MAPEH SOFA SYLLABLES:

LESSON:MUSICAL NOTATION

TYPES OF CLEF

BASS CLEF
(F-CLEF)
LEESON:NOTATION
TREBLE CLEF
(G- CLEF) NOTATION-method used to read ang read music
intrumentaly or vocally
PARTS OF THE STAFF:
DOTTED NOTES:

TYPES OF NOTE AND REST

LETTER NAMES:

TIME SIGNITURE:

EXAMPLE:

LESSON:ELEMENTS OF MUSIC

ELEMENTS OF MUSIC- an art of sound in time

that expresses ideas and emotions in significant
forms through the elements of rhythm, melody,
harmony, and color
THE ELEMENTS-music has its own languange  DYNAMICS-signifies the degree of
called the elements of music loudness and softness in a piace of
music
 PITCH- degree of highness or lowness of
-CRESSENDO(<)= dynamics
a note
-DECRESSENDO(>)= markings
 MELODY- succesion of high and low
sounds and combination of pitch and
rhythm
2 types of melody
1.CONJUCT- easier to play
2.DISCONJUNCT-disjionted or jumping
or large few leaps(gaps)
 RHYTHM-pattern of sounds and silence
with combination of long and short
sound- element of “time” in music
rhythmic pattern
-BEAT- a steady and regular pulse we
hear in music LESSON:HISTORY OF WESTERN MUSIC
 TEMPO- indicates how fast or slow a
MUSIC OF MEDIEVAL
piece is to be performed
MEDIEVAL PERIOD-middle ages or dark ages ,
CARGO VERY SLOW
roma empire , kingdom , strong army,
ANDAGIO SLOW
civilazation, king anf queens ,architectural
ANDATE WALKINF PACE
styles, greek/myths , christianity , war/ battles,
MODERATO MODERATELY
beliefs
ALLEGRO FAST
PRSTO VERY FAST Medieval Period Middle Ages ог also that
PRESTISSIMO VERY VERY FAST started with the Roman Empire. known as Dark
VIVANCE VERY FAST AND Ages the the fall of During this the Christian
LIVELY Church time, the influenced and political
 HARMONY-supports melody and a europe's culture
combination of two or more miscal
notes sounding together These periods saw thw rise of Sacred and
-DISSONANCE=harsh sounding secular polyphonic vocal writing and star of
-CONSONANCE=smoothe sounding instrumental music
 TEXTURE-refers to the number of layers
Sacred =religous Song
used in a composition
-MONOPHONIC=one melodic line there Secular =Tradition song / Folk music
is no accompamment or harmony
Each period has own its historical and Cultural
-HOMOPHONIC=2 or more notes
background and characteristics
sounding together it can be performed
with a soloist and an accompaniment ELEMENT DESCRIPTION
-POLYPHONIC=2 or more independent PERFOEMANCE primary vocal;
melodies performed alternately instrument were
used to accompany
 vocal lines -originated in france
RHYTHM No regular beat
-written in french languange
MELODY Small melody
intervals sacred -the music they played was secular or one that
melodies often based was not bound by of the church
on church models
HARMONY Mixture of - most trouverse was adam de la halle. He
consenance and composed one of the oldest song,la jen de robin
dissonance of de marion
TEXTURE Monophonic texture;
thick sound -adam de la halle was a french, poet, musician,
composer, and trouverse . he was known for
the uniqueness and versatility. One of the
INSTRUMENTS USED: oldest secular composer
1.Flute 2. Lyre 3.lute MUSIC OF RENAISSANCE PERIOD:
4. Mandore 5.gittern 6.zither - Come from the word renaite which
MUSICAL STYLE OF THE PERIOD GREGORIAN means “ rebirth- revival ang rediscover”
CHANT: this period of looking back to the
golden age of greecenanf rome “golden
-form of unaccompanied monophonic song use of polyphony”
used for the western catholic church
ELEMTNTS CHARACTERISTIC
-plain chant/ plain song RHYTHM Gentle flow
MELODY Easier to perform
-free flowing
moving along a scale
-hexachords can be sung using 6 note pattern with a large few
CDEFGA leaps
TEXTURE Polyphonic texture
Organum:multi voice dabortion of gregorian imitation among
chant voices
HARMONY Greater concern with
Gregorian- traditionally sung by choirs of men flow
and boys WORDS AND MUSIC Vocal music was
Neumes- an early form of music notation from morimportant then
which the modern four four line anf five line instrument
staff developed
2 TYPES OF RENISSANCE:
Troubadour/troubaclour music(entertainment)-
during the latter part of the medieval period, 1. MASS- is a form of sacred musical
secular music which was not bound by catholic compoition that setd text of the
ecicharistics liturgy into music
-ussually monophonic
CHARACTERISTICS:
-somethimes improvised accompaniment

