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B OO K O F SI MP L E D EL I G HTS

By th e Sa me A
uth o r.

SEC OND E D I TI ON . Cro wn 8vo , 65 .

y
Here we
o
h a ve
d
a series o f l m preasi o us o f o u ntr li e i n

Mr Ra m nd s mo at a m ira bl e ma nn er He l ive —o r
'
'
cd y f
f
h
d
. .

h e re esents i msel a s h a vi n li ved— fo r se vera l m o n th s a t


f
W Ha zel
ow
l uc kn u t, th e eli g h t u l n a m e
d

an 0 cot e in ve,
f
d
a mi st a l a n
f
d so ce m es a w a
.

h
d h
ed. t a t a l l t e
ro m a n yt
a rms
n , a nd si tua te
of
si m i s

oh c p c hd
l i e la yw i thi n ea syrea c h Ba rren m o o rla n c i rc l it

w
.

ye t b t o rn a nd a sture en ri e th e va ll e be o n d, a n d

c p p y d h
l ea sa n t mea do s s ki rted th e ri ver a l o n g th e o o t o th e il l

wwh o
.

l ist th e tta g e re a ri ng h e sta e a t th e Ro se i n


f
ho
c
,

l u n e

ere m i n e s t w a s M a r ti n Ch e dse H e h i s w i e,
of
oy y d
, .

a n d th e o ma n w h o did fo r th e te na n t t e o tta e. a re a s
enj
h
p d d p h
a bl e a s a n yrusti c s t a t Mr R a m o n
us. a n d t i s i s no mea n
y p hy
h as ever
ra i se Th eya re tru e m en a n d w o m en ,
a w n fo r

y o d h w h o d ho p odop dy h ppy
.

a n d a re re ro u c e to th e lif e i n l i tera r t o g ra
. Mr .

R a m n is a n ea r n ei g b u r o f Mr T ma s ar a
is rura l So u t -
estern Engla n to h a ve r uc ed two su e

L O ND O N : HO DDE R STO UG HTON


HE BO O K O F C R AFT S

AN D C HAR AC T ER

a m oa or
W

m
AL TE R R AYM O ND
so o n o r arm s nm o ms .
"
n o on u m Jo a n,
"

"
TR YPB EIIA n: no va ,
” “
rwo mm o
'
tru mp ,”
r rc .

H O DDER A ND STOU G H TO N

LO ND O N M C M VI I
Th u essay: a nd sketc h : km W as deta c hed pa per:

em w w m d 1 w fik b tw ¢di tm

W
in ba s , th d
Th e Spec ta to r, Th e estmi nster Gazette , Th e Tribune ,

Th e Da i l yM l ai , a nd yL
Co untr ife f or erm i ssio n
p to qfi r
C O NT E NTS

PM !

AN OLD STONE C RAC-


K ER

O NE OF TH E O LD S O RT

mt SHEE P

AR M“
F J OH N UCB K

WTRA
T O MP S

THE H URDLE MA K ER
vi B OOK OF CRAFTS AN D CHAR ACTER

YO UNG BOB PATTI MORE

NOA H ri m , wu nnnwmc m ‘

ru m STRA ER
PP

THE D ROVER

TRANTER LUC KSTONE

THE O LD A
PO C H R
E

A GA MEK EEP ER

THE CAR ER
T
C ONTENTS

THE SNA L MERC AN


I -
H T

AN OLD PR OJI C KER

THE O LD MO LE A
C TCH ER

X III
V

TH E TR U FF LE HUNT E R

SO L P R I DD LE , TH E D E L A ER

LO RD HAMMER DO W N

H ED NG AND D
GI ITCHI NG

THRESHI NG
v i ii BOOK OF CR AFTS AND CHAR ACTE R
XXIII
BI R D CHARMI NG
-

THE OL EST I N HA ITAN


D B T 20 7

AN OTH ER MI LLER S DAUGHTER



.

XXVI
CI D ER MAK I N G
-

XX II
V

AUTOLYCUS ,
1 900 AD

XX III
V

OVER A PA I R o r B EL Lo ws

XXIX
A SMALL HOL D ER

! ! !

MY NEI GH OUR B , MR S . SI MON G AL L I NG HAM


AN OLD STONE CR AC KER
-
AN O LD STO N E CRACK E
-
R

RACK ! C ack ! C ack !


r r

Seated upon h i s heap on the sward beside


th e ro a d old Mark L ucas the wayside stone c racker
, ,
-
,

wa s a t work .

Crack Crack l
Then came a pau se whil st he rolled down an ,

u nbroken stone and arranged it conveniently between

h is feet ; and soon sharper and fierc er than before


, ,

the blows began again .

S uddenly a s I drew near down came the pattering


, ,

ra in
. He threw aside hi s ham mer and hobbled into
th e ditch to shelte r u n der the hedgerow unti l the
cloud had passed .

Come an stan dry u nder the holmen bush he


’ ’
-
,

shou ted to me with a merry wheezy little chuckle


, , .

DO happer down an no mis take But th ere ti s but


’ ’
.
,

a shower an t ull zo on be over
,

.

I stepped over the old hu rdles se t up to keep h is ,

chips and flakes from flying into the road and over ,

the hea p o f sharp edged newly crack ed stones to


-
,
-

a c cept the h o s pitality o f hi s gli stening holly tree -


.

s
4 BOOK OF CR AFT S AND CHAR ACTER
The o ld man had many a time awakened my pi ty ,

a s he hobbled by th e aid o f two stick s from h i s


, ,

cottage with th e ivy and th e straggling rose bu shes -

to h is square pile o f flints I looked upon him a s .

the castaway o f agricu ltu ral labo ur abandoned in ,

dec repitude to a precariou s ignominy His face wa s .

wrinkled and crea sed S omething like a tear h u ng


.

hesitatingly in h is watery eye H is coat made fo r .


,

another man wa s green with age and cheq u ered with


,

pa tches He w a s ben t and h is limbs were c rooked


.
,

with rheumatism Yet fo r need o f a shilling u nless


.
,

the rain were heavy and incessant day after day he ,

migh t be fo und sitting on h is heap .

His heap wa s not always in the same place .

L ast autumn when th e maple bu shes in the hedge


,
-

rows were the colou r o f o l d gold and th e las t full ,

blown honeysuckle reluctant to be picked shed i ts


, ,

petal s at a touch he wa s in the lane Be fore winter


,
.

he had drawn down to the co rner where nettles g row ,

rank amo n gst th e c rumbling s tones o f th e di su sed

village pound And th ro u ghout th e spring mating


.
,

finches and returning mig ran ts sa w him daily nea r ,

the fing er post at the fo ur cross roads upon th e


- -
,

waste between the highway and the di tch It w a s .

here I interviewed him u nder h is holly bu sh -


.

A carpet thickly bestrewn with golden cela ndines


lay benea th o u r feet We sa t u pon a dry sandy
.

ban k cu shioned w ith prim roses and S prinkled h ere


and there with purple violets S u nligh t l it up the .

distant hill s in patc hes and a ra inbow arched ,

the sky spreading its many colou red sca rf to hide


,
-
AN OLD STONE CR ACKER -

the frowning storm A robin came a mongst th e .

p rickly leave s a l mo st within a rm s reach cocked h i s



,

hea d peered a t us inquisi ti vely and sang Earth


, , .
,

hea ven bl u e sky and dri fti ng cloud fresh green leaf
, ,

a n d slan ting s ilver rain s miled upon each other wi th ,

unmixed delight E ven the pa s sing wind la ughed


.

within i tse l f a s it pel ted heavy raind rops again st the


Open ing buds
,

G reat G o d ! I said in my hea rt an earth so ,

beau ti fu l could never have bee n mea n t to be a home



fo r po verty .

Fo r q u i te a long time I had pitied that poor man .

Yo u a re o u t in all sorts o f weather said I by



,

way o f making a beginning .

The old man chuckled once more Hi s head .

sho ok Hi s grey eye sh ed i ts frau dulen t tea r and


.

industriou sly began to form another .


I can t abear to be within walls I never couldn

.

.

Zo zoon a s I be up I do wan t to be o ut Zo zoon a s , .

I be in I do want to be abed Must be terr ble bad ’


.
,

wea ther to pen I u p No mis take . .

B u t don t you take harm from getting wet P


The chuckle grew in to a laugh .

The old man dre w him sel f u p and be gan to be


bo astful .


Why I ha n t n ever a been bad in my li fe o r not -
,

si n ce I wu r a chile An now I be ha rd u pon vower



.

Never zick no r zo rry A n I ve a ha d hard


’ ’
sc o re . .
-

ships to o We bro ught up ten 0 em ze bem bo ys


.
’ ’
,

an

d ree maids bu t they all wen t away h erevro m
, .

Nothen po n earth ud do bu t the town They do


’ ’ ’
.
6 BOOK OF C R AFTS AND CHAR ACTE R
get there 20 easy now When I wu r a bo y I did .
,

now an again drive stock to a m a rket o r a fai r bu t


that w ur all B less thee ! A man u d take no more


'
.


thou gh t n o w to go to the world s end

.

Ho w did th e boys get o n


Wonderfu l well You zee I wur a man did .
,

always take a pride in myze lf I wur a ca rter too . .

20 I taught em always to take a pride in th ei rzelves



.

A n they we nt yo u ng to o n e place an t other a n


’ ’ ’ ’
, ,

lam ed trades an g o t o n They be all well o ff Heart ’


. .

alive 1 Tho ugh yo u do zee I a zo t pon a stone hea p -



-
,

I ve a g o t no c all to work They be willen eno ugh



-
.

to keep I B u t I do take that pride in myze l f I do


.
,

zay 20 long a s I can c rawl I ll c a m my own victu als ’


.

A n I shall to o Fo r I do know i n my hea rt wh a t



.

t u ll be One week u nder th e roo f Next week


’ ’
. .

under th e chu rchyard so d .

He g o t u p stepped from under h is hol men bu sh


,
-
,

and looked around a t th e sky .

R ain wa s still falling though not so fast But a , .

heavy cloud and a grey slan ting shower were coming


u p u pon th e wind and he came b ack , .

My mind do harbour but o n e fear said he doubt ,

fu lly shaking h is head


,

Things do mo ve 2 0 quick .

n owadays I be most terr ble afea rd th e time u ll ’ ’


.

come when there w u n t be no more stone cracken -


.

They do crack em by steam now at th e stone ’


,

q u a rr a n haul em

down
, w i a trac’
tion engine I do ’ ’
-
.

thi nk myzel f tha t things do go to o fast 0 late years


Change po n chan ge I do seem do keep th e world


.


, ,

all pon edg e a n in wonder I do think myze l f did


’ ’
.
AN O L D STONE CR ACKER
ou ght to be stopped L e t em haul em down whole .
’ ’

i f they be a minded an then le t we crack em That ’ ’


-
.
,

did o u ght to be made a law by Ac t 0 Parliamen t ’


.

B ut lawk i They ve a got no ti me the re vo r nothen



-

no sen se There s to o much s tea m an hu rry now


.
’ ’
,

master Wh at do yo u th ink
.

A sympa th etic con demnation o f the e ncroachments


o f steam upon the stone c racking ind u stry raised me -

in h is estimation .

A h ! Th ere u l l be no road a ide cracken in yea rs



-

to come lamented he with th e earnestn ess o f a


,

true seer .

I tried to lead h is min d away fro m thi s melancholy


c on c lu sion .


I su ppose th e stea m cracke r and th e engi ne cost -


a good bit in labou r both to make and work I ,

s u gges ted A n d a s yo u sa y yo u r sons have done


.
, ,

well el sewhere .

He only shook hi s head again .


I do think stone cra cken ought to be kept u p fo r -

the sake O the vew that can t turn their han to


’ ’ ’


n o then else said he T u ll be a bad thing fo r the
,
.
’ ’


coun try when that do die out .

We let th e matter d rop .


I suppose if you cou ld be twen ty ag ai n yo u would

go to th e town to o , .

His face l it u p w i th excitement .

B less thee no maste r I do love th e open a i r to o


, ,
.

wel l L et I have th e sky over my h a t Tis well


. .

en o u gh may be w i a trade in a town B u t I could


, ,

.

never ha stood all day long in a work shop a i x days



8 BOOK OF CR AFTS AND CHARA CTER

o the wick No master Whe n I wu r young I wu r



.
, .

a man yo u cou ldn put o u t 0 place in a manner 0 ’ ’


,

spea ken I wu r one o the wold fashioned sort



. I -
.

could plo ug hy an mo wey an re a py an milky an ’ ’ ’ ’

make a rick o r lay a rope O hedge w i any man Yo u ’ ’


.

zee I took that pride in myze lf I always did I do


,
. .

I always sha ll An that s why I do come o u t


’ ’
no w . .

an crack a ve w stones n o t to be beholden to a ny



,

beddy no t even my o wn boys


— They d keep I in ’
.

ea se— vree a s a sq u ire i f I did allow em A n th at s ,



.
’ ’

why I do think the stone cracken ought to be kept -

up — a o that a wold man past other work can carr


home a sh i l len o r s o to h i s wold o o ma n an take a ,


pride in h i szel f NO no master G ie I th e open a i r


.
, , .
,

fo r all th e ra in I do love the fields an th e bea ste s



.

an th e zu n an th e rain a y an theas here heap o


’ ’
, ,

-

stones a l l 2 0 well

, .

The rain had c eased He g o t u p h i s little round .


,

cu shion in one hand h is hammer in th e other to , ,

hobble back to work By th e side o f th e hurdle he .

stopped fo r one word more .


One 0 my boys is in an office Ah ! He wu r

.

a lway s a beau tifu l s cholar he w u r B u t massy pon ’


.
, ,

u s mas ter avore I d zi t ho u r a te r hou r an bide an


’ ’
, , ,

sc ratchy pon paper wi a pen I d


’ ’ ’
,

Finding n o word to express i t he lau ghed outright ,

a s he wen t me rrily on wi th h is c racking .

A nd I had pi tied that poor man

Toward d u sk when I g o t ba ck to th e village


, , th e
old stone cracker wa s hobbling homewards down
-
th e
AN OL D STONE CR ACKER -

street and in the Open doorway o f hi s creeper covered


,
-

cottage sto o d a n equally wrinkled woman expecta nt ,

o f hi s approach They made quite a touching pictu re


.

in the fading evening light .

My neighbour Mrs S imon G a l li ng h a m a la dy


, .
,

noted fo r h er intelligence and a remarkable gi ft o f


co nversation wa s by h e r garden gate pulling a bunch
,
-

o f lilac and I stopped fo r a word


,
.

I had quite a long tal k with that old chap to



day said I
, He is a very indepen den t old boy
. .

Independen t Mark i s very well o ff He brought .

u p h is son s most res pe ctable and now they do help ,

h i m— a n nothen but right explained sh e in h er sha rp


’ ”
,

instru ctive manner .

No He told me they were willing enough ; but


.

i t i s h i s pride to earn h i s c ru st fo r him sel f He won t ’


.


take anything o f them .

Mrs S imon G a l li n g h a m laughed


. .


H i s old woman will said sh e , .
ONE OF THE OLD SORT
O N E O F THE OLD SO RT

US AN J A NE S P R A CK I TE R wa s a wonder

fu l woman .Everybody round about Hazel


grove recog nise d in S usan Jane a meri t so ra re that ,

it placed h er in comparison with commonplace


huma ni ty a s one in te n thousand Sh e wa s said to
.


be th e last o f the old sort That wa s praise
.

enough in Hazelgrove I rreli g ion had never ye t


.

fou nd the hardihood to question the vi rtues o f the


old so There fore i f any person in company ev er
managed to raise a laugh a t the expen se o f S u san
J a ne there wa s always another si tti ng by to look up
,

and a sk Ah ! bu t whe re can you set eyes pon


,

an othe r like sh e ?
Yet S usa n Jane wa s not so al together fai r that it wa s
a temptation to look u pon h er Her nose wa s short
.

a n d sha rp a s th e projecting corner o f the figu re 4 .

Her upper lip wa s long and the mouth under


,

nea th took the shape o f a butter boat S usan J ane s


-
.

cheeks bore frec kles a s big a s parsnip seed s and -


,

the y appea red to flourish better still on her high


cheek bones Her hai r wa s th e colour o f the mari
-
.

is
14 BOOK OF CRAFT S AND CHAR ACTE R
gold and h er O ld sunbonnet a s white a s snow that
,

h a s lain o n th e ground si x weeks O f a working day .

S u san Jane S pra c ki te r wore h er skirt fu ll sh o rt and ,

the boots below were but a humorou s disgui se fo r


fee t .

I t wa s fo r moral beauty alone that S u san Jane


S pra c ki ter wa s remarkable .

L e ft a widow wi th five s mall child ren sh e turn ed .

to and fa rmed th e li ttle holding o f thi rty ac res in a


,

s tyle that wou ld have done c redit to any man .

Morning a nd night sh e wa s to be see n about th e


place bringing h er seven cows down the lane to be
,

milked a hay fork across h er shou lder carrying fodder


,

to the sta ll s o r a b u cket in hand taking the skim


,

to th e ca l ves in th e barn Nobody cou ld g et th e .

better o f h e r at a deal and it wa s known by a ,

hu nd red li ttle significan t sign s to be recogn ised only ,

by ru ral neighbo u rs that S usa n Jane wa s doing well


,

and saving money Yet d u ring th e years o f h er


.

hardest struggle times were notoriously ba d and ,

many a man who had been we ll to do wen t to the - -

wall To be sure a s everybody poin ted o ut S usan


.
, ,

Jane had most wonderfu l l u ck That sh e wa s in .

dustri o us and care fu l none cou ld deny S h e coul d .

d rench a bullock a s well a s any farrier and did ,


.

S ill he e
t t r i s su ch a hing a s l ck a nd no ma n living
t u —

can go again st i t S o a l l th e others said when they


.

did not get on .

B ut S u san Jane did not rely enti rely on hard work .

Sh e neglec ted none o f the li ttle precau tion s and


pious rights dea r to the old sort On h er stable .
ONE OF THE OL D S O RT
door sh e n ailed a crescent horseshoe ; a nd if a ny
neighbou r who chanced to come i n were foolish
enough to tempt death into th e house by putti ng
down the bel lows o n the kitchen table S usan Jane

W
-
,

did no t forget to s peak .

hen ba king day came round and sh e mixed u p


-

o n e ha lf o f h er flou r ove rnight a n d t in the h arm


pu
-

acc ordi ng to the best o f h er judgment— fo r S u san


Jane had judgment— she never fail ed to draw two
hea rts a n d a c ri ss cross on the sponge with h e r
-

two fo re fing ers to make i t ri se well and be ready in


,

th e morning .

A n d when sh e had a bushel o r so o f malt to brew


and had sw i lled o u t the wash tub and po ured out th e
-
,

boiling w ater and waited till sh e could see h er face


,

in i t and steeped th e malt th en before sh e covered it


, ,

up w i th th e sack sh e alway s d rew the same s ign

o n th e mas h .

An d although S usan Jane when she so d , a bed


o f onions o r other garden seeds never failed to pu t

down stri ng and feathers to frighten o ff the bird s ,

sh e always drew the same figu re on th e soil to

preserve it from something w orse .

Fo r these reasons no woma n who eve r wore o u t


sh o el ea th e r could bake a be tte r batch ; and th e last

loaf when i t wa s a fortnight to three weeks sta le did


, ,

ea t a s everybody knew verily and truly a s sweet a s


, ,

a h lbert As to the brew although the beer might


.
,

now and again ha ve a fu nny smack to it with ever ,

so little a thought o f a soapsud where could you find


,

a drink more whol esome It wa s ever so much


16 BOO K OF CR AFTS AND CHAR A CTE R
better than so much tea And i f S usan Jane did se t
.

the child ren to weed th e garden plot a s soon a s ever -

thei r fingers were big enough to go round th e neck o f


a groundsel that did n o t accoun t fo r a l l What
, .

good c a n work do unless yo u have the forethou ght to


keep o ff the evils th at no living soul can work
ag a inst P
S O everything wen t well The children grew u p
.

st rai gh t and strong and S usan Jane wa s very


,

p a rt icula r to send the m o ff in time fo r s choo l S h e .

wou ld go down to th e gate also wi th a little stick ,

tucked under h e r apron to stand in o u t o f s igh t until


,

sh e found hersel f in a pos i tion to attack th e rear o f

any loi terer o n th e way home To in stil a love O f .

work and the habit o f ind ustry the old sort set g reat ,

reliance u pon a li ttle s tick And a fte r admoni tion


.

always followed encou ragement Ah ! yo u mid .

hollar n o w bu t yo u ll grow u p to thank you r mothe r


,

in yea rs to come Yo u will c ried S usan Jane


.
,

.

One after another th e child ren grew up left th e ,

n est and went o u t into th e world a n d did well un til


, ,

a t last only th e youngest R euben remained a t home


, , .

He helped h i s mother on th e li ttle farm and had a ,

tw o wheeled cart o f h i s o wn and wen t pig dealing


- -
.

B ut the boys h a d brou gh t new ideas home from


school but none o f them more than R e u ben
,
The .

nineteen th centu ry spi ri t o f unbelie f had invaded


-

even the little remote homestead R euben openly .

sc o fl ed a t the bel lows and absolu tely refu sed to


'

allow two hearts and a criss cross on th e onion bed - -


.

He argued that Bell ises be bu t wood and leather w i



ONE OF THE O L D SORT

a iron n ozzle They ca n t do no harm pon table


.
’ ’
,

wi o u t s ome fool shou ld try to sw a ller em a n they


’ ’ ’


stick in h i s dro a t R eu ben declared there were no
.

such things a s pixies and never had been ; and more ,

than that he would g ive any witch leave to overlook


,

him An d slowly S u san Jane allowed her ancien t


.

fai ths to be shaken The horseshoe dropped from the


.

sta ble door and the hearts and cri ss cross were a s
- -

Often a s not neglected Yet the ba tch and the brew .

a n d the onion bed continu ed to enjoy th e u nimpa i red


-

prosperity .

S u sa n Jane h a d almost forgotten what R euben had


once called h er ignoran t and idle supersti tions when ,

suddenly a most res pec table so w o f cond u ct hi therto ,

above rep roach w u r a to o kt bad o f a most myste


,
-

ri o us di so rder That so w wa s officially declared no t


.

to be su ffering from swine fever bu t th e symptom s -


,

p r ove d al togethe r beyond th e a rts and expe rience of

S usan Jane The so w g o t poor when j u st th e opposi te


.

wa s expected o f h er and some though t sh e mu st be ,

in a decline S u san Jane only shook h er head Sh e


. .

knew What sh e knew fo r fear o f being lau ghed a t


.
, ,

sh e kept to herse l f .

It w a s summer but there had been rain and all the


,

earth wa s fresh and swee t agai n after a d rought The .

doors o f the homestea d were open to let in the cool


evening a i r a n d S usan Jane wa s bu sy in th e kitchen
, ,

fo r sh e had a few cold potatoes to fry up with a bi t


o f bacon in time fo r R euben S h e wa s glad at heart . .

The ra in had come j u st in time fo r the mang olds and , ,

a s everybody said would be the salvation Of the


,

3
18 BOOK OF CRAFT S AND CHAR ACTER

coun try There wa s nothing in li fe to find fault with


.

o r call fo r a sigh except th e so w— th e so w that w a s


,


bewitc hed S usan Jane knew she was .

Ah ! they mid talk sh e mu ttered to hersel f a s ,

sh e h u stl ed abou t bu t I do know what I do know


, ,

an what I sa w wn my own eyes when I wur a little


maid .

S uddenly sh e stopped Her eye caught sight o f .

something moving on the kitchen fl oor S usan Jane .

advanced a step and wa s awa re o f a large toad that


,

had managed to cro ss the th reshold and wa s slowly


c rawling by the wall u nder th e shadow o f the ki tchen
table A look o f horror came upon S u san Jane s ’
.

fa ce . The to ad pau sed and the two stared a t each ,

other .

Ah l you be a wi tc h beii n t c c ? I do know what I



,

did ought to do I do know what poo r mother done


.


years agone .

Yet the age had change d and S usan Jane


hesitated .

To h er eye the toad pu t on a guil ty look .

“ —
You do know you be catched don t c c ? Ah ! ’ ’

I can t abear to do it Yet I di d ought to



. .

E viden tly pe rtu rbed the toad moved again but , ,

back towards the door S he sa w h is warty back .


,

and there seemed to he a red gleam in h is eyes .


Te s a sin to forgive c c cried S u san Jane An
’ ’
, .

I w u nt n o r I wunt yo u wicked wold s pic ked an


— ,

spark ed witch .

Sh e ra n to the hea rth took the tongs picked , ,

u p th e toad by his fa t sides ra n to the fire clenched , ,


ONE OF THE OL D SOR T
h er teethhut h er eyes and dropped him into th e
,
s ,

midst o f the glowing embers .


There then ! I ve a dou ed it sh e cried and

-
, ,

heaved a sigh o f relief “


I knowed I did ought to
.

a n I did They don t believe noth en no se nse now


’ ’
.

.

- —
adays I ve a do ned right an I don t care zo long
,
’ ’

a s nobody idden here to know



.
MY SHE E P
MY S H EE P

HE neighbours always called him S heppey ,

a n d h i s old dog s name wa s S hip This wa s



.

so uni v e rsal tha t a stranger from th e town now and

again might fall in to the error o f add ressing him a s


Mr S heppey ; but a s the c h u rch regi ster can bea r
.
,

witness he was ch ristened Jabez Q uick


, .

They were a quain t pair that O ld blue shaggy



, , ,

bo b ta iled do g and h e— a s they wal ked together


-

down th e villag e street Neither in years wa s past


.

h is prime . B u t responsibility had con ferred u pon


e ach a staid sobriety that w a s very impressive .

They did no t stop to gossip .

S heppey s wa y wa s to nod make some oracular



,

remark about th e wea ther — a matter upon which he



wa s a recogn i sed autho rity and pass on .

When they met a strange dog o n the road S hip ,

j u st bristled up hi s back hair took three deliberate


,

steps to right o r left a s the case might be stopped


, , ,

growled and drew back h i s lips with a snarl vicious


,

en ough to make timid blood curdle Hi s threats .

n
24 BOO K OF C R AFTS AND CHAR ACTER
were qui te terrific Then wi thout haste he wa lked
.
, ,

ba ck to h is master s heel ’
.

You r dog h a s a nas ty way o f showing h is teeth ,



shepherd , said I o n e day as I passed them on the

village cau seway .

That s only h is smile replied Sheppey and he



, ,

looked u p at the sky and added that in h is opinion


,

i t wa s working u p fo r rai n .

B u t all th e thou ghts o f Jabez Q u ick the shepherd ,

h is cares joys aspiration s and pride were summ ed


, , , ,

up in two word s often on h is lips


My sheep .

He wa s tall and straight a strong wi ry ma n with , , ,

fai r hai r grey eyes a n d an aqu iline nose


, , His face .

possessed a character that marked him o ff from


ru sticity
. There a re many cou ntenances o f old
world cou ntry folk that seem to claim a native
ari stocracy Amongst th e you nger generation they
.

a re growing sca rce fo r the quicke r mind s ben t u pon


,

a trade dri ft away into th e town s When last I .

talked wi th S heppey he told me he wa s over sixty .



I be a past my d ree score wa s the way he put it
- -
, .

That wa s early in th e year a nd a bitter north ,

wind came driving up the valley bringi ng now and ,

a gain a storm o f ve ry fine snow The whirling flakes .

tossed and leapt upon the h u fll i ng gale a s if unwill


ing to settle upon the earth Yet some o f them .

clung to the slan ting fu rrows o f th e ploughed gro u nd ,

and tu rned th e rich brown arable to a cold grey .

When th e cloud had passed th e s un shone .

S heppey wa s busy with h i s lambs .


MY SHEEP ”

The lambing fold wa s in a green field su rrou nded


-

by ta ll protecting hedgerows ; and a slopi ng h ill


,

to wa rd s the n o rth shiel ded it from the stroke o f the

g a le S tu
. dded about w ere s hel ters made with dou ble
h urdles well stu fled between with straw Whi te
'

l a m bs wi th woolly little bodies and preposterou s


,

l eg s dotted the grass and mingled thei r treble bleat


, ,

ing with th at o f the ewes S hip fi fty yards away .


,

fro m the fold lay c urled up making the most o f a


, ,

gleam o f J a nua ry su n with h is ba ck to the cold ,

wind He wa s o f no use on that occas ion


.

L ie .


down you sill y old fool l shou ted Sheppey when
, ,

th e dog got up and growled at the sound o f a


stranger s step in th e field

.

S heppey wa s in good spirits though perplexed a s , ,

may chan c e to any man with a su perfluity o f twin s ,


.

He ta l ked abou t shepherding and the conversation ,

beca me a monologue .

No no ! No t every man can be a shepherd


, To .

be a good shepherd a man mu s be a born shepherd ’


.

When all is a learned he mu s know more than can


-

be a told by word o f mou th He mus have th e


-
.

watch ful eye like to take in th e leastest little s ign s


,
.

An he mu s feel a pride in h i s sheep No w I d go


’ ’ ’
.
,

wi a leary be lly any day sooner a n harm should


’ ’

come to my sheep .

What do I mean by a watch ful eye ? Well now ,

so me h e so foreright they mu s ru n at everything


full butt like a ny old ra m


- No w sa y I had a flock .
,

0 shee p up on sleigh t an did walk up a t daybrea k


’ ’
,

to have a l o ok at em j us a s they did g e t up like


’ ’
.
,
26 BOOK OF CRAFTS AN D CHAR ACTER

S hould I tumble in pon top 0 em head fi rst like so ’ ’ ’


,

to speak o ut o the clo u ds No no ! I sho u ld look



, ,

over hedge quiet a s a mouse o r lea n pon the gate ,


first all u n be kno wed an eye my sheep


, ,

.


Wha t should I look fo r ? No w sheep when a l l ,

i s said an done he very like Ch ri stian s


,

When they
, .

do fee l bad in their in zi des they do show restless in


thei r ways Only there i s less decei t abou t a sheep
. .

He don t never hide h is fee lin s and he don t never


’ ’ ’
,

p u t nothen on I do like to zee em all a c h e we n the


.

-

quid c on ten ted when I do look at my sheep .

Then when I ve a had a peep at e m like that I


,

-

,

do walk in round quiet like you you rself mid stroll ,

round you r garden o f a S u nday a tem o o n to look a t


you r flow ers an note the c oun tenances o my sheep


,
’ ’
.

I do know em every one zO well o r better a n you


’ ’

do know you r feller c rea tu res that do live in th e same -

s treet A sa d sheep do hold h is ears awry


. He do .

show a downcast eye I c ould soon read misfortune .


in th e fac e 0 any o n e O my sheep
’ ’
.

All th e while he wa s bu sy with a ewe and a


dead lamb .

He d rove two sta kes in to the ground and fas tened


h er head between th em so that sh e could not butt .

He took away th e lamb and s kinned i t He looked .

around amongst th e bleating mothers o f twi ns fo r a


young ewe wi th a small u dder took one o f h er lambs , ,

clapped th e skin on its back and carried it to suck th e ,

be reaved ewe whic h very soon accepted it fo r h er


,

own He took a keen delight in showing me this


.

time honou red fraud


- .
MY SHEEP
Veril y an truly I do bel ieve sa id he th at

, , ,

a shepherd have a g o t to be the most a rtfu lest man


-


pon ea rth I do B ut he c a n ta ke a pride in hi s
. .

work too He mus have hea dpiece I tell c c to


.

,

,

carry so much throu gh Fo r h e s doc tor an surgeo n .


’ ’

B ut we be in fo r a cold night I can zee



an ,

that I mus run an make a drop 0 ginger gruel fo r


.
’ ’ ’


thik weakly ewe .

So the conversation wa s bro ught abruptly to a


close and I tu rne d back towards the vi llag e
, .

The elder lambkins pra no ed in the suns hine then ,

ra n to thei r mothers wiggled thei r tails and s ucked


, ,
.

A t th e gate o f a field I met with the owner o f the


flock Farmer John B uck a man so well known that
, ,

y o u may al ready have heard h i s name .

A n d how is shepherd getting on ? cried he in a


voice mo re boistero us tha n th e north wind .


A l l well and very bu sy replied I
, , .


That s right then he cried c heerfully

, .

Does he call th e sheep h is w hen he talks to yo u P


Farmer John B uck is a well to do yeoman o f the - -

O ld school He th re w back h is head a n d laughed


.

hi s best .

L ook here ! shou ted he ;



I wouldn t give a ’

co bbler s cuss fo r any shepherd who doesn t sa y my


’ ’

sheep l
FAR ME R J OHN BUCK
FA RME R JOH N B UCK

A R MER J O H N B UC K
one o f th e old is
schoo l ,and we all sa y so with a relish that
p r ove s th e old s chool to have been something e x c e p
ti o n a ll y good .


B ut where will yo u find another like him ? we
a s k each other every day o f o u r lives

They a re getting very scarce men Of th e good Old


.

so rt w h o in th e day s o f o u r fathers we re th e back


, , ,

bone Of thi s coun try Thus we talk in o u r parish


.
,

and sagely wag o u r heads when we men tion th e


nam e o f Farmer John B u ck .

Fa rmer John B uck i s a charac ter .

No t in a fe w lines su ch a s these i s he to be d rawn


a s he dese rves A thick qu arto vol u me bo u nd in
.
,

s heep skin
-
, could do only scanty justice to this
remarkable personag e The exterior th e ou tward
.
,

lineamen ts o f th e man yo u shall have Bu t th ey


, .

provide only the fron tispiece which can bu t i n a de ,

q ua t e l y s ugge s t the my ste riou s wo rking s o f th e mind

Farmer John B uck i s both tall and stout and , ill


st
31
32 BOOK OF CR AFTS AND CHAR ACTER
as u pright a s o ur squat church tower al though he -
,

own s to sixty eight H is face i s square by reason o f


-
.
,

tw o fa t j o wls that hang almost a s deep a s h i s chin


He bears what is called a fresh complexion ex tend ,

ing in a h ue o f delicate pink to the cen tral baldness


o f h is c rown a ba ldness doubtless brough t about by
,

wearing a h a t from dawn to sun set Farmer John .

B u ck shaves h im sel f sq uare between chin and fore


head lea ving a whisker down each cheek and a
,

g ri z zly bea rd aro u nd hi s th roa t Thi s a rrangement


.

o ften con fers u pon a face a grave and dignified


expression no t to be found elsewhere save upon th e ,

countenance o f a B ritish L ion in the R oyal S tandard .

These adv an tages crowned with an ancien t beaver


,

h a t with i ts fu r rufli ed and enhan c ed by a white stock


and fo x s tooth se t a s a pin make Farmer John B uck

,

a striking figu re a s he jogs down th e village s treet


on a stou t iron grey cob o f th e breed o f the ancient
,
-

pack horse O u t o f doors you never see Farmer


- .

John B uck on foot except when he walk s to ch u rch


,

o f a S unday and a s only an orch a rd divides h i s


,

barton stacks and homestead from th e graveyard


wall he h a s n o t fa r to go
, .

He i s the most good natu red man that ever trod


-

shoe leather
- — un til you cross him .

B u t look a t h is heal thy li fe .

B e fore th e summer su n h a s time to d rink the dew ,

he i s u p on th e broad ch alk down where the harebells


grow o r below in the grassy valley where th e gravelly
,

trou t stream run s winding between th e level meads


-
.

The a i r he breathes i s fresh and pure o r just ,


FAR MER J O HN BUCK
swe etened wi th th e wholesome sc ent o f sh eep a nd
ki n e A nd i f i n winter the north wind drives th e
.

co ld sl e et o r the grea t snowfla kes slan ting across


th e fold it only braces Fa rmer John B u ck up to a
,

I as ked h i m onc e whether with so much exposu re , ,

he did n o t ca tc h co ld .

Wha a t P Catch cold ? cries he


- - No t I Why . .
,

I ve ne ver a ke pt my be d a day in forty year



- .

Al l h is thoughts and interests a re wrapt up in


the lan d and th e pari sh .

He holds some sixty acre s o f h i s own bu t lives ,

a s a tenant farmer on the farm tha t he and h i s fore

bea rs have held time o u t o f mind This an tiquity o f .

ra ce h a s laid down a bed rock o f independence tha t


-

someti mes pe ers throu gh hi s good nature Farmer .

John B uck is n o t the one to s tand any tom foolery o r

W
ha n ky pa nky tricks from a ny man gen tle o r simple
-

hen the squ i re who by the by is hi s la n dlord


, ,
-

c o n te nded i n th e pa ris h c o uncil that there i s no leg a l


-
,

,
.

foo tpa th a cro ss B ro a dlea ze and threatened to shu t,

it u p Fa rmer John B uck g o t u p and made a speech


, .

Tha t s a damn fine cock a n bull ta le I do call


’ ’
,

i t ! c ried Farm er Joh n B uck at the ta p o f h i s voice .

Then he sa t down ag ai n .

He is su ch a Churchman to o .

y
E ver S unday o f hi s li fe— well ever since he wa s ,

- —
knee hig h h e h a s on ce atten d ed hi s parish ch u rc h .

There is nothing i mmodera te in a ny o f Fa rmer John


B uck s ha bits a n d he h a s found once enough

.
,

B ut so me forty yea rs a g o this stea d fas t constan cy


34 BOOK OF CRAFT S AND CHAR ACTER
wa s pu t to a severe test The good easy going o ld.
,
-
,

fashioned rector had been taken to rest and a you ng ,

Ox ford popinjay o f a Pu seyite ! so the rumou r ra n)


wa s presen te d in h is place S o Farmer Joh n B u ck .

wa s on the alert No man on ea rth ever had a keener


.

eye fo r P opery He cou ld see i t in the g ai t o f that


.

young parson a s he walked down the village street .

He could s n i fl it a s i t were in th e doctrine o f any


, ,

sermon which he did n o t perfectl y understand .

Nobody ever hate d it m o re Farmer John B uck .

held th e Opinion that should th e P ope ever come


back to E ngland all true born outspoken E nglish
,
-
,

men would be bu rnt a live S o when the young .

priest tu rned to the east Farmer Joh n Bu c k seeing , ,

at once how th e w ind lay tu rned to the west He , .

made no other protest Having been chu rchwarden.

O f th e parish fo r many a yea r he wa s conversa nt

with th e law and a s he a fterward s pointed o u t with


, ,

so me pride When he do tu rn I do tu rn An be ’
.
, ,

guilty 0 no brawling in chu rch

Th u s did Farmer
John B u ck Observe hi s characteristi c moderation
.

B u t no sooner did he rea ch the porch than h is


tongu e w a s loosened and he beg an to s peak his mind .

Al l down the chu rchya rd path under the lich gate ,


-
,

and along the causeway by th e chu rchya rd wall he ,

shou ted wi th the force and rapidity o f an auctioneer

selling stock

No w I ll give any man d ree h a l f c rown s an a


’ ’
-
,

gallon o cider that ull go an tu rn thik man round



,

aga in n ext time he do turn his ba c k upon th e people .

D ree hal f crowns an a gallon o cider Dree h al f


-
’ ’
.
FARMER J OHN BUCK
n I do za y an a gallon o cider an I ll take
c ro w s, ,
’ ’
,
’ ’


th e conse quences i f the re be a n y .

Oppo si te the inn my neighbou r Mrs S imon Ga l , , .

li ng h a m a s sta unch a Protesta nt a s him sel f but one


, ,

who dis l ikes a l l noise a nd lou d talking except when ,

sh e un c o n sciou sly does it fo r hersel f ind u ced by ,

th e cons ideration tha t so mebody might really be



l ed to think the fa rmer wa s in d rink ventu red on

,

a soft re mon strance z

B u t i t is so metimes done now Mr B uck , . .


No t here ro a re d he We never had no Popery
, .

h ere I tell c c no better Churchman a n poor passon


’ ’
.

dea d an gon e ever stepped into a desk He nev er



.

done it No no I tell c c what ti s I be fo r a


.
, .
’ ’
.

open B ible I be Always wa s an always shall be


, .

,

an my father afore me A open B ible that s what



.
,


I do sa y .

He appeared to add ress this argument parti cularly


to m ysel f a s i f with a certa in ty o f su pport
, .

B u t there a re millions in these da ys o f print a l l


open Mr Bu ck said I
,

.
, .

Ah ! I wna t listen to it Tis th e thin en d 0 the


’ ’
.


wedge Don t you tell I
.

.

We a re excellen t friends a n d I thou ght he might ,

derive benefit from a joke home opathi cally admin


i stered .

Well I hope you rea d it Mr B uck


, , . .

The frown s clea red away a t once His voice .

bec ame qu ite low a nd confidential .

No w th a t s a very funny thing sa i d Farmer



,

Joh n B uck “
I c an t read .

.
36 BOOK OF CR AFT S AND CHAR ACTER
No t ead lr

Well i f I do but zit mysel f down quiet I do fall


,

asleep There I mid ta ke up a paper an gl a nce


.

th rough the markets but lawk i afore I do rea d ,

s ix lines I do d rop
Farmer John B uck cares fo r nothing outs ide o f hi s
parish After hi s one visit to London he complained
.

that he could n o t find any place to g et a bit o f fresh


hay to pu t in h is boots He very much prefers a bit .

o f sweet ba y to a sock There is no men ding no .

washing and i t fits a s he h a s O ften expla ined to me


,

, , ,

m that yo u r v o o t is a s snug a s a ba re in h er form



.

It is more convenien t and mu c h clea ner to o ; , ,

becau se you can a t any time si t down when yo u


chance to be passing a rick and pu t in a fresh wisp .

