Professional Documents
Culture Documents
By th e Sa me A
uth o r.
y
Here we
o
h a ve
d
a series o f l m preasi o us o f o u ntr li e i n
‘
Mr Ra m nd s mo at a m ira bl e ma nn er He l ive —o r
'
'
cd y f
f
h
d
. .
h
d h
ed. t a t a l l t e
ro m a n yt
a rms
n , a nd si tua te
of
si m i s
oh c p c hd
l i e la yw i thi n ea syrea c h Ba rren m o o rla n c i rc l it
w
.
ye t b t o rn a nd a sture en ri e th e va ll e be o n d, a n d
c p p y d h
l ea sa n t mea do s s ki rted th e ri ver a l o n g th e o o t o th e il l
’
wwh o
.
l u n e
’
ere m i n e s t w a s M a r ti n Ch e dse H e h i s w i e,
of
oy y d
, .
a n d th e o ma n w h o did fo r th e te na n t t e o tta e. a re a s
enj
h
p d d p h
a bl e a s a n yrusti c s t a t Mr R a m o n
us. a n d t i s i s no mea n
y p hy
h as ever
ra i se Th eya re tru e m en a n d w o m en ,
a w n fo r
y o d h w h o d ho p odop dy h ppy
.
a n d a re re ro u c e to th e lif e i n l i tera r t o g ra
. Mr .
R a m n is a n ea r n ei g b u r o f Mr T ma s ar a
is rura l So u t -
estern Engla n to h a ve r uc ed two su e
AN D C HAR AC T ER
a m oa or
W
“
m
AL TE R R AYM O ND
so o n o r arm s nm o ms .
"
n o on u m Jo a n,
"
"
TR YPB EIIA n: no va ,
” “
rwo mm o
'
tru mp ,”
r rc .
H O DDER A ND STOU G H TO N
LO ND O N M C M VI I
Th u essay: a nd sketc h : km W as deta c hed pa per:
em w w m d 1 w fik b tw ¢di tm
W
in ba s , th d
Th e Spec ta to r, Th e estmi nster Gazette , Th e Tribune ,
Th e Da i l yM l ai , a nd yL
Co untr ife f or erm i ssio n
p to qfi r
C O NT E NTS
PM !
O NE OF TH E O LD S O RT
mt SHEE P
AR M“
F J OH N UCB K
WTRA
T O MP S
THE H URDLE MA K ER
vi B OOK OF CRAFTS AN D CHAR ACTER
NOA H ri m , wu nnnwmc m ‘
ru m STRA ER
PP
THE D ROVER
THE O LD A
PO C H R
E
A GA MEK EEP ER
THE CAR ER
T
C ONTENTS
THE O LD MO LE A
C TCH ER
X III
V
TH E TR U FF LE HUNT E R
SO L P R I DD LE , TH E D E L A ER
LO RD HAMMER DO W N
H ED NG AND D
GI ITCHI NG
THRESHI NG
v i ii BOOK OF CR AFTS AND CHAR ACTE R
XXIII
BI R D CHARMI NG
-
XXVI
CI D ER MAK I N G
-
XX II
V
AUTOLYCUS ,
1 900 AD
XX III
V
OVER A PA I R o r B EL Lo ws
XXIX
A SMALL HOL D ER
! ! !
wa s a t work .
Crack Crack l
Then came a pau se whil st he rolled down an ,
ra in
. He threw aside hi s ham mer and hobbled into
th e ditch to shelte r u n der the hedgerow unti l the
cloud had passed .
chips and flakes from flying into the road and over ,
s
4 BOOK OF CR AFT S AND CHAR ACTER
The o ld man had many a time awakened my pi ty ,
hea ven bl u e sky and dri fti ng cloud fresh green leaf
, ,
“
I can t abear to be within walls I never couldn
’
.
’
.
—
Why I ha n t n ever a been bad in my li fe o r not -
,
an
’
d ree maids bu t they all wen t away h erevro m
, .
”
thou gh t n o w to go to the world s end
’
.
q u a rr a n haul em
’
down
, w i a trac’
tion engine I do ’ ’
-
.
’
, ,
master Wh at do yo u th ink
.
in h is estimation .
true seer .
“
I su ppose th e stea m cracke r and th e engi ne cost -
”
a good bit in labou r both to make and work I ,
well el sewhere .
“
I do think stone cra cken ought to be kept u p fo r -
”
n o then else said he T u ll be a bad thing fo r the
,
.
’ ’
”
coun try when that do die out .
“
I suppose if you cou ld be twen ty ag ai n yo u would
”
go to th e town to o , .
stones a l l 2 0 well
”
, .
“
One 0 my boys is in an office Ah ! He wu r
’
.
”
take anything o f them .
”
H i s old woman will said sh e , .
ONE OF THE OLD SORT
O N E O F THE OLD SO RT
US AN J A NE S P R A CK I TE R wa s a wonder
”
be th e last o f the old sort That wa s praise
.
an othe r like sh e ?
Yet S usa n Jane wa s not so al together fai r that it wa s
a temptation to look u pon h er Her nose wa s short
.
is
14 BOOK OF CRAFT S AND CHAR ACTE R
gold and h er O ld sunbonnet a s white a s snow that
,
S ill he e
t t r i s su ch a hing a s l ck a nd no ma n living
t u —
W
-
,
th e morning .
o n th e mas h .
work and the habit o f ind ustry the old sort set g reat ,
”
stick in h i s dro a t R eu ben declared there were no
.
sta ble door and the hearts and cri ss cross were a s
- -
prosperity .
sh e kept to herse l f .
3
18 BOOK OF CRAFT S AND CHAR ACTER
—
bewitc hed S usan Jane knew she was .
maid .
other .
”
years agone .
“ —
You do know you be catched don t c c ? Ah ! ’ ’
”
Te s a sin to forgive c c cried S u san Jane An
’ ’
, .
spark ed witch .
”
There then ! I ve a dou ed it sh e cried and
’
-
, ,
.
’
- —
adays I ve a do ned right an I don t care zo long
,
’ ’
n
24 BOO K OF C R AFTS AND CHAR ACTER
were qui te terrific Then wi thout haste he wa lked
.
, ,
ba ck to h is master s heel ’
.
”
“
I be a past my d ree score wa s the way he put it
- -
, .
g a le S tu
. dded about w ere s hel ters made with dou ble
h urdles well stu fled between with straw Whi te
'
”
down you sill y old fool l shou ted Sheppey when
, ,
beca me a monologue .
come to my sheep .
“
Wha t should I look fo r ? No w sheep when a l l ,
”
in th e fac e 0 any o n e O my sheep
’ ’
.
’
pon ea rth I do B ut he c a n ta ke a pride in hi s
. .
”
thik weakly ewe .
”
A l l well and very bu sy replied I
, , .
”
That s right then he cried c heerfully
’
, .
hi s best .
sheep l
FAR ME R J OHN BUCK
FA RME R JOH N B UCK
A R MER J O H N B UC K
one o f th e old is
schoo l ,and we all sa y so with a relish that
p r ove s th e old s chool to have been something e x c e p
ti o n a ll y good .
“
B ut where will yo u find another like him ? we
a s k each other every day o f o u r lives
s heep skin
-
, could do only scanty justice to this
remarkable personag e The exterior th e ou tward
.
,
shoe leather
- — un til you cross him .
he did n o t ca tc h co ld .
W
ha n ky pa nky tricks from a ny man gen tle o r simple
-
,
.
Then he sa t down ag ai n .
He is su ch a Churchman to o .
y
E ver S unday o f hi s li fe— well ever since he wa s ,
- —
knee hig h h e h a s on ce atten d ed hi s parish ch u rc h .
