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Edited by
Esim GÜRSOY Arda ARIKAN
Authors
2012
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ÖN SÖZ
ISBN
978-605-5472-xx-x
Eğiten Kitap
Kültür Mah. Dr. Mediha Eldem Sok. No: 55/7 • 06640 Kızılay/Ankara
T: 0312 433 0893 • F: 0312 433 07 92
www.egitenkitap.com • iletişim@egitenkitap.com • egitenkitap@gmail.com
TABLE OF CONTENTS
Learning Theories.................................................................................................1
Çiğdem Karatepe
Curriculum .......................................................................................................... 21
Yasemin Kırkgöz
Materials.............................................................................................................. 33
Gonca YANGIN EKŞİ
Lesson Planning................................................................................................. 57
H. Sezgi Saraç
Theme-Based Teaching: Environmental Education............................... 75
Esim Gürsoy
Autonomy.............................................................................................................. 87
Simla Course
Classroom Management................................................................................ 105
Erhan Alabay
Mehmet Galip Zorba
Nuremberg Recommendations.................................................................... 127
Bengül Çetintaş
Listening.............................................................................................................. 143
Murat Hişmanoğlu
Speaking .............................................................................................................. 165
Olcay Sert
Listening and Speaking.................................................................................. 189
Ece Zehir Topkaya
Reading................................................................................................................. 219
Muhlise Coşgun Ögeyik
Writing................................................................................................................. 237
Arda Arikan
Learning Theories v
Vocabulary ....................................................................................................... 247
Mehmet Galip Zorba
Arda Arikan
Grammar.............................................................................................................. 263
Derya Döner Yılmaz
Drama.................................................................................................................... 283
Şehriban Dündar
Games.................................................................................................................... 305
Şule Korkmaz
Music and Puppets........................................................................................... 327
Esim Gürsoy
Literature........................................................................................................... 343
Feryal Çubukcu
Culture ............................................................................................................... 355
Servet Çelik
On the Web.......................................................................................................... 377
Cem Balçıkanlı
Kemal Sinan Özmen
Digital Stories................................................................................................... 393
Özgür Köse
Hülya Küçükoğlu
PART 1
Theoretical Considerations
Vygotsky in fact reverses Piaget, arguing that speech is initially social, is Language as an innate ability
then internalized, and subsequently leads to inner and private (or egocentric)
Vygotsky believes that children have an innate ability to learn a language with some
speech (Thorne 2009: p. 219).
contribution coming from the environment. Vygotsky argued that initially language
Unlike Piaget, Vygotsky argues that first language emerges through verbal was only a tool for the child to interact with his/her parents. Gradually, the child
interaction with caregivers which leads to thought. Vygotsky sees language having a learns to use the language by talking to himself while he is playing. Then s/he begins
higher-order mental function. He regards language use as a symbolic activity which to think aloud and then this thinking aloud shifts into inner talk. All these shape up
is based on socio-cultural aspect of life although Piaget hypothesised that learning the child’s thought processes and these thought processes shape up language skills.
is an individual activity. In other words, for Vygotsky learning is a social activity. Language becomes the source of structure of the child’s thoughts (Woolfolk 1998;
Wood 1999).
Discussion question
Language topics in the curriculum and textbooks are ordered from easy to Learning as social transaction
difficult. The units start with concrete topics such as the names of clothes and Vygotsky argues that ‘the child’s capacity to learn through instruction’ is a very
move towards more difficult topics such as tenses (the present perfect) and important feature of human intelligence. It also shows to what extent is the child
expressions of probability. ready to co-operate with others. Vygotsky puts ‘instruction’ or in other words,
Discuss the rationale behind this kind of ordering from Piaget’s perspective. ‘interaction’ at the heart of development. With instruction, a child’s potential for
learning is revealed. One of his most important contributions to the field was his
The next part is about Vygotsky’s socio-cultural theory of learning. He is one of the
proposal of the Zone of Proximal Development (ZPD). He described the construct as
important researchers who shaped up our understanding of human development and
thinking. His opinions formed a basis for Bruner whose ideas revolutionised education …the distance between the actual developmental level as determined by
during the second half of the last century. Vygotsky and Bruner believed that children independent problem-solving and the level of potential development as
were not alone in the process of understanding the world. They are supported by an determined by problem-solving under adult guidance or in collaboration with
adult or a more knowledgeable member of the society. more capable peers (Vygotsky 1978, p. 86).
With this construct, he underlined the fact that intelligence was not to be measured
Vygotsky
as the child’s individual performance. He believed that a child’s intelligence was
Vygotsky was a Russian developmental psychologist. In his short period of life, he understood better while the child was performing with the help and guidance of
carried out numerous experiments and wrote many scientific books and articles. another person. The child’s ability to follow instructions and ability to make use of
But his name could only be heard outside of the Soviet world quite later in the 20th the tips given by his/her partner is also an indication of the child’s level of cognitive
century. His ideas have been very influential in shaping up the modern day education. development. In the process of such kind of interaction, the child receives help. .
If the child has got the capacity to analyse the situation and synthesise the extra
Learning according to Vygotsky
information with what s/he knows already, s/he can achieve the task. Children may be
He believed that development and learning were two parallel and integrated
more dependent on the other person while solving problems or performing tasks but
processes. These two processes are embedded in children’s social environment.
gradually they will learn to act more independently and they will gain self- confidence.
Children learn from their interactions with the environment and the people in the
environment. Unlike Piaget, Vygotsky believed in the supportive role of child’s
interaction with adults and with more knowledgeable others within his/ her close
environment.
▶ Communicative Language Teaching is in favour of the use of situational Bruner states that new learning is based on what is familiar in the child’s world.
drama and role play activities where learners personify a character and Burns and de Silva Joyce (2005) summarise the process of scaffolding and the role
speak pretending that their role is real. of the adult in it as follows:
▶ Think of such an activity and make a list of the benefits that learners • Effective scaffolding is tuned to the needs of learners and constantly
can gain during the performance of this activity. adjusted in response to what they are able to do.
For Vygotsky imagination was a special cognitive activity which had significant • Support is gradually reduced as skills and knowledge are acquired.
effects on cognitive self-regulation. The main role of pretend play in the process of • Learners are more likely to be successful when tasks are broken down
cognitive development is that rules of any pretend activity require children to be into achievable parts.
patient and smart enough to act against their impulses. This was how they learn to • Demonstrating and modelling are important aspects of scaffolding
develop control over their thoughts and actions (Goswami & Byrant, 2007). learning.
Vygotsky never talked about a scene where an adult preached children about a • Focussing continually towards the whole task and the goals to be achieved
grammar rule or meanings of words. He had the adult as a facilitator in his mind. is central to effective scaffolding.
The adult creates curiosity and desire to understand what other children think or • Learners have success with new tasks when they are located within
feel. As a result, children come up with real questions. These questions lead to formats and routines that are already familiar. (pp. 4-5).
answers, all of which build up a dialogue. This is what he means with knowledge
Scaffolding can be accomplished during a task performance or it can assist learners
building. As children find answers to their questions real understanding takes place.
while they try to understand a new concept. In both cases asking questions which
Kinginger (2002) refers to this kind of responsivity of children in the process of
would lead up to comprehension may be the simplest technique to initiate the
dialogue building as ‘co-authoring’. She concludes that
process. It is important for teachers that they do activities not for the sake of doing
A broader understanding of the ZPD as an activity of ‘co-authoring’ might them. They use activities in the classroom to support learning. For this purpose,
assist in furthering the agenda of communicative language teaching, one teachers need to know what their learners know presently. In order to this they
Discussion question Make a lesson plan for teaching such a set of words a group of 10-year old pupils.
Remember Cameron (2000) distinguishes ‘a learning-centred’ teaching from ‘a Note down the audio-visual materials, games and other fun activities you would
learner-centred’ teaching. like to use in the lesson. Find examples which are related to typical 10 year-olds
lives.
• Where do you think scaffolding fits in according to Cameron?
• Discuss whether scaffolding supports a learning-centred teaching or a Bruner’s two-primary modes of thinking
learner-centred teaching.
Bruner also claimed that there were two primary modes of thinking: narrative
thought and paradigmatic thought. Narrative thought requires action-oriented, detail
Bruner
driven and sequential mental processes, such as storytelling. The narrative mode is
Bruner developed a theory of cognitive growth in the 1960s. Bruner’s theory of more about daily life and it is used to express beliefs and intentions. The language
Constructivism has been influenced by Vygotsky’s and Piaget’s ideas. However, used in narratives can show variation depending on the speaker’s/ writer’s thinking.
in contrast to that of Piaget’s, he was interested in how environmental and It reflects his/her idiosyncratic style.
experiential factors shaped up cognition. He regarded learning as constructing
Young children’s narratives are embedded in the immediate context of situation.
knowledge of the world.
