitted in Qn
lift), inc. sales tax is priced at .... yourself elsewhere. Save at Encel’s!
the speaker leads. Inc. sales tax.
CP3 TONE ARMS IN STOCK AGAIN SHURE CARTRIDGES AT ATTRACTIVE
Because of the popularity of the CPS arm, we've PE TURNTABLES MODELS PE34 & PE2020 ENCEL PRICES
been obliged to re-order. Price has been reduced Perpetuum-Ebner turntables are probably the All cartridges are brand new and Encel prices
to only $17.50, or $22.50 with the most popular in their price categories . . . and include sales tax. All Shure cartridges are fully
lifting/lowering device. Order now! flj17 cn the low Encel price adds further value to these guaranteed.
Limited stocks. Inc. sales tax . fine German products. Write for Encel prices Model M44G ‘Type 2’—Retail $26~Encel $15.50.
(EMQ’s) or call for your PE proposition. Stocks Model M55E 'Type 2’—Retail $49—Encel $27.50.
MICRO TONE ARMS OFFER OUT¬ Model M75E ‘Type 2’—Retail $69—Encel $39.50.
are limited, although more are on the water.
STANDING VALUE! Model V15E Mk. II ‘Type 2’—Retail $118.75—
Contact Encel’s now!
Designed to track effortlessly with the most
Encel $74.50.
sensitive and delicate cartridges. Micro arms
WHARFEDALE SPEAKERS Order now for prompt delivery by mail — or call
accept SME and ORTOFON head shells without
See the complete range of famous Wharfedale at your nearest Encel Stereo Centre.
modification. The Micro head shell accepts any
standard mounting cartridge. Vertical and speakers and speaker systems . . . ask for an
TRADE-IN AND TRADE-UP!
horizontal movement is almost friction-free — EMQ or a trade in valuation, as we are not
When purchasing equipment from Encel Elec¬
tracking pressure is adjustable from 0.5 grams. permitted to advertise prices.
tronics, be sure to ask for a trade-in valuation
Model MA88 (16”) is priced at $35.50. Model on your old equipment. If your old equipment
MA77 (14”) is only $29.50. Encel prices include A NEW MICROPHONE THAT
is in good working order, the cost of your
sales tax. STARTS YOUR RECORDER WITH
current purchase can be reduced considerably.
YOUR OWN VOICE!
NEW MODEL MICRO MAGNETIC STEREO Bring in your amplifier, tape recorder, tone arm,
When you speak into this new high quality
CARTRIDGE etc. . . . and save more than ever at Encel
microphone your tape recorder automatically starts
Now Micro have released a new series . . . Stereo Centres!
— when you stop speaking your recorder stops!
the Models 3100/5 and the 3100/E (with
Made by a leading Japanese manufacturer, the TAPE SPLICERS . . . ONLY $2,501
elliptical diamonef stylus). Both cartridges have
new “Turtle” microphone features a volume con¬ We’ve just made a special purchase of tape
an extended frequency response (20-25,000 Hz.)
trol and a remote stop/start switch as well as the splicers ... and while the stock lasts this
and performance is outstanding. Write or call
“Voice Operate” mode. Encel price is only $15 easy-to-use unit is priced at aniy $2.50. Save
for additional information and prices.
inc. sales tax. IMPORTANT: Your time and fidgeting — and frayed nerves; order
LOW PRICED CERAMIC CARTRIDGE FOR BUDGET recorder must have a remote con- Cm now!
CONSCIOUS MUSIC LOVERS! trol input.
The popular Micro SC-301 cartridge ha§ now SEE A COMPLETE AUDIO RANGE AT
been superseded by the new, improved Model ENCEL STEREO CENTRES!
NEW 8” CO-AXIAL SPEAKER WITH SEVEN
SC303D. Only the price remains the same! Apart from the many exclusive Encel lines, you’ll
POWERFUL MAGNETS AND UNIQUE NEW
Frequency response is 20-15.000 Hz. DESIGN—$34.50 find a vast range of high quality equipment at
and tracking angle is IS®. With dia- CjC Qft The new CX-20D is the result of a revolution in Encel stores in both Sydney and Melbourne. Here
speaker design combined with precision engineer¬ are a few of the manufacturers represented:
mond stylus . . . inc. sales tax .
ing. A horn type tweeter is used ... a three Trio-Kenwood, KEF, Sony, ADC, Wharfedale,
MICRO LIFTS AVAILABLE. Both these arms are inch voice coil ... an electrical crossover . . . Ortofon, National, Toshiba, Shure, Akai, Sansui,
available with a tailored lifting/lowering device. and weight is almost 8 lbs. Frequency re¬ Philips, Nivico, BSR, Garrard, and many, many
Pneumatically dampened action as¬ sponse is substantially flat between more. Be sure to get an Encel EMQ (Encel Mail
sures record protection. The lift may $8.50 35-23,000 Hz. Cabinet specifications $34.50 Quote) . . . you’ll save much more at Encel
be purchased separately for available .... Electronics!
Head Officef \
431 Bridge Rd./ Victoria 3121. tel. 42 3762.
Hi -‘Sydney Storei/yround Floor 2SMBuildm^. ‘ ■.
iiLECTJRONICS tfSTEREO) - - 257 Clarence Itre^ Sydney, N.S.W. 2000. Tel. 29 4563?29 4564.
LTD A'ustralia’s &reatest Hi-Fi Centre * ^^Wholesalers" 'Trade-Ins accepted
ELECTRONICS Australia. February, 7 969 19
Electronic Components
for COUNTING
Medium speed DTLs for industrial and military appli¬
INTEGRATED cations. High speed TTLs and ultra fast E^CLs for
computer applications. Compatible, versatile llnears
CIRCUITS for low level amplifiers, operational amplifiers for
telecommunications. Instrumentation and control.
M210
(SOLE AGENT)
This unique soldering iron has a big heart for hard work.
Small but sturdy, it performs all the work usually requir¬
ing a conventional iron of up to 75 watts. Check these
features before you buy just any soldering iron.
MINISCOPE, beauti¬
fully presented in a
TRANSFORMER by NATRONICS handy re-usable
A Mihiscope operates on voltages from plastic pouch-paok.
2.5V to 6.3V A.C. or D.C. or from 240V ideal for neat storage
A.C. mains through a "Natronic" Scope and easy portability.
Transformer fitted with 6 ft. 3-core flex MINISCOPE $5.28
and ^^pins
‘ mains plug. $7.65.
AVAILABLE FROM ALL MAJOR ELECTRICAL WHOLESALERS AND HARDWARE STORES —THE FULL GUARANTEE APPLIES^^
ONLY WHEN THE IRON IS USED WITH THE APPROVED 'SCOPE’ TRANSFORMER. MANUFACTURED BY NATRONICS PTY. LTD.
AUSTRALIAN & OVERSEAS AGENTS:
S. AUSTRALIA: COLLETT & CANT PTY. LTD,
IRH COMPONENTS PTY. LIMITED
Is subsidistf of Intsrnsnonsi fissnisnce Holdings Ltd }
103 Halifax Street. ADELAIDE.
W. AUSTRALIA; I. W. HOLMAN & CO.
854 Beaufort St.. Inglewood. PERTH
THE CRESCENT. KINGSGROVE. 2208. N.S.W. 50 0111 N.2.: H. W. CLARKE (N.Z.) LIMITED
QUEENSLAND: K. H. DORE & SONS
42-46 Cable Street. WELLINGTON. C.3
VICTORIAN OFFICE: 505-507 Boundary Street. BRISBANE
143 Christmas Street. Fairfield. 202 Argyle Street, HOBART. N.Z.: H. W. CLARKE (N.Z.) LIMITED
ALSO TOWNSVILLE AND ROCKHAMPTON
10 Teed St.. New Market. AUCKLAND. S.E.l
Miniature image intensifier devices small enough to build Here, says Ruggieri, the MCP and
into night vision goggles are expected to be available to fibre-optics processes part company.
The core of a fibre-optics plate is used
U.S. Armed Forces in the not too distant future. to transmit light; in an MCP, U mere¬
ly keeps the tube from collapsing dur¬
ing the drawings and is therefore
etched away at this point.
A glass disc resembling a thin fibre- this arrangement than in first-gener¬ Then, in the most sensitive part of
optics plate with the cores etched out ation devices, only a single stage is the operation, the insiides of the tubes
will make the second generation of needed to magnify light some 40,000 are coated with a few angstroms of
night-vision instruments smaller, simp¬ times. dielectric oxide. This coating, the
ler, lighter, and less expensive than Because each tube in the array de¬ source 'of the secondary electrons, also
the present devices. Placed in an image livers, in effect, a bundle of electrons serves to keep the electrons moving
intensifier tube, the disc, called to the phosphor, tube diameter deiter- down the tube by varying the electric
a micro-channel plate (MGP), exhibits mines the resolution of a device made field. Metal contacts are then evapo¬
an electron gain that enables a single with an MCP. For this reason, the rated over the faces of the disc.
amplification stage fto do the job that hole size and the length-diameter ratio Varian expects the industry next
now requires three stages lin low-light- (which determines gaiin) are classified. year to sell 3,000 to 6,000 MCPs at
level devices. Loosely, hole size is comparable to a price of $100 to $150 per plate, all
The first contract for second genera¬ •that of a single optical fibre, and the to the military. From 1970 to 1975,
tion devices, a $4.8 million Army ord¬ ratio is comparable to that of a single¬ the company puts the military market
er, was awarded in late July, to the
nr Industrial Laboratories in San Fer¬
nando, Calif, m is to deliver 650
sets of night-vision goggles plus 700
replacement tubes; the contract is clas¬
sified, but the tubes are reportedly the
size of a small coin. Robert Ferraez,
project manager at ITT, will say only
that the goggles will replace the 18-
ounce AN/PAS-5 types, which are a
little more than 3 inches long and oper¬
ate with infrared light.
The resemblance of the MCPs to
fibre-optics plates is only structural.
Eleotronically, microchannel plates be¬
have like an array of single-channel
multiplier tubes shrunken to micro¬
scopic size. These glass multiplier
tubes, used in satellites to detect radi¬
ation, are about 40 mils in diameter
and a few inches long, and have an
electrode at each end. A field-gradient
voltage creates a longitudinal electric
fieM that pulls electrons down the
tube, knocking loose secondary elec¬
trons from the walls as they The
swelled number of electrons reaching
the far end of the tube produces gains
of from 10,000 to 10 million. Gains
of the MCPs are comparable. The basic elements of the proposed night vision instruments. The
Developmental work directed at re¬ spacing of the individual elements in the top diagram has been
ducing the single-channel multiplier to exaggerated for the sake of clarity.
a microscopic array 1 to 3 millimeters
thick has taken nearly seven years.
But now at least three companies— channel multiplier. There are more at some 300,000 plates, but it also
the Rauland division of Zenith Radio, than a million holes in a 1-iinch- sees civilian use of MCPs in X-ray
the Mosaic Fabrications division of diameter plate with a surface area of image intensifiers (to reduce the
Bendix Corp., and the Palo Alto Tube more than 850 square centimetres. amount of X radiation required) and
division of Varian Associates—have Dominic Ruggieri, MCP manager at in some new chemical-filtration and
succeeded in making the plates on a Varian, describes the first silages of electronic-display applications.
production basis. Varian is a com¬ array manufacturing as sinuilar to In some fast-writing cathode-ray
parative newcomer to the field, having those used in the fabrication of fibre- tubes, Ruggieri notes, a single-shot
started its work in April, 1967. Bendix optics plates, A glass core is inserted scan doesn’t deliver enough current
had R. and D. efforts of its own in this into a tube about an inch in diameter; per unit time to activate the phosphor.
field until it bought out Mosaic. the ’tube and core have the same index Though an MCP could increase the
In a practical night-vision device, of expansion so that together they can number of electrons hitting the screen,
the MCP will be placed between the be heated and drawn out into a small present plates have such high resist¬
photocathode and the phosphor screen. rod. The rods are chopped loff in 1- ance that they couldn’t take the heat.
Electrons knocked off the photo- foot lengths, then bundled together Ruggieri suggests that what’s needed
cathode wlill be multiplied in the MCP and drawn out again. Lengths from for this application and for chemical
and accelerated by an electrostatic field the second drawing are also bundled filtration are ceramic plates fabricated
to exerte the phosphor. With many and heated into a boule from which with entirely new techniques involving
more electrons hitting the phosphor in the plates are sliced. micro-drilling. H
NEW NEW
SOLID STATE AUDIO "CADET'
SIGNAL generator
SPEED CONTROLLER FOR
$11.50
NEW Freight Free
''Piccolo'', a Morse transmission system developed by the Piccolo have been overtaken by con¬
British Diplomatic Wireless Service, is to be marketed on tinued development either by D.W.S.
or by communications technology gen¬
a worldwide basis by The Marconi Company after being erally, though of course it still needs
ignored for nearly 20 years by U.K. electronics companies. to be installed at both ends of a circuit.
To get optimum benefit with SSB
systems having fully suppressed car¬
Piccolo is a unique multitone tele¬ Tehran, Ankara, Moscow, a number rier, the receiver should prefer¬
printer signalling system that can lout- in Africa — and at the important ably have a stabilitjy of the order of
perform any technique so far imple¬ D.W.S. relay station on St. Helena— IHz—today, this (is within the state of
mented in terms of taking traffic over have Piccolos working every day, with the art.
noisy, interference-prone radio circuits a communications efficiency on modest New accessory units have been de¬
from signals down to four decibels power transmissions »that was never veloped, making the system more flex¬
below the noise level: a system which achieved with conventional teleprinter ible in meeting the needs of other
provides good copy from signals that techniques or manual Morse. potential users—for instance, adapters
a manual operator could hardly find, In a recent, previously unrevealed, to convert the output of standard tele¬
let alone read. HF signals in the region test of HF communications aboard type keyboards to the Piccolo mode,
of 0.1 microvolt, so that “signals Queen Elizabeth, Piccolo was worked, to make possible remote operation
inaudible — Piccolo printing” has be¬ with an improvised diversity aerial over telephone lines, or to permit
come a routine report: a system offer¬ arrangement, every night to copv some operation from standard teletype tape
ing some slix times *the accuracy of 300,000 characters with just two errors. readers.
Morse on ultra weak circuits — at 10
times the speed. The system would seem to represent No longer can it be claimed that
a significant step toward the long- Piccolo is not fully engineered. Costs
This remarkable system has been sought automation of HF operation. are known within reasonable limits —
devised and developed by the Diplo¬ Combined with another D.W.S. tech¬ and a complete send/receive ’terminal
matic Wireless Service (DW.S.) of the nique — “Piccabel” — it can provide (with its in-built facility of diversity
Foreign Office over a period extend¬ selective calling to an unattended operation where required) would cost
ing over 20 years — as the original terminal over long distance circuits, to in the region of £7,000.
patents testify. give auto-alarm or allow traffic to Yet over the vears, D.W.S. have seen
Basically, the system uses 33 tones be sent safely in the absence of a the possible benefits to Britain of (in¬
at lOHz intervals, from 320 to 660Hz, duty operator. A two-letter calling tape dustrial exploitation slowly fading
each of the 32 tones being alloted to run from the control station for a away. Patents taken out in most major
one teleprinter character and transmit¬ few minutes actuates the distant station communications countries are expir¬
ted for the full duration of the charac¬ at signal strengths down to the ing. A few can be renewed on grounds
ter period; and, additionally, one stand¬ weakest Piccolo levels. of non-exploita’tiion, but not all.
by tone. Piccolo represents a totally different Originally it had been thought that
At the receiver, the tones are applied approach to forward-acting error de¬ industry would seek to acquire the
to very high Q resonant circuits, usiing tection and correction systems—con¬ patent rights, or manufacturing licences,
pot cores and Q-multiplier techniques. centrating on providing good copy at or the purdhase of engineering know¬
All circuits are sampled by a voltage normal signalling rates rather than how. At one stage, Plessey took out
comparator and then quenched at the correcting errors. It would seem to an option to manufacture, but let it
end of each lOOmS period (or other have advantages over both these ap¬ lapse.
period appropriate to the band rate proaches—at least for some important
ased). The resonant circuit concerned D.W.S. have always had a sturdily
classes of HF operation. Like many independent attitude towards other
inte^ates the entire siignal energy other good developments, it sprang al¬
received over the lOOmS period, and people’s equipment — buying where
most from “black-market” research in the product suited them, inheriting
so builds up a sawtooth waveform. a tiny laboratory, with the project not
It can be shown that all other circuits much American equipment, and not
officially funded until about 1958. developing the type of industrial rela¬
will have near zero energy at the D.W.S. were following the classic
time of sampling. Absolute voltage tionships where someone might have
Oliver Heaviside precept: “The best taken up Piccolo as a quid pro quo.
levels are unimportant. proof is to go and do it.” Build a bet¬ But why should not the system have
The system is synchronous but uses ter mousetrap and the world will beait stood in its own right?
standard start-stop teleprinters for print a pathway to your door. Certainly, Now, at last, there are plans by The
out and five unit code input. Trans¬ over the years, D.W.S. have demon¬ Marconi Company to market D.W.S.
mission at lOOwpm can result in less strated the system to just about every¬ built Piccolo terminals on a world¬
than 0.2 per cent error rate when the one in the communications field. They wide basis, with a demonstration sys¬
signal is 4dB below noise level in a have come, have complimented the tem to be (installed at Chelmsford to
bandwidth of 470Hz. D.W.S. team—or, in the early days, show prospective users. There still
The basic principles were first just swallowed hard at trying to un¬ seem some lingering doubts whether
demonstrated to industry in the early derstand this practical concept of in¬ these admittedly specialised equipments
fifties in the form of an experimental formation theory at a time when it can be sold to carriers or organisa¬
15-channel multiplex unit intended for was little known; sometimes they have tions having control of only one end
use ion LF circuits that never, in fact, done some further probing. of a circuit.
went into operational service — but Yet, once they discovered that there
showed that the team were working Industry is thus at last taking a
was no suggestion of a government R paddle, if not a plunge, with future
on sound lines. and D contract, or an immediate assur¬
Even as a compact single-circuit plans still depending upon waiting to
ed market they have usually lost in¬ see how it goes. Meanwhile the major¬
terminal, it has a history of almost 10 terest.
years, with practical realisiation from ity of potential users — maritime, avia¬
the late fifties. Today more than 40 Many and varied have been tion and other point-to-point circuits,
Mark 2 terminals are churning out the reasons given for this lack of in¬ military HF, diplomatic and similar
traffic in many parts of the world — terest: high stability requirements, networks — may well jog along striv¬
providing the desirably clean copy bandwidth, lack of compatibility, iin- ing for ever hi^er transmitter powers
that prevents Foreign Office cypher flexibility, need for much more engi¬ to blast through conventional signals
machines from clogging up. neering development. . . in ever increasing interference. (“Elec¬
Embassies in Delhi, Rawalpindi, Many of the early “objections” to tronics Weekly,” 2/10/68.) H
ASjAfic
A new stylus or needle will make the than 50% on the normal list price. No
world of difference to your records. When matter what your pick-up cartridge, how
did you last change your needle? Now old or new, there is an Astatic replace¬
is your chance to do so and save more ment needle for it.
-I
1
NlOl ID 4.95 2.48 5.00 Acos
N160 SD 5.95 2.98 7.00 B.S.R.
S = Sapphire D = Diamond
..pick-up
fitted to..
Name .
World’s largest manufacturer of
L
Address .
..Postcode..
GN 43/1 [
Missile guidance
An order worth several million pounds sterling has been
placed with The Marconi Company by the British Ministry of
Technology for television guidance systems for the first produc¬
tion batch of Anglo-French MARTEL guided missiles. A small
sensitive television camera, carried in the nose of the missile,
provides a high quality picture from which any type of target
can be positively identifi^. It gives the observer in the aircraft
...
Now, end all forms of tedious marking and labelling, with fast and easy Letraset Mark¬
ing Kits. All you need is a ball point pen. Rub down the transfer and the job is done —
goes on instantly — stays on permanently.
TERMINAL AND METER AND DIAL TITLES FOR ELEC¬
CHASSIS KIT MARKING KIT TRONIC EQUIPMENT
Contains 24, d'A'* x 5” sheets of This set contains a total of 12 24 sheets in easy-to-handle Si^x
all letter connbinations and numer¬ 5"' X 7” sheets in black, red and 5" size with multiples of hundreds
als for marking chassis printed, white. Sheets Include arcs, dial of preset words (ranging from
circuits and terminal boards, rotat¬ patterns, lines, wedges, graduation AC to ZOOMS) gives you up to
ing components, etc. The letters lines, switch symbols, alphabets 95% of all electronic panel mark¬
are arranged In accordance with and numerals. Ideal for marking ings; including complete panel
frequency of use and the numbers standard and special rotating tap markings, alphabets and numerals
run from 1 to 209. A separate switches, potentiometers, proto¬ too. Pages are numbered for order¬
sheet of numerals enables you to types and specially calibrated met¬ ing refills. Complete set, black or
produce any number you require. er dials. The three colours give white $5.50 Separate sheets 24c.
Complete Kit $5.50 in black or good contrast on all panels, scales
white. Separate sheets 24c. and switches. Complete set $5.50
— Separate sheets 48c.
* Protective Coating
Colourless, fast drying and can be used on any surface, protects Letraset Lettering from damaging. $1.65 per can.
LETRASET CDDI,
LET5A
30 ELECTRONICS Australia, February, 7969
Skynet telegraphy equipment
A 12-channol, time-division-multiplexing telegraph system is
being supplied by the Plessey Group to the British Ministry of
Technology for use in the Skynet military satellite communica¬
tions system. The equipment, developed by a Plessey subsidiary,
British Telecommunications Research Ltd., is capable of multi¬
plexing a mixture of start stop and synchronous telegraph
sisals of different speeds and formats. Silicon IC logic te^-
niques are used throughout, and a robust construction makes
the equipment suitable for transportable installations. Facilities
for automatic synchronisation, supervision and alarm indication
are provided.
...
Satellite repairs
The General Electric Co. of the U.S.A., umier a U.S.A.F.
contract, has specified a system for carrying out repairs on
satellites by a meohia^cal to^ controlled firom Earth or another
spacecraft. The projected system would comprise two slave
arms and hands, a oo-ordinated television system and a tele¬
metry control system on a satellite carrying a variety of tools
and spares. The operator wduld manoeuvre the slave satellite
into position by renwfely fi^g directional ithrusters. The tele¬
vision system would allow the operator to control the handte in
a similar way to those used in radioactive environments. ThJe
GE engineers are working to overcome the problem of tlie
time lag between the operator and the space tool.
PIONEER - SA 500
SOLID STATE STEREO AMPLIFIER
Continuous Power Output 12W4' 12W at 4 ohms (distortion below 0.5% at 1 kHz).
(both channels driven)
Residual Noise Less the 0.7 mV at 8 ohms (volume: minimum, tone: flat)
Kodak
Contact the Kodak branch in your
State for details.
Motion Picture & Educational
Markets Division KODAK
(Australasia) PTY. LTD.
Branches in all States.
iiiiiiniiiiiiiiiiiiniiiiMiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiiiiiitiiiiii
Sound-in-vision
The new Garrard Synchrolab
An experimental sound-in-vision system
has been developed by the B.B.C. Re¬ SL95 complete in Teak case
search Department in the U.K. for the with tinted flexiglass lid.
ungni
single-line distribution of 625-line tele¬
vision signals. A period of 3.8uS within
each 4.7uS line synchronising interval,
symmetrical with respect to the leading
These Slimline microwave iso¬ and trailing edges of the line synch pulse,
is occupied by a PCM sound signal. The
lators, recently introduced by The sound signal is sampled at twice line
Marconi Company, Chelmsford, frequency, a bandwidth of 14KHz being
Essex, England, feature ^ consid¬ allowed. The two samples during each
erable reductions in size and line period are converted to PCM signals, UNITED RADIO
weight. Compared with earlier delayed and compressed, and inserted into
designs, the new components the video waveform during the next line DISTRIBUTORS PTY. LTD.
take up little more than the synch interval. Shop 32, Ash Street
width of a pencil in a waveguide It is necessary to extend alternate equal¬ Angel Arcade, Sydney
run. They are said to be particu¬ ising pulses from 2.35 to 4.7uS in order Telephones: 28.3718, 28.3926
to provide room for the sound pulses
larly suitable for airborne radar during the full blanking interval. In the OPEN SATURDAY MORNINGS
applications. In operation they Sydney's leading High-Fidelity Specialists
receiver, the sound pulses are extracted
act as one-way devices to micro- and reconverted to normal audio signals,
wave signals, preventing the feed¬ and the video waveform is restored to
back of reflected waves. standard form. E3
BLECTRONICS Australia, February, 1969 35
A Power Supply and Probes
for the Solid State V-O Meter
A "follow-on" article to that of December, describing a number
of useful accessories for the new instrument. Included ore a
mains power supply, an active AF probe unit and probes for RF
and high voltage measurements.
by Jamieson Rowe
Complete independence from the the ability of the instrument to make The mains cord for the supply is
AC power mains is one of the more measurements in “floating” circuitp^. clamped at one end of the case
obviious advantages offered by the Solid Needless to say there will be a definite immediately upon entry via a grom-
State Volt-Ohm Meter (SSVM) des¬ limit to the voltage at which the metted hole. The active and neutral
cribed in our December 1968 issue. In instrument can safely “float” relative conductors are then terminated and
contrast with the conventional VTVM, 'to the mains supply and mains earth connected to the transformer primary
and by means of its inbuilt battery system, as determined by the power leads via a 2-way section of “B-B”
supply and isolated solid state circui¬ transformer primary-secondary and connector strip, bolted to the bottom
try, the instrument is capable secondary-core insulation; however, of the case. The earth conductor is
of makiing measurements not only ‘In within the range below this restriction soldered to a lug clamped under the
the field” remote from the power the performance of the instrument adjacent transformer mounting bolt,
mains, but also in situations whehe the should be virtually identical to that ensuring that the supply case itself is
circuitry involved in the measurements when powered by the internal battery. earthed for safety.
is “floating” with respect to earth. The supply consists of a simple All of the minor components
Although this facility wdll prove ex¬ bridge rectifier circuit, floating with associated with the secondary circuit
tremely useful on occasion, there will respect to earth, and employing four are supported on a miniature 8-lug
doubtless be many situations in which silicon diodes together with a miniature tagstrip at the end of the case opposite
the instrument will spend a major part 12.6V/150mA stepdown transformer. to the mains cord entry. The DC out¬
of its working life on the service or A 500uF/25VW electrolytic capacitor put cable enters the case at the same
development lab. bench, with the AC
provides smoothing. Output from the end, again via a grommetted hole, and
mains conveniently at hand. In the
supply is very close to 19V when un¬ is knotted upon entry to prevent strain
interests of battery economy it is
therefore desirable that provision be loaded. falling to approximately 18.5V on the tagstrip lugs.
made for the instrument to be powered when the SSVM is connected. Ripple
from the mains when required. In fact output is very low. AMPLIFIER PROBE: The AC input
a polarised socket was provided at the As may be seen from the photo¬ sensitivity of the basic SSVM is limited
rear of the instrument for this purpose. graphs, the prototype supply which we to 3V FSD, largely due to the linearity
built up for the original SSVM was problem associated with the silicon
POWER SUPPLY: The small power constructed in a small aluminium rectifier diode used. While this sen¬
supply whose circuit is shown in figure utility case. Measuring 5in x 2iin sitivity will probably be adequate for
1 will perform the required function X 2iin, the case provides ample capa¬ many routine AC measurements, there
while leaving substantially unaltered city for the few components required. will be applications in which it will
not be sufficient. Perhaps a majority
of such applications will involve low-
level audio signals, so that a very
At left is the SSVM itself^ useful accessory for the SSVM is an
described in the December active AF probe system providing a
1968 issue. It is virtually measure of signal preamplification.
a solid-state equivalent to Figure 2 shows the circuit of an
the usual VTVM. Below active AF probe unit which mav be
is the mains power unit as used to extend the effective AC input
sensitivity of the SSVM by up to
described in this article.