He admi red however what he ca ll s the L ondon


, ,

market .


I sa w a very fine show 0 beef an mu tton a s ’
,

good a s any man cou ld wish to s tick fork into B ut .


,

la l Twas all a zend up from the country reflected

-
,

Fa rmer John B uck .

Hearty gen ial relic o f the O ld sch ool no w passed


, ,

away ! Ho w often I have scorched my knees before


h i s fire and assuaged my thi rst out o f h is q u a rt cup !
I to ld him onc e o f a man in New Zealand who
sheared two hundred sheep in an eight hou rs day

.

Walter Ra ymond s aid Farmer John B uck



, ,

shaking h i s head and spea king with respectful


deliberation I do know no man that I do respec

,



more nu I do you but you he a liar .
WR
T O T AM PS

T wa s on the Foss e Way .

Mile a fter m ile the Old R oman ro ad stretches


across th e co untry fro m L incoln in to Devo n a s strai ght
a s the fligh t o f an arrow .

H ere and there at the foot o f a hill the modern


way may craftily s kirt a difficulty to o great fo r
wheels ; but the ancien t ro ad is still to be seen a ,

broad grassy lane climbing th e steep with a direct


,

ness that nothin g can turn as ide Its cool turf soft .
,

a n d damp under the shade o f u nplashed hedgerows ,

is pleasant under foot Wild mint grows in the wet


.
-

plac es Honeysuckle wild roses with now and again


.
, ,

a sweet brier refresh the a i r and delight th e solita ry


-
,

tra ve ller He may pe er over the brambles upon


.

th e hea d and brown wings o f a blackbird a s sh e ,

s i ts on th e ba nk o f the di tch hal f hidden behind a -

wrink led maple stump ; o r find the g reenfinc h s ’

n est high up in a thom bush and listen to th e


-
,

mel ancholy gladness o f h er mate B ut these joys .

a re brief The trua nt M a ca da m awaitin g h is


.

as
40 BOOK OF CR AFTS AND C HAR ACTER

descent is always ready to welc o me him ba ck upo n


the dust and stones .

Only when overrun by a city is the Fosse quite


lost On the plains i t i s a broad road generally with
.
,

a tract o f waste upon each side S l ightly billowing .

wi th th e unsuspected undu lations o f the g round it ,

keeps i ts undeviati ng course and melts o ut o f sight


u pon the hori zon .

I t wa s early a fternoon in summer time and amidst -

th e level pa s tu res o f S omerset that I met him He .

g o t up from th e way s ide stepped into the ro a d and


, ,

stretched him sel f —


The a i r wa s very close the sky
.

completely overcast with clouds He too k a long .

look a t the heaven s a s if deliberati ng upon the


,

chances o f a wet jacket and then he to ok a long ,

look a t th e road A t fi rst h is back wa s towards me ;


.

bu t he tu rned and ga zed steadily i n my di rec tion .

We were fa r apart but the sight o f another wayfarer


,

decided him He slow ly saun tered to a stick o f elm


.

timbe r a wind fall in some equ inocti a l gale s inc e


, ,

trimmed o f i ts branches a n d dragged alongside the


ditch o u t o f the way and sa t down to await my ,

approach .

He w a s a pati ent waiter .

I t may have been hal f an hour before I d rew near ,

bu t a t last he stepped out on the ro a d again and


wa i ted fo r me to come up .

There stood before me an unmi stakable tramp ,

not over tall bu t stu rdy and with an appearance


-
,

o f mu scular stren g th Over h is forehea d wa s a


.

time worn weather stained billycock hat An old


-
,
-
.
T W O TR AM PS

blu e spotted ha ndkerchief wa s a ro und hi s neck a nd ,

th e knot drawn very tight had worked round to one


, ,

side o f his thro a t His rusty gree n j acket wa s too


.

short in th e s leeves His yellow cord trouse rs tied . ,

around with string below the knee tried to assume ,

a n appeara n c e o f readiness fo r a job B u t i t would .

no t do I judged him to be fi fty years o f age It


. .

wa s impossible to sus pec t him o f a stro ke o f work


fo r the last q u arter Of a cen tu ry .

He wa s fa r to o expe rien c ed to beg .

I sa y g o v n e r which is th e way to Il c h ester P


,

,

S traigh t on .

S traig ht on be repeated and looking thought


, , ,

fu lly down u po n th e dust he shook h is head “


It , .

fair did me I ll be hanged i f I could tell There s


’ ’
. .

no ups an no down s an n o turn s to th e gallows


’ ’

road It beat me a n that s a


— ’ ’
.

He ga ze d across a rich level pastu re at a herd o f ,

fa t steers As wi th the al l u vial rich the fla t and the


.
, ,

fa t everywhere the re wa s to tell the tru th a lack o f


, , ,

in terest Perhaps he th ought so to o fo r he spat


.
, .

Then he looked me in th e face and became fra udu


len tly con fiden tial .


I ll tell yer g o v ner I ll tell yer the truth swelp
’ ’ ’
.
, ,

me Go d I m g etting down to where they re making


.
’ ’

th e new ro a d — th e rail roa d — to look fo r a job I .


aven slept in a bed fo r five nights I aven ad the

.


apen es I lef a wi fe an six kid s where I come from
.
’ ’
.

I m g etting on so fas t a s I can I want to send a few



.

bob to the missus S ee ? 5 0 I don t creep in any .


where 0 nights It ud waste my time g o v n er if the



.

,

,
42 BOOK OF CR AFT S AND CHAR AC TER
h obby wa s to come on an cop me wi thout any visible ’

mean s 0 su bsistence on my clothes Visible means



.

o f subsistence l There g o v ner l What yer think 0 ’ ’


,

that ? I s a bloke likely to sleep o ut wi v a fi pun note



- -

in h is pocket ? No w g o v ner is i t sense P You don t ,



,

pick up blooming millionai res o f a night g o v ner not ,



,

in a wagon hou se n o r u nder a rick They ave beds


-
.

0 the i r o w n — a s a rule A n i f yer ain t q u i te a


’ ’ ’
.

millionaire g o v n er why yo u c a n ave a lodging


,

, ,

fo r fou rpence B u t th e bloke th at ain t g o t bu t



.

th ree a pen c e g o v ner a s a ungry belly Why wif


-

,

,
’ ’
.
,

th e price o f hal f a pint in yer pocket g o v ner ye r



, ,

can t sleep fo r thi rst He can t keep that fo r a



.


visible mean s 0 subsistence No t i m ’
.

.

He looked to me fo r su pport .

I rea d i gave acceptance to so credible a sta te


ment .

S o yer see g o v ner no t to waste ti me I keep on



, , ,

all the night An when th e sun a s j us a d a hou r


.
’ ’ ’ ’

o r so to dry up the dew why I j u s lies down to ti ke



, ,

me rest upon th e d i sies They ca n t meddle wi v yer ’


.

by day B ut blow me g o v ner when I woke up an


.
, ,

,

ea st me eye u p an down thi s blo o mi n old gunbarrel


’ ’

o f a road i f I co u ld tell th e way I come o r had to go


, .

S o when I see yer I though t sooner an waste time



, ,

by tramping ba ck maybe a mile o r two by th e way I


come I d j u st sit down a n wa i t an pu t th e qu estion
,
’ ’ ’

Fo r I ain t a d a mou th fu l since yesterday


’ ’
to ye r .

morning a n then a bloke don t wa nt to go a step


,
’ ’


to o m u ch .

There wa s about him something o f the merry


W
T O TR AMPS

begga r o ba ll a d A little twinkle in th e


f th e O ld .

eye a s i f by a n a cknowledgm en t o f the abs u rdity o f


,

his story to pro ve i t true .

Si t down on the tree said I and I l l give you ’


, ,

a bite to eat .

SO I gave hi m a hunk from my sa tchel and we ,

lunch ed tog ether un der the hedge .

D o you live near here g o v ner ?



,

So me di sta n ce away .

He looked a t me curi ously .

What do yer do now g o v n er fo r you r livin ,



,

O r don t ye r do nothin at all i f I may make so free


’ ’
,

as to a s k
I m a tramp
“ ’
.

He leaned back with h i s mouth full and chuckled .


What lay a re yer on ?


I m a gagg er

.

He laughed outrig ht .

Then fo r G awd s sa ke pitch us a ya m g o v ner


,

, ,

,

tha t they ain t never yea rd afore cried he ’
, .


Tis beyond me sai d 1 “
I ve been looking fo r ’
.
,

one fo r years They ve heard em all hundred s o f.


’ ’

times B u t I never heard you rs before No w look


. .
,

here You ve never done a day s work in your life


.
’ ’
.

You ve gone wet You ve gone cold You ve gone



.

.

foots ore You ve gon e hungry You ve been with ’ ’


. .

o ut a roo f over yo u r hea d most o f th e time except ,

when you ve been in jai l No w tell me in confidence



.

— i f you know Why haven t you worked and ea rn ed


.

a wage like other men P


He slowly m a sti c ated swallowed h is last morsel , ,
44 BOOK OF CRAFTS AND CHARACTER
a nd glanc ed ro und at the satc hel on the vain c ha nc e
o f mo re
.

S eei ng it a s fla t a s a pan ca ke h e looked u p and


, ,

h is eye caught mine .

We g rinned a sort o f understan ding o f ea ch other .

The real touch o f Natu re that m a kes the whole


world kin i s a sen se o f humour .

After a moment o f hesi tation and silenc e he lea ned ,

forward a nd confided in a fellow humourist -


There ain t no need

.

A fortnight later I sa w him l o af out from a hedge


ro w i a another pa rt o f th e coun ty B ut reco gnisi ng
.

a n old acquaintance be greeted me with a laugh


, ,

Well You have not got fa r said I
.
, .

B u t he wa s ready .

N0 more ain t yo u said he



.
,
TH E R
H U D LE MAK -
ER
T is n oti ceable that men engaged in primitive
cra fts take an espec i a l pride in their work The .

reason i s n o t fa r to see k
. Nobody lends a hand from
s tart to finish a n d th e a rt though simple i s all the
, , ,

worker s o wn Thus a plou ghman can look with



.

u nmixed satis fac tion u pon h i s fu rrow tu rned strai ght

and true ; o r a thatch er at th e old homestea d roo f


,

fres h c lad in a new yellow jac ket from ridge to eaves .

I f you wal k into the qu iet woods o f a winter day ,

when all the bi rd s ex c ept the robin a re dumb and ,

have a talk with a hurdle maker it i s ten to one that


-
,

i n five min u tes yo u find you rsel f in th e company o f


o f a man elated wi th a harmless va nity SO much.

The a rt o f wattling is among st the most ancient


o f tho se simple devices which have been hand ed

down without change to th e prese n t day I t c o m .

p e te s wi th thatch al one in i ts claim to be the mor e


striki ng feature in the arc hi tecture o f o ur remote

forefathers ; fo r ea rly co nverts to Christi anity in


these is la nd s were gathere d into chu rches w i th wall s
41
48 BOOK OF CR AFTS AN D CHAR ACTER
very like the wreathed hu rdles wi th which th e shep
herd still fold s hi s flo c k The step from a shelter
.

o f bu shes to an in terwea ving o f branches mu st ha ve

been qu ite easy and fro m th at to wattling is no


,

great stride Amongst th e remains o f th e lake village


.

o n th e moors near G lastonbu ry w reathing h a s been


,

fou nd that does n o t materi al ly di ffer from the hu rdle


o f to day ; a n d races fa r behi n d th e lake dwellers in
- -

civilisation still u se i t fo r their hu ts .

A hoar frost lay whi te on th e red decaying leaf , ,

a n d o n th e mossy clump s o f hazel and o ther copse


,

stu ff where the unde rwood had recen tly be en cut


, .

Ye t su nlight w a s gl eaming once more u pon the


tru nk s O f o a k and a sh that un til a week o r two a g o
,

had been in th e shadow fo r m a ny a yea r ; and great


h ead s o f moi stu re were e verywhere beginning to
d rop from th e branches overhead The cutting h a d
.

commenced a t the end o f au tu mn when th e yello wing


,

and fall o f the leaf proved that th e sa p wa s gone ;


and th e fallen copse wood lay in long straight lines
-
,

strings i s th e prope r name o f them — which by rea son


o f th e gentle u nd u lation o f th e g rou nd took c urves

tha t were pleasan t to th e eye . Where the stick s had


been c u t each wi th one deft blow o f th e woodman s
,

hook th e tops o f th e stumps glistened smooth and


,

yellow in the light and brightened the place in


,

cl u mps almost a s thick a s th e prim roses that a re


certain to be there next spring now that the earth
is open to th e light and a i r . The glades were solita ry
and would have been silent but fo r th e sha rp strokes
o f a nuthatch somewhere near which had sti ll found
,
THE HUB B LE MAKER-

a slip shell nu t upo n the ground and carried it to


-

h i s chink in the ba rk o f some tree near at hand A .

co c k pheas ant sta lked slowly across th e alley in


-

fron t o f me and pa sse d out o f sight


, A n d fa r away .

in the woo d where intermingling branch es made a


,

dark screen a nd hid th e lan d scape beyond a d rifting ,

film o f blu e smoke wa s rising amongst the trees .

I came to a n open space where th e strings had


been cleared away and th e stu ff sorted to various
uses A sta ck o f fa g gots stood close by A l o t o f
. .

s lende r poles grey a sh and bi rch o f a delicate silver


,

with blotches o f ri c h brown were lea ning again st ,

the fork o f a sturdy oak Near by th e hu rdle maker


.
-

wa s a t work .

You have made yoursel f a good fire said I ,

thoug h a s yo u work in shirt sleeves it would -


,

appea r tha t you think li ttle o f the c o ld .

The remark se emed to amuse h i m fo r he gave a ,

lou d g ufla w a nd to o k u p the hurdle he had ju st


'

finished to place it back u pon his pi le .

Ho ! ho ! A man can zwea t to hurdle maken zo -

well a s to a ny job I do know I di dden take the .

trouble to l ight up no vire not vo r my own zelf like -


.

B u t when there s a vro st the rod s be zo brickle a s


gla ss You can t twist em not no fa rshi n at a ll vo r


.
’ ’
,

the li fe 0 c c A bit 0 vire o f a ma tu en do sort O



.
’ ’

melt th e vro stes out O th e ro ds like an th en you



,

c a n turn to Though mind me the zun ull drop ’


.
, ,

in to thefts ea rner pretty quick no w Le t be j us gie .


a bi t o f a squint down here l ike an you don t want ,


’ ’


no vi re.
50 BOO K OF CR AFTS AND CHARACTER
He wa s a fine talwart man o f a bout five a n d thirty
s - -
.

He had s po ken the truth fo r althou gh h i s billycock


,

hat wa s on the back o f hi s c rown I could see beads ,

o f moi stu re standing u pon h is forehead His sl eeves .

were rolled up but not so high a s the elbow and


, ,

showed h is a rms mu sc u la r and hai ry He wore .

gai ters and covering h i s right knee wa s a leather


,

protection which he presen tly ca lled a knee knap
,
-
.

He did not stop working whil st he ta l ked but ,

having put aside th e hu rdle tu rned toward s his ,



rod s
. S tick s suitable fo r hu rdle making when -
,

trimmed clean o f side shoots and c ut O ff to a su itable



length and thickness become rod s and these were
, ,

leaning again st a frame made o f three ashen poles ,

two standing u pright in th e ground with one across ,

in the shape o f a country boy s jumping gallows ’


-
.
"

S ome hu rdle makers se t up a couple o f hu rdl es


-

behind th em but the support wh ich hold s the rods


,

a l l han pat and ready fo r use whatever it may be



-
, ,

i s called the back hu rdle -
.

Every ma n have a g o t h is own fancy I do


-
,

suppose laughed he an mine i s fo r theas here ’
-
, ,

bi t o f a galli s made to suit my own height like .

He c ho se with ca re a ro d exc e ptiona lly la rge and


s traight He wa s evidently on h is mettle a nd pre
.

pared to show how a really a rtistic hu rdle should be


made ; fo r a s he stooped to pick up h is hook he ,

gl a nced at me to be sure that I wa s look ing He .

held up th e ro d so that the butt end came nicel y at


a striking distance and with four blows c ut o ff four
,

clean chips and the ro d wa s a s sha rp a s a lea d pencil - .


At h is feet la y a block o f ti mber bored with ten
holes si x inches apa rt He thrust the ro d in to th e
.

outsi de hole held it upright and d rove it home wi th


,

a tap o r two o f the fla t o f his bo o k .

Thi k do make a tidy o utzide za i l said be , .


A what ?
” “
A za il he chuckled I ve a heard tell that ’
-
, .

when the King gied o ur S ir John u p here a tap pon ’

th e shoulder he made un a S ir Wull when I gied .


,

thi k ro d a ta p l ma de u n a za il There I do .
,

suppo se we do a l l act a c c o rdi n to o u r d egree like



.
,

Once they be stuck up in th e vlake there th eybe za i ls ,

all ten 0 em An that s th e most 0 the di fleren c e


'
’ ’ ’ ’ ’
.

i n we men folk too I do ll o w whe er we do hap to


’ ’
, ,

be u p o r down : vo r if I c a a n t make a S ir I ll be ’
,

da l led i f I do th ink the Ki ng cou ld make zo very


much o f a hurdle 20 there His Majesty ud vall
— .


o u t wi sh epherd I l l wa rra nt it
’ ’
, .

He gave si len t co ns idera tion to thi s pro po si tion


whil st has ti ly con ferrin g the ac c o la de on th e nine
other rods Then with ten sails fu lly se t though
.
,

they were in fac t on ly ba re po les we were rea dy to ,

set out upo n th e wreath i ng .

L ea ning agai n st h is ba ck h urdl e were wa n d s o f -


m a ny va rieties brown ha zel grey a sh green wi thy , , ,

dog s ti mber and whip top to use h is own names



,
-
, .

He chose a li kely h azel ro d pla c ed it between two ,

o f th e sa i ls then wrea thed it in and out along the


,

others unti l he rea c hed the end Then he twisted it .

so that it would tu rn round the outside sa i l wi tho u t

snappi ng wrea thed it back a s fa r a s it would go


, ,
52 BOOK OF CRAFT S AND CHAR ACTER
and took a nother S ometimes with his spar hook .
-

he cleverly spli t a ro d that migh t be a trifle too large ,

and thus made two o f i t And now and a ga in a s .

th e wrea thing gradually rose he brought h i s kn ee ,

knap into requ isi tion and kneeling with a l l h is ,

w eigh t on th e in te rwoven rod s forced th em down .

together close and tight A t last he came to th e .

to p ro d twi sted i t tw ice around the o u ts ide sail and


,

made th e en d fast with care .

A n thik we do cal l a fini she r said he glancing



, ,

rou nd a t me with pride .

S o th e h urdle wa s made and h a d now only to be


trimmed up Wi th h is ho ok and the skill o f a
.

Chinese executioner he sn icked o ff th e heads o f th e


,

sail s o n e after another a l l to one heigh t Then l ifting .

th e h u rdle o u t o f th e flake be trimm e d away th e e nds


o f th e wreathin g until all wa s neat .

There ! cried he with simple vani ty Catch .

hold 0 un an shake un Thik s a hurdle


’ ’
.

.

The statemen t wa s n o t to be gainsaid .

Ho w do you know when you h a ve carried th e


wreath ing high enou gh P
Ah ! I do know Take a dozen o em mea ster ’ ’
.
, ,

an mea sure em They be vower vo o t zi x in length


’ ’
.
- -

an two vo o t te n in bei th ; an you ll vi nd em zo



- -
’ ’ ’ ’

like a s peas in a pod Tes all eye a n use measter .


’ ’
, .

W u ll there yo u zee there s zome do do one thi ng a n


, , ,
’ ’

some tothe r B u t I c a n make a hurdle wi an ma n


’ ’
.
,

I c a n Zo there
. .

The su n had risen h igh enoug h to look into hi s


c orner Th e fire h a d dwindled to a heap o f smoulder
.
i ng embers As I wa lked homeward across the wood
.

a squi rrel ra n along the branch o f a beech tree


-
.

Hunger a nd the wa rmth o f th e su n had aro u sed


h i m fo r a n hou r to pa y a vi sit to h is hoard o f
nuts .
U O
YO NG B B P ATl I MOR E
'
YO U NG DO B PATTI MORE

O UNG BO B P ATTI MO R E is a ra m fellow


fo r ever u p to so me o f his tricks He i s th e
.

li fe o f o u r c o u ntry si de a nd no l iving soul c a n be ten


-
,

minu tes i n hi s c ompa ny wi thou t a lau gh And .

y y
e t o u can n o t help liking th e c h ap to o ev en
,
i f th
, e

joke be a ga inst you rself There i s something so


.

fran k and enga g ing about h is s miling countenance


so mething childlike in th e c url o f h is bl a ck ha i r

a n d boyis h i n the twinkle o f h is dark eye s I nno .

c en ce itse l f c a n not look more plea sa n t th an yo un g

B o b Pa tti mo re s gui le and n othing c a n bea t hi s



,

go o d h u mou r Therefore a ri pple o f merri ment


.

follows in you ng B ob s wake a s in th e tig htest



,

o f g aite rs th e ba gg ie st O f breec h e s a c h eck jacket


, , ,

a n d a bowler h a t pu shed ba ck from h i s foreh ea d he ,

ma kes hi s way throug h the c rowd at market a n d


fa i r Fo r young B o b i s a d ressy ma n even fo r fo ur
.

a n d twen ty
-
O nl y th e week before la st he wen t i n to
.

A ppleto n s a t Ch i l bu ry a n d took pa ttern s to c h o o se


hi msel f a ne w s um mer sui t .

No w everybody knows th at old Mr Appleton


, .
,
58 BOOK OF CRAFT S AND CHAR ACTER

h a vin g made a fortune resides in a new villa ,

res iden c e about a mile out o f the town .

He is th e vi car s churchwarden at Ch il bu ry parish


church and a municipa l councillor next on the list


, ,

to be promoted to a l derman I f it shou ld please .

Provi den ce to spa re hi s li fe he will some day be


mayor .

He keeps a low pony carriage ; a nd a ma n who -


,

does the garden just slips on a livery coa t over h is


,

garden clothes ! because h is yellow cord trousers do


no t show under th e rug ) and wea rs a top h a t ! that -

on ce belonged to Mr Appleton himse l f) when ever .

Mrs A ppleton h a s to be d riven into the town


. .

H e goes in to bu siness only fo r an hour every


other day to give advice and keep hi s eye on the

young people .

A well regulated mind cannot imag ine a respect


-

ability more sacred Therefore it is impossible .

to u n derstan d much l ess to defend the behaviou r o f


, ,

you ng Bo b Pa ttimo re who on h is homeward way ,

stopped dismo un ted shoute d to a boy to hold h i s


, ,

ho rse and kn ocked a sha rp ra t tat on old Mr


,
-
.

A pple to n s front door



.

Mr A ppleton at home P
.

Yes , si r.

Q uick a s thou g h t old Mr A ppleton h i m sel f short .


,

and round and g rey in a littl e frock coat so ,


-
,

artisti cally perfect that it len t beauty even to h is


rotundity wi th a beaming fac e shin ing gold
, ,

s pec ta cles a nd a glis tening bald c rown poppe d out


, ,

into the hall .


YOUNG B OB P ATTI MORE

C ome in Come in
chirruped be covered with
.
,

,

smil es a n d overfl owing wi th en th usias m C ome .


into my o wn little room .

Then he wi nked at you ng Bo b Pa tti mo re d rew up ,

a c hai r a nd took the whis ky out o f hi s own littl e


,

cu pbo ard .

You ve done business fo r my family a good many


years Mr A ppleton be ga n young Bo b a fter a


, .

,

thoughtful prelimina ry si p .

A h ! We ha ve

cried old Mr A ppleton with
, .

deep feel ing “


I c u t fo r your po or father and you r
.


grand father before him .

S O I thought I d ju st call i n The fact is I m not


’ ’
.
,

satis fied .

No t satisfied P
Old Mr Appleton lean ed forward a n d raised his
.

ha nd to his ea r .

No t a t all sati sfied repea ted young B o b with ,

slow precis i o n to prov e there wa s no mistake abou t


,

it
. SO I said be fore going elsewh ere I wi ll go
, ,

s tra ight to the fo u nta in head -
.

O l d Mr A ppleton wa s both surpri sed a n d grati


.

fied to meet with suc h un s uspected prudence and


goo d sense i n a you ng man con c erni ng whose
ways he ha d sometimes in the privacy o f th e ,

fa mily c i rcle been very criti cal


,
Yet his fa ce grew .

stern . I f they could n o t satisfy so rea s onable a


customer the thi ng shoul d be well lo oked into to

Wh a t is i t my dea r Mr , . R o be rt ? asked he in a
co a xing tone .
60 BOOK OF CR AFT S AN D CHAR ACTER
Th e truth i s, your prices a re a mighty deal too

Q uali ty — qu a li ty s miled O l d Mr A pple


, t on .
,

greatly relieved .

That s a ll very well Bu t I can t see that the



.

qu ality i s better than where folk pay less No w you .

j ust look at these patterns You ta ke them Mr .


, .


A ppleton and dec ide fo r you rsel f
, .

Old Mr Appleton took o ff h is gold spec tacles


. ,

carefu lly wiped and pu t them on h is nose a gain with


,

th e gravity o f a j u dge He walked to th e window .

and held th e little snippets to the light .

Yes yes said he complacently nodding h is


, , ,

head .

It takes experience to distingu ish the in feri
o ri ty o f thi s so rt o f chea p showy thing That s a ’
.
,

difficul ty we have to put up with nowadays This .

cloth is not all wool Mr R obert It s a very , . .


deceptive article No t more than two thirds wool


.
- .

Just look at it There isn t the shee n J ust .



.

feel i t There isn t the softness No no A ’


. .
.
,

cheap price it may be B ut there s no wea r to


,
.

Then you wouldn t rec ommend it Mr Appleton P ’


, .

sa id young B o b doubtfu lly .

A false e conomy Mr R obert Wa it a minute , . .


,

a nd yo u sh all see fo r you rsel f I ll j u st fetch Mrs .



.

A ppleton s mag ni fying glass and yo u sha ll be c o n



,

vi n c e d.

circular glass from Mrs Appleton s


He fetched the .

- —
d rawing ro om table a powe rfu l magnifier th rough ,

which tha t good lady s guests were sometimes invi ted’


Y OUNG B OB P ATTI MOR E

to admi e photogra phs o f an evening a n d th ey


r —

looked at those tweed s in turn .

Young B o b declared he could see no di fle re nc e


'

even then .

The old gentleman ex plai n ed from h i s vast ex


perience Two things o f u nequal elas ticity Mr
.
,
.

R obert can never be mixed with succes s


, There .

i s no rea l wear abou t a thing like this a n d in a fort ,

nig h t th e tro u ser knees w i ll be bags Ti s th e faul t



-
.

o f th e age my dear Mr R obert


, The fau l t o f a
. .


shoddy age .

O l d Mr A ppleton wa s so earn es t and instructive


.

that young Bo b al most fancied himsel f a t a S unday


scho ol .

B u t w ha t do you take to be the fai r price fo r a


su i t from those pattern s ?

The price well i f you were bent on i t— rather


— —
than lose an O ld customer o u r peo ple could do you

a suit Of that a t fi fty shilli ngs .

Young Bo b deliberated .

“ —
I see the truth o f all yo u sa y yet I think I
may a s well give you the order at once fo r two o f

these sa id he quietly after reflec tion
, ,

I felt .

mysel f there mu st be some mistake when your ,

young man showed me these patterns and told me



fou r pound five .

O h yes
, Young Bo b will have hi s joke there is
.
,

no doubt abou t that A ri pple o f laughter follows in


.

h is wake both at market and fa i r There i s no harm .


in h i m wha tever a n d not th e lea st touch o f ma lice
in a n ythin g he does And the a bsurdity o f i t wa s
.
62 BOOK OF CR AFTS AN D CHAR ACTER
to crown all he took the two suits at eight pou nd
,

ten That i s to sa y he said Pu t em down which
.
, ,

,

o f cou rse w a s q u i te a s hones t and in point o f fac t


, , ,

just th e same thing .

B ut truly, as Mrs S imon G a l l ing h a m


. aid to mes

a few days later when young B o b rode through the


,

village and sh e popped o u t to see who had gone by


What sen se wa s there in such behaviour P What
good could it do anybody P An d th e mystery to
me i s how young B o b could ever have thought o f to
, ,

sa y nothing o f daring to ca rry out s uch an o u tda


,

c io u s pra nk upon so uprigh t so res pectable an inde


,

penden t gen tleman o f private means a s Old Mr .

A ppleton and one so universa lly looked u p to


, .
O
N AH PI KE , WW
HEEL RI GHT
N OAH P K E, I WE W
H EL RI G H T

Q A H P I K E , Wheelwrigh t, Hazel g rove .

Ho w o ften I have read th e word s, i n large


red lette rs se t o ff wi th flo u ri shes, on the tailboa rd

o ome heavy laden wagon laboriously jou rneying


f s -

along the road .

The Old wagon s mostly have a ground o f yellow


bu t th e more recen t a re O ften pain ted bl u e
,

Wi th .

a fine se n se o f artistic proportion th e eq u ally divided


,
-

date an nou nces i tsel f two figu res in each u pper corner
,

making due ba lance to right and le ft o f th e m a ker s ’

name S ome o f th e dates have bee n so ancien t fo r


.

a wagon lives long with a n ew part here and there


,

w he n wan ted u n til a t last li ttle o r n o thing O f th e


,

original stru cture re main s that in my i m a g inatio n


No ah arose a s a dim figu re fro m the past su rviving ,

only in h is work s I cheri shed n o hope o f m eeting


.

him in th e flesh A n d yet when happy chance led


.

the way to Hazelgrove the word s g reeted me wi th


,

a h o lder frequ ency than ever


Noah P ike, Whe elw righ t .

6
66 BOOK OF CR AFT S AND CHAR ACTER
From a board in a wagon maker s yard they stared ’
-

upon th e village street .

L o w hedges and an open gate hid none o f the


mysteries o f wag on making from the ou ts ide world
-
.

There wa s a forge a sa w pi t a la rge workshop piles


,
-

o f timber and a heap o f O ld i ron


, ,

A little crowd O f .

delighted children rein forced with a leisu rely matron


,

o r so had gathered before th e en trance


, .

A clou d o f bl u e s m o ke came d ri fting ac ross the


road and hung like a grey mi st around th e sq u are
,

tower o f the pa ri sh chu rch In the cen tre o f th e .

y a rd a so rt o f bonfi re had been lighted F arm ed by .

a light breeze the flames leapt up roaring their ,

hu nger a s they licked th e dry wood they were eager


to devou r An d still from th e heap o f ru bbish hard
.
,

by the old wheelwrigh t and h is journeymen piled on


,


more fuel now a spoke then a felloe o r a fragment ,

o f an old tail board wreckage from some wo rn o u t


-
,
-

voyager o f th e high road .

Presently the master whee lwright stood as ide and


watched the blaze He glanced with c u riosi ty at
.

the stranger by h i s gate and his eye seemed to ,

convey to me an i n vi tation to speak to him .

I pu shed my way throu gh the little crowd and


s tepped into th e yard .

May I watc h yo u bond a wheel ?



D o c c then and welcome he chee rfu lly replied

, , .

E ight i f you be a minded We do wai t fo r a num


-
.

ber when we can and one fire do hea t the lot


,

He wa s something o f a patriarch with his grey


beard His fa ce wa s broa d and fresh colo ured with
.
-
O
N AH P I KE , W LW HE E RI GHT

th e genial look o f one wh o h a s done much work but


s u ffe red fe w ca res A n d such w a s the history O f h i s
.

li fe a s told by himse l f .


I have hund reds o f times met wi th you r name
upon the road Mr P ike so you seem like an Old
, .
,

acq uaintance said I , .

You may well sa y that laughed he and h is grey , ,

eyes lighted with pride Fo r my father and my .

g r and father b u il t he re be fo re me and were bo th held ,

to be th e bes t wagon makers in these parts 80


- .

I be Noa h the thi rd Ha ! ha ! Why there i s some .


,

do take th e liberty to call my little hou se there Noah s ’

Ark My so n here do bear th e same name so there s



.
,

hopes it may last a bit longer yet in Ha zel g rove .

He pau sed a minu te shook h i s head and added , , ,



Unless th e big work s shou ld take it all from us .

I s there fear o f that P


That s the way nowadays The big do swallow

.

u p the li ttle Ti s all fo r carrying everyth ing away



.

to the big places Bu t w e do choose th e best 0


.

timber in o ur judgmen t and work a s well a s we do


know We ve a had a plen ty to do so fa r th ank G o d

-

I do Often
. .
,

A n d I ben t ashamed to mee t my work



.

times tu rn rou nd a min u te o n th e road to cast my


eye po n i t Fo r a man mind me can find a satis

.
, ,

fac tion i n a thing that s h is own from start to fini sh



.

A n d I an my son s wi a j ou rneyma n o r two do


’ ’
, ,

do it all e v ery stroke except the axle bo xes and


— — -
,

them we do g et ready made from Wednes bu ry -


.


Wou ld yo u like to look rou nd ?
His invitati on wa s most hearty The bond s had .
68 B OOK OF CR AFTS AND CHAR AC TER
al r ae dy bee n laid in th e fire so whil st they were ,

heating red h o t we wen t into th e work shops


-
.

There be fou r sorts O timbe r to a wagon said ’


,

he . Oak a sh elm and deal All th e frame i s oak


, , , .
,

bu t th e sides and th e rave board — h e laid h is hand -

o n th e projec ting shel f that h o ld s up the load from

th e wheel be elm th e hanging pillar that strong -


,

beam below which th e fore wheel s do work a sh ; and -


,

the floor deal .

As he spoke he pointed to each pa rt o f the body


o f an u nfini shed wagon be fore u s .

B u t th e fashion o f th e thing i s changed said I , ,

s ince th e day s o f my c hildhood when a fte r harvest , , ,

we rode away to the n u tting picnic in th e wood s -


.

The raves then were O pen frames like fla t ladders .

When we wen t to th e h a yfie ld we used to sit upon


them all arou nd A n d th e wagon w a s hal f a s big
.

again
The Old bo y could n o t wait .


That s true he c ried

Zo we did
, We . .

trimmed th e wagon up wi lau rel s and flowers and ’


,

th e bell s were m usic every mile 0 th e way I tell ’


.

c c what tis — twas plain victu al s them days bu t


’ ’ ’
,

more mi rth B u t all change to my mind is bro ught


.
, ,

in from th e outside The rail roads made small .

w agon s There he no great load s fo r a long jou rney


nowadays What i s i t now P Th ree mile and clap
.

i t on a train B u t then what w a s twen ty o r thi rty


.
,

mile to we P Heavy loads and big teams then Ay .


,

and i f you had nothing to haul ba ck you mu st get ,

ha l f a load 0 ashes to save the pikes



.
He topped and chuckled at the recollection o f
s

this O ld device .

The pikes P
H a ! ha ! Why th e tu rnpikes to be sure I f
, ,
.

you went empty you m ust pay toll B ut th e ashes .

ranked a s manu re and passe d free B ut how tis ’


.
,

c hanged ! No pikes now ! Yet a s I do sa y all , ,

change is bro ught in from the outs ide L ord bless .

thee ! We shou ld never ch ange i f we cou ld help i t ,

not here in Hazelg rove till K ingdom come ,


-
.

A s he explained all the intricacies o f the under


carria ge a n d how the fore carriage turning upon
,
-
,

the main pin allowed th e wheels to lock he
-
,

,

became qui te animated ; bu t th e height o f hi s


en th usiasm wa s reserved fo r the wheel .

Did you ever think in yoursel f like what a ,

beau ti ful thing a wheel i s ? Ho w nice he mu s be ’

put to gether in all h i s parts ? Ho w true he mu s ’

be to run straigh t ? L ook here I u sed to sa y to .

my bwo y Noa h my so n a good wheel mind i s


, , , , ,

a moral Yo u con sider u n an larn from u n


.

.

He tapped wi th h i s kn u ckle upon the axle bo x -


,

the ci rcu lar i ron let in to the stock to hold th e


axle u pon which the wheel revolves the only pa rt ,

he did not make .

We used to hammer out he too but not 0 late ,



yea rs said be with reg ret bu t then suddenly
, ,

bec ame cheerful again a s he spoke o f the difficulty


o f setting it He m u st be let in wonderfu l firm
.

a nd true o r th e wagon will swerve from right to

left a n d look into everybodys windows all down


,
‘ ’
70 BOOK OF CRAFTS AND CHAR ACTE R
str eet a s th e saying i s B ut those li ttle i ron nut
,

.

h ond s hold the el m stock from s pli tting and we ,

do drive in wedges o f harder o a k till tis so firm ’

you cou ldn t g e t in so much a s a pin s poin t more


’ ’

i f yo u tried The spokes yo u see he o f o a k but


.
, , ,

th e felloes those pieces that make u p the o u tside


,

wooden ring o f the wheel be o f elm And this , .

o ne i s all pu t together ready fo r th e bond o r


ti re .

It so happened that at this moment Noa h the


you nger came hu rrying to sa y that the bonds were
re d -
ho t .

We went into the yard again and stood beside


the fire .

The ti res to be used had bee n piled one above


another making a lo w rou nd tower In the pal
, .

p i ta ti o n o f an in ten ser hea t from which the coarse r ,

flame had depa rted they appeared to qu iver wi th ,

a white glow The jou rneymen came with rod s .


,

li fted o ff th e uppermost bond and carried it quickly



to the platform that ci rcular level a little larger
,

than a ca rt wheel whi c h may a lways be fo u nd


-
,

somewhere on the ground in a wheelwright s ’

yard .

Into th e centre o f the platform they fixed a n


upright ba r and threaded the wheel upon i t so
,

that it ra n like an axle through th e axle bo x -


.

With a deft ta p o r two o f th e hammer the red h o t -

ti re wa s b rought accu rately in to posi tion and at ,

once th e wheel wa s fi tted in to i t and screwed tightly


into place The felloes smoked and even burst into
.
O
N AH P I KE , W LW HE E R I GHT

flame . the adju stment once true water wa s


Bu t ,

q u ickly poured upon th e metal bond It his sed .

resen tfully and ste amed When that ceased all wa s


.

co mplete .

There ! cried Noah P ike That ti re w a s


.

forged an inch and a quarter less than the outside


wooden ri m O th e whee l He loosened o ut in th e

.

fire and now h e s gone back to h i s o wn righ tfu l size



.

They felloes be squee zed u p so tight that they do


hold the tongues O the spokes fi rmer than any vice

.

An i f that ti re don t hold sou nd fo r ten year I ll ea t


’ ’ ’

the wheel bond a n all wi o u t so much a s a mossel


, ,

,


o butter o r a pinch 0 salt
’ ’
.
THE STR APPER
TH E ST RA ER PP

E came into the village late in the summer


aftern oon when th e su n wa s shining through
th e five as hes that s tand a t th e c ross road s at the -

plac e called Forc hes — an ominou s name su g


g e sti n g that the re in olden time a gallow s stood ,

a warning to any with a talent fo r knavery .

He had traipsed some di stan ce a s it see med from


,

the whi te du st on h i s heavy boo ts and th e sweat ,

that trickl ed from h is forehead and stood in beads


upon hi s high cheek bones A tall strapping fellow
-
.
,

in yellow cord trou se rs he looked a s much like


,

doing a day s work a s any man could He carried



.

nothing bu t a hoe resting o n h is shoulder He .


came from down the cou ntry down West and a —

long shadow stretch ed before him upon the village


stre et
.

He stopped by the forge where the smith wa s


busy paring a horse s hoof’
.

Any ch ance o f a job hereabout do c c th ink ?



,

The smith looked him over stopped and thought


, .


Well now I beant zo wonderful sure but what there
,

rs
76 BOOK OF C R AFT S AND CHAR ACTER
mid be Try down below to th e old house Farmer
.
,

John B u ck s He ve a g o t up twen ty acres 0 tur



.

-

mets m ust be growing fas t after last week s ra in


,

.

They mus su re ! No w I wou ldn s wear mind but


’ ’
, ,

what yo u won t find a j o b ’
.

Wi th this encou ragemen t the strapper pu t on


a very bu siness like h ard working a i r and walked
- -
,

down th e village at a bri sk pace .

Farmer John B uck wa s in th e house and sent ,

o u t to sa y that i f th e man would wai t a fe w minutes

he would come out to take a look at him .

Farmer John B u ck did no t like strappers He .

had a prejudic e against all su ch wandering ru n ,

abo u t fellows w h o came nobody knew whence and


,

went nobody knew where A farmer may be sharp .

a s a needle and yet never


, get upsides with these
bird s o f passage However he prided himsel f that
.
,

he knew their ways To be sure whenever i t wa s


.
,

possible he liked to manage with h i s own folk


, .

Yet when the ears o f barley a re hanging all goose


necked when wheat is tu rning ruddy and weeds


, ,


grow fast enough to cover u p th e tu rnip drills what -

i s a man to do ? He eyed the strapper u p and down .

A great strong chap ! A u se ful fellow no do ubt


, ,

o r cou ld be i f he wou ld thou ght Farmer John B u c k , .

Hi s qu estions however were rather m a gisterial than


, ,

conciliatory and he received every statement o f th e


,

strapper wi th an explosive Ho l
Wh ere be from P
Down th e c ountry Creel i s my parish Down. .


below E xeter .
THE STRAPPER
Ho ! Well how , i s i t yo u haven t got work

at home P

I be a drainer by trade I shall be on again . ,

come win ter .