While telling about past events and giving information, children need to use
• Unlike Piaget, he saw the child in social interaction while learning. decontextualised language which is described as the kind of language that refers to
• He agreed with Piaget on the issue that intellectual ability developed in people, events, and experiences that are not part of the immediate context (Wood,
stages. 1999). This ability develops gradually. Around the age of 10, children master the
• But he diverges from Piaget’s thinking by arguing that how the mind is use of decontextualized language (Wood, 1999).
used during these stages determines this process of development. Paradigmatic thought requires analytical, systematic and categorical mental
• In this respect, Bruner’s thinking was very much influenced by the ideas of processes such as logical reasoning (Bruner, 1978). The paradigmatic mode is
researchers such as Vygotsky. logical and scientific. The language which is used to express this kind of thought is
• Bruner criticised Piaget for not taking social and cultural factors into consistent and non-contradictory. This is the kind of language high school students
consideration which have a significant potential in affecting intellectual and university students are required and expected to use in their assignments and
growth. presentations (this kind of teaching does not match young learners’ features at all).
Discussion questions
▶ What do you know about a curriculum?
▶ When was the English language first introduced in Turkish primary
education?
▶ What are the underlying principles of the newest ELT curriculum?
What is curriculum?
Curriculum is a large concept which can be described in a number of ways. A
very broad definition is that “it includes all of the planned learning experiences
of an educational system” (Nunan, 2001: 55). Curriculum development was first
systematized by Tyler (1949) who put forward four basic questions that must be
addressed by any curriculum developer:
• What educational purposes should a school aim to attain?
• What educational experiences can be provided to attain those purposes?
• How can the educational experiences be effectively organized?
• How can we determine whether these purposes have been attained?
In the context of language teaching, the first two questions are related to syllabus
design, the third with methodology and the final question concerns with assessment.
In relation to curriculum development for young children, Wood and Attfield (2005)
point out that “all curriculum models reflect a set of beliefs and values about
what is considered to be educationally and developmentally worthwhile in terms
of children’s immediate needs; their future needs and the wider society” (p. 138).
This requires a curriculum framework that considers what is important for children
based on research and experience to ensure that children attain what they need in
order to promote their learning of foreign language, and to support practitioners.
Therefore, we need a curriculum that must be able to respond to how children learn
a foreign language by addressing the following questions:
• What is believed to be important for young children in primary education?
These are the values, aims and principles that the curriculum is based on.
• When is it considered best to focus on particular learning experiences
in the curriculum, and how such learning experiences be taught? This
includes the designing of the content relevant to children in primary
education, and the processes involved in learning and teaching; in other
words, the pedagogy.
This chapter, which begun with a definition of curriculum, continues with a discussion
of the English Language Curriculum in Turkish Primary Education. In this section,
Figure 1. Components of the new curriculum (Kırkgöz, 2011: p. 183) Drawing on the theory Multiple Intelligences, and as illustrated in Figure 2 with
reference to nine types of intelligences; Logical-Mathematical, Visual-Spatial, Bodily/
Communicative language teaching Kinesthetic, Musical-Rhythmic, Interpersonal/Social, Intrapersonal/Introspective, Verbal-
Linguistic, Naturalistic and existential intelligence, the new curriculum encourages
As in the 1997 curriculum, the communicative dimension of the new curriculum
teachers to present lessons in a variety of ways so that individualised learning styles
aims at promoting learners’ communicative competence in English by fostering
and interests of students may be addressed (see Kırkgöz, 2010).
integrated development of four language skills. The role of the teacher is considered
as the “guider” and “facilitator” of the learning process. Study and discuss
The curriculum proposes a variety of activities to be used in ELT for Grades 4 to 5 Table 2 illustrates intelligence types and different activities taken from various
students including songs, plays, and games encouraging the active involvement of English textbooks used in primary education. Can you match each of the activities
the learners. The curriculum of upper grades (6 to 8) encourages learner autonomy with intelligence types by writing the letters under the intelligence types? Then,
through giving assigning projects to complete, and the training of strategy so that compare your findings with your partner.
learners can have opportunities to learn according to their own individual styles and
preferences.
Multiple intelligences
The Theory of Multiple Intelligences (MI), proposed by Gardner (1983), has had a
considerable impact on the design of the foreign language curriculum in many
countries. As proposed by MI, students come into the classroom with different sets
of developed intelligences, which means that each child will have his or her own
unique set of intellectual strengths and weaknesses.
In terms of the teaching hours, currently, 4th and 5th graders are allocated three • Are the objectives achievable?
hours of English classes and the upper graders (6 to 8) are allocated four hours per
week. Mini-research II
Choose an English textbook currently used in a state primary school. You can
Some challenges of curriculum implementation
develop a textbook evaluation checklist to guide your evaluation.
This chapter has illustrated the concept of curriculum, and the new English language
1. Find out the intelligence types that are catered for in each unit.
curriculum in Turkish primary education. It is true to point out that the achievements
2. Complete this analysis for the whole book to determine the book’s
in ELT curriculum since 1997 are remarkable, and there is much to appreciate in
intelligence profile.
the attempts to improve the content of the curriculum. The MNE has engaged in
sustaining continuity in curriculum innovation in primary ELT, providing an outline of 3. Also, identify some of the problems involved in such an analysis.
a curriculum document and securing provision of textbooks to all recipients in state
primary education. However, to realize the very ambitious ELT curriculum specified
for primary education, it is very important that the teachers have an adequate
understanding of what the curriculum implies for them, and they need to be familiar
with the new methodological trends recommended by the policy document.
Ball (1994) maintains that policy refers to both text and action as well as to words
and deeds. It is also enacted as well as intended. Policies are “always incomplete
insofar as they relate to or map on to the ‘wild profusion’ of local practice” (p.
10). As implied, and acknowledged by several researchers involved in curriculum
Authentic
Materials Real Objects
• should be integrated. Young learners start learning a language mainly What are the principles of materials adaptation?
as an oral process, but should gradually cover the four skills after the
Effective language teachers do not show a strict adherence to the coursebook,
initial emphasis on speaking and listening skills. The activities should
instead they make the best of it by a selective approach. Materials adaptation is
be purposeful to let children discover and use the target language to do
altering the materials to improve or make them more suitable for a particular group
things.
of learners and can take several forms: Omission, addition, reduction, extension,
• should increase their natural curiosity for motivation. Materials for young modification and replacement (McGrath, 2006; Tomlinson, 1998; Cunningsworth
learners should develop children’s imagination and creativity. Content 1995; McDonough & Shaw 1993).
has to be attractive but at the same time should provide some routines,
Gabrielatos (2004, p. 3) addresses some key points to consider in materials
because children need certain routines in their lives. To increase their
adaptation for teachers:
motivation, fun and an element of puzzle should be an integral part of the
lessons. Adaptation Alternatives
• should involve the right type of grouping according to the age requirements. • Aims
Younger children like playing in the presence of others but by themselves • Topics
and may be less likely to cooperate whereas older children and teenagers • Texts
are more sociable and like group activities in which they can play with What can I adapt? • Visuals
classmates. The materials and activities used in the classroom should • Guidelines and Explanations
be appropriate to the social behavior and development of the child. The • Exercises, Activities and Tasks
activities should also encourage cooperation and respect among students. • Games, Quizzes, Questionnaires
The table below summarizes effective adaptation strategies in given problems: The task or activity is too Changing Make the activity more
easy or difficult. challenging or less
EFFECTIVE MATERIALS ADAPTATION STRATEGIES
challenging.
Problem Strategy Suggested Action Expand the task or divide it
Learners need more Extension Add supplementary material into more manageable steps.
practice. Adding and activities. Offer guidance.
The activity is insufficient. Use other coursebooks or The learners are already Omitting Use the time for something
The learners need to revise workbooks. competent. else.
language or skills. Design or write similar
The learners need to learn Reordering Change the order of the
activities.
or practice items in a material.
Make use of the textbooks different order.
strengths and cover the gaps
The material or task is not Replacing Devise a more appropriate
or insufficiencies with the
appropriate to the learners’ activity.
teacher’s own preferences.
age/ experience.
Learners do not need more Reduction Eliminate or shorten some
There are areas not covered. Adding Supplement areas or tasks
practice. activities.
that are not provided
The activity is too lengthy Use as many as needed.
sufficiently.
and boring. Assign different activities to
different learners/groups. Hands-on tasks
The activity or task does not Changing Change the activity or task 1. It is now time to adapt some materials with all the reflection you have done so
work properly. keeping the educational far. Look at the activity in Appendix 2 and add supplementary activities for it.
Replacing
The task does not fit objective. (e.g. convert a 2. Work in pairs and design a puzzle or guessing game that does not require
the learning style of the mechanical activity into a much language proficiency. For a sample activity, see Appendix 3.
learners. more meaningful one by
providing it with purpose and Where do authentic materials fit in within teaching English to young
an element of puzzle)
learners?