30dB—i.e., to a maximum sensitivity
of lOOmV FSD. The gain is actually
AMPLIFIERS
A complete new range of amplifiers is now available
from Pioneer surpassing even the superb performance
of the previous models. Choose from Integrated valve
or solid state tuner amplifiers from 26 to 170 watts.
These amplifiers are professional in sight and sound.
Priced from $126
SPEAKER SYSTEMS
The quality of Pioneer sound is world famous and their speakers
have played a dominant role in building this reputation. The
range is outstanding reflecting the most advanced contemporary
audio practice by the world's foremost audio engineers.
Technically superb, asthetically pleasing Pioneer speaker
systems grace the most tasteful decor.
Priced from $32
Type MP (customer)
Type L Mark 2
Type E
Type MP (dealer)
Type G Mark 5a
Type ED
y TypeN Mark 2
Type Q
SPECIFICATIONS:—
R: 0.1 Ohms—11.1 M Ohms. 6 Ranges.
Accuracy: 0.1 Ohms—10 Ohms ±2% *• 0.1 Ohms.
10 Ohms—SMOhms ± 1%.
5M Ohms—11IM Ohms ±5%.
L: luH—lllH. 6 Ranges.
Accuracy; luH—lOOuH ±5% — luH.
ImH—lllH ±2%.
C: lOpF—lllOuF. 6 Ranges.
Accuracy: lOPF—lOOOPF ±2% ±10PF.
IIIPF—llluF ±1%—1.5%
lIluF—lllOuF ±5%.
T: 1/10000—1: 11100 Accuracy: ±]%—].5%.
Power Source: DC 9V Bridge Power Source: 1 KC.
Net Weight: IKg Dimensions: 7” x 5” x 3”
Price $50.00 each plus Sales Tax
Frequency Coverage: lOHz — lOOkHz in 4 bands Distortion Factor: Less than 0.3% 200 Hz — l(X)kHz
continuously variable Less than 0.8% lOHz - lOOkHz
Waveform: Sine and Square waves Square Wave Risetime: 0.2 S
Frequency Accuracy: ± (2% -f I Hz) Power Source: 100 - 115VAC or 220 — 240VAC,
50/60HZ (approx. 3VA)
Max. Output (600 load): -f 9dBm or more, continu¬ -240VAC,
ously variable with variable resistor Dimensions: 190(L) x 95(W) x 100(H)mm
Output Impedance: 600 ± 100 unbalanced (7-5/12 x 3-2/3 X 3T’)
Output-Frequency Response: ± IdB at IkHz Net Weight: Approx. 850 grams (1.9 lbs).
Unit supplied with 150cm (5') long AC cord. 150cm
Price $60.00 plus sales tax (5’) long coaxial cables with M type connectors
available optionally.
UNIVERSITY GRAHAM
INSTRUMENTS PTY. LTD. REPRESENTATIVES:
106 Belmore Road, Rlverwood. N.S.W. 2210 W.A.; Atkins (W.A.) Ltd..
894 Hav Street.
S.A.: Compar Distributors
Pty. Ltd.,
Telfohones: S3-67S8. 53-0644 (5 lines). PERTH W.A. 6000. 33 Market Street.
Teltgrams and Cables. Raquip. Sydney. ADELAIDE. S.A. 5000.
VICTORIA; EASTERN INSTRUMENT TAS.; W. P. Martin & Co.. QLD.: Keith Percy & Co..
ELECTRONIC SERVICE PTY. LTD. 202 Argyle Street.
HOBART. Tas. 7000.
Pty. Ltd..
Waterloo Street,
Suite 17. 67 QUEEN'S ROAD. MELBOURNE. VIC. 3000. And ISO Wellington Street. NEWSTEAD. Bns.
Phone: 51-8503. 20-3294. LAUNCESTON, fas. 7250. Qld. 4006.
by Jamieson Rowe
When modified according to the the probe section is identical to that used for the SSVM power unit des¬
accompanying dia^am, the unit forms shown in the preceding article. With¬ cribed in the preceding article, there
a self-contained high-impedairice 'instru¬ in the control box the changes are would be room for the power supply
ment probe 'and preamp which is very slight and the wiring and component as well.
suitable for use with oscilloscopes, layout mav be substantially as describ¬ A further possibility would be to
VTVMs, and other instruments. ed. The omission of the peak rectifier derive the power for the circuit from
Frequency response within -3dB components will provide additional the equipment with which it is to be
points is approximately 20Hz —: space and spare lugs on the resistor used, as with the ori^nal probe undt.
500KHz, with an input impedance of panel, but these may be required for If a source of DC is avaJilable, this
approximately 20 megohms shunted by whatever power supply is employed. may involve nothing more than a
7pF amd an output impedance of less Power requirements for the unit are voltage divider with decoupling,
than IK. Noise output is less than 12-18V at less than 5mA, with the or perhaps a zener diode divider if the
5mV RMS, with an output voltage output voltage swing capability directly available DC voltage varies over a
Capability of more than 9V P-^P. The proportional to the supply voltage. If wide range. If only AC lis available, it
probe circuitry is capable of with¬ the unit is to be used in the field or would be feasible to employ the recti¬
standing input overloads up to approxi¬ intermittently, the simplest source of fier-filter section of the supply shown
mately 60aV DC and 50V RMS with¬ supply would be an 18V battery, as in figure 2, connecting it to the equip¬
out damage, ensuring a high order of shown. At the small current drain ment heater line.
reliability. involved a suitable combin'atiori would For further information regarding
As may be seen, the modifications be two miniature “216” batteries con¬ the provision of power supplies for
are few. The peak rectifier Circuit is nected in series; dt would probably be this and similar circuits, readers are
omitted from the output, while the possible to fit a pair of these batteries referred to the author’s article in the
lower feedback resistor of the feed¬ and the required on-off switch in the October 1968 issue of the magaziine,
back 'amplifier becomes a parallel control box case shown in the preced¬ entitled ‘Tower Supplies for Transist¬
1.5K/10K comibination. The lOK ele¬ ing article. ors in Valve Equipment”.
ment is used as a vernier gain adjust¬ If continuous use is envisaged and In closing it should perhaps be
ment for calibration. To compensate the mains supply is available, ^a small noted again that the 2N5459 JFET
for the reduction in feedback resistor mains power supply would 'be appro¬ device (which supersedes the MPF105)
value, the HF peaking capacitor is in¬ priate. This could take the form of a is a Motorola product, available either
creased from 150pF to 390pF. All low-current voltage double supply direct or on order via trade suppliers
other component values in the basic using a miniature 12.6V transformer from Cannon Electric (Aust.) Pty. Ltd.,
circuit are unchanged. and two silicon diodes type BA 100 or of 58 Cluden Street, East Brighton,
The circuit modifications are all in similar, as shown in figure 2. If the Vdc. 3187., P.O. Box 25, Mascot,
the “control box“ section of the unit, control box section of the unit were N.S.W., 2020, or Common'weialth
so that the wiring and construction of constructed in a box similar to that Aerodrome, Parafield, S.A., 5106. H
////mii/ifiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiii
AU-555
AU-222
stereo system,
A 60 watt solid state, the AU-555 offers
the same number of output and input
and two great ways
circuits as the AU-777, and differs only in to add to it.
size, price and power bandwidth rating, Sansui's SR-3030BC and SR-2020BC
20 to 30,000Hz. 2-speed manual turntables are recognized
The 46 watt AU-222 is the most compact worldwide for their precision speeds,
of all. With a bandwidth from 20 to superior pick-up capabilities and flawless
20,000Hz and a distortion factor of only wow and flutter characteristics. Both feature
0.8% or less, it brings professional Sansui large platters, tubular type tonearms,
performance within the budget of everyone. induced magnetic type cartridges, wide
Depending on the size of the system, frequency response ranges and high channel
any of these three models is an ideal place separation figures. Either makes an ideal
to start a customized stereo system of addition to any amplifier in the Sansui
your own. AU series.
SANSUI ELECTRIC CO., LTD. 14-1, 2-chome, Izumi, Suginami-ku, Tokyo, Japan
INSTALLING A CAR RADIO
It is some time since we discussed the ramifications of in¬
stalling a car radio. The last article was in July 1959^ as a
follow-up to the description of our own 1959 Karset. Since
then there has been another Karset (June 1961) and a lot
of changes in car styles, aerials, accessories, etc. It is the
purpose of this article to deal with the installation of car
radios in general, whether one of our own design, or the
commercial variety; whether new or second hand.
In fact, there has been quite an process in order to remove it, followed In this regard, the car radio division
upsurge in the popularity of second¬ by an equally laborious process to of AWA have issued the following
hand sets, apparently due to the swing replace it. Even worse, a set some¬ note.
to solid state versions by those who times has to be removed a second time “Due to the environment in which
must have the latest at any cost. The in order to complete some minor they have to oi^rate, loudspeakers
result is reasonably plentiful supply adjustment, the need for which was not used in car radio installations are sub¬
of valve receivers which, while not apparent on the bench. ject to rigours not usually encountered
“modern” by some standards, are still Good electrical contact between the by loudspeakers installed in apparatus
capable of putting up a first class per¬ case of the receiver and the car body used in the home.
formance by any standards. For is essential, because the primary power “For this reason, AWA designs and
younger people, on a limited budget, circuit is completed by this means. A makes specific loudspeakers especially
such a proposition is attractive, par¬ good bond between case and chassis for car radio work and we therefore
ticularly if further cost can be saved also assists in reducing ignition inter¬ advise that, whenever a car radio loud¬
by doing one’s own installation. ference. speaker has to be replaced, care is
In most cases, installation is merely You may need to manufacture taken to ensure that the replacement is
a matter of routine, involving the special straps or brackets. A fairly typi¬ a car radio type.”
fitting of major receiver components cal case is shown in the diagram, where
a strap underneath the front of the set Ignition interference can reach the
and two or three standard suppression input of the receiver through the
components. It may be summarised as is used to hold it to the dash and a speaker socket. It is necessary to care¬
follows: second strap, secured to the back of
fully shield the speaker voice coil lead
1. Mount the receiver proper. the set. placed to hold it to the bulk¬ and make sure that the speaker frame
head. The dimensions of the straps,
2. Mount the speaker. particularly the latter, will depend on is connected to the earthy side of the
3. Fit the aerial. shielded cable as well as one side of
how far the bulkhead is from the back
4. Eliminate engine interference. the voice coil.
of the set. Not less than 16-gauge by
It will be unrealistic not to acknow¬ lin mild steed is normally required. The next matter to consider is the
ledge that there are cases of engine and Suitable straps, drilled with multiple type of aerial and its mounting posi¬
accessory interference which are very holes, are normally available from car tion on the car.
difficult to deal with effectively. Much radio accessory houses. Nowadays, 99 per cent of car radio
of the information is aimed at helping Many cars have provision for installations make use of a single
readers who are unlucky enough to mounting the speaker in the dashboard whip aerial and this is what we recom¬
strike a particularly stubborn case. and it is worth checking carefully with mend.
Most modem cars make some pro¬ your car to see what space is avail¬ There is a wide range of aerials
vision for mounting a radio in a able. available on the market at present.
position such that it does not interfere Smaller speakers may be necessary in They range all the way from a simple
with the normal space inside the pas¬ some cars, but we strongly recommend “gutter grip” arrangement to electric
senger compartment. Often there is a
panel in the instrument or dashboard
which can be removed and the set
substituted. No one mounting
Another possibility is to take this arrangement will
panel and modify it to provide a suit¬ serve for all veh¬
able dial cutout and the control shaft icles, but the one
holes to suit the set. Before doing so, shown is, with
it would be very wise to make sure minor variations,
that your local distributor holds stocks
of replacement panels. In fact it may a very popular
be a good idea to buy one and keep one. Straps and
it on hand in case you decide to sell other fittings are
the car at a later date without the available commer¬
radio. Panels for the particular model cially.
may then be out of stock.
It is desirable to mount the receiver
where it can be reached easily by both
the driver and the passenger, which that you try to use at least an Sin round motor driven types controlled from the
puts the best position somewhere near speaker. Steel cases with strong metal dashboard. What you select will depend
the centre. Failing that, the next best mesh protecting the cone are available to a large extent on what you can af¬
position would be on the driver’s side and it is usually possible to mount one ford.
of the car. Compartments and spaces on the bulkhead above either the pas¬ In the early days of car radios, choice
which can be usefully employed other¬ senger’s feet or the centre of the car. of an aerial was relatively simple; it
wise should be avoided if at all pos¬ It is not always fully appreciated was dictated mainly by the type of car
sible, e.g., glove box and parcel tray. that a speaker in a car has to over¬ and varied only in regard to the
In choosing the position, bear in come a substantial ambient noise level mounting position and the fittings
mind also that the set should be when a car is in motion. For this reason which this dictated. The aerial proper
reasonably easy to remove for service. it should be able to make the best pos¬ was basically the same; a simple tele¬
It can be extremely annoying, when sible use of the available audio power, scopic whip which one adjusted
the set has to be serviced, to find that and should be the largest and most manually to the height required. The
one has to go through a laborious efficient that can be provided. main restriction was that one usually
46 BLECTRONICS Australia, February, 7 969
come within the driver’s normal field
of view.
The longer the aerial the greater
The ”gutter grip** the pickup but also the greater the
aerial is very pop- likelihood of damage and therefore a
compromise must be reached. Our own
ular where it is un¬ experience has been that radio aerials
desirable to drill on cars are so liable to damage that the
the car body. It is aerial should be, if anything, on the
easily folded down short side. We would choose whip
to minimise dam¬ about 18in or 24in long in its col¬
age from trees or lapsed state and with three sections
allowing it to extend to 4ft or 5ft.
vandals. (By court¬ Fully collapsed, this will provide
esy Ferris Bros. more than adequate pickup of stations
Pty. Ltd.) within a 20-mile radius under most
conditions while the aerial can be ex¬
tended to its full height if you feel
like some entertainment on country
drives.
Choose the exact mounting position
had to get out of the car to adjust the the driver or passenger, so that it may for the aerial with great care because
height, extending it to maximum for be adjusted without stopping the car. the cost of repairing the damage of
country driving or retracting it for city Fairly obviously, users of power driven an incorrectly positioned hole plus
driving to minimise damage when models have more latitude in this matching the lacquer can be very dis¬
entering the garage or from shrubs on regard. couraging. It should not be in any
the side of the driveway. However, such Driver-side mounting has. the advant¬ difficult contours in the car body
adjustments were relatively infrequent, age that, when parked, the aerial is otherwise it may be hard to obtain per¬
and constituted little hardship. out of the immediate reach of hood¬ fect weather sealing. At the same
Then came the hoodlum element lums on the footpath, who might there¬ time, the lower end of the aerial
whose moronic intellect derives a fore be less encouraged to damage it. should be at a point which is easily
strange pleasure from ripping aerials Also, if it can be within reach of the accessible, preferably inside the passen¬
from parked cars or, by way of front seat occupants, the driver is the ger compartment.
variation, tying them in a knot. logical one to favour. Against this is Individual aerials vary in their
the fact that it is sometimes quite mounting procedures. Make sure you
The counter to this was the lock-
down aerial. This type can be fully difficult to find a front mounting know how the particular aerial mounts
driver’s side position which does not when you take delivery.
retracted, almost flush with the body¬
work, so that there is virtually nothing Many car radio firms are quite
for the morons to manhandle. It locks happy to mount the aerial free or for
in this position and can only be re¬ a very nominal fee. They usually know
leased by means of a key. The idea is a exactly where to put the hole and
good one—provided one scrupulously have all the tools necssary to make
adheres to the ritual of locking the it the work of a moment so that you
aerial down whenever the car is parked may not be justified attempting the job
and, by implication, extending it again yourself.
each time one returns to the car. In Screened cable, suitably terminated
practice few people seem able to at either end and about 6ft long, is
discipline themselves sufficiently and the usually supplied with the aerial. If
aerial either remains locked down, and you should have to make up this cable
therefore of little value, or extended, for yourself be sure that you buy the
and therefore just as vulnerable as any semi air-spaced low capacity cable
other type. specially designed for car receivers. A
typical sample would have a capacity of
The counter to this problem is the only lOpF per foot instead of 20pF
fully retractable motor driven type. per foot for ordinary co-axial cable,
Being completely controlled from the in other words, with the low capacity
dashboard, it need only be extended cable, the cable length can be double
when actually required, and by what¬ for the same effect on the signal. The
ever amount required. As a result, it cable should be as short as possible
receives less abuse from all sources, consistent with stowing it neatly and
plus the fact that it can easily be re¬ ease of plugging in the connectors.
tracted whenever a hazardous situation
is anticipated as when entering a drive¬ It is most important, in the interest
way or garage, or approaching low, of suppressing ignition noise, that the
overhanging branches. In short, it is shielding on the aerial cable be effect¬
the complete answer—if you can afford ively “earthed” at both ends; to the
it. Prices range from $20 to $40 and body of the car at the base of the
the main difference appears to be that aerial and to the chassis of the set at
the simpler, less expensive mechanisms the other end. This usually means that
will probably have a shorter life before the small area of metal on the under¬
side of the body, against which the
servicing is required. securing nuts will bear, should be
In this regard it should be emphasised scraped clean of paint before assembly.
that all power operated aerials on the A circular wire brush, as found m
Australian market at the present time “de-coking” kits, driven by a power
are imported. Before deciding on a drill is a popular tool for the job.
model, make sure that spare parts and Another type of aerial which has
servicing facilities are available. gained popularity in recent years is
Having decided on the broad type of the “gutter grip” type. This is a simple
aerial preferred, there comes the type designed to clamp on the roof
question of mounting location; front or gutter and is most useful where it
rear, driver’s side or passenger side. The ultimate in car aerials is is undesirable to drill the body of the
Either front position has the advantage the power operated variety, car. It is useful for temporary instal¬
that the length of cable from aerial to controlled from the dashboard. lations, and is much favoured by
set is kept to a minimum. Since the Extended only when necessary, drivers who make a business of driv¬
cable introduces losses, this can be ing cars to country or interstate
important. The front position also has it suffers minimum wear and centres on behalf of purchasers.
the advantage that, in some cases, the tear. (By courtesy A. W. Barrs Again, it is favoured by drivers who
aerial may be located within reach of Pty. Ltd.) use company cars, which the com-
ELECTRONteS Australia, February, 1969 47
pany will not permit to be drilled.
In any case, installation is a good
Choose from the deal Cc^sier than with the more con¬
ventional types.
A typical type is a two-sectiop
telescopic unit, available in two
lengths, “standard’’ or “fringe.” The
standard length is 33in fully extended
and abput 17in collapsed. The larger
one is 44in fully extended and about
^ range of 23in cqllapsed. Although these lengths
are sut|stantiallv less than the lengths
of other aerial types, this is largely
ter is not often troublesome at broad¬ shielding all high tension leads, follow¬
cast band frequencies but there may be ing the general technique used in air¬
rare cases. The output of the regula¬ craft installations. Special screened
tor gees to the generator field and, cable can be obtained from aircraft
as mentioned before, it is not permis¬ supply firms, while we understand that
sible to bypass this point because the some plug manufacturers are able to
high peak currents in the circuit make special screened plugs designed to
would damage the contacts. connect with the screened cable and
However, it is permissible to con¬ in the correct size and heat range for
nect a .0022uF capacitor in series with most vehicles. It would probably be
a 4.7 ohm resistor from the field ter¬ necessary to make special metallic
minal of the voltage regulator box to covers for the high tension coils so that
chassis. If this does not effect a cure, the high tension system is completely
it is likely that there is something contained. B
wrong with the regulator system.
Filtering in the power input lead of
most receivers is adequate for all nor¬
mal purposes. However, if it is found
PUBLIC ADDRESS
that the RF components on the low
tension line are particularly high, an¬ EQUIPMENT
other LT feed point may be necessary.
Alternatively, an additional RF filter
in the LT lead may be desirable. You
WHOLESALER
Grease on the hinges of the
engine hood can result in poor
can check the point by disconnecting ALL LEADING BRANDS
the aerial lead, when the receiver
contact and the accentuation of should be completely free of all inter¬ • TURNER • A.W.A. • SELOSO
ignition interference, A heavy ference. • SHURE • M.S.P. ' • ZEPHYR
copper braid will then improve If not, a standard LT RF choke, as
used in vibrator circuits, in series with • B.S.R. • ACME • AMPERNOL
matters.
the power lead and close to the set, • GRAMPION • A.K.G. • FOSTER
may be helpful. The filtering can still • RESLO • R.C.F. • AUDIOCRAFT
further be improved by bypassing the
receiver side of the choke to chassis • AWIA • TOA • PIONEER
with a 0.1 uF capacitor.
Let us place you on our mailing list.
Another difficulty concerns cars
with fibreglass bodies. These arc not
common, but when they do occur they HODGES SOUND SYSTEMS
represent a problem since there is no 35 Lewis Street,
metal shield to contain the ignition im¬ BALGOWLAH. SYDNEY.
pulses within the engine compartment. Telephone 94-4193.
In such a case, we would suggest
Phone 63-3596
63-5973
E• I>^
MJ. Ot
C (SALES) PJione
E. pty. ltd.
63-3596
63-5973
Excellent frequency
retpoDse. Low distor¬
tion figure. High in¬
Enjoy your
put sensitivity. All
controls self-contain.
ed. 10 watts per leisure time
channel.
and build
PLAYMASTER STEREO 3 PLUS 3. COMPLETE KIT $52.65
PLAYMASTER STEREO 10 PLUS 10 COMPLETE KIT $93.60
Phone 63-3596
63-5973
pi n
E; SL C
Ot C. (SALES) Phone
pTY. LTD.
63-3596
'63-5973
-9V SUPPLY RAIL. 2mA PtR FLIP-FLOP Pictured at the top is a 17-inch length of Vero-
board carrying 12 multivibrators. Note the space
left at the end and centre for support brackets.
The underside of a section of the board is shown
at centre while, immediately above, is a close-up
of 4 multivibrators reproduced about normal size,
A diagram overleaf indicates how the copper tracks
are utilised.
a 5-hole space between multivibrators Figure 3 (top) and figure 4 (bottom) show alternative power supply
9 and 10 to accommodate a centre arrangements which can be used to supply multivibrators for either
mounting bracket. a full manual or half-manual system, as required. Hum level is
The support brackets were tent up negligibly low.
from strips of 16g aluminium to the
approximate dimensions showfl, three
bemg required. The far end of the
bracket, as drawn, clips inside ihe bot¬
tom front lip of the tone generator
chassis, as normally hung in the organ
console. The near end of the bracket
can be secured under the nearest in¬
ductor mounting plate screw, ihe end
/jPCOLIX
of the bracket being offset a^ neces¬
sary and drilled to align with the
screw.
The divider board can rest in the
brackets, copper pattern up, arid lock¬
ed to the brackets by 8BA screws and
nuts. Don’t forget to interrupt the c6p-
per tracks where the screws pass
DE-SOLDERING/SOLDERINQ TOOL
through, to prevent earthing of the cir¬
cuitry. There may be other 'sVays of
mounting the board of course, but the
one suggested is simple and bbviates This unique tool allows fast rerrioval of 90 per cent of the
the need to drill holes in the generator
chassis, i solder on soldering tags and printed circuit board com¬
When ihe job Was started, vi^e were ponent terminations.
hot certain whether the 16ft voice Removal of components is greatly simplified and P.C.B. and
would be wanted over the whole man¬ component damage can be avoided.
ual or only part of it and we there¬
fore worked progressively fr6m the A range of six tips for both de-soldering and soldering,
treble end, judging results as We went. allows this tool to be used for hll applications from micro¬
Our recommendation is that, for a miniature to standard radio and TV circuit work. All tips
single m^ual instrument, the 16ft are specially plated and de-soldering tips are stainless steel
voice be jprovided for the right hand
only, from middle-C upwards. We lined.
found that, with 16ft over thd whole Cat. No. M207 is Approved In all Australian States for
itianual, attempts to produce pleasant mains voltage operation. Models are available for all volt¬
blends for the right hand produced a
“muddy” left-hand accompaniment. We age ranges.
tried tapering the 16ft away below See the range of Adcola “M" Series Solder Tools Illustrated In “Electronlco
rtiiddle-C hence the odd number of Australia/' January. 1969. edition, or write for illustrated brochure to —•
ADCOLA TRODUCTS PTY. LIMITED. 22 FIRTH STREET. DONCASTER.
flip-flops on the board — but kill did VIC.. 3108. PHONE 848-3777. 17 BURWOOD RD. BURWOOD. N.S.W..
2134. PHONE 747-1606.
ilot like the result. The simplest ap¬ S.A. Distributor: F. R. Mayfield Pty. Ltd.. 11 Halifax Street. Adelaide. 8-4131.
proach is to break at middle-C and Old. Agent: T. H. Martin Pty. Ltd.. 56-74 Edward Street. Brisbane. 2-0555.
W.A. Agent: Everett Agency Pty. Ltd.. 17 Northwood Street. West Leadervllle.
avoid playing across the break, 6007. 8-4137.
as much as possible.
It is noteworthy, in this context, that
ELECTRON ICS Ausitalia, February, 7969 57
simply to reduce tihe possibility of the
transistors being connected to the sup¬
ply when it is supposedly switched off,
With the 16ft voice turned well up, without touching the cloth in front. f MELBOURNE.- AWA Ltd., 67 9161. HOBART:
the melody can be played an octave Before removing the protective strip, Awa Ltd., 3 3836. LAUNCESTON: AWA
darken the exposed edges of the wood Ltd., 2 1804. ADELAIDE: Newton McLaren
up, with the 8ft voices becoming effec¬ Ltd., 51 0111. BRISBANE: Chandlers Ltd.,
tively 4ft, and the 4ft voices becoming with blackboard paint or a dark, flat 31 0341. PERTH: AWA Ltd., 28 3425.
2ft. A very bright sound results, par¬ stain. All told, it adds up to only a SYDNEY: George Brown & Co. Pty. Ltd.,
ticularly with the 4ft complex turned few minutes work and the tweeter can 29 7031. Electronic Parts ?ty. Ltd.,
be installed. 533 1277.
partly on.