H o ! What have yo u bee n about then the las t


few month s ? ”


I hoed some wheat fo r a farmer dow n t other ’

zide o Ta n ton an stayed on haymaking When



,

.


th at were over I had to come on .

A single man P ”

A mi ssu s a n d fou r c h i l de rn I do want a good .


long j o b to send em back something ’
.

Ho ! Yo u do Can ee d rink a c up 0 c ider ?


.
’ ’

I can do that grinned th e strapper so well


,

,

o r bette r a n a n othe b me
j

y r o y o u c a n pu t to .

I don t dou bt that sa id Farmer John B u ck



,
.

After all th e replies seemed sati sfactory and there


, ,

wa s even something candid in th e manner o f the


ma n He hesi tated “
Well I ll be o ut in a min u te ’
. . .
,

We ll go up rou nd and see i f we can agree

.

The strapper had a c rust o f bread and c heese


to h is cider Farmer John B uck moun ted hi s cob
.
,

a n d they wen t to gether to th e tu rnip field They .

loo ked at th e weeds and higgled abou t the price


in a hal f ba nte ring sort o f way Certainly th ose
-
.


tu rm ets did wan t hoei n g a s bad a s any tur “


mets the strapper cou ld ca ll to mind A t last .

they agreed and the strapper wa s pu t on th e job


,

by th e piece .

That man had eviden tly a hunger fo r work Ti s .


more than likely I dare sa y when th is is done


, ,
78 BOOK OF CRAFT S AND CHAR AC TER

there ll be something o r anoth er el se tu rn up said


he ho pefu lly .

We shall see— we shall see replied Farmer ,

John B uck warily Mind I don t tell yo u there ,



won t’
.


I can lie in the barn I su ppo se ? ,

Ay Don t smoke and set th e place a fire



. .

B less thee heart master ! When I be the re I be


,

asleep laughed the strapper
, .

When Farmer John B uck got home he expressed


the opinion that this time al thou gh it might be ,

early to boast he rea lly a n d tru ly had picked up a


,

very likely feller .

The strapper slept in th e barn and the next ,

morning soon after daybreak wa s out and at work


in th e turnip field Farmer John B uck cast h is eye
-
.

u pon him when h e rode u p to start the reapers in th e

piece o f barley He had g o t h i s back bent over the


.

d rill a s if h i s only longing in li fe wa s expressed in



th e old refrain G ie I th e tu rmet boen A nd all
“ - .
,

day long he went o n ju st th e same except w he n he ,

sa t down under th e hedge fo r a bi t o f bread and

cheese in th e morning and a bit more wi th a nap in


th e shade a t noon The creeping field convolvul u s
.

with i ts lilac bell and the pimpernel with i ts little red


flower open to th e sun th e heart s ease th e chick

-
, ,

weed a n d all the rest o f them were d ragged u p by


,

the roots S ti fl prickly thistles and the softer milk


'

.
,

thi stles that stood so tall fell down be fore h is hoe .

The tu rnip drills stood o ut in even rank a s straight


a s files o f soldiers a nd where he had singled them
,
THE STR APPE R
the roots stood equ idi sta nt and regular a s troops in
open order When towards th e latter part o f th e
.

day Farmer John B u ck rode across to take a look a t


the strappe r he fo u nd that an amazing day s work
,

ha d been accompli shed He had never seen tu rnip .

hoeing better done The weed s were lying fla t u pon


.

the grou nd withered by th e su n and dead a s hay


,
.


You ve stu ck to it pretty close my man cried

, ,

he in a tone O f approval .

Ha ! I tell c c mas ter I be ha rd u p fo r th e



, ,

h a pe n c e lau ghed the strapper



.
,

Well keep o n like th at and you ll make a tidy


,

job O f i t Yo u c a n g o in and a s k fo r a cup O f cider


.


wh en yo u come down .


Thank c c si r ’
, .

Maybe that will keep th e ma n from going down


to th e public house thought Farmer John B u ck
-
, ,

and he i s a capital chap to work A nd a s he .

jog ged along he ind u lged in a little day d ream O f -

pu tting that strapper on regularly i f he shou ld tu rn


o u t really well and sendi n g fo r the mi ssu s and fou r

children to hel p u p th e population o f a dwindling


pa rish .

An d th e strappe r proved even better than h is


hopes He never wasted an ho ur fro m th e momen t
.

be knocked down the fi rst thi s tle to S atu rday


evening when he ca me in to d raw
, .

Well how m u ch do yo u wan t then P


, ,

Farm er John B uck had cast h i s eye over th e work


that afternoon and knew pretty wel l wh at ha d been
ea rned .
80 BOOK OF CRAFTS AND CHAR ACTE R
I thou ght 0 asken eigh teen sh illens said the ’
,

strapper .

B u t yo u haven t done i t

.


NO admi tted th e strapper wi th can dou r
, No t .

by a cou pl e 0 sh illen s o r hal f a c rown B u t I shou ld



- -
.

be glad wi it I do w an t to send some back home



. .

Farmer John B u ck w a s sh rew d and loath to part .

However he w a s good natured al so a n d th e chap


,
-
,

wa s ce rta inly use fu l .


Very well said he and pai d the money, Ge t , .


o n wi th i t 0 Monday

.


I will promised the strapper wi th fervou r Fo r
, .

I do hope you ll find me something on to winter’


.


Well We ll see .

.

O r maybe a reg lar j o b



.

K ee p o n to it sprack Mind I don t tell yo u I ’


.
,

won t replied Farmer John B uck in a tone o f

,

cheerfu l encou ragemen t .

Farmer J o hn B u ck declares he shall know that


strappe r i f ever he should fall in wi th him again .


B u t h o w a fellow wi a plen ty o f work in fron t o f

him can ru n away and leave i t fo r th e sake O f a


cou ple o f shillings an have to tramp maybe a score ’

0 miles in d u s t and s u n to find a wo se j o b i s wha t


’ ’


do cap I says Farmer John B uc k
,
Though mind .
,

me tis a lesson never to do a thin g however m u ch


,

,

y o u may be temp ted when yo u do know be tte r , .


tis

Zo .
TH E DR O VE R
TH E D R OV R E

H
E had long been a familiar figu re The stra nge .

n ess o f h i s atti re picked u p a g arment at a


,

time i n Odd c o rners o f the neighbou rhood co u ld n o t ,

fa il to catch and hold th e atten tion There wa s some .

thing pic tu resqu e about h i s rags tha t imp ressed itself


u pon th e memory . He might have robbed a scare
cro w Yet he took no sham e i a hi s tatters bu t looked
.
,

th e world in the face wi th a sort o f c u nning au daci ty


a n d ha l f an eye to the o fl c h a n c e o f a po t o f be er
'

He answered to the name o f Jack .

The surname o f Never sweat h a d been conferred


-

upo n him yea rs before in better ci rc u mstanc es from ,

wh i c h h e dropped through an inca paci ty fo r steady


wo rk Yet he wa s active to o Miles he tramped to
.
, .

ma rket a n d fair to the sale o r to fetch cattle bought


, ,

by a dea l e r at some o u t o f the way homestea d- - -


.

L ea g ues he sauntered behind flo ck s and herds The .

l ei su rel y habi t tha t earned him the nickname wa s n o


dra wba ck in h is profession He cou ld be tru sted n o t
.

to overdrive th e l azy beasts Fo r Jack w a s a d rove r


. .

His oc cupati on stan ds u pon th e lowest rung o f th e


83
84 BOOK OF CR AFT S AND CHAR ACTER
ladder amongst those men who rea lly see k fo r work
a n d earn their bread .

O f an autu mn day I came in sight o f hi m before


me on the road .

A soft bl u e sky hung over the head s o f yellow ing


,

elms It wanted but a n hour to noon and the sun


.
,

wa s high a n d shone over the top O f a berry laden -

hedgerow u pon the red backs o f a herd o f dai ry cows .

A littl e flock o f shee p went straggling along the way


s ide p u lling the ivy th at climbed over the bank o f a
,

dry di tch .

This wa s a Michaelmas flitting and the stock wa s ,

jou rneying to another farm O ne o f the farmer s


.

boys had been sen t to help Jac k and a couple o f ,

paces from hi s heel fo llowed a mongrel sheep dog -


,

lean long legged and wi th a ro ugh d a rk coat that


,
-
,

looked a s ragged a s hi s o wn An d wherever along .

th e hedgerow they cam e to hazel bu shes he and th e


bo y stopped pu lled down th e bough s a nd filled their
, ,

pockets with n u ts .

A few minu tes su fficed to overtake him .

B ecause th e weather wa s h o t he carried h is co a t


upon h is a rm It wa s gree n and threadba re and the
.
,

s leeves we re torn into a fri n ge Hi s elbow peered .

th rou gh a hole in an old flannel shirt from which th e


pattern had long a g o faded He wa s ope n at the .

throat betwee n h is red neckerch ie f and the neckba nd .

He wore an old sporting wai stcoat o nce gay but , ,

n o w di scolou red wi th filth and grease and the Odd ,

buttons which had replaced the brass were all undone .

H is trouse rs were tied around with string below the


THE DR VE R O
knee He wa s wi thout socks but a wi sp o f hay
.
,

supplied every wa nt a s might be seen where h i s ,

boots were in holes And yet this tatterdemalion .

wa s bu t fo rty with a physiqu e that many a well clad


,
-

ma n migh t en vy .

Well Jack a re the nuts ripe P


, ,

Fo r answer be cra cked one wi th tee th that had


nev er a ched a n d held out the full kernel fo r me to see .



A mo st s lip shell said he

-
.
,

I see you ve g o t a goo d crook

.

They do pick along the way an why n o t I ? he ,


argued pointing to the cattle and th e sheep a n d


, ,

g r inni n g all over a b ro a d fa ce that had not bee n

shav ed fo r a week .

S uddenly he tu rned excitedly to the boy .

There s thik white faced bu llock o ff down the



— -

lane Ni p across th e grou nd my lad an tu rn h e r


.
, ,

ba ck Then let em all bide there by the bit 0


.

,

grass and rest a bi t


, .

Nothi n g could be more inspi riting than th e e nth u


si a s m o f Jack Never sweat when he recommended -

acti vity to another .

He strolled on so me twen ty ya rds o r so and sa t


down on a l o w wa ll where a stone bridge carried the
roa d over a sm a ll stream The dog understood .
,

tu rn ed twice round and lay down in th e su n The .

flowi ng water made a pleas ant sou nd The ligh t .

breeze that followed it shook h i s tatters giving ,

glimpses o f th e man beneath What c hance might .

there be o f ge tting a t the real m a n wi thin th at inner


tenemen t P
86 B OOK OF CRAFT S AN D CHARACTER
I sa tdown at the other end o f th e wa l l .

Have yo u g o t fa r to g o P I as ked .

Yo u do know the Hare and Ho unds ma y be ?


Yes .


Well ; three mile past that .

Ho w fa r have you come P


Tis likely enough you do kn ow the R oyal Oa k


at Hatch .


Yes .

Well three mile t other side 0 that


,
’ ’
.

Tis pleasa nt on th e road at this time o f the



year said I , .

I f yo u do walk i t fo r pleas ure he an swered a nd , ,

thoughtfu lly cracked a nut B u t to wa lk all day .

wi th you r eyes on th e rumps O f another man s ’

bu lloc ks is a dry j o b The dro veri n g i s a poo r trade.

no w Th ey do mostly truck th e beasts an sen d


.

e m by rail Why a drove r can t find th e pric e o f a


’ ’
.
,

pin t to moi sten h i s clay o n th e road these days


except he do c hance to fall in wi a real gentleman to ’

give un a few h a pen c e ’


.

He cracked another nut .


A n they be scarce he went o n with a sh ake o f

,

th e head I tell c c wh at ti s the money i s in th e


’ ’
.
,

wrong hand s That s th e cu rse 0 this country


.
’ ’
.


The re i s bu t so much money there can t be An ’ ’

W
.

do fall more an mo re in to a few h a nd s I heard em


’ ’
.

a telling only la st week into th e


-
King illiam
back there to the fou r cross roads There s a man -
.

down there do rent th e shoo ting an he ve a got a ,


’ ’
-

pound every ten minu tes 0 the day a golden sovern ’


,
a- pa i d in to a Office in some town somewhere o r
nother No w do stan d to rea son i f he ha ve a got it
.
-

an o th er c an t Tha t s how ti s there s poo r a nd rich



.
’ ’ ’
,

I count L ook at th ik ewe there


. I f a nother do .

belong to sh e you don t Eh P ,



.


I should th ink tha t s clear ’
.

Thus encou raged be c racked more nuts and wen t on .

Tis pride i s the ro o n a ysh u n 0 this country a n


’ ’ ’
,

that ti me ll show They do all want to g et h igh an



.
,

i f some do some m u st be l o w I f some h e pon to p



.

there mus be some down under That s so clear a s


’ ’
.

the light Why I heard it said a week ba c k by th e


.

fel lers that do d rive th e tracti on engine a n I don t


— ’ ’
-

tell you no lie mind fo r th ey wa s a stood ro und th e


, ,
-

door 0 the Fo u r All s away there under th e bill



,

that the re s a lord up th e cou n try can t stomach h is


’ ’

victu al s wi thou t tis served t o u n o n a gold plate ’


.

Di ff eren t to a th u mb bi t u nder a hedge that Eh P -


, .

The ground arou nd by this time wa s strewed wi th


n u tshe lls thou gh he had thrown many over h is
,

shoulder in to th e b rook .

They be all so covetous these times he wen t on , .

I had a bi t 0 grou nd 0 my o w n once bu t they had


’ ’
,

i t away from me I too k u p a fe w po unds pon it ’


. .

That went o n a year o r tw o an my ground were ’

somebody el se s The o l d rogu e Of a lawye r What s


’ ’
.

his name that have got h i s o fli c e there in to town


-

,

same stree t a s th e B ri tannia he worked tha t I be



.
,

a bi t o f a scholar mysel f bu t h e s to o sharp fo r any ,


ma n .There were a young chap in to th e tap roo m -

o the B all there ha ndy to the market place you do



,

-
,
88 BOOK OF CR AFT S AND CHAR ACTER

know he said this lawyer What s hi s name is certai n


,

- -

to outwit the devil Thik young chap h ave a seed a


.
-

tidy bit He u sed to go out wai ti ng till he took to


.
,

d rink an cou ldn t carry a plate 0 sou p steady He


’ ’ ’
.

says thik lawye r What s h i s name i s so cunning h e s


’ ’
- -

certain to do the devil o ut 0 hell afore he ve a bin ’


,

-

w i u n a twelvemonth B u t I don t believe no such


’ ’
.

thing— there ll be no cow kicking then Th i n g s l l be


’ ’
-
.

squ a red O ff a bi t in th e next world Ay an the poor



.
,

man that do g o barefoot here will get h is due .

He stopped H is nu ts were gone and he g o t lazily


.

up from the wall .

S eeing him move the O ld dog blinked and rose,

sti ffly and withou t en thu sias m .

Jack Never sweat stood thou ghtfu lly scraping with


-

h is sti c k o n th e d u st o f the road .

S u ddenly he looked up .

Yo u hain t a g o t an odd c oppe r o r so about c c to



-


spare I su ppo se P be said in th e to ne o f o n e u n ex
, ,

p e c te dl y ill u mined wi th a b righ t idea Thank y o u .


,

si r
. Yo u re a real g e n le ma n
’ ’
.

A s udden briskness seemed to have overtaken him .


Hi Towze r
, .

The do g gave a ba rk .

The shee p ra n together in to a flock and the cows ,

became a herd .

I watched him slowly pass o u t o f sight beh ind the


hedgerows thi s fi rst cou sin to th e tramp whose only

,

l a ndmark wa s a signboard and whose wisdom and ,

phi lo sophy were bu t th e glean ings o f th e wayside


al ehou ses .
TRAN T ER L UC KSTO N E

LA K C -
clack —
lack clack c — .

From a mile behind my ba ck came th e sound


o f hoo fs beating on the hi ghway wi th th e even slow
, , ,

mo no tony characteristic o f a steady old road ster ,

whose frivolities have long ago bee n left behind .

Get o n then w ill cc


,
P C apta

in — ah
The voice o f T ran ter L uc ksto n e might clearly be
heard across th e soli ta ry landscape a t in terval s O f a ,

min u te and a hal f Yet admonition did n o t hasten


.

th at way wise steed Occasional friendly encourage


-
.

ment with th e whip made no di fference Tra n ter .

and his nag had done the sel f same jo urney to and -

fro h u ndreds o f times and the pace varied no more


,

than the ti c king o f a kitchen clock -


.

Ge t on then will c e P Captai n ah —



,

The rumblin g wheel d ew nea e


s r r r Slish s lush
— .
,

and always louder beat th e hoo fs on the Febru ary


poo l s and mud until a t last th e voice spoke close
,

behind my back and in another tone .


Wil l c c please to take a li ft ? shouted the

tra nter pulling up a s he spoke


, .

9:
92 BOOK OF CR AFT S AND CHAR ACTER

SO I mounted the carrier s fou r wheeled van and



-
,

sa t u p by s ide o f T ranter L u c ksto n e in front unde r

th e shelter O f the sq u are black tilt O f ta rpaulin .

Ge t on then will ee ? Capta in ah l



— ”
,

No t everywhere can you ride wi th a tranter now


adays R ailways have almost made an end to the
.

vill ag e carrier and the pa rc el post h a s taken away


,
-

more o f h i s work Only in remote districts he


.

lingers on making h i s wee kly jou rneys from isolated


,

parishes to dista n t market towns .

In both places he enjoys a small celebrity .

In the town he i s so bu colic ; whilst to h is home


he brings someth ing o f th e u rban bris kness it may he
o f a place O f fu ll five thousand inhabi tants One .

remarkable c h a rac teri stic o f T ran te r L u c ksto ne i s

admi red wherev er he goes No matter whom he may


.

chance to meet he h a s always a word to sa y


, .

He i s n o ne o f you r slow bu rly coun trymen making


,

u p wi th brawn fo r a dulness o f apprehen sion A .

dapper bright eyed man i s Tranter L uc ksto n e o f


-
,

about middle height His h eard greyer than h is hair


.
, ,

i s clipped short Hi s mou s tache i s sti ff a s th e bri stles


.

o f a s c rubbing brus h
-
He wears a long sleeve waist
.
-

coat reaching to hi s hips a n d th e corner o f a red


,

handkerchief hangs o ut O f o n e o f th e pockets Only .

when th e rai n be a ts in h i s face does he put on an


overall reaching down to th e black ga i ters each ,

fastened by a ro w o f hal f a dozen li ttle buckles and


- -

straps . He can move abou t a heavy weight so



handy a s any man B u t that do come 0 u se
.

,

says T ran ter L u c ksto ne .


TRANTER L U C K S TONE

A pa sse nger need not ta lk much in such good


co mpa ny Once set him O ff and Tranter L uc ksto ne
.

wi ll run on fo r an hour starting a lways with the ,

in tricac i es o f the tra nter s occupation ’


.


You have a pretty go od loa d said I peering , ,

ba ck into th e strange medley o f articles piled one


u pon the other in the gloom u nder the tilt .

A c ross handled bas ket o f eggs lay snu g a s a nest


-

on the inside o f an Old saddle on th e hea d o f an ,

empty cask The face and weights o f a kitc hen


.

clock repo sed on a bundle o f empty sa cks There .

were boxes and ba gs and pa rcel s o f all sizes and


s hapes tha t vi llage ingenuity o r th e wan t o f it could , ,

devise .

Nothen out O th e way replied T ranter L uck



,

stone thoughtfu lly scratching h is poll wi th th e butt


,

o f hi s whip Why bless you r heart an soul now ’


.
, ,

an again tes really more a n the mind 0 man can



,
’ ’ ’

really an truly hold 20 tes S ure tes


’ ’ ’
. . .

I suppose yo u write it down ?


No no No t bu t what I be a ti dy scholar to o
, .
,

thou gh maybe a bit out 0 u se B ut what I do sa y ’


.

is i f yo u do trust to a scrap 0 paper an lost i t


’ ’
,

where be P No w so long a s I can hold it in mind


I do know where I be I tell c c what tes There ’ ’
. .

idden so muc h in book la rnen a s folk do tell up -


.

No w my m a id is a bea uti ful scholar S h e do rea d .

o u t so well o r better a n passon and write fit to hang



,

u p in a frame If you do but mention a place sh e


.
,

c a n tell c c where te s fo r zi x pen c e B ut i f you do


’ ’
.
,

send sh e two errants to once sh e do forget one o r


94 B OOK OF CRAFTS AND CHARACTER
t o th er I really do think th e h ea d these da ys is to o

W
.

ful l fo r thought Folk c an t ho l d a thi n g o r tw o i n


.

mind som e a s the go od o ld so rt


, h y I don t over .
,

look a errant year s end to yea r s e nd L a uk a


’ -

-
.
-

massy ! I f I did I should never hea r the e nd 0 it ’

n o t thi s side 0 th e a I t ink



l

g r ve L a c a n j u s h h o w .

t ud be No w don t c c forge t my brass h ea de d nail s


’ ’ ’ ’
.
-

same a s you did E li zabe th A nn s pi l l s Very ga l len


’ ’
.


to a man to hea r— that Yo u know . .

The mere th ought wa s depressing .


Most hu m iliatin g a greed I in a ton e o f c omfort
, , .


B ut the money do kee p a ma n safe e xplain ed ,

T ranter Lu c ksto ne suddenly cheerin g up , S O lo ng .

a s there s a few h a penc e there mu s be so meth e n to


’ ’ ’

buy E very penny I do bri ng to lay out do stand


.

fo r so me th en so clear a s print Why i f tw ere but a ’


.
, ,

varden over I should know twere a paper 0 pi ns ’ ’


.

Ge t on then will c c P Capta in a h ! — ’


, ,

S o we jog ged on mile after mile up hil l and do wn


, ,

th rough the hollow and over the plai n un til w e ca me ,

to a sleepy old to wn a n d th e va n dre w up befo re an


,

a ncien t h o s te lry i n a square marke t pla c e Tra des .

men who were ex pectin g pa rc el s a dv ised by po s t


ca me bu zzin g a round .

Well T ranter Lu c ksto ne And h o w i s Tranter


, .

L u c ksto ne P
the s ig ht 0 you Sa dler B ill ing
All th e better fo r

, .


An here s a saddle all in hol es thank G o d l
’ ’
,

G o t my eggs T ranter L u c ksto n e ?


,

Here they be G rocer Jennings ,
.

An how do th e fowls lay up to Upton no w ?



TR ANTER L UCKSTONE

The sa me wa y a s Go d made em to the first going ’

o ff
, Grocer J ennings I ha nt a hea rd tell 0 no
.

-

c h ang e No t up o u r way
. .

Go t my ca sk P
He s no good I rea lly feeled ashamed to ride in

.


hi s compa ny .

N0 g ood ? Why tes a new cas k all but



.
, ,

P ack O stu ff I wouldn own u n Why h e s so


’ ’ ’

hollow a s a dru m
. .
,

A couple o f parc el s under each a rm he hu rried O fl


'

a cross the square .

The tradesmen looked after him in ad mi ration and


wink ed a t each other .

A wonderful man T ranter L u c ksto ne take him


, ,

how you will Never at a loss fo r a word
. .
THE OLD POACHE R
THE OLD P OAC H ER

E wa s itti ng in the co rner pla c e by the fire o f


s -

the an cient village al mshouse wa rmly clad in


,

a long grey frie ze coat wi th a red c ro ss on the left


brea st .

A life o f c ri me h a d brought him to this comfort


able in digence whi ch he shared in common with five
,

other inmates whom ha l f a cen tury o f res pecta ble


,

toil ha d led to the same haven .

Non e fe lt th e slightest hu mi liati on a t bec o min g


th e reci pien t o f cha ri ty Charity is more respec ta ble
.


tha n rates an d it save d them from
, the ho use So .

they were gla d to be there th ese six happy c a n



,

ta n kero u s old men who q ua rrell ed merri ly from mo m


,

ing to night They wen t proudly in thei r stran ge


.

clothes and were en vi ous o f ea ch oth er Fo r each


, .

had a so u nd roof over his head firi ng a nd bedding


,

free and a c rown pa id down every Saturday


,

If the y could only ha ve ag reed upon thi rty shillings


,

a week they might have fared like princes B u t each .

wo u ld bo a st a n indepen dent h erri ng a nd hold the fee


99
1 00 BOOK OF CRA FTS AN D CHAR AC TER
simple a separate hal f loaf They were a greed
of -
.

only u pon o ne th ing When th e pious founder


.

h u nd red s O f years a g o sta rted that al mshouse he ,

ou ght to have done the th ing properly and m a de th e ,

money a shilling a wee k more It wou ld have j ust


.

made all th e di fference— o ne shilling a we ek more .

Under the circumstan c es they fulfilled without joy


the only condition laid upon them and wa lked to ,

chu rc h onc e a S u nday without zea l .

Dan Ibbett th e Ol d poacher wa s the master


, ,

mind amongst them and sa t in the corner a s i f


,

by right .

A lthough they murmu red in h is absence not o ne ,

o f them bu t cleared o u t o f i t when Dan came in .

Wh at bu siness had he more than another to si t in



that nook always wi th h i s knees in th e w a rm ?
They as ked th e question o f ea ch other but ne ver o f ,

Dan He wa s more h u man than these ordinary men


.

who had lived by hones t work They gave way a s .


,

the mere herd m u st before the master bu llock B u t - .

they never tired o f li stening to h i s exploi ts a n d they ,

sec retly fel t th e sadness O f a lack o f anything heroic

in their patient lives .

He told th e same stories ove r and over again ,

always with an inqu iry whether they had heard that


o n e be fore What did it matter P They were dull ,

and liked a tale the better fo r knowing every word to


come Besides he told them in vivid colou r and
.
, ,

that counts He would n a rrate to any stranger fo r


.


an hou r fo r an ou nce o f B lack Jack but no less ,

potent toba cco brought a s much a s a tickle upon


THE OLD POACHER
Dan s palate Two ounces made th e price o f th ese

.

re mini sc ences .

Dan wa s a striking pe rsonality when he ta lked .

O n a d ull winter day th e fire l ig h t played upon the


whi te was hed wal ls decorated with pictorial almanacs
-

and on th e bl ue stone floor It lit up h is face and


'

h is g rey stubbly h ea rd o f a week s growth with a



, ,

yellow tobacco stain u nder th e lips It glistened on


-
.

h is sw eating clay pipe smoked bowl downward s with


no t more than two inches o f stem A short wi ry .
,

ma n he h a d kept a wonderful head o f ha i r to h is old


,

a g e but it gave to his counten a nce a wild rather than


,

a ven erable aspect A love o f beer togeth er with .


,

the parsimony o f the pious founder reduced Dan to ,

the necessity o f cu tting i t himsel f Any unduly .

obtrus ive lock be doubled ba ck o n th e blade and


sawed through wi th hi s po cket kni fe This admirable -
.

method gave to h is mafi a ? th e appea ranc e o f having


been eaten in places by rats .

His ex u ltation wa s merrier than the fire l ig h t .

Ho ! ho ! ho ! Th e things I ha ve a picked up in -

my time An never on c e in g aol o r I shouldn t be


.
’ ’

here Fined times out 0 number but la ! th e more


.

,

need to tu rn to th e next night That never daun ted .


.

I I had a love fo r it so there ! I couldn t keep


.
,

away from it no ways a t all I do hold ti s G o d .


A mig h ty s h are fi rst an then hi s that can catch h er


’ ’ ’
.
,

Gentlefolk don t want h er so bad a s a poor man



.

An there if you be sharp yo u don t run fo r it on c e


’ ’
,

in a win ter I didn t very often lay down no wi res


.

.

You got to g o a n pick em up I did love the night


’ ’
. .
1 02 BOOK OF CR AFT S AND C HAR ACTER

Take a so ft mild night just after bar est when the


,

,

crops be hauled in A s yo u do stand ag ain st the


.

hed g e an listen what wi the late h o neysuc ks



,

the air s so sweet a s a bottle 0 sc ent Then i f ti s


’ ’
.
,

all quiet an nobody moving down w i your wire o r



,

you r net u nder th e gate o r you do know where .

Get on old chap l Ti s wonderful what yo u can



,

hear by night I co uld u se to hear the O ld do g


.

rattl e a s he did gallop on th e long stu bble yea rs


, ,

a gone a fore th e machine did cut it so close


, He did .

know what he had to do better than many a fool do .

He did do i t to o an that s more a n many a man


’ ’ ’
,

will Whack ! bang into n et so hard a s a bullet I


. .

did d rop u pon h er an p u ll h er neck out afore sh e ’

had time to c ry B u t la l Hares have a got terr ble


.
-

scarc e s ince th e gro u nd game law I ne ver didn t ’


-
.

hold wi thik ground ga me law B ut there most



-
.
,

laws do take something o r nother from a poor



l a bo u ren man .

His fellow pen sioners c huckled assent to thi s well


-

established tru th and h e went on ,

O r ta ke a d a rk nigh t in S eptember early o r the ,

end O th e last week in Aug ust afore the shooters do


begin Yo u do know where the coveys be You


. .

can hear the old cock leading the you ng birds home
toward s twiligh t o r i f they have a been separated
,
-

like he ll call to em fit to bust h is dro a t You can


,
’ ’
.

find o u t on th e ground where they have a roosted a ll -


,

close together a s a cluster o f nuts You can g uess .

a mo st to the yard where they be Then you an a


’ ’
.

good neighbour mus walk a cross so quiet a s mice ’


THE OLD POACHER
on the gra ss a n dra w a net ove r em I ve
so ft
’ ’
.

a c la pped fi ftee n in one po cket a y an hea rd th e



-
, ,

sho o ters wond er n ext day where the bi rd s co u ld

ha g o t to I did laugh to myse l f: There s nothen



.

c a n stop it unless the keeper do bush the grou nd .

I ve a been out h u nde rds 0 times an no t a sou l pon


’ ’ ’ ’
-

ea rth th e wi ser B u t ho ! h o ! did make a man cu ss


.

to see they little thorn bush es a stu c kt u p in a likely -


g r as s g round though
-
.


I ll wa rr n t did sa i d each o f the oth er five wi th
’ ’
,

wa rm approval .

Po n my li fe so did sa id Dan

.
, ,

Conscious o f greatness a n d that all o f us were ,

waiting on h is words wi th slow deliberation be ,

knocked out th e ashes and refilled h is pipe .

Or ta ke a wild windy night when the hea d s 0



, ,

th e h ig h el m s do sway and h i s limbs do creak an


crack a y a n break 0 6 and fall to o No bird c a n


— — ’
.

roo s t high s uch a ni gh t He d be carried o ff h i s



.

perch The phea sa nts in wood do go up no higher


.


a n thi s ceili n g Ho w many a time I ve a laid fo r
.

-

h ours in wa it maybe in a bit 0 furze to li sten to


— — ’


em j ust in the dimmet an mark em up Then ’ ’
.

at midnight I did creep into th e wood yo u can —

see well en ough i f you r eye s h e u sed to th e dark .

I did carr the g u n stock in my pocket a n a short



-

barrel down my trouser lag Did take but a thimble -


.

fu l 0 powder an hal f this baccy bo wl 0 shot There


’ ’ ’
-
.

he d be close in again st the trunk on a lo w bra nch



, , .

If you did but pu t up the muzzle and whi s per in h i s


c a r down he d come There s nothing like a wi nd
’ ’
.
1 04 B OOK OF CR AFT S AND CHAR A CTER
to d rown sou nd DO blow it away D O choke up . .

a man s heari ng to o I ve a had em close u p to



.

-

keeper s hou se I ve a had a wagon load in my



.

- -

time B ut i f I could bu t be young again I d


.
,

Id

He pau sed and looked around upon that li ttle


,

circle o f wooden coun tenances open eyed with ,


-

wonder a s to what wa s to come next .



I d have two

.

Five wrinkled faces grinned with delight upo n thi s


un repentant sinner He still had the best o f it . .


Yo u hardened old law breaker said I ; the -
,

devil will have yo u a s sure a s the light .

That isn t o ne hal f I ve a done in my time



-

-
,

lau ghed he I ve a baited fish hook s wi raisin s
.

- -

bu t n o t to catch eels I ve a pu t down boiled pea s ’


-
.

w i hog s bristl es in em alongside a sta ck The pea s


’ ' ’
-
.

be soft an the bri stles do stick in a bird s dro a t an


’ ’ ’

choke worse a n a fishbo ne I could tell a score 0



.

ways i f I wa s a minded and twut worth while Bu t


-

.


what good is i t P Tis all gon e all gone an past ” ’ ’
.

He gave a sigh then tossed h is head and sneered ,

upon th e five .

B u t fo r all that master if th e devil i s the man , ,

I do take n u fo r he ll find the wit to poach one o r ,


tw o O these here sleek fa th ea ds what wa s wa rm



,

a bed whilst I wa s out in th e wind to work
-
.
A GAM EKEEPER
A G AME K EE ER P

TA LL
, pright ma n and a s tough a s th e
u ,

grou nd a sh stick he carries in h is han d


-
.

The light activi ty O f early manhood he h a s lost .

He no longer vau l ts th e gate into th e wood bu t ,

no you th o f twen ty could walk do wn the ride wi th


a spring ier step .

I have never seen him indoors .

I pictu re him only in th e open a i r wi th th e sky ,

above h is head and th e turf o n th e mossy woodland


glade beneath h is feet E ven within the wall s o f h is
.

thatc hed cottage clo se by th e larch plan tation he


, ,

wo u ld seem like a bi rd in a cage A n d to be .

su re
, from sun ri se to ev ening he i s rarely there ,

a n d some times n o t a t night .

He is a head keeper bu t not o n one o f th e great


-
,

estates .

He wa s born in that cottage and played in in fa ncy ,

on th e plot where th e spaniel s and th e grea t wavy


coated retriever a re chained and set up su c h a choru s
o f ba rking when a stranger comes to th e doo r H is .

father lived there and wa s k eeper be fore him ; and


1 07
1 08 BOOK OF CR AFT S AND CHAR AC TE R
Jack th e you n ges t O f a lo ng family o f sons stayed
, ,

a t home and in th e end took h is place


, .

So from boyhood every nook o f every field and


s pinney o f the domain h a s been famili a r to him He .

knows them all by heart and th e ways o f every living


,

thing th at inhabi ts them L ike them al so he h a s


.
, ,

grown into harmony wi th h i s env ironment ; and a s in ,

h is grey green jac ket with th e d u ll meta l b utton s he


-
,

passes along th e hedgerows o r th rou gh th e wood ,

whether th e hazel be in leaf o r ba re he imperceptibly ,

melts into th e landscape .

I h ave been m any a walk wi th John B eale .

I have strolled with him in su mmer where the


coops o n some heal thy slope bes ide th e wood stand
, ,

together ye t apart like villa residen c es a t a heal th


,

reso rt ; and tramped a ro u nd th e bo u ndary late in fall ,

when pheasants steal away after the ripe blackberries


and falling acorn s ; a n d a long th e winter g u tters O f
an early morning when snipe a re in th e meadows .

I have heard him marshalling h i s hea te rs into line



wi th a peremptory Hold back here
,
K eep u p ,

there on the le ft amongst th e rabbi t bi tten dog
,
-

woo d a n d foot en snaring briars Of the coppic e


-
.

My heart ha s gladdened at his shou t away over


the broad stu bble Mark before th e d riven coveys
,

came like a whirlwind over th e hedge .

B u t best o f all I like to go upon his h ea t about


nesting time w hen fu ll blown prim roses a re fading
,
-

and bluebells grow i n strips and patches under th e


trees ; when bu t fo r th e stoat th e egg stea ling hedge
,
-

h o g and ra t with now and then a jay o r a sparrow


,
A GAME KEE PER

h awk, young li fe is to be fostered and slaughter h a s


c eased .

John Beale either by habit o r natu re is reserved


, ,

bu t then he will ta l k Then it is easy to recog nise


.

that if born a t the H all in stead O f th e cottage he


, ,

might ha ve been a s brave a soldier o r a s su btle a


diplomatis t a s any squire s so n ’
.

He speaks in a low voice and all h i s u tterances ,

so u nd confidential B u t indeed some o f them a re


.
, ,

not to be repeated wi th time and place .

The keynote o f h i s ch aracter i s a respect fo r


rights and a determination to defend them As .

he talk s o f trespassers o r oth er lawbreakers and


offenders h is brows contract in to a frown beg otten
, ,

pa rtl y from a habit o f constan t observation in th e


open a i r When he h a s had h is sa y h is mouth sh u ts
.
,

like a steel trap with an a ir O f That s my opinion


,


and I hold to it .

O f one thi ng he i s qui te certain He is not an .

arbitra ry man .

” “
No said be one day
,
I see no need to tell all
, .

Tis wis er much to use you r judgment and some


times to keep a still ton g ue You see the li ttle .

homestead away there on the bill I stood o n .

thi s very spot one aftern o o n and the farmer s so n



, ,

a sort o f hobble de hoy fella r took a pop over th e


- -
,

hedge and knocked down two birds He pick ed .


em up clapped em in h is pocket and wa s back
,

out o sight again in hal f a min u te He could get



.

home before I co u ld meet with him B u t I had a .

g lass in my pock et S o I stopped wh ere I wa s a n d


.
1 10 BOOK OF CR AFT S AND CHAR ACTER
watc hed th e house My gen tleman wen t through .

the gate climbed up on th e wagon sha ft and hid


,
-
,

th e bi rd s o n th e ra fter o f th e shed Then I knew all .


about i t .

He stood in the ride and smiled .

Yo u knew he would le ave the m there u ntil


evening ? I asked
I knew he wa s acting o n h is o wn I f th e Old
.


.

people had known h is g ame he would have g one


straigh t indoo rs a s pro u d a s a tu rkey cock So I -
.

walked straight down He and h is father s tood there .

talking togethe r j us by the po u n dh o use doo r SO



.
,

I ta xed th e boy wi th th e shooting straight o u t He , .

s wore I m u st ha made a mi stake and h is father took



,

his part to o B u t he didn t know how m u ch I had



.
,

seen till I catched u n hold by th e e l bow an l ed u n



,

ro u nd an pulled the bi rd s O ff 0 th e beam H is


’ ’
.

father wa s in a terrible w a y I said What righ t have .


,

y o u g o t to kill bi rd s ? I s aid Wha t righ t wo u ld ’


,

y o u have anywhe r e wi thou t a ce rtificate P Tha t lad ’

turned so whi te a s a ghost He sa w him sel f The re . .


,

h is father wa s really a mo st in tea rs No w I m paid


’ ’
.

to catc h poa chers Wh at did I ough t to ha do zze P ’


.

He asked th e q u estion wi th deep seriou sness and ,

a perception that he wa s propo unding a very di fli c u lt


ethical problem .

I also perceived the whole matter a s between


Justice and Mercy to be involved in it .

Well now I do n t mind telling you I held my


, ,

,

tongue . Many a man would have told to prove h is


sharpn ess B ut the lad g o t ri d o th e g un and

.
mi sed it pa ss He s gro wn up no w
a nd I let

pro , . ,

a nd g o t th e fa rm a n d a very ha rd wo rking man


,
- .

Yo u see tha t wa s no real po a c her Yo u don t wa n t



.

il l will o n a pla c e
- I tell yo u a wise keeper doesn t
.

qua rrel with g ood tena nts Gi ve a young ch a p 0 .


tha t c lass o ne chance I sa y I m not a a rbi tra ry , .


ma n . I never wa s B u t if a ma n won t heed dro p


.

,

o n hi m sti fl Drop on hi m a ll yo u c a n That s ’


'

. .

We stro l le d on wards d o wn the slope a n d thro ugh


th e cov er S ometimes he tu rned to glan c e at a
.

vermi n tra p No w a nd a g a in where the coppic e


.
,

ha d been cut we loo ked at a phea sa nt s nest be nea th



,

the sprawli ng bra mbl es o r under th e shel ter o f a


fa ll en limb a nd coun ted th e o live bro wn egg s Then -
.

we got back in to th e ri de .


It isn t every ma n c a n keep g a me sa id be

, .

He m ust ha ve a n eye fo r ev ery little thing You .

see that tra ck P Tha t s n ew to me I know the ’


.

fo o tpri nt o f everybody wi th a right in this wood .

Any hurdle maker o r wo odman that comes here I


-

n ote Th ere s so me men below strippi ng ba rk



. .

They a re ri ght en ough a nd we pa y fo r e very nest ,

they find a nd sh ow B ut th at tra c k now . Whose .

is it ? No w I c a n tel l yo u That wa s the missus o f .

the u nd er keeper up here wa l ked to church 0 S unday



-
,

in a new pa i r o f bo ots Sh e ve a got a goodi sh size



-
.

ho o f o f h er o wn mi nd And that s th e way sh e



.
,

turn s o ut her feet .

We ca me to the edge o f th e wo od and he stood ,

ba ck o ut o f sig ht a nd lo oked a cro ss the l a ndscape .


112 B OO K OF CR AFTS AND CHAR ACTER
A man to be a keeper m us t have it in him to
Observe Did yo u see that pigeon come out o f the
.

clump o f firs beyond the lake ? Sh e ca me o u t in a


h urry Off h er nest Tis near a road a nd th e chi ldren
.

,

creep in to pick flowers o r to search fo r nests The .

man that side must look round an hunt em o u t ’ ’


.