Authentic language is a piece of real language taken from the real world, produced
Redesign the task or
by a real speaker or writer for a real audience and for a concrete reason. Authentic
activity addressing for all
materials are not created or edited for language learners. Most everyday objects
intelligences and learning
in the target language qualify as authentic materials. Types of authentic materials
styles.
that can be used in the language classroom are various, such as printed materials
(newspapers, articles, brochures, leaflets, calendars, ads, etc.), audio materials (CDs,
DVDs, songs, news, commercials, announcement at the airports), visual materials
(postcards, maps, signs, photos), realia (coins and currency, cultural tools or any real
See Appendix 5 for the story “Goldilocks and the Three Bears”. Work in groups to The process of choosing the right book is not an easy task and the process might
decide the language objective. Simplify the material if needed. Develop activities inherently be very superficial and subjective. There are a number of models and
for different learners. Provide puppets or toys to demonstrate the flow of the frameworks for assessing coursebooks and attempts can be made to carry out a
story. more systematic and principled assessment. Below, approaches and criteria to be
employed in the selection and evaluation of instructional materials will be reviewed.
How about computer-based, multi-media materials? Rea-Dickins (1994) summarises three kinds of evaluation:
The developments in technology have brought innovation and new tools in language • pre-use evaluation which can be done prior to the use of a coursebook
teaching. Computer- and web-based materials and resources can be utilized to (for the purpose of checking the construct validity and the match with the
present and practice language, to stimulate interest and to integrate sound, color needs)
and movement into the classroom. Websites for children, learning games, videos,
multimedia packages that publishing houses offer are just a few to mention.
• in-use evaluation
Below is a task designed to reflect upon opportunities offered by computer-based • post-use evaluation, measured in terms of learners’ performance.
technologies. McDonough and Shaw’s (1993) two-stage model for coursebook evaluation is an
apparently logical and practical framework for conducting a detailed analysis of a
Hands-on tasks
coursebook: the external (outside the core of the student’s book) evaluation which
3. Web sites for children, if appropriately selected and organized, can offer offers a brief ‘overview’ of the materials from the outside (cover, introduction,
language learning experiences for young learners in a playful context. table of contents), which is then followed by a closer and more detailed internal
Discuss the advantages and disadvantages of using digital stories. evaluation’ (p. 66). Having externally evaluated the book and decided that it is
4. Refer to the list at the end of the chapter for resources for early potentially suitable as a coursebook, McDonough and Shaw’s model prescribes
introduction to EFL. Surf among the sites and look for activities (digital an in-depth internal evaluation of ‘at least two units (preferably more)’ (p. 75).
stories, songs, games etc.) that can be used. Discuss the language It provides a greater perception of the book’s strengths and weaknesses, which
content and teachability of the activity. enables the teacher to focus on the weak points and adapt or supplement them
accordingly.
How can teachers evaluate and choose textbooks?
Teachers spend much more time in the classroom, observing and practicing than
Tomlinson (2003, p. 15) defines materials evaluation as “a procedure that involves
anybody else in the field and they are supposed to know much about their learners.
measuring the value (or potential value) of a set of learning materials”. Teachers
Undoubtedly, what teachers believe to be valuable and useful is important. In some
should also know how to select the most appropriate coursebook for class use
cases, teachers have the last word regarding the selection of a coursebook for the
among the ever growing number of coursebooks on the market. Evaluation and
program; in some other cases they may have some or very little influence on the
selecting the right coursebook is highly important although assessing materials
selection of the textbook among the available ones. In both cases, they need to be
impressionistically may lead to superficial judgments and wrong choices. “Materials
provided with an outline to pick up the coursebooks, or the materials, that have the
evaluation is essentially a matching process in which the needs and assumptions
most potential benefit for the given students.
of a particular teaching-learning context are matched to the available solutions”
(Hutchinson, 1987, p. 41). Teachers need to develop some criteria to ensure a good With the increase in commercially produced language teaching materials, the need
match and even pre-service teachers of English can evaluate coursebooks and for a more systematic approach to materials evaluation emerged. Evaluation forms,
propose alternative solutions to the problems identified (Arikan, 2009). mostly in the form of checklists, have been used to determine, or predict, the extent
to which the materials fulfill suitability for use in particular teaching contexts.
The evaluation and selection of materials is worth the time and effort put to it. A
Checklists offer systematic and comprehensive evaluation and comparison.
wrong choice might cause waste of money and time, not to mention the frustration
They are also cost and time effective. In this chapter, we offer a teacher-friendly
on the part of both the children and the teacher. A deeper evaluation of materials
materials evaluation checklist (see Appendix 1). The checklist offers a quick and
can help select the most appropriate coursebook among the available ones and
handy evaluation of coursebooks. Several checklists are reviewed and integrated
identify any mismatches between what the coursebook offers and what a specific
so as to ensure a wider coverage (Breen & Candlin, 1987; Cunningsworth, 1984;
group of pupils need, thus what needs to be tailored. Even if a perfect book for
McDonough & Shaw, 1993; Tanner & Green 1998; Varela, 2003). Hopefully, it will
everyone cannot be found, choosing the one that is most appropriate in a particular
Excellent
COURSEBOOK EVALUATION CHECKLIST
Good
Poor
Fair
The topics are interesting and relevant for
children.
Excellent
other cultures and countries.
Good
Poor
Content
Fair
Excellent
Good
SB TB WB Cassettes CDs
Poor
Fair
flashcards puppet videos software
What components make up the total with multimedia website posters
course package? Circle any available. picture dictionary free tests
graded readers photocopiable extra
The teacher’s book gives useful and complete
materials cut-outs
guidance.
Your comments about the overall quality of the coursebook:
It offers extra activities (optional activities for
• What are the outstanding features of the book?
various types of learners, photocopiable sheets
• What are the shortcomings of the book?
etc.).
Preliminary Questions
Before reading the chapter, go over the questions below and state your ideas related
to them.
1. What is a lesson plan?
2. Why do we need lesson plans?
3. What are the points a teacher needs to take into consideration before
planning a lesson?
Think about it:
4. What should be the
stages of a lesson How much time do you allocate as a teacher to
plan? take the attendance of a class of 20 students?
Pre-Planning
A number of crucial factors are to be taken into consideration before starting to plan a
lesson. Some of these factors are namely; the students’ level of language proficiency,
their learning needs, educational and cultural background, their types of motivation
and their probable learning styles (Harmer, 2001). A teacher needs to observe
and collect data on the target group of learners’ personal needs and preferences
of language learning and of achievement level as well as their previous learning
experiences. In addition to the knowledge on learners, a practitioner is to tailor the
lesson plan content in accordance to the previous classes, syllabus and the curriculum.
Goal(s)
A goal describes the overall purpose of a lesson to be accomplished by the end of the
class time. It can be stated in general terms but provides a framework of reference
for the design of activities and procedure. A lesson may include one or more goals
depending on learner variables
Think about it: and instructional concerns. The
Review the list of items in the description samples of goals are given as
section. What other items would you like to follows:
include in the list and why?
Adapted from Bates-Treloar, F. and Thompson, S. (2007, p. iv), Start with English B: Pupil’s Book.
Ankara: Nüans Publishing.
Objectives
Objectives are explicit statements on what the teacher aims to achieve in each
stage of the lesson. A goal may describe the overall aim of a class, but objectives Adapted from Herrera, M. and Pinkley, D. (2005, pp.50, 51), Backpack 2. New York: Pearson
are in detail and procedural descriptions of how to achieve the goal/s. Therefore, Education, Inc.
objectives describe the learning outcomes expected at the end of each class time.
The overall aim of a class might be to improve the listening skill; nevertheless, the Applying these three activities of warm-up, simultaneous listening and reading and
objectives of such a class can be: finally speaking, the teacher aims at enabling learners describe people’s occupations.
Therefore, the objective of these applications can be stated as:
• identifying the gist of the spoken text,
Synthesis Evaluate
Underline Outline Prepare Adapted from Gray, E. (2001, pp.17, 19). The express picture dictionary for young learners:
Label Classify Activity book. Berkshire: Express Publishing.
Write Now, write the objective for the in-class activities above:
Repeat
Since a lesson is composed of parts of applicational units, each objective indicates By the end of the class, the learners will be able to ……………………………
one section of a whole class time. Depending on what a teacher wants to achieve, ……………………………………………………………………………………….....................................
the number and sequence of objectives are identified. There is supposed to be a
In a traditional language class, the sequence of activities is based upon: Presentation- • conversation,
Practice- Production (PPP). In the Presentation stage, the new language item is • games.
What are the items you are required to include in a lesson plan? Aim: ………………………………………………………………………………………….
Objectives: By the end of lesson, learners will be able to
Which items do you think the most important ones in a lesson plan?
deduce information from a listening text to describe a person in distinct written
Which items might be optional in a lesson plan? sentences and by giving reasons.
describe their own habits, likes and dislikes in a written paragraph.