, ,
so me pride When he do tu rn I do tu rn An be ’
.
, ,
”
guilty 0 no brawling in chu rch
’
Th u s did Farmer
John B u ck Observe hi s characteristi c moderation
.
selling stock
”
th e conse quences i f the re be a n y .
”
No t here ro a re d he We never had no Popery
, .
”
I do sa y .
”
wedge Don t you tell I
.
’
.
s ix lines I do d rop
Farmer John B uck cares fo r nothing outs ide o f hi s
parish After hi s one visit to London he complained
.
, , ,
“
I sa w a very fine show 0 beef an mu tton a s ’
,
’
’
—
more nu I do you but you he a liar .
WR
T O T AM PS
ness that nothin g can turn as ide Its cool turf soft .
,
as
40 BOOK OF CR AFTS AND C HAR ACTER
approach .
“
I ll tell yer g o v ner I ll tell yer the truth swelp
’ ’ ’
.
, ,
’
aven slept in a bed fo r five nights I aven ad the
’
.
’
’
apen es I lef a wi fe an six kid s where I come from
.
’ ’
.
”
visible mean s 0 subsistence No t i m ’
.
’
.
He looked to me fo r su pport .
”
to o m u ch .
as to a s k
I m a tramp
“ ’
.
”
What lay a re yer on ?
”
“
I m a gagg er
’
.
He laughed outrig ht .
”
Tis beyond me sai d 1 “
I ve been looking fo r ’
.
,
”
There ain t no need
’
.
B u t he wa s ready .
reason i s n o t fa r to see k
. Nobody lends a hand from
s tart to finish a n d th e a rt though simple i s all the
, , ,
wa s a t work .
”
no vi re.
50 BOO K OF CR AFTS AND CHARACTER
He wa s a fine talwart man o f a bout five a n d thirty
s - -
.
”
A what ?
” “
A za il he chuckled I ve a heard tell that ’
-
, .
thi k ro d a ta p l ma de u n a za il There I do .
,
be u p o r down : vo r if I c a a n t make a S ir I ll be ’
,
’
”
o u t wi sh epherd I l l wa rra nt it
’ ’
, .
—
m a ny va rieties brown ha zel grey a sh green wi thy , , ,
y y
e t o u can n o t help liking th e c h ap to o ev en
,
i f th
, e
a n d twen ty
-
O nl y th e week before la st he wen t i n to
.
Mr A ppleton at home P
.
Yes , si r.
”
C ome in Come in
chirruped be covered with
.
,
”
,
”
into my o wn little room .
cu pbo ard .
thoughtful prelimina ry si p .
A h ! We ha ve
”
cried old Mr A ppleton with
, .
”
grand father before him .
satis fied .
No t satisfied P
Old Mr Appleton lean ed forward a n d raised his
.
ha nd to his ea r .
it
. SO I said be fore going elsewh ere I wi ll go
, ,
”
s tra ight to the fo u nta in head -
.
Wh a t is i t my dea r Mr , . R o be rt ? asked he in a
co a xing tone .
60 BOOK OF CR AFT S AN D CHAR ACTER
Th e truth i s, your prices a re a mighty deal too
greatly relieved .
”
A ppleton and dec ide fo r you rsel f
, .
head .
“
It takes experience to distingu ish the in feri
o ri ty o f thi s so rt o f chea p showy thing That s a ’
.
,
- —
d rawing ro om table a powe rfu l magnifier th rough ,
even then .
”
shoddy age .
Young Bo b deliberated .
“ —
I see the truth o f all yo u sa y yet I think I
may a s well give you the order at once fo r two o f
”
these sa id he quietly after reflec tion
, ,
“
I felt .
O h yes
, Young Bo b will have hi s joke there is
.
,
—
in h i m wha tever a n d not th e lea st touch o f ma lice
in a n ythin g he does And the a bsurdity o f i t wa s
.
62 BOOK OF CR AFTS AN D CHAR ACTER
to crown all he took the two suits at eight pou nd
,
”
ten That i s to sa y he said Pu t em down which
.
, ,
’
,
Wi th .
date an nou nces i tsel f two figu res in each u pper corner
,
6
66 BOOK OF CR AFT S AND CHAR ACTER
From a board in a wagon maker s yard they stared ’
-
A little crowd O f .
—
more fuel now a spoke then a felloe o r a fragment ,
li fe a s told by himse l f .
“
I have hund reds o f times met wi th you r name
upon the road Mr P ike so you seem like an Old
, .
,
”
acq uaintance said I , .
I do Often
. .
,
”
Wou ld yo u like to look rou nd ?
His invitati on wa s most hearty The bond s had .
68 B OOK OF CR AFTS AND CHAR AC TER
al r ae dy bee n laid in th e fire so whil st they were ,
again
The Old bo y could n o t wait .
”
That s true he c ried
’
Zo we did
, We . .
this O ld device .
The pikes P
H a ! ha ! Why th e tu rnpikes to be sure I f
, ,
.
”
yea rs said be with reg ret bu t then suddenly
, ,
yard .
co mplete .
”
o butter o r a pinch 0 salt
’ ’
.
THE STR APPER
TH E ST RA ER PP
—
came from down the cou ntry down West and a —
“
Well now I beant zo wonderful sure but what there
,
rs
76 BOOK OF C R AFT S AND CHAR ACTER
mid be Try down below to th e old house Farmer
.
,
—
grow fast enough to cover u p th e tu rnip drills what -
”
below E xeter .
THE STRAPPER
Ho ! Well how , i s i t yo u haven t got work
’
at home P
“
I be a drainer by trade I shall be on again . ,
”
come win ter .
“
I hoed some wheat fo r a farmer dow n t other ’
”
th at were over I had to come on .
A single man P ”
”
long j o b to send em back something ’
.
y r o y o u c a n pu t to .
“
tu rm ets did wan t hoei n g a s bad a s any tur “
”
mets the strapper cou ld ca ll to mind A t last .
by th e piece .
he ho pefu lly .
”
won t’
.
“
I can lie in the barn I su ppo se ? ,
.
,
”
You ve stu ck to it pretty close my man cried
’
, ,
he in a tone O f approval .
”
wh en yo u come down .
”
Thank c c si r ’
, .
strapper .
B u t yo u haven t done i t
’
.
”
NO admi tted th e strapper wi th can dou r
, No t .
”
Very well said he and pai d the money, Ge t , .
”
o n wi th i t 0 Monday
’
.
“
I will promised the strapper wi th fervou r Fo r
, .
”
Well We ll see .
’
.
“
B u t h o w a fellow wi a plen ty o f work in fron t o f
’
”
do cap I says Farmer John B uc k
,
Though mind .
,
”
tis
’
Zo .
TH E DR O VE R
TH E D R OV R E
H
E had long been a familiar figu re The stra nge .
dry di tch .
pockets with n u ts .
ma n migh t en vy .
”
“
A mo st s lip shell said he
’
-
.
,
”
I see you ve g o t a goo d crook
’
.
shav ed fo r a week .
Have yo u g o t fa r to g o P I as ked .
”
Well ; three mile past that .
”
at Hatch .
”
Yes .
”
year said I , .
”
A n they be scarce he went o n with a sh ake o f
’
,
—
The re i s bu t so much money there can t be An ’ ’
W
.
”
I should th ink tha t s clear ’
.
shoulder in to th e b rook .
S u ddenly he looked up .
”
spare I su ppo se P be said in th e to ne o f o n e u n ex
, ,
si r
. Yo u re a real g e n le ma n
’ ’
.
”
Hi Towze r
, .
The do g gave a ba rk .
became a herd .