No ; they can t do much h a rm but theyve got no


’ ’
,

right there In winter the pigeon s d rop in to roost


.

i n tho se trees They come in two s a n d threes and


.

circ le round a nd then se ttle in I wa s sta nding here .

last December and I sa w one after another take a ,

couple o f turns and then make O ff S omehow o r .

o ther I guessed what wa s u p I nipped down and .


,

came upon a couple o f fella rs a ferreting They -


.

bu nked o ff Bu t I knew who they were C ost


. .

'
em two po u nd a piece B u t la ! they ll be here -
.

a ga in next win te r There s no cu re fo r a d run kard ’


.

o r a poa che r — that s my opinion And I m not a


’ ’
.

arbitrary man .

I su ppose if they know a place to be well



watched they go el sewhe re .

I ll tell yo u a tale about being frightened



,

laughed John B eale A fu nny th ing happened .

down to that lake years a g o I caught a young , .

carter putting down a ra t g i n fo r a n eel I ha d my -


.

doubts about that chap before I could sca rce keep .

a sober fa ce but I did He had got the tra p under


, .

water tiled with a dead g udgeo n a nd made fast


, ,

with a bit 0 c o rd I put o n a fierc ish look a nd



.

I said What right have yo u got a t thi s ?


,

I ’

sa id Yo u ll hea r mo re 0 this matter Th at wa s ’


’ ’
.
,
A GAME KEE PER

tr ue enou gh thou gh I only meant a lesson and


, ,

no harm to th e chap Fo r though I sa y it mysel f


.
, ,

I m no t a arbitrary man B u t he served seven



.


years fo r that .

S even ye ars ! Fo r putting down a ra t trap to -

catch an eel ? Why he ou ght to have had a medal



fo r th e origin a li ty o f the idea .


Well I su ppose I did speak a bit sh arp Bu t i t
, .

frigh tened him and no mi sta ke In the night he ra n .

o ff and enlisted S o I always said he served seven


.

year fo r that However no harm wa s done He


.
, .

sta yed on a n d h e s a fu ll se rgean t n o w on th e road



,

fo r a pen sion .

A n d what about these thorough in cu rable


poach ers P They a re a crafty lot a re they n o t P ,

said I.

John Beale tucked the ground a sh stick fi rmly -

under h is a rm and looke d u p a t the sky .

What I do know abou t poachers and their



tricks and ways I tell no man replied be with ,

a laugh .

B u t least o f all one who migh t se t i t

down in prin t .
THE CAR TER
TH E C A RTER
CO UL
D he ar th e j i ngling o f bel l s in the lane
a n d see th e ta p o f th e load s lowly m o vi n g

above th e hedgero ws, fo r he ha d been to the wood


to fe tch hu rdles .

Wh en they presen tl y came in to view h e wa s o n th e


near side O f the sh aft horse wi th one ha nd on th e
-
,

rein. He a nd h is tea m had a j o urne y be fore them .

Th e na me on th e wagon announced them from th e


larg e sh ee p farm ten miles away wi th th e fine old

W
-
,

homestea d under the down He looked bac k at th e .

wh eel shouted
, a g o f? to the wise old mare
between the sh a fts and a s soon a s th e gate post wa s
,
-


safel y cleared Mither wa y Then be crac ked h is
,
-
.

whi p so that they tu rned up into th e high roa d in


,
-

prou d style .


Whoa !
They stopped .

The travel l ing throug h copse a n d lane had been


rough and bad a n d in th e fresh clea r a i r the swea ti ng
,

horses were so o n wrapt in a clou d o f brea th and


steam They were bo th bright ba ys a nd eac h had
. ,
1 18 BOO K OF CR AF TS AND CHAR ACTER

a white stocking on the o ff hind leg fo r the young ,

one wa s bred out o f th e old mare a n d matched h er


to a hair .

Then the ca rter hung his brass ringed whip on to -


one o f the h a meses a nd took out hi s box to l o a d ,

another bit 0 ba ccy into hi s black clay pipe He

.

s tru ck a match s heltered it wi th his two h a nd s a nd


, ,

blew out volumes o f grey smoke .

A ltogether they made an old world pictu re ; fo r -

the la rg e yellow wagon built on graceful l ines by ,

so me O l d villa ge wheel wright who took a pride ,

in his c raft had seen o u t more than one genera


,

tion Having a thought to the villa ges through


.

which they must pass the carter had spent an ,

extra hal f hour that morning on horses a n d gea r


-
,

so that everything i n th e eyes o f a l l who sa w, ,

might be a credit to himsel f and the place whenc e


he came The brass ornamen ts on the ha rness
.

shone like gold The old fashion ed bo ard o f bells


.
-

towering above the collar o f the fore horse wa s -

cu rta ined by a ro w o f woollen tassels o f crimson


and yellow The long leading rein hung a long the
.
-

s ide o f th e fore horse ready to h i s hand -


E very , .

th ing bo re an appearance o f simple but substantial


pro sperity and th e carter wa s a go od match fo r th e
,

rest. He wa s an elderly ma n wi th a thin weather ,

wrinkled respectable face and he wore a short linen


,

smock now rarely to be seen that re ached sca rcely


, ,

to th e buckle bones -
.

G ood morning c a rter You have a g ood tea m , . .

Ah ! You show me a better Why they be .


,
THE CAR TER
pretty a s a picture a n both so so un a s a hel l 0 bra ss
,
’ ’ ’
,


I ll warran t em
’ ’
.

You mu st take goo d c are o f them o r they ,

wouldn t look so well



.

The word o f pra i se wen t stra ight to h is hea rt and


l o o sened h i s tongue at once .

Tes my delig ht There s a plenty o K irstia ns


’ ’ ’
.

not so se nsible a s what th ey be They do know .

my voice They do know my step an whi cker o


.
,
’ ’

ma rnens afore I do get to sta ble door B u t la ! I .

do look to they fi rst Always did I d sooner go to . .


bed w i a empty bel ly any night 0 th e wick than they


’ ’

shou ld hu rt No w what sort 0 li fe mu s a ca rter


’ ’
.
,

lead wr a poor ha l f starved team ? Why tes double -


,

the work Mus be An what pride c a n th e man


.

.

take to walk on by the side 0 em P B ut they don t ’ ’ ’

gie I n o trouble an they be so gentle a s lambs You



.

Why thik Old mare


,

see they be always up in heart


, .
, ,

her s so sta u nch i f you did hitch sh e on to a mou n



,

ta in her d hau l and strive ti ll h er did d rop N0 bill



.

have ever a stopped they though mid be so stickle


-
,

a s a roo f A n never won t Ith o ut somebody o r


’ ’ ’
. .


anoth er should witch em ’
.

He stopped and laughed .

Clea rly he did not go in fear o f any such mishap


, .

Yet the re m a rk wa s natura l enough sinc e in olden ,

time th e ho rse wa s eve r the easy vic tim o f secret


malicious spells The little brass ornaments th e
.
,

cresc en t on the forehead and the swinging disc


about th e head that still adorn many a set o f
,

wagon ha rness were in th e fi rst place protective


,
1 20 BOOK OF CRAFT S AND CHAR AC TER
charm s ; a nd th e ro w o f bells co mmon ly believe d to ,

so u nd a warning o f approach when wa ys w ere


narrow served indee d to frighten OK th e pixies
, , , ,

who had a way o f meddling with horses both in the


sta ble a t n igh t o r a fter dark upon th e roa d .


I have not heard o f anythin g o f that sort fo r a

long ti me .

Tes gone o u t said be with a wi se shake o f th e



, ,

hea d . There I don t believe in i t mysel f Though


,

.
,

fo r all that my brother he did a n do fo r a ll I do


— ’
, , ,

know .

He pau sed and pu shed th e rising tobacco deeper


,

into the bowl wi th his finger .

An tes a fu nny thing to o look at i t how you will


’ ’
.
,

B u t my brothe r he w u r carte r to a miller an one



, ,

time broad dayligh t to o he passed a wom a n po n


, ,

th e way Well they did sa y h e r did do a li ttle to i t


.
, ,

bu t whe er h er did o r no tidden fo r I to sa y A n


’ ’
.
,

he thou gh t h e r looked a t u n a bi t s traigh t like Well .


,

a s a body will then n o w an again po n th e road that


’ ’
, ,

do wan t a li ft an ha n t g o t face to up an as k
’ ’
But
’ ’
.

he never ope d h i s lips A n then he wished like



.

, ,

that he had Fo r he verily thou ght th at h er ba d th e


.

power to do harm an pa rtic la r i f h er wu r a flro n ted


'
’ ’
.
,

Wel l he hadn t a g o t on more than a mile — a n a


,

-

ro ad mind
,
me so level a s a gun ba rrel
,
— when h is -

bo sse s stopped sho rt There they did q u ivery an did



.
,

tre mmley all over l i ke a popl a r tree in a th u nde r ,

sto rm nu th e s wea t did ru n O ff O em in rive rs


’ ’ ’
, B ut .

wu r H e n e ve r touched o em wi

.
’ ’

o ugh t th e old wi tch did mean to


THE C AR TER

es teb un up a n ride Bu t h er n ever comed by O r



. .

if h er did he sa id mus be in some sh a pe he c ou ldn t ’ ’


,

rec o n i se she An he had to h ide there a hou r an


’ ’ ’
.
,

then they bo sses we nt o ff 0 their own selves a y so ’


, ,

well a s ever ma n c ould wish No w I do know that s .


go spel M ind I don t believe in non e 0 it my o wn


.
,
’ ’

zel f B u t twur a very fu nny thi ng a s you m us t



.
,

o wn — a very funny thing Do ee h appen to have .


s uch a thing a s a lucifer about c c P— i f mid make


I provided him with a match ; and there wa s


silen ce but fo r h is p uffin g a s he li g hte d h is pipe
, ,

onc e m o re and drew i t into a glow .

No w I ll tell c c a bit more My bro ther s first


’ ’ ’
.


missu s a n he ve a had three were a to o kt most
’ ’
- - -

terrible bad w i a hesita tion in h er in zide Her ’


.

victual s could n t do sh e no good an h e r fell away



,

an wur like to die So my brother he went up ten



.
,

mile to the c onj u rer He rode on wi one Tran ter .


L u c ksto ne if you shou ld hap to know th e name


, .

A n the conj u rer corned o u t to door an he said


’ ’
, ,

You needn t to tell me what you be a comed about



-
,

fo r I do know You r miss us i s mos t terrible ba d


. .

B ut you ve a left it too long Tes a wonderfu l


’ ’
-
.

strong S pell a pu t pon the poo r soul bu t I sh a l l do



-
,

my best fo r h er No w if you should ride along in .


,

s a fe ty a s I do hope yo u mid look well about an ’


, , ,

li sten fo r a gi rt black c row An i f yo u should hear .


o n e croak th re e times zend fo r passon to once fo r , ,

the time i s n o t long B ut if than three more o r less .


,

I ve a — hop
’ ’
g o t e s .
1 22 BOOK OF CR AFT S AND CHAR AC TER
Well my brother an Tranter wu r a riding on
,

-

toge ther a thinking 0 no thing a t all when wi o u t


’ ’
-
,

so m u ch a s a lumpe r o r a stu mble down d ropped

Tra n ter s Old hoss They nipped down so qu ick a s


,

.

they co u ld an g o t u n up po n hi s lag s B u t mind


’ ’
, .
,

me when they corn ed to eye u n over he hadn a g o t


, ,

-

so m u ch a s a scratch an n o t a thing a bro kt n o t



-
, ,

buckle no r strap SO I do think— leastways my .


,

brother do believe— that conj urer s spell w u r scarce ’

strong enou gh to ove rc ome t o ther like bu t only to



,

stop harm B u t j u st a s they stoo d a l o o ke n th e wold


.
-

hoss over like there corned a crow so big a s a raven


,

an perched in a elem tree n o t zo very fu r away



-
.

An he croaked twice Then T ran ter he chucked u p



.

h i s h a t to frigh t nu o ff B u t T ran ter wu r wrong . .

Thik c row gi ed o ne more croak an fled No w i f he


’ ’
.

had a bec n let alone he mid ha croaked a dozen


-

.

A n h i s missu s h er lived si x year an


’ ’ ’
B u t zo twu t .
,

the n w ur c a rr d o fl wi a sq u i n zy No w I cou ld
'
’ ’
.

take my B ible a te rda vy O th e fac s Mind I don t


’ ’ ’ ’
.
,

believe in no su c h things B ut tw ur a very fu nny .


thing abo u t thik ho ss an a very fu nny thing abou t



,

thik crow a s yo u m u st o wn a very funny th ing



, .

H e gravely shook h is head a s he took h i s whip o ff



the h a meses .

Well tes time to wag I do su ppo se I do wi sh



.

Come u p Ge e O ff ah l
, ,

c c a good day

- - -
. .

A gain be cracked h is whip .

The chain s clinked th e wheels c reaked The bells , .

rang me rrily even a fter he wa s o u t o f sigh t .

In the li teratu re O f the sixteen th cen tu ry the carter


is often s po ken of ude ; a nd ca rterly and
as r

c a rterl i ke a re u sed a s terms o f reproa c h Yet he .

must a l ways ha ve undertaken respon sibility and


o c cu pie d a position o f tru st A mongst the humble
.

folk o f the village he took no doubt a leading place


, , .

B u t he a l one wa s ta ken by h is occupation into the


towns and cities when he hauled corn hay straw
, , , ,

a n d fi ring to m a rkets a n d fai rs An d so with hi s


.
,

rough country man n ers and being th e only ru ral


,

fig ure c ommonly seen he wa s perhaps too hastily


,

chosen a s the type o f the most uncouth .


TH E SN A I L -
M ERC HA NT
T wa s i n a Somerset lane that I sa w h i m o f a ,

morning in early win ter after th e leaf had ,

fallen from th e tall hedgerows and lay red and


sodden in th e di tch and among th e scan ty grass

o f the strip o f wayside waste He wa s a strange .

figure thi s grey haired man ; something past


,
-

middle age yet sti ll hal e and active a n d he looked


, ,

older than h is yea rs a s be stooped and clo sely


scanned the bank .

His c ostume o r equ ipmen t rathe r wa s also such


, ,

a s to attract atten tion .

His coa t wa s anci en t wea ther stained o f the dull


,
-
,

gre en tha t a dark cloth assumes after yea rs o f


expo s ure to alternate rain and sun a nd patched ,

with a daring that wa s beyond pra ise B u t patching .

clothes i s a lo st a rt everywhere except in places ,

mo st remote Over hi s shou lder he carried a sack


.

secu red by a piece o f window cord S lung from h i s


-
.

neck in front wa s a sort o f pocket o r satchel al so ,

made o f sa cking In hi s h and wa s an i ron ro d


.

slightly be nt into a crook with which he kept ,

1 37
1 28 B OOK OF C R AFTS AND C HAR A TER C
th rusting and probing among the ivy and under th e
hedgerow roots Then he would pick something u p
.

and drop it into h is satchel .

What could i t be
Nuts were gone and th e fe w pu rple sloes that still
,

clung to the leafless twigs high and o u t o f reach , ,

had been spoil t and shrivelled by the early frosts .

B esides these a re no t to be found down on th e


,

bank .

Curiosity triumphed and so I asked ,

Wh a t a re you looking fo r

S nails wa s th e rather short reply
, .

What do you want them fo r ?



Zell em ’
.

B u t almost at th e same moment he softened a


little and a dded I tho ught wi th a touc h o f pride
, , ,

That s my trade

.

No w every establi shed trade must have a name to


know i tsel f by and what might this indu stry be mo st
,

appropriately called To ta lk o f catc hi ng even a


su mmer s n a il when he i s on urge nt bu si ness a fter

a thunder sho wer with his horns o ut a n d h is ho u se


,

on the middle o f h i s ba c k doing h is best o n the ,

cinder trac k o f a ki tchen g arden pa th wa s absurd


- -
,
.

To speak o f ga thering sna ils on a bank that in


earliest spring will be covered thick wi th sweete st
pri m roses would be sheer profa nity .


Then what do yo u call yoursel f ? I ven tured
to a sk .


On the census I p u t s nail me rchant he a nswered
-
,

with d ig n ity .
THE SNAI L -
MER CHANT
A n d so a snai l merc hant let him be -
.

Hi s fi rst difli denc e overcome he had no objection ,

to ta lk abou t his trade He felt proud o f th e vast .

and in c reas ing magnitude to w hich commerce in


s nail s wa s attaining A ll that he could pick up and .

more would be taken by one house o f business in


B ri stol In fact at thi s time o f the yea r he could
.
,

never get enough .

B u t to wh at sort o f shop do they go i '


To an oyster ba r - .

A t once in respon se to a smile he hastened to


, ,

explain .

Oh but they don t zell em fo r oysters Ti s all


,
’ ’
.

fai r and open a s th e day They do zell em in the .


shell boiled and jus t a s they be


,
You zee and he
, .
-

waved th e snailing iron in structively ti s th e like-


0 thi s The glass blowers have always a made u se



.
- -

0
’ ’
em becau se they be so good fo r th e chest And .

folk wi weak lu ngs do eat em to o An d others have


’ ’
.

a l ea m t from they like and do ea t em fo r a reli sh



-
.
, ,

Oh there s a goodish trade I ve lived at it su mmer


,

.

and win ter ali ke fo r ten year Tis a growing trade .



,

To be sure gentry don t eat em in thi s


’ ’
to o .

country but ti s to be hoped that they wi ll Fo r


,

.

I ve a bin told and told by one that have a bin the re



- -
, ,

to o that in furrin parts qu ality folk do eat em to



,

th eir meal s And why no t They be wonderfu l


.

good and stren g thening to o

W
.
,

What do they taste like wi nkles ,

i n kles l
The mere word filled him wi th scorn .

10
1 30 B OOK OF CR AF TS AND CHAR ACTER
They be bette r than best mutton .

And a re there other men in th e trade ?


P lenty B u t n o t about here
. No I f a man . .

should chance to come he re 20 zoon a s he knew I ,

wa s working thi s district he d go away again



.

P rofessional etiqu ette I su ppo se ,

He looked puzzled .

Then he said Yes yes , , .

B ut presently he added doubtfully Yo u zee he , ,

wou ldn t find so wonderful many where I d a been


’ ’
-
.

B u t thi s wa s wasting time and he tu rned ba ck to ,

h is work though now that h is tongue wa s loosened


he kept talking all th e while Into th e dark caverns .

under th e wrinkled roo ts o f a maple bu sh he th rust


h i s snailing i ron and tapped in all d irection s
-
.


There s a lo t here he said

, .

Ho w do you know

B y the sound .

He pulled away th e sandy earth and pu t in h i s


hand .

The only risk in this trade he told me wi th a ,

shake o f th e head i s from add ers No w an again


“ ’
, .

earlier in the season you do put you r hand in an


,

fee l so meth i n move Mid be a adder mid be only a



.
,

grass snake Yet do make ee creep like B ut th ey


.

.


be all in their winter sleep by now .

He d rew out a clu ster o f snail s hal f a s big ag a in a s


a cric ket ball .

There ! That s how they do cling together in



winter to keep warm I suppose No w you wouldn , .

su ppose a sn a i l to h a ve mu c h sen se but a sn a i l I tell , ,


THE S NAIL -
MER CH ANT

ee , a very c u nning thing A very intellectual
is .

crea tu re I do cal l un zo there He do know what


,

, .

he do like and where h e s safe from the th ru shes ’


.

H e do like maple and sycamore and n u t and as h .

B u t elder he can t abear and so he won t g o there


’ ’
,

think 0 that ! He do know h is own mind yo u zee



, .

A n d that better a n most men and all women — eh ?


A n d they ll c raw l th rough a c rack in a o ld stone


wall one to a time and then pack in side a h u nderd


, ,

o em where I can t hook em out A n d a snail do


’ ’
,
’ ’
.

know limestone from other stone to o He s partial , .



to limestone .

A ll thi s while the snail merchant kept picking -

snail s from among th e ivy from crevice s be twee n ,

stones and from the thick grass that fringed the


,

bottom o f the rou gh wall by th e meadow gate Al l .

th e li ttle ones he rel igiously put back There is no .

close time fo r snail s so i t behoved to be careful On


, .

th e bank lay an o l d black relic o f a boot .

A sn ail do dearly love an old boot qu oth th e ,

s nail merchant a s he picked o u t two dozen


-
.

His satchel being full he stopped to pou r the ,

contents into h is sa ck .

Ho w do you se nd them
T rain They pa ys ca rriage and returns the ba g
.
,

wa s th e bu siness like reply -


.

Don t th e shells g et broken ?


They be too strong Why see how a thru sh .


,

must keep knock knocking on a stone No w I ll tell


-
.
,

you a pretty th ing When th e frostes do come and


.

the ground i s so hard a s i ron th e thru shes do follow ,


1 32 B OOK OF CR AFT S AND CHARACTER
on beh ind a n d pick u p any I do ch ance to d rop and
th e small that I do th row back Yo u see a thing .
,

hal f starved do lose h i s fear fo r I do never see em


-
,

another time The robin s will come close u p where


.

I do move th e earth but they be more cu riou s than


,

sh y B u t talking o s nail shell s you can tell a sn a il s


’ ’
-
.
,

age by h is shell u p to five and then he do st0 p grow


,

ing and g o o u t 0 mark like a hoss at eight L ooky



.
,

see here — h e held up a snail and pointed to th e


bars upon its shell from ba r to ba r that s a year s
’ ’

growth but a t five h e do stop a g rowing and tu rn


,
-

back th e edge o f h i s shell Oh a snail shell is a .


,
-


strong thing .

I had never be fore thought o f it in that light .

Yet after all e ven an el egan t weight like my o wn


, ,

-
sa y twe lve s tone fo rmerly — is scarcely fai r on th e
snail .
AN OL D P R OJI CK ER

CLE AR blue sky ca nopied a J u ne garden a ,

sq u are plot o f good size extending from a

village street to th e steep bank o f a little strea m


shaded by pollard willows with he re and there an
,

o l d apple tree
-
.

A l o w thatched cottage stood a few ya rds from


,

the front hedge The roo f w a s thin in plac es bu t


.
,

newly patched in others with clean yellow straw , ,

that put th e older parts more o ut o f cou ntenanc e


than eve r . Yet the recent th a tc hi n g w a s but a
makeshi ft after all Just eno u gh had been done to
.

keep the place h a bitable but n o t a stroke more


, .

Dark weather stains running from the c a ves to th e


-

window gave unheeded warnings o f decay Some o f .

the little dia mond shaped panes were missing bu t


-
,

sheets o f paper had be en pa s te d over the gaps ;

some were cracked and the pieces o f b roken glass

held from falling by pats o f putty E vidently this


.

w a s a house which th e own er had determined to let


dow n .
1 36 B OOK OF CR AF TS AND CHAR ACTER
Ye t something pl easa nt in the aspect o f this o ld
world habita tion invited a closer attenti on .

I t seemed to s mile u pon the passe r by -


.

S tra nge flowering creepers old fashioned and n o


,
-

longer planted in these days ha l f covered th e mud


,
-

walls A well with bu cket and windlass wa s on o ne


.
, ,

side o f th e paved pathway near to the open doo r and ,

some th ree o r fo ur bee bu tts stood in rank at a safe


-

distance among th e flowers In th e flo wer knot .


-

were warriors fast going to seed pu rple g i ll a w ,

fers tall and straggling and tu fts o f w hite pink s


, ,
So .

the a ir wa s fu ll o f scent and h u mming A n d one .

ancient leaning apple tree bu ttressed in to secu rity by


-
,

mea ns o f a forked pole late in flowe r held i ts gigantic


, ,

nosegay o f delica te pink blossom to the bl u e s ky .


Wonderful plea san t weather piped the voice o f,

an old labou rer who bo o k in hand stopped trimming


, , ,

h is garden hedge when he sa w me loi ter .

Could you give me a d rink o f water


He hobbled towards the li ttle gate a n d held i t
open fo r me to enter .

He wa s a very old labourer lean a nd ben t a nd h i s


, ,

shi rt wa s unb u ttoned and open a t th e th roat Fo r .

the sake o f good manners he pu t on a rusty o ld green


jacket when he wen t indoors fo r th e c u p He dipped .

the fresh drawn water from the bucket a n d handed i t


-

to me .

Tis a beau ti fu l spring said he



.
,

His face m u st have been handsome in youth a n d ,

a li fe o f labour in the open a i r had not blunted the


well formed featu res no t uncommon among the very
-
,
AN OL D P R OJ I C K E R

humble in th e West Country He h a d an a ir o f .

refinemen t i nh erited i t may be from some long fo r


, , ,
-

gotten aristocracy and a finer head to look a t th a n ,

four fifths o f o ur leg i slators who a re wondering wh at


-

to do with him .

You have a u seful bit o f ga rden and so me n ice



flowers als o I suggested , .

Then do c c please to step round i f you will



, .

P leased a t this admi ration fo r h is flowers he led ,

th e way down th e garden path .

There I bain t no gardener he said in a tone o f


,

,

apology .B u t ti s my del igh t to watch things grow



.

An my liven too fo r the most pa rt so fu r a s that




, ,

do go I be to o wold in the bone a n too sti fl in the


'

.

j i n ts to get out to wo rk ve ry much S o I do bide .

here hou rs an pro j i c ky I bain t no scholar but I



.

,

be a terr ble one to pro j ic ky a lways wa s

— .

As he spoke he looked over h i s shoulder and


laughed wi th a twinkle in h is grey eye I t seemed .

to find a humou r even in th e limita tion s o f old age ,

when relieved by th e ingenious scheming expressed


by th e word pro j ic key .

The garden wa s a wonder o f heal thy growth .

P ota toes we re al ready neatly rou nd hoed and -

green pea s breaking in to flower There wa s no .

serrie d rank o f broad bean s but individ u a l plants ,

seemed to be s ki rmi shing a l l ov er th e ga rden and ,

the sc ent o f their blossom everywhere filled the a i r .

L ettuce al so were sprinkled in a l l directions But .

there were two good be d s o f onio ns a nd o ne each o f



carrots a n d pa smu ts .
1 38 B OOK OF CR AFTS AND CHAR ACTER
a tidy lo t 0 early teddies an they be sa fe
Ti s
’ ’


from th e frost no w said the o ld m a n wi th pride
,

I .

did stick a few hu rdles arou nd em a t nigh t to sort 0 ’ ’

shel ter em like That w u r my pro j ic k My missus



. .

did lau gh an sa y W hat be g wa i n e o u t to fold your


,

, ,

sheep then B u t I don t s ee bu t what it did a c t


very well I don t worrit mysel f abou t no early pea s


.

.

They don t pay fo r th e trouble to a poor man I do



.

wait till they c a n grow u p com fortable like Why .


,

th e room they do take u p i s wo rth more a h one li ttle


p icken th e s i ze 0 g un shot A n I don



t pu t in my .
’ ’

broad bean s in rank They do come all to o ne time .


,

an g et old an tou gh afore yo u can ea t em I do


’ ’ ’
.

wan t a thing soft an young fo r my wold gu ms I ’


.

do carry rou nd a fe w bean s in my pocket like an ,


now an th en I do make a li ttl e hole w i my walken


’ ’

stick in a likely place a n d rop o n e in They do do ’


.

better single than when they be so thick They ve .


a g o t mo re room an they do like th e a ir A mo st ’ ’


-
.
,

everything do like th e a ir I do mysel f Things . .

that be crowded bain t neve r so strong L ook at



.

folk in towns I do a c t th e s ame w a y wi th e lettu ces



. .

I do prick o u t o n e o r tw o here and there where I do



take the fancy .

H is eye cau ght sigh t o f a sl u g o n th e ou ts ide leaf


o f o ne o f th e lettuce s He stooped to pick it o ff . .

P inched i t be tween h is fingers and thumb and then ,

ru bbed them wi th a piece o f ground sel in a very

exemplary and clean ly manner .

Yo u ba in t neve r dull i f yo u be o n e to pro p c ky



.

There s always so meth en to do I ve a made a



.

-
AN OL D P R OJ ICKE R

dippen place down here to the bro ok to water my


-

g a r den D o. c c ze e P I ve a —
c u t t

w o o r d ree s tep s

down th e ban k an digged a hole an let in a old tu b ’


,

.

He i s bo u nd to be full so lon g a s water do ru n in th e


stream An I tell c c anothe r thing He do ca tch
’ ’
. .

a very fine sand I ve a g o t one o r two ren u nc lu ses .



-

up there to th e fron t an a ren un c l us i s a thin g do ,


dea rly love a bi t 0 fine sharp sand They do wonder ’


.

why mine be so big B u t I don t tell all I do do .



.

I do bide mu te When I ve a heard what o ne an .



-

another do zay I do only go back and pro j ic ky the



more .

He looked arou nd wi th p ride and s urveyed hi s


v ariou s c rops Then he poin ted them o u t one after
.

another .


I do live out 0 these here ga rden We can t ea t ’
.

a l l th e teddies so we ve a g o t a fe w to sell There s ’ ’


-
.
,

onions there to last to nex t s ummer an carrots an ,


’ ’

p a s m u ts to o mo r
,e a n eve r w e , s hall u se I s hall ’
.

have a few tu rmu ts there between th e hedge a n d th e


sca rlet ru nners
-
and a girt veg a ble m a rrer on the
,
-

heap in th e corner An I do se t a bo o k an line .


’ ’

down there u nder th e wi thy tree an ca tch a eel -


so su re a s th e light eve ry time th e re do come a

drop 0 rain ’
.


I catched one a pou n weight once ’
, .

I sold my apples last yea r fo r a poun a n d three ’

hal f c rowns a nd there were more blooth to year I


-
, .

picked te n quart o goo seberries o ff th ey bushes this ’

wee k a n las t Tis no good to try to keep em



.
’ ’
.

The blackbirds do ea t every one They do a ll laugh .


1 40 B OOK OF CR AFT S AND CHAR ACTER
at I They do sa y I be so well o ff An I don t
. .
’ ’

never complai n I d sooner turn u p these here bit 0 .


’ ’

ground an wa l k u p an down thik path an stud an


’ ’ ’ ’


pro j y
i c k .


I su ppose yo u do not go o ut to work at all
now
No w gai n I do crack a few stones An o n e
an

a .

an another do find me some li ttle job to e arn a


shi l le n B u t I can t g o so ve ry fa r n o w I be only ’


. .

fit to spu ddley an pro j i c ky I be in my fou rscore ’


. .

B ut there I c a n just manag e to g e t th e little I do


, ,

wan t You ll vi n d yo u don t want zo terr ble much


.
’ ’ ’

when yo u do g e t u p in years They do le t me hav e .

th e co ttage free n o w There s nobody bu t I wou ld ’


.

live in u n an when I do go they do mean ,



to pu ll u n down .

What do yo u think o f this talk about o ld age -

pen sion s

I don t spend much thou gh t pon things that be
’ ’

so fa r o ff I d sooner se t my mind po n this here


.
’ ’

yard o r two 0 grou nd and th e o n e o r two apple ’

trees I did hea r th e question as ked a s to wh o i s


.

going to pay these here pe nsio ns I don t meddle .


w i no such matters mysel f They don t never bear


’ ’
.

no c rops that I can se e If you do plan t a peck o .


teddies an dig ten yo u can see th e inc rease I f you



.
,

do d rop i n one bean a n pick hal f a pint they don t ’


,

eat so very ba d h o t o r cold wi a bi t 0 ba con an a ’ ’ ’

pinch o pepper a n salt B ut you can t fill a hungry


’ ’
.

belly wi word s I never cou ld I don t put no trust



. .

in i t To see th at I do rec kon I should have to l i ve


.
,
AN OL D P R OJ I C K E R

more years a n the old est man in the S c ri ptu re a n


W
’ ’
,

mankind don t do it nowadays



h o w ould pay it . ,

master ? An h o w m u ch wou ld i t be


They talked o f five shilling s said I Ou t o f , .

th e taxes .

Ay they talked B u t I don t know who d pay it


’ ’
.
,

in o ur pa rish There s sq u ire hav e a got nothin


.

-

left He don t know where to look fo r a fi po u nd


.
’ ’

note so th e tale i s An passon i s so poo r a s a crow


, .

by all accounts an h is o wn to o An my o l d master


,

.

down to farm why he v e a lost money to my know


,

-

ledge fo r five a n thi rty years an a s h is o ld father


-

-
,

never left so ve ry m u c h he mus be d rawing very ,



nea r th e end 0 i t now ’
.

He shook h i s head and the merry twinkle came ,

again in to h i s eye .

Theyve all a lost money bu t I master Bu t


’ -
, .

money didden never trou ble I much fo r I never had ,

none to lose S o I do su ppose I d bette r to bide


.

co n ten t so long a s I can knock on an pro j ic ky ” ’


.
THE OL D MOLE CATCHE R
X VI I

THE OL D M OL E A
C TC H ER

N old ma n crooked with rheumatism and pa st


A
, ,

work he lived with hi s old woman in th e


,

little cottag e by the co rner opposite th e disused


village pound .

What wi th h i s pension from the so ciety whic h to , ,

be su re wa s no t much bu t might be relied upon to


, ,

come in reg lar and the help o f one o r two wo n
'

,

derfu l good son s the neighbou rs accounte d Peter
,

S ims th e old mole catch er well o ff


, , .

He wa s always to be seen o u t o f doors .

O f a fine day he would stroll down the ro ad and


across th e footpath to c hoo se some conven ient gate
,

o r stile to lean aga in st by th e hou r He liked to .

bas k in th e su n and gaze u pon th e broad mea dows .

H is clothes were o f that ancie n t ru sset hue which i s


n either red no r b rown no r green a nd in the land sca pe ,

he wa s scarcely distin guishable Agai nst a green .

hedge a hazel c opse o r an arable field he wa s a s


, ,

little suspected a s a hare in h er form If you c ame .

upon hi m he showed n o inclination to talk He


11 “5
1 46 B OOK OF CR AFTS AND CHAR ACTER
would c ivilly pas s the time o f day Then in a .
,

qu erulous voic e o f mourn fu l remon strance he a lways ,



added There s a te rr ble sight 0 wants abou t and
,
’ ’ ’
,

moved regretfully to another basking place -


.

B u t one a u tumn morning Pete r came o u t from h is


cottage door newly a rrayed .

The village wa s waiting fo r him The news ha d .

already be en carried aro u nd fo r a parcel bro ught by ,

post had been opened in th e presence o f the post


,

man He wore a beau ti fu l moles kin wai stco at and


.
,

crowning h i s grey lock s w a s an old fashioned mole -

s kin cap Nothing so complete had been seen in th e


.

parish fo r years and th e neighbours all crowded


,

a ro u nd .

Thou gh to be su re ti s what yo u wore a l l your ’

life Mr S ims a s mid sa y said they


, .

, ,
.


20 I did 20 I did . .

An where did it come vrom Mr S im s



.
,

O ur B o b sent it He s a wan t ca tcher up th e



.

coun try yo u know , .

With both hand s th e old man stroked th e


glossy fur .

He wa s a s delighted a s a child .

In th e livery o f h is ancien t occupation Peter S im s


wa s anothe r man The moleskin waistcoat like a
.
,

magi cian s robe brought h is mind once more in



,

touch wi th h is a rt He smiled on the failings o f the


.

present age A half indulgent note could be de


.
-

tec ted in h i s A te rr ble sight 0 wan ts abou t w hen


’ ’

I found him tha t day gazing a t th e ro ws o f brown


hillock s i n a piece o f a fter grass -
.
THE OL D MOLE CATCHE R
They seem to catch them elsewhere said I wi th , ,

a congratulatory tap on the third button .

O u r Bo b he do know the w a y crowed old P eter


, , ,

in his pride fo r I l a m ed th e boy my ownsel f
,
.

The old chap straightened himsel f and cleared h i s ,

th roat .

Moles yo u do call em don t ee They used to ’


,
’ ’

be called wants in my day No w I can tell c c all .



abou t moles said he “
I ve a catched h un derds and
, .

-

thou sa nd s fo r tis th e one th i ng in li fe I ve a gied


’ ’
-
,

tho ught to I f you do want to be a mole catcher


.

y o u m u s gie up yo

u r mind to it You m u s learn .

thei r ways an thei r natu re so a s to get round em a l l


’ ’
,

ways Tidde n a bit 0 good to catch hal f a do zen


.

- -
,

an then zit down That s what they do do n o w



.

.

There idden no rea l old fashioned want catchers -

nowadays No t one in twenty mile round here


. .

A la bo u re n man mid put dow n a few traps and pick


-

u p a sc ore o r two to perk u p in hedge fo r squire to

look a t a s he do ride by But if you do wan t to .

— —
keep wan ts I do mea n moles down you mu st ,

volley it I tell c c volley it
— ’
, .

He wa s so emphatic in the opinion that mole


catch ing must be followed and shook h is hea d so ,

l o ng that I thought the tal e wa s done B u t n o t a t


, .

all He sta rted afresh A glow o f colour brigh tened


. .

each word ; fo r a sun set illumines that o l d world -

speec h fo r which th e day i s almos t gone Mo re .

ov er he spo ke with th e wise simplicity o f th e


,

unlea rn ed .

Ay yo u mus volley em a ll mann ers a nd ways


’ ’
.
,
1 4 8 B OOK OF CR AFT S AN D CHAR ACTER
No w , like all liven things but man they mu st be ,

busiest in sprin g They do work a goodish bi t in


.

th e nigh t B u t so true a s th e ligh t they do a l ways


.

work u pon th e very tou c h 0 daybreak No w sa y ’


.
,

you ve a g o t nic e ope n weather an a light fine soil



-

in a pastu re field a n j u s avore th e glimmer o


,
’ ’ ’

ma rn en yo u be there What ll you zee The dew ’


.

maybe do lie around po n everything blade an leaf ,



,

,

bu t th e foot track s you ve j u st a made a mo st so


’ ’
-
,

whi te a s a sheet 0 frost First a blade do qu ivery



.
,

an then th e brown earth do heave u p an hal f cover


’ ’

the you ng grass in n o time Ti s a wonder h o w so .


s mall a c ri tter can wo rk so fast B u t he m u s a l ways



.

work away fro m home mind that So clap th e s pade , .

in behind u n like in h i s own hole Then you c a n


,
.

dig u n o u t like a tatie an gie u n a knock wi th e ’ ’

s pade . A li ttle thing do kill a wan t mas ter Why , .


,

a ta p po n th e sn ou t that wou ld little more a n crack



,

a d u nnock s egg a n h e s dead Oh ! yo u c a n



,
’ ’
.

destroy a sight 0 wants if yo u be u p avore light in


the ma rnen .

W ith
B u t what abou t th e

Eh ? T raps did ee zay


traps that yo u

I be a bi t hard 0

set

h e a re n He rai sed h i s hand to ea r


. Yo u do .

mean they little boughten snaps don t c c ,


’ ’

No The o ld fashioned sort with th e bent stick


.
-


stuck in to th e gro u nd .

When I wa s young we did zit ro u nd fire o f a


night an make o ur own traps I tell ee volk to day

.

-

do buy hal f th e things they u sed to make Why we .


,
THE OL D MOL E CATCHER
di dde n even use wi re whe n I wa s a boy Ah ! You .

go a n ba g a few stou t hai rs o ut o the sta llions tails


’ ’ ’

when th ey do travel roun an you don t wa nt no ’


,
’ ’

wire I wou ldn gie a tha nkee fo r ha i rs o ut o f a


.

mare s tail There idden no stren gth in it No t if



. .

ti s th e biggest m a re ever hitched in to a plo u gh



.

Then you c u t o u t a likely bit 0 smooth wood abou t ’


,

two fingers wide an so l o n g a s your pa l m ; a n bore ’ ’

the holes wi a red hot iro n when you do si t down



-
,

wi a d rop o ale o r cide r i f you ve a g o t i t an fit in


’ ’ ’ ’
-
,

you r two little wi thy bows ; an o ut o ut your peg to ’

hang down in th e way whil st he do ho ld th e nooses


s lack Then yo u lay he in the run w i a bit 0 string ’ ’
.
,

from th e n ooses on to th e g reen hazel stick yo u do


tell o a stu c kt in to th e grou nd fo r a spring Ah !

-
.
,

L et bu t a snou t touch thik peg That w ur G ood .

night to my little velvet coated g en le ma n Ah ! -



.

Wire never did so well They did smell wi re An . .


mind me wan ts be that terr ble c u n n en i f they ve


,

,

a g o t bu t a i n kle n o it they ll sho ve o n a bi t 0 earth


’ ’ ’
-
,

an knock o ut thik peg all fo r nothen

.

Do yo u think they know what they a re doing


I do know they do They ve a done i t to I too .

-


many times fo r chance work -
.

When I smiled h e grew more determined .

A h ! They little wan ts small a s they be have , ,

a g o t wi sdom beyond thei r size


-
They do bu ild a .

fine home mind to rear their you ng They ve a got


, , .

-

a upstai rs a n a down stai rs to u n in a manner 0



,

spea ke n an a girt heap 0 leaves in the middle


,
’ ’

a mo st so so ft a s a fea ther bed They ve a g o t main


’ ’
- -
.
1 5 0 B OO K OF CR AFTS AND CHAR ACTER
road an by ways,
s

-
an a man mu s know where to
’ ’

pu t h i s trap B.u t clever a s th Almighty made em


’ ’
,

I mysel f have a catched h unde rds an thou sands o ’ ’

em h u nde rds a n thou sands



— ’

He pa used .

Thou gh he still kept stroking the waistcoa t there ,

wa s no more to tell .

Once more he gazed out u pon the landscape .