As We said earlier in the article: A n str ill tan 1) is trihut tirs
To exploit this, we added a 15-ohm with non-locked generators, producing
tweeter to the organ, fed from the square, sine and complex waves at 'MANUFACTURERS SPECIAL
main loudspeaker through a 2.2uF 16ft, 8ft, and 4ft, with reverberation PRODUCTS PTY. LTD.
capacitor. And here’s a hint for those and a full-range loudspeaker system,
who may want to follow suit: A hole 47 York Sfreef, Sydney. 2 0233, Ext. 284
the fully developed Stromberg/Play-
for a tweeter can be cut in the baffle master organ is a far more interesting
of the organ, without dismantling any¬ instrument to play than the original,
thing, by the use of simple tools and
IWaUTEDI
basic design.
some care. We mounted it at the top It’s over to you. □
right of the baffle, alongside the posi¬
tion created for the reverberation loud¬
speaker. WE
Mark a circle on the back of the SPECMALiSE
baffle indicating the wood to be re¬ fJV
moved. Then unscrew the reverberation
loudspeaker and push a strip of TAPE RECORDERS B7m
laminex or metal through the hole and
in between the front surface of the EXPERT REPAIRS FnODUCIIDII ENEimilS
baffle and the cloth. Before doing so,
To all brands by German technicians in
make sure that the edges and corners
modern equipped workshop.
are rounded so that it will not jag any
threads. If the cloth is glued down, a Contact
little “persuasion” should loosen it and
allow the protective strip to be pushed
into position, so that it will protect the
cloth while you are cutting away the KLAPP ELECTRONICS PTY. LTD., miniature
wood. 224 CHAPEL STREET, PRAHRAN, VICTORIA.
Put a new 5/32 or 3/16in bit in an TELEPHONE: 5I-44S3. soldering instruments
ELECTRONICS Australia, February, 1969 59
The second letter, from a young
man in the age group concerned, is
positively against the novice proposal:
Dear Sir,
I am a school student studying for
the A.O.C.P. and I am about one
third of the way through a course run
by the Wireless Institute of Australia.
I read Mr Black’s letter in “Forum”
(December, 1968) and I am not at all
in favour of introducing “novice”
licences.
Mr Black seems to have the im¬
Reactions to novice transmitting licences pression that all such novices would
belong to the Youth Radio Scheme and
that “our Y.R.S. could operate a well
In the December, 1968, issue, Mr Rex Black made out a supervised and efficient system invol¬
case for the granting of "novice" type transmitting licences ving lower level transmitting permits.”
in addition to the normal Amateur Operator's Certificate of The Y.R.S. could possibly supervise
its own members to some extent, but
Proficiency. If the two letters which follow are any indi¬ what about all the other novices who
cation, there is some reservation here about the wisdom of would not be members of the Y.R.S.?
such a move. These people Mr Black seems to have
forgotten. There would be beginners
who are not really interested in ama¬
teur radio but who know enough of the
Conducted by the Editor basic principles to get their novice
licence. These young people could in¬
troduce an element of irresponsibility
The first correspondent, a Victorian This, to my mind, is a pretty fair and, as Mr Clarricoats quite rightly
amateur, begins on a note that would compromise; it offers the advantage of said, “possessing all kinds of illicit
suggest that he is fully in accord with everyone being equal in operating transmitting equipment.”
Mr Black’s ideas but it turns out to priveleges and avoids the disadvantages One of the implications of a full
be otherwise. He seems to be reason¬ of restricted frequencies and lower licence is that the person concerned has
ably happy with the present situation power, which could be part of the a true interest in and dedication to
but would presumably be prepared to conditions in any novice licence amateur radio. Let us not lower the
listen to argument to the contrary. arrangement. long standing reputation and the high
Dear Sir, As far as I can determine, in Vic¬ standard of communication that the
toria, the average age of youngsters amateur has built up in Australia.
The letter from Rex Black deserves taking the Y.R.S. exams leading to the
wider circulation and it is to be hoped Personally, I would rather study for
A.O.C.P. is around 15 years, so the a year and gain my A.O.C.P. than
that it comes to the notice of the present system appears to be tailored
R.S.G.B. It would appear that they spend a year operating a low-powered
to P.M.G. requirements. transmitter, not knowing how it
have a lot of homework to do before worked.
thev can even start an equivalent of However, the advocates of a novice
Australia’s Youth Radio Scheme. system have lower technical standards Mr. Black states that, to a country
in mind or, to be fairer, a less stringent with a novice system, “there must
However, it is the local scent, theoretical examination.
sketchily referred to by Mr Black that surely be some side benefits such as
interests me and it is a pity that he Personally, I would not like to see developing electronic mindedness
did not define the limits of age and a lower standard adopted. I believe among young citizens, who will be re¬
technical qualifications within which he that any form of amateur communi- quired in increasing numbers to enter
would like to see a novice scheme tion today requires the minimum al¬ the expanding electronics and scientific
Operate. ready demanded by the A.O.C.P. fields in peace time and form an in¬
examination. valuable pool of semi-trained person¬
Nevertheless, by quoting the nel in case of war.”
U.S.S.R. scheme and Mr Clarricoats’ Today’s technically orientated
comments on young people with shorter youngster has the edge on his older That may sound reasonable enough,
working hours, we have a lower limit contemporary. Our intense technologi¬ but surely there are other ways of
range of from 12|to 16 years. cal enviroment creates a mental “car¬ encouraging young people than getting
rier wave” that is easier to modulate them absorbed in the expensive
Whilst the merits of novice licences with basic electronic principles than
as such can be debated interminably, business of trying to operate a small
was ever the case 20 years ago. radio station. Surely there are ways in
the opportunity already exists within
our own P.M.G. regulations for young But perhaps we are all on the wrong which the Y.R.S. can help without
people to sit for the examination when track. If we defined our terms and giving them a novice licence.
they are 14 years of age and to be could state more clearly the ultimate What is needed is an improvement
granted a licence at the age of 15. objectives of amateur radio, we might in the practical and theoretical courses
If they pass the C.W. test — now be in a better position to answer available and, in this respect, we
reduced to 10 WPM — the world is questions like the one under discussion. should give Mr. Black and the Y.R.S.
at their fingertips! (P.W., Eltham, Vic). every possible support.
60 ELECTRONICS Australia, February, 1969
Let us hear what other potential
amateurs feel about the subject. These
are the people it affects most of all. FM STEREO MULTIPLEX, UHF TV
(T. L., Gordon, N.S.W.)
COMMENT: This letter reflects the
viewpoint of a young man who has Dear Sir, bracket cars, but after the initial
decided that he wants the full enthusiasm, it is found that owners
Being an Australian, or *‘emU don*t rush to buy tape libraries for
A.O.C.P. and, perhaps predictably, he grant wallaby^** who works in the
shows little sympathy for those who their cars. But the sale of a stereo
engineering department of one of FM adaptor, the size of a tape
want to proceed along different lines. the San Francisco televi^on sta¬
Nor does he make any allowance for cartridge and quite reasonably
tions, I feel obliged to express cer¬ priced, has reached record propor¬
the incentive which a communication tain opinions about the Australian
facility can give. For some lads, at tions. This plugs ingeniously into
television and radio scene — using the tape player*s "mouth,** so to
least, club-room instruction may not what has happened here as a yard¬
provide the incentive to stay wiith speak.
stick. Several Japanese. manufactur¬
electronics until they reach an age and I understand that, on the basis
a stage where they can, with confi¬ ers, including Hitachi, offer a just-
of receiver sensitivity, range, etc., larger-than-pocket-size multiplex
dence, tackle the full A.O.C.P. plus some 1950 style soothsaying,
examination. FM/AM Hi-Fi portable with "lid**
the Australian Broadcasting Control loudspeakers.
His fears about the dreadful things Board decided that FM was a
non - Y.R.S. novices might do also "seven day wonder,** which hadn*t The fact that stereo multiplex is
ignores the fact that these noviices "made it** in the United States. fully compatible for the older FM
would be licensed and subject to the Further, that the adoption of UHF mono receivers is the primary
discipline which such a licence implies. channels for television would be an reason why it has become so suc¬
In this respect, their position would economic tragedy, with UHF con¬ cessfully "airborne** here.
not be very different from that of any verters of the day so unstable, etc. There is a wealth of untouched
other licensed amateur. Perhaps one shouldn*t blame the broadcasting to be done in Aus¬
Having presumably passed an powers that be (or were), for their tralia other than that Saturday
examination and obtained a licence it opinions were justifiable enough at afternoon nightmare: all-dver-the-
is reasonable to assume that the young the time a decision had to be dial football. There could be a real
person concerned has a genuine and made as to how the VHF spectrum lift to manufacturers also, with all
awakening interest in technical elec¬ should be chopped up. 1 under¬ the groundwork already done over
tronics and a respect for the licensing here.
stand that the FM band in Aus¬
authority. tralia is gone. I note from page 31 of your
October issue that the University of
His position would be quite different What really, prompts me to write N.S.W. has a UHF TV transmitter.
from the person who buys a couple is a reference in the October issue Perhaps we should have gone for
of C.B. type equipments from a dis¬ which seems to imply that FM is UHF television. It is ideal for just
count house, tears up the covering still a toy here. This couldn*t be about any small prime target areas.
sheet setting out licence requirements, further from the truth. At last
The number of channels available,
and proceeds to fill the air with gabble, count, there are something like 20 plus its inbuilt line-of-sight cover-
devoid of technical content or interest. FM broadcasting stations in the
offers great advantages for
San Francisco Bay area alone, the regional TV, with freedom from
majority of them transmitting FM the overlapping that has been ex¬
Tones on the mains stereo multiplex. Any stations not
already doing so, plan shortly to
perienced in Australia with VHF
In the editorial in the October TV.
convert their equipment.
issue we raised the matter of control While the cost of the U.S. 82-
I feel that FM stereo multiplex channel receiver was higher than
tones on power lines and emphasised is what has rocketed FM broadcast¬
that they could cause special em¬ the last VHF-only unit built some
ing ahead here. The number of FM five years back (the F.C.C. now
barrassment in church and public receivers available leaves no room
buildings using amplifier systems and bans VHF-only designs) receivers
for the would-be FM sponsor to generally have since dropped con¬
electronic organs. It is most disturbing, fear that his message will not be
during proceedings, to hear a series of siderably in price, including colour
heard. The receivers range from Hi- receivers. With the present im¬
1000-odd Hz tones reproduced at an Fi outfits to pocket models retailing
annoying level through the loudspeak¬ proved techniques, UHF presents
for as low as $9 in the local drug no manufacturing problems what¬
er system. store (at that price generally Jap¬
The editorial produced some quite soever in either the transmitter or
anese imports). the receiver.
interesting reactions, some ex;^cted, Car stereo tape players are al¬
some not so. most a standard line in upper- (R.G., San Rafael, California.)
One was from a reader in Castle
Hill, NSW, who had not so long ago
installed a good quality stereogram in
his home. It worked fine except for They -still annoy him but at least he high pitched note came on, quite dis¬
one thing: every now and again it and his supplier have been spared the tinctly.
would produce quite noticeable problems of abortive service proced¬ Please object on my behalf.
whistles. He’d become involved in dis- ures. (Signed but initials withheld by
cussiions as to the possible cause of It certainly causes one to wonder request.)
the trouble and those concerned had how many futile service calls and argu¬
reached the conclusion that the unit ments have resulted from this same From a church in Granville, N.S.W.
must be suffering from an intermittent cause. comes news of a problem something
condition, resulting in instability. In support of this observation, I similar ito the one mentiioned in the
Since the trouble seemed to appear quote a letter from Gordon, N.S.W.: editorial — whistles from the amplifier
for bnief intervals only on odd which regularly punctuated the evening
occasions, there was little chance of it Dear Sir, service. According to my (informant,
being found by a visiting serviceman. 1 have just been shown your edit¬ when they were first noticed, they
Tentative arrangements were in train orial in the October issue of "Elec¬ caused a certain amount of amusement:
for the stereogram to be taken ‘back tronics Australia.** So that is what the preacher who was still going when
to the supplier’s service shop for a the noise is. Tve been getting quite the amplifier whistled was over time.
long-term run, lin the hope that the jumpy about it and thinking that there But amusement has long since given
trouble could be identified and was something wrong with my gear. way to annoyance.
corrected. It is most anything, a sound that goes From Bulimba, in Queensland, came
When the se»t owner came across our whee-e-e for up to half a minute. a rather simliar report.
editorial, he began to wonder and 1 was in a hall last night where they A church in Merrylands, N.S.W.,
observe. He soon realised that the have put in new fluorescent lights^ supplies a story with an extra twist.
whistles were not random but followed There was no music being played, no The control tones are audible through
definite patterns and that they happen¬ equipment switched on, apart from the both the electronic organ and the
ed usually on the hour or half-hour. lights. Just people talking—when this (Continued on page 64)
ELECTRONICS Australia, February, 7969 61
RADIO HOUSE PTY. LTD.
306-308 PITT STREET, 6 ROYAL ARCADE & 760 GEORGE STREET. SYDNEY
$19.95
BOOK TYPE
The latest model portable Tape-re¬
corder. 4 transistor, 3in Reels, 2 "CONION" transistorised SIREN
track. Instruction manual. Size lOlin ALARM can be used for personal pro>
X 7in X liin. tection or as a burglar alarm. Loud SIZE
Just open the book and record. Sup¬ siren sounds for 20 minutes when cord
plied complete with tape, microphone is disturbed. Pocket size, easily con¬ ALL TRANSISTOR RADIO
and batteries. Special discount price: cealed. Phonograph. Complete
$19.95 posted anywhere. $11.75 complete. Posted, $12.00. $45.00
Battery operated, this new solid state dipper operates from Oscillations, as taken from the
emitter, are relatively low in ampli¬
1.3MHz to 160MHz. By virtue of the fact that it is com¬ tude. These may be detected and the
pletely portable and covers a wide frequency range, it recovered DC component may be used
should be a popular item among amateurs and many others to actuate a DC meter. However, this
who find themselves dealing with resonant circuits. The would necessitate a movement with a
sensitivity of about 50uA. As such a
uses for such an instrument are almost limitless and this movement would be expensive and per¬
article will attempt to cover some of those applications. haps more difficult to come by, we
decided to take an alternative ap¬
proach. By using an amplifier, a lower
By Ian Pogson sensitivity meter can be used and this
is what we did.
It would have been possible to use
Quite a number of grid dip oscilla¬ plifier preceding the metering circuit. a diode detector, followed by a tran¬
tors have been described in this journal With this in mind, and with the desire sistor DC amplifier to actuate the
in past years, all capable of meeting to play safe in what could be a con¬ movement, but we elected to combine
the need of the particular period. As tentious point, we prefer to dub the these two functions by using a class B
a general rule, the main improvement solid state counterpart of the grid dip detector. This performs the function
made from one unit to another has oscillator, simply as a “dip oscillator.” of detection between the base and
been a progressive extension of the This avoids the issue nicely, without emitter and the whole transistor then
upper frequency limit, although other introducing any ambiguities. acts as an amplifier.
refinements have been added from time The dip oscillator which we are To achieve this operation, the tran¬
to time. The last one, described by the about to describe, uses an easy-to-get sistor is biased back to the knee of
writer, in February, 1964, was the RF transistor, in the grounded base its curve. The meter may be inserted
most ambitious of its kind attempted configuration. With the other com¬ either in the collector or emitter cir¬
so far and the original has performed ponents available, the upper frequency cuit, but we elected to put it in the
well and has been more or less in which we were able to reach without emitter. A 20K potentiometer is also
constant use over the intervening years. difficulty is 160MHz. In point of fact, conected in series with the meter, and
This latter unit could still be con¬ our unit goes to about 173MHz. The functions as a “sensitivity” control.
sidered as being current, particularly if lower limit which we decided upon, is The emitter is by-passed to ground
the audio facilities are required and if 1.3MHz. This overall range, which is with a .OOluF capacitor, to filter the
there is no objection to the consequent covered with six coils, should nieet the RF component from the circuit. Fin¬
size and the limitation presented by needs of most readers. ally, headphone facilities are also pro¬
the fact that it derives its power from The circuit is basically a Colpitts, vided from the emitter, being blocked
the mains. Its upper frequency limit although this may not be evident from from DC with a 0.47uF capacitor.
of about 230MHz would be difficult to a casual glance at the diagram. The Power is derived for the whole unit
better in a comparable instrument. 6.8pF capacitor, from collector to from a set of four No. 1015 dry cells.
Where this order of frequency is to be emitter, is one section of the divider These are held in a moulded plastic
exceeded, the usual applroach is to and the other capacitance is that of the holder, the whole assembly then being
make an entirely separate unit. emitter junction of the transistor. The screw^ to the case. This combination
A grid dip oscillator is a relatively tuned circuit is effectively connected for the power supply was chosen as
simple instrument but its uses are between collector and base. being perha|« the most economical,
many and varied. It may be used to In order to make the oscillator func¬ consistent with small space require¬
determine the resonant frequency of tion satisfactorily over such a wide ments. We could have used a small
tuned circuits; as an absorption wave- frequency range, it is necessary to nine volt battery, which occupies even
meter or simple signal generator; as a effect minor changes to the circuit, less space, and the cost between the
CW, SSB or AM monitor; for checking according to the range in use. two would not be very great initially.
crystals; for aerial and transmission For the highest range, 60MHz to However, with the smaller size of the
line tests; the measurement of “Q”, 16QMHz. it is necessary to increase nine volt imit, and even if we kept
capacitance and inductance, and so the collector current from the normal the current drain to the same figures,
on. of about 1mA, to about 3mA, to ob¬ the ampere-hour capacity would be
A GDO is indispensable in the tain satisfactory oscillation. The two less, with consequent more frequent re¬
amateur “shack” and for all who are ranges covering from 12MHz to newal problems.
pursuing the construction and adjust¬ 60MHz need no modification. How¬
ever, the three coils which cover from Whilst we are on the subject of
ment of equipment, where radio fre¬ supply voltages, the whole circuit may
quencies are involved. 1.3 MHz to 16MHz must be centre
tapped, thus making the oscillator a be operated between about 4.5 and 12
As we had not thus far described a volts satisfactoritly. A result to be ex¬
solid-state version of the more familiar Hartley, since the Colpitts circuit does
valve grid dip oscillator, we decided not function with the fixed components pected from a change in voltage is a
in the circuit, designed for the higher more or less proportional change in
that the time had arrived to present a frequencies.
unit which was battery operated as output. For our purpose, the output
well as being small and light, thus As the centre tap of each coil is when using .six volts has been found
making it a truly portable unit. returned to the base, a DC potential to be adequate.
difference between the coil and the
Before going into tihe technical de¬ base is involved. For this reason and The last point relating to the cir¬
tails of design and construction, there to control the amount of feedback in cuit, is the switching. A simple
is one problem which such a unit the oscillator loop, a fixed capacitor is ON/OFF switch, controls battery
presents. It cannot be called a “grid** introduced into the coil centre tap cir¬ supply to both the oscillator and de¬
dip oscillator, as there is no grid in¬ cuit. By making the value 68pF for tector circuits. An additional switch
volved. Some such units have been the 1.3 MHz to 3MHz range, 39pF for of the same type switches the oscil¬
called “base” or “gate” dip oscillators, the 2.9MHz to 7MHz range and lOpF lator on or off, still leaving the de¬
according to the type of circuit and for the 6.5MHz to IfiMFlz range, the tector switched on. This allows the
transistor used. strength of oscillation is brought clos' imit to be used as a dip meter with
This is fair enough, provided the to the optimum required. the oscillator on, and as an absorption
base or gate circuit is being metered. These changes are made automatic- wavemeter with the oscillator switched
However, due to output level and cally, as the alterations for each range off.
other circuit considerations, more than where needed, are incorporated in the The components which we have
likely there will be a detector and am- plug-in coll unit. used throughout are readily available
66 ELECTRONICS Australia, February, 1969
BF115 BF115
1.310160MHz
and generally speaking, no more ex¬
pensive than necessary to do the job
efficiently. The transistors which we
used are type BF115 and they do the
job that is expected of them. As the
functions that they perform are not
critical on present day standards, more
than likely there would be a number
of alternative makes and types which
would do the job just as well.
The tuning capacitor is one made
by Polar and has a maximum capaci¬
tance of lOOpF and a minimum of
about 6pF. This is a well constructed
and insulated unit and performs satis The circuit is quite simple and uses only a minimum of components.
factorily, with one reservation. Due to Note the 2,2K emitter resistor which is short-circuited for the highest
the shape of the plates, which gives an frequency range. Note also the change to a Hartley circuit for the
approximate straight line capacitance
characteristic, the high frequency end three lower ranges. Details of the capacitor from the coil centre tap
of each range is rather cramped. This are given in the coil table.
seemed to be about the only type of
capacitor available to do the job and Messrs Watkin Wynne have a standard The resistors and capacitors, parti¬
the amount of cramping, although un¬ line, a knob and circular perspex cur¬ cularly those around the oscillator,
desirable, as not so bad as to restrict sor combined, which is 3-3/16in dia¬ should be of good quality and not
its usefulness. An alternative brand of meter. This can be used provided it is some picked from the “junk box.” The
capacitor is also available from the reduced in diameter to 2iin. This can capacitors should all be ceramic where
Orient, the only significant difference be done readily enough if you have a possible. The low yalues, such as the
being the method of mounting. lathe at your disposal. If you have not 6.8pF and those in the centre taps of
The meter is one of the now fam¬ turned this material before, care should the coils, should be NPO types. The
iliar edgewise type. This shape lends be taken to run it at fairly low speed .OluF units, also ceramic, should be
itself to being fitted into a small space and take very fine cuts. Otherwise, the higher voltage and high-K type, in
and still gives a good clear needle in¬ there is a danger of melting the mater¬ preference to the low voltage “Red¬
dication. The particular one which we ial causing jamming and disaster caps.” Good quality polyester and
used is a level indicator, simply marked generally. The alternative is to reduce polystyrene types may be used in other
“normal” and “high.” The sensiitivity the diameter carefully and painstaking¬ positions.
is 200uA for full scale deflection and ly, by hand. (Continued on page 70)
the type No. is V303. The scale is not
important but any other type which
has the same sensitivity would do.
Careful consideration was given to
the type of coils and the socket for the
coil to plug into. With not too much
to choose from, we selected polysty¬
rene formers, iin diameter and 2in
long. The old reliable and easy-to-use
octal socket was adopted, with match¬
ing plugs fitted to the base of each
coil former. Smaller sockets were con¬
sidered but we feared that they were
perhaps not quite rugged enough for
the type of service. In addition, the
octal socket, with an abundance of
unused lugs, lends itself for mounting
of the vital components of the oscil¬
lator, so keeping leads short.
With this type of instrument, the
dial scale is always a problem. We
solved it in what we consider a satis¬
factory manner, by using a piece of
polar white lustre Formica sheet, 2iin
square. This gives a nice white surface
to work on and it is held in place
with a screw at each corner, as well
as by the nut on the bush of the vari¬
able capacitor. If it is not convenient
to use the same material as we did,
then any white surface material, such
as heavy card, would be suitable. As a
further alternative, we propose to
make a scale available through the
Information Service, for 50c. The act¬
ual calibration points will be omitted
and these can be filled in to suit the
individual unit.
The cursor and knob presented quite This general view shows the unit with the full set of plug-in coils. It
a sticky problem in this instance, as
there appeared to be nothing available would be a good idea to make up a set of sockets to take the coils
to do the job directly. However, when stored. The whole set could then be placed in a metal case.
ELECTRONICS Australia, February, 1969 67
Goldring
Trendsetters in sound equipment
Goldring
Latest release, Swiss made precision transcription unit GL75 ‘800’ series
Integrated transcription motor unit 86-30 rpm and from 18-15 rpm with
free field
and arm, built to instrument stan¬ adjustable positive stops for the four stereo
dards of quality and appearance. The
drive system is the unique Goldring-
standard playing speeds. There is
only 0.2% change of speed for 10%
cartridge
800: In this cartridge a very
Lenco constant velocity 4-pole motor mains voltage change. lightweight tube of magnetic
material lies in a “free field”
with conical shaft coupled to the ^generated by a fixed source coupled
underside of the turntable by a The transcription arm is the Goldring- to a low mass diamond point. It
features low mechanical impedance
knife-edged idler (automatically dis¬ Lenco L75 with knife-edge bearings, (tracks at 1 to 3 grams), screening from
engaged by the on/off switch, which full balancing facilities, calibrated external hum fields, gold-plated contacts.
Stylus is replaceable. Rivals finest in the
is fully click-suppressed and also stylus pressure adjustment, and world. Frequency response 20-20 kHz,
compliance 20 x 10-6.
operates a turntable brake). ‘anti-skating’ bias compensation. It 800E: Using the same cartridge body as
The turntable is die-cast from non- is lowered hydraulically by a lever the standard model, an eliptical diamond
stylus is fitted. Compliance is sub¬
ferrous material, weighs 9 lb and is fitted to the deck plate. Shock¬ stantially increased resulting in brilliant
dynamically balanced. damping mountings are supplied linear, resonant free, performance. Fre-
ouency respcnse 20-20 kHz, compliance
Speed is continuously variable from with the unit. 30 X 10-6.
At right is a drawing of
the highest frequency coil,
which should be m^e up sleeving-—*-
to the measurements
1-1/2"
shown. It may be neces¬
sary to increase or de- 1
• 18 GAUGE TINNED
crease the width, to get I COPPER WIRE
the correct coverage.
1/4'
SHORTING LINK
information closely. On the other hand, 1 Panel and ends. Sin x 2-5/16in x 6 Octal plugs, mica filled.
if you intend to make up your own 2iin. 5 Polystyrene coil formers, ^in dia.,
scale, then -some deviation from the 1 “C/” box cover, Sin x 2-5/16in x one grooved 16 TPI.
details, particularly in wire gauges 2iin. 2 BF115 transistors.
specified, would be permissible. How¬ 4 No. 1015 dry cells. 1 2-tag strip.
ever, too much deviation from the CAPACITORS
original may make a big difference to 1 Holder for above cells.
the frequency cover of each coil. 1 Battery plug and leads. 1 6.8pF NPO ceramic.
1 Meter, 200uA, scale not import¬ 1 lOpF NPO ceramic.
Coils 1, 2, 3, 4 and 5 are wound on 1 39pF NPO ceramic.
fin dia. polystyrene formers. These ant.
1 .OOluF ceramic or styroseal.
formers are closed at one end and a 1 Variable capacitor, 6-lOOpF, 1 470pF ceramic or styroseal.
hole, tapped to 5/32in Whitworth, is Polar or similar. 1 68pf NPO ceramic or styroseal.
provided for mounting purposes. 1 Dial scale. 3 .OluF ceramic.
To fix the formers to the octal plugs, 1 Perspex dial cursor and knob (see 1 0A7uF low voltage plastic.
firstly drill a l/8in clearance hole text).
through the key of the plug. Actually, RESISTORS
1 Small knob.
most of the key is hollow and only the (10 p.c. i watt)
2 Miniature toggle switches, SPDT, 1 470 ohms. 1 15K.
extreme end has to be drilled. This is type S-2012.
an easy task but- care must be taken 1 3.3K 1 22K.