LA K C -
clack —
lack clack c — .
and his nag had done the sel f same jo urney to and -
”
Wil l c c please to take a li ft ? shouted the
’
9:
92 BOOK OF CR AFT S AND CHAR ACTER
o f a s c rubbing brus h
-
He wears a long sleeve waist
.
-
”
You have a pretty go od loa d said I peering , ,
devise .
W
.
”
to a man to hea r— that Yo u know . .
”
Most hu m iliatin g a greed I in a ton e o f c omfort
, , .
”
B ut the money do kee p a ma n safe e xplain ed ,
L u c ksto ne P
the s ig ht 0 you Sa dler B ill ing
All th e better fo r
’
, .
”
An here s a saddle all in hol es thank G o d l
’ ’
,
o ff
, Grocer J ennings I ha nt a hea rd tell 0 no
.
’
-
’
c h ang e No t up o u r way
. .
Go t my ca sk P
He s no good I rea lly feeled ashamed to ride in
’
.
”
hi s compa ny .
hollow a s a dru m
. .
,
”
tha n rates an d it save d them from
, the ho use So .
by right .
”
an hou r fo r an ou nce o f B lack Jack but no less ,
re mini sc ences .
Ho ! ho ! ho ! Th e things I ha ve a picked up in -
can hear the old cock leading the you ng birds home
toward s twiligh t o r i f they have a been separated
,
-
”
g r as s g round though
-
.
”
I ll wa rr n t did sa i d each o f the oth er five wi th
’ ’
,
wa rm approval .
Po n my li fe so did sa id Dan
’
.
, ,
’
a n thi s ceili n g Ho w many a time I ve a laid fo r
.
’
-
’
em j ust in the dimmet an mark em up Then ’ ’
.
Id
’
”
“
I d have two
’
.
”
Yo u hardened old law breaker said I ; the -
,
”
devil will have yo u a s sure a s the light .
—
what good is i t P Tis all gon e all gone an past ” ’ ’
.
upon th e five .
TA LL
, pright ma n and a s tough a s th e
u ,
su re
, from sun ri se to ev ening he i s rarely there ,
estates .
”
and I hold to it .
arbitra ry man .
” “
No said be one day
,
I see no need to tell all
, .
’
em up clapped em in h is pocket and wa s back
,
’
”
about i t .
“
.
pro , . ,
il l will o n a pla c e
- I tell yo u a wise keeper doesn t
.
. .
we got back in to th e ri de .
“
It isn t every ma n c a n keep g a me sa id be
’
, .
'
em two po u nd a piece B u t la ! they ll be here -
.
’
arbitrary man .
”
years fo r that .
“
Well I su ppose I did speak a bit sh arp Bu t i t
, .
said I.
a laugh .
“
B u t least o f all one who migh t se t i t
”
down in prin t .
THE CAR TER
TH E C A RTER
CO UL
D he ar th e j i ngling o f bel l s in the lane
a n d see th e ta p o f th e load s lowly m o vi n g
W
-
,
wh eel shouted
, a g o f? to the wise old mare
between the sh a fts and a s soon a s th e gate post wa s
,
-
”
safel y cleared Mither wa y Then be crac ked h is
,
-
.
prou d style .
”
Whoa !
They stopped .
”
one o f the h a meses a nd took out hi s box to l o a d ,
”
another bit 0 ba ccy into hi s black clay pipe He
’
.
to th e buckle bones -
.
”
I ll warran t em
’ ’
.
”
anoth er should witch em ’
.
“
I have not heard o f anythin g o f that sort fo r a
”
long ti me .
know .
do wan t a li ft an ha n t g o t face to up an as k
’ ’
But
’ ’
.
ro ad mind
,
me so level a s a gun ba rrel
,
— when h is -
wu r H e n e ve r touched o em wi
‘
.
’ ’
—
missu s a n he ve a had three were a to o kt most
’ ’
- - -
I ve a — hop
’ ’
g o t e s .
1 22 BOOK OF CR AFT S AND CHAR AC TER
Well my brother an Tranter wu r a riding on
,
’
-
the n w ur c a rr d o fl wi a sq u i n zy No w I cou ld
'
’ ’
.
Come u p Ge e O ff ah l
, ,
c c a good day
’
- - -
. .
1 37
1 28 B OOK OF C R AFTS AND C HAR A TER C
th rusting and probing among the ivy and under th e
hedgerow roots Then he would pick something u p
.
What could i t be
Nuts were gone and th e fe w pu rple sloes that still
,
bank .
Wh a t a re you looking fo r
”
S nails wa s th e rather short reply
, .
That s my trade
’
.
“
Then what do yo u call yoursel f ? I ven tured
to a sk .
”
On the census I p u t s nail me rchant he a nswered
-
,
with d ig n ity .
THE SNAI L -
MER CHANT
A n d so a snai l merc hant let him be -
.
”
To an oyster ba r - .
explain .
0
’ ’
em becau se they be so good fo r th e chest And .
W
.
,
i n kles l
The mere word filled him wi th scorn .
10
1 30 B OOK OF CR AF TS AND CHAR ACTER
They be bette r than best mutton .
He looked puzzled .
”
There s a lo t here he said
’
, .
Ho w do you know
”
B y the sound .
”
be all in their winter sleep by now .
—
winter to keep warm I suppose No w you wouldn , .
’
”
to limestone .
contents into h is sa ck .
Ho w do you se nd them
T rain They pa ys ca rriage and returns the ba g
.
,
”
strong thing .
-
sa y twe lve s tone fo rmerly — is scarcely fai r on th e
snail .
AN OL D P R OJI CK ER
o l d apple tree
-
.
dow n .
1 36 B OOK OF CR AF TS AND CHAR ACTER
Ye t something pl easa nt in the aspect o f this o ld
world habita tion invited a closer attenti on .
”
Wonderful plea san t weather piped the voice o f,
to me .
to do with him .
”
from th e frost no w said the o ld m a n wi th pride
,
“
I .
g a r den D o. c c ze e P I ve a —
c u t t
’
w o o r d ree s tep s
’
another .
“
I do live out 0 these here ga rden We can t ea t ’
.
’
p a s m u ts to o mo r
,e a n eve r w e , s hall u se I s hall ’
.
drop 0 rain ’
.
“
I catched one a pou n weight once ’
, .
”
pro j y
i c k .
“
I su ppose yo u do not go o ut to work at all
now
No w gai n I do crack a few stones An o n e
an
’
a .
’
”
to pu ll u n down .
pen sion s
“
I don t spend much thou gh t pon things that be
’ ’
master ? An h o w m u ch wou ld i t be
’
”
They talked o f five shilling s said I Ou t o f , .
th e taxes .
”
nea r th e end 0 i t now ’
.
again in to h i s eye .
THE OL D M OL E A
C TC H ER
,
”
derfu l good son s the neighbou rs accounte d Peter
,
a ro u nd .
”
20 I did 20 I did . .
He wa s a s delighted a s a child .
th roat .
”
abou t moles said he “
I ve a catched h un derds and
, .
’
-
y o u m u s gie up yo
’
u r mind to it You m u s learn .
’
— —
keep wan ts I do mea n moles down you mu st ,
”
volley it I tell c c volley it
— ’
, .
unlea rn ed .
the ma rnen .
W ith
B u t what abou t th e
I be a bi t hard 0
’
set
”
stuck in to th e gro u nd .
”
many times fo r chance work -
.
He pa used .
wa s no more to tell .
”
Tes a terr ble sight 0 wants about said he
’ ' ’
.
,
X VI I I
T HE T RU L FF E H U N TE R
excl uded .
wi nter day .