Procedure:
a. Lead-in and warm up: The teacher starts a conversation on free-time
activities and pre-teaches vocabulary by using visuals. The vocabulary
3
items to teach are: trekking, playing cards, cycling, scuba diving and
mins.
motor racing.
b. Speaking and brainstorming: The learners make guesses on what the
2
main character likes doing in her free time and set spoken sentences
mins.
on activities by giving reasons.
c. Listening and note-taking: The learners listen to a text and take
5
notes on activities of like/dislike and the related reasons. They listen to
mins.
the text for two times.
d. Writing and speaking: The learners write complete sentences on
what the main character likes and dislikes doing by stating the reasons 10
as well. Later, they work in pairs first and then as a whole group to mins.
check their statements.
e. Outlining and speaking: The students create an outline on their habits,
10
routines, likes and dislikes. Then, they work in pairs and compare their
mins.
outlines.
f. Free writing: The students write one or two paragraphs on their 10
habits, routines, likes and dislikes. mins.
g. Concluding: The teacher let some students read their productions 5
and reviews the target vocabulary and expressions to conclude. mins.
Contingency Plan:
The students write three or four sentences about their habits, likes and
dislikes on different pieces of paper and fold them. A learner picks one
folded slip of paper, reads the sentences and the whole class tries to
guess the writer of sentences.
The coursebook materials used in the lesson plan are given in jumbled order below. Choose one of the alternative procedures, decide which applications can be
Find the applications that are covered in each procedural step. included in that procedure and redesign the plan accordingly.
Objective: …………………………………………………………………………
By the end of the class, the learners will be able to draw and describe an
animal.
By the end of the class, the learners will be able to give and follow instructions
stated in imperatives that are in the written and spoken form.
By the end of the class, the learners will be able to list and explain the rules in
their homes and school.
3. Design a lesson plan which aims the teaching of coursebook materials given
below. You can adapt the materials suggested or add different materials depending
on the lesson aim you identified.
Adapted from Arıkan, A., et. al (2011). English Break: A2. Ankara: Gündüz Yayıncılık.
Theme-based teaching
Theme-based teaching, also referred to as topic-based teaching, refers to designing
a lesson by organizing it around a topic (Moon, 2000). In theme-based teaching, the
teacher’s aim is not to teach the whole topic in every detail but to help the learner
use the topic to learn the certain aspects of the language (Bourke, 2006). In other
words, the theme becomes the context of the language learning material.
Theme-based learning has several advantages: First, the use of appropriate topics
would attract children’s interest. This focused attention creates a need to use and
comprehend the foreign language being learned (Gürsoy, 2010). Topics and themes
Adapted from Arıkan, A., et. al (2011). English Break: A2. Ankara: Gündüz. provide meaningful contexts for learning a foreign language by giving children a
concrete setting for learning. Moreover, meaningful contexts enable the use of
different skills and discourse types (Yang, 2009).
Providing a concrete reason for children to learn a foreign language at the primary
level is challenging for teachers. Children do not have a need to learn English as
they can perfectly communicate in their mother tongue. So, language learning
in a classroom environment is nothing but an obligation for children as they do
not know why they are learning it. Of course, most of them may hear from their
parents or older siblings that it is important to learn English, but as opposed to ESL
environments, learning English is not an immediate need that they can relate to.
Learning the formal rules of the new language is challenging and meaningless for
children as the rules are abstract and children up to the age of 11 cannot develop
understanding of the abstract. According to Piaget, the period of formal operations
is the final stage of cognitive developmental stages and children move to this
After selecting a topic it is best to start with graphic organizers to activate schema, - has clear language-teaching goal
and learn about students’ expectations. One of the graphic organizers that can be - has a clear and meaningful goal or purpose for learners
used is KWL charts. These charts are filled in together with the classroom on the - has a clear outcome(s) for the learners
board and they can be used before and after starting the topic work. Let’s say that
- involves learners in work or activity which requires the use of the L2
our topic is street animals, here are some things that students might say while
- facilitates language learning (p. 88)
filling in the KWL chart below.
It is crucial that the activities selected involve students rather than just occupy
Before the application After the application
them. The sequencing of the activities is as important as their selection. When
What do I know? What do I want to know? What did I learn? sequencing the teacher should pay attention that they are moving from easy to
difficult, concrete to abstract, known to unknown, and receptive to productive. In the
St1. They live in the St.4. How can I help St.7. I can leave some
following section you will find some activities that can be used with children.
streets. them? water in the summer.
St.2. They eat garbage. St. 5. How can I feed St.8. I don’t throw food in
Prepare a lesson
St.3. They don’t have a them? the garbage. I give them
to street animals. Choose an environmental topic, identify your content and language objectives,
home. ….. St.6. How can I protect
select skills that you will focus on and organize a lesson around your theme. Think
them? St.9. I can adopt one of
about how you will introduce the topic and take students’ attention. Consider your
….. them and keep him or
learners’ linguistic and cognitive capabilities.
her home. I will have a
new friend!
Another way to start topic work might be via semantic maps. Children and teacher
brainstorm about what they know about the topic. As they generate ideas teacher
puts them on the board by showing connections. Here is an example about energy
saving;
ȤȤ Start the lesson with a video on air pollution and global warming, ex: http:// more questions depending on the students’ linguistic knowledge such as “Did
I do a good thing?” or “Am I a good person?”
www.climatechangeeducation.org/videos/youtube/home_sweet.html
� Then ask “What can I do?” When they say “throw them in the garbage” you
ȤȤ Brainstorm on the video with the students. Ask them what they see, what the can talk about recycling.
video/cartoon is about such as: “Is the world happy or un happy? Why does
the world cough? What happened then? Is the world happy now? Why? � Put the visual material given here about recycling on the wall. Ask whether
they recognize it.
ȤȤ Relate the topic to students’ lives so that they can make a connection with
what they know and what they are about to learn. Ask questions such as:
“Do you like flowers and trees?; Do you have flowers at home?; Do you like
walking/playing in the forest/park?; Do you throw garbage on the street or
keep them? etc…
ȤȤ Give examples of your own and ask for examples from your students. For
example: “I like green. I like trees and flowers. I have got many flowers at
home. I have got beautiful trees in the garden. I like reading a book under a
tree. In summer, it is very cool under a tree. I plant trees with TEMA. Do you
know TEMA? I walk to school every morning. I don’t drive my car. Sometimes
I take the bus. I recycle. Do you recycle? I don’t throw my garbage on the
streets etc.
ȤȤ Ask some critical thinking questions. Provide students with the key vocabulary.
Ask questions such as: What happens if we cut trees? What happens if we
� Step 2: Show a video on recycling. Ex: http://www.youtube.com/watch?v=l
drive cars? What happens if we don’t walk? etc…
WQlFk0PLAI&feature=related . (You can find more videos at the end of the
ȤȤ Start making a semantic map as you talk along. chapter.)
� Talk about the 3 R’s (reduce-reuse-recycle).
� Step 3: Initiate a classroom project! Start recycling in the classroom ….
� Divide the classroom into four groups. Ask each group to bring in a big box
and green, blue, yellow and white paper.
� Tell each group to cover their box with one of the colored papers. And write
either “glass, plastic, paper, or metal” on the boxes. Select a place for your
boxes and start recycling.
� Note: The project could be done school-wide with the cooperation of other
classes.
� Tell them to prepare a chart indicating the times that the tap/lights
etc. left on/off, the electronic devices unplugged, family members
using the shower or the bath. After a week of observation ask them
about the results of their energy saving project.
Tap XXX XX
Lights XXXX X
Electronic XX
Devices
shower
Note: This can be done in the classroom orally with the help of Language
Experience Approach. The teacher asks students their experiences and writes
them on the board. Later on, the discussion and the writing can be used to help
students write their reports. At the end, the children will decide whether their
families have become energy-conscious or not.
b. Parents? It is also acknowledged that the range of autonomous behaviour will be dependent on
the learners’ characteristics. Learners’ age, proficiency level, and past experiences
c. The teacher?
will play an essential role in how ready they will be to assume control in setting their
d. The school administration? own goals and in planning their learning around them. In such cases, the teacher
e. The ministry of education? will have to provide more guidance in the process. One way to do this is providing a
f. A centralised exam system? variety of options for the learners to choose from at the beginning. Giving options
You might find that the answers to the questions, to the left, are more complicated can help the learners assume responsibility and take control gradually until they
than it seems at first sight. In a language classroom in formal education settings, reach a stage where they will feel more confident and competent to take control
the answer is probably all of the above. Traditionally it is the policy making themselves and plan their own learning (Little et al., 2002).
institutions like the ministry of education or the school administration that are As suggested above, it is the teacher’s job to raise learners’ awareness on what they
in charge of setting goals and objectives in a macro level while the teacher is in are expected to achieve within the overall learning goals and objectives set by the
charge of implementing these in a micro level, i.e. classroom setting. To foster curriculum and policy makers. Being explicit about the overall goals and objectives
learner autonomy, however, there is a need to involve the learners in every step of the course, i.e. what the learners are expected to achieve in that course, will not
of this process. It is essential that learners have control over their own learning. only give control of the learning process to the learners, but will help them see
As Little et al., remark, “being in control of one’s own actions and responsible for what they are expected to achieve in a specific time frame and help manage their
their outcomes is a prerequisite for self-fulfilment” (2002, p. 15). Being in control of own learning (Little et al., 2002). In the absence of such a policy, where learning
one’s own learning requires being in charge of setting goals for their learning (very is regulated solely by the learners’ needs, the teacher is in charge of guiding and
often within the constraints of overall goals set by policy makers), being in charge facilitating the learners, as an expert, on how to achieve what they set out to achieve.