Tes a terr ble sight 0 wants about said he
’ ' ’
.
,
X VI I I

T HE T RU L FF E H U N TE R

HE N the leaf h a s fallen abou t the time that


,

gam e pie and boa r s hea d first beg in to loo m


-

u pon a still di stan t C h ri stma s ho rizon th e E nglish ,

tru ffle h u nter takes to th e field .

The locality in which th e tru ffle may be fou nd i n


thi s co un try in a quan ti ty sufl
, i c ien t to make i t worth
th e hunting i s n o t ex ten sive
, Unsuspected a nd
.
,

there fore u n sought fo r this rem a rkable fu ngu s may


,

no d o u bt ex ist elsewhere ; but i n parts o f Do rse t a n d


o f Wil ts i t i s regu larly gathered and al tho u gh the ,

market is chiefly supplied from th e Continent some


,

few persons a re able to ea rn a livelihood during th e


early win ter months by th e sea rch fo r it .

The tru ffle hu nter is a man by himsel f He knows .

no competition i n h i s q u ain t and brief avocation .

Fo r the tru fll e grows m o st plenti fu lly on a chalk so il


and only under trees The stately beech wi th
.
,

sprea di ng, drooping bra n c hes i n early summer


th ickly clad in glossy lea ves and falling like a s ki rt


,

ligh tly to tou ch th e ground i s i ts favo u ri te tree



,

al though it i s al so to be found in less abundanc e


1 53
154 B OOK OF CRAFTS AND CHAR ACTER
unde the oak and the h n t The finel y timbere d
r c est u .
-

park therefore afford s th e ha ppiest hu nti ng ground


, ,
-
,

and to en ter this permission m ust be obtained .

In the S outh o f Fran c e where truffles a re very ,

abu ndant th e pig i s chiefly used to discover them


,

and thus in stead o f enjoying a li fe o f ea se and


,

elegant gentility a s he does with u s in E ngland the


, ,

hog i s made to work a nd earn h is living like a ma n .

B ut here where the game i s scarc e th e pig could


, ,

make no show at all a t the bu siness E ven the most .

exemplary so w experienced in telligent willing


, , , ,

motherly and endowed wi th all the many vi rtues and


,

excel lences o f h er se x and race i s a t best but a poor ,

ranger Thoughtful deliberation characteri ses all h er


.

movements but there i s a certain lack o f dash


, .

When there i s ground to be covered sh e cannot be


relied upo n to ri se to th e occas ion With u s it is .

necessary to u se dogs and therefore a tru ffle hunter


,

must be o f a trans pa rent res pecta bility that c a n win


and retain th e confidenc e even o f a head keeper -
.

The privilege to walk over the estate may very


likely have descended to him from his fathe r and ,

from childhood he h a s u nderstood the value o f it .

His son s and daughters u ndis tu rbed by th e prevailing


,

desire to run away from the locality in which they


were brought up go into service at the great house
, .

He belongs to the countrys ide and i s kn o wn to ,

everybody around His tru flle hun ting holds him to



.

the place o f h is bi rth S carcely an ywhere else can


.

it be ca rried on and like most men who follow an


, ,

odd occ u pa tion he h a s more o f the old world spirit


,
-
THE TR UFFLE HUNTER

than many o f h is neighbou rs S o the squire stops to


.

have a word with him whenev er they meet listening ,

a l l th e while wi th a smile to hi s qu ain t phrase s Well .

awa re that he i s in favou r the tru flle hu nter i s free


,

o f spee ch He h a s nobody el se to think o f no


.
,

employer to please and he freely enjoys a broad


,

hunting g round from which every intruder is severely


-

excl uded .

It wa s a dull morning very ea rly in winter and o u r ,

trysting place wa s by an o l d di su sed chalk pit now


- -
,

overshadowed and a lmost hi dden u nder trees o f hal f


a ce ntu ry .

Underfoot the turf wa s soft and springy and th e


gra ss wet fo r it i s no ti me to hu n t fo r truffles when
,

the ground i s bou nd by frost Upon every side the .

well wooded landscape melted away in to a grey mist


-
.

Fro m every twig and bud hung a d rop o f shining


moistu re imperceptibly increasing to fall at last
, ,

u pon the sodden leaves so bright in the early


,

stag es o f thei r decay tha t they could give a glea m o f

ruddy warm th even to the bare cheerlessn es s o f a

wi nter day .

The a ir wa s so ft and mild in its h u midity A .

squ i rrel awakening to an hou r o f activity betw ee n


,

h is win ter naps ra n o u t u pon a branch stopped and


, , ,

stoo d a t attention with h is tail cu rled ov er h i s ba ck .

S uddenly he tu rned lea ped to another limb and ra n


, ,

shyly back to hide him sel f behind the trunk Yet .

presently he wa s o n th e ground moving to and fro ,

in gracefu l leaps in h i s search fo r some odd beech


n u t i f by cha n ce the bi rds might ha ve left o n e here
,
156 B OOK O F CR AFTS AND CHAR ACTER
a nd here so late in th e yea r The squ i rrel al so i s no t
t .

a bove reg a li n g him sel f with a tru ffle s hou l d he


happen u pon one d u ring hi s excu rs ion to the earth .

B u t di stu rbed by th e sound o f a footstep he aga in ,

rai sed him sel f to watch and li ste n Then h i s ta il .


,

und u lating a s he wen t h e wa s o ff and o u t o f sig ht,

behind a branch o f th e tree once more a s the truffle ,

hu n ter came in view with three w hite pood les close


to h is heel .

A qu ain t gro u p they were a s they q u ickly advanced


down the g rove .

The man in a fu stian c oat and gaiters and with a


, ,

stou t g rou nd a sh s tick in h is hand looked like an


-
,

under keepe r A n d th e coat had l a rge g ame pockets


-
.
-

to o which were full and bu lging u pon each s ide


, .

The little poo dles fo r they a re m u ch smaller


than their carefully trimmed ari stocratic c ousin s -

who move in th e best ci rcles looked like a small


trou pe o f performing dogs They appeared to take .

a su bdued and seriou s view o f li fe They looked .

more thou ghtfu l even than comic a rti sts waiting


fo r thei r tu rn s .


I don t hardly believe I can be behind ti me

,

s aid h e .

O h no I a m early Did yo u find many on the .

way here

I ha n t a h u n ted I comed straight o n zo vast
’ ’
-
.
,

a s I cou ld B u t in a momen t divini ng th e mean
.
,

i n g o f th e qu estion he d rew fro m h i s pocket a ,

hand fu l o f li ttle block s o f dry bre ad a nd held th em ,

out to show me .
W Tes to hea rte n up th e dogs he explained
e h a d a long day s tra mp be fore u s a n d we

started a t on c e .

,

,
.

We w ere a lmost strangers but h is sim plicity wa s ,

so direct that he wa s q u ite ready to talk to me fro m

th e fi rs t and hi s one s ubject wa s the myste riou s


,

beha viour o f th e tru fll e .

No w to my mind a tru ffle i s a very fu nny thing


, ,

sa i d he

Yo u mid find em i n one place thick a n ’ ’
.

plen ty ; an hard by where th e eye can find no



,

di fference and in reason yo u w ou ld look to see


j us t so many there idden a single one to be had
,

no t fo r love n o r money .

P erhaps they would sta nd tran splanting .

B ut I ve a tried that I ve a to o kt up little u ns


’ ’ ’
- -
.

an set em in a likely spot but come nex t time there


’ ’
,

were no truffles the re neve r th e more .

Th en why do yo u hu n t fo r them over new ground


s in ce yo u know where they a re

B ec au se fo r all that they do die o u t an start



, ,

fresh 0 thei rselves like My father fo und em


’ ’
.

where there s n one n o w an yet they be where no



,

dog o f h i s ever stopped to scrape in h i s life So .

I do allow there is so meth en in th e natu re o f a


truffle more than th e mind 0 man have eve r

a wormed o u t o r ever will A n that s easy to think


’ ’
-
.
,

when all their growth is o ut o si ght u ndergrou nd ’
.

All th e while we were trudging to and fro ac ross


tu rf a s fine a s a lawn now to a s ingle tree and then
,

to a gro u p cl u stered tog e ther o n the a wa rd like a


con ste llation in the heaven s .
158 B OOK OF CR AFT S AND CHAR ACTER
and again a rabbit ra n a c ross in front o f u s
No w .

Once in a little hollow where the grass wa s rou gh


,

and long a hare jumped up at o ur feet


, .

These wise poodles took no notice o f th e one o r


the other Only u nder th e trees when th e tru ffle
.
,

hu nter waved h is hand fo r them to range did they ,

show a n y exci temen t Then they gallo ped abou t


.

with eager jealousy each a n xious to be th e fi rst


,

to find B u t fo r more tha n an hou r noth ing came


.

o f it
.

We went in to th e corner o f a beech wood where -


,

there wa s no copse and th e g round thickly covered


, ,

wi th the brown waste from a wildly extrava gan t


shower o f m as t w a s bare o f vegetation a s a fl
, oo r .

We pa ssed down a narrow glade between two


covers The po odles ranged like spaniel s u pon
.

each side o f u s a s we wa lked on and no w and ,

again when they loi tered we stopped to watch them .

P resen tly one o f them raised h is nose and sni ffed


the wind then cantered forwa rd in doubt then
, ,

galloped some twen ty yards and bega n to sc rape


a hole i n the g rou nd The trufll e hun te r ra n a s .

hard a s he could ; fo r n o t only may a do g inj u re


th e preciou s fungu s by inordinate sc raping bu t he ,

i s apt in time to acqui re a taste fo r i t and will then ,

s wa llow it himsel f In this instance there wa s no


.

lamentable waste o f thi s sort ; and to the envy o f ,

h is companion s the fortunate poodle wa s rewarded


,

with a c ube o f brea d .

I t wa s a most interes ting exhibition o f keenness o f


nose fo r the trume wa s quite three inches u nder th e
,
THE TR UFFLE HUNTER

grou n d a n d th is one a s it happe ned wa s scarc ely


, , ,

larger tha n a hazel n u t - .

Th e tru fl l e hun ter h anded i t to me fo r e x a m i


nati on .

There i s nothing attractive in the personal appear


ance o f a trufll e noth ing impressive to s upport a
,

ti tle to the res pec t in which it h a s been held A .

fine tru ffle c losely resembles a moderate sized -

potato o f infirm con stitu tion and wi th a ruined


complexi on It is like a walnut blacken ed by
.

sto rag e in a damp cellar and affl icted with warts .

From i ts ex terior th e animating sou l that can ,

impa rt a su btle spi ritu a li ty even to brawn could ,

never be divined B ut i t is good fu n searching fo r


.

the trufll e ‘
.

The morn ing clea red and by noon a gen tle su n


,

light fell u pon th e glistening trees and dewy grass .

We wen t into th e valley by th e ban k o f a broa d cl ear


river and there w e fo und them thick and fast
,
We .

ra n f or ou r lives both o f u
,
s— o r fo r th e live s o f the

tru ffle s— u ntil the bread w a s all di s tributed and th e ,

fu stian pockets bu lged more than ever .

A nd when th e win ter su n d ropped like a red di sc


throu gh th e level clou d o f grey mi st that h u ng along
th e western sky and pa s sed quickly o u t o f sight
,

below th e hori zon th e truffle man followed by h is


, ,

poodles tru dged home well la den from h is bloodless


,

hu n t
S OL P R I DDLE , THE DEALER
SOL P RI B L
B E, THE DE AL R E

W AS tramping upon a high road some miles


from ho me when good fortune fi rst made me
,

personally acquainted with Mr S olomon P riddle .


,

th e dealer .

I had often seen him before He i s a very .

busy man a nd u biquitous in o u r part o f th e


cou ntry being celebrated a s the possesso r o f the
,

most wo nderfu l trapper ever man sa t behind .

On that day he came spinning along a stretch


o f straight level road and w hen he overtook me
, , ,

he d rew up .

Will yo u take a li ft
The invitation wa s attractiv e I wa s a s free a s a .

knight errant in search o f ad ven ture


-
.

Ho w fa r a re yo u going ? I asked .

Oh ! farther tha n yo u I ll bet a guinea All the


,

.


way u p to Farmer John B uck s ’
.



I know Farmer John B uck .

What You do know John B uck Then yo u


do know the be st heart that e ve r th u mped a
waistcoat The world don t breed th at sort no w
.

.

1 63
1 64 B OOK OF CRAFTS AND C HAR AC TE R

Why; I m just o ff to his place Jump u p an come



.

a long Eh No t expec ted That s a fool tale I ’


-
.
,

do call it A friend unloc ked fo r i s so much the


.
-

greater j o y Yo u can t come a wrong day to John


.

B uck s unless h e s out


— An I m there by appoint
’ ’ ’ ’
.

men t J u mp up I tell c c
. Don t bide there
,

.


a h a m c a mm n g
-
h i — wasting my ti me .


The wonderfu l trapper lean from work yet ,

res tless to be a t i t agai n tossed h is head and ,

s truck h is hoo f upon th e road The yellow wheels .

o f th e high s m a ll bodied gig moved backward a nd


,
-

forward a s I pu t my foo t upo n th e step and spran g


to the empty seat beside th e man who a s Fa rmer , ,

John Bu ck him sel f o nce told me had bou ght more ,

bee f tha n any man in thi s coun try —mean ing o f ,

co urse in that neighbou rhood


, .

Mr S o l P riddle moved over to give me more


.

roo m and shook th e rein s Fo r one se cond the .

wing on th e O H side j u st sc raped upon th e wheel .

Then we bowled away a t a good sling trot .

Mr So l Priddle i s a man o f w eight and s ubstance


. .

He i s tall enough to be a g renadier bu t old and ,

stou t e n ough to tu rn th e scale a t twen ty stone He .

h a s ligh t hai r that tu rns in a c u rl beneath th e brim


o f a high wh i te h a t worn a t a raki sh a ngle which
,

gives an a i r o f meaning prompt bu siness a n d nothing


el se He bears what i s called a fresh coloured
.
-

complexion and is rosy from h is forehea d to hi s


,

poll A m utton chop whisker adorns ea c h ch eek


.
-
.

Mr So l Priddle is a d ressy man


. .

He wears a th in Ches terfield overcoat o f lig ht


SOL P RI DDLE , THE DEAL ER 1 65

colou r a n d lo ng en ough when he al ights to rea ch


, , ,

hal f way down h is brown gai ters The less fortunate .

world which neither buys bullock s no r h a s them


,

to sell catches only glimpses o f Mr 8 0 1 Friddle


, .

a s he whi s k s by on th e road to some di stant deal .

It i s universa lly esta blished that he is a wonderfu l


business man .

Hi s conversation that mo rning wa s o f fa t stock


and th e degen eracy o f th e age .

So yo u know John B u ck What a man sir ! .


,

What a Chu rchman ! What a judge o f a fa t beas t !


Dear dear dear !
, ,

I g athered from his m a nner that thi s lament wa s


over the falling o ff o f sou nd j udgment so cha rac teristic
o f mode rn tim es L ater conversation proved that in
.

th e opinion o f Mr S o l P ri ddle mankind no longer


.

displays that nice disc rimination in th e estimation


o f the weight o f a fa t bu llock which di stinguish ed

o u r forefathers The subject touched him deeply


. .

After a pause he wen t on with feeling so deep ,

tha t i t made his voice quaver .

In moments o f sober emotion Mr So l Priddle .

is wont to clothe a seriou s thou ght o r fine senti


me nt in languag e o f grea t refinement elegantly
pronounced until in impatience in the last sentence
,

he someti mes forgets him sel f and rel apses into


bro a dest dia lect .


No no sir said he impressively
, , , Th e repo si .

tory a nd th e auction mart ha ve sounded the dea th


kn ell i f yo u take my mea ning o f individual
, ,

judgment Understand me I do not intimate to you


.
,
1 66 B OO K OF CRAFTS AN D CHAR ACTER

that men can not make beef B etter beef h a s never .

been made at any time in th e h istory o f this


cou ntry Yet here a re men to day si r who shal l
.
-
, ,

estimate twenty beasts one wi th another and never


come wi thin three score There a re men sir wi th .
, ,

only ability enough to bid after a good j u dge I .


can t be wrong to advance a crown after Farmer


John Buck That s their tale An d s uch an one


.
’ ’
.

do think he ve a bough t cheap on h i s o wn j u dgment



-
,

when thik beast do come a bu ndlen into barton -

wi a trumpe ry li ttle ticke t a stuc kt on pon the


’ ’
-

rump o u n

.

Mile after mile the wonderful trapper went on ,

never varying h i s pace unless the hill were stee p ,

never swerving o r even pricking u p h i s c a rs at any


thing he might pass upon th e road .

B e fore mid day we reached th e hom estead and


-
,

again th e wing scraped upon th e wheel a s we tu rned


in to the open gate in fine style .

Farmer Joh n B u ck wa s bu sily occ u pied watching


the blacksmith po msteri ng up th e old d rill agai nst
th e barley sowing -
.

He left h is work at once and came to welcome u s .

Here boy ! Ta ke Mr S olomon Pri ddle s horse



. .
,

Come i n both 0 c c — come in


” ’ ’
.

Talking all th e time he led th e way to th e open ,

door .

Wal k in Sit down Have a thimble ful a fter


. .


you r ride .

We took the thimbleful in a whisky and soda - -

glas s and then it wa s Come S olomon Priddle


,

, , .
SOL P RI B B LE , THE D EALE R 1 67

You must just wet t other eye o r you won t see they
’ ’


bullock s straight .

Vis u a l equilibri um a fter many thimblefuls having


been at length satisfactorily established So l Friddle ,

fetched from h i s gig a heavy yellow walking stic k o f -

o a k and we strolled wi th com fortable lei sure ac ross


,

the fiel ds .

We did no t go direct We stopped to look at .

everything a s we went— a t th e you ng stock in the


rough grou nd wi th th e gorse in th e corner and th e ,

col ts running on the hill side L a rk s sang overhead


-
. .

R ook s rose from the spring wheat and pe rched o n


the hedg erow trees a s we pa ssed Nothing could be .

fu rthe r from o u r mind s than th e bu llock s but a t last ,



we came round to eight acres a s mall mea dow ,

shelte red by high hedgerows and nea r to th e home

stead .

Three red oxen a n d two ba rreners lying in th e


sunlight on the fresh spring g rass blinked at u s a s

they ruminated in so lemn contentment .

Farmer John B uck slowly approaching gently


, ,

ta pped the nearest with h is stick .

The bea st lazily rose .

There S olomon Friddle cried he with enth usi


, ,

a sm i s a s tidy a bullock a s you eve r c lapped eye s


,

on That is i f I do know anything abou t it
.
, .

We slowly wal ked rou nd gazing upon each ox ,

with the silen t gravi ty o f owl s in the dayligh t No w .

and again So l Priddle advanced and wi th inexcusable ,

familiarity indelicate ly pinched the fa t in strange


pla c es .
1 68 B OOK O F CR AFTS AND CHAR ACTE R
At last he spoke wi th quiet decision

I ve se en be tter

.

The qu estion came short and sharp a s a collie s ’

bark
Where
Mr S o l Friddle pondered awhile
. .


At Farmer John B uck s replied he with deter

,

mination .

Farmer John B uck stroked h is shaven chin and let


that pass .

That whi te faced steer will turn forty five score


- -
,

said he in a cas u al sort o f way .

When Farmer John B u ck uses h is judgment he


hold s h is head on one side ha l f closes h is eyes and , ,

moves only h i s lips .


S a y forty th ree snapped S o l Friddle
-
,
.

Farmer John B u ck walked away in di sgust from


su ch frivolou s conversation .

Howev er a fter three steps he c a me back and


,

cha nged th e su bjec t .


S tock wen t high a t Hu ngerton Fai r so they do

tell me said he with smiling optimis m
, , .


B u t look a t Hinton Monday last .

Noting S olomon s depression Farmer John B uck



,

d rew o u t h is watch B less my heart ! well we .


,

can t deal I see Come in and have a bit 0 dinner



, .
” ’
,

cried he hastily .

We dined Mr So ! P riddle having co me by a p


. .

pointment we had a spare ri b o f s mall pork and a


,

big plum pu dding left ove r from Ch ristmas After


-
.

wards we sa t by a wood fire and smoked and wetted ,


S OL PRI D D L E , THE DE ALE R 1 69

the other eye until both felt watery and no man


could have declare d wi th certainty which had bee n
mois tened last .

Nothing wa s fu rther from o u r mind s than bu siness ,

and we might have bee n there still only by lucky ,

chance Fa rmer John B uck bec ame afflicted with a



terrible desi re to stretch h i s lags .

Would c c like to take a little bi t o f a tu rn out


ro u nd again suggested he with an a i r o f o ffe ring a


,

very novel and unexpected idea .

S o l P riddle thought there could be no harm in that


wh atever So we circ u mnavigated th e farm a nd
.
,

a fter some tacki n g bro u ght u p in eight acres in


the mo st accidental way in the world .

Well well They be tidy beasts I don t sa y no ’

W
, .
,

otherwise conceded S o l Friddle As a matter o f
, .

form he add ed hat do yo u as k


,

H underd an twen ty to S o ! Pri ddl e



cried ,

Fa rmer Joh n B uck with sudden generosity after a


, ,

long pause .


I should ro b my family at a hundred John ,

B uck .

A dea l being clearly out o f the question we went ,

home to tea Du ring a three cornered game o f


.
-

cribba ge which followed we came to a hundred and


,

fi fteen and a hund red and five between th e deals and ,

finally sa t down to supper with only five pou nds


between u s Bu t a t that business came to an end
. .

Under the mel lowing in fluences o f hot grog we talked


o n ly o f th e sa d conditi on o f th e coun try .

So l Friddle at last determined to go We put the .


1 7 0 B OOK OF CR AFTS AND CHAR ACTER
wonde l trapper to th e yellow wheeled g ig by
rfu -

th e ligh t o f a stable lantern and th e full moon We .

said G ood night and started bu t by the gate we


-

pulled up .


John B uck ! Is that you r last word ? a s ked So l
Friddle with feeling
, .

Well a h u n de rd a n leben then


, .

Here a minute .

Farmer John B u ck ra n up to th e back o f th e gig .


A pound to l u ck ? whi spered S o l Priddl e .

I heard their palm s slap a s they shook h a nd s over



th e deal I ll send to fetc h em to morrow cried
“ ’ ’
-
,

So l Priddl e and we went o ff in earnest


,
.


Are they cheap ? I ven tu red to inqui re .

Ti s a fai r price replied S o l Fridd l e bu t John



, ,

B uck i s a wonderful judge .

Thus a hard day s work w a s fini shed As we



.

whi rled down th e village street in th e moonlight th e


cloc k in th e chu rch tower wa s striking twelve .
LOR D W
HAMME R D O N
LO R D HAMMERDO W N

E AR to the junction o f two railways but quite ,

in the fields wi th a background o f tall trees


,

and dark hedgerows I came upon a sort o f temple


, ,

enclosed by stou t rails o f timbe r more than breast


,

high and whitewashed to a dazzling purity that ,

ch allenged th e eye boldly even in a distan t


landscape .

R i s ing high in th e centre sto o d a dome o r


By zan tine cupola o f fai r si ze and unbroken sym
metry An d from a l l poin ts o f the compass slowly
.
,

wending towa rds it pas sed straggling processions o f


,

small herds and patient solitary bea sts


, .

There were calves that ra n all ways with ingen ious


perversity and maiden hei fers that fris ked l ike the
s portive young girl s they were ; and now a n d then , ,

fa t sac rificia l oxen that lowered their horns a s i f to


,

invi te a garland and often pause d to gaze reverently


,

at ea ch other a nd consider the a dvisability o f lyi ng


do wn .

Their bright red colou r en riched th e grassy lanes


and added a warmth to th e pa le dusty roads a s they
,
‘73
174 B OOK OF C R AFTS AND CHARACTER
all converged upon thi s sac red edifice to be placed
wi thin squ are pens bu il t o ne beside th e other after
,

th e manne r o f o ld fashioned pews in the pa ri sh ch u rch


-
.

I watched them all g o by wi th lazy d rovers


saun te ring behind A n d later c ame a stream o f
.

vehicles gigs and two wheeled traps then Farm er


, ,
-
,

John B u ck jogg ing c om fortably o n h i s sto ut c o b


, ,

and a t last Mr So l P riddle in haste wi th h is yellow


.

wheels .

H u llo ! shou ted he .

Where a re yo u going ? cried I “


To chu rch .

To John C lac k s R e posi tory



Ho p up

. .

I n fiv e min u tes w e were there .

He con sign ed h i s horse to the care o f o u r o ld


friend Jack Never sweat wh o wa s waiting fo r him
,
-
, ,

and we strode into th e sacred prec incts .

The rails n o l o nger looke d so white The dome .

wa s fo u nd to shel ter a sale ring wi th tie rs o f seats -


,

all rou nd a s in a ci rc us The au ction had al ready .

begun Be twee n men a n d cattle Mr So l Friddle


. .

stu rdily elbow ed and p u shed h is w a y and I fo llowed ,

in h is broad w a ke w i th c a se He stood i n th e pit .

close to th e cattle bu t I we n t u p the steps and fou n d


,

a seat in what w e w ill c all th e fron t ro w o f th e d res s


ci rc le
.

In th e cen tre stood a man o f what i s some times



c all e d a rem arkable presence B y h i s s ide th e .

clerk w i th book and pencil wh o wa s only th e


, ,

average h u man be ing became red u ced to i n sig n i fi


,

c a nc e .

He wore the ti ghtest l eath ern g ai ters and th


L OR D HAMME R DO W N

baggiest o f knickerbockers H is suit wa s o f a hand .

some broad check pattern bu t th e delicate fancy o f


-
,

the man found expression in a bl u e spotted waistcoat -

with brass buttons As the weathe r wa s warm h i s


.
,

h a t wa s a broad P anama wi th th e brim tu rned down


,

on o ne side B u t he had pushed it o n th e back o f


.

h is hea d and h is black ha i r cou ld be seen about h is


,

fore hea d .As becomes a n orator h i s face wa s clean ,

shaven . As will happen sometimes even to a man


o f fo rty hi s figu re inclined to roundness
,
and h is ,

c h ec ks were fa t B u t only ju st to that degree w hich


.

add s di g nity and weight to a man s u tterances He ’


.

scarcely tu rned h is head but h i s eye kep t roving ,

aro u nd the compan y His lips moved a s i t were


.

au tomatically and withou t ceasing His vo ice wa s .

lo ud and high and he kept u pon o n e ras ping note


,

withou t so m uc h a s a comma o r a pau se fo r


breath .

Lo t 1 6 A Capital S horthorn Yearling B u ll will


.
,

y o u do me the favou r gen tl emen to honou r me with


, ,

a sta rt fo r th is Ca pital Shorthorn Yearling B u ll i t is


o f no con seq u en c e to me where yo u be gin gen tlemen

the only thing requ isite i s that yo u shou ld co n tinu e

W
to a n adeq u ate figu re what shall I sa y gentlemen P
h o will volun teer th e first bidding fo r th is Capi tal
S horthorn Yearling B u ll ? N o matter h o w s mall
gen tlemen it will give me a start and many a lowly
start in li fe h a s led to affluence and the Wool sac k what

shal l I sa y gen tl em en I repeat what shall I sa y


There is n o necessi ty to be so backward and c o y w e
a re a c qu a inted gentlemen and have me t o n previou s
1 7 6 B OOK OF CR AFT S AND CHAR ACTER
occasions altho u gh Mr S olo mon Friddle appea rs to
.

avoid my eye and stands there blu shing like a you ng


maiden o f sixteen fo r a C apital S horthorn Yearl ing
B u ll what shall I sa y ? Thank yo u si r Ten pou nds
, .
,

ten pound s i s bid by the only gen tleman prese nt


possesse d o f a tong ue Ten pound s I am bid ten
.

pound five i s th e next bidding th ank yo u sir ten


pound and a crown ten pound and a crown i s ten
po u nd te n thank yo u sir ten pou nd te n i s ten pound
fi fteen ten pound fi fteen I have ten pound fi fteen is
eleven pou nd eleven I have eleven is el even po und
and a crown
S uddenly the vo ice stopped A pained expression
.

u pon h i s broad face the a u c tioneer gazed solemnly


,

u pon the little crowd Having regard to th e moral


.

aspect o f the case he expostu lated with kindness but


, ,

wi th deep feeling.

G en tlemen thi s i s not right Thi s cannot be


.

righ t
. This i s discredi table to you rselves and
humilia ting to me eleven pou nds and a c rown fo r

a capi tal S h o rth o m thank yo u si r eleven ten eleven


fiftee n
Thus encou raged again he rai sed h is voice The
, .

bidding con tin u ed wi th increa s ing briskness u ntil at


last i t lagged and ceased Disdaining th e use o f a
.

hammer he slapped th e Capital S horthorn B ull on


,

th e rump and cried



Nex t lo t
.

The sh o rth o m bull vanished a s by magic Th re e .

heifers came charging into the arena but a d rover o r ,

two ke pt them in place with a ta p o r so upon the


L ORD HAMME RD O W N

muzzle and with th e same phrases the oratory


,

recommen c ed .

Ten pound is ten pou nd and a c rown ten pound


five thank you si r is ten pound ten
S o it went on fo r a cou ple o f hours and by that ,

time th e c attle h a d all c h anged hand s and so me o f ,

th e herds were slowly jou rneying away upon the


road s again .

Come a long cried Mr S o l Friddle


, . .

He debated wi th the d rover about th e price fo r


d riving some stock he had bou ght bu t very qu ic kly ,

th e yellow wheel s were s pinning along a t te n miles

W
an hour .

ho w a s th e auctioneer

Lo rd Ha mmerdo wn lau ghed he
as ked I
, .
.


Who ?
John C lack himsel f he explained respec tfu lly
, .

Folk c a l l him that because well beca use he i s a



,

little larg e in h is ways Bu t la ! We m ust expect


.

th at o f a grea t pu blic man !


He does i t well I su ppose ,

Capital ! cried Mr So l Friddle wi th enthusiasm



.
, .

K eeps it lively and no wa s te o f time B u t that s



.

nothing to day Stock gi ves a man n o opening to


-

You should hear John Clack pu t


.

show him se l f o ff .

u p hou sehold fu rnitu re It s a treat ! S u ch language !



.

S uch a flo w ! Yo u s hou ld j u st hear John C lack pu t


up a couple 0 Chippendale chairs My Go d

.
HE DG I NG AND DI TCHI NG
H EDG I NG A ND I
D TC H I NG
N the minds o f most o f us there is proba bly a
ta cit assumption tha t the toil o f the a g ri c u l
tu ra l labou rer makes a less demand u pon intelligence
and skill than th e perform a nces o f h is bri sker fellow
worker who spends hi s days within th e fou r wall s o f
a factory o r worksh op Closer observation however
.
, ,

must con vince u s tha t this i s not the case .

The short process whic h the factory hand repea ts


time after time a t last acqui ring a dexterity li ttle
,

less than m a g ical is frequently so ingeniou s that i t


,

stri kes the imagi nation o f the beholder Ye t practic e


.

h a s made i t nearly automatical The simple ru ral


.

crafts howev er ca rried on fo r cen tu ries withou t


c hange and without se c recy in the O pen field s have
, ,

bec o me so familiar that they fail to attract atten tion .

Yet so me o f them a re full o f variety and call fo r


deliberation and the exercise o f j u dgment at every
step . The a rt o f hedging and ditching i s one o f
these a s any one may prove who will take th e
,

trou ble to watch the hedger a n d di tcher a t h is


work .
1 82 B OOK OF CRA FT S AND C HAR AC TE R

W hen gales a n d early frosts have swept the la s t


gleam o f gold fro m th e maple and the glory o f ,

au tumn h a s departed from th e tall hedgerow ; when


th e fall o f th e lea f h a s discovered a hund red n u
su spec ted ne sts from wh ich the su mmer brood s
,

have flo wn in safe ty long ago ; when yo u can see


o n th e u nder s ide o f eve ry hazel
-
twig the little
catkins that will grow and O pen in to a yellow
tasselled fringe to quiver in th e breeze o f ea rl y
spring ; when hips a re c rim s on sloes pu rple bl a ck,
-

u nde r thei r g rey bloom and th e dee p red ha ws ha ve


,

a s yet been le ft un touched by th e flock s o f newly

arrived fie ld fa res in th e meadows ; when yo u can


-

fi rst watch the wren creeping wi th the shy qu ickness


,

o f a mou se among the ba re stick s along th e bank

then th e hedge r can see to g e t at h i s work .

The high overgrown hedgerow alone demand s his


,

atten tion .

Neglec ted fo r years it may be i t h a s g rown u p


, ,

out o f all reason It h a s pa ssed beyond the a dva n


.

tage o f a ffo rding to cattle shel ter from wind a n d


rain and on o n e side at least now kee ps away to o
,

muc h su n .

Moreover there a re gaps where th e bo unds have


,

come throu gh shard s a s th e hedger call s them
,

tempo rarily stopped wi th bundl es o f thorn s ; and


thin places where th e strength h a s run to th e top
and shee p can easily push thei r way through
between th e stem s below .

A nd lastly the water lies sta gnant in the ditch


, , ,

which no longer is o f any service a s a d rai n u nder ,


G G
HED IN AND DI TCHI NG
th e tangle o f brambles a nd briars that close it in a nd
s prawl o u t into th e field .

S ometimes th e regu lar labourer on the farm is set


to the hedging and ditching but even then the job ,

i s frequen tly taken by the rope — that is piec ework , ,

a rope being a measure o f twenty feet Then the .

farmer and the hedger meet by the hedgerow and all


the aforesaid faults they cri tically survey .


Fo r a time there is silen c e the silence o f deep
th ought .


No w then, says, the farmer wi th sudden ,

bri skness speak up What do you want to make


, .

a nd lay

Tis well wo th says the h edg er deliberately


’ ’
,

ninepen ce a rope .

Th e farm er gives a sn i fl and turns h i s back


'

Ought to ha been done years agone master Tis



, .


most terrible o verg ro wed But now but now what .

did you th ink


I thou ght seven pence There I l l sa y eightpen ce

. .
,

I neve r did n give no mo re and I never shan t cries
’ ’
, ,

the farmer with emphatic redundancy o f n egatives .

Then the hed ger wi th feigned relucta nce supposes


, ,

he mu st .

Then go on to once says the farmer , .

E ach o f them had intended eightpence from th e


fi rst but this is a little old world ceremony without
,
-

which hedging ca nnot be co mmen ced .

The hedger comes with high legg ings and thi ck


lea ther gloves to save him from the thorns He .

bri ng s no to ols but a bill hook a hatchet when the -


,
1 84 B OOK OF CR AFT S AND CHAR AC TER

wo od ha s grown big and a spade to dig the ,

ditch .

The fi rst thing to be done i s to clea r awa y th e


rubbi sh — tru mpery he call s it— until the ba nk is quite
c l e an Yet this apparently use less trash i s not to be
.

wasted By and by all th e briars and bram bles upon


.
- -
,

which wild roses grew and blackberries hung so thick


a short time ago will be tied into small fag gots o r ,

bu ndles m fiky wa dr they a re so meti mes called


— -
,

and hauled to th e mo w barton o r stackyard close -


,

be ide the homes ead They a re ex c ellen t to lig ht a


s t l .

wood fire o r may be kept fo r use a s staddling to go


,

u nder next year s rick s a n d keep them from the


dam p g round .

Thi s done the hedg er can begin in ea rnest


, .

He takes g reat pride in h i s work and like most ,

labourers is very sen sitive to the criticism s o f h is


fellow men -
B u t he i s quite willing to talk
. .

A hedger he explain s can t go on blind like



-
, , .

He mu st see h i s work afore nu He mu st know what .

to c u t o u t a n d what to lay An d he m u st lea ve a .

likely you ng sapling here and there to grow into a


tree Tis no good to c u t i t o ff to want it after No
.

.
,

no. That won t do Choose o ut you r likely pla sh ers



.

fi rst and twice so many a s you do wan t then cut o ut


, ,

the rest and go back and lay what you ve a left


,

-


standing .

Whilst he speak s h is eye is glancing at the hedge


ro w and he scan s th e grey a sh tha t sil vers toward s
,

the light th e rich brown hazel th e pu rple rind o f th e


, ,

black thorn and the maple wi th its ribbed bark


, .
And mind this yo u mu st keep goo d
, he
None 0 your elder That s no goo d

Th e ’
sa ys. . .

bi rds do brin g it Get ri d 0 all that That s no


.

.

a l —
good at l not even to burn ”
.

And he laughs outri ght at th e mere th ou ght o f


su ch pithy stu ff l n a od h ed e ow
g o g r .

Which bush makes the best hedge yo u a sk .

He is dogmati c at on c e
Gie I whitethorn he says a nd lo oks determined
.


,

en ough to shed h i s bloo d fo r th e O pinion


,

Ay G ie . .

I whitethorn .

B ut in laying i s where he shows h i s skill



.

Wherever th e hedge i s thick and goo d he merely


cu ts it down close to the bank ; but where i t i s thin ,
” ”
and across every shard he mu st lay a plasher ,
.

I n the old days an upward stroke wa s in sisted u pon



fo r cutting a plasher so that the spli t might be
,

protected from wet after the stick wa s laid No w .


,

th e hedger cu ts th e c hosen s tick hal f th rough on the


si de away from the gap then he d rags it down and
,

se cu res i t in i ts place S ometimes he drives a wooden


.

wedge into th e split to prevent the plasher from


s pringing ba ck and cuts a crook to i t ho i o ntal
, p g
e r z

to the bank S ometi mes he binds it down bu t wha t


. ,

he likes best is to see it neatly wattled between

W
stumps on th e o ther side o f th e gap

hen this is done he tu rn s to making th e ditch


He digs i t o u t th rows the mud up into the hedge
,
.

and with the firmer sods c u t into shape he build s up


tbe ban k as i f i t were a wa ll .


Whe n this is fin ished the he dge is “
made and laid .
1 86 B OOK OF C R AFT S AND CHAR ACTE R

People o ften wonder how a stem cut through nearly


to th e rind can live B u t next s pring th e sa p runs
.

u p th e plasher throws o u t strong shoots and i s a


,

good fence fo r years .

B u t th e hedger h a s also to make up the wood a ,

d u ty n o t incl u ded in h is contract but paid fo r extra


,

a t the invariable rate o f s ixpence a sco re .

A s he goes on he pick s out the straight sticks o f


th e hazel th e a sh and th e be st o f th e maple and
, , ,

afterwards sorts them into va riou s lengths and binds


them in to bu ndles to be sold fo r garden sticking fo r -

peas and bean s An d he m ust trim u p a n d lay aside


.

all serviceable poles to be saved fo r rails o f wh ich so ,

many a re wan ted on a fa rm A n d some o f the .

straigh t hazel and willow wand s may be in demand

to be S pli t and sharpened in to thatchers spars to



,

hold fast the golden reed upon nex t yea r s sta cks ’
.

A ll th e res t he mu st bind up in to fa ggots to find thei r


way to th e baker s oven o r the homestead hea rth ;

thou gh th e thorn s he may often lay in th e ditch


to keep cattle from getting in a n d trampling down
the new made bank
-
.

An d every evening toward s du sk the hedger makes


up a fa ggot fo r him sel f .

He i s en ti tled to th e dead wood and he does not ,

mean to wan t fo r fi ring yo u may be su re He , .

chooses a good sto ut pole that will afterward s cut


in to a log o r two on which to ca rry h i s faggot over
,

h is shoulder Thu s wi th h is
. nitch on h is back ,

when th e last gleam o f day is fading in th e west and ,

a flock o f linnets i s singi ng a winter chorus fro m th e


HE DGI NG AND DITCHI NG
head o f an old hed g erow elm he plods homeward to
,

th e villag e in th e combe.

It is a cu stom a s old a s th e hill s that th e hedger


ma y carry home a ni tch o f fi ring fo r h i s own u se .



I hope you ve left a bit jokes the farmer i f they

, ,

meet a t dusk in the village street .


They laugh Go od nigh t l and pass on one to th e
“ -
,

homestead and the other to th e cottag e .


XX I I

R
TH ESH IN G

HE umbles heavily down the village street


r ,

making th e floors and windows o f th e n ew


jerry built cotta ges tremble and shake The hand
-
.

some stone hou se a t th e corner ! once the homes tead

o f a substan ti a l yeoman but n o w c u t u into poo r


, p
te nements) with wall s three feet thick and a moss
,

sodden roo f o f ancien t th atch u pon which gro u nd,

se l and some tall stal k s o f w ild oats a re growing ,

watches h er pass by unmoved I s th e old place to o


.

experienced and to o wise any longer to vibrate with


emoti on Or do those mullioned windows with a ,

boa rd bea ring the legen d Milk Hou se under one


o f them look down with cold con tempt upon thi s
,

oily panti ng engine with a shackling threshing


,

machine hitched on to h er ta il ? This new fangled -

thing o f less than a cen tury which d rove the merry


,

thumping o f the flail from th e bam s fl oo r and h a s



,


been the enemy o f good thatch which swallows
stack s o f straight unbroken wheaten ree d to cast
,

forth a heap o f c rumpled straw unfi t to set u pon the


,

hea d o f any sel f respecting dwelling house ! B u t it


- -

so:
1 92 B OO K OF CRAFT S AND C HAR A TER C
may be that this dignified attitude marks moral dis
appro va l Fo r that engine i s a most inveterate
.

s moker , and worse than that avails hersel f o f


, ,

every opportunity to stop fo r a d rink S he will .

stop now at th e corner where th e silvery mill


stream takes a su dden bend and fo r a short dis ,

fia nc e pra ttles a long upon i ts way in compan y with

the high roa d There she will extend a long pro


.

bo sc is hi therto concea l ed d rop i t where th e running


, ,

brook pou rs foaming and bubbling in to i ts g ravel


pool to spa rkle in th e sunlight brighter tha n the
fine vin g es
s t ta o f Epe nay
r a n —
d R h ei ms a n d d ri nk .