“
I don t hardly believe I can be behind ti me
’
,
s aid h e .
way here
“
I ha n t a h u n ted I comed straight o n zo vast
’ ’
-
.
,
”
a s I cou ld B u t in a momen t divini ng th e mean
.
,
out to show me .
W Tes to hea rte n up th e dogs he explained
e h a d a long day s tra mp be fore u s a n d we
started a t on c e .
’
,
,
.
sa i d he
“
Yo u mid find em i n one place thick a n ’ ’
.
o f it
.
the trufll e ‘
.
ra n f or ou r lives both o f u
,
s— o r fo r th e live s o f the
hu n t
S OL P R I DDLE , THE DEALER
SOL P RI B L
B E, THE DE AL R E
th e dealer .
he d rew up .
Will yo u take a li ft
The invitation wa s attractiv e I wa s a s free a s a .
Ho w fa r a re yo u going ? I asked .
”
way u p to Farmer John B uck s ’
.
”
“
I know Farmer John B uck .
1 63
1 64 B OOK OF CRAFTS AND C HAR AC TE R
men t J u mp up I tell c c
. Don t bide there
,
’
.
’
”
a h a m c a mm n g
-
h i — wasting my ti me .
”
The wonderfu l trapper lean from work yet ,
”
No no sir said he impressively
, , , Th e repo si .
rump o u n
’
.
door .
”
you r ride .
You must just wet t other eye o r you won t see they
’ ’
”
bullock s straight .
the fiel ds .
stead .
bark
Where
Mr S o l Friddle pondered awhile
. .
”
At Farmer John B uck s replied he with deter
’
,
mination .
”
S a y forty th ree snapped S o l Friddle
-
,
.
—
S tock wen t high a t Hu ngerton Fai r so they do
”
tell me said he with smiling optimis m
, , .
”
B u t look a t Hinton Monday last .
cried he hastily .
W
, .
,
”
otherwise conceded S o l Friddle As a matter o f
, .
long pause .
“
I should ro b my family at a hundred John ,
”
B uck .
pulled up .
“
John B uck ! Is that you r last word ? a s ked So l
Friddle with feeling
, .
Here a minute .
”
A pound to l u ck ? whi spered S o l Priddl e .
”
Are they cheap ? I ven tu red to inqui re .
wheels .
c a nc e .
W
to a n adeq u ate figu re what shall I sa y gentlemen P
h o will volun teer th e first bidding fo r th is Capi tal
S horthorn Yearling B u ll ? N o matter h o w s mall
gen tlemen it will give me a start and many a lowly
start in li fe h a s led to affluence and the Wool sac k what
wi th deep feeling.
righ t
. This i s discredi table to you rselves and
humilia ting to me eleven pou nds and a c rown fo r
—
fiftee n
Thus encou raged again he rai sed h is voice The
, .
recommen c ed .
W
an hour .
ho w a s th e auctioneer
”
Lo rd Ha mmerdo wn lau ghed he
as ked I
, .
.
”
Who ?
John C lack himsel f he explained respec tfu lly
, .
show him se l f o ff .
atten tion .
muc h su n .
—
Fo r a time there is silen c e the silence o f deep
th ought .
”
No w then, says, the farmer wi th sudden ,
a nd lay
ninepen ce a rope .
—
most terrible o verg ro wed But now but now what .
—
he mu st .
ditch .
dam p g round .
”
standing .
a l —
good at l not even to burn ”
.
He is dogmati c at on c e
Gie I whitethorn he says a nd lo oks determined
.
”
,
Ay G ie . .
I whitethorn .
W
stumps on th e o ther side o f th e gap
”
Whe n this is fin ished the he dge is “
made and laid .
1 86 B OOK OF C R AFT S AND CHAR ACTE R
hold fast the golden reed upon nex t yea r s sta cks ’
.
h is shoulder Thu s wi th h is
. nitch on h is back ,
th e villag e in th e combe.
”
“
I hope you ve left a bit jokes the farmer i f they
’
, ,
”
They laugh Go od nigh t l and pass on one to th e
“ -
,
R
TH ESH IN G
—
been the enemy o f good thatch which swallows
stack s o f straight unbroken wheaten ree d to cast
,
so:
1 92 B OO K OF CRAFT S AND C HAR A TER C
may be that this dignified attitude marks moral dis
appro va l Fo r that engine i s a most inveterate
.
—
ducks fo r ever stir up th e mud a n d drink S till i f .
,
y o u d e te rmine to engage h er I mu s t sa
, y sh e i s
—
Here eve rything is haste and business the pi tch
ing in o f sheaves th e c arrying awa y o f straw th e
, ,
-
.
m u ch caddle wi a l ey fo reigners
’
.
”
Do n t yo u talk to I says A be
’ “
, I ve a hea rd .
’
-
to - —
be all a dra sh ed o ut proper like I do ca ll .
Zo do .
B IR D -
CHAR MI NG
XXI I I
B IRD CHARMI N G
-
”
c h i m me r
, the upper room above the groun d floo r ,
”
came later than the hou se The parlou r a place
.
,
u p bu t do n o t see k to re strain
, A n d on that night .
be a bo y .
th e bo u ghs to roo st
I shook my head .
w i o u t so m u c h a s a flu tter B u t yo u can t do i t
’ ’
.
secret yo u know ,
Yo u mu st ring th e bell a l l th e
.
tw ould
’
.
“
In wha t sort o f plac es did you catc h th em I
asked him .
”
lawn an th e kitchen garden
’
.
B u t wh at sort o f he ll did yo u u se ?
Oh any bel l short 0 o n e o u t 0 chu rch tower
,
’ ’
,
lau ghed he “
I used to have a li ttle dinner bell an
.
-
’
”
a stable l a n tern .
”
“
I suppose su gg ested I thou ghtfu lly
, I su ppo se
”
y o u have no t got that li ttle dinne r bell now ? -
”
c a n be done .
BIR D C HAR MING
-
W
,
B rooke I do know
, B u t could yo u be so kind a s to
.
voice fu ll o f anxiety .
L a ! Mr Spracklin to be su re I can an no
’
.
, ,
”
Well well I want it by me fo r a precaution
, .
,
Dea dea
r r ! There I ll j
,
u s strike a light a n
— ,
’ ’ ’
slip o n s —
my ki rt a n then wi my shawl over my ’ ’
shoulde rs
wrap i t in .
there
No t a t all Mr S pracklin La !
,
I f a body
. .
th at would be so methe n— d e ar I
S h e shivered a s sh e re locked th e door behind u s -
.
“
I ve a ba g ged th e hel l that do gi e wa rnen o f
’
-
,
’
”
hatch ,whispe red John S pracklin covering h is ,
S o we w e re provided .
hedgerow .
o f ea ch ,
loo ked a t them and let them fly in to th e
,
”
The wind I seem is most terr ble nippy
, ,
’
.
XX I V
T HE O L D ES I
‘ ‘
I N HA I B TA NT
S T R A NG E thinghappened to a vi l lage a fe w
miles from u s called L ittle Abington .
world i t lived sel f con tained and con ten ted The
,
-
.
15
21 0 B OOK O F CR AFTS A ND CHAR ACTER
a
th t i s to sa
y n o t a me re label
,
bu t a name well —
, ,
a name
He fou nd i t u nder A A bington ! L i ttle) in th e
.
-
,
G azetteer .
”
stu mp abo u t fo r u p a month w ith a game lag -
,
”
No ; th e sex ton o f that day w a s a c ross eyed man -
,
h a d been pu t in a book .
bladder o l a r ’
wh o stayed abou t the pl a ce a
” ”
goodish time He did
. fo r ce rtain s ure The .
“
, ,
gaily
Ay to be su re that wu r I
, .