of selecting, ordering and/or designing one’s own materials and tasks to best aid In addition, in both cases, the teacher will need to help the learners set a course of
achieving the previously set goals; and continuously reflecting on and assessing the action and facilitate evaluation of their progress. In an autonomous classroom, the
learning process and outcomes. teacher is still the expert in L2 and learning it. The learners will need to make use
One common misconception about learner autonomy is that giving control to of her expertise.
learners means leaving the learners alone to learn on their own. In an autonomous Asking the students to set their own goals can still sound as a daunting task to some
classroom, the teacher does not wash her hands off teaching, she is the one that language teachers. To start with, the learners can be prompted to reflect on their
teaches. However, the learners take the responsibility of their learning. To this end, strengths and weaknesses, needs and priorities. However, learners do not always
it is important that the teacher is explicit about the overall goals of the course from have the metacognitive knowledge to express their strengths and weaknesses in
the beginning and works with the learners to help them set their own individual depth (Reinders, 2010). Indeed some learners may be aware that they have to work
goals depending on their own needs, weaknesses and strengths. She encourages on, say, their reading skills but may not be able to voice what exactly they need
and helps the learners to work both inside and outside the classroom to achieve to improve in their reading. Similarly, some learners can set unrealistic goals for
their goals. Besides, she is willing to hand in the control over learning process by themselves not taking their current capabilities, time and context limitations into
involving the learners in selection of such aspects as materials and tasks when they consideration (Cotterall, 2000). Therefore, the teachers will need to act as mentors
are ready to assume this control; and from the start, she works toward helping the and help the students in this process through direct communication and negotiation
learners to assume such control. to clarify and raise their awareness on what exactly it is that they would like to
Although it is the stand taken here that all learners have a capacity for autonomous improve and to work on. Doing needs analysis can be beneficial at this stage. It can
behaviour, it is also acknowledged that learners can find taking the responsibility of be a good investment of time to develop a needs analysis questionnaire or simply
18. Please find a beginner level and an advanced level course book in English
and analyse strategy training provided in the book.
19. Suggest ways of raising learners’ awareness on listening, speaking, reading
and writing strategies.
20. Design a mock-action research project. Identify a specific point you believe
you need to improve as a language teacher, for example giving instructions
in L2, teaching collocations, etc. What is the first step you would do to
improve it? What are the following steps? How would you evaluate your
Figure 1. Classroom management approaches
improvement?
Communication
Communication can be defined as an action directing and changing the behavior of
the individual or group in a desired way. Communication is a purposeful initiative
that includes specific elements and procedures.
The main elements of communication are source, message, channel, receiver and
feedback. Source is the person who initiates communication and defines the target.
Message is the thought, feeling or behavior that the source intends to share with
the receiver. In communication process, teachers should prefer short, brief and
understandable message so that students can understand the message. Channel
can be defined as a method or technique through which the source conveys the
message to the receiver. For instance, e-mails and SMS are the channel people
use via the Internet and mobile phones. Receiver is the target person to whom the
source intends to convey a message. Feedback is the reaction that the receiver
displays in order to inform the source whether the message is received or not (Ergin
http://leadingfromtheheart.org/category/classroom/ & Birol, 1995).
Time management
Time management means to use a certain amount of time most effectively. It is
unlikely that teachers suffer from time limitation in classrooms where effective
classroom management whereas in classrooms where effective classroom
The Nuremberg Recommendations for Early Foreign Language Learning (hereafter NR)
was published by the Goethe Institute in 1996 (and revised 2010) in collaboration
with experts from 22 countries from all around the world, following a series of
seminars on 4 to 10 year old young learners’ learning of foreign languages. The
recommendations “were drawn up with the objective of placing early foreign language
learning on the most widely acceptable curricular basis possible” (Nuremberg
Recommendations, 2010, p. 4). As a document containing recommendations on
young learners’ experiences in foreign language teaching, it remains as the most
comprehensive body of documents that contain valuable information for language
teachers of young learners.
In this chapter, some important aspects of these recommendations are discussed to
http://www.classroommanagementonline.com/
inform future foreign language teachers about features of teaching foreign languages
to children. Also, these recommendations are given as points of discussion rather
What would you do?
than rules that must be obeyed without questioning. That’s why reflection activities
Zafer was a teacher of German in Afyon. At the beginning of that term, Zafer and are given to you to develop your own understanding of foreign language teaching
his students determined the classroom rules together. It had been two months to young learners.
since the beginning of the term. However, by raising her hand, 14 year-old Zehra
The document is composed of three headings, namely;
asked the reason for having more strict rules than other classes. Zafer was aware
that class rules should be determined together with students but it was the first • new influences on the learning environment of children,
time that he was directed such a question and he was not sure how to answer this • early foreign language learning today and perspectives for the future,
question. He let Zehra sit her desk and continued his lesson. • basic conditions for early foreign language learning.
If you were Zafer, how would you answer to Zehra’s question? Under the first heading titled “New influences on the learning environment of
children”, it emphasizes the individuality of the young language learner regardless
of his or her regional or local background. Under the second heading titled “Early
foreign language learning today and perspectives for the future”, the following
issues are discussed:
• language policy actors,
• language choice and language sequence,
• appropriate concepts for childhood foreign language learning,
• standards in early foreign language teaching.
Under the third and main heading titled “Basic conditions for early foreign language
learning”, the issues discussed are:
• the child-centered language programme,
• linguistically qualified pre-primary staff and language teachers,
• parents,
• physical environments for learning,
Nuremberg Recommendations
• The childhood foreign language acquisition process should be viewed
in as close association as possible with linguistic development in the
mother tongue.
(by P. Chighini, & D. Kirsch 2009, 18) • During the language learning process, the child should be given
sufficient opportunities to try out newly learnt material in social
The illustration by Chighini and Kirsch (2009) displays that school learning is not an interaction, e.g. with the teacher or with fellow pupils (p. 13).
isolated form of education, but is connected to humans, science, and society. The
Children acquire their first language during the first few years of their lives. The With the new 12-year-compulsory and dubbed educational application, the
acquisition of the first language, especially that of the mother tongue occurs Ministry of National Education has introduced changes in foreign language
“naturally” and “unconsciously”. In theory, if a small child (until the ages of three education. In accordance with this new application, foreign language education
and four) grows up while learning two languages, he or she acquires two mother has moved back from the 4th grade/ year to the 2nd grade/ year (of primary
tongues at the same time. In such situations, one could talk about primary education). Considering that the 60-66 month-old children will be attending the
bilingualism (Apeltauer 1997, 10-11). first grade, the first language education will start with 6,5-year-old pupils, that
is, three years earlier than it was in the previous system.
• Give an example to the situations in which the child encounters
two languages concomitantly and in which he or she acquires both • Discuss the new regulation of the Ministry of Education within the new
languages as his/ her mother tongues. 4+4+4
The acquisition of an additional language which occurs after the acquisition of • educational application by putting emphasis on its main reasons for the
the first language (during adolescence) is described as secondary bilingualism. earlier start of
The acquisition of every additional language differentiates itself fundamentally • foreign language education.
from the acquisition of the first language, since one language has already been • Apart from the reasons you have stated above, explain your personal
acquired and the structures of the first language are already known (Apeltauer reasons and hesitations about the approximation of foreign language
1997, 16). education to the acquisition of the mother tongue in our country.
• Give some examples in which the child learns a second language
The child’s needs
unconsciously and in its natural environment and learns it after the
A child needs to
acquisition of the mother tongue.
• feel safe and secure while in the learning environment,
Children who encounter a foreign language already at the ages up to three and
four find themselves in a situation similar to that of the children who acquire two • receive affection and be able to show affection,
languages concomitantly. The younger the children are and the less they have • express feelings, be happy, and make others happy,
already acquired their first language, the better their learning situation of both • communicate with others, to express thoughts and feelings,
languages at the start will be. Thus, parallel progress will be made in the learning
• play, be active, move, romp about,
of the first and second language (Apeltauer 1997, 11).
• express him- or herself creatively,
• Children acquire the first language relatively quick, especially until the
• experience successes and be praised,
ages of three to four, when the learning of a foreign language takes
relatively much longer time. Which consequences do you draw from the • encounter new things by experience, by learning, by discovery, or through
fact of this early start to foreign language learning at schools? conscious research,
Different from the acquisition of a language, learning a new language is described • re-run new experiences and insights in role-play (or similar) and thus
as “the conscious and goal-oriented language processing. The learning of a assimilate these emotionally (p.14).
foreign language happens mostly in instructional contexts” (Apeltauer 1997, p. Nuremberg Recommendations
14).
In planning and implementing the aims, content and methods of early foreign
• Give examples to the situations in which the foreign language is language learning, the practitioner or teacher should always ensure that the
“learned.” child’s needs are taken into account (p. 14).