I f thi s we re all no rea sona ble bein g nee d sa y a


wo rd Bu t a t the foot o f th e hi ll the di ssol ute
.

hu zzy will stop again and absol utely beg fo r


liquo r A grimy u nderling ! o r i t may be the head
.

c ha ufl eu r him sel f if th e farm i s good fo r cide r) w ill


'

run u p to th e hou se and a s k pe rm iss ion to fill u p .

Then that shameless crea ture will se t h e r hose k nee ,

deep i nto th e ba rto n pond where pigs wallow and


,


ducks fo r ever stir up th e mud a n d drink S till i f .
,

y o u d e te rmine to engage h er I mu s t sa
, y sh e i s

willi ng and in d ustrious a n d a g ood gi rl at her


,

work A li ttle c loser atten tion to pe rsona l c lea nl i


.

ness might perhaps be fo r th e bes t B ut between .


,

oursel ves th o ugh I would not fo r the world ha ve it


,

repea te d i t i s hopeless to try to rec la im a co n fi rm ed


,

dipsomaniac like that .

A fter th e fros ts have come to s tay when th e l a st ,

ye llow lea ves a re dri fting a s softly a s snowflakes


from th e wood s and hedgerow trees a n d th e grey ,
THR ES HI NGr

haze o f Indian su mmer is mel ting into the colder


mist o f win ter from the hill to p th at overlooks th e
,
-

broad valley yo u may se e th e cou ntry side dotted -

with jets o f puffing steam Th e fi rst th ought is o f .

a rail wa y ac ross th e pl a in blessed wi th an i n c o n ,

c e i va ble weal th o f tra fl i c o r ru nning a su perflu ity o f


excu rsion trains C loser observation proves each
.

whi te rising clou d thou gh it may d ri ft u pon the ,

breeze to be otherw ise sta tionary S ometimes it i s


, .

at th e homestead so meti mes beside th e stacks in the


,

stu bble fiel d but in any cas e i t mark s th e threshing


-
,

mac hine a t work The modern bu siness spi ri t h a s .

fou nd i ts way even in to th e arable grou nd A gri .

c u l tu re h a s c au ght o n to the idea o f quick retu rn s .

A h u m louder and more m u sical than that o f th e


,

mill wheel fills th e au tumn a i r Here to day there


-
, .
-
,

to morrow th e thresher passes from whea t stack to


-
,
-

barlow mo w like some gigan tic honey see king


-
,
-

working bee sen t o u t from th e distan t hive o f


-

comme rce It i s n o goo d to hold corn fo r a


.

famine pri c e now ; th e days o f dearth a re gone .

Thresh a t once and turn into money That i s the .

wises t plan S o a walk across th e stubble fie ld i s


.
-

often th e way to where the engi n e i s at work In .

th e di stance th e plo u gh i s slowly plodding to and


fro , wi th rooks ci rc ling overhead and wa g tail s
running o n th e n ewly tu rned fu rrow The stu bble
-
.

i s no l o nger cri sp a s i t w as i n S e ptember a n d your


, ,

steps a re almost noise les s Yet scarcely do yo u se t .

foot upo n i t be fore a covey o f partridges ri ses at th e


fa r end o f the ground and goes skimming over the
14
1 94 B OOK OF CR AFT S AND C HAR AC TER

hedge The birds have lea rnt no t to fear th e plough


. .

They did n o t pay great hee d to th e th reshing aw ay


in th e co rner ; bu t a t th e distant clink o f hobnail
u pon flin t th e whole l o t o f them rai sed thei r heads ,

ra n a yard o r so and then too k wing a t once


,
P re .

se n tl y a flock o f lark s ri ses u in f ro n t to swerve


p ,

and settle again upon o ne side o f you r track The .

s catte red corn o f h a rvest h a s been eaten s ome time


,
a go , bu t still th ere a re worm s a nd insec ts to sa y ,

nothing o f th e millions o f see ds that weeds have


throw n broadcast everywhere Then a party o f .

linnets gets u p w i th u ndu lating fligh t ; then a hare ,

that sa t close u n til yo u r fo ot w a s al most u pon h e r .

A n d so yo u come to th e sta ck s o n th e stubble .


Here eve rything is haste and business the pi tch
ing in o f sheaves th e c arrying awa y o f straw th e
, ,

raking bac k o f th e h u s k s dowst they c a l l i t in


— “ ”

th e West Co u n try fo r the re chopped fodder only i s


\

called c h a fl The whirring o f th e fl y wheel never


-
.

ceases and th e grain flows in Yi ny cascades in to


,

th e open mou ths o f a ro w o f sack s The whole


.

picture al thou gh bright i n th e autu mn su n is


, ,

so ftened in a cloud o f d u st — real choking dust


,
.

A n d o ld A be a labo urer wh o h a s worked all hi s


,

li fe u pon th e farm i s all th e while going to a nd fro


,

hau ling wa ter fo r th e engine from th e nea rest pit .

No w and again betwee n whiles yo u may find


poli tics o n th e engine and th e enginee r is apt to
,

chaff o ld Abe The engineer h a s been about a bit


. .

He h a s see n di fferen t sorts o f men read papers , ,

and hea rd spee ches I t may be he i s n o t better


.
i n fo rmed, th a n the rest but h e i s certa inly more ,

cock sure In a li fe o f nearly fourscore yea rN be


.

h a s sca rcely been o u t o f th e vill a ge except to a fa i r


o r a m a rket in the nearest town He h a s seen many .

changes in h is time and in you th beat o u t many a ,

shea f wi th h is dra shl e o n the barn s floor He i s ’


.

slow to accept n e w ideas and hi s mental a tti tude all ,

throu gh li fe h a s been o n e o f s peec hless wonder Two .

firm convi ction s Abe h a s held in S pi te o f all The .

land did ou ght to be kept u p We do n t wan t so .


m u ch caddle wi a l ey fo reigners

.

Come on Abe slack twi sted o l d slug you


, ,
-
, .

They a l l ma ke a bu tt o f th e o ld man bu t th e chaff i s ,

Come o n yo u o ld Meth usa


\

qu ite good humoured -


.
,

l u m— yo u o l d Tory yo u Yo u do wan t bread a


, .

shill a n a loaf y o u do know yo u do


, .

Ah ! I ve a heard a many tales in my time



- .

An nothen no sen se— both zides O n y catch


’ ’
.

penny cries to catch a vote o r two I do think .

everyth ing n wa da ys do wan t to be real proper


a -
dras h ed ou

at last t sheaves come slower fo r the


B ut ,

pitchers have th e goodly sta ck by morsels into


the thresher and a re almost down upon the
,

sta ddling — that foundation o f thorn s and hedge


ro w rubbi sh that rai ses th e stack from th e damp

ground A ra t j u m ps o u t The terrier that follows


. .

th e en gi n e darts o u t and h a s him in a trice A nothe r .


,

but th e old sheepdog gets th at Then th e du sty men .

begin to d raw round every o n e with a stick in h i s ,

hand The last sheaf i s gone a n d the engine ceases


.
,
1 96 B OOK OF C R AFTS AND CHAR AC TER
to pan t The pitchers a re at leisure and so the
.
,

staddling i s q u ietly li fted a faggot a t a time B ut .

th e frigh tened rats cannot s tand that movemen t o f


th e shelte r over thei r head s Old and you ng big .
,

and li ttle that have h a rboured u nder th e stack o r


, ,

we re bred there i f i t be an o ld o ne ru n o u t u pon all ,

s ides . Then follow a great thumping o f stick s and ,

rapid dashes o f th e terrie r who neve r sh ake s a ra t


,

twice and a,
Here B oxer B oxer to hurry th e
, , ,

sheepd o g wh o never shak es one less than twenty


,

times When all th e fag gots a re moved th e dogs


.

s till scen t ra ts hidden in th ei r bu rrows u nder th e

gro u nd ; bu t these a re soon dug u p and killed .

S o l emnly th e rats a re laid o u t in a ro w and coun ted ,

and so th e ceremony end s .

Come along my lad s Waste no time, . .

Come Abe P ic k up you r ga me You ll wan t ’


. .
,

em w i bread a sh il l en a loa f

.


Do n t yo u talk to I says A be
’ “
, I ve a hea rd .

-

th ik tale avore What I do zay i s there idden n o


.
,

wi sdo m in to o many thou ghtless words Do want .

to - —
be all a dra sh ed o ut proper like I do ca ll .

Zo do .
B IR D -
CHAR MI NG
XXI I I

B IRD CHARMI N G
-

NE winter night we were sitting John S pracklin


,

and I be fore a blazing fire in th e hou se a s


, ,

th e great farm kitchen is u sually called in remote


c o u n try places .

L ike so many o f th e form s and qua int phrases


that linger in dialect thi s u se o f the word possesses
,

an unsu spected significance .

In th e evolution o f th e dwelling house from the


-
,

simple enclosu re s u rrounding th e primitive hearth

to th e complex structu re o f a modern habitation all ,

other apartments have been a ddition s to fu lfil the


req u i remen ts of an advancing civilisation The .


c h i m me r
, the upper room above the groun d floo r ,

came later than the hou se The parlou r a place
.
,

fo r familiar conversation i s a modern refinemen t


, ,

even no w in remote farmhouses kept relig iously shut


up except upon occasions o f social importance
, .

Everything h a s grown upon and around this m a in


room the dwelling room which once absolutel y wa s
,
-
,

and still in name remain s the ho use .

A jolly place when there i s frost in the a ir i s the


zoo
200 B OOK OF CR AFT S AND CHAR ACTER
hou se with i ts great ope n hearth and pile o f blazing
,

logs which th e o ld i ron brass headed dogs only hold


,
-

u p bu t do n o t see k to re strain
, A n d on that night .

the wood pil ed high wa s roaring i ts merriest in the


broad chimney Dan c ing firelig h t played u pon th e
.

stone floor and th e heavy oaken be am across th e


.

ceiling from which h u ng g ood store o f smoked ham s


,

and bu ndles o f d ried herbs I t made the lamp u po n .

th e table dim B u t i t li t u p th e hearty c ou n tenan c e


.

o f John S pracklin and gli ste ned u pon hi s bald c rown


,

a s he leaned fo rward to tal k .

We had been friend s fo r many a year .

He wa s merry that n ight We had tram ped since .

morning over hill and moor a n d me t wi th spo rt , .

The keen a ir o f th e u pland s had redde ned h is sha ven


chee k Hi s round face rippled with smiles and th e
.
,

fringe o f silver hai r above h i s ea rs appe ared to have


a c risper cu rl than ev er We were so happy wi th .

o u r c u p and pipes tha t we had neve r a tho u gh t o f

moving from that fire u ntil i t w a s time to roost .

B u t Joh n S pra c klin h a s li v ed th ro u gh many social


changes and i s fu ll to th e lips w ith o ld world lo re
,
-
.

There i s nothi n g h e l o v es so m u ch to talk abou t


a s th e almost fo rgotten c u stom s and pas times o f h i s
-

you th and i f he shou ld live to fourscore he will still


,

be a bo y .

That evening th e conversation had been o f bi rd


catching and i ts m a ny arts and devices Of bird .

lime made by boiling holly rind smeared o n th e


,
-
,

ou tside twigs o f bu shes wi th a stu ffed owl pe rc hed


,

in th e middle to tempt th e sm a ll bi rds to flock


arou nd and tease the hal f blind wanderer into th e -

dayligh t ; o f tole calls made o f sycamore ba rk and


-
,

o f vocal imitati on s so a rti sti c that they were n o t to

be resisted ; o f limed straw motes laid down fo r -

fieldfa res to walk upon which wou ld s tick fi rst to a ,

claw then to a wing and final ly wear th e poo r


, ,

vi ctim o u t wi th h is agita ted stru ggles to g et free .

A t th e recollection o f each o f these qu aint


ingen u ities John S pracklin threw bac k hi s head
and laughed .

B u t look here ! cried he Did ee ever hear ’


.

o c harmen birds o f a d a rk night when they be po n


’ ’

th e bo u ghs to roo st
I shook my head .

Tes the easiest thing in li fe 20 tes Al l yo u do


’ ’
, .

wan t i s a night a s black a s pitch a lan tern an a bell ,



.

Then yo u can pick em o ff like apples o ff a spa lier ’ ’

tree They be that pl e ased w i th e m u sic an dazed


.

,

wi th e ligh t they ll l e t a man put hi s han po n em


’ ’ ’ ’ ’
,

w i o u t so m u c h a s a flu tter B u t yo u can t do i t
’ ’
.

secret yo u know ,
Yo u mu st ring th e bell a l l th e
.

time Ting a ting ting a ting fo r all th e w o rld to


.
- -
,
- -
,

hear Never le t thik little clapper stop L a w hen


. .
,

I w a s a bo y I ve a catc hed blackbirds an th rushes



-

o f a nigh t — a string 0 em dozen s B u t tes all


— ’
.

forgotten an passed away n o w Twou ld make


’ ’
.

folk s in this pa ri sh wonder to hea r a bell g o o n


by th e hou r in the still 0 nigh t I ll wa rr n t ’ ’ ’
.

tw ould

.

He stopped and sa t ch u ckling a s be imagi ned th e


s u rpri se o f th e neighbo u rs .
202 B OO K OF CRAFT S AND C HAR ACTE R


In wha t sort o f plac es did you catc h th em I
asked him .

In any thick bush o r in a hedg erow O r in a .

nice laurel sh rubbery now where the leaves do g i e


, ,

a lewth aga i nst th e wi nd I d bet a guinea any .


h eddy could take a pocketfu l this very night in the


old yew hedges along the path between th e bi t 0 ’


lawn an th e kitchen garden

.

B u t wh at sort o f he ll did yo u u se ?
Oh any bel l short 0 o n e o u t 0 chu rch tower
,
’ ’
,

lau ghed he “
I used to have a li ttle dinner bell an
.
-


a stable l a n tern .



I suppose su gg ested I thou ghtfu lly
, I su ppo se

y o u have no t got that li ttle dinne r bell now ? -

What ? cried th e o l d boy j u mping up from h is , ,

chair . Wou ld yo u like to g o an try you r han at ’ ’

it ? So should I to o ; be hanged i f I shou ldn t


,

.

B ut be dashed i f I do thin k there i s a bell There .

he a plen ty o lanterns fo r what cou ld be better a n


’ ’
,

a bicycle lamp B ut tes not one mossel bi t 0 good ’


-

wi o u t a bell No yo u can t catch em wi o ut a


’ ’ ’ ’
.
,

bell .

He sa t down depre ssed and g azed into th e fire .

He wa s really disappointed even to postpone un til ,

to morrow this remini scence o f his boyhood Fo r


-
.

a short time he did n o t speak ; bu t presently he


g o t up again a n d I ca
, u ght s ight o f that familia r ,

humorous twinkle in h is eye which I ha ve found to


mark the inception o f a practical joke .

Come along said he Let u s just see what



, .


c a n be done .
BIR D C HAR MING
-

We did no t go into the garden It wa s a dark .

night and the bicycle lamp served to show us th e


,

way into the village street .

Nobody wa s moving th e alehouse wa s closed and , ,

only here and there did a light shine in some


upsta irs cottage window .

Ho w a re you going to ma n age it


B u t to my ques tion s he wou ld make no reply and ,

we walked on in silen c e until we reached the vill ag e


shop . It wa s clo sed and shuttered The house .

wa s a s still as a midnight sleep .

John S pracklin rapped sh arply u pon the door .

The window above o u r heads partly opened and a

W
,

voice cried out in al a rm :


h o i s there Is anything th e matter ? What
do you want
Tes I John S pra cklin Tes tro u blen you Miss
’ ’
.
, ,

B rooke I do know
, B u t could yo u be so kind a s to
.

oblige me wi a pint o linseed o il ? h e beg ged in a


’ ’
,

voice fu ll o f anxiety .

L a ! Mr Spracklin to be su re I can an no

.
, ,

trouble a t all I ll j u s come down What ? I s


.
’ ’
.

some 0 you r stock a to o kt bad



-


Well well I want it by me fo r a precaution
, .
,

explain ed John S pracklin .

Dea dea
r r ! There I ll j
,
u s strike a light a n
— ,
’ ’ ’

slip o n s —
my ki rt a n then wi my shawl over my ’ ’

shoulde rs

Th e good soul who kept the shop thus robed


herse l f in haste and came down solicitous to oblige .

S h e even found a bottle fo r the oil and wen t into


204 B OOK OF C R AFTS AN D C HAR AC TER

h er parlou r to sea rch fo r l as t wee k s newspaper to ’

wrap i t in .

John S pracklin wa s profuse i n gratitu de .

Ti s giving yo u a lot 0 trouble I m su re bu t


’ ’ ’
, ,

there
No t a t all Mr S pracklin La !
,
I f a body
. .

co u ldn j us ru n down to obl ige a neighbour there


’ ’

th at would be so methe n— d e ar I
S h e shivered a s sh e re locked th e door behind u s -
.


I ve a ba g ged th e hel l that do gi e wa rnen o f

-
,

a c ustomer from th e bac k o f th e o ld lady s ha l f


,


hatch ,whispe red John S pracklin covering h is ,

mou th wi th h is hand to restrain hi s mirth and keep


i t ina u dible .

S o we w e re provided .

We wen t into a field and walked a long a n o ld ,

hedgerow .

The au tu mn leaf wa s gone all bu t here a nd the re ,

a spot o f brigh t yellow when the light flashed u pon a


hazel bu sh Bu t th e privet wa s still green and
-
.
,

i ts c l u ste rs o f shining be rries glistened in th e flas h


o f th e lan tern .

I rang that sho p bell poised o n i ts sem ici rcu lar


-
,

s pring mo re pe rs is tently than the most indus trio u s


,

m u ffin man w h o ever wandered down a stre et ; and


-

n o w and again pe rched on th e limb o f some tho rn o r


,

maple John S pracklin fou nd a bird


, .

Then we stood and looked a t it .

S ometimes th e light fell on the yel low spotted -

breast o f a song th ru sh and then perhaps on th e-


,

ru sty b; own o f a hen blackbird B u t none .


attempted to get away so long a s th e bell rang The .

bird had the appearance o f being a lert yet allowed ,

itsel f to be quite easily taken by th e hand Ye t .

when th e h el l wa s silen t n o t a single o ne wou ld


,

s tay. B lackbi rd s thrus hes robin s c ha fli n c h es hedge


, , , ,

sparrow s and fi h we f ound them all and


,g re e n n c es , ,

freq u en tly they were no t fa r apart We took some


.

o f ea ch ,
loo ked a t them and let them fly in to th e
,

n igh t . What sort o f roosting place they cou ld-

selec t fo r them se l ves in the darkness I cannot tell ,

bu t most likely th ey rema i ned upon th e ground un til


morning .

We wen t into a wood to explore an o ld la urel


sh ru bbery u nderneath th e foliage o f which w e co u ld
,

g e t abo u t a n d look up among s t th e b ran c hes O n .

th e way we c ross ed an open place w here th e copse


had bee n c u t and th e more we stu mbled over th e
,

st u mps th e loude r th e o ld bo y lau ghed .

S tarlings had taken the lau rel s fo r a roosting pl a ce -


.

Thousands o f them m u st have bee n there fo r th ey ,

were packed close together o n every possible bough


and where there wa s a good level stick they covered
it in an even ro w like seamen on an o ld sailing shi p
,
-

when the yards were manned .

We co uld have taken a sack fu l i f it had bee n


any good to do so ; fo r those u pon whi c h th e light
fell remai n ed still and li stened to the bell O thers
.

o u t o f sigh t in the darkness we co u ld hea r ta king

alarm and fluttering away .

I t wa s clear that th e bell alon e did n o t fascinate


them .
206 B OO K O F CR AFT S AND C HAR ACTER

You must have both bel l a nd ca ndle i f you


would work this spell u pon roosting bird s .

S o that s the o ld sport 0


’ ’
bi rd charmen
-
,

exclaimed John S pracklin . An d n o w let s get


back to hou se an have another pipe by the fire



.


The wind I seem is most terr ble nippy
, ,

.
XX I V

T HE O L D ES I
‘ ‘
I N HA I B TA NT

S T R A NG E thinghappened to a vi l lage a fe w
miles from u s called L ittle Abington .

Fo r centu ries i t lay almost u nnoti c ed in th e q u iet


vale below th e moor Fa r away from th e ou tside
.

world i t lived sel f con tained and con ten ted The
,
-
.

ch urch th e in n th e forge with th e wheelwright s yard


, ,

close by and th e little sh op su ppli ed all i ts various


wants An d though th e w ell to do migh t ride away
.
- -

o f a Tuesday and a Friday to th e nea rest markets

and return merry from th e wilder di ssipations o f a


country town the masses ! that is to sa y th e adul t
, ,

men folk o f a population o f 20 3) had never wandered


over th e hill o r got d runk o n any fierc e r beverag e
than thei r o w n good homely cide r .

At last th e wo nder came .

A novelist o f di stinction di scovered L ittle Abing


ton He did no t find i t in its plea sant shel tered
.

combe A s a matter o f fa c t he wen t searching


.
,

fo r a name— well a name with an easy simple


, ,

sound , pleasan t to th e ea r bu t no t sig n i fic a nt


,

15
21 0 B OOK O F CR AFTS A ND CHAR ACTER
a
th t i s to sa
y n o t a me re label
,
bu t a name well —
, ,

a name
He fou nd i t u nder A A bington ! L i ttle) in th e
.
-
,

G azetteer .

Thi s i s pe rh aps n o t remarkabl e The w onder


, ,
.

came some years later w hen th e co bbler o f L ittle ,

Abing ton discovered th e c elebrated novelist B u t .

th e c obbler o f L i ttl e Abing ton w a s al w ays a terrible


man fo r print He read th e local paper e very week
. .

Moreover he posse ssed an o dd vol u me o f S ! name s


,

M a g a zi ne The Pilgri m s P rogress and an o ld ’ ”

book en ti tled The T ravel s o f Cyru s


, ,

He read .

h is library th ro u gh e ach year within the twelvem o n th ,

and s pent th e o dd time in th ou ght .

Thu s th e c obbler al ready posse ssed litera ry ex


p e ri en c e w hen he fe ll ac ro ss The C h ronic l es o f
L i ttle A bington He fou nd eve rything there and
.

all c orrec t The c h u rc h th e inn th e forge and


.
, ,

whee lwrigh t s yard w ere the ve ry moral 0 what


’ ’

they really an tru ly be A n d so w ere th e fo lks



.
,

to o. The c obbler recogni sed them all in spite o f errors


fo r there were o n e o r two li ttle th ings w rong To .

be su re th e wri ter did n o t give anybody h is right


name An d th e sex ton o f L i ttle Abington wa s no
.

c rip ple Tho ugh th e sexton before th e last did once


.


stu mp abo u t fo r u p a month w ith a game lag -
,

that wa s only throu gh falling over a g ravesto ne when


h u nting Peter To o p s fowls o ut o f th e ch u rchyard

.


No ; th e sex ton o f that day w a s a c ross eyed man -
,

with th e advantage o f being able to squin t down


both ai sles to once but hi s legs were a s straight a s
THE OL D EST IN HAB I TANT

the church pillars S ti ll to be s ure anybo dy could


.
, ,

se e how that mi sta ke w a s brought abou t .

There wa s ta lk in th e village afte r the cobbler s ’

discovery a nd the news sprea d that L ittle A bington


,

h a d been pu t in a book .

The villagers cou ld remember a bunchy little


feller wi gold spa r ti c les and a h ead so bald a s a

bladder o l a r ’
wh o stayed abou t the pl a ce a
” ”
goodish time He did
. fo r ce rtain s ure The .

theory wa s accepted in the neighbou rhood and su p


ported i n th e coun ty paper L ater o n i t hardened .

i nto as certained fact To day th e church th e inn


.
-
, ,

th e forge with the wheel wright s ya rd may be bou ght


on picture post cards and pilgrim s come to L ittle


-
,

Abin gton even from across th e seas .

These th ings happened when Cobbler Trip wa s


young No w he is Mr Trip and th e oldest inh a bi
. .

ta n t o f L ittl e A bington fo r hi s name h a s been ,

mentioned in a topograph ical vol u me o f the di strict ,

and sin c e then he show s th e strangers round .

The oldest inhabi tan t o f L ittle Abington says


thi s auth ority i s Cobbler T rip and he lives in a
,


, ,

whitewashed cotta g e ha l f covered wi th roses The .

veteran o f Li ttle Abington is o f medium statu re but ,

bent with age His scanty locks a re long a n d silvery


.
,

but he wea rs a grizzly beard clipped sh ort A l though .

nea rly fou rscore yea rs o f a g e hi s grey eye is still ,

clear and alert He takes o ff and w aves a s it were


.
,

fo r the punctuation o f h is conversation th e tortoise ,

shell spectacles which he fin d s necessary only w hen

reading o r a t work He we ll remembers the vi si t


.
21 2 B OOK OF CR AFT S AND CHAR ACTER
o f th e novelist to L ittle A bin gton and i s proud to ,

have tapped and heeled a pair o f shoes worn sadly


in need o f repair by constant walking I t w a s .

in teresting to learn that th e great romance r wore


ro u nd holes in th e very c entre o f hi s so les a su re ,

sign o f di stin c tion and fo rtu ne M r T rip aecom . .

p a n i e d m e a round th e village pointed o u t,the garden


gate where Au rora fi rst me t Thomas and th e c hink ,

in the shu tter th rou gh whic h Uncle Jeremy wi tnessed


th e theft o f th e fami ly B ible from th e th ree cornered -

cu pboard The precipice from whi c h Thomas fell


.
,

m ust however be an invention There is n o dee p


, ,
.

quarry within several miles o f L ittle Abingto n a s ,

serviceable stone i s no t to be foun d in the neighbou r



hood .

Consciou s o f scholarship and raised u pon this


,

pinnacle o f fame li ttle w onder i f Cobbler Trip h a s


,

become a proud man To d ay he does little ta pping


.

and hee ling Fro m ea rly s pring to th e e n d o f


.

O c to ber visitors pour in to L ittle A bington o n fo o t ,

on bicycles and o n motor cars Most o f them


,
- .

inq u ire fo r Mr Trip B u t h is position a s cicerone


. .

h a s become so well es tabli shed that a village u rc hin


asked to poin t o u t th e home o f A u ro ra wou ld merely
point to the rose covered co tta ge and sa y Cobbler
-
,

Trip he do know most about that
,
.

When I stayed in L i ttle A bington this su mmer he


wa s o ut to me et me in th e garden be fore I had time
to ra p u pon th e co ttage doo r He i s a th in spare
.
,

man in a ki ttle smock wi th a sh re wd countenance
-
,

and l egs th e shape o f a ho rse collar -


.
THE O L D ES T IN HAB I TANT

I rea d about you in a bo ok Mr Trip said I , .


,

gaily
Ay to be su re that wu r I
, .

He stopped and scanned me with attention Then .

h i s voice d ropped into a mysteriou s confidential


whi sper He appeared to fea r lest th e sparrows on
.

hi s thatch should overhea r h is question .

B aint you a au thor 0 book s yo urzel f ? B ecause



,

looky zee i f yo u be yo u do know Don t he o we I


, .

zu m th e n vo r what I told n u to w ri te down I did


dictate to u n a n he did zu ck h is pencil an then pu t
,
’ ’

i t all down in a li ttle book They do tell I down to


.

The A corn that a book is wo th d ree thou sand ’

poun I ciphered i t o u t one a ivle n quiet like an I


’ ’

W
.
,

do call he do o we I ten pou n I tell c c there s ’ ’ ’


.
,

million s have a read thik book -


h y there s never .
,

a Eas ter Monday o r a A u gust B ank Holiday but


what d ree o r vower o r may be up vive o r zi x do
, ,

come to L ittle Abington an they ve all a rea d what


,
’ ’
-

I told he to put in thik book Thik feller do owe I .


money in good right I do know he do . .

I ha s tened to explain tha t th e market value o f Mr .

T rip s contribu tion wa s n o t so high and that perhaps



,

a shilling o r two a t the most


,

The old man s face brightened at once



.

A t mention o f th e word shilling he appeared to see


a probability o f coming to bu siness at once .

Hea rky here L e t that pass Twut but a page ’


. .

-
h e made the word rhyme to badge — “
I do kn o w .

B ut mind me i f I could vall across zome other au thor


,

chap zome g en n el ma n I do mean that did want to


, , ,
21 4 B OOK OF C R AFT S AN D CHAR ACTER
write anoth er bo o k about L ittle A bin g ton an abo u t ’

I I coul d tell he a plenty vo r two S top a minute


, . .

Hea rky to thi s now Here s a li ttle bi t .


Yea rs a g one th ere wu r a cobbler l ived to


A bin gton a m o st terr ble g ra spe n nip c h eese fel ler
,

- .

He werden con ten t wi zi x wicked da ys but mu s ’ ’


,

needs work 0 Zu nda y too He wu r a zo t busy to



.
-

wo rk a zu mmer Zu nday a n the bell s a chimen vo r



-

church most bea u di fu l when a g en ne l ma n in bla ck ,

wa lked into hou se


Could c c make me a pair 0 sto ut bo ots ? he
.

’ ’

a x ed

W
.

I cou ld zo th e cobbler made reply



,

.

i good thick soles bu t no ho bs


’ ’
.

— b wa e p oo f I id the ’

J

u s zo u t t r r spw o se sa , ,


Tes no matter vo r that ’
,
zed the foreigner very ,

civil like .

Then let s measure your vo o t zed the cobbler


’ ’
, ,

an dropped pon one knee like to pul l 0 6 the


’ ’

c u stomer s shoe B u t L au k a massy ! The wold



.
- -

m mu s ha had h i s tail a winded roun th e


’ ’ ’

g e n n e l a n -

middle 0 nu o r hid away in the bag 0 h is burc h es



,

like ; bu t no hose pon earth could hide the sh ape 0 ’ ’

th ik cloven vo o t .

What ll em come to zes th e devil


’ ’
.

Dree c rowns zes th e co bbler all to a trem lc ’


, ,

Then bring em to Abington bu rge this day wick ’


,

ten a t night an you shall ha the money A n th e


’ ’ ’ ’
, .

devil walked o u t zo quiet an well behaved a s you o r I ’


.
THE OL D E S T I NHABI TANT

Well the cobbler w ur to sich a flo wstermen t


, ,

he cou ldn t think n o r speak He wu r a feared to



.
-

make em an eet he wu r a feared to brea k word o r



,

-

time Zo he wen t an told pa sson an axed what he


’ ’
.

had better to do .

You mus make em zaid passon ’


Vo r th e wold
’ ’
, .

g e n ne l m a n u l l neve r l e f c

c in peace till yo u do B u t

.

don t c c touch 0 th e money i f yo u do fear hell vi re


’ ’ ’
,
-
.

I ll tell c c what Cu t a hole in th e crown 0 your ba t


’ ’
.

,

an hold n u o u t fo r th e wold g en n e l ma n to dro p th e


c rown s in to B u t zee yo u do hold u n over th e zide


.

o th e burge zo a s th e money mid drop in to river



.

20 the cobbler he done it an zo zoon a s the crown s



,

vell splash po n th e water there comed a clap o’ ’

th u nde r like o u t o f a clear sky an the devil wu r



,

a snatched u p in a ball 0 v i re boots and all



An

-
, .

that s how th e cobbler o Abington lost by a wo rken


’ ’
-


p o n a Z un da y N o w idden tha t a lit tle
. b i t ?
I hasten ed to explain that my work did not
concern i tsel f with th e ancient myth olog y o f A bing
ton bu t with people o f to day
,
-
.

I moved towards th e gate .

He wen t nimbly u pon h is semici rcular legs and


stood in fron t o f me .

S top a minu te I ll tell c c another little bi t John


’ ’
. .

Higgin s over here to Littl ec ro p Farm h e s a liven



-
,

an well now Years agon e he wu r a walken home



.
-

close pon midnight vrom a little randy u p to neigh


bou r T00 p s an he zeed afore u n two little pixies



,

a stood a g ri n n e n one po n each zide o f th e road



- -
20 .

he sort 0 kee ped a eye pon em like to zee what they


’ ’ ’
21 6 B OO K OF C R AF TS AN D C HAR AC TER
'

mid do . An

they ru nn e d o u t a n ’
cz tc h ed rm h o ld by
the a n kl e la g a piec e a n o hn
J he ll ed do wn po n
’ ’
a va

th e fa c e o

u n zo vla t s

a pa n ea ke . H e rr e r a fe a re d
-

to mo v e h ke He bid stil l ti ll da ylig h g a n th en h e


'

.

g o t u p a l l to a mizmaze l i ke Bu t h e c o uldn t ze e .

nothen at all 0 no pixies 20 so spra ck a he c o u l d



.

he walked 0 5 home No w idden th at a li ttl e bi t


.

I assu red Cobbler T rip tha t i t wa s i mpo ssible to


record true s to ri es o f li ving pe ople w ithou t fea r o f

i n cu rring dama g es fo r li bel I ste pped pa st hi m .

to wards the high ro a d .


S to p a minute cried h e and ra n and ho o ke d
, ,

the to rtoise shell spectacles between my two c en tra l


-

waistco at button s Here s another little bi t


.
” ’
.

B u t my dear Mr T rip i t i s no t my h abit to


, .
,

collaborate and I shall never do so
, .

I have never done so — u n til to day -


.
ANOTHE R MIL L ER S DAUGHTER

! ! V

AN O TH E R MI LL R S AUG HTER E

D

HE villag e called him a t ange and c a n


s r

ta n ke ro u s man ; ye t he wa s kind eno ugh


to me .

Fi sh To be su re you mid had been h i s reply ,

to my request B u t when yo u do come a long don t


.
,

you pass by the mill mind I f you do you sha n t , .


never come no more You nee dn t to knock to door


.

.

Walk in My da u g h ter ll put c c out a cru st o bread


.
’ ’ ’


an cheese an welcome
’ ’
.

I t wa s summer bu t the stream wa s running merrily


,

after rain and the distan t mill wheel kept humming


,
-

like a swarm o f bees Between the tree s above th e


.

winding brook peered the brown ridge and little red


brick chimney o f the old gri st mill breathing forth ,

a film o f blue smoke that melted into a grey sky .

S maller mill su rely never w a s bu ilt standing wi th ,

th e dwelling u nder one low roo f o f th atch Where .

th e ba ck stream join s the mill cou rse i s a broad


- -
,

gravel! y ford and near th e wheel a narrow wooden


,

footbri dge to a small is land plan ted arou nd wi th


pollard willows O n that a fternoon the front doo r
.
220 B OOK O F CR AFT S AND CHAR ACTE R
o f th e hou se w a s open B u t Miller Toop awa re o f
.
,

the approach o f a stranger stood looking o u t o f th e ,

hal hatc h th at s ma ller door which amongst other


f - —
,

u ses i s so conven ien t to lean u pon


, .

He wa s years past middle age clean shaven a nd ,


-
,

wi th hair long and grey L ike h is old mill he ha d .


,

seen the bes t o f h i s days bu t w a s se rv ic ea ble yet fo r


,

more than he could g e t to do He lifted th e latch .

and came o u t to welcome me w ith hospita ble wa rm th .

Well done ! You ve soon a found your way ’


-


down .

B u t perhaps yo u a re bu sy ?
B usy ! cried be with a sha ke o f th e hea d
, .


There s no such l u ck theas days

.

He wa s fo r leading th e way in to th e house bu t a s ,

he tu rned to speak he sa w my eyes dwell longingly


,

upon th e mill
Tes a ram shackle Old place
.


he laughed and , ,

pu shed th e hal f hatch wide open fo r me to g o in


-
.

Upo n th e wall in fu ll ligh t o f the do orway an


ancient ta ble o f c u stomary toll s wa s still hanging
The paint wa s worn and th e letters were Often
.

illegible ye t here and there a line might still be


,

Of every bush el of wh ea t, o ne q ua rt .

Of every bush el of mesl i n o n e q ua rt


, .

Of every bu sh el of ma l t, o n e pu rl .

We were back in to th e days O f good ho usewi fery ,

when th e loa f wa s baked and th e ale w a s brewed a t


ho me Th e meslin w a s an ec o nomy A n equal
. .

quanti ty o f rye being grou nd togethe r wi th w heat


ANOTHER MI L LER S ’
D AUGHTE R 221

e ved fo r an intermediate q u ality between the white


s r

and th e black .

Ah ! Ti s all gone o u t s ighed th e mille r



.
,

There s no g ri sti ng now adays We c an t grind flo u r



.

.

We can t make nothing here but pig s meat no w


’ ’
-
.

P ig s me at ’
-

Well barley meal laughed he


,
-
,
.

B u t the old toll bo a rd ca lled u p reminiscenc es o f -

old world rural l i fe and se t him ta lking o f th e days


-

when he wa s you ng .

Ay everythi ng is c h anged
, When I w ur a bo y .
,

why th e water wu r h el d to be gold No w fo r wan t .

0 work ti s hal f the time ru n n ing to w as te th ro u gh


’ ’

th e open hatch I w u r a miller yo u ng I shall


. .

never forget i f I do live to fou rscore Twu t su mmer .


time m u c h later in th e ye ar than this an h al f a



, ,

drou ght an father h a d a wen t away A n then


,

-
.

corned a th u nder storm wi fi rst big d rops an the n a -


,
’ ’

sheet 0 rain an p re tty s oon a he ad 0 wate r in th e


’ ’ ’
,

pond I wur bu t lebe m yea rs 0 age bu t I can see


.

i t n o w clearer a h yesterday The wate r dark u nder



.
,

the clou d just o n the flo w over th e brim o th e weir


,

.

An there wu r two moor hen s to o by th e rushes u p



-

th ere by the bend below th e alder bu sh -


.

I wu r brought up o n e bo y alone I wu r th e child .

0 theas wold mill He wu r v a th er mother sister



.
, , ,

an brother to me— a y an playmate to o I had



,

.

a he ard so m u ch abo u t th e wate r an o f a s udden it



-
,

s tru ck in to my bo y head like to grind a sack to save -

waste an help my vatha r ’


.

I had th e sen se to gie th e sc rew a turn an raise ’


222 B OOK OF CR AFT S AN D CHAR ACTER
th e tone an I cast my eye to see that there were
s ,

corn a plenty in th e h Opper An then I ra ised th e


-
.

hatch an le t th e water on I w ur so deep in ea rnest



.

I h a d no fear an I ru nned an watched an brough t


,
’ ’ ’

th e stone down closer like to its prope r feed An



.

then th e wold wheel he wen t o n ea sy like at th e , ,

fi rst an then faster an spra c ker ti l l he wu r a sin g ing


,
’ ’
-

h i s best .

G o d A mig h ty ! what hast a bin abou t bwo y



-
,

The re w u r my va th er wi eyes like a c o d fish an ’


-

cheeks so red a s a tu rkey cock He gi ed me j u s -


.
’ ’

one look B u t he wu r too frightened like to so m u ch


.

a s catch me a clo u t He ru nned to th e spout to test .

th e flo u r atween finger and thu mb He ru nned up ; .

he ru nned down ; he ru nned o u t to hatc h I stoo d .

there all to a tre m le whilst he did ru n to an vro ’


,

.

He w u r a staid heavy man an did blowy a n panky


’ ’
,

like a pai r 0 bellow s B u t he co rned ba ck wi h is



.

face a beaming like a zu n v lo we r vu ll blowed Hang


- - -
.

thee Miller Toop the yo u nger I couldn a done ’


-
, ,

bette r my own ze lf cri ed he A n I ve a bin Miller ,



.
’ ’
-

Toop ever since Fa rewell ch ildhoo d that wu r Fo r


. .

he put me to work th e very next day .

He paused A nd al though he laughed hi s head


.
, ,

nodded in serious recollection o f a boyhood lived in


th o se good o ld days .

An there wu r work then The humblest cotta ge



.

did bring a bit 0 corn Fo r little sooner wu r th e last



.

load a hau led than all the women folk and maidens
- -
,

from the wold grammer to th e yo u ngest c heel did ,

traipse in pon th e c rackling stubble to pick up every



AN OTHE R MI L LE R S ’
DAUG HTE R 223

mote an ea r P igs do ru n now where th e leasers



.

gleaners maybe you do call em — did step an stoop


, ,
’ ’
.

L awk ! A bo dy now wo u ld neve r learn the re have


-


a bin lease rs if tw e rden fo r th e B ook 0 R u th

-
.

We went o u t o f doors once more and loitered


beside a hatch to watch th e water spinning away
from th e wheel A grind stone stood nea r to th e
.

wa ll S ome duck were sporting and dipping in a


.

shallow below th e mill tail -


.

There s little to do here now said he


’ “
I do
Often sit down fo r an hou r an smoke a pipe an
.
,
’ ’
,

watch th e water ru n— a n ponder I do allow the ’


.

wold mill ll last j u st so long a s myzel f Then wh ile



.

I do go to bare bones he ll tumble to a heap o f loose ’

stones B u t here I ve a lived an here I do mean to


’ ’
-
.
,

die I shall bu y u n a bit 0 ba rley to kee p th e li fe in


.

h i s c reaking o l d join ts so long a s he do earn me a ,

crust I do owe u n that P o n my li fe I do B ut


. .