W
.
,
”
money in good right I do know he do . .
-
h e made the word rhyme to badge — “
I do kn o w .
’ ’
a x ed
W
.
— b wa e p oo f I id the ’
J
’
u s zo u t t r r spw o se sa , ,
’
Tes no matter vo r that ’
,
zed the foreigner very ,
civil like .
g e n n e l a n -
th ik cloven vo o t .
had better to do .
g e n ne l m a n u l l neve r l e f c
’
c in peace till yo u do B u t
’
.
’
p o n a Z un da y N o w idden tha t a lit tle
. b i t ?
I hasten ed to explain that my work did not
concern i tsel f with th e ancient myth olog y o f A bing
ton bu t with people o f to day
,
-
.
mid do . An
’
they ru nn e d o u t a n ’
cz tc h ed rm h o ld by
the a n kl e la g a piec e a n o hn
J he ll ed do wn po n
’ ’
a va
th e fa c e o
’
u n zo vla t s
’
a pa n ea ke . H e rr e r a fe a re d
-
g o t u p a l l to a mizmaze l i ke Bu t h e c o uldn t ze e .
’
”
S to p a minute cried h e and ra n and ho o ke d
, ,
AN O TH E R MI LL R S AUG HTER E
’
D
”
an cheese an welcome
’ ’
.
”
down .
B u t perhaps yo u a re bu sy ?
B usy ! cried be with a sha ke o f th e hea d
, .
”
There s no such l u ck theas days
’
.
upon th e mill
Tes a ram shackle Old place
.
’
he laughed and , ,
Of every bush el of wh ea t, o ne q ua rt .
Of every bu sh el of ma l t, o n e pu rl .
and th e black .
P ig s me at ’
-
when he wa s you ng .
Ay everythi ng is c h anged
, When I w ur a bo y .
,
h i s best .
load a hau led than all the women folk and maidens
- -
,
”
a bin lease rs if tw e rden fo r th e B ook 0 R u th
’
-
.
”
please to step in to house .
W
.
Nance !
hat i s i t now ? replied a shrill voice from th e
kitchen .
“
Just pu t out a bit 0 brea d an cheese An d raw ’ ’
.
’
”
a c u p 0 cider Will c c now ?
’
.
’
In a minute .
224 B OOK OF CR AFTS AND CHAR ACTE R
The re w a s no sweetness n o promise o f roman c e in ,
S h e j ust glanced a t me .
wi sdom between th e w h i fls ’
so m u ch bran
quite late .
th e door .
226 B OOK OF CR AFTS AN D CHAR ACTER
B eyond th e island formed by th e bac k stream -
“
G ood nigh t sa id sh e a s th e gate closed behind
-
,
almost a poem .
“
I had a talk to Miller Toop yesterday .
”
S illy o ld fo ol l said sh e .
”
though tfu l o ld man .
”
Thou ghtfu l ! cried sh e with impatience There s
“
.
’
th e mill .
C I R MA I N
DE -
K G
Zo a d
ro p 0
’
g o o d id c er w o n t do
’
us n o h
a rm .
leafy hedgerow .
“
I t may be this wa s th e origin o f the saying as
”
d runk a s an owl fo r the blinking bird o f wisdom
,
“
the pas t .
-
”
.
,
Hi s re gret wa s pathetic .
l o a d ro p 0
’
g o o d id
c er
'
w o n t do us no h a rm .
l o a dro p 0
’
g o o d id
c er wo n t do
’
us no h a rm .
g o o d c id er wo n t do
’
us n o ha rm .
apples a re called pu m my .
”
p u mmy .
”
moment is a maxim with Fa rmer John B uck A n d .
roaring
Zo a d ro p 0
’
g o o d id c er wo n t do
’
u s no h a rm .
l o a d ro p 0
’
g o o d id c er w o n t do
’
u s no ha rm .
A UTOL Y CUS , 1 900 A D
. .
XX V I I
AU LYC
TO US, rgo o AD . .
Come
.
,
They all ra n o u t .
Come
”
out come o u t c ome out ! Here he i s
, ,
again .
man s ’
.He wore a long sleeve waistcoat with - -
,
”
in the mo rn en to get u pzides wi S ilas B ut a s
’
.
o f late ri s ing .
”
nest o r two o f a g g s in th e spring we only ,
bu t n o t otherwise ,
.
see yo u well ma am wi th bo th ,
ha n d s o ut
’
,
”
the money .
”
a very tidy wash u p ba s in I do call
-
, .
, ,
.
,
”
Sold again ! shou ted S ilas Sold aga i n th is
— .
s uch a s mysel f .
what he s like ’
.
”
that B u t they all declared to Priscilla fo r certain
.
”
He wa s a funny cu stomer we all sa w that and , ,
almost forgotte n .
244 B OOK OF CR AF TS AND CH AR ACTE R
Come out come o ut ! Here he is ag a in
,
— th e
”
short .
Where s Priscilla
’
”
sweethea rt .
O VE R A AIR P OF B E LL O W
S
,
.
wait
My ea r detec ted in the tone o f h er voice an
habitu a l melancholy intangible a s th e sadness o f
,
”
The afternoon wa s even more than muggy fo r ,
247
248 B OO K OF C R AFT S AND CHAR AC TE R
th e win ter mist wa s changing into a fine drizzl i n g ,
ra m .
h er brown fist .
”
they be gone .
steady way .
country .
o f thei r en terprise .
most wonderfu l .
,
’ ’
“
Did yo u have any dau ghters Mrs T rent I , .
.
, ,
be au ti fu l ; an h e made th e things h is o w n ze l f in
’
ta lk zo ba d B u t la ! heal th s a blessen vo r g ro w e n
’
.
,
A M ALL
S HO L DE R
O artificial prod u ction no deserter from the
,
”
No no !, chuckled he Ha ha ! L et I bide
.
,
h is way .
18 25 7
XXIX
A M ALL
S HO L DE R
O artificial production no deserter from the
,
No no !
”
, ch u ckled he Ha ha ! Le t I bide
.
,
where I do kn o w where I be .
h i s way .
soon be forgotten .
18 25 7
260 B OOK OF CR AFT S AND CHAR ACTER
barked a t every passer by Fowls cl u ste red a round
-
.
to th e sen try b -
”
only o n e concl usion— Peter mu st be pu tting by -
.
”
G ra mfer s hoss died o f the glande rs
’
.
told him .
o f a hu ff .
all said .
He s fo r o u r cou n ty
’
.
”
never do I two pen n o rth 0 good ’ ’
.
.
A S MAL L H OL DER
all said he
, .
”
Old P eter Barrow replied sh e in a wh ispe r ,
.
”
farm n o w a n d a good thing to o
, .
“
I am sorry B oth fo r the old man and the land
. .
What fo r
His simple li fe wa s happy Every day o f it . .
“
I do lau gh to mysel f in the middle 0 th e night ’
MY N EIG H BO U R , MR S S
. IMO N G A L L I NG H AM
S imon s esta te
’
.
John B u ck .
y o u s ee M ,
rs S imon G a l.l i n g h a m i s a woman o f fine
MRS . SI M ON G AL LI NG HAM
deemed by s miles .
”
place says sh e when th e strawberry ru nners invade
,
”
th e pa th You ve g o t n o business he re says sh e
’
.
,
o l d world farm
-
Only th e parlou r h a s mahogany
.
,
”
always speak s o f a s h e r things No person o f .
W
UN I N sno rn n s, LIMITED, TH!