-tells of chivarly anf courtly love

 Polyphonic- maybe sung accapella or with
orchestral accompaniment text maybe
neumatic and malismatic
SYLLABIC( one note set to each syllbale)
-most famouse composer of secular music in his
time
- he was a siner in the local cathedral during his
childhood(FIRE FIRE MY HEART)

NEUMATIC(a few notes set to one syllable) MUSIC OF BAROQUE PERIOD:

MELISMATIC(many notes to one syllables) -Over-decorated church architecture

FIVE MAIN SECTIONS OF MASS:
2. Kyrie (Lord Have Mercy)
3. Gloria (Glory to God Highest)
4. Credo (i believe in one God)
5. Sanctus and Benictus (Holy, boly and
Blessed He)
6. . Agnus Dei (Lamb of God)
2.MANDRIGAL-Secular vocal polyphonic
music composition which originated from
italy written and expressed in a poetic text
and sung during courtly social gatherings it
is the most important secular form during
the renaissance period.
- The word Bareque from is derived the
portoguese word- barroco which heaus pearl of
irregular shape
-the arts highlighted granddose and eleborate
orramentation.
Early Baroque(1600-1640)
-Use of homephonic texture with chordal
accompaniment
Midde Baroque(1640 1680)
-Importance instrumental music
-Violin was i the most important instrument

CHARACTERISTIC: Late Baroque (1680-1750)

-polyphonic --Use polyphonic texture

-sung a accapella -Equal mportance to both vocal and music

instrumental music
-througn composed
RENISSANCE BAROQUE
-frequently in 3 to 6 voices TEXTURE Imitative New
polyphonic monodic or
COMPOSERS:
solo style
Giovanni Pierluig de Palestra polyphonc
MEDUIM A capella Concerted
- Greatest of Composer and majority of his vocal music music
composition are sacred music(Pope Marcellus SECULAR Madrigals Opera
Giovanni's) VOCAL MUSIC
PREEXSINTENC Existing Work are
Thormas Morley T WORK melody used freely
- Was born Norwich, East England as the basis composed
of
-. He was 18 in the local cathedral from his polyphonic
boyhood and he became master of chorist there composition
in 1583. SITES church Public
theaters
CHARACTERISTICS: from single brief tune to Strong musical
character
Melodies sound elaborate and ornametal
MUSIC COMPOSERS:
Melodies are not easy to sing or remember
Antonio Lugcio Vivaldi (" The Red Priest") Italian
dyromic contrast- alternation between Loud
baroque Composer, Catholic priest and a
and soft Hapsichord and organ are the keyboard
virtuoso vionalist. "Four Season (Spring,
instruments. that are commonly used
Summer autumn and winter)
The musical genres / forms of the Baroque:
George Friedrich Handet Second Son from the
Vocal forms in single movement: pastor second marriage. George secretly taught
himself to play harpsichord. 7 years old when
1. Aria - melody Sung an by a soloist in an he gained access to a church organ anf started
opera aonetario or Cantata to play a duke insted on giving him a formal
2. .Recitatives - type of dronatic writing for music education “MESSIAH”
voice that lies between ordinary
speech and pure singing.
3. Chorale- musical Compositions that
resemble a harmonized version of
hymnal tunes of the Church during the
Baroque era

Vocal forms in multiple movements:

1. Opera - music drama that Compasses

large scale and involves the
combination of instrumental music,
singing, acting, costume, and scenery
2. Oratorio a large scale musical
Composition for orchestra and voices
that barratives incorporates religous
themes.

Instrument at Form in single Movement;

Concerto A Form of orchest - tral music that

employs Solo instrumental accompanied by an
orchestra. (17.50-1820)

Concerto Grosso- a Form of orchestral music

during the Baroque Period wherein the music is
bewtween a smal group of solo
instruments(concertino) and whole orchestra
(tutti)

Fugue- a Contrapuntal piece, develop mawly by

imitative counter point The piece grows mainly