, .


please to step in to house .

He led me in to th e qu ain test pa rlo ur I have ever


seen small and low wi th a dark Open beam across
, ,

th e ceiling The embers o f a w ood fire lay on th e


.

hearth All th e old world fu rnitu re w a s shining


.
-

clean and th e stone floor wa s festooned around with


white freestone

W
.

Nance !
hat i s i t now ? replied a shrill voice from th e
kitchen .


Just pu t out a bit 0 brea d an cheese An d raw ’ ’
.


a c u p 0 cider Will c c now ?

.

In a minute .
224 B OOK OF CR AFTS AND CHAR ACTE R
The re w a s no sweetness n o promise o f roman c e in ,

th e abru pt re plies o f th e m ill e r s dau ghter



.

A fte r a brie f delay sh e came bringing a strangely ,

s ha en loa f o f h e r own ba king and a we dge o f c h ee se


p .

S h e laid th e cloth and se t th e ta ble in haste Th e .

knives we re buc k ho rn handl ed th e plates o f bl ue


-
,

w illow pattern and th e cider c u p w a s o rna m en ted


-
,

with sheaves and ve rses and a legend G o d speed ,



th e plo u gh S h e wa s ta ll gau n t and nea rly fo rty
.
, ,

years o f a g e He r fai r hai r brushed tightly bac k


.
,

from a broad forehead w a s knotted a t th e back o f ,

h e r head into a knob hal f the size o f a man s fist A



.

high bl ue apro n almost covered h er fa de d bro wn


woollen frock I co u ld find n o grace no roman c e o r
.
,

fe minine charm in thi s miller s dau ghte r Perhaps



.
,

these departe d w i th th e g ri sti n g s .

Th e mill e r ga ve m e a sec ret w i n k .

Here s a gen tle m an Nan c y my maid hal f



, , ,

a minded to take th e wo ld mill
-
.

S h e j ust glanced a t me .

He d better to bu rn n u sh e said wi tho u t a s mile



.
,

I fel t in tu i tively that li fe w a s fu ll o f bickering fo r


the two people i n thi s littl e mill .

I sa t with th e miller u n til dark and fo r th e most ,

pa rt he talked and I li s ten ed Do u btles s i t w a s a .

pleasu re to h i m to repeat alou d h is solitary medita


tion s by th e hatc h He did n o t wai t fo r c omment o r
.

an swer bu t smoked a long clay pipe and pu ffed o ff


, ,

wi sdom between th e w h i fls ’

Do c c th ink th e world i s better n o w master ?



,

Beca use I don t There s whi ter bread but no t so



’ ’
.
ANOTHE R MI LLER S ’
D AUG HTER 225

wholesome There s finer clothes— bu t they don t


.
’ ’

wea r so long There s more newspapers an more .



,

loud talk an more lunatics— o r so they do tell I


,

.

There s better hou sen a n eet I do rea d 0 slum s in



— ’ ’

town s packed wi folk so thick a s ca lves in a pen If



.

the e better vi ctuals there s no better appeti tes



’ ’
r s .

There s no better feel ing atw een neighbours There



.

idden n o more happiness An there idden n o g risti ng .



.

A s to poverty master by all accou nts they have , ,

but shi fted i t from country to town .

DO c c think n o w that mankind in the working an


’ ’

turmoil 0 li fe m u st s hed so m u ch poverty Zame


a s a gri st o wheat ta k e one w i ano the r must th row


’ ’
, ,

so m u ch bran

Do c c think master th at if there w a s tru e



, ,

wisdom there cou ld be want


Miller Toop thoughtfully shook h i s head .

I m da l led i f I do know he said and scratched h i s


’ ”
, ,

sh a ggy eyebrow wi th th e red tipped ste rn o f hi s pipe - .

I felt sorry fo r Miller Toop h is brain being so ,

plen ti fu lly provided wi th disturbing thou ghts His .

dau ghter could have no sym pathetic u nderstanding


o f h i s mind fo r certain He wa s glad to talk wi th a
, .

stranger and would n o t hear o f my going un til


,

quite late .

The fu ll moon had j u st risen when he came o u t to


se t me on my wa y I t shone on th e side o f the mill .

a n d silvered th e ru nning water and th e straight

wands o f th e pollard willow trees .

Tis a short c u t by th e footbridge said he a t


th e door .
226 B OOK OF CR AFTS AN D CHAR ACTER
B eyond th e island formed by th e bac k stream -

s tand s a s mall wicke t ga te s hel tered and darke ned -


,

by overhanging trees A man and woman were .

leaning again st it H is a rm was around h er waist and


.

h er head upon h is shou ld e r bu t a t my step they qu ickly ,

stood apa rt and he ope n e d th e gate fo r me to pa ss


, .

I recognised th e miller s daughter and bade h er ’


,

G ood night -
.


G ood nigh t sa id sh e a s th e gate closed behind
-
,

me bu t there wa s n o c ordiality in the w i sh


, .

G reat heaven s ! Ho w these poe ts ideali se ! Un til


to day th e mere word s th e miller s dau ghte r were
-

almost a poem .

My neighbou r Mrs S im o n G a ll in g h a m a s yo u will


,
.
,

understand when yo u know h e r better i s a shrewd ,

woman w h o tell s me many things


,
.

S h e w a s in h er garden th e next morning picking


the fi rst o f th e kidney bean s .


I had a talk to Miller Toop yesterday .


S illy o ld fo ol l said sh e .

On th e co n trary He appears to be a very .


though tfu l o ld man .


Thou ghtfu l ! cried sh e with impatience There s

.

a well to do smith h a s cou rted Nancy years and


- -

years Mill er wouldn t hear o f it then No w Nance


.

.

won t m a rry to leave him al o ne They offered him



.

a home bu t th e pig headed donkey will stay a t


,
-

th e mill .

I have replaced Nance Toop among st the maids


o f poe try .
CI DER MAKI NG
-
XX V I

C I R MA I N
DE -
K G

H ERE is an o ld West Country son g o f a


prodigiou s n u mber o f verses co vering a variety
o f topics bu t alway s ending w ith th e same re fra in
,
.

The repetition i s a s i rrelevant a s th e constan t


rei te rati o n o f th e golden ru le wi th which Con
fuc i u s in te rspe rsed h i s w ri tings and in si sts upo n a
,

tru th eq u ally u nass ailable That tru th i s dear to th e


.

ru s tic mind in all places whe re th e apple bloom s

Zo a d
ro p 0

g o o d id c er w o n t do

us n o h
a rm .

From time immemorial th e stalwart son s o f this


land o f orc hards have lived up to their be lief They .

ha ve put it to the sev erest proof o f daily experience ,

and i t h a s nobly stood the test The ever va rying .


-

occupations o f o pen a ir li fe like the verses o f the


-
,

o l d song have bee n interspersed with practica l illu s


,

tra ti o ns o f thi s chorus .

From th e tu rn ing o f th e fi rst autumn fu rrow in


230 B OOK OF C R AF TS AN D CHAR ACTE R
r eadiness fo r win ter wheat o n to the creaking o f th e
las t load o f g olden sh eaves there h a s al w ays been a
,

vl a g o n hidden among the cool grasses o f the ditch ,

o r a li ttle oaken vi rki n hu n g on the colla r o f one o f


th e horses a s th e team goes to th e field o r an owl ,

o u t o f s igh t and shel te red from th e s u n u nder the

leafy hedgerow .

An owl wa s an ea rthenware vessel o f primitive


shape having two
, littl e ridges like epau lets u pon
i ts shou lders wi th ho les th rou gh which to th read a
,

leathern thong—a good sto u t bootlac e might some


times serve the turn— whereby it might be h u ng up
o r carried .


I t may be this wa s th e origin o f the saying as

d runk a s an owl fo r the blinking bird o f wisdom
,

can su rely never have been addicted to any serio us


inebriatio n B ut al a s ! the owl i s no w a thing o f
.
,

the pas t .

The last o wl I ever had lamented an old carter ,

a s o n e day a t noon he s a t o n th e h edgerow ba nk


, ,

and sliced a large onion with h is pocket kni fe whil st -


,

th e pl o ugh rested a t th e e n d o f a fu rro w g o t ,

broke u p twen ty year ag one An d he were a


Odd sized o wl fo r he did hold vive qu art
.

-

.
,

Hi s re gret wa s pathetic .

One can think only with tenderness o f an ancien t


frie nd o f su ch unobtrusive modes ty that i t wa s
capable o f looking like a gallon while con taining five
quarts .

Then th e carter shook h is head and d rank out o f a


fraud u lent glass bottle w i th a small mou ntain c o n
C I D ER -
M AK I N G
at th e base
c ea l ed . It made only a fal se prete nce to
h old o ne q u art .

l o a d ro p 0

g o o d id
c er
'
w o n t do us no h a rm .

B u t thi s pleasant beverage, o f which th e whole


so me n ess h a s always been recogni sed , h a s o f late

years been th e subject o f c arefu l scien tifi c investiga


tion wi th th e res u l t tha t the re h a s been a new
,

departu re in th e making o f cider Th e c hange so .

apparen t in other matters h a s extended al so to this .

A quarter o f a c en tu ry a g o in every hou se beyo nd


th e town s h o me baked bread and home brewed ale
- -

were to be fou nd No w oven s and brewing plan ts .

a re gone and th e bake r s cart and brewe r s dray


’ ’
,

penetrate to th e most rem o te farm Tru e th e o ld .


,

c ide r mill s and pres se s a re still a t w ork a t most o f

the homestead s bu t factories h a ve spru ng u p provided


,

wi th every modern appliance and many farmers find ,

i t more c onve nien t to sell thei r appl e s than to grind


them .

The q uestio n o f di stribu tio n also h a s n o t bee n


overlooked Instead o f trou bling to pro c u re h is o wn
.

barrel always remembering to blow in to the bung


to make su re that all i s clean and sweet th e c us -

tomer now send s an o rder o n a postcard and even ,

tu a ll y retu rns the fa cto ry cas k Nothing can be .

simple r than to do that — i f he does not forget i t .

l o a dro p 0

g o o d id
c er wo n t do

us no h a rm .

If only fo r th e bea u ty o f th e or chards , th e lover o f


232 B OOK OF CR AFTS AND CHAR ACTER
Natu re will rejoice th at the futu re is more likely to
see new plan ting than decay One m u st live a mong .

them to know th e sweetn ess and charm o f those


mysteriou s glades E ven in leafless winte r their
.

moss cla d branches wi th the su n light from a clear


-
, ,

frosty s ky gli nting between th e twigs to mel t th e


d ripping rime a re full o f colou r Sometimes high
, .

u p the re grows a bough o f mi stletoe green a s a bu sh ,

in summer and spangled wi th berries that look like


pearl s Then co mes th e missel thru sh and si ngs h is
.
-

wild song even in th e rou ghest wind and rain In


, .

the first gleam o f spring he bu ilds there in th e fork


o f th e tree A li ttle later th e c h a ffin c h con trives that
.

nest o f li c hen and moss scarcely to be disti ngu ished


from th e limb o n which i t rests and bl u e ti ts c reep ,

abou t like mic e and cling back downward s to the -

branches and a t las t rear ridic u lo usly large families


,

in holes o f hollow tru nks Then th e blossom s spread .

over everything cove ring th e naked trees w i th a


,

mantle o f loveliest pink and w hite to be soon fo l ,

lowed by th e cool shade o f th e gree n lea f S lowly .

the young fru it grows a n d yellows and reddens u n til ,

in autumn th e whole orchard is aglow with gold and


bl ushes And how splendid a re th e ripe apples when
.

they lie in heaps rea dy to be hau led to the crusher !



l o a d
ro p 0

g o o d c id er wo n t do

us n o ha rm .

My friend Farmer J o hn B uck pre fe rs the goo d


old way .

Cider maki ng in th e old way h a s littl e science but


-
,
CI DER MAKI NG -

abo nd wi th pictu re making su bjec ts Wagon l o ad s


u s -
.
-

o f frui t o f all colou rs from pale yellow to dee p


purple a re hauled into the farmyard and u p to th e
pou nd house door Wi thin i s th e mill to grind
-
.

th e apples a n d outside an o l d ho rse plod s rou nd and


,

round u nc eas ingly to tu rn th e mill The grou nd .

apples a re called pu m my .

This pomace after standing a few hou rs i s taken to


th e press — a quaint o l d mach ine wi th a sc rew and ,

socke ts to take a ba r like a capstan


,
There it i s put .

u p between layers o f straw and a s m u ch a s th e press


,

can ta ke at o ne time i s calle d a c heese The ba r .

i s tu rned until th e press c reak s The sweet j u ice .

d rips in to the trough below and th e heavy ac id yet , , ,

su g ary smell o f i t fill s th e a i r As u nder pressu re .


, ,

th e chees e p ro trudes th e s ides a re s liced o ff and piled


,

u pon th e to p u n til a t last when squeezed dry i t h a s


, , ,

diminished to one qu arter the bul k o f the o riginal


-


p u mmy .

Th e new c ider i s pu t in bu tts ; a nd then follows


always a doubtful time fo r fermentation must n o t be
,

to o rapid There s nothen like a vro st a t th e right



moment is a maxim with Fa rmer John B uck A n d .

a l uc ky frost i s certa i nly a wonderfu lly fine cide r


maker Wi thout i t a good cider maker must be fo r
.
-

ever pu tting h is ea r against th e stave to li sten .

Is th e ferment h u mming — o r singing — Or

roaring

When there is too m u ch mirth in the barrel the


cider mu st be racked that i s d rawn o ff a t o nce

, .

Thus ferm entation i s stopped and h a s to sta rt again .


234 B OOK OF CR AFTS AND CHARACTE R
O c ean s o f excellent cider have been made in thi s
good O ld way .

Zo a d ro p 0

g o o d id c er wo n t do

u s no h a rm .

But in the new way a g reat deal more ca re i s


ta ken The apples a re selected wi th ca re and
.

scien tifica lly blended the j u ice o f al l th e bes t ,

varieties having been analysed The fru it is never .

allowe d to lie o n th e g rou n d is cru shed by steam ,

betwee n bell metal crushers and horse hair c loths


-
,
-

have replaced th e o ld laye rs O f straw Th e pomace .

never stand s bu t passes straight o u t O f th e mill in to


,

an hyd raulic press whi c h d rai n s it a t on ce to th e las t


d rop The j u ice run s away into kee v i ng ba rrels in
.
,

which fermentati on can be scientifically regulated .

Then i t i s racked i nto pipes o f large dimensions .

L ast o f a ll i t i s fil tered th rou gh sterili sed c o tto n


pu lp from w hich i t ru n s o u t fine in c olo ur and
,

u n i fo rm in c harac te r There a re brands fru i ty o r .

dry according to th e a pples u sed and th e manu


, ,

fac tu re i s so exac t that thei r qu a li ties scarcely va ry


a t all S ome a re u sed fo r bottli n g a n d th e s parkl e i s
.
,

qui te natu ral .

This fil tered cider i s said to be most u se fu l to


persons wi th a ten dency to gou t o r rheu matism .

Farmer J o h n B uck declares that i t h a s n o t th e


stren gth o f th e old fashioned make He says a -
.

bu cketfu l could never g e t u p in to any ma n s hea d ’


.

B u t what o f that ? Very soon like th e rest o f u s , ,

th e total abstainers will be hilariou sly s inging

l o a d ro p 0

g o o d id c er w o n t do

u s no ha rm .
A UTOL Y CUS , 1 900 A D
. .
XX V I I

AU LYC
TO US, rgo o AD . .

O ME out then all yo u lazy wimmin folk


,
-

Come
.
,

out ye wold ma ids a n show yo u r ’

pinched u p cherry topped noses Come out yo u


- -
.

buxom mothers O twen ty An all yo u pretty



.

maiden s in your bloom come o u t me sweet little


, ,

dears Here we be again Here he come s th e


. .
,

very mas terpiece o f a young man .

They all ra n o u t .

At every lilac sheltered garden hatch and at every


- -

Open doorway down th e village street stood one o r ,

two o r i t may be a li ttle grou p


,
They popped .

o u t a s th ey we re in apron s and with sleev es rolled


,

up They would have come fo r less B ut there wa s


. .

always an excitemen t when S ilas P ick ford passed


on h i s ro u nds through th e pari sh o f Hazelgrove .

A n outlandish place o f dwindling population i t i s ,

the genera l impression that nothing ever happen s a t


Hazelgrove S o people were glad o f any diversion
. .

A n d although the elder folk when they heard S ilas


halloo might ta p on thei r own spacious foreheads and
declare wi th myste ry that there wa s so methin g n o t
237
238 B OO K OF CR AFT S AN D C HAR AC TE R

qu i te right fo r certain su re the e there impu ta , r — — an

ti on often thrown at people o f gen i us— eve ry wom a n


su pported S ilas and w ou ld pour awry o u t o f a
,

chipped spou t a n d grumble fo r weeks rather than


lay o u t sixpence fo r a tea po t at th e sh Op in th e
market town Besides S ilas wa s always a penny
-
.
,

more rea sonable than the shop and more than ,

that might be beaten down Fo r S ilas mind wa s .


, ,

to be tru sted to sell i f he anyways could .

Come

out come o u t c ome out ! Here he i s
, ,

again .

Never su rely wa s another su ch a loud rau cous


, , ,

voic e and i t had none o f th e leisu rely u n d u lating


, ,

d raw! o f o u r dialect It cou ld be heard fa r away .

in th e landscape ; and S ilas always began to shou t


from the hill a s soon a s he had tu rned th e bend
,

and alighted to lead h is pony safely over th e rolling


s to nes down the steep knap .

There were some who called S ilas a gipsy bu t ,

that wa s a mi stake He wa s born in a li ttle o ld


.

world seaport so me fi fteen miles from Hazelgrove ,

th e so n o f that most versatile o f all merchan ts a ,

marine store dealer Yet h is appearance somewhat


-
.

favou red th e in ference When at last he reached .

th e village street we sa w a sharp featu red c lean -


,

faced li ttle man with black hai r and rings in h is


, ,

ears Around h is throat wa s a blue neckerchief


.

with white spots in a k n ot a s tight a s a bang


,

man s ’
.He wore a long sleeve waistcoat with - -
,

fla pped pockets a n d a s li t over each hip I t had .

more than a score o f bu tton s o f which abou t a ,


AUTO L Y CU S , 1 900

dozen at th e bo ttom had never made acquain t


ance w i th a bu tton hole His little bow legs gave
-
.
-

him a horsey appearance fo r h i s breec hes were ,

tight and so were hi s gaite rs al so Hi s two


, .

wheeled cart wa s piled high wi th pots pa n s , ,

bru shes crockery and all sorts o f wares The


, ,
.

harness glistened with brass fittings The shafts .

ro se in th e a i r and th e bellyban d th reate n ed to


,

li ft th e little pony o ff h is l egs And sometimes .

alo ng th e road side bu t more often over th e hedge


, ,

ra n a brindled lu rche r do g that came and laid


down u nder the cart whenever S ilas stopped in
the v illag e .

We knew that S ilas wa s a bi t o f a rog ue bu t ,

we liked him none th e w orse fo r that He did .

n o t take u s in We only winked a t each other


.

in proof that h is oddities did n o t pass u nnoti c ed



and said he wa s a fu nny customer .

We agreed that a man m us g et u p pretty early


“ ’


in the mo rn en to get u pzides wi S ilas B ut a s

.

all Hazelgrove jumped o u t o f bed a t th e first streak


o f dawn we were n o t disqualified o n the grou nd
,

o f late ri s ing .

When i t wa s sometimes whi spered with a wi se


shake o f th e head A h ! S ilas do know what to
,

do wi a hare o r a pheasan t an where to place a


’ ’
,


nest o r two o f a g g s in th e spring we only ,

lau ghed What business wa s that o f simple


.

cottagers like ourselves No ! G entry must look


after thei r own game S uch things did not come .

o u r way except by c h ance a n d no do ubt th ey deal ,


240 B OOK OF CR AFT S AND CHAR ACTE R
in a great many di fferen t sorts o f arti c les a t a
marine store An d then h i s manners were so eas y
. .

He knew everybody by name and had a word fo r


you ng and old He said nothing in rec o mme nda
.

tion o f h is wares bu t shou ted non sen se a t th e to p


,

o f h is voice to show he wa s there .

Here he is once more The yo u ng c rown pri n ce .


-

o f licen sed hawkers the wonde r o f th e a g e with h i s , ,

remarkable perfo rming pony on c e a racc orse


: b

u t , ,

now brought in to the tru e fold a vin g see n th e ,


error o f h i s ways and taken to the paths o f


ind u stry L ook a t i m ladies and gen tlemen
.

, .

L ook a t i m A orse that an archbi shop cou ld


’ ’
.

warrant sou nd A orse that h a s said h i s prayers


.

on th e ig h road wi th nobody nigh to see him


bu t h i s master A remark a ble O rse ladies and



.
,

gen tlemen that will ea t o ats o ut o f a n o se bag -

a s O ften a s th e oats a re there


,

bu t n o t otherwise ,
.

An d more than that a orse th at goes in a cart



,

that ru n s o n whee l s — G ood morning Mrs John , .

B ro oke Ho w i s Mrs J o hn B rooke ? I hope I


. .

see yo u well ma am wi th bo th ,
ha n d s o ut

,

of s igh t u nde r you r apron beca use yo u hold ,

coppers between you r finger and thumb bu t do ,

n o t wi sh to look prou d What i s it fo r yo u .


,

ma am A small b ucket to carry the ki tchen


stu fl to th e pig s meat ba rrel ? What yo u don t


' ' ’
-
,

keep a pig Don t mention it ma am I wou ld ’


,

.

sell you th e bu cke t all th e same Eh ! A namel



.

wash u p basin sevenpenny size ? A namel wash up


-

-

basin sevenpenny si ze fo r Mrs John B rooke I . .


AUTO L Y C US , 1 900 A . D .

commend th e choice but make i t ninepenny , ,

ma am N0 ? Sold again S old again and g o t



. .


the money .

There wa s no sec recy in o ur dealings wi th


S ilas Pick ford To hasten and stimula te loitering
.

customers he announced th e nature o f every purch ase


and th e pric e in h i s lou dest voice We gathered .

rou nd to care fully examine Mrs John B rooke s wash



.

u p basin and to look fo r flaws in the enamel The .

verdict wa s favourable Each one pronounced it


.


a very tidy wash u p ba s in I do call
-
, .

Fo r the larger wares which S ilas did n o t habitually


carry in h is cart i t wa s o nly necessary to give th e
orde r and wait until the next jou rney He wa s .

the u niversal provider fo r Hazelgrove but then o u r ,

wan ts were few and simple in th e extreme .

Mother send I o u t to tell c c to bri ng on a ’

bread pa n fo r ours is a bro kt


-
,
-
.

Pris cilla Cou rtney brought th e messa ge the prettiest ,

maid in o u r parish with h er black head in a c rimso n


,

Tam O S h a n ter h er slee ves tucked u p to h er elbows


, ,

and a red pinny straight from h er neck to h e r ski rt .

P ri scilla had re ached th e merry giggling age wa s , ,



swee theart big and yet heart whole fo r sh e -
,

wa lked u p and down the street O f an evening a rm


in a rm with anothe r gi rl a nd they laughed and ,

ta lked to the youths i n company with one eye ,

on the mill er s lad and an o ther on the cottage



,

door to see i f her mother should chance to


pop o u t .

So ld again T h is day three weeks at the same


17
242 B OOK OF CR AFTS AND C HAR A C TE R

hou r o f th e cloc k A glazed bread pa n fo r M rs -


.

Cou rtney An d what fo r yo u my tu lip ? What do


.

.
,

y o u wan t fo r you rsel f ? H e re s a b rooch o f g o l d


in a true love knot eighteen pence o r sa y o ne a n


-
,

four to wear when you wal k o u t wi th you r swee t


,

hea rt ; and a maid with su ch a brooc h under h er


chi n is a s sure o f kissing a s

Ge t o u t w i you r stu ff giggled Prisc il la “
I

.
,

ha n t a got n a a r a sweetheart no t eet
’ ’
- — ’
.


Sold again ! shou ted S ilas Sold aga i n th is
— .

day three weeks a sweetheart fo r Priscilla Cou rtney .

I ll bring him with th e bread pan A fine yo u ng



-
.

man a young ma n o f q u ali ty eq u al to mysel f w h o



, ,

d rives h i s carriage and



I shan t have u n i f I don t c hoose interrupted
’ ’ ’
,

Pri scilla with a toss o f th e hea d


, .

L eave the choice to me Priscilla What I bring , .

I guarantee As sure a s the light thi s day thre e


.
,

weeks a sweetheart you shall have O ne that ll


, .

wear Priscilla A fine young man a masterpiece


,
— .
,

s uch a s mysel f .

Oh to be su re there can t be no ha rm to bring


, ,

u n on giggled Priscilla Zo a s we c a n all zee



.
,

what he s like ’
.

S old aga in A young man fo r Priscilla Cou rtney


. .

Thre e weeks this day at the same hour o f the clock ”


.

And these were the last word s he shouted before he


passed out o f the village to climb in silence the hill
on th e other side .

There wa s a dea l o f talk about this fo r everybody ,

mu st have a joke with Priscilla Besides the fell o w .


,
AUTOL Y CU S , 1 900 A . D .

wou ld give some good tu rn to i t Hazelgrove cou ld ,

warran t he would One thought he might bri ng


.

the maid a chainey image like o r zo meth en 0 ,



that B u t they all declared to Priscilla fo r certain
.

s u re th e man mu st mea n himsel f S o the public .

curiosi ty increased un til th e hawker s day came ’

round again and hal f th e pari sh had one ea r


,

pricked a s th e saying is to listen fo r h is approa ch


, , .

B ut the morning passed .

What c ould have happened No t once in a


twelvemon th wa s S ilas even te n minu tes late .

The afternoon faded into du s k No t fo r ten yea rs .

had he bee n known to miss a jou rney And n o t .

a sou nd o f S ilas had bee n heard .

In th e cou rse o f a fortnight th e news wa s


brought from market that S ilas had been caught
appropriating coal from the heap set on the way
s ide i n readines s fo r the rolling machine -
.

Next we heard that S ilas wa s in ga ol .


He wa s a funny cu stomer we all sa w that and , ,

sly en ough to pick up anything that lay han dy a s he

pa ssed along the roa d yo u may depend upon it


, .

Yet the thought that S ilas wou ld now lose h is


licence and come no more cast a gloom u pon
Hazelgrove whenever i t w a s men ti oned We .

mo u rn firl ly a greed S ilas always zo ld fair en ou gh


to we And za y what a nybe ddy mid about th e
.
,

feller he did ca rr a tongue in th e head o un an no


’ ’ ’
, ,

mistake .

S i x months pa ssed Harvest came and he wa s


.
,

almost forgotte n .
244 B OOK OF CR AF TS AND CH AR ACTE R
Come out come o ut ! Here he is ag a in
,
— th e

very masterpiece o f a yo u ng man .

We popped o u t like rabbi ts We were exci te d


.
,

fo r the re creeping dow n th e hill side wa s th e pon y


and cart once more .

We all talke d a t once


Then they can t ha stopped h is licence
’ ’
.

We sh all see whe er o r no h i s hai r is a cropped



-


short .

Where s Priscilla

I wonder i f he have a brought Pri scil la th e


-


sweethea rt .

What good i s it to ta lk like that Why P ri scilla ,

w a s a walkin in the lane j u st in th e dimmet las t



-
,

nigh t a rm i n crook w i th e mi l ler s young ma n


,
- -
’ ’
.
OVE R A P AI R OF B ELL O W
S
XX V I I I

O VE R A AIR P OF B E LL O W
S

0 .in to house at this moment


He is no t .

He s u p to wood about th e fa g g o tti ng He



.

ca n t be so very long n o w fo r certa in su re The


,
.

a te m o o n s be zo short an tes mo st terr ble muggy


’ ’ ’ ’
,

to day I do si m Will c c please to walk in an ’ ’


-
.
,

wait
My ea r detec ted in the tone o f h er voice an
habitu a l melancholy intangible a s th e sadness o f
,

th e wind blowing through the pine tree s on the hill -


,

o r the loneliness o f a river winding th rou gh a deep

coombe Yet sh e did no t appear to be in trouble


. .

S h e might perhaps be o ne o f those very seriou s


, ,

person s to whom du ty becomes a nightmare and


who a lways fear th e worst As she spoke sh e .

stepped back from th e doorway to allow me to


pass a nd I wen t into the cottage
, .

I t wa s one o f th e old fashioned sort with a -


,

window looking o u t upon the front a n d another


at the back B oth were darkened by trees lofty
.
,

beech a nd oak that hid th e sky S h e wa s right


, . .


The afternoon wa s even more than muggy fo r ,

247
248 B OO K OF C R AFT S AND CHAR AC TE R
th e win ter mist wa s changing into a fine drizzl i n g ,

ra m .

She d rew an a rm chair closer to one side o f t h e -

hearth and punched u p th e flattened c ushion wi th


,

h er brown fist .

No w do c c please to pitch said sh e wi th th e


,

, ,

pleasant undulation o f h er dia l ect .

I seated mysel f in that com fortable resting pla ce -


.

The fire o f wood h a d fallen very lo w and wa s ,

littl e more tha n a red glow trying to peer o u t o f a


mou ntain o f grey whi te ash es B u t sh e brou ght a
-
.

ha nd fu l o f sticks piled th e charred logs anew and


, ,

p u t on mo re S h e d rew u p a.low ru s h bo ttom e d ,


-

chai r took a pa i r o f bellows from thei r nail upo n


,

the wall and sa t down to blow At once th e flames


, .

leapt u p and in the glowing light I could see her


face more clearly th a n in th e Obscu ri ty o f th e
,

A lthough in yea rs and h a d spent th e


sh e wa s up ,

best part o f h er li fe in this ou tlying woodman s ’

cotta ge there wa s nothing bu colic abou t h er J a ne


,
.

Tren t w a s still a comely w oman S he wa s nei ther .

tall n o r short stou t no r lean bu t easy and active in


,

h er movements and soft o f s peech Her fea tu res .

were both even and refined Sh e mu st have been .

quite beau ti fu l when a gi rl No w she wore a .

faded brown knitted shawl over h e r shoulders Her .

scan ty grey hai r wa s twi sted into a knob at the

back o f h er hea d skewered with a hairpin and , ,

confined wi thin a tig h t net o f chenille S h e sa t .

looking into th e fire with th e bellows resting u pon


OVE R A P AIR OF B ELL O W S 249

h er knee and blew with slow regular blasts No w


, , .

and then a d rop o f rain found i ts way down the


broad open chimney and fell hiss in g u pon th e
, ,

flames a nd heap o f red embers .

Yo u must find it very quiet here with no other ,



hou se near .

Tes a o u t O the way sort 0 place su re nough


’ ’ ’ ’
- - -
, ,

sh e refl ected still looking into the fire


, B ut lau k ! .

I be so well u sed to th e wood a s a stoat o r a


pheasan t I were born an bred handy to a wood
.

,

an wed to come to live here There were a plenty



.

0 li ttl e v ee t an a plen ty O voices about hou se then


’ ’ ’

v o r the nex t vo w yea rs B u t littl e vo et mind do .


, ,

wear o u t sh o elea th er An a little voice mind in a .



, ,

manner 0 spea kin have abou t so many words a s


’ ’
,

a vinger post po n the road to a belly An where


-

.

there s a belly mind the re s a call vo r victu als l o



, ,

.

I did za y manies 0 ti mes there w ere to o many


,

, .

B u t massy pon u s ! the o o ma n is no be tter a n a


’ ’ ’

fool that don t zay no more a n she do mean no w


’ ’

an a gain An I do vind it a bit lonesome no w



.


they be gone .

Sh e did no t s mile sh e did not look up but might , ,

have been S peaking to the crackling logs The .

wood wa s a little damp and the fl ames fell when ,

sh e ceased so sh e wen t on blowing in the same


,

steady way .

Ho w many o f them were there ?


There be bu t thi rteen sh e answered with ,

becoming mod esty a nd paused Then h er man ner , .

brigh tened almost into boa s ti ng B u t we never .


25 0 B OOK OF CR AFT S AND CHAR A C T
lost narn We reare d em a ll up straight a n t a
.
’ ’
l
An n a a r a one o em wouldn h ide i n t h
’ ’ ’ ’ ’
eet

country .

S h e only meant the neighbourhoo d fo r none h a d ,

gone in to foreign parts A nd although sh e fel t t h e .

loss o f th is baker s dozen in h er heart sh e wa s pro u d ’


,

o f thei r en terprise .

Yo u zee they all tu rned o ut sich scholars eve r y


, ,

one o em No t but what I wu r a scholar myse l f


’ ’
.

when I w u r a little maid Ay they lea rned I t o .


,

read an to write an to zu m m y to o bu t lau k ! I h a d


’ ’
,

no u se fo r i t all an pretty q u ick forgot it aga i n ,



.

Yo u zee za y there wu r a murder in th e Vri da y


,

pa per o r th e like 0 that here by the vi re a der


,

,

dark o r o u t in garden o f a zu mmer e ve n en when


,

,

John wu r a zo t pon to p 0 wa ll wi hi s pipe one o


-
’ ’ ’
,

the c h il dern u d rea d i t o ut You zee did amuse


’ ’
.
,

he an wonderful i mpro ve n fo r they to o Oh ! they


,

.

really an tru ly w a s bea uti fu l scholars That s why


’ ’
.

they wa s a o restless I do su ppo se an m u s needs go


’ ’
, ,

o fl h erevro m S till fo r all that they ve all a g o t on


'

-
.
,

most wonderfu l .

There s o u r John h e s handy po n fi fty now ; he


,
’ ’

do d rive o u t the van to a grocery stores He do get .

h is vowe r a n twen ty Tes di fferen t to sixteen idden


’ ’
- -
.
,

i t ? Mind h e s o u t all hou rs when he do g o pon


’ ’
,

a long rou nd He i s that B u t still vower a n . .


,
-

twenty i s wages yo u zee Zo tes A n eet I do , .



.

bide here an stud when I be a bit lonesome like



.

He ve a g o t to pay zeben shi llen s a wick vo r a li ttl e



-

bit o f a ho u se in a street an he can t rent narn


’ ’
,
O VER A P AI R O F B ELL O W S 25 1

ha ndy nough to h is work no t vo r less L auk ! Tes



.

sc a n d l o us I do cal l it A n he hant a got no g arden


’ ’
-
, .

— o r there I wu n t tell no lie nothe r— o nly a bit ’


yo u ,

o f a back plot about th e si ze o f a handkercher where


-
,

no then couldn ex pec to grow no sen se Wu ll ! h is


’ ’ ’
.

missus couldn put u p a cloth es line no not to save



-
, ,

h e r li fe There idden room a n more an that there s ’ ’ ’


.
, ,

nothen but coa l a burned an come a dill day the a ir -


,

is a smeech o sm u ts An they hant a g o t no vi ren



.

-
,

n o t zo much a s a h a n fu l 0 stick s to ligh t u p wi


’ ’ ’
,

i th o u t tes what they do buy in cou se B ut there I


’ ’ ’
, .
,

cou ldn abear to be w i o u t a garden I do sim I


’ ’
.

couldn live wi o u t a garden Thi ngs be zo much


’ ’
.

be tter v resh a picked A n la ! mu s be money o u t


- .
’ ’

0 pocket i f you do bu t w an t a c h i bbo le There o u r



. ,

John he do look down po n h is va th er s sixteen


,

.

.

B u t pon my li fe zo me ti mes when I do zit an s tu d


’ ’
, ,

-
I bea n t zo su re .

S h e g o t up and looked o u t o f the doo r then ,

lowered the kettle u pon the c himney crook and -


,

sa t down again wi th th e bellows .

Now there s my so n U rc h e tt he what wen t aw ay



,

in to Wales to work in th e mines there I don t ,


rightly k n ow what he do ea rn Tes a lo t 0 money


’ ’
.
,

by all account B u t he don t pu t nothen by I don t


.

,

believe He han t a bin home to zee us up ten year


.
-
.

He do zend a letter mid be once in a twelvemonth , ,

an I do S pell it o ut a bit to a time fo r a s I za id I



, ,

beant no scholar no w an then zo mebo dyo r another do ,


come on an rea d u n dro u g h to me No w U rc h ett do



.

a l ways mind what I told n u when he went U rc h e tt



.
,
25 2 B OOK OF CRAF TS AN D CHAR AC TE R
I told u n I d zo zoon be a ra bbu t to once i f I m u s
,
’ ’

live hal f my li fe u nde rgrou nd He do always h a v e .


a word bout that Mothe r he wrote i f I eve r



.
,

,

should tu rn to a ra bbu t I ll live u nder a fa k ke t


pile I can t a bear to think 0 no man u nde r


.
’ ’
-

grou n avore h is time like I don t zee what they



.

do wan t 20 much c oa l vo r wi so much wo od about ,


a rotten L auk ! I d zo o n e r be o u t a t nigh t in th e



-
.

wo stest th u n de rsta rm eve r w u r a n down zo deep


’ ’

down B u t there U rc h e tt i s better o ff that we do


.

,

know A n eet zo me ti mes when I do blow the vire


.

, ,

an stu d I I bean t zo su re


, .


Did yo u have any dau ghters Mrs T rent I , .

asked h er by way o f a c hange , .

Vive maiden s They all wen t away o ut to sa r


vi c e Jinny th e Oldest sh e did wonderfu l well vo r
.

.
, ,

h erze l f S h e wen t to L u nnon and wed w i a cabinet



.
,

that do w o rk a t th e wood c arven S h e ve a g o t a



- -
.

parlour an wax v lo we rs u nder a glass case o h !


,

,

be au ti fu l ; an h e made th e things h is o w n ze l f in

h i s o w n time S till fo r all that he i s bu t a li ttl e


.
, ,

bit o f a feller abo u t zo big a s a gate post wi a fac e



-
, ,

zo thin a s a ha tche t and zo whi te a s a ghost An



.

th e c h i ldern do all enjoy ba d heal th P oo r wh i ndlen .

little smock faced atomies they do take a der he I -


,

,

coun t One 0 em i s a growed up a school ti c he r


.
’ ’
- -

n o w ; ve ry gen teel The li ttlest corn ed down here .

to h i de o ne tim e fo r th e cou n try a i r S h e picked up .

wonderful Tw u r the wheaten bread fo r certain


.

,

su re fo r th e brea d in L u nnon i s all alum a n ’


,

sta rch so I ve a heard tell B ut they didn let h er


’ ’
-
.
,
OVE R A P A IR OF B ELL O W S 25 3

come no more He r zister zaid w e larned h er to


.

ta lk zo ba d B u t la ! heal th s a blessen vo r g ro w e n

.
,

c h i l dern in pa rti c la r What is li fe wi o ut heal th


’ ’
.

whatever you ve a g o t o r wherever yo u be Oh



-
,

Jinny done wonderfu l well fo r h e rzel f S h e did zo


. .

A n eet i f you be fo c e d to ea t a lum an starch


’ ’ ’

there I can t tell When I do zit down wi my


’ ’
.
,

bellis to blow th e v ire an stud I bean t 20 sure


— ’
.
MALL
A S D
H OL ER
XX IX

A M ALL
S HO L DE R
O artificial prod u ction no deserter from the
,

land to be c oaxed ba ck by philanth ropy o r


legislation after he h a s been spoiled by the town wa s ,

thi s q u ain t relic o f a bygone world so o ften to be met ,

in th e lane and on th e hill .

Old Peter Barrow never ven tu red twenty miles


from th e village in h is li fe He gave me h i s word fo r
.

i t he had never wished to go .


No no !, chuckled he Ha ha ! L et I bide
.
,

where I do know where I be .

A kind o f wi sdom winked at me from behind


P eter s grinning stolidi ty claiming to know bu t one

,

t hing in li fe— when he was well o ff Hi s praise .

wo rthy aspiration though perhaps lacking in en ter


,

prise would have saved many a dull man from losing


,

h is way .

Peter will never wander now The las t obsolete.

specimen o f an expiring type even hi s memory will,

Peter wa s not born to fo rtune Peter s father put ’


.

Peter s li fe on th e property when he wa s but an


18 25 7
XXIX

A M ALL
S HO L DE R
O artificial production no deserter from the
,

land to be c oaxed ba ck by ph ilan thropy o r


legi slation after he h a s been spoiled by th e town wa s ,

this qu ain t relic o f a bygone wo rld so o ften to be met ,

in th e lane and o n th e hill .

Old Peter B arrow never ven tu red twenty miles


from the v illage in h i s li fe He gave me his word fo r
.

i t he had nev er wish e d to go .

No no !

, ch u ckled he Ha ha ! Le t I bide
.
,

where I do kn o w where I be .

A kind o f wi sdom w inked at me from behind


Peter s grinning stolidi ty claiming to know bu t o ne

,

thing in li fe — w hen he w a s well o ff Hi s praise .

wo rthy aspiration though perhaps lacking in en ter


,

prise wou ld have saved many a dull man from losing


,

h i s way .

P eter will never wander now The last obsolete .

s pecimen o f an expiring type even hi s memory will ,

soon be forgotten .

Peter wa s no t bo rn to fo rtune Peter s father pu t



.