'
Ow n m W
ON G AND LON W
N
The Boo k Of Si m ple D eli g ht s
B Y TH E S A M E A U TH OR
i ih g kill ill b d wi h
d bl W
It i s wr tten w t ra c e a n d s a nd it w
d b lik ly ll d
, e rea t
t c a re ; we n ever rea a o o k mo re e to be c a e
’
h a t is mo re, th e a u th o r h a s a n eye fo r c o un try
y hi g
rea a e .
men a nd wo men a nd c o un tr t n s
h h b k h ghl
.
“
I i k hi h h ymp h i d ill fi d i mply
t s a wo r w w
‘
d lig h f l f m h fi p g h l h ig
c t e s a t et c rea er n s
’
w ere, Ow n
mi d di g h h h d g fi d
e tu ro t e rst a es to t e a st, to a
f h
him lf mi k f g m Symp hy h m
sun ersta n p n , t e o c c u a nt o t e t a tc e c o tta e n s
‘ ’
d
k l dg h g h m ki g f m ly pl
se sta en or a rea t a n. at , u o ur, a n
no w e
b k TI D i ly T l g p l
e a ve o n e to t e a n o a n ex tre e ea sa n t
”
oo . re a e e ra / .
h ll b d d d ligh f l ly idylli h y
ih k h W
S f
weet, we
h mi g b k hi h ill b d i h i l
res ,
-
o serve , an e tu c, t e
m k w c w w t
i by d h i h k
a e a c ar n oo p , e rea a n es e c a
w w or w s no w
f E gl d
n terest rea ers o e t er no to t e e st
”—
o n anTfi S m . e co ts an .
K i dly f g fill d i h g d h m i i h m wt
mf i g mp i i m g i bl f p i i L d
n ,
ra ra n t, e ra c e a n c ar , t s t e o st
”
co o rt n co an on a na e or a r so ner n on on .
Tb M e i g L d
o rn n ea e r.
M R ym d i i h fi ymp hy i h wr tes w t d wt
k y f h pi q f l lif
r. a on ne s at n a ture, a n
h h f Hi
b k ill h lp b g i mpl d l gh m y T l D d
e as a een e e or t e c tures u e ea tu res o rura e . s
”—
oo w e to nn s e e i ts to an . /e u n ee
“
I i l b k ld fi d hi id y i
l l
g d f m h i m M R ym d h g p
t p s as ea sa n t a oo a s o ne c o u n , t s n a
h hi d g
c o un c o tta e, a n ro t e t e r . a on an s u a
h d h i m k f
h i di i h l h il ph d h i d
o rse s c c o ve r s o o r to t e a y e s i sta en or a rea t
m w t
li d h ill g i d ligh f l
an s sc o u rses rura o so e rs a n s a v en tu res
i f m I i
l m f ll f h m f g im idm f
n so tu e a re o o st t r in n teres t. t s a e tu
d h t e w s o
d T l T ib
vo u e, u o u o ur, ra ra n t sen t en t, a n o
”
h
t e wo o s. ie r u ne .
“
If h d we i i l h j m f
hi B k f S—i mpl D ligh w h ld y i i mply
p a g to exp ress
y n a s n e ra se o ur en o en t o
’ ’
ts,
d l ig h f l b k P m t
t s oo o e e e s ou sa ts a s
”
e tu oo . r c/
LO N D O N . HO D D E R 8: STO U G HTO N
19
J a c ob a n d J o h n
B Y THE S AM E A U TH OR
Cro wn 871 0, do “, 6s .
“
I t is lo ng sto ry o f g d q li y wi h b esto we db h ot
h l
a oo ua t , t c a re
”
on c a ra c ter a n d p o t. Th Ti mes .
Ha nna h h l i h h d i ’
w
i i il g d ligh h
, t at pu re a n pa t e n t so u , s a c a ra c ter o se
i i d m k b
l h lf d h dmi bly d p i f
ac q u a n ta n c e t s a rv e a t to a e, ut t ere
p e an e
wn
ill g hi d p b h y lk i
are at ea st a a o zen o t er a ra -
ra o rtra ts o
wo rt w
h b i d h f i ibl
v a e es a n re ro a te s, o se ra c ta s a c o n sta n t
f hm ft h
f i li y h ih m m d li gl
re re s en t a er p t e a re ra n e c a tter o rre s o n s e
-
w e re w t k
hi d
r vo t o st o ern n o ve sts see to re a e
”
W
t e r Tb Sp
rea ers . e ec ta to r .
h hi g b p i f J b d J h I i ‘ ’
d l igh f l y f l E gl d i h igh h
e a ve n o t n ut ra se or aco an o n. t s a
h ill ly
e t u sto r o ruray n an n t e e teen t c en tu r .
Th f— m d m f wo
di di i li h gh h i li l
e c a ra c ters
yp tru e t es o en a n en , st o rtuna te
b f d —
ii h m d d i dm k h h
to e y o un n c o un tr str c ts v e, a n t ro u t e r tt e
W
m k ’
d d i g id i h h g d
va n t es, u o urs, a n e s re s un a e an a e ea c o t ers
h p i m f w t
d li h pl f hp i
a n ess, a n p , o n so , ro v e us so e o u rs o oo
i we e th s
dimm d mp f p i ill d h y h
rea ng . e n ee no t o ut ne t e ot; or o
w
lib y b k l b b b
un e tru o ra se c a u se rea ers to u rr to t e
”
b k h
oo ra r b yi
or
‘
to o rro w o r u t
qgi ly Ch
s , oo c u eg , .
Tli e o ro ni c l e.
Mr R a mo n y lk d ’
d So me rs e t i we l wn , we
h d b h J b J h Hi h i f
. s sto r es a re no an
‘
a nd
’
ld i l l g d f lly ll d l ly m d
a ve n ever rea a e tter t a n aco o n. s c o ce o
i wo n d we
h pl f h b k hi h i h mbi i i ll d
o v a e rs s g er u an n a tura a na e , an
oo , w t o u s, s n ever a o we
i g h i ld i
t e ot o t e c s ra t er a
to swa mp i h p
i i I H h M R ym d
o ur n te rest n t e e rso n a es, n o r to s e n
mp i h
d l d p h i fig f h
co e ten c e n c a ra c ter sa t o n n a nna r a on . .
h ra wn a no ve m
o n e o f t o se wo
h h l lif m d ib d i h li Sp d d b
as an a t et c u re o en
‘
w w
l h i b hi
o se o e e see s esc r e n t e ne en an e
S h i ’
h f h k f hf l
f ld J b dl y l dfi d J h hi g d
s en t
p . e s t e rea ero n e o t e oo , t s a rt u serva n t
”
o o ac o an o a nurse a n r en to o n, s ra n so n .
Ti e P a l l M a l l Ga zette .
LO N D O N . HO D D E R 8x STO U G HTO N
L ov e a nd Q u ie t L i fe
B Y THE SAM E A U TH OR
S O ME R S ET I D YL LS
Cro wn 81 10, do “, 3s 6d . .
h l d d ih i
T ey a re o a e w t ru st c fra gra n c e, a n d perva e wi t dd h
a n i dyll rc sim l ic i ty a n d pea c e, tra n u i l s n li i g o f ind
h l l l bi
even to rea
q
t ese a tter T h i m m i
i h h d y
y t a tt re a t o
s e s o r
y s . i e o u s,
ser o us, mo re a t e ti c t a n i ts pre ec esso rs, bu t it po rtra s n o
less del ig h h h h l d f hi d li
f h
i i i di l h g i y
y t a n t e y t e o a s o n e e , c a ra c ter s,
-
Th
lik p i fS T Thi i
e rea er t o t e oo es n t e ex tra o r na r e
d i f lk wn
ill g dg f S m hi m i i h bi d
e resen ta t on o u tto n o an ts o . s a n c en t
h
i h
v a e, set o n t e e e o a o erse ts re o o r, s n a te
by m f h m i i m i we
fi i i m h th h i m h
so e o t e o st c a t va t n g rus t c s a ve ev er et n
i f F h
‘
i
h i g q i hi D h i l g
ct on or n act e re . s uc at s t et c , uc
t at s d
h h li y l
ro tes u e, n t s u tc c ture ; au ter a n tea rs
j l i f T h m f d
d f h ld li g h b k hi h i
o st e ea c o t er a s n e .
p e e ar o c o u n tr a c es, a n
f h ld wo r w
l g h h di g Ti A h w
o t e o o r er o t e c n s to t e oo c s
M W
, ,
”
a to e t er wo rt rea n re t ena n
l ym d b k i l g h d ligh f l
. .