1 Open circuit phone jack. 1 12K. 1 lOOK.
to get the hole at least close to the 1 20K linear miniature potentio¬
middle of the key. The base and for¬ meter. SUNDRIES
mer are held together with a Ifin long, 1 Spindle bush for potentiometer. Screws, nuts, solder lugs, solder,
l/8in Whitworth brass screw. Push 1 Octal valve socket, mica filled. hookup wire, etc.
the screw through the key and then
through the tapped hole in the former niiiiiuiiiiiiinMiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiHiNiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiniiiiiiiiiiiiiniintiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiii
GUITAR AMPLIFIERS
All parts now OYailable
Like all Instrol-Playmaster kits, the 116 and 117
Guitar Amplifier Kits are complete in every
detail, down to the last nut and bolt, and pre¬
•m 4.® PRICE
cisely to “Electronics Australia” specifications. 40 Watt complete kit of parts .... . . $84.36
Chassis is ready drilled, cadmium plated and fin¬ 40 Watt built and tested . $91.49
ally passivated to avoid fingern^arking. The 60 Watt complete kit of parts. $92.31
front label is beautifully finished with black let¬ 60 Watt built and tested . $98.83
tering on silver-white background. Kits for both (Freight extra)
the 116 and 117 include extras such as 3 inputs All parts available separately if required.
(circuit included), vibrato and extra treble pull Chassis only . $4.70 (plus 85c postage)
switches, and foot switch complete with chrome Front Label.$2.80 (plus 20c postage)
housing.
Fuzz Box Kit .. .. $12.95 (plus 75c postage).
INSTROL
PLAYMASTER
123 PROGRAM
SOURCE
(“ELECTRONICS
AUSTRALIA” Oct.
68)
□
I I Toolkit I 108 Amp/Tuner .. .. $69.80 $2.00
Instrol
101 Amp. $61.00 $2.00
Cannon
Cannon | | Microphone No. 3 Amp. $57.80 $2.00
Connectors low U/L Amp .. .. $85.80 $2.00
No. 10 Control Unit $39.00 $1.20
Name .. • • 113 Amp . $64.00 $2.00
Address . 119 Tape Adapter .. $86.70 $1.20 PRICE
No. 4 Amp. $73.00 $2.00 Crystal Pre-Amp. $2.00 ea.
Main Amp (2 required) .. $14i0 ea.
Post Coupon for Free Catalogue. Most Playmaster Designs are also Magnetic Pre-Amp .. .. $1.60 ea.
available Completely Built and Tested. (Add 15c for postage)
INSTROL CASSEHE
TAPE RECORDER
NOW ONLY $56.00 (Reduced from $75.00)
Special quantity purchase enables us to offer you this worid
renowned recorder at the ridiculously low figure of $56.00
for a limited period only.
So simple a child can load and operate tating system suitable for both larfc and
the Instrol Compact Cassette Tape Re¬ small offices, smart Teak trim, simple
corder. It may be used virtually -any¬ piano key-type operation. snai>-in cart¬
where for both speech and music, under ridges, microphone with on-off switch for Accessmies
almost any conditions. At picnics—in remote control, light (weighs under 41b).
the home—at meetings—in the car—by full 1-hour playing, outstanding perform¬ Power Supply . $10.00
Salesmen and Executives in the field— ance with built-in speaker and remark¬ Headphouei; . $2.00
and most important—in the office as a ably efficient when connected to a large
complete dictating system. Headphones, external speaker. Footswitch . $6.00
footswitch and A.C. power unit, which
are available as optional extras, combine HURRY—now only $56.00 Complete Office
to make Instrol Model 33 a personal,
highly efBclent, and really low-cost dic¬ (Plus Reg. Postage $1.00) Dictating System.$72.00
(Plus Reg. Postage $1-50)
OSCILLATOR-continued
Peter Clark invites capacitor is connected across the coil,
using the shortest possible leads. The
you to visit his new capacitance may be calculated, with the
known inductance and the measured
frequency.
C = 25,400/LF
of HI-FI
value is available. The known capacitor
C . F|^Cs/fj^
$358
$3 weekly
tor this versatile little instrument may
be used for receiver alignment. As the
signal is unmodulated, it will be neces¬
sary to measure the voltage developed
Features the only Reel-to-Reel across ithe diode load or AGC line,
and 8-track cartridge stereo in with a VTVM. If an “S” meter is fitted,
one recorder. Reels for the this will serve in place of the VTVM.
ihomc, cartridges for tihe car. Yet another use which the transmit¬
16-watt music power amplifier. ting amateur may put ithe dip oscil¬
SAVE $125. Guaranteed not for lator is that of monitoring both CW
3, but 12 months. and AM signals. A pair of headphones
are plugged into the “Phones” jack and
CW signals may be monitored by beat¬
ing the oscillator againsit the signal. AM
signals are monitored by switching off
the oscillator.
It would be quite easy to carry on
with the descriptions of other uses to
which Ithe dip oscillator may be put.
However, those already mentioned
should give lood for thought and no
doubt Siis will lead to other ideas
387 GEORGE ST., SYDNEY ‘'j:iok29-3371 coming to mind. If you have not had
one of these instruments before, you
PARRAMATTA 20 Macquarie Street in Murray Bros. Arcade.
will soon be wondering how you got
along without it in the past. □
76 ELECTRON ICS Australia^ February t 7969
successive occasions is one example.
Another is the fact that the mechanic
who calls at the customer’s home,
listens to the customer’s story, asks the
appropriate questions, and (hopefully)
observes the fault in operation, is not
the one who will tackle the job on the
bench. The latter has to depend on the
accuracy of the former’s observations,
the astuteness of the questions he has
asked and, most important of all, his
ability to convey an accurate impres¬
sion of the symptoms he has observed;
an ability whidh is sadly lacking in
many cases.
Which brings us to the events
KNOW WHAT YOU'RE LOOKING FOR surrounding the sixth and final call
which the customer made to the com¬
pany; the call which ultimately proved
As an exercise in futility, a serviceman working on a set for to be the last straw as far as the cus¬
which he has been given no symptoms or history must be tomer was concerned. It was bad
enough that he was without his set for
pretty close to the ultimate. Yet, in many large organis¬ a fortnight, although he was sufficiently
ations, this approach seems to be the rule rather than the philosophical about this to go out and
hire a set for a month to cope with the
exception. The inevitable result is customer dissatisfaction. anticipated delay. What really rankled
was that the time in the workshop
achieved nothing, apparently due to the
A typical example is this rather un¬ to do with the firm concerned, and effectiveness of the communioation bar¬
usual story of an intermittent fault sought somebody else’s advice; mine, riers erected by our “frustration ex¬
in a TV receiver. It had been tackled as it happened. pert.’’
by another organisation before I came It mi^t be appropriate at this point The mechanic who called on the last
on the scene and is unusual because, to consider in some detail why the occasion had appeared to get a good
although I located the fault and the owner had felt so strongly about the grasp of the situation. He wrote a de¬
other organisation did noU I was able situation as to call in a new service¬ tailed account of the symptoms — I
to find the fault relatively easily by man. In doing so I am not necessarily subsequently saw this on the duplicate
reason of what had been done before interested in criticising the particular dcxket — which was almost identical
I came on the scene. So the credit is firm. What I am trying ‘to do is to with that which I have already given
not all mine. present the situation as seen through at the beginning of the article. And
The complete story, as I ultimately the eyes of the customer, in order to to it he added, underlined, a warning
pieced it ‘together, went something like point up what I consider are weak¬ that the trouble would only appear
this. The fault was obvious mainly nesses in service organisations gener¬ w'h’en the set was switched on from
during the switch-on cycle and only ally, and large ones in particular. cold and that it was useless to run
on very rare occasions did it show up But, large or small, i»t doesn’t do any the set for long periods waiting for it
during a program. (In fact, when it of us any harm to take a look at to appear.
was all over, I was inclined to wonder things from the customer’s point of Yet, when the set was ultimately re¬
why the owner had made all the fuss view now and again. turned, there was a large sticker affixed
about it that he had. I have concluded In the first place the owner was
that there are two types of customer; to the back of the chassis, saying, “Set
quite willing to accept the fact ‘that tested for a fortnight. No fault in evi¬
those who will tolerate anything, and the fault was a tricky one and that
those who will tolerate nothing. How¬ dence.” Whereupon the owner switched
it might take more than one attempt it on — and the fault appeared im¬
ever, Who am I to complain?) to find and fix it. He might even have mediately. Considering the history of
When first switched on, the set been prepared to accept the six the fault, that it would appear almost
would usually warm up in the normal attempts if it had appeared ‘that any without exception when switching on
manner and produce picture and sound progress was being achieved. But. as from cold, the owner was not prepared
after about 30 seconds. This would far as he was concerned, there was to accept that the factory staff could
continue for about another 30 not. For one thing, every time he re¬ not have observed it had they tackled
seconds—although the time varied— ported that the set was still faulty, a the problem in the right way. And,
then suddenly the set would go dead; different mechanic was sent to fix it. having observed the set’s behaviour my¬
no sound, no picture, no raster. After This created an impression of a cold, self, I can only agree with him com¬
about another 20 seconds the set would impersonal attitude on the part of the pletely.
start to come good, first with a very firm, with little apparent regard for
snowy picture, then changing to a any special problem which this case Finally, there was the confusion over
normal one. The whole cycle would represented. delivery. The owner had specifically re¬
normally occupy two to two and half It was also extremely frustrating to quested that the firm ring his home
minutes. Sometimes there would be have to start from scratch and go before delivering the set to ensure that
only one cycle per switch on, some¬ through a lengthy rigamarole for the his wife would be home to receive it.
times there would be as many as three benefit of each new mechanic, in order This request had been written in large
in rapid succession. Then the set would that he shouild have a clear picture of letters across the docket. But did they?
settle down for the night. the problem and the history of the Not a bit of it. The delivery van
previous calls (as far as the customer’s called completely unannounced, found
The set was covered by a ^rvice nobody home, and left a note under
contract and the servicing organisation side of it was concerned) with nothing
important overlooked. the door requesting tha/t the owner
involved was a very large one. And, ring the firm and make arrangements
while I was not able to obtain all the This, to me, appears to be a major for a suitable delivery date!
details, I did establish that the firm fault with many large service organi¬
had made six calls concerning this sations. While I don’t really believe it A small thing?
faul’t, all in the space of one month. is true, one would be pardoned for Don’t you believe it. The pet hate
On at least two occasions it had been imagining that the firms concerned of any housewife is a firm whose de¬
taken back to the workshop, one of employ a “frustration expert’’; a very livery section does not keep appoint¬
these being the most recent. It had zealous individual whose job it is to ments or follow simple instructions.
been kept in the workshop for a fort¬ see that there is as much discontinuity And who can blame them? It is no
night, eventually being returned with in handling a problem, and as many joke sitting at home all day, waiting
the comment that no fault could be communication barriers between cus¬ for a promised delivery which does not
found with it. tomer and mechanic, as it is possible eventuate. Or having to ring the firm
It was apparently this last incident to devise. concerned and battle through the
which so exasperated the owner tha't The dispatch of a different mechanic switchboard to find the appropriate
he swore he would have nothing more to deal with the same problem on six staff member in order to clarify the
ELECTRONICS Australia, Fearuary, 7969 77
situation; a situation which should
never have been allowed to occur.
When I mentioned this point to oine
LAFAYETTE "««»
of my colleagues, he agreed with me
completely.
“When I tell a customer I will call
at a certain time, I make sure I can—
and do—^keep the appointment. If a
Transistorised Communications Receiver real emergency occurs and I am pre¬
vented from keeping it, I make sure
I phone the customer and advise them.
I am convinced that this policy is as
much responsible for my reputation as
a serviceman, as is my technical skill.”
I couldn’t have said it better myself!
This, then, was the backgroimd to
the customer approaching me, and the
mood he was in was understandable.
Nevertheless, I wasn’t keen to become
involved in the dispute, for a number
of reasons. When I realised that the
set was still under service contract,
I tried to persuade the owner to con¬
tinue with the original firm. After all,
as I pointed out, it was oosting him
no more, regardless of the number of
calls involved, and he was surely
entitled to demand satisfactory service
for the lump sum he had already paid.
However, he was adamant. Costs
and similar factors notwithstanding he
HA-600T $199.50 simply wanted the set fixed. And, since
he was convinced that the contract
firm was incapable of doing the job,
10 Transistors
2 FIELD EFFECT TRANSISTORS 7 Diodes i Zener Diode
he was determined to take it elsewhere.
He didn’t actually say as much, but
I gathered that if I didn’t want the
150-400 KC. 550-1600 KC (Broadcast Band). job he would quickly find someone
5 BANDS L6-4.8 MC, 4.8-14.6 MC. 10.5-30 MC. else who did. I also gained the impres¬
sion that nobody he knew would ever
have anything to do with the contract
This new receiver, Model HA-600, combines the latest solid state elec¬ firm if he had any say in the matter!
tronics with attractive modern appearance to achieve a superb blend of When I finally set the chassis up
performance and style. Advanced circuitry utilises two Field Effect Tran¬ on the bench and gave it a trial run,
sistors in the mixer and oscillator stages to assure high sensitivity with it very obligingly repeated the symp¬
lowest noise factor. 10 Transistors, 7 Diodes plus 1 Zener Diode com¬ toms I have ieady described. Then
plement the F.E.T.’s to provide top performance with exceptional stability. I tried to work out what might con¬
Series Gate noise limiter and automatic volume control provide efficient ceivably create such an effect. My first
noise and audio blasting suppression. Built-in variable BFO permits clear impression was that it was an AGC
reception of code and single sideband signals. Continuous electrical band- fault; partly because the snowy
spread calibrated for amateur bands 80 to 10 metres facilitates tuning. behaviour during part of the cycle
suggested this kind of fault and partly
• Operates from 12 volts DC (negative ground) or 220-240 volts 50 cps. because the particular make and model
(17 watts). of set is rather prone to AGC faults.
So I started checking the AGC
• Two Mechanical Filters for Ex¬ • Electrical Bandspread Calibra¬ system. It didn’t take me long to realise
ceptional Selectivity. ted on Amateur Bands 80 to that the previous mechanics who
• Product Detector for SSB/CW. 10 metres. worked on the set had had the same
• Huge Edge Illuminated Slide • Engineered by Lafayette to idea, because most of the minor com¬
Rule Dial with “S” Meter. their highest quality standards. ponents had already been changed.
And much the same situation seemed
SPECIFICATIONS: Sensitivity: 1 uV at lOdb signal to noise ratio. to apply to any section which I men¬
Selectivity: -j- or — 2 KC at 6 db down -f or — 6KC at 60 db down. tally nominated as a likely suspect;
Intermediate Frequency: 455 KC. BFO Frequency: 455 KC -f or — someone else had been there first and
2.5 KC. Antenna Impedance: 50-400 ohms. Audio Power Output: 3 replaced the most likely components.
Watts at 4 ohms. Speaker Impedance: 4, 8 and 500 ohms. Headphone All in all, they must have replaced
Impedance: 8 ohms. CONTROLS: Function, BFO, Volume, Band Selec¬ several dozen components. Wbi<± was
tor, RF Gain, Antenna Trimmer. fine frewn my point of view, since it
meant that I didn’t have to check
them.
In fact, it was while I was checking
through which components appeared to
You can’t afford not having the TK-20U (A$219) solid state stereo receiver.
Powered by silicon transistors, it’s in the same class as the more expensive models.
A highlight is its 30 watts of total music power,
F.E.T. (Field Effect Transistor),3 gang tuning condenser,
5 IF stages with a top-tone bass and clean treble sound.
For more power, KENWOOD has other amplifiers.
▼ TK-20U
” F.E.T. (Field Effect Transistor) 3 Gang Tuning Condenser frontend for superior sensitivity, image rejection
and cross modulation ratio.
* 5 IF stages with 3 limiters and wideband ratio detector have been incorporated to provide 40 dB
alternate channel selectivity and freedom from noise and interference.
* 4-position program source selector permits AM, FM AUTO, PHONO and AUX.
^ USABLE SENSITIVITY: FM: 2.5 microvolts (IHF Standard), AM: 10 microvolts (IHF Standard)
* TOTAL MUSIC POWER: 32 watts (IHF Standard at 4 ohms), 30 watts (IHF Standard at 8 ohms)
* FREQUENCY RESPONSE: 25Hz-40,000Hz
" DIMENSIONS: MMe’W), 4^4 ”(H), ll‘^”(D)
SE
PHONES VOLUME
SOLE AGENT: Jacoby, Mitchell & Co., Pty., Ltd; Head Office: 469-475 Kent Street, Sydney Tel: 26-2651 Melbourne: 15 Abbotsford Street Tel: 30*2491 Brisbane: 56 Edward Street Tel: 2-6467 Adeiaide: Trusc
Electronics, 64 Hindmarsh Square Tel: 23-3024 Perth:L)nited AustraliaCo., Pty., Ltd., 435 Hay Street, Subiaco Tel:8-4665 Tasmania: K.W. McCulloch Pty., Ltd., 57 George Street, Lounceston Tel: 25-3
BOOKSHELF TYPE 4-WAY
5 SPEAKER SYSTEM KL-60
* Mounted speakers: 12-inch, free-edge woofer x 1 (Bass)
6>^ inch cone squawkerx 1 (lower midrange)
4 inch cone squawkerx 1 (higher midrange)
Horn-type tweeter x 2 (Trebie)
• Dimensions: 15’’(W). 25>i"(H). 11^8'’(D)
40 WATT
SOLID STATE STEREO
AMPLIFIER TK-150U
* 5 pairs of input terminals for MAG. AUX 1, AUX 2,
TAPE REC and TAPE PLAY.
* Damping factor: 40 (at 16 ohms). 20 (at 8 ohms)
* Dimensions: lOiV’(W), 4‘8”(H), 9.S'’(D).
CO WATT
SOLID STATE STEREO
AMPLIFIER TK-250U
• 2 sets of stereo speaker terminal and front panel
speaker selector switch.
• Dimensions: 13"(W). 4'8"(H). 9%"(D).
MPw luionPi.
180 WATT SOLID STATE STEREO
AMPLIFIER KA-6000
* The wide power bandwidth of lOHz to 50.000Hz
with very low IM distortion.
• Dimensions: (not including control knobs)
165/16 ”(W), 55/32 ”(H). 11 1/32 "(D)
KENWOOD ADDRESS:
W.C.Wedderspoon Pty.ttd.
Now also available from:
N.S.W.: QLD.:
Stereo Music System, Kent HI-FI, Tel-Air Sales Pty. Ltd.,
193 Clarence Street, Sydney. 432 Kent Street, Sydney. 19 Adelaide Street, Brisbane.
Edels Pty. Ltd., Glen-dor Camera Centre,
88 King Street, Sydney. 43 The Corso, Manly.
By Anthony Leo
In a “pop” music group, more frequencies, so increasing the -ampli¬ jective impression of “twice as loud”.
often than not, the balance of instru¬ fier’s gain. (This is well worth keeping in mind
ments is given over to electric guitars. In most valve amplifiers the feed¬ when comparing the power output
Essentially, there are two distinct types back network is fairly simple, consist¬ specifications of various amplifiers.)
used, bass and rhythm, with the latter ing of a series resistor from the out- From this it can be appreciated that
played either as a simple rhythm put-transformer secondary back to a the 20dB of boost provided by this
accompaniment or featured as a lead cathode resistor in one of the stages. treble boost amplifier will produce an
instrument. A simple series RC network to shunt audible increase of approximately four
As a lead instrument playing the cathode resistor will then provide times. This is quite a large amount,
melody, it is usual to expect that a the required treble boost. The net¬ when compared with a typical domestic
rhythm guitar will be provided with work in the Playmaster 117 amplifier amplifier which may provide around
more than normal treble emphasis. In¬ may be taken as an example of the to 12 to 16dB available boost at
deed there seems to be no limit to the technique, but suitable values may lOKHz.
amount of treble boost required by have to be found on an experimental The externally fitted treble boost
some lead guitaris'ts. Nevertheless, a basis to suit 'the particular amplifier preamplifier described here will, as we
discreet application of treble boost is concerned. said, provide 20dB boost at 3KHz with
desirable as a highlight for the Nevertheless, it would be unwise reference to 300Hz. However, with a
melody section and to add interest to aim for more than about 6 or 8diB minor alteration an extra 6dB can be
generally. by this means. As even the better amp¬ obtained, making the total boost 26dB.
Quite often the required boost is lifiers do not have any more than The preamplifier is quite simple in
within range of the amplifier’s normal about 16db of negative feed-back in both construction and operation, con¬
tone controls together with local tone the main loop, reductions of more sisting of a single transistor stage with
controls on the guitar. However, the than the suggested amount could result a facility for adjusting the amount of
controls associated with the guitar are in stability and distortion problems. treble boost. A lead from the guitar
purely passive networks providing
limited bass and treble cut only. As 1/GA/15 BC109JT109.SE4010
such, when used, they tend to reduce
the effective guitar output and
diminish, to some extent, the average
level of sound.
Usually, reduced guitar output can
be accommodated by increasing ampli¬
fier gain. But a situation will probably A circuit diagram input
arise, perhaps with a borrowed ampli¬ for the boost pre- ■ v
fier or new guitar, where the system amplifier. Note that "-
lacks sufficient treble boost and/or the omission of the
adequate gain with full bass cut. And, 560 ohm resistor
inevitably there will be an occasion will provide extra
when a large amount of boost is re¬ boost making a
quired for some special effect; more
than can be provided by both the total of 26dB.
amplifier and guitar tone controls
together.
Apart from fitting an external treble
preamp, which is the topic of this
article, it may be possible with some TREBLE BOOST PREAMPLIFIER FOR GUITARS
guitar amplifiers to make a slight
modification to add a limited amount
of treble boost. The technique was Just to put all these dBs in per¬ plugs into the preamp’s input jack,
used in the Playmaster 117 (60 watt) spective, for those who may not be while an output lead from the preamp
guitar amplifier described in the July, proficient in their use, we most often connects to the guitar amplifier. An
1967 issue, and consists of adding a use them to relate changes in voltage on/off switch is incorporated in the
treble pass network to the feedback or power to actual loudness changes boost control for greatest convenience.
circuit. as heard by the ear. About the small¬ Continuous control of treble boost
However, we stress that modifica¬ est perceptible change for a healthy is provided by a 5K linear potentio¬
tion to amplifiers should not be made ear is 3dB, any smaller change would meter incorporated in the circuit as
unless the reader is reasonably confi¬ not be heard. However, the smallest shown. Its function in providing the
dent and that, further, only a limited significant change in sound level is large amount of treble is quite simple.
amount of boost may be obtained in around 6dB; a voltage change of two At bass fr^uencies the potentio¬
this way. In essence, the modification times, or a power change of four times. meter, which is in the transistor emit¬
enables the negative feedback to be However, it takes a change of lOdB ter circuit, introduces a large amount
reduced, via a suitable switch, at treble (10 times the power) to produce a sub- of degenerative feedback maintaining a
BLECTRONICS A stralia, Februaryf 7969 83
another achievement in
fine quality stereo fiom l^po
th@
TEMPO Series 2000
modular stereo system
The new TEMPO 2000 Series, designed and DETAILED SPECIFICATION. Power Output: 8
manufactured in Australia, incorporates the watts per channel (8 ohm load) IHFM 16 watts
latest solid state integrated circuit design. The total MUSIC POWER. 5 watts per channel (8
three separate modular units are attractively fin¬ ohm load) RMS. Distortion: Total Harmonic
ished in oiled walnut, and can be arranged to distortion less than 1% measured at 5 watts
suit any room. Amplifier and record changer/ RMS. Frequency Response: 35 Hz to 50 kHz it
2dB. Damping Factor: 10 at 8 ohms. 20 at 16
player unit incorporates the new Garrard 2025
ohms, inputs: Pickup. Tape. Tuner. Sensitivity:
TC automatic changer, and can, for those who All inputs 80 mV for full output. Bass control:
prefer manual operation, be used as a player. Continuously, variable, plus/minus lOdB at
The Garrard 2025 is fitted with a wide range 100Hz. Treble Control: Continuously variable,
ceramic cartridge and micro-lift for easy track plus/minus lOdB at 10 kHz. Balance Control:
selection. The two loudspeakers are designed Zero to maximum either channel. TUNER
to complement the performance of the amplifier SECTION.Sensitivity:4 Microvolts.Bandwidth:
unit, and are perfectly matched, both in quality 8 kHz. Tuning Range: 530-1620 kHz. Antenna:
and appearance, to the TEMPO 2000 amplifier. Internal ferrite rod. Ext. ant. provision.
Distributed by
MAGNECORD SALES & SERVICE
210 Clarence Street, Sydney. Phone 29-1704
MC.E10.68
84 ELECTRON ICS Australia, February. 7 969
stage gain of only slightly more than supply is switched via a switch on the
unity. However, as the frequency in¬ treble potentiometer but, if the unit is
creases the emitter resistance is pro¬ accidentally left on occasionally, it will
gressively shunted by an (impedance, have little effect on the battery life as
comprising a 560 ohm resistor and the preamp current drain is very
0.15uf capacitor, to a point at about modest.
3KHz where the gain is 20dB, and Construction of the preamplifier is
limited only by the 560 ohm resistor. very straightforward and should present
As the bypass tapping point is moved little difficulty, being similar in many
down the resistor, when the potentio¬ respects to the preamp for electric
meter is rotated, the maximum treble guitars described in the October, 1968
gain is reduced to some intermediate issue. We built the prototype in the
value. Thus, the treble boost effect can same style of small aluminium box
be varied over a wide range to meet previously used; it measures 4i x 21 x
all situational requirements. Hin.
In restricting the maximum gain to The components were wired on a
20dB at 3KHz, our aim was to pre¬ small section of miniature resistor
vent any overload and consequent dis¬ panel mounted over the battery at one
tortion in the guitar amplifier input end of the box. A bracket fashioned
from a small piece of aluminium
serves to retain the battery, and con¬
nection is made via a standard press-
PARTS LIST fit connector.
HARDWARE Output from the preamplifier is taken
1 Aluminium box, x 2-3/Sin x via a length of shielded microphone
Hin. cable which should be fitted with a
1 9V battery (216) and conector, connector to suit the amplifier with
1 5-lug length of miniature resistor which it is to be used. The input
panel. connection is made via a standard
1 Standard jack socket and plug. jack-socket, these being most fequently
1 Knob. used in guitar hook-ups. The socket
TRANSISTORS was mounted in the end of the box,
1 TT109, BC109, SE4010 or opposite the wiring board and battery
similar. assembly and the potentiometer was
RESISTORS mounted centrally between the two.
I 5K linear potentiometer with The housing was then completed by
switch. The input jack (from guitar) is at the addition of the lid, which was
1 120K, 1 X 56K, 1 x 6.8K, 1 x the top of the picture, the boost secured by two self-tapping screws. A
560 ohms. (All iW 5 pc.) knob fitted to the treble control poten¬
control pot in the centre (partly tiometer and an indicating arrow in¬
CAPACITORS obscured) and the terminal board
1 0.47uF low voltage plastic or scribed with black drawing ink and
ceramic.
and battery at the bottom. laquered completes the unit □
1 0.22uF low voltage plastic.