Pe ter s li fe on th e property when he wa s bu t an


18 25 7
260 B OOK OF CR AFT S AND CHAR ACTER
barked a t every passer by Fowls cl u ste red a round
-
.

th e po rch and sa t undistu rbed on th e stone se ats


wi thin fo r the fron t doo r wa s never O pened Du cks
, .

waddled in th e li ttle orchard A l o n g a narrow .

garden once filc h ed from th e wayside a clothes


, ,

line stretching from the Ol d apple tree nearly down


,
-

to th e sen try b -

B u t why laboriou sly accumulate thi s weal th o f


detail ? A sketch shou ld bu t s uggest and tickle ,

the imagination in to lively appreciation o f things


u ntold .

And from daybreak to s u ndown at any hou r o f ,

th e day yo u migh t have seen Pe ter abo u t th e place


, ,

a short sq uare figu re in a long milki ng apron that


,
-

reached from h i s d o uble chin almost d o wn to his

ankles H is face al so wa s sq u are Pe ter s haved it


. .

a lways o f a S u nday and now and then in th e wee k


,

shou ld occ asion req u i re Yo u migh t have watched


.

him to and fro ; n o w wi th a tru ss o f hay on h is bac k


then wi th a bu cket o f pig s meat in one hand

-

and th e othe r a rm extended And he wa s fo r e ver .

merry singing some o ld tu ne


, .

To find a hard working man so glad could lead to


-


only o n e concl usion— Peter mu st be pu tting by -
.

In th e pu blic belie f nothing bu t a growing hoard


cou ld make th e heart so merry The village wa s o f .

one mind Ah ! th ere s a fe w pounds a laid away


.

-

in some o ld stocking somewhere o r other N0 fear


, . .

We res pected Pe ter more fo r h is su spec ted savings


than fo r h i s ind u stry becau se after a ll a man may , ,

work ever so ha rd all h is li fe and die worth nothing .


A S MALL H OL DE R

If I had to paint a portrait o f P eter I shou ld


c hoose to ta ke him o f a su mme r S u nday afternoon ,

with th e village bells ringing fo r chu rch and th e


sti ll hot a i r o f mid day clingi ng around every leaf
,
-

o f the hedgerows alon g th e lane down th e hill side .

L e t u s have him in h i s S u nday suit c u t long ,

ago . Fashion had changed even a s P eter had


,

grown old and o ut o f date him sel f so the fit wa s


,

o f th e stran gest Ho w th e su n beat down u po n


.

that solemn black which fi rst mourned a t th e fu neral


,

when Peter came into th e land ! The lower bu tto n s


O f th e wai stcoat would n o longer meet ; yet when ,

he tu rn e d every eye wa s riv eted w i th admiration


,

u pon th e neat gore in th e back This masterpiec e o f


sarto rial economy wa s O pen to th e world fo r O f a
.

warm day P eter perspired in shi rt s leeves and -

carried h is S u nday coat upon h i s a rm Under th e.

trees he wou ld take o ff h is h a t als o though a la rge


,

Prayer boo k wi th a brass c las p wa s tu cked under


-

h is elbo w and the flies were most wonderfu lly


,

m eddleso me upon h is c rown There were never


.

fe we r than two cu ts o n P eter s chin O f a S u nday


afternoon In th e graveyard Peter resum ed h is


.

fu nera l garmen t be fore en tering th e porch and he ,

went on tiptoe to h i s seat behind th e door near to ,

th e sex ton The re he passed an hou r o f placid rest


. .

N0 spi ritu al nightmare ever distu rbed P eter s li fe


d ream No doc trinal indigestion ever kept him


.

awake d u ring a long sermon He merely nodded


.

an u ncon sciou s assent to all the parson said .

Th u s eve ry day o f the seven wa s fu lly oc c upied ,


262 B OOK OF CR AFT S AN D CHAR ACTE R
and Pete r desi red nothing more tha n h i s l o t a flo rded
'

ex c ept a littl e better weather now and then .

Yet once he w a s in th e greatest danger o f being


cau ght in th e whi rl o f politics On post and hoard .

ing and here and there on th e trunk o f so me tall


,

elm tree a s he jogged to a dista nt market Peter


-
, ,

sa w bill s He d rew rein before o n e O f them put on


. ,

h is s pec tacles and laboriou sly spelt o u t the word s


,

Vote fo r H u ffin g to n Th e Friend o f th e P oor



. .

By G a r then ! A n so I will cried P eter as ’


, ,

h e w hipped u p h i s old mare Fo r th e o l d S qu ire .

Hu fli n g to n topped the bri ef w i a g uinea when



G ra mfer s hoss died o f the glande rs

.

Fo r a week o r tw o h e wa s fu ll o f this in ten tion ,

and annou nced i t everywhere .

B u t you can t do i t P eter h i s fri end s all



, ,

told him .

B u t I shall replied Pete r warming in to a bi t


, ,

o f a hu ff .

B u t h e s no t fo r you r divi sion Peter they



, ,

all said .

He s fo r o u r cou n ty

.

B u t no t this part P eter , .

Very well then c ried Peter tu rning away in


, , ,

a sulk i f I can t v ote fo r he I sha n t vote fo r



,

,
’ ’

nobody; fo r all th e Parliamen t pu t toge ther wou ldn ’


never do I two pen n o rth 0 good ’ ’
.

No w don t yo u sa y that Peter they do con sid er



, ,

th e affa i rs 0 th e land an you r bi t 0 ground do stand


’ ’ ’
,

in wi th e rest

B u t Pe te r re mained Obd u rate


.

.
A S MAL L H OL DER

Zo do th e ooks up in Farm er P ike home trees


r

s -
,

bu t ti s thei r own bellies they ve a g o t in mind avore


’ ’
-

all said he
, .

I ca me ba ck to the vill age a day o r two ago


after a fortnight s absence and my friend Mrs

, .

S imon G a l l i n g h a m w a s standing o u t on the


causeway gazing in the di rec tion o f th e vill ag e
chu rchya rd .

Then u nder th e shadow o f the ancien t yew I


sa w si x dark figu res each one o f whom appeared
,

to be weari n g P eter s S u nday suit



.

Who is dea d I asked .


Old P eter Barrow replied sh e in a wh ispe r ,
.

So th e bit o f land on th e hill will go to P ike s



farm n o w a n d a good thing to o
, .

S h e seemed to regret P eter and shook h e r head ,

in doubt ; but wa s very hopefu l a s to the futu re o f


the property .


I am sorry B oth fo r the old man and the land
. .

What fo r
His simple li fe wa s happy Every day o f it . .

What more would you have


M rs S imon G a l l i n g h a m s miled
. .


I do lau gh to mysel f in the middle 0 th e night ’

sometime s when I remember th e things yo u sa y .

The o ld man slaved a l l hi s li fe and left nothing


bu t an old cow o r two The ne er do well ru n ’
- -
.
,

abou t so n h a s come down to th e fu neral He .

swears you ng P eter the s mith a s hones t a man


, ,

a s ever stepped m u st have fingered the money



.
,
MY NE I G HB OUR ,

MRS . S I MON G ALLI NG HAM


XXX

MY N EIG H BO U R , MR S S
. IMO N G A L L I NG H AM

OU have many times hea rd me refer to my


neighbou r Mrs S imon Ga llin g h a m bu t I have
, .
,

hesitated u ntil this last moment to attempt any


description o f so gi fted and fortu nate a personage .

From childhood a l l the even ts o f h er li fe have


con spi red to render h er latter days com fortable
bu t th e many advantages conve yed in that most
res pectable te rm n o pe n can hope to e n u merate .

At th e a g e o f eighteen Dorcas P atch fo r that wa s ,

h er maiden nam e married Mr S imon G a l l i n g h a m


,
.
,

a well to do farmer o f o u r neighbourhood and some


- -

ten yea rs a g o a t th e a g e o f fo rty five Mrs S imon


,
-
, .

G a l l i ng h a m wa s left a childles s widow sole legatee , ,

sole execu trix a n d with absol ute po ssession o f


,

S imon s esta te

.

There wa s a deal O f ta lk in th e parish abo u t


S imon s will It wo u ld be mere a fle c ta ti o n to d e ny
'

.

i t— there w a s cri ticis m B u t th e u l timate destina


.

tion o f property i s a se riou s matter a rou sing even ,

li velie r in terest than th e hereafte r o f th e deceased .

I t mu st never be forg otten that S imon had a brothe r


«57
268 B OOK OF CR AFTS AND CHAR ACTER
John wi th sons Al thou gh by reason o f a q u arrel
.
,

betwee n thei r wives S imon and J o hn had done n o


,

more than nod to each other fo r twen ty years i t ,

could never be right and proper to set aside the boys .

A man mu st provi de fo r h i s wi fe— certainly B ut .

property which may n o w and then quite j u stifiably


,

make a little excu rsion ou ght always to be tied u p


, ,

a n d in the end come home to the name It .

wa s n o t pleas an t to contemplate that G a l li n g h a m


money and fields might after some tw o score years ,

o r so find thei r way to a P atch


, The more so a s th e
.

G a lli n g h a ms had always had money and th e P atche s


s carcely a shilling to thei r name I do n o t like to

.

see the land in pa ri sh c hange hand s said Farmer ,

John B u ck .

How ever a t the time they were ma de Mrs S imon


, , .

G a l l i n g h a m heard none o f these c ommen ts .

Seeing how John had treated poor S imon in this


world sh e perceived something incongruou s in the
,

brothers lyi ng side by side in yea rs to come It had .

pleased G o d to call poor S imon and in His o wn good ,

time no dou bt He would c u t o ff John S h e cou ld no t.

fancy them resting in peace S imon so qu iet and


good a man a s ever walked and John al together so ,

qu arrelsome SO sh e selec ted a g rave fo r S imon dry


.
,

and su nny and fa r away from th e G a llin g h a m head


stones i n the co m er n e ar to where th e P atc hes were
,

lying a t res t S h e said seeing h o w intimate S imon


.
,

had bee n wi th th e Patches o f late years sh e felt poor ,

S imon would wi sh i t i f he could bu t speak Th u s .


,

y o u s ee M ,
rs S imon G a l.l i n g h a m i s a woman o f fine
MRS . SI M ON G AL LI NG HAM

feeli ngs When you hea r that th e kn u ckle bone o f


.
-

th e ham that graced Mr S imon G a l li n g h a m s funeral



.

feast in stead o f being decorated with th e u su al


,

frivolou s trimmings o f whi te paper wa s neatly and ,

decen tly enwrap ped in bla ck crape yo u will realise ,

th e thou gh tfu l delicacy o f mind whi ch cha racterises


my neighbour Mrs S imon G a ll in g ha m
, . .

S h e lives j u st at the en trance to th e village in h e r ,

own hou se a low thatched dwelling with a stone


, , ,

porch and windows o f Odd sh apes a n d sizes sprinkled


in u nexpec ted places on th e fron t Ye t i t h a s a

pleasan t look The creepers and roses o n the wal l


.

a re neatl y trimmed and nai led It faces the sou th .

and h a s a c heerfu l a spec t like many another plain ,

cou ntenance in which th e wan t o f symmetry is t e


,

deemed by s miles .

Be fore i t lies a sloping garden divided by a low


wall and a well trimmed hedge o f lau rel There
-
.

a re fo u r c ypres s tree s s tripped into fa u l tless shape


-
,

and smooth a s sugar con es one a t each c orner -


, ,

a n d one on each side o f the gate There a re .

bu shes o f lilac bo th pu rple and white an old labur ,

num a mulberry tree a qu ince a medlar and qui te a


,
-
, , ,

sprinkling o f apple trees beh ind the fl o we r borde rs


- -

and amongst th e vege ta bles An d the greater part .

o f th e year M rs S imon G a l l i n g h a m he rsel f i s daily


.

to be seen amongst h er cu linary and floral riches .

A tall stou t figu re in a fal se fron t a wid o w s cap a



, , ,

high apro n over h e r black gown and a pair o f ,

gardening gloves sh e is eternally clipping o r snip


, ,

ping o r thinning o r cu tting back o r rooting up o r


, , , ,
27 0 B OOK OF CR AFTS AND CHAR ACTER
dividing qui rti n g o r watering with something
, or s ,

ofl e n si ve some un fortu na te plan t


'

S h e is fond o f talking and in momen ts o f soli tu de ,

ta l k s to hersel f Here yo u do pu sh yo u rsel f o u t 0


.
,


place says sh e when th e strawberry ru nners invade
,

th e pa th You ve g o t n o business he re says sh e

.
,

to th e wild briar that s prings from th e root o f th e


s tandard rose B u t a s l u g unde r a shady lea f is th e
.

object o f h er fines t irony “


S o yo u h a d i t in mind .

to walk o u t bimeby night an pay atten tion s to my



, ,

you ng lettuces didde n c c Then yo u w un t
,

.

B u t i f h er garden is a very pattern O f order th e ,

hou se is neatness itsel f The stone floor o f th e .

s mall en trance hall h a s a bo rder o f fre estone ; a n d


-

so h a s th e narrow stone s tai rcas e o f which th e s teps ,

down th e m iddle a re almost worn o n e into another .

The fu rnitu re is mostly o f plain o a k ; but i t is all


ancient and there is a ben c h and form s from some
,

o l d world farm
-
Only th e parlou r h a s mahogany
.
,

and there th e chairs and th e sofa all have shining


horseha ir seats Tw o samplers hang upon th e .

parlou r walls one o n each side o f a po rtrai t in wool


,

work o f L ot s wi fe after sh e h a d tu rned in to a pillar



,

o f sal t with two ci ties in fl


,
ames in th e distance It .

wa s wo rked by poor S imo n s aun t a maiden lady



, ,

and poor S imon wa s never ti re d o f looking a t i t On .

the mantelpiece and o n th e ca rd table a re pieces o f -

o l d c hina jugs bearing th e name o f G a l l i n g h a m and


, ,

quain t little figu res o f men and women in long


forgotten costumes o f c u rly whi te dogs with c hain s, ,

o f s ta g s be i ng d ragged down by hound s to sa y ,


MR S SI
. M ON G ALL I NG HAM

nothi ng o f several item s o f house property eligibly ,

s ituated o n th e le v el to o f a hand ome b ea


p s u r u .

Mrs S imon G a l l i n g h a m h a s al so a service o f pewter


.

on h er kitchen d resser and in th e spare room a four


,

po ster with a very handsome clothes chest a t th e -

foot o f it both o f carved o a k


,
'
These possessions sh e
.


always speak s o f a s h e r things No person o f .

s u fficient socia l dis tin c tion in the vill age ever en te r

tain s a vi sitor from to wn witho u t asking to be shown


Mrs S imon G a l li n g h a m s things
.

.

B u t la ! says s h e not wishing to be pro u d


, ,

They be more thou ght an work than anybody ’

could ever believe B u t there poor S imon wou ld


.
,

never wis h me to pa rt wi one o f em and we m u st’ ’


,

res pect th e wi shes o f th e dead .

To thi s refinement o f fee ling M rs S imon G alling .

ham is a con sta nt martyr A cottage o f two rooms .

i s all that sh e c ou ld ever req u i re i f sh e might do a s


sh e wo u ld and ye t sh e mu s t be d u sting and rubbing
,

and polishing o r running after the little mai d every


day o f h er li fe from morn to night .

The little maid is a fortunate village c hild o f


fourteen wi th h e r hai r in a knob and a cap o n h er
hea d S h e does th e ro ugh work and an swers the
.

door on those rare occ a s ion s when Mrs S imon .

G a l l i ng h a m fail s to intercept th e approa ching ca ller


on th e garden path B u t to be s ure sh e i s more
.

pl a gue than profit a n d th e worry o f h er mistress s ’

li fe There i s no respect and no grati tu de abou t


.

girl s o f the presen t day I t all comes o f so much


.

sc hooling fo r no t one in a sc ore will lis ten and


,
27 2 B OOK OF CR AFT S AND CHARACTER
re member and take any pains to learn Ye t th e .

li ttle maid i s a necessary ev il Fo r what wou ld poor


.

S imon think i f he should look down from where he


i s and see h is widow wan ting in tho ugh t to keep u p
h is nam e S O Mrs S imon G a ll in g h a m end u res h er
.

respon sibili ties a s bes t s h e may .

B u t h er k een sen se o f du ty also in flicts res tri c


tion s .

S h e fee ls u nable to ass ist at the c hild ren s treat


beca use poor S imon a l ways held th e opinion that


th e lower o rders w ere being cossetted u p to o much
to the ru inati on o f th e co u n try S h e really cou ld .

n o t su bsc ribe to th e Jubilee fo u n ta in becau se poo r

S imon u sed to sa y that the cottagers were so


ignoran t that they would rathe r d rink water o u t o f
a di rty well than ca rry a pi tcher ac ross th e street .

S h e could n o t approve o f th e improvement in th e


organ in the parish church becau se th e a l teration
,

would remove th e corner seat u pon which poor


S imon u sed to si t and worship S h e wa s certai n .

he would never have held u p h i s ha nd fo r any suc h


change and th e tho ught o f thi s moved h e r to tea rs
,
.

Drat th e o o ma n ! c rie d Farmer John B u c k on


tha t occ as ion What ! Can t sh e remember th at ’

poor S imon never had a n Opinion to cal l his o wn


, ,

after he marri ed sh e an never more an one sixpence


,
’ ’

in h is pocket to any o ne time to buy h i szelf a glass


0 grog !

W
UN I N sno rn n s, LIMITED, TH!
'
Ow n m W
ON G AND LON W
N
The Boo k Of Si m ple D eli g ht s
B Y TH E S A M E A U TH OR

i ih g kill ill b d wi h
d bl W
It i s wr tten w t ra c e a n d s a nd it w
d b lik ly ll d
, e rea t
t c a re ; we n ever rea a o o k mo re e to be c a e

h a t is mo re, th e a u th o r h a s a n eye fo r c o un try
y hi g
rea a e .

men a nd wo men a nd c o un tr t n s
h h b k h ghl
.

T ere i s n o o t er o o th a t c o n c en tra tes so t o ro u y th e


j y d b i f h li f i h w
g i
o s a n ea u t es o t e c o u n try e a s t a ppea rs to t e to n s

ma n wh o is al so a en a l essa yi st The D a i ly Cfiro n iel e . .


I i k hi h h ymp h i d ill fi d i mply
t s a wo r w w

d lig h f l f m h fi p g h l h ig
c t e s a t et c rea er n s

w ere, Ow n
mi d di g h h h d g fi d
e tu ro t e rst a es to t e a st, to a
f h
him lf mi k f g m Symp hy h m
sun ersta n p n , t e o c c u a nt o t e t a tc e c o tta e n s
‘ ’
d
k l dg h g h m ki g f m ly pl
se sta en or a rea t a n. at , u o ur, a n
no w e
b k TI D i ly T l g p l
e a ve o n e to t e a n o a n ex tre e ea sa n t

oo . re a e e ra / .

h ll b d d d ligh f l ly idylli h y
ih k h W
S f
weet, we
h mi g b k hi h ill b d i h i l
res ,
-
o serve , an e tu c, t e
m k w c w w t
i by d h i h k
a e a c ar n oo p , e rea a n es e c a
w w or w s no w
f E gl d
n terest rea ers o e t er no to t e e st
”—
o n anTfi S m . e co ts an .

K i dly f g fill d i h g d h m i i h m wt
mf i g mp i i m g i bl f p i i L d
n ,
ra ra n t, e ra c e a n c ar , t s t e o st

co o rt n co an on a na e or a r so ner n on on .

Tb M e i g L d
o rn n ea e r.

M R ym d i i h fi ymp hy i h wr tes w t d wt
k y f h pi q f l lif
r. a on ne s at n a ture, a n
h h f Hi
b k ill h lp b g i mpl d l gh m y T l D d
e as a een e e or t e c tures u e ea tu res o rura e . s
”—
oo w e to nn s e e i ts to an . /e u n ee


I i l b k ld fi d hi id y i
l l
g d f m h i m M R ym d h g p
t p s as ea sa n t a oo a s o ne c o u n , t s n a

h hi d g
c o un c o tta e, a n ro t e t e r . a on an s u a
h d h i m k f
h i di i h l h il ph d h i d
o rse s c c o ve r s o o r to t e a y e s i sta en or a rea t
m w t
li d h ill g i d ligh f l
an s sc o u rses rura o so e rs a n s a v en tu res
i f m I i
l m f ll f h m f g im idm f
n so tu e a re o o st t r in n teres t. t s a e tu
d h t e w s o
d T l T ib
vo u e, u o u o ur, ra ra n t sen t en t, a n o

h
t e wo o s. ie r u ne .


If h d we i i l h j m f
hi B k f S—i mpl D ligh w h ld y i i mply
p a g to exp ress
y n a s n e ra se o ur en o en t o
’ ’
ts,
d l ig h f l b k P m t
t s oo o e e e s ou sa ts a s

e tu oo . r c/

LO N D O N . HO D D E R 8: STO U G HTO N
19
J a c ob a n d J o h n

B Y THE S AM E A U TH OR

Cro wn 871 0, do “, 6s .

neo b a nd Jh o n w ill b e fo un d a rea ll y c a p ta i l sto ry .


"


I t is lo ng sto ry o f g d q li y wi h b esto we db h ot
h l
a oo ua t , t c a re

on c a ra c ter a n d p o t. Th Ti mes .

Ha nna h h l i h h d i ’
w
i i il g d ligh h
, t at pu re a n pa t e n t so u , s a c a ra c ter o se
i i d m k b
l h lf d h dmi bly d p i f
ac q u a n ta n c e t s a rv e a t to a e, ut t ere
p e an e
wn
ill g hi d p b h y lk i
are at ea st a a o zen o t er a ra -
ra o rtra ts o
wo rt w
h b i d h f i ibl
v a e es a n re ro a te s, o se ra c ta s a c o n sta n t
f hm ft h
f i li y h ih m m d li gl
re re s en t a er p t e a re ra n e c a tter o rre s o n s e
-

w e re w t k
hi d
r vo t o st o ern n o ve sts see to re a e

W
t e r Tb Sp
rea ers . e ec ta to r .

h hi g b p i f J b d J h I i ‘ ’

d l igh f l y f l E gl d i h igh h
e a ve n o t n ut ra se or aco an o n. t s a

h ill ly
e t u sto r o ruray n an n t e e teen t c en tu r .

Th f— m d m f wo
di di i li h gh h i li l
e c a ra c ters
yp tru e t es o en a n en , st o rtuna te
b f d —
ii h m d d i dm k h h
to e y o un n c o un tr str c ts v e, a n t ro u t e r tt e

W
m k ’

d d i g id i h h g d
va n t es, u o urs, a n e s re s un a e an a e ea c o t ers
h p i m f w t
d li h pl f hp i
a n ess, a n p , o n so , ro v e us so e o u rs o oo
i we e th s
dimm d mp f p i ill d h y h
rea ng . e n ee no t o ut ne t e ot; or o
w
lib y b k l b b b
un e tru o ra se c a u se rea ers to u rr to t e

b k h
oo ra r b yi
or

to o rro w o r u t
qgi ly Ch
s , oo c u eg , .

Tli e o ro ni c l e.

Mr R a mo n y lk d ’
d So me rs e t i we l wn , we
h d b h J b J h Hi h i f
. s sto r es a re no an

a nd

ld i l l g d f lly ll d l ly m d
a ve n ever rea a e tter t a n aco o n. s c o ce o
i wo n d we
h pl f h b k hi h i h mbi i i ll d
o v a e rs s g er u an n a tura a na e , an
oo , w t o u s, s n ever a o we
i g h i ld i
t e ot o t e c s ra t er a
to swa mp i h p
i i I H h M R ym d
o ur n te rest n t e e rso n a es, n o r to s e n
mp i h
d l d p h i fig f h
co e ten c e n c a ra c ter sa t o n n a nna r a on . .

h ra wn a no ve m
o n e o f t o se wo
h h l lif m d ib d i h li Sp d d b
as an a t et c u re o en

w w
l h i b hi
o se o e e see s esc r e n t e ne en an e
S h i ’
h f h k f hf l
f ld J b dl y l dfi d J h hi g d
s en t
p . e s t e rea ero n e o t e oo , t s a rt u serva n t

o o ac o an o a nurse a n r en to o n, s ra n so n .
Ti e P a l l M a l l Ga zette .

LO N D O N . HO D D E R 8x STO U G HTO N
L ov e a nd Q u ie t L i fe
B Y THE SAM E A U TH OR

S O ME R S ET I D YL LS

Cro wn 81 10, do “, 3s 6d . .

h l d d ih i
T ey a re o a e w t ru st c fra gra n c e, a n d perva e wi t dd h
a n i dyll rc sim l ic i ty a n d pea c e, tra n u i l s n li i g o f ind
h l l l bi
even to rea
q
t ese a tter T h i m m i
i h h d y
y t a tt re a t o
s e s o r
y s . i e o u s,
ser o us, mo re a t e ti c t a n i ts pre ec esso rs, bu t it po rtra s n o
less del ig h h h h l d f hi d li
f h
i i i di l h g i y
y t a n t e y t e o a s o n e e , c a ra c ter s,
-

n sp ra t o n s a nd a ec t o f a S o mersets ire villa e, a so c e t


h d l l d
w ere a t th e a te o f th e ta e th e a n is fo r th e m o st pa rt st l il
h ld h i
by yeo m a n , a n d w ere sq u re s a nd terr to r a ma gn a tes i il
h ll i g
e

a ve a s yet sma fo o t n Til e Ti mes
l m i f h b k li i h di ily lif
. .

Th
lik p i fS T Thi i
e rea er t o t e oo es n t e ex tra o r na r e
d i f lk wn
ill g dg f S m hi m i i h bi d
e resen ta t on o u tto n o an ts o . s a n c en t
h
i h
v a e, set o n t e e e o a o erse ts re o o r, s n a te
by m f h m i i m i we
fi i i m h th h i m h
so e o t e o st c a t va t n g rus t c s a ve ev er et n
i f F h

i
h i g q i hi D h i l g
ct on or n act e re . s uc at s t et c , uc
t at s d
h h li y l
ro tes u e, n t s u tc c ture ; au ter a n tea rs
j l i f T h m f d
d f h ld li g h b k hi h i
o st e ea c o t er a s n e .
p e e ar o c o u n tr a c es, a n
f h ld wo r w
l g h h di g Ti A h w
o t e o o r er o t e c n s to t e oo c s

M W
, ,

a to e t er wo rt rea n re t ena n

l ym d b k i l g h d ligh f l
. .

Ra ’
s n ew
l h l h b il d g
r. a ter on oo s a to e t er e tu .

C pi w b
d i k m mpl i h i h gh bi b h
a t o ns
p p eo e,
p o se p a a te sy a ve een s o e s tro n
a n t at
ill b h m d i h i d li fl Thi b k ill li
rn , ay co t a s n o t en o u te, ut o t e rs
w w t w
b i i f ll f h m i y O l L d Q i
e c ar e ts e c a te a vo ur . s oo ve

Li f ih g h y l l d f hi dg d i
e c a us e t s u o u an t . ne c o ses o ve a n u et

MA AR N i Th B i ! W
w t w en
h ligh ig i h p k I AN
e re ret, a s ou ea v e a n o -
as o ne a r en n
”—
t e f h t o t e sett n dd sun , a n o no t w s to s ea .

CL E n e w ru n ee/

A d ligh f l
W
.


e t u sto r
y T h S m e co ts an

l f bidi g h m h b d
. .

b i f h b k hi h m y Tl M
A n o ve o a n c ar . e a ve ut su aste

h
t e ea u t e s o t e oo , w c a re an . i e


h
Thi i
ra t er to o ra re

Th
sg
j
i
d
s a

i
d oo

i
T
ll
m
h
w
us t n o

l
W
i
d
m
b
an
i
f
w
k
h
.

G
f

b
we k i
di
d
g
hi
i
-
h
d
i r tten
es t
oo
nster
, o a
o s ette.
n w c s

i p i p g mi i i y g i ff
e sto r
y q s p ua n t, s e an res , a o un n n e
la r
h hm l db
sc r t ve a s sa es, n u te n ex ec u t o n , et e n e ec t .

Th h k d
id f b i g p l di f m l if Th D ily N w
e c a ra c ter s etc e s a re u o ro u s an na tura , an ea r

ev en c e o e n erso na stu es ro e . a e s.

LO N D O N . HO DD E R 8: S TO U G HTO N
The Bo ok o f the O pe n A ir
E DI TE D B Y E D W A R D TH OM A S

W i th Fifty Pl a tes in Co l o u r

I ssue di n Twel ve Mo n th ly Pa rts

P rice i
s. n et E a rl

On e o f th e mo st i n teres tin g el emen ts in mo d liern i tera ture s

h hi h
t at w c trea ts na ture a s th e no v eli st trea ts h m lif i h
u an e, w t

s m
y p hy fi at rst a n d sc i enc e a fterwa r s d . Th e Bo o k o f th e

Open Ai r i s ”
representa ti ve o f w h i b i
at s es t n th i s li tera ture .

It gi i id d lw y p
ves a v v , an a f a s i i imp i
rec s e ress o n o wi ld l i f e n

E gl d
n d y Thi i d
an to - a . s ti f y o es by m f ea n s o a ser es o essa s

on bi d im l
r s, o n a n d fl i
a s, o n trees a n p i l o wers, on n sec ts, re t es,

e tc by h b pi q i
.
, t e e st c tures l hi y i h ue wr ters o n na tura sto r , w t

ill i d il d b b if l d gg i d ig d
ustra t o ns eta e , ut ea u t u an su est ve, es ne to

i f m b ll d ligh d i m l
n or — a o ve a to e t an to st u a te .

Th b k i e oob p d d i l m hly p
s to e ro uc e h n twe ve o nt a rts, ea c

p a rt to i l b
c o n ta n i f l l
severa d pl i i
ea u t u ll y c o o ure a tes a rt st c a

m d d p i g l d p bi d im l b
o unte , an re resen t n a n sc a es, r s, a n a s, utter

fli es, etci bl h p i l i m f y I ll h
.
, su ta e to t e a rt c u a r t e o ea r . n a t ere

wi ll b fif y f he tl d ill i
o t ese c o o u re d h y wi l l u stra t o n s, an t e

i l d ph g phi p i d di by fi l
nc u e o to ra c o rtra ts a n i stu es rst- c a ss a rt sts

o f l p i
rea o bj m
en -a r na ture su f h m by h b
ec ts, so e o t e t e est

k w no n phna tu re
g p hi i o tof h d ray T h c p ar t sts o t e a . e a rts

will b b di d kg
e o un n a pp i h ar i bl reend i g wra er w t a su ta e es n.

E very l f h ild
o ver o ld f
t e f d
w h ld b
wo r m o o ut o - -
o o rs s o u ec o e

b ib
a su sc r h B k f h Op
er to t e Ai“
oo o t e en r.

LO N D O N . HO D D E R STO U G HTO N
Ev ery M a n hi s o wn G a rden e r
B Y j o H N H A L S HA M

W
i h ll t fu -
p g
a e
an d
il l ustra

R ev F C .
i
t o ns
. .
in
LA M
l
c o o urs

BERT,
by C AR IN E CADBY
MA . .

Cro w n 811 0, c l o tb,

Fo rms a s e d ligh l l b k h b
m
tfu a nd u sefu a
i i ig m f
oo as as ever een
wr tten fo r h e del c ta tio n 0 m ever
l t gé ighy
-
n c rea s n ar o
t w l m i by
g d i h g d l bl
eo
p p e o o a e n n g a p s a s a n en tra n c n o .

M r H a l sh a m s pa es a re pa c ke w t

di
. sa e an va u a e
a v ce

Tbe D a i l y M
. ess .

If y h m ll g d pl l m d i y
hi b k
ou a v e ever so s a a a r en ot et e a v se ou
T l M ”
i d R d

to g et t s oo .i e et/ o zst eco r er .

All h w i i d l i d id d i g
ill pp i h w k by J h H l h m gi D i ly
q g
c o n c se a n uc u e to
a rt w
o re
rec a te
u re a
a ”
r en n
a t e or o n a s a . l e a

M H l h mh p d d f m d bl b k h
di y m ll g id g d i g I i i i yl
r. a s a as ro uc e a ar o re rea a e oo t an
h t s wr tten n a st e
hi h h m h d h h i id i g h
t e o r na r s a u e to a r en n .

w c c a r s t e rea e r ev en w en o w to
lp g bl kill l g Th M H l h m d i
e s c o ns er n

i l p i i id h gh
a n t v e eta es o r to s u s at r a s a s a v ce . .

b k W
h m f p
d ill d i fi l l
i s t e o u tc o e o ra c t c a ex er en c e s ev en t t ro u o ut,
d h m
t e a a teur a r en er w ro t a s w l
g
h i di di d b igh ly
an er v e p e as p
ea sure
f m h s trea te
d l ly— d h k h h lp gi p i
ro t e oo a te ver s . sc usse r t
t e s etc es h
i
an c ev er , a n e to ve o n t to t e

i nstru c t o n s 7 7 Gl g w H
ze as o. era ld .

Thi i

l ly w i d i p tten a n iig a rts, even en terta n n
b k f d i h wh d i hi g d
s s a c ea r r ,
n
to t o se t m e u on t e r
I i b if l ly i ll d d h ld b g f l ly l m
oo o a v ce o c a n s en
p p a r ens .

t s ea u t u ustra te , a n s ou e ra te u we c o e
”—
i m yq
n an u a rters R ec o rd . .

A m ly f l b k p i m il y d i g d f l
i h li l i h l
n ex tre e use u oo p p , r ar es ne or eo e
w h wt fi d m h t e se v es t e o ssesso rs
f b m h g d i g h y hi k h y
o, tt e o r n o ex
p er en c e,
p n
m as t e t n t e ca n
i gl h d d o l k
o a o ut a s uc a r en n g a na e
s n e -
an— e

ut o o .

W
.

Thi b k i ll f i ki d d d
s ex c e en t o di l ts
i
s oo n an eserves a c o r a
”—
rec e p ton Li . w y l d ter or .

LO N D O N . HODD E R 8: S TO U G HTO N
Ev e ry M an s Boo k f G a r de n

o

Fl o w e rs
BY I OH N HA LS HAM

New E di i
t on w ti h 8 Pl a tes l
in C o o ur, 1 28 I l ustra t o ns l i
fro m Ph g p h o to ra s by HENR Y IRVI NG .

d i b h db k
I t is a n a m ra le a n o o fo r th e ma n wh o po ssesses a
smal l d d i
a r en a n d es res to ma k e th e mo s t va r o us a nd m o st i
ta st use o f it di
Th e a v c e o flered is n o t o ver th e h ea ds o r
'

b d g l h di l
.

th e e nts o f a vera e mo rta s Mr Ha l s a m sp a ys


g d y h i l h
eyo n . .

o wle e in wa s t a t a re s m p e, a n d t e refo re
to be h f l d h l li h w d
h y i di h
p ,u a n e n o t o n y e x p a n s a t to o
a nd w en to do i t, bu t in m a n c a ses h e n c a te s w a t i t
wo u ld c o st i lh
Th e no v c e wh o ta kes M r Ha s a m a s h i s u e g id
ill d
. .

w i n th e c o u rse o f th e sea s o n fin d h is g a r en a c o n s ta n t
so u rc e o f d ligh
e t

Tfie Yo rksh re P o st

J h b kf h m id ify fl
. .


h w wa n ts to o wers
d pl hi h m ki g h m l
u st t e oo or t e a a teu r o ent
i
'

a n ts w c w
b d ld
an a re u st no a n t e se v es se en n
fl we r d f h i m h m k w wo u
l i f fl lp i h h i pl g d I
o o r ers a n y cr , or or o a e a
ne w o wers to re
b i f b fii i d i p i l h gh i m l id
se ec t o n o en s s ea su re ro un . ts

h d d d bly l
re u t su c en t es c r t o ns , a t o u n o s t c a se s uc
f b f h m
h h h
en o u a re ren ere y toue a e c o u se u rea so n o
g ,
8 f h l k —
i i
t a t s,m i
h b d i
a n rn 12 o to ra t e a n ts , ta e n n s
p y g p g p s o p
m i h M
o reo ver, t e h l
ili y f h li l l m i g ly h d by h b i f
jus t a s o n e sees t e n t e o r er ra c t c a p .

tt e vo u e s
l l di i hi h h h J h H l h m gi
ut t o t e rea t en a nc e t e r e

W
rec t o ns w
g h ih h g pi
c u tu ra c t e a ut o r, o n a s a ves,
to et er w t t e a vera e t h
ro o ts m yh p
d —I m h h l p
r ce at a e ro
w m t
f mily i l i
c u re . n so e c a ses, ere t e a n t re resen ts a n r
f C nsta n c e,B l C ’
a rna t o n, etc
h pg d d h d ip i d di i
a a s, or y a n ter ur e , .

tw o o r t ree a es a re evo te to t e esc r t o n an t o n s,


hi h by h y g d l ph b i lly Th A m
rec

w c , t e wa , a re a rra n e a a et c a . a teu r
P fi g m fii
o to / er

ill p h dy mp i
.

I t w d f l h a n o n to t e o wner
g d lph b i lly
ro ve a an an u se u co
f m ll d Th fl o wers a re a rra n
h d i i g
o a s a en . e e a a et c a ,

d i b i ll f l f m i i f
h i l i i O h d d d y igh h g ph
an n p g p
r a ra ra s a nee u n or at on s ven or

twen t
fg i g i f hi p i l b k
t e r cu t va t o n. ne un re an -
e t o to ra s
o ro fl ww n o f
ers a re a n a ttra c t ve ea ture o t s tt e oo .

— Tke R ev i ew R evi ews


of .

L O N DO N . H O D D E R 8: S TO U G H TO N
Ev e ry M an ’
s B oo k o f
G a rde n D i ffic u l tie s
BY WI L LIA M j . 30 W LE S


hi
T s is a useful vo lume A a r ener h a s ma ny d
il k i g
.

it w l ta e a ll h is t me a n d a ll is i n n
l lhl
Here Mr R o w es wi l e p h im i
dd fi l d
. .

ten e in th e rst p a c e fo r g a r eners o n th e sma ll sc a l e Th e


h g
.

a ma teur, o r, fo r th e ma tter o f t a t, th e ro fessio na l, ro wer o f


fl i il
o wers a n d fru t w l find ma n l y fi g i
ig ii ii h il i
pr o ts e su g es t o n s a s to
c o un tera c t n o r m n m s ng th e fl
i bligh h ig
o st e n uenc es o
”—
fro st, n sec ts, t, a n d o t er ma l n po wers Tk .

Ev e ry M an s Boo kf the

o

G ree n h o u s e ! U n he at e d)
W
W BY A L TE R I R VI N G

W By
i h ll i
t h I
A LTER I RVI NG, o f
ustra t o n s
R o ya G a r ens, Kew
th e
h
fro m P o to gra p s by HENR Y I RVI N G
l d

h dg h m ki d h i f q ly
d Wh h
An ea te f o r o t er s re uen t
d hd b b i ll i h
un reen o use o so e n
f
h di g by i lf i h g d Th p b k
o un a tta c e to su ur a n v a s, e t er c o n nec te it t e

ili i h be d g W
n t e
i i d df h h p h g h
o use, o r sta n n tse a r en . e resent oo
t o se w o o ssess su c w od h
w ld l ik i h li l
s n ten e or a reen o use, a n

bl d m l l p i b y g pl b lb d d i
ou e to u t se t to t e st a van ta e t a tt e .

i m y b m d b igh ihfl d ig
tro u e, a n s a ex en se n u in a nts, u s, a n see s n
h p p t w t o wers
h g id h d li g
t e ro e r sea so n , t a e a e r ur n
f h
t e rea ter a rt o t e ea r B fl
es es o wers, a n so m f
lp lik idi p lm d f migh l b g
p y . e o a e,
ro wn ,
d h d b d i ll f h f d
a n ts e as stra s, a s, a n ern s t a so e
or t e
igh m d id fh y
an t ese c o e u se o c c a s o n a u o se o ec o ra
w n o ws o t e o u se i h id f
i
t n t e ro o s an t t e a o an .

il k h f i f i i
f h h high d
o o r a s sto ve to
g ee o u t t e ro st, even
p t s no t c o n ven en t
k p h mp era tu re o t e
d y k l h
to ee t e te o use u
p to a er e re e
g
fli i w ten er l m f
hi g d hl g i m d h f lik d
c en t to ro p a n ts, an sto c p a nts o
su
g su c
t n s a s a i a s, era n u s, a n o t ers o a
b ddi g m yb k p h gh h wi m h
e na ture, use
f mm e t t ro u
i g h d g
o r su er e n , a e t e n ter o nt s .
I h h
t e s r n t e o use m l b f i pl
f hi h q i y q i d i h by m f i g
n p a ya so e use p p g or ro a at n a n ts
o w c a ua nt t a re re u re , e t er ea ns o c u tt n s or

LO N DON . HODD ER 8: STOUG HTO N


W
S TE W ART E D W W
O R KS BY

AR D H IT E

T he M o u nta i n s
Wi h Si I ll i
t x teen u stra t o n s

c l o th, 7 s 6d
. .

The Silent Pl a c e s
I ll di C l u stra te n o o urs

Cro wn 8110, do “, 65 .

The C l a i m Ju m pe rs
Wi h F i pi i C l
t ro n t s ec e n o o ur

Cro w n 811 0, do t/z, 6s .

Bl a z e d T r a il Sto r ie s
Cro wn 81 m, c l o tlz, 6s .

The Pa ss
W
i h F i pi i C l
t ro n t s ec e n o o ur

Cro w n 80 0, do “,

T he M yst e ry
W
AR
B y STE W
AR T ED D W a r m a nd S H AD AMS
. .

P ri c e, d a rn, 61 .

LO N DO N . HODDE R STO U G HTO N

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