Reflection
In your experiences as a student, has a teacher’s warmth and playful attitude had
a positive impact on your interest in his or her class or your overall learning?
Remember those experiences of yours and discuss the issue’s importance with
your friends.
PART 2
skılls and aspects
The ability to listen is the most fundamental skill to make a child successful at school
in an EFL setting. Children enhance listening before any other foreign language
skills (Myers, 2001; Miles, 2002). Learning to listen and listening to learn are key to
lifelong success and should be directly taught (Jalongo, 1995; Hoag, 1996; Smith,
1998). Many educators support the view that listening comprehension plays a crucial
role in foreign language teaching, especially with young learners (Grabielatos, 1995;
Rost, 1990; Shorrocks, 1994).
Former views of listening exhibited it as the mastery of discrete skills or microskills,
such as knowing reduced forms of words, knowing cohesive devices in texts, and
Schema theory
� Comprehension listening
The next step beyond distinguishing between different sounds is to make sense
Schema theory, an important theoretical underpinning to the top-down approach,
of them. To get the meaning involves possessing a lexicon of words and also
was originated by the psychologist Bartlett (1932). This theory has had a
grammatical rules via which we can comprehend what others are saying. The
prominent impact on researchers in the areas of speech processing and language
same is valid for the visual components of communication, and a comprehension
comprehension ever since. Bartlett asserted that the knowledge we have in our
of body language enables us to comprehend what the other person really means.
heads is grouped into interrelated patterns. They are like stereotypical mental
In communication, some words are more prominent and some are less prominent,
scripts or scenarios of situations and events, which are constructed from a number
and comprehension often benefits from deducing basic facts and items from a long
of experiences of similar events. We construct literally hundreds of mental schemas
spiel.
during the course of our lives and these mental schemas assist us in making sense
of the many situations we find ourselves in during the day; from catching the train to � Critical listening
work, to joining a business meeting, to having a meal. From time to time, especially In critical listening, we make evaluation and judgment by forming opinions about
in cross-cultural situations, when we employ the wrong or improper scheme in a what is being said. Judgment involves evaluating pros and cons, agreement and
situation, it can get us into trouble (Nunan, 1999). confirmation. Critical listening involves prominent real-time cognitive endeavour
Research has shown the insufficiency of a strictly bottom-up approach, that is, because the listener examines what is being said, linking it with existing knowledge
research has revealed that we do not store listening texts word-for-word as and rules, whilst synchronously listening to the continuing words from the speaker.
suggested by the bottom-up approach. Listeners recall some bits, omit some bits,
and often incorporate bits that were non-existent in the original listening when
� Biased listening
being asked to listen to a text, and then write down as much as they can recall. To In biased listening, the listener generally misinterpretes what the other person says
put it differently, it is highly probable that the pieces that are successfully recalled by based on the stereotypes and other biases that he or she possesses. The person
listeners will not be recorded in exactly the same words as the original message. It only hears what s/he wants to hear. In many cases, such prejudiced listening is very
indicates that, in designing listening courses, materials, and lessons, it is prominent, evaluative in nature.
not only to teach bottom-up processing skills such as the ability to discriminate Evaluative listening
between minimal pairs, but it is also prominent to assist learners in using what they
In evaluative listening, we make judgments about what the other person is saying.
already know to comprehend what they hear. The listening itself can be preceded by
We try to evaluate the truthfulness of what is being said. We also judge what the
schema building activities so as to provide learners with some of the terms which
other person says by considering our values and assessing them as good or bad,
they will encounter in the body of the unit if teachers view gaps in their learners’
content, grammar or vocabulary knowledge (Nunan, 1999). worthy or unworthy. When the other person attempts to convince us to alter our
behavior or beliefs, this type of listening is especially appropriate. In evaluative
Types of listening listening, we also distinguish between intricacies of language and understand the
There are eleven types of listening, which are discriminative listening, deep meaning of what is uttered. Further, we evaluate the strengths and weaknesses
comprehension listening, critical listening, biased listening, evaluative listening, of an argument, specifying whether it makes sense rationally as well as whether it
appreciative listening, sympathetic listening, empathetic listening, therapeutic is beneficial for us.
listening, dialogic listening, and relationship listening (http://changingminds.org/ � Appreciative listening
146 Skills and Aspects Listening 147
In appreciative listening, we try to find out certain information which will appreciate, Common listening situations
for instance, that which enables us to meet our needs and goals. We utilize Common listening situations are as follows:
appreciative listening when listening to good music or poetry.
� Sympathetic listening • listening to live conversations
Sympathetic listening is a type of listening in which we care about the other person • listening to announcements made at airports, railway stations, bus
and exhibit our concern in the way we pay close attention and express our sorrow stations,etc.
for their illness and happiness at their joys. • listening to the news, the weather forecast on the radio
� Empathetic listening • watching the news, the weather forecast on TV
When we listen empathetically, we go beyond sympathy to find a truer comprehend • listening to the radio for entertainment (e.g. listening to a radio drama)
how others are sensing. This involves good discernment and close recognition to the • watching TV for entertainment (e.g. watching a movie)
nuances of emotional indicators. When we are being truly empathetic, we actually • listening to songs
feel what they are feeling. To get others to expose these inner parts of themselves
• following a lesson (at a school, college or a university)
to us, we should also exhibit our empathy in our manner towards them, asking
sensitively and in a way that stimulates self-disclosure. • listening to a lecture
Dictation B. Watch the cartoon film and write Tom, Jerry or a lion into the blanks
Dictation exercise is a very useful technique for teaching listening to young learners. 1. The radio anouncement was about a ________ escaping from a circus.
If the teacher simply articulates the words and students write these words in their 2. __________ tries to keep the lion out of the house.
notebooks, dictation exercise can be demotivating for young learners. However, if 3. __________ feeds the lion.
the teacher applies it in language games, young learners can get pleasure from it to (Expected answers: 1. a lion 2. Tom 3. Jerry)
a great extent. Some of the listening games which contain the principles of dictation
are Bingo and Chopstick Spelling. For instance, in the listening game entitled Bingo, Discussion question
the teacher gives each of the children a bingo card. The teacher dictates words and Which listening technique/s can be more supportive for young learners? Why?
the children select which square to write them in. Each of the dictated words is then
put into a box. The child dictating the letter, or the other children, draws the word
Teaching phase
from the box one at a time, and the children mark them off on their cards. A child
getting a whole row, column, or diagonal, calls out, Bingo! (Diyanti, 2010) Rixon (1986) divides the listening process into three stages. These stages are as
follows:
Cartoon films ȤȤ Pre-listening stage
Cartoon films can be used to teach listening to young learners. Because young This phase is made up of things that students do before the listening, to assist
learners have the chance to listen to the language within a visual context, they students in getting the most out of what they are going to listen to. To put it
can better comprehend what they listen to. For instance, the teacher can have the differently, this stage prepares students for the listening activity.
students watch the episode entitled Jerry and the Lion (http://www.youtube.com/
watch?v=6ifVoUzFxRM) in the classroom. After the students have finished watching
ȤȤ While-listening stage
the episode, the following activity can be used in the classroom. The second phase is made up of activities and exercises to be carried out while the
learners listen to the listening text, to direct them to get the main message of the
A Sample Activity Based on Jerry and the Lion
passage. To put it differently, it is the way the teacher controls the listening activity.
A. Watch the cartoon film and write names of the characters
ȤȤ Follow-up stage
The third phase contains activities to be done when the students have learned the
meaning and content of the passage and are ready to look back, to reflect on some
aspects of language in it, or to do some extra work relying on the content of the
listening text.
Yellow
Red
Blue
Green
White
Black
Orange
Brown
Pink
Grey
Listening to stories
Listening to stories plays a crucial role in young learners’ linguistic development.
Listening to stories enables young learners to make up their own inner pictures.
When telling a story to young learners, the teacher should adapt the language to
The primary aim of this chapter is to present a workable framework for developing
Mini- research
Go on to Youtube and search for a video clip of an EFL classroom for children.
Watch the video carefully and try to find out how a young learners’ teacher
modifies her language use while speaking to kids.
Discussion question In this extract, the teacher provides support for learners in the form of a vocabulary
item (line 2) and recasts student production into a target-like form in lines 4 and
What kind of difficulties may a teacher experience during pair work activities in
6. Following this teacher support, the students recall the word ‘desert’ and use it
young learners’ classrooms?
appropriately when the teacher leaves the interaction, although they mispronounce
it (lines 8 and 9). So it is obvious that no matter how good tasks are planned by
Pair work and group work tasks and activities are quite popular in TBLT. Of course, teachers, a constant monitoring of student interaction is vital for language learning.
it is not easy to deal with classrooms full of children. There are two major problems By spotting potential problems in such speaking activities, teachers can act on
that teachers can encounter. Firstly, disciplinary issues can arise like too much immediately and provide structural, topic-oriented, and interactional feedback. Yet,
‘off-task talk’ and noise. Secondly, when left alone, students tend to switch to is immediate correction always good for learners? Should we correct every single
their L1 and neglect using the target language for accomplishing the given tasks. mistake made by students? Furthermore, how can we provide language support
To resolve these problems, during group work and pair work activities, teachers indirectly? How can scaffolding be performed effectively? In the following section, I
should monitor each pair and group effectively and make sure L2 is used as much will address all these issues by using excerpts from published transcripts.
as possible. Teacher intervention in such cases is not always a bad thing. While
monitoring children, teachers can spot mistakes in language use, and can provide Remember to…
input, guidance, and feedback. • give very clear instructions before a task!