1 O.ISuF low voltage plastic. lower harmonics. Provided that the
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiittiiiiiiiiiiii amplifier has a reasonable overload
margin the 560 ohm resistor could be
stages. However, the chance of over¬ omitted, thus increasing .the treble gain
load occurring will depend upon the by a further 6dB.
guitar output and its high frequency Whether to include the resistor or
harmonic content, and the maximum reduce it in value is a matter for indi¬
allowable input to the amplifier. vidual decision, depending on the par¬
Depending upon playing technique ticular requirement and equip¬
and position of the guitar pickup ment used. Conceivably, the 560 ohm
heads the output waveform will vary resistor could even be increased if less
from something essentially sinoidal to than 20dB treble gain is required.
one which comprises mainly consonant As presented, the preamplifier
harmonics. But, the amplitudes of har¬ operates from a 9-volt supply which,
monics in the region of 3KHz will be for convenience, can be a small bat¬
far smaller than the fundamental and tery with press-fit terminals. The
IIIIIIIIIMIIIIMIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIItllllllllllllllllltllllltlllllllllltlllllllllMtlllltlllMtlllKIMIIIIIIIIIIIIIIIIIIIIIMIIMIIIIIIIIIIIIIIIIIIIIIIIIIIinillllllllllllllllllllllltllttlll
< f.-
STEREO HEADPHONES transistor car radio, featuring 8 trans.—3 W.
output—push button tuning—built-in noise
High Fidelity Stereo Phones at Budget Prices. suppression—high quality speaker—suitany
COMBINATION SPECIALS
FOR FEBRUARY
$55.00
Designed for milligram ' tracking and as for Kenwood TK 20U Stereo Amplifier with
alt NEAT tone arms, will accept all standard SERVICE
When ordering please give your full AM-FM tuners—Dual lOlOF Deluxe Turn¬
’aln mounting cartridges, Including Ortophon
and SME headshells without modification. address printed in BLOCK LETTERS. table with Neat V70 Magnetic Cartridge—
All Truscott Equipment is brand new 2 Kenwood S102LI Speaker systems. $373
and fully guaranteed. Sales tax is in¬
cluded in all quoted prices. All orders With JH Turntable, Neat G30 Tone Arm and
are dispatched promptly. V70 cartridge in lieu of Dual lOIOF. $357
Available Cash, Terms or Lay-by.
G-30 Static Balance Tone Ann All prices quoted are Net.
* Review from "GRAMOPHONE" available.
Kenwood TK 150U Stereo Amplifier—JH
Postage and freight extra. Turntable, Neat G30 Tone Arm and Neat VI5
The NEAT G30 Static Balance Tone Arm is a
Mag. cartridge—2 Kenwood SI02U Speaker
high quality-low priced Hi-Fi tone arm, of
which the conception, construction and finish systems. $279
are equal to many tone arms selling at con¬
siderably higher prices. When used with the Leak Stereo 30 Amplifier—Dual I009F Turn¬
NEAT V70 cartridge, an excellent low cost
combination can be obtained.
220S MULTIMETERS table with Neat VIS Mag. cartridge—2 Leak
Mini-Sandwich speaker systems. $464
Other outstanding NEAT tone arms available D.C. Volts 5, 25, 125, 500, 2,500.
are the G37 Static balance tone arm, and A.C. Volts 10, 50, 250, 1000.
the G36 Professional tone arm.
With Dual I0I5F Turntable and V15 cartridge
Current: 250mA, 250mA.
in lieu of t009F. $451
NEAT PROFESSIONAL Resistance: O-lOK, 0.1 Meg. $7.95
TURNTABLES Kenwood TK 250U Stereo Amplifier—Dual
lOISTurntable with Neat V60Mag, cartridge—
SAVE YOUR RECORDS . . . USE 2 Kenwood KL60 Speaker systems. $565
THE UNIVERSAL LUSTRE TONE With Dual I009F Turntable and V60 cartridge
ARM LIFT! in lieu of 1019. $536
This beautifully finished and functional universal
tone arm lift will fit all tone arms . . . the lowering
action is pneumatically dampened and extremely
smooth. Risk of record damage may now be eliminated. NEAT HI-FI EQUIPMENT
price only $8.50. Sole Australian Distributors:
NEAT Pi00 Professional Belt Driven Turntable. A pre¬ Truscott Electronics
cision built transcription turntable built to instrument Interstate outlets:
standards of quality and appearance. N.S.W.—W. C. Wedderspoon Pty. Ltd.
Specifications: • Phonomotor: Condenser phase ACOUSTIC SPEAKER 193 Clarence Street, Sydney
advance 4-pole synchronous motor. • Turntable:
Aluminium alloy disc of 30 cm in diameter, of 2.5 kg.
CLOTH VIC.—Australian Hi Fi Electronics
• Voltage 240 V. • Power consumption: 15 W. • SN Over 30 top-grade cloths to select from. Send for 265 Lygon Street, Carlton
ratio: over 50 db. • Wow: under 0.1%. • Dimensions: samples and prices. And all leading HI-FI Houses.
400 X 325 X 125 mm.
Also available NUIOI and NRIOI Turntables.
vusenTmemoNies
AUSTRAL/A'S GREATEST TARE RECORDER & HI-FI CENTRE
SPECIFICATION
TYPE NUMBER 50226/12PQ/15 21622/12PQ/15 53416/12PQ/8
PRESTIGE FINISH MANUFACTURERS TYPE MANUFACTURERS TYPE
Impedance 15 ohms 15 ohms 8 ohms
Frequency Range 35-6000 Hzs 35-6000 Hzs 35-6000 Hzs
Resonance 40 Hz 40 Hz 40 Hz
Maximum Power Handling 15 W 15 W 15 W
Magnet Material Alnico V Alnico V Alnico V
Flux Density 10500 gauss 10500 gauss 10500 gauss
Total Flux 82000 lines 82000 lines 82000 lines
V.C. Diameter 1%" 1%" m"
Mounting Hole Centres ll^A" P.C.D. 113/4" P.C.D. nw P.CtD.
Maximum Depth 61/4" 6V4"
DISTRIBUTED BY:
ADELAIDE: Newton McLaren Ltd. 51 Dili.
BRISBANE: Chandlers Ltd. 31 0341.
HOBART: Amalgamated Wireless (Australasia) Ltd. 3 3836.
LAUNCESTON: Amalgamated Wireless (Australasia) Ltd. 2 1804.
MELBOURNE: Amalgamated Wireless (Australasia) Ltd. 67 9161.
Radio Parts Pty. Ltd. 30 1251. J. H. Magrath & Co. Pty. Ltd. 32 3731.
PERTH: Amalgamated Wireless (Australasia) Ltd. 28 3425.
Atkins (W.A.) Ltd. 21 0101. Carlyle & Co. (1959) Pty. Ltd. 21 9331.
SYDNEY: Electronic Parts Pty. Ltd. 533 1277.
George Brown A Co. Pty. Ltd. 29 7031.
$ 128.00
FREIGHT EXTRA
MODEL C300V Dimensions 16i” x 5i” x 11
This amplifier is based on Ihe Playmastcr 118 circuit as featured in “Electronics Australia” to which
has been added the following features.
• Inbuilt high gain A.M. tuner with a coverage of 530 to 1,600 K.C.
• Loudness control giving bass boost at low volume.
• High and low filters (scratch and rumble filters).
• Provision for tape, record and play-back, with din connector.
• Provision for headphones with headphones-speakcr switch.
• Input for microphone with jack on front panel.
• Calibrated dial available for all States.
• EM84 tuning indicator giving accurate tuning with ease.
POWER OUTPUT: 9 watts per channel R.M.S. FREQUENCY RESPONSE: 20 to 20,000 cycles
incorporating Ferguson O.P.412 grain oriented output transformers. VALVES USED: 4-6GW8, 12AX7
or 12AU7, 6AN7, 6N8, EM84 and 2 silicon diodes.
CABINET IN OILED WALNUT OR TEAK WITH METAL TRIM.
(Cabinet and front panel of valve and transistor amplifiers with tuner are the same)
CLASSIC RADIO
245 PARRAMATTA ROAD, HABERFIELD, N.S.W. PHONE 798-7145
MODEL C500A
$110.00 freight extra
SPECIFICATIONS
POWER OUTPUT; 12 watts per channel R.M.S. (24 watts SCRATCH FILTER: (High filter) at lOkc.s 9dB.
total). RUMBLE FILTER: (Low filter) at 50c/s 5dB.
FREQUENCY RESPONSE: From 20 cycles to 20,000 PROVISION FOR TAPE RECORDER. RECORD OR
cycles ± IdB. PLAY BACK WITH DIN PLUG CONNECTION.
HARMONIC DISTORTION: Less than 1%. PROVISION FOR HEADPHONES WITH SPEAKER —
HUM AND NOISE: Aux. 70dB, Mag. 50dB. HEADPHONE SWITCH.
INPUT SENSITIVITY: Mag. 3mv. Aux. 150mv. Tuner INPUT FOR MICROPHONE WITH JACK ON FRONT
ISOmv. PANEL.
EQUALIZED: Mag. RIAA. THE CIRCUIT CONTAINS 24 SILICON TRANSIS¬
TONE CONTROL: Bass 50c/s ± 12dB. Treble lOkc/s TORS PLUS 4 DIODES.
± 12dB. MOUNTED IN OILED WALNUT OR TEAK CABINET
LOUDNESS CONTROL: 50c/s lOdB. WITH METAL TRIM.
DIMENSIONS: 16iin X 5iin x 11 in.
MULLARD
MAGNAVOX
MINI SPEAKERS
These units designed by
Mullard and Magnavox
NEW BOOKSHELF SPEAKER SYSTEMS
engineers compare fav¬
ourably with imported PLAYMASTER .4 PLAYMASTER
B/S Speakers costing SUPER BOOKSHELF
more than twice the Incorporates the new 6in Philips
amount and are ideal Speaker and Magnavox 3TC tweeter. Using two of the new Magnavox 6WR
where space is limited. Frequency response 45 to 18,000 cycles. Speakers and one 3TC tweeter. Dimen¬
Incorporates the Mag¬ Power rating 10 watts. Dimensions.
navox 6WR 6-inch sions: 19iin X lOin x 8in.
Min X 8in x 8in.
Speaker and the new
3TC Mk. II tweeter Available in 8 ohms only. Available in 15 ohms or 8 ohms.
frequency re.sponse, 50
to 18,000 cycles. Power
rating max. 8 watts. $36.00 $40.00
Available In 7i or 15-
ohm impedance. Post and Packing: N.S.W. $1.50. Post and Packing: N.S.W. $2.00
Interstate, $2.00. Interstate: $3.00.
Dimensions: 14in
8iin X 8iin. * $27.00
Post and Packing: ALL SPEAKER UNITS FINISHED IN OILED WALNUT
N.S.W. $1.50. OR TEAK WITH SILVER TRIM
Interstate, $2.00.
CLASSIC RADIO
245 PARRAMATTA ROAD, HABERFIELD, N.S.W. PHONE 798-7145
The new Armstrong fully transistorised integrated tuner/amplifiers AM/FM and stereo
amplifiers. Models 426, 421 and 423.
SPECIFICATIONS
series 400
SOLE AGENTS FOR AUSTRALIA FOR WORLD'S BEST HI-FI STEREO EQUIPMENT
RECORDED MUSIC SALON TRUE FIDELITY
23 Collins Street, C. PINCZEWSKI
MELBOURNE 3000 Tel. 63-6257
ELECTRONICS Australia, February, 7969
and it will be necessary to identify the of the loudspeakers, but it should sound the open V, the cones will be merely
equivalent connections in each channel. acceptable enough. pushing the sound back and forth across
In the latter case — or in either Listen carefully so that you will re¬ the intervening space. If the original
case — the nomination of particular member the tone and volume, leav¬ phasing was wrong, the new condition
terminal connections as active or ing the controls set. Switch off and should be a marked improvement in
positive may be quite arbitrary, pro¬ reverse the leads to one loudspeaker volume and bass response.
vided the SAME convention is applied system only, switch on again and play Select the condition which gives the
to BOTH amplifier channels. the same track. There will be a fullest sound — the original connection
if the phasing instructions have worked
out!
A similar test with a radio or other
mono input should produce the same
result and confirm that the system is
correctly phased for all signal inputs.
Figure 4: Having Incidentally, the “Stereo-Reverse”
marked the polar¬ position on the function switch of
ity of all loud¬ many amplifiers does not affect phase;
it simply switches the signal belonging
speakers as per
to the right channel to the left, and
figure 3, they can vice versa. Just a few amplifiers have
be connected in been fitted with a phase reversing
phase in each sys¬ switch, usually on the back, to change
tem and wired the phase to one loudspeaker. This
back to the ampli¬ should be very carefully examined
fier by colour-
and marked so that its “normal” posi¬
TO OTHER CHANNEL tion is known. If it is not so marked
coded leads. LOUDSPEAKERS
it can be a constant source of con¬
fusion — and a constant temptation to
“experiment”
Where loudspeaker systems are not
amplifier
mobile, the problem of verifying phase
is more difficult, being rendered the
more so in a room which is naturally
Either way, whether the connections “live” or in which multiple echoes are
are clearly marked, or have to be
created by clusters of hard furniture,
traced out, the requirement is that the passages, etc.
two colour-coded loudspeaker leads be Perhaps the best test is a voice
identically connected to the two output from a mono source, or simple easily
channels, the leads going to the recognisable sound effects. Listen criti¬
equivalent places in the respective out¬ cally to the sound, then swap one pair
put circuits. of leads over only and listen again.
In normal stereo amplifier systems, Theoretically, at least, the in-phase con¬
the two channels are identical and, if nection should provide the more de¬
pre-phased loudspeakers are connected finite sound image, midway between
to them symmetrically by colour-coded the loudspeakers.
leads, it is a virtual certainty that the Figure 5: The phasing of loud¬
Some special test and demonstration
loudspeakers will operate in phase speaker systems can be checked records contain tracks which are in¬
when the system is fed from a mono by placing them face to face tended to assist the listener in verify¬
source, such as a radio tuner, mono and changing one set of leads ing phase, how to use the tracks being
tape recorder, or pickup cartridge only. The in-phase connection the subject of an appropriate instruc¬
paralleled for mono operation. tion on the jacket. However, all these
produces louder sounds than the
The remaining requirement is to tests rely heavily on listener percep¬
out-of-phase connection.
ensure that properly phased signals tion and can be clouded by room
'reach the amplifier from a stereo acoustics.
cartridge. Most modern stereo cartridges Which brings us back to the original
have four output lugs which can be noticeable difference in volume and point of this article.' The best way to
identified by markings or by manu¬ bass response. Assuming that the origi¬ cope with phasing is to start out with
facturer’s data as left channel active nal phasing was correct the sound a battery, a marking pencil, polarised
and earth, and right channel active and should now be much lower and notice¬ connectors and colour coded wiring and
earth. Sometimes the two “earth” pins ably lacking in bass because, instead of to beat the problem by eliminating
are already interconnected and/or combining to propagate the sound out it! a
bridged to the cartridge case. It is
simply a matter of checking through
the pickup wiring and connectors to NEWi ! !
SEMI-CONDUCTOR TRANSISTOR PACKS
ensure that the two “actives” go to the BRAND NEW AND TESTED
two active input connections of the BUT UNMARKED
two amplifier chains and that the SILICON TRANSISTORS
“earths” connect to the appropriate 10 RF Type—similar BF115. AT326 $2.95
10 Audio Type—similar BC108 . . $2.95
earth returns. 10 Audio Output Type . $3.25
Provided that these precautions are SILICON RECTIFIERS GERMANIUM
taken, it is almost inevitable that the DIODES
sound emanating from the respective 50V 55c
100V 60c
400V 75c OA90 Type . . 30c
800V $1.00 OA91 Type •• 30c
loudspeaker systems will have the 200V 65c 1000V $1.30 BA100 Type . 45c
NEW 1969 TRANSISTOR RADIO KIT
correct phase relationship. Silicon Transistors and complete with Instruc¬
RECORDING TAPE
But you still aren’t quite convinced? POPULAR MAKE AT WHOLESALE PRICES! tion Book, carrying case and earphone.
You would like to verify the inevitable. 3” 150ft 60c 7” 1800ft $4.10 Special Price
$11.25.
3' 72c 2400ft $4.97
Well there’s an easy way of doing 3”
22Sft
300ft 99c
7"
7” 3600ft $6.65 Wired $13.50.
so, at least for those whose loud¬ S” 600ft $1.80
5” 900ft $2.35 PHILIPS TYPE TRANSISTOR5 AND DIODES
speakers are mobile. S’* 1200ft $3.50 CASSETTES AT SPECIAL PRICES.
Take the loudspeaker systems and 534’ 900ft $2.65 C60 60 min $1.95
534” 1 200ft $3.25 C90 90 min $2.75 ALSO ALL COMPONENTS. TAPE, FILM. etc.
place them almost face to face, form¬ 7’ 1200ft $3.00 Cl 20 120 min $3.50 SEND S.A.E. FOR DETAILS AND LIST.
ing a narrow V, with the top of the V
towards the listening position. Leave
the system set up to play stereo, but S. E. WILLIS TRADING CO.
put on a mono disc. Select a track that 31 RIVEISDUE milD. CAMBEIWEU JUMIlOK, Vl(. 3124
you know well and set the volume so
that it is about the level you like to Phone 82-5787. Please include Freight.
listen to. The treble may be down a Sorry no C.O.D.
little because of the strange orientation
ELBCTRONICS Australia, February, 7969 95
Britten has decorated it with his cus¬
tomary fertile invention and a genuine
feeling of deep piety. As usual — if one
excepts the “War Requiem” Britten
i^cvioivs
uses only a small orchestra with
A''"' V virtuoso technique, adding a small
sweet-toned organ with delicious effect.
But the parable Ls not all earnest
" By JULIAN RUSSELL comment — you might even find some
evidence of satirical glances at our
modem capitalistic society — but
abounds in charming light interludes.
All the principals are in fine form,
Peter Pears, John Shirley-Quirk, Rob¬
ert Tear and Stafford Dean. The musi¬
Milord — ‘‘first rate comic opera” cal direction is first rate, stressing the
inferential rather than the explicit
character of the music. Aji unusual
feature of the engineering offers much
HENZE—Der Junge Lord (The Young this music pays a generous tribute to of the score with sharpest-edged defin-
Milord). Complete Opera. Barry Stravinsky it is none the worse for nition imaginable, contrasted against
McDaniel (Secretary); Loren Dris¬ that reason. It is firmly based on less clear, more deliberately hazy
coll (Lord Barratt); Vera Little tonality with a good deal of overlying sound. Altogether an excellent produc-
(Begonia); Manfred Rohrl (Burger- polytonality. But a few runs through ion and no Bitten fan will be able
meister); Ivan Sardi (Hasentreffer); should accustom one to the com¬ to resist its many temptations.
Ernst Krukowski (^harf); Helmut poser’s idiom — that is, the readers
Krebs (Professor von Mucker); ★ ★ ★
who have progressed beyond Richard
Patricia Johnson (Baroness Grun-
wiesel); Ruth Hesse (Frau von Strauss. BRAHMS — Serenade No. 1 in D
Hufnagel); Lisa Otto (Frau If you still find “Salome” and Major Op. 11. London Symphony
Hasentreffer): Edith Mathis “Elektra” cacaphonous, “The Young Orchestra conducted by Istvan
(Luise); Bella Jasper (Ida); Sir Milord” is not for you, despite its Kertesz. Decca Stereo SXL6340.
E^gar (mute). Chorus and brilliant ensembles, its sharp-edged This is an early work of Brahms
Orchestra of the German Opera, characterisations and its numerous and is almost symphonic in structure,
Berlin, with the Schoneberger orchestral ingenuities. But more adven¬ with the Adagio presaging the great
Boys* Choir conducted by turous spirits should find much to slow movements that were to come
Christoph von Dobnanyi. DGG delight them in Henze’s witty score, full later in the symphonies. The second
Stereo 139257/59. of bitter comments and caricatures scherzo looks back to Beethoven, but
and unremittingly entertaining. The the feminine sixths in the minuet are
First rate comic operas are rare.
recorded performance is brilliantly all pure Brahms, a characteristic which
Mozart’s “Marriage of Figaro,”
Rossini’s “Barber of Seville,” Verdi’s precise and all 16 of the soloists, remained with him to the end of his
“Falstaff,” Puccini’s “Gianni Schicchi” though they rarely communicate more life. There are six movements in all,
come immediately to mind as peer¬ than a few bars each at a time, are set out rather in the manner of a
faultlessly cast. Among these I choose Mozart serenade, although after that
less examples of the form, with
Ravel’s unjustly neglected “L’Heure Edith Mathis, Patricia Johnson, Lisa all other resemblance is absent. Brahms
Otto and Helmuth Krebs for special revised it several times and it is pre¬
Espagnole,” well remembered by any¬ mention only because of the import¬
one who has seen, or even just heard sented here in its final form, with a
it. I also enjoyed vastly Othmar ance of their roles, though there is strong but pleasing rustic atmosphere
Schoeck’s “The Fisherman and his not another member of the cast I and beautiful playing by the L.S.O.
Wife” which I saw in Hamburg in would have changed. under Kertesz. The engineering is ad¬
1962. Now a new one has arrived to Great praise is also due to DGG’s mirable and the disc should appeal to
join this company, “The Young superb engineering which remains all who are looking for something new
Milord” which, if perhaps a little too beautifully clear and faithful even from an old friend.
complex in its satirical libretto to win during the most complex passages. ★ ★ ★
it total acclaim nevertheless contains Some readers might miss an English
much to recommend it. translation of the libretto which is BELLINI — Norma. Abridged Opera.
given only in German, but the plot Elena Suliotis (Norma); Carlo
The main body of the story, which, is outlined in English in such detail
however, has many digressions, tells Cava (Orovesco); Mario del Mon¬
that few points will be lost. I found aco (Pollione); Fiorenza Cossotto
of a titled English resident in a small the whole great fun.
German town who resents having his (Adalgisa); Guiliana Tavolaccini
privacy disturbed by the advances of ★ ★ ★ (Clothilde); Athos Cesarinl (Fla-
a snobbish bourgeois population pre¬ rio). Chorus and orchestra of the
pared to gush over him, but who BRITTEN—The Burning Fiery Fur¬ St Cecilia Academy, Rome, con¬
when snubbed, turn violently antago¬ nace. Second Parable for Chwch ducted by Silvio Varviso, Decca
nistic. To get rid of his tormentors Performance. Peter Pears (Nebuc¬ Stereo SET368/9.
once and for all the eccentric English¬ hadnezzar); Bryan Drake (Astro¬ I am much less enthusiastic about
man opens his house to his neigh¬ loger); John Shirley-Quirk (Shad- this set, which omits many beautiful
bours for them to meet his nephew. rach); Robert Tear (Meschach); sequences — among them what is per¬
Lord Barratt. He is given an awed wel¬ Stafford Dean (Abednego); Peter haps the opera’s most important chorus
come despite his silence, which the Leeming (Herald). Monks and — to get it on to two discs. Other cuts
Germans put down to his English Acolytes and small orchestra of important passages will also irritate
reserve. The prettiest girl in the village directed by Benjamin Britten and those who know the complete work.
imagines she is in love with him. In Viola Tunnard. Decca Stereo And another irritating factor might be
short everyone is at his feet until the SET356. del Monaco’s characteristically brash
disclosure, in the last act, that he is In quite a different class is this contribution which is almost continu¬
a» trained ape. Britten work which, while perhaps ously too loud though I must admit he
To this story, in which many might lacking the dramatic impact of the has a few splendid moments. I also
claim to find many allegorical mean¬ composer’s previous “parable for found the young soprano Elena Suli- .
ings, Henze has provided much delight¬ Church performance,” (Curlew River), Otis disappointing after previous re¬
ful music which includes many bouncy has much to recommend it. The form cordings of hers I have heard, notably
dance tunes and ingenious ensembles. is much the same as you find in the Verdi’s “Nabucco.” In “Norma” she
predecessor, with monks acting out a used her naturally powerful voice
In fact, the ensembles are the main mystery play, the same ceremonious with less discretion, pushing it up to
feature of the opera since, except for instrumental processions, and the levels where strain is only too appar¬
the young girl’s contributions, there monks chanting plainsong as they ent. However, she is still young enough
are no long solo passages and only one enter and leave the church. The to be trained away, in the right hands,
duet — between her and her former biblical story is too well known to from such excesses. But even she, too,
young sweetheart. Although much of need any comment from me, and has her alluring moments when she
96 ELECTRONICS Australia, February, 7969
sings with-ravishing delicacy. But they
are all too rare for my liking.
The outstanding performance to my
mind comes from Fiorenza Cossotto
who maintains throughout a fastidious
sense of style and tonal quality of out¬
standing b^uty. Varviso’s conducting
is brisk rather than sensitive, but I
NEW from QUAD
got the impression that the orchestra
was not always as generous as it
might have been to his promptings.
SOLID STATE
★ ★ ★ 303 POWER AMPLIFIER AND
MOZART — Requiem Mass. Edith 33 CONTROL UNIT
Mathis (soprano); Grace Bumbry
(mezzo-soprano); George Shirley
(tenor); Marius Rintzler (bass). QUAD has introduced two new
models, the SOLID STATE Quad
New Philharmonia Chorus and 303 and Quad 33. What’s new in
Orchestra conducted by Rafael these models? ... 30 watts power
Fruhbeck de Burgos. H.M.V. rating (R.M.S.) per channel with
Stereo SAN 193. frequency response of—1 db, 20
Fruhbeck de Burgos’ reading of the to 35,000 Hz. Fully silicon
Requiem sounds at first more operatic transistorised.
Entirely new circuit design
than pious, rather in the manner of the provides outstanding high quality
Verdi Requiem, or, if it isn’t too fanci¬ reproduction and output circuit
ful, like one of the dramatic baroque protector which cannot be
churches of his adopted country, Spain. accidentally upset by misuse,
And he employs much larger resources overdriving, shorting or
than would be likely in a church. disconnecting speakers.
Distortion is less than 0.03%
Although such an interpretation might at any level up to 45 watts per
truthfully be labelled unorthodox, I channel into an 8 ohm load at 700
found most of it exciting. After all, the Hz and is 10 times lower than
drama is there, in the music, so why in the best of valve amplifiers.
not play it up? Too often such works With the professional look and the
suffer from a sort of rigor mortis, with professional touch, the price of these
everything fixed in an unchangeable two new Quad units Is $486.00.
rictus. I am all for Fruhbeck’s spirit
of adventure.
He uses two splendid principals,
Edith Mathis, a soprano with a consis¬
tently lovely quality, and Marius Rintz¬
ler, a bass who can only be described
as stately in his phrasing and produc¬
tion. From his performance here he
would make a magnificent Sarastro in
“The Magic Flute.” Grace Bumb^ is
a shade less satisfactory in her middle
and top registers but excellent in the
lower. The New Philharmonia Chorus
and Orchestra live up to the great repu¬
tation they have justly earned for pre¬
cision, nuancing, and consistently
pleasing tone. If you’re prepared to QUAD ELECTROSTATIC
bear with Fruhbeck’s intensely perso¬ LOUDSPEAKER
nal reading. I doubt whether a better
recording will show up for quite a Using closely coupled moving elements
while. The engineering is first class, some 200 times lighter than the
too. diaphragms of moving coil loudspeakers,
and being entirely free of cabinet
★ ★ ★ resonances and colouration, this
loudspeaker overcomes the usual
SIBELIUS^-Symphony No. 6 in D major problems of loudspeaker design
Minor, Op. 104. Symphony No. 7 and provides remarkably natural
reproduction of sound. The real test
in C Major, Op. 105. Berlin Phil¬ is to listen to the music it reproduces
harmonic Ghrchestra conducted by —a comparative demonstration is
Herbert von Karajan. OGG Stereo strongly recommended.