Ra ’
s n ew
l h l h b il d g
r. a ter on oo s a to e t er e tu .
C pi w b
d i k m mpl i h i h gh bi b h
a t o ns
p p eo e,
p o se p a a te sy a ve een s o e s tro n
a n t at
ill b h m d i h i d li fl Thi b k ill li
rn , ay co t a s n o t en o u te, ut o t e rs
w w t w
b i i f ll f h m i y O l L d Q i
e c ar e ts e c a te a vo ur . s oo ve
Li f ih g h y l l d f hi dg d i
e c a us e t s u o u an t . ne c o ses o ve a n u et
MA AR N i Th B i ! W
w t w en
h ligh ig i h p k I AN
e re ret, a s ou ea v e a n o -
as o ne a r en n
”—
t e f h t o t e sett n dd sun , a n o no t w s to s ea .
CL E n e w ru n ee/
A d ligh f l
W
.
”
e t u sto r
y T h S m e co ts an
l f bidi g h m h b d
. .
b i f h b k hi h m y Tl M
A n o ve o a n c ar . e a ve ut su aste
”
h
t e ea u t e s o t e oo , w c a re an . i e
“
h
Thi i
ra t er to o ra re
Th
sg
j
i
d
s a
i
d oo
i
T
ll
m
h
w
us t n o
l
W
i
d
m
b
an
i
f
w
k
h
.
”
G
f
b
we k i
di
d
g
hi
i
-
h
d
i r tten
es t
oo
nster
, o a
o s ette.
n w c s
i p i p g mi i i y g i ff
e sto r
y q s p ua n t, s e an res , a o un n n e
la r
h hm l db
sc r t ve a s sa es, n u te n ex ec u t o n , et e n e ec t .
Th h k d
id f b i g p l di f m l if Th D ily N w
e c a ra c ter s etc e s a re u o ro u s an na tura , an ea r
”
ev en c e o e n erso na stu es ro e . a e s.
LO N D O N . HO DD E R 8: S TO U G HTO N
The Bo ok o f the O pe n A ir
E DI TE D B Y E D W A R D TH OM A S
W i th Fifty Pl a tes in Co l o u r
P rice i
s. n et E a rl
h hi h
t at w c trea ts na ture a s th e no v eli st trea ts h m lif i h
u an e, w t
s m
y p hy fi at rst a n d sc i enc e a fterwa r s d . Th e Bo o k o f th e
Open Ai r i s ”
representa ti ve o f w h i b i
at s es t n th i s li tera ture .
It gi i id d lw y p
ves a v v , an a f a s i i imp i
rec s e ress o n o wi ld l i f e n
E gl d
n d y Thi i d
an to - a . s ti f y o es by m f ea n s o a ser es o essa s
on bi d im l
r s, o n a n d fl i
a s, o n trees a n p i l o wers, on n sec ts, re t es,
e tc by h b pi q i
.
, t e e st c tures l hi y i h ue wr ters o n na tura sto r , w t
ill i d il d b b if l d gg i d ig d
ustra t o ns eta e , ut ea u t u an su est ve, es ne to
i f m b ll d ligh d i m l
n or — a o ve a to e t an to st u a te .
Th b k i e oob p d d i l m hly p
s to e ro uc e h n twe ve o nt a rts, ea c
p a rt to i l b
c o n ta n i f l l
severa d pl i i
ea u t u ll y c o o ure a tes a rt st c a
m d d p i g l d p bi d im l b
o unte , an re resen t n a n sc a es, r s, a n a s, utter
fli es, etci bl h p i l i m f y I ll h
.
, su ta e to t e a rt c u a r t e o ea r . n a t ere
wi ll b fif y f he tl d ill i
o t ese c o o u re d h y wi l l u stra t o n s, an t e
i l d ph g phi p i d di by fi l
nc u e o to ra c o rtra ts a n i stu es rst- c a ss a rt sts
o f l p i
rea o bj m
en -a r na ture su f h m by h b
ec ts, so e o t e t e est
k w no n phna tu re
g p hi i o tof h d ray T h c p ar t sts o t e a . e a rts
will b b di d kg
e o un n a pp i h ar i bl reend i g wra er w t a su ta e es n.
E very l f h ild
o ver o ld f
t e f d
w h ld b
wo r m o o ut o - -
o o rs s o u ec o e
b ib
a su sc r h B k f h Op
er to t e Ai“
oo o t e en r.
”
LO N D O N . HO D D E R STO U G HTO N
Ev ery M a n hi s o wn G a rden e r
B Y j o H N H A L S HA M
W
i h ll t fu -
p g
a e
an d
il l ustra
R ev F C .
i
t o ns
. .
in
LA M
l
c o o urs
BERT,
by C AR IN E CADBY
MA . .
Fo rms a s e d ligh l l b k h b
m
tfu a nd u sefu a
i i ig m f
oo as as ever een
wr tten fo r h e del c ta tio n 0 m ever
l t gé ighy
-
n c rea s n ar o
t w l m i by
g d i h g d l bl
eo
p p e o o a e n n g a p s a s a n en tra n c n o .
M r H a l sh a m s pa es a re pa c ke w t
’
di
. sa e an va u a e
a v ce
”
Tbe D a i l y M
. ess .
If y h m ll g d pl l m d i y
hi b k
ou a v e ever so s a a a r en ot et e a v se ou
T l M ”
i d R d
‘
All h w i i d l i d id d i g
ill pp i h w k by J h H l h m gi D i ly
q g
c o n c se a n uc u e to
a rt w
o re
rec a te
u re a
a ”
r en n
a t e or o n a s a . l e a
M H l h mh p d d f m d bl b k h
di y m ll g id g d i g I i i i yl
r. a s a as ro uc e a ar o re rea a e oo t an
h t s wr tten n a st e
hi h h m h d h h i id i g h
t e o r na r s a u e to a r en n .
w c c a r s t e rea e r ev en w en o w to
lp g bl kill l g Th M H l h m d i
e s c o ns er n
’
i l p i i id h gh
a n t v e eta es o r to s u s at r a s a s a v ce . .
b k W
h m f p
d ill d i fi l l
i s t e o u tc o e o ra c t c a ex er en c e s ev en t t ro u o ut,
d h m
t e a a teur a r en er w ro t a s w l
g
h i di di d b igh ly
an er v e p e as p
ea sure
f m h s trea te
d l ly— d h k h h lp gi p i
ro t e oo a te ver s . sc usse r t
t e s etc es h
i
an c ev er , a n e to ve o n t to t e
”
i nstru c t o n s 7 7 Gl g w H
ze as o. era ld .
Thi i
“
l ly w i d i p tten a n iig a rts, even en terta n n
b k f d i h wh d i hi g d
s s a c ea r r ,
n
to t o se t m e u on t e r
I i b if l ly i ll d d h ld b g f l ly l m
oo o a v ce o c a n s en
p p a r ens .
t s ea u t u ustra te , a n s ou e ra te u we c o e
”—
i m yq
n an u a rters R ec o rd . .