Oliver et al. (2008) investigated the impact of teacher input, guidance, and • provide students with examples of language items that can be used during
feedback on ESL children’s task based interactions in Australia. They examined solving a task!
three experimental conditions representing a continuum of teacher guidance: task • monitor the students and be aware of potential problems! Let them know that
instructions alone, task instructions with examples, and task instructions followed by you can be of help when they need it!
on-task guidance and feedback. An important finding from their study is that older
• provide on-task guidance and feedback!
children (11-12 year olds) benefited most from on-task guidance from the teacher
compared to younger children (5-7 year olds), evidenced by the number of modified
• use recasts where relevant!
output from the learners. One of the most significant educational implications of • avoid simply giving the correct answers: help them with the language, but
this is that teachers need to be very clear in giving pre-task instructions before let them complete the task. Feeling of accomplishment is very important to
pair work and group work while they are teaching to very young learners, and they motivate young learners!
need to provide feedback while they are dealing with older children. This can be • be alert when they start using their mother tongue dominantly!
illustrated with the extract below, which comes from a pair work interaction in a
Scaffolding and correction
young learners’ classroom (11-12 year olds):
In a broad sense, ‘scaffolding’ in interaction refers to the linguistic support given
Extract 3: On task support and recast (adopted from Oliver et al., 2008, p. 141)
by a tutor to a learner (Bruner, 1985). It should, however, not be understood as
01 S2: Does does what is this?
simply providing young learners with accurate language forms when they encounter
02 T: It’s called a desert difficulties in retrieving language items from their memory. It is used to lead learners
03 S2: Does horse live in cosert [desert]? to an understanding of the task by, on the one hand, a teacher’s provision of challenge
04 T: desert to maintain involvement, and on the other, support to ensure understanding (Walsh,
2006). Being able to ‘shape children’s oral contributions’ during interaction can be
• make sure the dialogues reflect ‘functions of language’ rather than a focus on 3. Why are question-answer chain drills important for young learners?
‘forms’! 4. What are the two major problematic issues that a teacher may face during
• use dialogues that include question-answer exchanges! pair/group work activities with young learners?
• include English subtitles so that they also get to see the written form! 5. What is scaffolding? How can it help to develop speaking skills for young
learners?
• avoid bringing dialogues which include accents that are not easily intelligible!
6. What are the two issues that should be taken into consideration while
• help your students model the language they hear!
correcting (or not) young learners during classroom interaction?
Conclusion 7. What are the criteria to select appropriate dialogues from audiovisual
Some important features of spoken interaction in young learners’ classrooms are materials for young learners?
discussed in this chapter. In discussing all these features and related classroom
activities, ‘the oral use of language’ and ‘interactional competence’ was at the
centre of this chapter’s argument. It is obvious that before being able to use
language orally in meaningful interactions, children need adequate amount of oral
input from the teacher or from audiovisual materials, and they need to practice
short segments of language. After adequate amount of input at sound and word
level has been achieved, they need to be exposed to and to use adjacency pairs to
co-construct meaning with their interlocutors.
By making use of samples from micro-teachings and previously published extracts
of real classroom interactions, it is illustrated how interactions unfold in a variety of
contexts including teacher-fronted talk, chain work, and ‘Sharing Time’ activities. The
main argument here was that the way a teacher controls her discourse and the way
teachers shape learner contributions have the potential to determine the quality of
student output. By using scaffolding and fine-tuned correction techniques, a teacher
What is listening?
To put it simply, listening “is an active, purposeful process of making sense of what
we hear” (Helgesen, 2003: p. 24). However, it should be noted that in listening we
may as well respond to non-verbal messages. Therefore, in a broader sense, we
may define listening as “the process of receiving, constructing meaning from and
responding to spoken and/or nonverbal messages (ILA, 1995).
Listening, alongside speaking, is also described as an oral skill. That is, we make
sense of what is spoken to us. Besides, it is also viewed as a receptive skill “because
the focus is on receiving information from an outside source” (Linse, 2005). When
this description is taken into consideration by itself, it is often thought that receiving
information does not require a response in the hearer. This misconception may lead
us to think that listening is a passive skill. However, just to think about what we
do or how we react upon hearing something will give clues about how much we
are involved in active listening. For one thing, in most of the cases upon receiving
an oral message, we give immediate answers; we usually relate it to some other
background information we have. The list may continue forever. In conclusion,
listening is a communication process in which the listener works actively to make
meaning and evaluation of a message before a response is produced.
Activity 1: Just to see how much active listening you do, please note down at
least five things you have listened to so far today and how you have reacted to the
incoming information.
What I have listened to so far today How I have reacted to the input
Bottom-up processing
learners in the national curriculum. Choose any two grades and list down at least Identifying grammatical groupings of words
5 listening skills that are cultivated in the program, please. Recognizing non-verbal signals
Grades Recognizing stress-intonation patterns
............. Grade ............ Grade Recognizing words
1. 1. Discriminating sounds
2. 2. Predicting the content before listening
3. 3.
4. 4.
5. 5. Figure 1: Listening as a set of skills and a cognitive process
Recently there has been more emphasis on the cognitive processes involved in As indicated above, in real-life listening we use a combination of the two processes.
the act of listening. In other words, how we process what we hear, i.e. the input, However, it should be noted that there is generally more emphasis on one of these
is another question we need to tackle at this point. From this perspective, there processes depending on our reasons for listening. In other words, sometimes we
are two major approaches to explain the listening process: bottom-up and top- use more top down processing and sometimes more bottom-up. In the classroom,
down approaches or processes. The former “refers to decoding a message that on the other hand, these two processes can be practiced separately. For example,
the listener hears through the analysis of sounds, words, and sentences [in other showing learners some pictures related to the listening text and then having them
words linguistic elements]” and moving to trying to understand the whole text predict the content of it is an example for top-down processing. After students
while “top-down processing refers to using background knowledge to comprehend listen, asking them to identify what words they hear related to a category (e.g. food)
(the meaning of) a message” (Gebhard, 2006: 148). This background knowledge is an example activity for bottom-up processing.
could include the “previous knowledge about the topic of discourse, situational
or contextual knowledge… or plans about the overall structure of events and the
relationships between them” (Richards, 2008: 7).
Questionnaires: In these activities, after students complete the questionnaire for ( the story is adapted from http://fog.ccsf.cc.ca.us/~lfried/index.html)
their partners, they do the scoring. This type of activity provides a very controlled Act the joke out: Jokes are great fun at all proficiency with all age groups. They
speaking practice since what students do is basically reading aloud (Clavery, 2001). also provide meaningful listening and reading. For this reason, this activity can
However, in such groups where teachers need to build students’ confidence in easily be done as part of a reading or listening lesson. While in the pre and while
speaking activities, they could be helpful as starters. See the example in Box 14: stages, students work on the text and comprehend the text completely, in the post
stages, students can be invited to act the jokes. When choosing jokes, teachers
Box 14
should look for those which include dialogs. Besides, since students should be able
How healthy are you? to understand the humor, Teachers may rewrite them if their language is difficult.
1. Do you eat vegetables every day? Box 16 presents an example.
Your points:
a. Yes b. No
2. Do you regularly play any sports? 0-10 points: You need to see Box 16
a. Yes b. No a doctor soon. Stop eating fast
A joke about the cute dog
3. How often do you eat fast food? food and start eating fruits and
a. Never vegetables more. ………
A man walks into a shop and sees a cute little dog. He asks the shopkeeper, “Does
b. Every day 11-20 points: You like eating your dog bite?”
c. Once a week healthy food but ……...
The shopkeeper says, “No, my dog does not bite.”
d. Once a month
The man tries to pet the dog and the dog bites him.
Guess the mime: This activity can be done as whole class or in small groups. “Ouch!” he says. “I thought you said your dog does not bite!”
Students are given cards and they have to tell the other group members the
The shopkeeper replies, “That is not my dog!”
information on the card without speaking. The others have to guess the whole
Final suggestions for teachers 3. What are the stages of a listening lesson?
Below are some final tips and the summary of ideas discussed so far related to 4. Why is pre-listening stage important? What kinds of tasks can be
teaching speaking skill (Riddell, 2003; Scrivener, 1994; Brown, 2001): undertaken at this stage?
• Consider the age, cognitive development, proficiency level, interests of 5. Name five principles to keep in mind while running the while-listening
your students when choosing activities. They should be close to their lives, stage, please.
meet students’ needs and the learning outcomes. 6. State the difference between accuracy and fluency practice, please.