139032.
QUAD for the closest approach
Karajan uses a more romantic ap¬
proach to Sibelius than did the English to the original sound.
conductors who won fame in the pre¬
sentation of his works during the
period of his greatest popularity, the
1930s. Where conductors such as
Beecham and Anthony Collins stretch¬
r Please send me a copy of the new QUAD leaflet.
1
ed Sibelius’ taut melodic line almost
to breaking point and made his land¬
scapes seem uninhabited, Karajan sets
I NAME . I
him down afresh in the main line of
central European development. He uses I ADDRESS .
I
the balance of his orchestra to blend
the composer’s strong primary colours
rather than keep them starkly separate
I I
as did the English school. I might BRITISH MERCHANDISING PTY. LTD.
mention here that the English conduc¬
tors, through personal knowledge of the
I 49-51 York St., Sydney. Telephone 29-1571.
(sole Australian agent.)
I
composer, must have played the works
more to his liking. ^Sibelius* scores 1 J
ELECTRONICS Australia, February, 7969 97
THE ADC-1 CARTRIDGE, released 1960
This unit was, beyond argument, the first high- THE ADC POINT FOUR CARTRIDGE, released 1963
compliance, low tip-mass playback head in the This remarkable playback head was the first to
world. Percy Wilson and Cecil Watts reported employ the patented INDUCED MAGNET
then from London in the “GRAMOPHONE”: PRINCIPLE, which made ADC cartridges top
“We can now say, that we know AT LAST for sellers all over the world. (This principle is now
certain, that it is possible to trace a stereo groove incorporated in all ADC cartridges). Percy Wilson
OF ANY CONFIGURATION perfectly with a described this unit in the “Gramophone” as a
playing weight of no more than 1 gm and no ob¬ MASTERPIECE OF DESIGN, SEVERAL
servable wear after 50 playings—even under a YEARS AHEAD OF ITS TIME. Immediately
microscope. The cartridge we used for this con¬ upon its introduction to the world market, it
clusive demonstration was the American ADC-1.” made a terrific impact.
On account of its fantastically low rumble, wow and flutter content, our own JH SYNCHRON-
OUS TURNTABLE guarantees optimum performance with all ADC components.
“MAN OF LA MANCHA.” The Com¬ orchestration — the only strings used range of characterisations offered. The
plete Musical Play with the Origi¬ are Spanish guitars; otherwise the other artists on this album all deserve
nal London Cast. Keith MicheU, orchestral writing is for brass and the highest praise. Marian Henderson
Joan Diener, Bernard Spear and woodwind alone. On stage the musi¬ is a folk singer of taste with a voice
Company. Produced by Albert cians were placed in two distinct groups capable of expressing much warmth
Marre. Musical Super^on by at the back of the stage and the anti- and feeling, and Alex Hood’s voice is
Mitch Leigh. Festival double phonal effects achieved by this ar¬ well suited to the lighter folk songs.
album, Stereo SDL-933098/9. rangement were most impressive. It is Not named on the label are Richard
surprising, on this stereo recording, Brooke, the tasteful harmonica player,
I must admit that I felt very scepti¬ that the separation is not quite as clear and bassist Ron Carson. Robert Ire-
cal about the possibility of anyone cut as I had expected it to be, but dale’s production is of a very high
devising a musical based on Cervantes’ there is nevertheless plenty of stereo¬ standard.
great masterpiece of “the Knight of the phonic spread which is well focused.
Woeful Countenance,” Don Quixote. lllllllllllllltllllllllMllltlltllllllllllllllllllll
How could the spirit of a work of Mitch Leigh, who wrote the music,
such magnitude be captured in this in dispensing with the standard body
of strings, went against tradition for
format? Wouldn’t it all be just a patch-
work quilt or at its best, a sketchy Broadway shows, but achieved instead
a lithe, clean, uncluttered orchestral
The BBC's
caricature? “Man of La Mancha” is far
sound. The guitar players add a dash
from this, and it is known that the
three people who collaborated in its
creation found themselves becoming
of colour which is entirely appropriate
to the Spanish atmosphere.
Gramophone Library
more and more caught up in the spirit In this recorded production move¬ So rich and varied are the contents
of Cervantes’ classic. It is described ment about the stage is fluid, and of the BBC’s gramophone library, built
as a musical play and this is a fair sound effects add to the total impact. up over forty years of broadcasting,
description because running through it This album, then, is very much the that a distinguished musician once
is a strong vein of drama. In fact, complete musical play with all the likened it to “an oriental warehouse.”
when I saw “Man of La Mancha” on dialogue intact, enabling the casual It has to be, in order to feed the vast
stage early last year, this dramatic ele¬ listener who missed the show to grasp frontier of entertainment represented
ment was one of the most memorable the flow of the story. by many different kinds of programs
features of the work. broadcast in the BBC’s domestic and
★ ★ ★ overseas services. It contains over
This album captures all this in
sound and is a fine recording of one half a million commercial records and
of the most refreshingly different musi¬ “THE RESTLESS YEARS.” From a some 7,000 historical “archive” re¬
cal shows of the past decade. Aus¬ book of the same title by Peter cords, of which 75 per cent have no
tralian-born actor Keith Michell O’Shaughnessy, Russel Ward and known matrix.
makes a strong showing in the dual Graeme Inson. Published by Jac- One and sometimes three or more
role of Cervantes emd Don Quixote. aranda Press. Spoken by Peter copies of every record issued in Britain
I have long known of his talent as an O’Shaughnessy; Songs by Marian are purchased by the BBC gramophone
actor but was surprised at his excellent Henderson, Alex Hood and Peter library. There are 700 different makes,
singing voice, not only powerful but O’Sbaughnessy. Recording produc¬ and thousands of prefixes and num¬
also capable of capturing all the ed by Robert Iredale. Compatible bers. Any record can be located wtith-
nuances of the roles. Joan Diener as Stereo. JRLS-001. in forty seconds by means oif a huge
the fiery and passionate Aldonza is a card catalogue showing some 600,000
It is still something of an event when titles, 320,056 composers and nearly
fine dramatic actress with a strong, a book has a record to go with it—
clear singing voice. She is not known 45,270 artists. There are, for instance,
all the more so when the record is as 66 different recordings of Schubert’s
to me but I hope to hear more of her good as this 12in L.P. is. The book is
as an actress and singer. Bernard “Unfinished Symphony,” 73 recordings
described as a tribute to the spirit of of Beethoven’s 5th Symphony, and 315
Spear sounds perfectly in character as the young Australian nation and its
the sensible down-to-earth Sancho of the “Blue Danube.” About 11,000
vigorous seeking for national identity. records are lent out to BBC producers
Panza. There are 13 chapters which help to each month.
Among the songs “The Impossible throw light on the distinct stages of Highly prized records in the archive
Dream” enjoys hit status both in and our history. collection include: Marie Tempest sing-
out of the show but I have always All this grew out of the award win¬ inlg “The Jewel of Asia,” in her part
thought of the romantic “Dulcinea” ning TV program of the same name of Mimosa San, from “The Geisha”;
just as highly; and the “Man of La in which Peter O’Shaughnessy plaved a 7-inch Berliner Edna May — the
Mancha (I Don Quixote)” is thoroughly a dazzling assortment of roles. The original “Belle of New York” — sing¬
invigorating, the kind of song that the book is actually a clever compilation ing “The Pm^ity Brigade” from the
late Peter Dawson would have revelled of illustrated verse, ballads, documents show, a record made in 1900; and
in. and paintings, and the record is meant Victor Maurel singing Hahn’s
The carefully prepared cover note to complement it. The narrative spoken “L’Heure Exquise,” a record made in
plots the progress of the story from by Peter O’Shaughnessy lends vitality Paris in 1903 and valued at £100.
beginning to end, which is a great to the documents and drama to the Non-musdcal “museum” records in¬
help to anyone who did not see the verse. In other words, it is a kind of clude speeches by Robert Browning,
show. There is, of course, a great deal easily digested history of the making Stalin, Lenin, the Emperor Franz Josef,
of dialogue of a very high quality of the nation, which does not flinch Puccini, Carmen Sylva (Queen of
indeed — a refreshing change from the to look more closely at some of the Rumania), King Alfonso of Spain, and
string of banalities that usually pass as more discreditable aspects of our earlv Rudolph Valentino.
dialogue in many shows of this kind. settlement and the cruelty meted out It serves practically every kind of
The main writing for Cervantes and to both convicts and Aborigines alike. BBC program, not pnly essentially
Don Quixote offers a challenge and Mr This record is far from being a record programs like “Listeners’
MidhelPs classical training stands him mere hotch-potch of bits and pieces Choice” and “Composer of the Week,”
in very good stead here — there are from the book, it stands as a fine pro¬ but dramatic, documentary, and other
many noble and extremely touching duction in its own right in which programs with incidental music, and
moments throughout. the performances are of a high pro¬ biographical and historical programs
I am sorry that the cover note fessional standard. Once again, Peter in which the voices of many famous
omitted to mention the rather unusual O’Shanghnessy astounds us with the people are heard. □
ELBCTRONICS Australia, February, 1969 101
sony.-O-MATIC TC-505 with Auto Tape Reverse
Take Everywhere!
Tape Everywhere!
TC-505 FEATURES
This new all-purpose solid state portable tape recorder, featuring an automatic
tape reversing system, can be your reliable assistant to take everywhere . . . SPECIFICATIONS
tape everywhere. Refined styling with an elegant two-tone panel of black and Recording system: 2-track monophonic recording and
silver will make it a real pleasure to carry and use. Ideal for home, business, playback. Power requirements: AC: 110, 120, 220 or
language training, on-the-spot recording, etc. 240V, 50/60 Hz, DC: 6V. Power consumption: AC: 6
watts, DC: 5 watts. Tape Speed: 3i ips, 1i^ ips. Reel
ACCURATE TAPE SPEED Servo-controlled tape transport mechanism capacity: 5 " or smaller. Recording time: Continuous
maintains tape speed accuracy and reduces wow and flutter to a minimum. three hours at 1^ ips (with 900' tape). Power output:
Take everywhere . . . tape everywhere and know that tapes made on the TC-605 1 watt. Inputs: Microphone input (1), Sensitivity: -72dB
will playback with faithful reproduction—always. (0.194mV), Impedance: 400 ohms. Auxiliary Input (1),
AUTOMATIC REVERSE Just put the sensing foil, supplied with the Sensitivity: -22dB (0.0615V), Impedance: Approx. 220k
recorder, anywhere you like on the tape. When the tape reaches the sensing ohms. Remote control (1). Output: Monitor output (1),
foil, the direction of travel will change automatically—saving time and trouble Output level: 1.5dB (0.9V), Load impedance: 100k ohms.
inverting and reloading tapes. Battery life: 8 hours of recording (with SONY super
AC/DC PORTABLE Compact portability to keep up with today's fast UM-1 batteries or equivalent), 6 hours of recording (with
pace. Take everywhere . . . tape everywhere and you'll never miss that important optional rechargeable battery pack BP-8). Dimensions:
occasion. The versatile TC-605 operates on either house current, flashlight or 11%'' X 4i" X 11’K*"- Weight: 9 lbs. 5 ozs. without
rechargeable batteries, or car battery. batteries. Accessories: Microphone F-25S with mic stand
(1), demonstration tape (1), 5-inch empty reel R-5A (1),
SIMPLE TO OPERATE Controls are completely functional and are designed magnetic earphone ME-20 (1), connecting cord RK-69
and arranged for easy operation—ail jacks are together in one place, sturdy and (1), head cleaning ribbon (1), power cord DK-17 (1),
light cabinet lid has a large, transparent window, single lever control and built-in battery UM-1 (4), sensing foil SF-1 (1). Optional acces¬
carrying handle. Complete with cardlold microphone with on/off switch for sories: Telephone pick-up TP-4S, microphone extension
remote control operation. cord with D plug EC-5R, earphone CE-3, microphone
AUTO RECORD LEVEL Wherever and whenever it Is in operation, the mixer MX-600M, rechargeable battery pack BP-8, car
SONY-O-MATIC TC-505 automatically adjusts its recording level to optimum battery cord DCC-126, foot switch FS-5, carrying case
without you ever touching the controls. LC-505, voice command microphone F-84.
Here is
leakIHI-F
Craftmanship&Qiuality
4 COMBINATION OF TALENTED DESIGNERS
AND THE FINEST TECHNICALMINDS.
LEAK ‘STEREO
*==s-,,^^J^AMPLIFIER
:«■
!«
&
K
K
«
«
"C C <)®c LEAK
SANDWICH MK. II
« SPEAKER SYSTEM
$298.00
The 'Stereo 70' is full of latent power — up to 35 watts The Sandwich cones
r.m.s. per channel. Distortion is a mere 0.1% at 1,000 Hz comprise stiff alu¬
for all power outputs up to 25 watts r.m.s. per channel. minium skins for the
In addition, this extra output enables a pair of loud¬ outer surfaces where
speakers to be connected apart from the two in the main stresses are greatest,
listening room. Elegantly finished in black and silver, or bonded to a thick core
an attractive teak case is also available for shelf mounting. of featherweight, ex¬
Other brand new features are a head-phone socket for panded plastic where
those who prefer to listen to Stereo that way, and a DIN $139.00 stresses are lowest.
record/replay socket on the front panel for a portable Use of this material provides immense stiffness and
tape recorder together with the standard inputs at the rigid piston action over more than six octaves and
back of the amplifier. results in a remarkably smooth response free from
All this, backed by the famoUs LEAK craftsmanship and violent peaks and troughs over a very wide frequency
reliability, makes the Stereo 70 the most technically range. Available in mahogany, teak and walnut, this
advanced amplifier available. beautifully finished enclosure is still the only compact
speaker system offering substantially linear frequency
LEAK ‘STEREO 30’ AMPLIFIER response. Size: 26" x 15" x 12".
LEAK MINI-SANDWICH
SPEAKER SYSTEM
€l.- For musib lovers who cannot
spare space for a full-size
LEAK Sandwich, the new Mini-
$198.00 Sandwich provides almost iden¬
The 'Stereo 30' solid-state amplifier offers the discrimmat¬ tical (Performance, with the
ing music lover studio-quality sound reproduction, exception/ of the very lowest
advanced audio engineering arid pleasing asthetic design. octave. This superlative small
The performance of the LEAK 'Stereo 30’ represents the speaker system is designed
highest standards available. Each LEAK instrument is and made exactly as its larger
individually crafted and has the same high qualify per¬ companion. Size: 18j" x 11"
formance as LEAK instruments supplied to broadcasting X 7". Available in mahogany,
and television companies throughout the world. $99.00 teak and walnut.
swings it in the manner of the plete the assembly. The resemblance is recommended as a packing in
American bands, to a clasbical wakz is completed by the use of mariachi Speaker Enclosures for Sound Absorp¬
(from “The Seasons” by Glazunov). rhythms. Where this group does score tion.
over Alpert’s group is in the superior¬
Particularly effective is ‘‘Nightfall in STOCKISTS:
ity of the arrangements. In Eddy
Camp,” where a hymn tune is com¬ SYDNEY: Arrow Electronics Ptv. Ltd..
Karam they have a master craftsman 342 Kent Street. Broacjway Electronics
bined very skilfully with “The Last who knows just how to make the best (Sales) Pty. Ltd.. 32 Glebe Point Road.
Post.” The other tracks are: Trumpets use of what a melody has to offer,
GLEBE; Convoy International Pty. Ltd..
449 Kent Street: Encel Electronics Pty.
Wild (using a Schumann melody called Ltd., 257 Clarence Street; Kent Hi-
“Sidiliano”) — Cardiff Castle (slow If you want to sample just what he FI. 432 Kent Street: Mastersound Sales
can do, listen to “Arabesque” on this Pty. Ltd.. 400 Kent Street: Radio
march) — Thunderbirds (quick march) Despatch Service. 869 George Street.
disc. Some of the other tunes are Stereo Music Systems. 193 Clarence
— Wheels (quick march)—Regimental rescued from mediocrity by Mr Street Circuit Components (A’sia) Pty.
Marches (Men of Harlech, Highland Ltd.. 460 Bexley Road. BEXLEY: Clas¬
Karam’s treatment. sic Radio. 245 Parramatta Road.
Laddie, The Rising of the Lark). The HABERFIELD: Dyna Stereo Pty. Ltd..
playing of the band is of a very high The title line up consists of: Walk 331 Prince’s Hwy.. ST. PETERS: Albert
Wright Radio Service. 795 New Can¬
standard, and the sound engineers have with Me — Arabesque — The Work terbury Road. HURLSTONE PARK.
done an excellent job of recording the Song — Trains and Boats and Planes NEWCASTLE: Martin de Launay Pty. Ltd..
large forces obviously employed. — Summer in the City — You’re King and Darby Streets; Dynamic
Sound 587 Hunter Street.
(H.A.T.) Gonna Hear From Me — Copy Cat —
Modesty — Sunrise, Sunset — Marne WOLLONGONG: Electricon Parts Pty. Ltd..
★ ★ ★ 82 Keira Street: Martin de Launay
— Summer Samba — See You in Pty. Ltd.. 270 Keira Street.
MOVIE HITS 68-69. Enoch Light and September. The sound is of excellent
MELBOURNE: J. H. Magrath & Co. Pty.
the Light Brigade. Project 3 (Fes¬ quality. (H.A.T.) Ltd.. 208 Little Lonsdale Street.
tival) Stereo SPJL-933,047. (Avail¬ ★ ★ ★ BRISBANE: A. E. Harrold Pty. Ltd.. 123
able in Mono.) Charlotte Street: Brisbane Agencies, 78
HISTORIC ORGANS OF SPAIN. E. Wickham Street. Fortitude Valley.
Interest: Hollywood hits. Power Biggs. CBS (Australian
Performtance: Well presented, and ADELAIDE: Duncan Agencies. 57 Woodville
Record Company) Stereo SBR- Road, Woodville; General Accessories.
swinging. 235269. 81 Flinders Street.
Quality: Excellent. PERTH: Atkins (W.A.) Ltd.. 894 Hay
Stereo: Well spread. Interest: As per title. Street: Carlyle & Co. Pty. Ltd.. 1
Performance: Not the main inter¬ Milligan Street; General Accessories.
The success which Enoch Light has 46 Milligan Street.
achieved with hiis Project 3 series is est.
due to the care which goes into every Quality: Well recorded. HOBART: Homecrafts-Tasmanla.
Street.
199 Collins
able. At this stage, Enoch Light’s long the lover of organ music.
experience in the making of high The organs of Spain are unique. In WONDER WOOL
quality recordings comes to the fore the semi-isolation of the Iberian
(each Project 3 release makes a podnt peninsula in the post Rennaissance PTY. LTD.
of telling you about this, if you are period, organ builders developed
87 JAMES STREET, LEICHHARDT.
interested). The results are always very organs unlike those found in other
N.S.W., 2040.
pleasing, and I have yet to hear a parts of Europe, and the arrangement
Box 548 — G.P.O., Sydney. 2001.
Project 3 disc about which one could in the cathedrals was also unusual.
The organ “loft” was placed in the Phone: 56-2780.
not say nice things. It only remains to
give the track titles, and if these appeal centre of the Nave and the usual
to you, you need not let other con¬ arrangement was effectively two
ELECTRONICS Australia, February, 7969 105
organs facing opposite ways. Since the
choir was grouped around the double
organ, this part of the church was
known as the “coro.”
The cathedral organs were provided
with an array of “Trompetas Reales’*
which were full-length resonators ar¬
mm
Protect your records with this simple may well consider the above remarks
before making any decision.
operation microlift which positions
The program consists of: Twelve
at any point. Easy to fit and adjust Laendler, op. 171—^Waltzes, Nos. 1,
for most pick-up arms, not suitable 2, 6, 8, 9 and 10, op. 18—German
for autb-changers. Dance op. 33, No. 7 — German Dance
(“Laendler”) D.366 — Two Ger¬
man Dances, D.769—^Vaises Nobles,
Nos. 9 and 10, op. 77—^Waltzes, Nos.
Sole Australian Agent: 19, 21, 22, 26, 29, 30, 32, 34, 35 and
36, op. 9—^Waltzes, Nos. 15 and 18,
BRITISH MERCHANDISING PTY. LTD. op. 127 (Letze Waltzer)—^Vaises Senti*
mentales. Nos. 1, 19, 27, 3, 7, 15, 12
Shaw House, 49-51 York St, Sydney. Telephone 29.1571 (3 lines) and 13, op, 50. This impressive list
makes a generous program lasting
about 45 minutes. (H.A.T.)
106 ELECTRONICS Ausiralia, February, 7969
Reader's Digest Album iiiiiiiiiiiniiiiiiiiiiiiiiiiiiiitiiitiiiiiiiMiiiiiiiiiiiitiiiiiiiiiiiMiiiiiiiiiiiiiitiiiiiiiiiii
is exquisitely played, and the Nocturne pianist” in the 1930s, and this in a Send /of Stereo Catalogue
in F Minor, as well as the Polonaise generation which included such notable
in F-sharp Minor which ends the side
are both splendid examples of the way
artists as Moisewitsch, Solomon, Artur
Rubinstein, Horowitz, Myra Hess and
H. B. RADIO SALES
an artist of Horowitz’s stature can shed many others of similar calibre. It is Manufacfureri of Qualify Radio and
a bright light on the genius of this perhaps some indication of his stature Radio Furniture for 36 years
often decried composer. If only Horo¬ that his cycle of the Beethoven piano 103*105 Catherine Street,
witz had kept to Chopin for the whole sonatas, remastered from 78 rpm
program I should have had no cause discs, is still current in the E.M.I. LEICHHARDT, SYDNEY
to complain. Unfortunately, the second LP catalogue, having enjoyed an un¬ Telephonef 56-5580
side does not live up to the high interrupted run of 20 years. He was
Sole Australian Agent: GUNTER GRIEP, 14 Inglewood Ave,, Forest Hill, Vic,, ^hone 8y8 6962
particularly noted for his Beethoven work and finely judged phrasing com¬ for all his recordings, Mottola presents
performances (which makes the ab¬ bine with the essential expressiveness in gently swinging style the following
sence of Beethoven from this perform¬ without which guitar playing has little 12 tunes: This Guy’s in Love With
ance noteworthy) but he was acclaim¬ meaning. You — Do You Know the Way to
ed for his Schubert, Brahms and (later) Side one begins with “West Side San Jose — Dream a Little Dream
Mozart. Story” Medley (I Feel Pretty—Maria of Me — With a Little Help —
The program here comprises: Rondo —^America), and this is followed by a Scarborough Fair — Watch What
in A minor and Sonata No. 16 in short piece entitled “Spring Theme” Happens — By the Time I Get to
B flat (Mozart) — Impromptus Nos. 2 written by Morel for his own per¬ Phoenix — Kites are Fun — Cry
in E flat and 4 in A flat (Schubert)— formance—a tuneful and lively piece. Me a River — Goin’ Out of My
Invitation to the Dance (Weber) — The rest of this side is taken up by Head — Love in Every Room — I
Rhapsody in G minor, op.79, No. 2; the music of George Gershwin, com¬ Found Love. A good selection, provid¬
Intermezzi, in A miajor, op. 116, No. prising Prelude No. 2, themes from ing very pleasant listening and excel¬
2 and E flat, op. 117, No. 1 (Brahms). “Rhapsody in Blue” and tunes from lently recorded. (H.A.T.)
These performances reveal a fluid tech¬ “Porgy and Bess.” Side two is all
★ ★ ★
nique completely dedicated to the ser¬ Latin American, including four pieces
vice of the music, with never a trace by Morel (Surena—Pampero—Olga— AL HIRT PLAYS BERT KAEMP-
of meretricious showmanship. How¬ Carinosa) together with “Misionera” FERT. RCA Dynagroove Re¬
ever, most of the pieces are too short by Bustamente and “Chopi” by Esco- cords. Stereo LSP-3917. (Also in
to do full justice to Sclmabel, the var. Although Morel shows that he is m(Mio.)
architect of great performances, and it not lacking in skill as a composer, I
Interest: Trumpet virtuoso.
is only in the Mozart sonata, which did find the two pieces not of his
making the most interesting, with their Performance: Very pleasant.
proceeds smoothly and unhurriedly to Quality: Superbly recorded.
an entirely logical conclusion, that one lively rhythms and attractive melodies. Stereo: Well balanced.
can discern the fine musical intelli¬ Excellent orchestral backing is pro¬
gence behind the performance. The vided in most tracks. (H.A.T.) There is no doubt that the 46-year-
inclusion of the Weber piece was a old A1 Hirt possesses a remarkable
mistake — one can detect a slight ★ ★ ★ trumpet technique. In his early years
hint of impatience here — but other¬ as a musician, he worked for well-
WARM, WILD AND WONDERFUL. known leaders like Ray McKinley and
wise this is an absorbing performance Tony Mottola, guitar, with
from which I derived great pleasure. Jimmy and Tommy Dorsey. Subse¬
orchestra. Project 3 festival) quently he formed a Dixieland group
The E.M.I. technical staff have done Stereo SPJL-933,045.
a fine job of remastering, and one is with Pete Fountain, which helped him
never conscious of the age of the Interest: Popular guitarist. to achieve national fame in the early
originals. (H.A.T.) Performance: Very smooth. 1960s.
Quality: Excellent. As his reputation and economic
★ ★ ★ Stereo: Good spread. fortunes grew, however, his musical
Here is another fine disc to add to taste diminished and his playing in
A BOUQUET OF HITS. Ferrante and the series made by Tony Mottola for recent years has often lapsed into
Teicher. United Artists (Festival) Project 3, sounding, if anything, even spectacular vulgarity. Happily, on this
Stereo SUAL 933044 (av^lable in more smoothly relaxed than the others. album A1 Hirt abandons his exhibi¬
Mono). Supported by the usual group of tionism and needless displays of tech¬
Interest: Piano duo with orchestra. fine musicians used by Enoch Light nique and concentrates on playing
Performance: Slick style.
Quality: First class.
Stereo: Spacious.