A m ly f l b k p i m il y d i g d f l
i h li l i h l
n ex tre e use u oo p p , r ar es ne or eo e
w h wt fi d m h t e se v es t e o ssesso rs
f b m h g d i g h y hi k h y
o, tt e o r n o ex
p er en c e,
p n
m as t e t n t e ca n
i gl h d d o l k
o a o ut a s uc a r en n g a na e
s n e -
an— e
”
ut o o .
W
.
Thi b k i ll f i ki d d d
s ex c e en t o di l ts
i
s oo n an eserves a c o r a
”—
rec e p ton Li . w y l d ter or .
LO N D O N . HODD E R 8: S TO U G HTO N
Ev e ry M an s Boo k f G a r de n
’
o
Fl o w e rs
BY I OH N HA LS HAM
New E di i
t on w ti h 8 Pl a tes l
in C o o ur, 1 28 I l ustra t o ns l i
fro m Ph g p h o to ra s by HENR Y IRVI NG .
d i b h db k
I t is a n a m ra le a n o o fo r th e ma n wh o po ssesses a
smal l d d i
a r en a n d es res to ma k e th e mo s t va r o us a nd m o st i
ta st use o f it di
Th e a v c e o flered is n o t o ver th e h ea ds o r
'
b d g l h di l
.
o wle e in wa s t a t a re s m p e, a n d t e refo re
to be h f l d h l li h w d
h y i di h
p ,u a n e n o t o n y e x p a n s a t to o
a nd w en to do i t, bu t in m a n c a ses h e n c a te s w a t i t
wo u ld c o st i lh
Th e no v c e wh o ta kes M r Ha s a m a s h i s u e g id
ill d
. .
w i n th e c o u rse o f th e sea s o n fin d h is g a r en a c o n s ta n t
so u rc e o f d ligh
e t
”
Tfie Yo rksh re P o st
‘
J h b kf h m id ify fl
. .
“
h w wa n ts to o wers
d pl hi h m ki g h m l
u st t e oo or t e a a teu r o ent
i
'
a n ts w c w
b d ld
an a re u st no a n t e se v es se en n
fl we r d f h i m h m k w wo u
l i f fl lp i h h i pl g d I
o o r ers a n y cr , or or o a e a
ne w o wers to re
b i f b fii i d i p i l h gh i m l id
se ec t o n o en s s ea su re ro un . ts
h d d d bly l
re u t su c en t es c r t o ns , a t o u n o s t c a se s uc
f b f h m
h h h
en o u a re ren ere y toue a e c o u se u rea so n o
g ,
8 f h l k —
i i
t a t s,m i
h b d i
a n rn 12 o to ra t e a n ts , ta e n n s
p y g p g p s o p
m i h M
o reo ver, t e h l
ili y f h li l l m i g ly h d by h b i f
jus t a s o n e sees t e n t e o r er ra c t c a p .
tt e vo u e s
l l di i hi h h h J h H l h m gi
ut t o t e rea t en a nc e t e r e
W
rec t o ns w
g h ih h g pi
c u tu ra c t e a ut o r, o n a s a ves,
to et er w t t e a vera e t h
ro o ts m yh p
d —I m h h l p
r ce at a e ro
w m t
f mily i l i
c u re . n so e c a ses, ere t e a n t re resen ts a n r
f C nsta n c e,B l C ’
a rna t o n, etc
h pg d d h d ip i d di i
a a s, or y a n ter ur e , .
ill p h dy mp i
.
I t w d f l h a n o n to t e o wner
g d lph b i lly
ro ve a an an u se u co
f m ll d Th fl o wers a re a rra n
h d i i g
o a s a en . e e a a et c a ,
d i b i ll f l f m i i f
h i l i i O h d d d y igh h g ph
an n p g p
r a ra ra s a nee u n or at on s ven or
twen t
fg i g i f hi p i l b k
t e r cu t va t o n. ne un re an -
e t o to ra s
o ro fl ww n o f
ers a re a n a ttra c t ve ea ture o t s tt e oo .
”
L O N DO N . H O D D E R 8: S TO U G H TO N
Ev e ry M an ’
s B oo k o f
G a rde n D i ffic u l tie s
BY WI L LIA M j . 30 W LE S
“
hi
T s is a useful vo lume A a r ener h a s ma ny d
il k i g
.
it w l ta e a ll h is t me a n d a ll is i n n
l lhl
Here Mr R o w es wi l e p h im i
dd fi l d
. .
Ev e ry M an s Boo kf the
’
o
G ree n h o u s e ! U n he at e d)
W
W BY A L TE R I R VI N G
W By
i h ll i
t h I
A LTER I RVI NG, o f
ustra t o n s
R o ya G a r ens, Kew
th e
h
fro m P o to gra p s by HENR Y I RVI N G
l d
h dg h m ki d h i f q ly
d Wh h
An ea te f o r o t er s re uen t
d hd b b i ll i h
un reen o use o so e n
f
h di g by i lf i h g d Th p b k
o un a tta c e to su ur a n v a s, e t er c o n nec te it t e
ili i h be d g W
n t e
i i d df h h p h g h
o use, o r sta n n tse a r en . e resent oo
t o se w o o ssess su c w od h
w ld l ik i h li l
s n ten e or a reen o use, a n
bl d m l l p i b y g pl b lb d d i
ou e to u t se t to t e st a van ta e t a tt e .
i m y b m d b igh ihfl d ig
tro u e, a n s a ex en se n u in a nts, u s, a n see s n
h p p t w t o wers
h g id h d li g
t e ro e r sea so n , t a e a e r ur n
f h
t e rea ter a rt o t e ea r B fl
es es o wers, a n so m f
lp lik idi p lm d f migh l b g
p y . e o a e,
ro wn ,
d h d b d i ll f h f d
a n ts e as stra s, a s, a n ern s t a so e
or t e
igh m d id fh y
an t ese c o e u se o c c a s o n a u o se o ec o ra
w n o ws o t e o u se i h id f
i
t n t e ro o s an t t e a o an .
il k h f i f i i
f h h high d
o o r a s sto ve to
g ee o u t t e ro st, even
p t s no t c o n ven en t
k p h mp era tu re o t e
d y k l h
to ee t e te o use u
p to a er e re e
g
fli i w ten er l m f
hi g d hl g i m d h f lik d
c en t to ro p a n ts, an sto c p a nts o
su
g su c
t n s a s a i a s, era n u s, a n o t ers o a
b ddi g m yb k p h gh h wi m h
e na ture, use
f mm e t t ro u
i g h d g
o r su er e n , a e t e n ter o nt s .
I h h
t e s r n t e o use m l b f i pl
f hi h q i y q i d i h by m f i g
n p a ya so e use p p g or ro a at n a n ts
o w c a ua nt t a re re u re , e t er ea ns o c u tt n s or
AR D H IT E
T he M o u nta i n s
Wi h Si I ll i
t x teen u stra t o n s
c l o th, 7 s 6d
. .
The Silent Pl a c e s
I ll di C l u stra te n o o urs
Cro wn 8110, do “, 65 .
The C l a i m Ju m pe rs
Wi h F i pi i C l
t ro n t s ec e n o o ur
Bl a z e d T r a il Sto r ie s
Cro wn 81 m, c l o tlz, 6s .
The Pa ss
W
i h F i pi i C l
t ro n t s ec e n o o ur
Cro w n 80 0, do “,
T he M yst e ry
W
AR
B y STE W
AR T ED D W a r m a nd S H AD AMS
. .
P ri c e, d a rn, 61 .