This glossy production is as elegant¬
S
ly mounted as other Ferrante and TEREO
Teicher releases, with large orchestra
playing expertly scored arrangements
to which the two duettists contribute
OUND
slick-fingered contributions. If you
have heard Ferrante and Teicher, you
YSTEMS pty. ltd.
will know what I mean; if you haven’t,
this release featuring the latest hits is STOCK AND RECOMMEND THE FOLLOWING
as good as any to make the acquaint¬
ance of this popular pair. The tunes AMPLIFIERS Garrard Audio Technica TAPE
are: MacArthur Park—By the Time I A.D.C. Goldring Goldring RECORDERS
Get to Phoenix—Love is Blue—^Theme Cosmos J.H. Lux Ferrograph
from “Valley of the Dolls” — Two Goodmans Labcraft Revox
Orpheus Silex Ortofon Sony
Different Worlds — Theme from Kenwood
Mozart’s Piano (Doncerto in C (as P.E. Shure Tandberg
Lafayette Thorens Teac
used in “Elvira Madigan”) — The SPEAKERS
Good, the Bad and the Ugly—Honey Leak Toshiba
Peak TONE ARMS Criterion
— Goin’ out of My Head — A Man A.D.C. Pritchard Goodmans ACCESSORIES
wlithout Love — Sunny — The Pioneer Dust Bugs
engineering is excellent. (H.A.T.) Quad All Balance K.E.F.
Audio Technica Enclosures
Rapar Leak Fabric
★ ★ ★ Sansui Connoisseur
Peak Headphones
Sound Nikka
THE ARTISTRY OF JORGE Ortofon Richard Allen Plugs, connectors
MOREL. Jorge Morel, guitar. Sony Shure-S.M.E. Recording Tape
Rola
RCA Dynagroove Stereo LSP- Tuners
TURNTABLES CARTRIDGES S.H.B. Turntable bases
3953. Available in Mono.
Dual A.D.C. Wharfedale and covers
Interest: Brilliant guitar playing.
Performance: World class. Mail Orders on any of the above items Promptly and Expertly attended to.
Quality: High standard.
Stereo: Good.
Mail orders to: To; STBRBO SOUND SYSTBMS PTY. LTD.
When no less a person than Chet
Atkins says another guitarist is “one Please forward information and
10 McKAY COURT prices on the following items:—
of the best ^itar players in the RINGWOOD, VIC, 31U
world” one is inclined to sit up and
take notice. Jorge Morel is well worth also at
noticing. His is undoubtedly an ex¬ Name: .
ceptional skill. Within his own field, 304 CHAPBL STRBBT
this young Argentinian musician dis¬ PR AH RAN, VIC. 3181 Address: .
plays the same kind of dexterity on 57-3998
the guitar that Segovia does in the
classical field. Clean and crisp finger
BLBCTRONICS Australia. February, 1969 109
*
EECSl
Australia's Best Selling Loudspeakers
FOR ELECTRONIC
• GUITARS
• BASSES
• ORGANS
"GROUP 25" 25 WAHS RMS $32.75
"GROUP 35" 35 WAHS RMS $47.12
ALL MODELS FEATURE RIGID, DIECAST
CHASSIS FOR TROUBLE-FREE SERVICE
PIEZO MICROPHONE INSERTS Sockets 10c ea. Plus postage 10c. Coils. 1 Tuning Conds. , $2.00
MC.3 Crystal, 50-7K, 35 x 25 x 8mm. -57 Diodes . Terms .. Ea. 12c
DB .$1.00 ea. ELECTROLYTIC CAPACITORS IN Headphones .. 1 Plus Postage.
MC-7 Cr^tal, 100-7K. 39mm Round x 11 METAL CANS
1
GOODMANS
MAXAMP 30 is a fully transistorised stereophonic High Fidelity
Amplifier using Silicon Transistors throughout. It is precision engin¬
eered and fullest use is made of printed circuits. It Will deliver
continu9usly up to 15 watts of power on each channel and it looks
as good as it is. Its polished wood cabinet with ‘Danish Silver'
scratchgrain control panel blends with any decor.
AXIOM 80
9^"—6 watt
4
►
AXIOM 10
10"_10 watt
AXIOM 201
12"--15 watt
AXIOM 301
12"—20 watt standard Versions of all Audtom Speakers are available for Public Address work and
◄ Musical Instrument amplification (Electric guitars etc.)
Each of the six loudspeakers in this range covers the full audible frequency
range, and mounted in.an enclosure of the correct design each is a complete
TREBAX 100 TREBAX 5K/20XL MIOAX 6SO XO/fSO/SOOO XO/9SO XO/5MO ATTENUATOR
High Fidelity system. There is a unit to suit every requirement—amplifier Range. Complete Rinse Crossover Crossove Crossover 8-steo
output, room size, pocket and personal taste—from the economical Axiette 8 2.500 20,000 c s
25 watt
with XO and
attenuator
S50 8.000 c 1
?5 watt
treouenoei
iqui
950
frequency
950 c s
frequency
5.000 c/$
and TwinAxiette 8, through the more powerful Axiom 10 and Axiom 201, the Range: 5.000 c $
2.500-20,000 c/s.
Axiom 301, the world’s most advanced twincone 12" speaker, to the connoisseur 20 watt
quality hand-built Axiom 80 transducer and the triple element Triaxiom 1220c # Impedance of each speaker is 15-16 ohms, unless otherwise stated.
and 212c with built-in Treble control.
If you choose an Axiom 201, 301 or 10, the unit's performance can be further
enhanced, if desired, by the later addition of Trebax High Frequency and Midax
Mid-range units. GOODMIANS LOUDSPEAKERS LTD
AXIOM WORKS - WEMBLEV • MIDDLESEX • ENGLAND
Sole Australian Agents: BRITISH MERCHANDISING PTY., LTD -49-51 York St - Sydney • N.S.W. Telephone: 29 1571
Tudor Radio 50
8
10
250
350
350
75 cents each.
415
415
415
L. E. CHAPMAN
ESTABLISHED 1940
Simon Gray proudly introduces a completely new, efficient, High Level line input. The microphone input sensitivity is
portable recorder from the world’s leading manufacturer of 0.1 mV. at 200 ohms (balanced).
high-fidelity recorders ... the TANDBERG organization. Power is provided by ten standard “D” type I J volt cells
TANDBERG SOUND has become an international available in any store. An electronic speed regulator ensures
symbol for reality and natural sound reproduction . . . the precise speed ± 1 % during the entire life of the batteries.
sound of TANDBERG quality is unmistakable. The An optional AC power supply is available as well as an over-
“Series 11” is no exception. the-shoulder carrying bag, headphones and the popular
The “Series 11” is a battery-driven monaural recorder Tandberg Model TM4 dynamic microphone. For the TM4
designed for professional and semi-professional use. Three a balanced input with an impedance of 200 ohms is provided
speeds are featured — 7J, 3i and IJ i.p.s. Operation is — a balanced output of 600 ohms may be used for external
simple . . . the one control selects fast forward, rewind and tape recorders and copying purposes.
normal drive for recording or playback. Push buttons are The circuit contains 41 transistors and 10 diodes. Frequency
used to select recording or playback modes. Recording level response is 30-20,000 Hz. at 7i i.p.s., 30-13,000 Hz. at 3i
is indicated precisely on a VU meter. An automatic gain i.p.s. and 30-7000 Hz. at 11 i.p.s. Wow at 7i i.p.s. is better
control facility is also incorporated and can be selected when than 0.1%. Signal to noise is 58 dB. unweighted. Total
required. Control of recording is very simple; monitoring weight including batteries is only 11J lbs. Dimensions are .
off the tape is facilitated by three heads and separate record 13"x4"x lOr.
and playback amplifiers. In addition to separate record, The Tandberg “Series 11” accepts 7" spools with the lid
erase and playback heads, provision has been made for the open and 5" spools with the lid closed. The performance of
addition of a fourth head to permit movie camera synchro¬ this versatile recorder is quite outstanding. Audio quality,
nisation. Mixing is possible as separate controls are provided signal-to-noise ratio, freedom from distortion and wow ...
for microphone and line inputs. Sensitivity is 5 mV. for the these are the features that set the “Series 11 ” apart, as they
10 K ohms Low Level input, 100 mV. for the 200 K ohms satisfy professional standards.
The Tandberg "^Series 77’’ is available from Simon Gray offices
and representatives in all states; it is backed by Simon Gray service
facilities throughout Australia, - : SG T 1 2/66
Only S.M.E. Precision Pick-up Arms offer all these features: Choice of arm's length Model 3009 (9”) or Model 3012 (12")
for still lower tracking error—of special importance with elliptical styli • low inertia • High precision ball races and knife-
edge bearings for minimum pivot friction • Linear offset chosen for lowest distortion • Automatic slow-descent with
hydraulic control a Bias adjuster calibrated for tracking force • Exact overhang adjustment with alignment protractor
a Precise tracking force from l/^-B grams applied without a gauge % Shieldei output socket % Low capacity 4' connect¬
ing cable with quality plugs • Ultra lightweight shell • Camera finish in satin-chrome gun-black and anodised alloy.
Contact your local Hi-Fi dealer for more details. -^Recommended Resale Price.
THE - DAY-BEFORE-YESTERDAY
the projector push-button age was the
butt of the unimaginative.
YESTERDAY Woomera had a
desperate task finding capable per¬
sonnel and giving them the training
to man the electronics functions of
the space research complexes. These specialised \
TODAY all Australian industry is committed to an immediate subjects are available \
future of electronic concepts. These expose splendid new from I.C.S. for home study.
frontiers of production, of work output in commerce, of □ Audio; Hi-Fi, Stereo □ Monochrome and
living standards. The lack of skilled personnel alone could □ Automation CoiourTV
retard this progression into a totally new world. Eventually the Electronics □ Electronic Drafting
□ Automatic Controls □ Printed Circuits,
lack will and must be overcome. Meantime, Australia will
□ Industrial Conventional
search desperately about the world for the people with Applications □ Printed Circuits,
electronic skills. Already there is a dearth of them in Australia, □ Nuclear Micro integrated
and overseas! Trained Australians can choose their workplace Instrumentation □ Fringe Equipment
from the whole world. If you train now with I.C.S., you will be □ Digital Techniques Also Computer Pro¬
rewarded well. You will reach the top of your profession while □ Transistors & Semh gramming for Com¬
many thousands are just beginning to train. Conductors merce, Research,
□ Communications Industry.
Make your decision for success now!
Normatest
From here on, the book follows a fairly
predictable pattern, explaining, in succes¬
sive chapters, the basic design configura¬
tions of electronic organs, tone genera¬
tors, formants and filters, tremolo, vibrato,
chorus, celesta, sustain and percussion.
Other chapters cover amplifiers and
power supplies, the mechanical design of
typical key contacts, tabs and expression
pedals.
The information contains a fair amount
of “old” material .. (reed generators and
valves) as well as new (effects and trans¬
istors). As such, the book will have only
a limited value to the person who already
has a collection of electronic organ
literature. Its appeal will rather be to the
person who is seeking a broad background
on the subject covermg the old as well as
the new. Perhaps one should add that
the person will need to have some com¬
prehension of circuit diagrams, but this
will be true of virtually any book on
electronic organs.
Chapter 9, “Organ Accessories and
Accessory Instruments” gives interesting
information on rhythm devices (notably
by Wurlitzer and Conn), the Hammond
Solovox and the Novachord.
ranges for mvU ing Co. P^. Ltd., 401 Pitt Street, Sydney,
N.S.W. (W.N.W.)
Name
Address.
mm
Eddystone
990 R
VHF COMMUNICATIONS RECEIVER
Intermediate Frequency Range 1 . . 127—240 MHz.
10.7 MHz. Output of up to 50 Range 2 75—127 MHz.
millivolts is available at low im- Ranee 3 46— 75 MHz.
pedance from B.N.C. co-axial ^ * ’ AVAILABLE NOW EX-STOCK
socket. 4 • • 27— 46 MHz. OR BOND STORE.
IF Bandwidth
30 kHz and 200 kHz.
The Eddystone model “990R” is a fully transistorised single conversion receiver for reception
of CW, AM and FM signals in the range of 27-240. The full tuning range is covered in four
switched bands, with the R.F. unit having three gang-tuned signal circuits prior to the mixer.
Local oscillator arrangements permit operation with crystal control from any one of eight switched
frequencies in addition to manual tuning.
An intermediate frequency of 10.7 M/Hz is used and bandwidths of 30 kHz and 200 kHz are
provided as standard, the former employing a crystal filter, alternative filters being available to
order.
Separate wide and narrow bandwidth outputs are available at the intermediate frequency. The
former is a low level output intended for driving the companion Panoramic Display Unit (Model
ER17R) via an external converter, bandwidth being of the order of 1 MHz at the higher
frequencess. Video output is available on both AM and FM.
We have lots of other units, new and used from as little as $35 each.
TOKAI. TC 502 Repairs, tuning and alignment are our specialty. CONTACT, MKL
strict control over the entry of the flux into the solder in
Australian Agents for the full range of the manufacturing process. A faultless fluxing action is
ensured by the special fluted or stellate core, which com¬
ENTHOVEN of U.K. Solder Products and bines the advantage of a single core of flux of constant
quantity with the close proximity of flux to the external
wall of the solder tube in six places. In this way a swift
carry Stocks of the following CORED melting of solder is achieved, flux is immediately liberated
and can spread rapidly to give the necessary degree of
wetting. The least possible quantity of solder is required
SOLDERS. for, as there is no lapse in time between release of flux
and melting of solder, there is no danger of flux being lost
SUPERSPEED 60/40/16 S.W.G. $1.80 lb. before the solder is molten. The free spread of flux and
On lib reels F.O.B. Melb. solder thus attained takes ad vantage, of the natural forces
SUPERSPEED 60/40/22 S.W.G. $2.50 lb. of capillary attraction to make the most intimate and rapid
On lib reels F.O.B. Melb. contact with the joint. Lower soldering bit temperature
SUPERSPEED XX 60/40/18 S.W.G. $1.90 lb. can be used, lessening the risk of damage to component
On 7Ib reels F.O.B. Melb. parts and reducing soldering time.
ALUMINIUM 16 S.W.G. $3.50 lb. SUPERSPEED “XX” is for applications where a more
Solder on lib reels F.O.B. Melb. vigorous flux is required, e.g. for soldering heavily tarnished
surfaces, particularly copper and brass, or plated coatings
A distinctive feature of SUPERSPEED cored solders is the which have become difficult to solder after a long period
stellate core which offers many advantages over single- and of storage. SUPERSPEED “XX” cored solder contains a
multiple-cored solders. resin-based flux with double-strength activator and is
The efficiency of a cored solder depends upon the simul¬ effective in removing strong oxide formations, yet leaves a
taneous release of flux and solder in a correct proportion non-corrosive, non-hygroscopic residue. SUPERSPEED
on the application of heat. Too little flux on a joint can “XX” is manufactured in a similar way to SUPERSPEED
cause more trouble than a total absence of flux: for whereas cored solder and has the same distinctive stellate core for
a dry joint can be detected comparatively easily, an under¬ balanced fluxing and swift soldering.
fluxed or high-resistance joint may not be discovered until ALUMINIUM CORED SOLDER is another product that
after the final testing stage, when access may be difficult illustrates the clear lead Enthoven have over other solder
and the remedy costly. On the other hand, excess flux can producers in research, development and manufacture. A
hinder the penetration of solder into a joint, especially if cored solder for the soldering of aluminium is unique, for
it is a very closely spaced one. In Enthoven cored solders it is used in the same way as conventional cored solders
the release of flux and solder is in correct and constant pro¬ excepting that, as the alloy has a higher melting point, the
portion. Perfect composition is achieved by the exercise of soldering iron must be hotter.
JEMCO
burnt-out country in the White Cross the fire during the day left two remaining
area and it was thought safe at this hot ix>ints by nightfall, one on the eastern
stage. It was at this point that amateur escarpment and one near the top of Lin¬
radio operation commenced. Unfortunate¬ den Gorge.
ly, although the south-westerly wind caus¬
ed the head of the fire to move very
rapidly towards the burnt ground, the
Thursday 28th dawned hot. Threatening
gusts of wind fanned the Linden Creek NEW MODEL
end of the fire across the Western High¬
terrain which was encountered by its long
tail allowed it to “whip” into unburnt
country and be quickly fanned into fresh
way and railway line above Faulconbridge.
A new path was now open, through the US-100 MULTIMETER
south side of Springwood, Valley Heights,
paths. Warrimoo, Blaxland and Glenbrook combines high quality and wide
On Sunday, November 24th, one such through the new village of Lapstone to measuring ranges of expensive in¬
manoeuvre carried the fire across Hawkes- Emu Plains. The fire took only a matter struments with reasonable price.
bury Road, North Springwood, and of hours to cover this path pushed by
allowed it to run wild along the ridge strong swirling fire winds of up to 60
to Yellow Rock and on to the Nepean mile per hour. About 80 homes were
River near Castlereagh. Several more destroyed and scores of properties dam¬
“whips” brought the fire close to the aged. About 50 square miles of country
townships of Warrimoo and Blaxland were burnt black as this fire swept clear
East. At this stage two homes in the off the mountains to Emu Plains, still des¬
North Springwood area had been des¬ troying property in this area. Three more
troyed but hundreds had been saved. lives were lost that day.
Monday, November 25th, saw a fairly The worst was now over, Friday 27th
quiet day with not much movement of the saw most of the active fire at the top of
fire. Towards evening some hot pockets Linden. It burned steadily for two more
had crept in close to Springwood and days, sometimes endangering property, be¬
began to flare, causing some concern. On fore it was finally contained. During the
Tuesday 26th these pockets became very next week the grim trail was bathed in
dangerous and several outbreaks along
drizzling rain.
the perimeter, now stretching from Faul-
conbridge to Mount Riverview, and Rlax- This then was the stage setting tor
land East refused to remain contained. perhaps some of the most acclaimed ama¬
By mid-afternoon properties at Mount teur radio co-operation seen in the area
Riverview were in grave danger and a for some time.
very hot fire somehow passed them and • Overload Protection.
into the region of the eastern escarpment, As mentioned earlier, past efforts in this
direction had not been greatly appreciated. • Shockproof Movement.
near Emu Plains. However, real amateur zeal came to the • 10 Amp D.C. and A.C. Current
Wednesday November 27th was a omi¬ fore. During the early stages of the fire, Range.
nously quiet day with freshening winds Danny Clift, VK2ZDE, proposed that a
• D.C. Polarity Reversing Switch. .
and temperature on the rise. Mopping-up 146MHz FM network be established as a
• 50 MEGOHM Res. Range.
• Large Clear View 4-inch Face.
• Carrying handle can be used as a
stand.
• Excellent Frequency Character¬
istics.
SPECIFICATIONS;
D.C. VOLTAGES 0.25/1/2.5/10/50/
250/1000 V (20,000 O/V)
A.C. VOLTAGES: 2.5/10/50/250/
1000 V (5,000 OV)
D.C. CURRENT: 50uA, 1/25/500 mA
10 A
A.C. CURRENT: 10 A
RESISTANCE: 0-50 MEG
RXI/XIO/XIOO/XK/XIOK
SIZE: 5i X 4* X U inches.
WARRANTY:— SPARE PARTS
STOCKED LOCALLY.
PRICE: $25 plus S.T.
Leather Case Optional.
INDEVAPTY.LTD.
24 Bellevue Road, Bellevue Hill,
Sydney 2023
NAME
Map of the Blue Mountains bushfire area. The Great Western Highway
runs along the top of a ridge, with the terrain falling away to deep
FIRM J
wooded gullies on either side. Penrith and Emu Plains are at the foot I ADDRESS
1
of the range, Lapstone on the edge of the escarpment. Top of the rnap
is north. (Map by kind permission of Gregory’s Guides and Maps Pty. 1 1
Ltd., Sydney.) L__.
ELECTRONICS Australia, February, 1969 137
CHEST OF DRAWERS 8 WAH STEREO AMPLIFIER
Three types of Galvanised Chests measuring
nVfein X 6)4in x lU/Hin, containing 16 MODEL SA-80S
drawers, each measuring 6Vk x 3yiin x 2Vi<in,
• TYPE C.D.l. With 16 undivided drawers,
OPERATING MANUAL
$7.00.
• TYPE C.D.2. With 16 triple compartment
drawers, $8.00.
• TYPE C.D.3. With 8 triple compartment
drawers, and 8 undivided drawers, $8.00.
Pick up the receiver and dial pu.sh num¬
The Chests are finished in blue hammertone ber desired.
stoving enamel, are complete with identifica¬
tion cards and packed in strong corrugated Price $9.00 per pair SPIXIFICATIONS
cartons. Provision is made for all units to Output Pov.cr: 8 Watt, 4 Watts per chan¬
he bolted together in tiers. nel.
KALTRO SVC Frequency Response: 60 to 15.000 cps. plus
or minus 1 db.
Harmonic Distortion: Less than
TV-RADIO Hum and Noise: 52 db below rated output.
Sensitivity: Phone (Crystal) lOOmV 250K
REMOTE CONTROI ohm.
Tuner lOOmV.
Tube Complements: 12AX7xl, 30A5x2.
LISTENER 1 S315x1 (Silicon Rectifier).
Dimensions: 5.11b. 9Viin x 6'^in x 3in.
This TV-Radio Remote Control Listener is Price $35.00
a combination of an extension speaker and
a remote control station to regulate the
sound of both the TV. Radio. Phono, or
Hi-Fi set and the speaker incorporated in
"PALACE" SOLID STATE
the Listener itself. In addition, up to two
earphones can be attached for listening
to the sound of the TV, Radio. Phono, or
STEREO AMPLIFIER
CHEST OF DRAWERS TYPE C.D.4. Hi-Fi set without disturbing others around
you. Unwanted commercials can be easily Model AM-320
cut off by merely turning down the control
A 17Viiin x SVAin x Iiyain Galvanised Chest of the TV-Radio Remote control Listener. A
containing 4 full-length drawers each modern designed plastic cabinet with easily
measuring 15y4in x 6$^ln x 2'/iin. Finished adjustable fingertip controls ideal for use
in blue hammertone stoving enamel. $7.00. in home, office and business. Complete with
earphone. 20ft of lead wire and installation
instructions.
Price $8.75
Power Output: 16W (8W per channel).
Frequency Response: 80-10.000 cps plus or
minus IdB IW: 50-20.000 cps plus cr
minus 2dB IW.
Harmonic Distortion: Less than 2% at 3W;
less than 4% at 5W; less than 4.5%
at 8W.
Tone Control: Bass plus or minus lOdB at
50 cps. Treble plus or minus lOdB at
10,000 cps.
Loudnc.ss Control: Plus 6dB at 50 cps; plus
4<1B at 10.000 cps.
"PIPGRAS" HOLE PUNCHES Input; Tape head 3.5mV: Mag. 3.5mV;
Cer. lOOmV; Tun., Aux. 150mV.
“PIPGRAS” Hole Punches arc made from S/N Ratio: Minus 45dB.
Alloy Tool Steel, and cut clean and Transistor complement: 2SB347 x 2, 2SB345
WRITE FOR FREE CATALOGUE AND accurate holes in sheet metal. They make X 8, 2SB481 X 4.
PRICE LIST OF TOOL BOXES AND a smooth, perfect hole without reaming or Power Supply: 117V AC 50/60 cps.
CHEST OF DRAWERS. filing. Dimensions: 10%in (W) x 3’/i:n (H) x
8V8in (D).
SCREW TYPE, ROUND AM-V320 Upright.
Price $92.00
Supplied with “UNBRAKO” High Tensile
MODEL M6 FOUR CHANNEL Socket Screws and Wrenches. Cut holes in
sheet metal up to 18 gauge.
Type Nominal Actual Water Pipe Pilot Price BOOK SHELF TYPE
TRANSISTORISED MICROPHONE No.
32.S
Size Size Size (I.D.) Drill Size Each
>/iin 0.507in _ »/4in $2.17 SPEAKER SYSTEM
40.S %in 0.618in lAin 5/16in $2.17
MIXER 48.S
56. S
y»in 0.742in
%in 0.884in
yjln 5/I6in $2.80
Viiin Ybin $3.80 MODEL SP-4S
64.S lin 1.008in — yiin $4.10
72.S U/^in 1.133in y*in ytin $4.53
76.S l/3/16in 1.172in — ->kin $4.53
80S l'/4in l.?.58in — •Hiin $4.97
88.S lyiin 1.382in lin 7/16in $5.97
With Heat Treated. High Tensile Steel Hex.
Head Bolt and Nut.
Cut holes in sheet metal up to 16 gauge.
96.5 P/iin 1.512in — 9/16in $6.68
112.5 iy4in 1.762in UAin 9/16in $7.60
128.5 2in 2.014in IViin 9/16in $8.33
A & R TRANSFORMERS g
46 Lexton Rood, Box Hill. Victorio. Box Hill P.O. Box 170. Phono 89-0238.‘:L,
ElEaRONICS "lECHNOCENTRE"
Convoy
FOR SOUND SATISFACTION
449 KENT STREET, SYDNEY
(nr. Town Hall) Phone 29-6475
REVOX TAPE DECK and 10 WATT AMP. SPKR MODELS, NOW IN STOCK!
Look at this robust girder chassis construction (left), the sign of a truly
professional machine. You get top quality performance every year. All
metal professional stereo heads—the heart of a recorder, ensure high quality
through a long head life. The Willi Studer developed electronically governed
capstan motor (right), for professional decks is included and is independent
of mains frequency. The speed of the motor is measured by means of a
head which does not touch moving parts and kept constant by an electronic
governor. Ideal for home power supplies.
I
With Reverberation. May be used
as 28 Watt or as 14 Watt plus 14
Watt Reverb. Two 9x6 Woofer
TAPE ADAPTER
Speakers. Two 9x6 Twin-Cone
Suits all Playmaster Stereo ampli¬
Speakers. 4 Channels. Bass and
fiers and others that accept crystal
Treble Boost. Foot Vibrato control
P.U.
Included.
Kitset.$79.00
Wired
▼Tircu and
JUJU tevted.$96.00
..970.VU
VALVE TESTER
$163.50 Feb. nnd March Elect. Aust.
TAPE PLAYBACK
re.st8 all valves, diodes, rectlSers,
checking filaments, shorts, Merit on
SLAP BASS OR BASS GUITAR 106 dirert readbig. Good-bad meter.
40-WATT AMPLIFIER WIRED AND TESTED $94.75 KITSET Complete with tube chart.
nSR deck with parts for transistor
4 Input Channels. Bass and Treble
Boost. Two 12in Radial Beam 107 pre-amp and circuit. $27.75
Post., N.S.W., 25c! I'state, $1.2$.
Speakers.
20 cycles.
Perfect reproduction on
WIRED AND TESTED $83,75 $30.00 T.E. 50-99-5011
Post $1.25 N.S.W., $2.00 Inter-
$159.75 State. Checks, Nu Vistas, Compactrons,
Ea.sy to build. Mi*FI quality. etc.
PIGGY BACK TAPE DECKS B.S.R. $34.95
GUITAR AMPLIFIER 2 Track, 3V4 l.p.s. Posli N.S.W. 25ci $1.2$.
30 Watt. $79.75 $25.50 G.D.O. UNITS
45 Watt. $99.75 4 Track, 3 Speed Post., N.S.W., 50cj Fstate, 75c.
60 Watt.$119.75 Stereo.
4 Inputs. Bass and Treble Boost. T.E. 15 Transistorised, 7 Band,
Vibrato if required, $10.50 extra. $41.50 360 Kc to 270 Megs.
$35.75
ELECTRIC GUITAR 10+ 10
Pickup Hulls.S8.75 STEREO AMPLIFIER SOLID STATE VTVM
Accordion Pickup Units .. $8.75 E.A, November. E.A., Dec.
Hamionicn Pickup Units .. $1.95 Wired. Tested.
Post, N.S.W. 40c; Interstate, 75c. Kit Set.$59.75
Wired and tested.$69.75 $49.50
A.C. POWERED
FUZZ BOX SOLID STATE STEREO AUDIO GENERATOR
FUZZ BOX E. AND A. AUG. T.S.I35
WIRED AND TESTED. Oe Lu» Model TE—22D.
18 Transistor. 15-watt per channel. Freq. range. Sine 20 cps—200 KC.
$15. Inputs for Tape. Mag. P.U.
Post., 75c. SO. 20 cps—28KC. Output voltage.
Gcr, P.U. Radio Aux. Sine TV. SQ. TV P.-P. Output Im¬
Frequ. Range 30c to 20KC. pedance 1000 ohms. Acc. 5 per
Max Sensitivity 3 MV. cent. Distortion less than 2
REVERB UNIT Speaker matching 4 to 15 ohms. cent. 4*rangc attenuation.
COMPLETE with AMPLIFIER.
E.A. October is.sue. Kitset $39.95.
$78.00 1/1, 1/10, 1/100, 1/lK. Printed
circuit. 240V A.C.
Wired and tested, $41.95.
$42.95
15-INCH Hl-POWER T. E. 46 SIGNAL INJECTOR
SPEAKER resistance- Transistorised. Fountain peu-aized
30 and 50-WATT RMS. Unit for Signal Tracer tn Radio,
Specially designed
Organ, Bass, etc.
for Guitar, capacitance A.2C. STEREO
TV and Amplifier Service.
$5.75. Fort. 25c.
Bridge and Analyser.
$30.00 Capacity 20 pf to 2,000 mfd. AMPLIFIER
Resistance 2 ohm to 200 megs.
Also tests power factor, leakage,
5 WATTS PER CHANNEL.
Valve Unit. 240v A.C.
TRANSISTOR AND
INTER. COM. UNITS impedance, transformer ratio, insu¬ Input for Crystal and Ceramic DIODE TESTER
2 Station Transistorised lation resistance to 200 megs, at P.U. Radio and Auxiliary. E.A. August, ’68.
600V. Output for 4, 8, 15 ohms. Wired and Tested.
$11.95 Indications by eye and meter. Cross , talk better than -40db.
$57.00
4 Station, including Master Sensitivity 50 MV.
SATO PARTS
many countries of the world. Free catalogues are available
upon your request to the
manufacturer or fbrougft
trading companies.
UNIT 1: Fully imported from Germany UNIT 2: Monarch stereo amplifier. 2 UNIT 5: Schaub-Lorenz Model 4000 tuner/
portable stereo player complete with Wharfedale 8" RSDD super loudspeakers. amplifier made in Germany. 25-watt per
speakers in cabinets. PE Mode 2001 ’U I Retail
t\eiaii P.E. 34 belt driven hydraulic controlled channel. is the most beautiful looking
Price $240.00. lowering device turntable. Empire 808OUO cart¬
Cdl W* tuner/amplifier available on the world mar¬
Our Price, including Schaub-
Lorenz cassette player .... $200
(Retail price of cassette $70.00. refer tech¬
ridge. frequency
from 10—20.000 cycles.
TOTAL PRICE.
response *
$220
“ ket. The sound reproduction i<; excellent,
broadcast, short wave, long wave,
short wave. FM. magnetic input, provision
ultra
nical review May. 1968. edition of The same with Kenwood TK250U amplifier. for tape recording and tape playback. Dual
“Electronics Australia.’ ) (Add $40.00 to the above price.) 1009 turntable. Empire 888 cartridge fre¬
This is an excellent unit value for money. The same with Sansui AU-222 amplifier. quency response from 10—24.000 cycles.
(Add $35.00 to the above price.) 2 Jordan Watts loudspeakers frequency res¬
ponse on axis 30—17.000 Hz plus/minus
UNIT 3: 2 Leak Sandwich loudspeakers. 25—20.000 Hz plus/minus 6 dB also on
Armstrong 421 stereo transistorised ampli¬ axis, and 30—17,000 Hz plus/minus 6 dB
fier. 15-watt per channel RMS.- frequency UNIT 6; ERA Mk 3 turntable, the arm
tracks at 1 ; 10th of a gram, the springs 30 degrees off axis.
response from 20—20.000 cycles plus/ TOTAL PRICE.
minus 1 dB less than ’2% distortion on the
full 15-watt RMS. Dual 1019 Hi-Fi turn¬
table. Empire 888E cartridge, freque^ncy
are clamped by polyurethane foam so that
the resonant frequency of the suspended
mass is 2 cycles. Empire 888TE cartridge
frequency response from 6 to 32.000
3
The same with
turntable. (Add
ERA Mk
$80.00.) $460
response 10—30.000 cycles. * ^
TOTAL PRICE.
The same with Armstrong 426 tuner/ am¬
$580 cycles. Harman Kardon Model 210 tuner/
amplifier, power output: 50 watts IHF. fre¬
quency response: plus/minus 1 dB: 8 to
UNIT 7: Empire Model 9000M loudspeak¬
ers (2). frequency response: 2o to 20.000
Hz. components: 15-inch high-compliance
plifier (Add $60.00 when purchasing the 25.000 Hz at 1 watt normal listening level):
10 to 23.000 Hz at full rated power, har¬ woofer & Mid-range direct radiator and
complete unit.) ultrasonic domed tweeter, both coupled to
monic distortion: less than 1%. 2 Empire
2000 loudspeakers, frequency response from Empire's wide-angle acoustic lens, cross¬
30—18.000 Hz. components: 10-inch high- overs: 450 and 5000 Hz. maximum power
UNIT 4: Ampex 753 tape deck combines handling capacity: 100 watts undistorted,
magnificent 4-track stereo sound, unmatch¬ compliance woofer with 2“ voice coil 8 impedance: 8 ohms. Sc<haub-Lorenz Model
ed Ampex engineering quality and versatile Mid-range / tweeter direct .radiator, maxi¬ 4000 tuner / amplifier, made in Germany.
new recording features, sound on sound, mum power handling capacity: 60 watts
25-w£tt per channel. ERA Mk 3 turntable.
tape monitor, sound with sound. ec*io cham¬ undistorted. impedance: 8^4 Empire 999VE cartridge frequency res¬
ber. complete with Armstrong 226 tuner/
1 fJ / U ponse from 6 to 35.000 ‘ *
$2,200
amplifier 10-watt RMS per channel fre¬ TOTAL PRICE.V
cycles.
quency response from 30—20.000 cycles total price.
plus or minus 1dB less than ’2% distor¬
tion measured at 8-watt RMS. 2 Goodmans UNIT 9: Sansui AU-222 amplifier.
Twinaxiette loudspeakers. 8’ frequency Dual 1010 turntable. ^ il HA UNIT 10: Armstrong 127 tuner /amplifier
response from 40—18.000 cycles. P.E. 34 AM/FM tape recording and playback facili¬
turntable and
quency
Empire 808 cartridge_
response from 10-
nage
‘
fre¬
ire-
^
TOTAL PRICE.
The same with 2 Jordan Watts
y I 7U
loud¬
ties.. 2 Wharfedale 8' RSDD
speakers. Dual 101 OF turntable.
loud¬
20.000 cycles.
TOTAL PRICE .
The Some with the Armstrong 426 fully
$700 speakers complete In cabinets,
range on axis: 30—17.000 Hz plus or
frequency
minus 3 dB. 25—20.000 Hz plus or minus
total price. . $240
The same wjth Heco 2-speaker system, sep¬
.
transistorised tuner / amplifier. 6 dB also on axis. 30 degrees off axis: arate base and trable. complete in cabinets,
(Add $50.00.) 30—17.000 Hz plus/minus 6 dB $160. fully imported from Germany. Add $50.00.
R.C.S. COMPLETE
718 Mullard main
$3.20 686 Pre-amp.
amp.
$2.50
65-P12B
$2.50 DIAL KITS WHITE LETTERS.
Size 6’a x 23>ln.
722 Mullard pre-amp $3.00 723 B/c tuner EA68-5T No. 459 to match 300 pf gang.
725 Protected supply $2.50 $2.50 Price.. $4.50
DOITYOURSEIF Write for full list. Immediate despatch. Postage 10c. No. 461 to match 200 pf gang.
Price. $4.50
KITS Post 20c.
Peak
ment.
Ms.
reception,
low price. No ex¬
pensive test equip¬
Everything
1964 RF
low STEREO
MULLARD 10 X 10
_^NEW AUDIO AMPLIFIER
4 transistors.
or 1 watt.
Small size, cab¬
Transports 7. inet 3in X 2in x
Complete kit—No. 640 . . . . $43.50 watts R.M.S. lln Plastic.
Portable car radio, identical to 640 Suitable crystal
above, plus extra switch and car coil With output transistor PROTECTION. Frequency response Pi/up. Inter
etc. No. 642 .$46.00 40cy, to 30Kc, Distortion 0.5%. Treble, bass, boost 20DB. com.. micro¬
(Write for booklet on 640 and 642) Complete kit of parts No. 480C. $74.00. phone. radio,
Postage $1. Wired and tested No. 480D. $79.00. etc. (9 volt).
With hi-fi tuner, $31 extra. Freight extra. Write for details DO-IT-YOURSELF KIT 6^5. $10 (Post
10c). Wired ready for use 665D $11.50
NIW TMANfllTOi IPAIAMr KIT
MAGNETIC STEREO PRE-AMP
SIZE 3 X 2 X lln 2 req. for Stereo. COILS li IPs 455 Kc
LOW IMP. Input 2 trans. 672C $6.50 Aer, R.F. OSC. and iF’s . . $1.70 #a.
Wired ready for use. 672D . . $8 In SMv. out SOOMv. Bass and i Ferrite Aer.
HIGH IMP. sillicon 3 tran. 682C $8 treble 18 D.B. No. 700C.
$29. Wired ready for use $31.
No. 265 Universal Type OSC Coif. if! ii
Wired ready for use. 680D . . $8 Postage 30c. Pottage 10c. Write for detalla and price.
HIGH IMP. silicon $ tran. 682C $8
Wired ready for use. 682D . . $9.50
Postage 10c each. Write for data.
R ^. Q Drder bf Mall Ordar, bo$tal Note or Mofi'ep Order (odd peat.;/ direct i*
RADIO MY. HD.. 651 FORiST ROAD, DBtttY. lii.W.. 58-5491.58-5385
If you’ve got something important to say, if you direct And there Is a model for every application.
traffic, train a football team, organise a fire-fighting
TOA equipment delivers high-efficiency, long life and the
brigade, direct a construction team, air your views, start
a yacht race, make a movie, you need a TOA electronic kind of full colour sound that stretches carrying power
voice amplifier. and reliability In the most difficult conditions. TOA is
Project your voice up to a mile one of the world’s top P.A. equipment manufacturers.
TOA voice amplifiers are easy to carry, rugged, easy to TOA comes to Australia backed by the unrivalled AWA
operate, fully transistorised and absolutely foolproof. sales and service organisation. See your AWA retailer.
AMALGAMATED WIRELESS (AUSTRALASIA) LIMITED: Sydney, Newcastle, Canberra, Brisbane, Melbourne, Hobart,
Launceston, Adelaide, Perth; and also- Chandlers Pty. Ltd., Queensland, and Newton McLaren Ltd., South Australia.
732
$225
plus Sales Tax
outlawed by a new Post and Tele¬
graph regulation which prohibits the
operation of a radio station outside
territorial waters, and is thus similar
as applicable to the British Marine Offences Bill.
The Government has delayed the opera¬
tion of the new regulation until Radio
Hauraki’s application for a land-based
station has been heard by the Broad¬
casting Authority. It is known that
Radio Hauraki has made application
for the 1480KHZ frequency.
The major concern will be to find fre¬
quencies for the new stations. There
are 233 stations in operation in Aus¬
tralia and New Zealand, sharing 107
channels. Of these, Australia has 33
clear channel stations and New Zea¬
land 1, which means that 199 stations
are using 83 frequencies between them.
It looks as if the A.B.C. and Australian
Commercial Radio will have to allow
the sharing of some of these clear
frequencies with stations either in Aus¬
Exclusive Australian Distributors for... tralia or New Zealand, in order to
accommodate the proposed private radio
ADVANCE INSTRUMENTS stations for New Zealand.
However, the New Zealand Government
is confident that the problems will be
ElECTROLUBE
the hard part, ^rticularly if we wish to
preserve the information beyond the
moment of exposure. For example, in the
case of the CRO, we need a tube with
a long persistence screen.
FREEZER
TREBLE BOOST: May I compliment you
on your excellent magazine, especially in
the amount of information you have pre¬
sented relative to guitar amplifiers and
accessories. However, there is one acces¬
sory which is sadly missing—an external
treble boost unit. Perhaps you could The safer way to faster
modify your most recent guitar preampli¬
fier unit to make it fill this role. (G.W., fault finding
Mansfield, Vic.).
“NIKKA’» I WATT
TRANSCEIVERS
P.M.G. APPROVED. SOLID STATE 14
Transistor Circuit inc. R.F. Stage.
27.240 Me (Provision for 2 Channels).
Range Boost Circuit.
Up to 10 miles in open country or water.
Buzzer Type Call System.
Squelch Control.
Complete with leather carrying case.
$175.00 PAIR^
DISCOLNT SPECIAL
“KEVr KYORJTSU BUY BULK AND SAVE
MO 65 METERS, NEW New Brand Name Recording Tapes
Size: 3Vi inch, mounting hole 2V^ Inch,
and Accessories
IVi inch deep.
All plus Postage 20c.
1 mA. 5 mA. 10 mA, 25 mA, 50 mA, 100
LGTH. BASE REEL REELS PER PACK
150ft Acetate
SIZE
3in 4 for
PRICE
... $1.75
MULTiMETERS
mA. 150 mA, 250 mA, 500 mA. 225ft Acetate . 3in 3 for .... L $1.75 Model OL.64
300ft Mylar . 3in 2 for.$1.75 20,000 ohms per volt DC 8,000 ohms per
$4.50 600ft Acetate 5in 2 for.$3.25 volt.
1 amp DC.$4.50 900ft Acetate . Sin 2 for.$3.75 Measuring range—volt AC.
5 amp DC.$4.50 1200ft Acetate , 7in 2 for.$5.20 DC Voltage; (H), 3 1 10 50 250 500 1000
10 amp DC.$4.50 1800ft Acetate . 7in 2 for.$6.50 5000V at 30Kohm/V.
30-0-30 amp DC.$5.25 1800ft Mylar . . 7in 2 for.$8.50 AC Voltage: 0-10 50 250 lOOOV at 8Kohm/V
15v DC. 30v DC, 300v DC .. .. $4.50 2400ft Mylar . . 7in 2 for.$9.25 DC Current: 0-30uA 1 50 500mA lOA.
300 volts AC.$5.50 3600ft Mylar . . 7in 2 for.$13.50 Resistance: 0-5 500Kohm 550Mohra.
TAPE ACCESSORIES Decibels: —20 to +22dB, plus 20 to plus
Head Alignment Tape. 100ft on 2V>in 36dB.
CLEAR PLASTIC Reel.$1.50 Capacitance: 250pF-0.02 uF.
PANEL METERS Tape Clips Packet of 75.$1.35 Industance; 0-500 H.
Book “Tape Editing and Splicing” .45 Load Current: 0-0.06 0.6 60mA.
MRlP. IVi inch square, clear plastic, 1 inch Reel Holders. Pair.$1.00 Self Contained Batteries: 22.5V (BL-015) x 1.
round mounting hole, IVi inch deep. Tape Jockey Cloths, Pkt. Of 3 .. $1.00 1.5V (UM-3) X 2.
1 milliampere (mA) .. $3.50 Head-Kleen Tape, 225ft on 3in Reel $1.75 Size and Weight; 6iii x 4^1/5in x 2in,
500 microamperes (uA) .. $3.75 “Tape-Clean,” Cloth Tape, 3in Reel $1.75 650g.
5 amperes (A).$4.75 Head and Guide CHeaner and Lube Meter Movement Fundamental Sensitivity:
ALSO OTHER TYPES AVAILABLE. Kit.$1.90 30uA FSD.
Address Cards, 2 Sided, Pkt. Of 30 $1.40 Meter Movement Internal Resistance: 3.100-
MRIP. 144 inch square, clear plastic face, ohm + -3 p.c.
1V6 inch round mounting hole, Replacement Pressure Pad Kit .. .. $1.00
Sensing and Cuing Patches, Aluminium, Allowance: For DC Voltage range +-3 p.c.
IVi inch deep. of specified value.
Pkt. Of 50.$1.95
50 uA.$5.50 5. 10. 25, 50 Splicing Tape, >/4ln Wide. 300in .. $1.00 For DC Current range -I--3 p.c. of
50-0-50 uA . . $5.75 100, 250, 500 Coloured Leader Tape, Sin x 2Viin specified value.
mA.$3.75 Reels. 100ft. Each.$4.50 For AC Voltage range + -4 p.c. of
100 uA .. .. $5.40 1, 5. 10 uA .. $3.75 Available Separately, All Colours specified value.
100-0-100 uA $5.50 IS. 30A .. $4.50 Per Reel.$1.00 For Resistance range +-3 p.c. of scale
500 uA . . . . $4.00 15 volt d.c. . $3.75 length.
Splicing Tape, V4in x lOOin.50
I mA . . . . $3.75 30 volt d.c. . . $3.75 Head Cleaner.$1.00 For Decibel Range +-4 p.c. of specified
I-0-1 mA .. $4.00 1000 V a.c. .. $4.50 value.
Head and Guide Lubricant.$1.00
“S" Meter ( 1 mA, f.s.d.) cal. 0-9 (with Recorder and Phono Drive Oil.75 PRICE; $19.75
additional scale in 10 db. steps over S9). Non-Slip For Tape and Phono Drives $1.00
$5.25. PHONO ACCESSORIES TRIO COMMUNICATIONS
“VU" Meter, scale; minus 20 to plus 3 3 — Hi-Fi Stereo Record Cleaning RECEIVERS
VU (0 to plus 3 VU in bold red arc). Qoths.$1.15 Trio Model 9R59DE, four bands covering
Accuracy: within plus or minus 0.5 db, at Record Jockey Qoth.75 540Kc to 30Mc, two mechanical filters for
O VU. Record Cleaning Kit.S2.50 maximum selectivity. Product Detector for
$5.00 Stylus Microscope.$3.00 SSB reception. Large tuning and bandspread
Stereo Balance Meter (1-0-1 mA f.s.d. Gauge Stylus Pressure.$150 dials for accurate tuning. Automatic noise
$4.50 limiter, calibrated electrical bandspread. S
Also other types available. meter and BFO. 2 microvolts sensitivity for
MR3P 3 3-8in square, clear plastic face, DISPOSAI.S SPECIALS 10 db S-N ratio.
244in round mounting hole, I'/iin deep: TV TUNERS, M.S.P., Incremental. BRAND $175.00
NEW, COMPLETE WITH VALVES.
50 uA.$7.00 50-0-50 uA .. $5.75 6ES8 and 6U8. TRADE-IN ACCEPTED
100 uA .. .. $6.75 15 volts d.c. . $5.75 PRICE: $5.50.
500 uA . . . . $6.50 25 volts d.c. .. $5.75 100 Assorted. V4 and Iwatt Carbon, Resis¬ MAGNETIC CARTRIDGES
1, 5, 10. 25, 50 tors. Good Selection. AL POPULAR TYPES. CM500 Magnetic Stereo Diamond, 4
100, 250 and 30 volts a.c. . $5.75 mv at 1 KH2:, 20-20,000 c/s 3 grams
$1.75 PKT.
500 mA .. $5.75 “VU” Meter . $8.25 PACK of MICA Washers and Grommets. tracing weight.$8.25
P25 2L4 inch square, clear Plastic face, 25c Spare Stylus.$5.00
2 1,^8 inch mounting hole, 44 inch deep. 50 ceramic. Disc. Ceramic, Paper, Mica and MC/Magnetic Stereo, .7 mil. Diamond
Polyester Capacitors. 6 mV at 1 KHZ. 20-21,000 c/s, 2
50 uA . . . . . $5.75 15 volts d.c. .. $5.50 $1.75 PKT. grams Tracking Weight.$9.50
100 uA .. $5.75 25 volts d.c. . $5.50 AUDIO TR.ANSFORMERS, A. AND R. Sparc Stylus..$6.20
500uA .. $5.25 TYPES
1. 5, 10. 20. 50 500 volts a.c. $5.50
Primary 8000 C.T.. Ultra Linear. 43 p.c.
250 and 500 “S“ Meter .. $5.75 TAPS. 10 WATTS. Secondary 2, 8, 16
mA .... .. $5.00 “VU" Meter . $6.50 ohms.
$7.50.
6600 Ohm/4500 ohms. Push-Pull, 40 WATTS.
INSTRUMENT CASE Secondary 500, 250, 125, 50 ohm.
PRICE: $10.00.
Primary 10,00 Ohms/8000 ohms. Push-Pull,
Secondary: 2, 4, 8, 15 ohms, 15 WATTS.
$5.50.
2558 Primary 10,000 ohms, single Ended,
Secondary 2, 3.5, 8, 15 ohms.
5 WATTS $4.00.
RECORDING TAPE SPECIALS
Unboxed SCOTCH Brand, NEW CLOSED CIRCUIT TV SYSTEM
GUARANTEED, CAMERA T\pe CA-6V, including Standard
2 REELS, 900Fr, 5 inch, Polyester base. 25mm lens and 10 yards of Video Cable
$3.95, with Connectors.
2 REELS, 1800FT, 7 inch, Polyester base, SPECIAL PRICE: $285 Inc. Tax.
Sloping $7.75. VIDEO MONITOR 8 inch Type PM81V,
Plastic case, TRANSISTOR DRIVER TRANSFORMERS, $124 inc. Tax.
71/4” X Type AMT-208, Primary Impedence, 5000 VIDEO MONITOR 12 inch Tvpe PM I21-V
Suitable radio, test ohms. INCLUDING AUDIO STAGE $150 Inc.
Secondary Impedence: 1500 ohms X2 Tax,
Price 75c or 3 for $2. VIDEO MONITOR 16 inch Type PM-162-
BARGAIN PRICED NEW VALVES. VA. $145 Inc. Tax.
• Many thanks for the information, I number of letters are returned to us ' Address. I
T.P.W., which we are publishing for the I each month because the original I I
benefit of the original questioner, plus I address was incomplete or flle^le. I I
other readers who might be interested. fcitiiiiiiiiiniiiimiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiMiiiiiiiiiiiitiiniiiiiiiit
Deitch Bros.
MINIATURE CRYSTAL Post, N.S.W. 30c; Interstate, 40c.
EARPHONE
With Cord and Plug, 75c. Post 4c. CO-AXIAL SWITCH
70 ohms 4 positions,
can be motor driven completely
16FT. WHIP AERIALS
6-Piece, brand new, $5.75. 60c
waterproof 70 ohms type con¬
nectors. Housed in metal case 9in 70 OXFORD STREET. SYDNEY, 2010
cartage to rail. Freight payable at X 8in X 8in $5.00 each. Post
nearest attend^ railway station. N.S.W 70c. Interstate $1.20. SORRY. NO C.O.D.
/ID”
'o
ENGRAVED
arc that matches the armature radius
and are anisotropic, or aligned, for
SIMUIATION-Continued
radial magnetisation. The permanent
magnet replaces the wound field, re¬ “monkey wrenches” are dropped by the
ADVERTISING
INDEX
□
A & R Transformers Pty. Ltd.^ 140
A.C.E. Radio.142, 143
o Adcola Products Pty. Ltd.^§7
Aegis Pty. Ltd.135
JO Agfa-Gevaert Ltd. 14
CD Akal Electric Co. Ltd.^56
Amalgamated Wireless (A’sla) Ltd. 148. 159
> Amalg'd Wireless Valve Co. Pty. Ltd. . . 10
r Arrow Electronics Pty. Ltd. ^93
w • Astronics A'sla Pty. Ltd. 32. 118
Atram Pty. Ltd. 11§
Audio Engineers Pty. Ltd. 100. 122
Aust. Radio and TV College Pty. Ltd.
□
Outside back cover.
R
<T) Brashs. 113
Bright Star Radio. 157
Broadway Electronics Ptv. Ltd. . . 74. 75
Broadway Electronics (Sales) Pty. Ltd. 2. 3
> Broughton. Peter G.159
z Castle Records. 139
H Chapman. Maurice and Co. Pty, Ltd. . . 84
W Charmac Pty. Ltd. 72
D Classic Radio Service.90.
Classic Tape Recorders.
91
111
Classified Advertisements. 159
Clostock Electronics. 73
□
Convoy International Pty. Ltd.'.. 140
> 5 Cunningham. R. H. Pty. Ltd.132
C X
c?d Decca. 106
QO 3a
Deitch Bros.156
JO
w
(tD 0
a E. D. and €. (Sales) Pty. Ltd. . . 52. 53
> E.M.I. (Australia) Ltd.122
a Encel Electronics (Stereo) Pty. Ltd. 19
w
JO
5’ 1 t?d Foot. Richard (Aust.) Pty. Ltd. 153
□ Rr
\
Q
Heatinug Systems Rty, Ltd.
Hodges Sound Systems.
Homecrafts Pty. Ltd.110
158
51
5< 2*
Indeva Pty. Ltd. 137
o
c/5 cw
international Correspondence Schools
IRH Components Pty Ltd.
. ■ 124
24
Photoronic. 85
'^ELECTRONICS Austx-alia** Plessey Pacific Ducon Division. 40
The Circulation Manager, ELECTRONICS Australia, United Radio Distributors Pty. Ltd. . . 35
United Trade Sales Pty. Ltd.121
Box 2728, G.P.O., Sydney, 2001, Australia. University Graham Inst. Pty. Ltd. 42
(Please use cheque, money order, elc. Do not enclose cash) Zephyr Products Pty. Ltd.. 22
I I 1. Music Is mainly of interest to me as "background", and I enjoy It as such, but do not pay strict attention or wish to
spend more than is necessary for the "background" effect. (1,2)
_ 2. I listen seriously to the melody, rythm and general form of the music, but I am not a hi fi enthusiast. (3,4,6,7,12)
_ 3. The texture and detail of all instruments and their correct realistic reproduction, is most Important for my complete
enjoyment of music. (5,8-12) _ _ _
I prefer music played soft [^medium Qvery loud. Room size, in feet, is approximately] |long| |wide| |high.
Please ask for further details from your hi-fi dealer or write to us direct for free literature.
G.R.D. INSTRUMENTS Pty. ltd.. 6 Railway Ublk. Camberwell Uc. 3124. Tel. 821256
Printed and published by Sungravure Pty, Limited, of Jones Street, Broadway, at Morley Avenue, Rosebery.
THIS
FREE BOOK
COULD BE THE
TURNING POIN
IN
YOUR CAREER
_ ____ ■ ■ ■
Printed by Sungravure Pty. Limited, of Jones Street, broadway, at Morley Avenue, Rosebery.