• Plan your activities well and anticipate likely problems that may engender Discuss these two concepts in relation to age groups and proficiency
the flow of the activity prior to implementation phase. Especially levels?
classroom seating, pairing/grouping options should be considered well. 7. What are the stages of a simple speaking activity?
• Oral production activities should be based on “language that is lower than
the language used in intensive study (e.g. reading texts)” (Clavery, 2001:
41). Do not forget students should be able to recall and use the necessary
words and structures to be used in the activity easily.
• If you need written materials for the activity, prepare them with care.
They should be legible, with the instructions, some examples (for oral
practice activities) or some clues.
• During mingling/pair/group work activities think of ways of starting and
stopping activities for there may be some noise in the classroom especially
at the end of the activity.
• Plan your instructions and how you will give them. Show, demonstrate,
explain! Include students to model the activity.
• Put a time limit for activities. Think of the feedback step you need to do.
• Monitor the activity well. During oral practice, i.e. accuracy work,
students may need help and more immediate corrective feedback from
you. However, during oral production do not interrupt unless you observe
communication failure.
• In monolingual classes keeping students in the target language is difficult.
For this reason, remind students to speak English as you walk around the
classroom.
Discussion questions
ȤȤ What are the main purposes of teaching reading to young learners?
ȤȤ How can you define reading?
ȤȤ What are the common reading techniques used in the classroom?
ȤȤ How can you motivate young learners to engage in reading activities?
ȤȤ What kind of materials work better in young learners’ reading classes?
There has been an increased focus on the teaching reading to children. Children who
have learned to read in their mother tongue can be exposed to reading in foreign
language, thus they may understand the technical features of written language and
the communicative nature of reading. Since literacy instruction to young learners
in EFL contexts has increased, various instructional methods and techniques have
been implemented. It is important to introduce reading after students have some
basic knowledge of the spoken language so that it quickly becomes meaning-based
and not simply decoding (Brewster & Ellis, 2004). The teacher can support students’
association of letters and words through various materials. Instead of monotonous
and repetitive activities, students need to be involved in purposeful and enjoyable
activities.
Reading is a set of skills that helps meaning making by decoding the printed word.
Thus, in order to read learners must be able to decode the printed words and also
comprehend what they read (Linse, 2005, pp. 69-71). While reading a piece of
writing, readers’ background and linguistic knowledge and previous experiences
affect their decoding and comprehending processes. By the impact of background
and linguistic knowledge, learners develop reading strategies. Research has shown
that learners actively use comprehension strategies to understand both spoken and
written passages more effectively (Wallace, 1992).
While beginning to teach reading to young learners, phonics instruction is used as
an approach to strengthen children’s phonemic, phonological and morphological
awareness. By developing their word recognition skills, that is, by focusing on letter
and sound relations, students’ literacy skills are built as a bottom-up strategy.
What is reading?
Reading is decoding, comprehending, and interpreting.
ȤȤ Decoding: Reading starts with the decoding process. Decoding is the
process in which learners read and recognize the written symbols making
up the words. Decoding is also making sense of individual words within
It is argued that not all ESL/EFL learners may be motivated enough to read a text, In reading classes, for motivating young learners to read and helping them activate
and when a motivational problem is faced, the teacher is usually at a loss about their background (top-down processing) and linguistic knowledge (bottom-up
what to do (Gebhard, 2009). Therefore, reading instruction should be designed processing), the activities should take learners’ attention to both surface and deep
for motivating and encouraging them to comprehend the value of reading issue. structures of the text. A reading course is usually implemented through three stages:
Reading programme should be organized to develop individual ability and maturity. • Pre-reading Stage
In this respect, reading is a complex process. Grabe (1991) has identified six general
In this stage the reader’s engagement is provided. The engagement is
component skills and knowledge areas within the complex process of reading:
supported by activating learners’ schemata and constructing new knowledge
1. Automatic recognition skills: a virtually unconscious ability, ideally before reading process. Another aim is language preparation for decoding
requiring little mental processing to recognize text, especially for word and comprehending the text. Since learners are expected to recognize the
identification linguistic features for comprehension, language preparation activities will
2. Vocabulary and structural knowledge: a sound understanding of language construct concentration (McRae, 1991). In this respect, pre-reading stage is
structure and a large recognition vocabulary the key part of the whole learning process because the learner understands
3. Formal discourse structure knowledge: an understanding of how texts are the reason for reading the text.
organized and how information is put together into various genres of text • While-reading Stage
(e.g. a report, a letter, a narrative)
While-reading stage is the interactive process through which the learner’s
4. Content/world knowledge: prior knowledge of text-related information ability in engaging in texts is developed. In this process, learners rely on
and a shared understanding of the cultural information involved in text bottom-up and top-down processes by decoding and comprehending the
5. Synthesis and evaluation skills/strategies: the ability to read and compare text through some reading techniques such as silent reading, reading aloud,
information from multiple sources, to think critically about what one reads, intensive reading, and etc.
and to decide what information is relevant or useful for one’s purpose
• Post-reading Stage
6. Metacognitive knowledge and skills monitoring: an awareness of one’s
Young learners may have comprehension problems and need guidance
mental processes and the ability to reflect on what one is doing and the
in constructing meanings when their knowledge does not match the
strategies one is employing while reading
requirements of the text, thus post-reading activities such as matching
Young readers at the initial stage may not bring all those components into the exercises, cloze exercises, cut-up sentences, comprehension questions can
reading process at once as fluent readers may do. To encourage them to bring improve reading comprehension (Haller, 2000).
the components into the process, the reading programme needs to be designed
for facilitating and implementing the components in an order in the process. An Discussion question
effective program may contribute to making the process work. Explain, with examples, how your world knowledge affect your reading
Therefore, first of all the teacher should be aware of learners’ characteristics. Young comprehension?
learners and adult learners have distinct characteristics. DeKeyser (2003: p. 335)
explains the differences between young and adult learners in the following way: Reading activities
The shift during childhood from implicit to explicit processes explains the Teachers can use different classroom activities for young learners who have
two findings about age differences in second language learning: children mastered reading in their mother tongue. For example, a child at the age of eight is
learn better and adults learn faster. Children do better in terms of ultimate already familiar with individual words and word divisions, sentence links, paragraph
structure, sound-letter relations, etc. in his or her native language. However, in
A shaped poem
Age: 10-12
Aim: Reading and writing a shaped poem
Materials: A shaped poem
Hands-on task
Find or prepare a shaped poem and develop classroom activities to teach how to
skim and scan for information.
Procedures
Materials: Short texts about animals, pictures 2. Tell them you have two guests today.
A lion is an animal. It has four legs. But it has short legs. It has a short tail. It lives 3. Hand out the texts.
in the woods. It has short fur. Its fur is brown or white. Its ears are big. Its teeth are 4. Before reading the texts write down the adjectives from both texts on the
big and strong. It is a wild animal. It eats meat. board.
5. Show some pictures to the students. The pictures should display the
adjectives you teach; for instance, you may show a picture combining both
short and tall pencils.
6. After introducing visual materials, read the first text about “lion”
7. Have your students skim the text and find out the overall idea.
8. Then read the second text.
9. Ask your students to compare both animals. You can use a Venn diagram
to compare the animals. In the middle, they will write the similar features
of the animals. On the left and right diagrams, they can show the different
features of each animal (skimming)
10. Ask your students to find out the similarities and differences between
those animals (intensive reading)
lion
monkey
four legs
A monkey is an animal. It has four legs. Its fur is short. It is brown or black. It lives short fur
in the woods. It has a big mouth. It has a long tail. It is not a wild animal. It eats
bananas.
11. As a follow up activity, divide the class into pairs and ask each pair to tell
some characteristics of each animal without looking at the text. As one
student tells the characteristics, the other student shows the relevant
visual material. This activity may motivate the students for understanding
the text while having pleasure, because drawing animals with/without
text is fun and easy.
12. Hand out some pictures of animals and get the students to write the main
characteristics of the animals in the pictures.
The donkey and the little dog (Wright, 2004) Pre-reading stage
Age: 8-12 1. Tell the students that you are going to read a story. Teach them the
Time: 30+30 minutes unknown words given in the story. You can teach the words by drawing,
Language Skill: Reading showing the pictures you have prepared, or miming.
Preparation before the class: 2. Repeat the words to make your students recognize the sounds of the
1. Select the words you will teach words (word recognition)
2. Make a photocopy of the story for each child 3. Ask the students to match the written words with the pictures on the
board to check whether they have understood the words.
3. Prepare pictures of the animals given in the story (a dog, a donkey, a
stable, a room with furniture, a plate, a cup, some hay). While-reading stage
1. Tell the story by acting out.
4. Draw the pictures of the story in separate sheets.
2. Use the pictures you have prepared while you are telling the story.
5. Prepare the sheets on which sentences from the story are written in order
to make the students put them in an order. 3. After telling the story, hand out the photocopies of the story to the
students.
A man has a donkey and a little dog.
4. Read the story loudly to the class. While reading the story, act out the
The donkey lives in a warm, clean stable and it has hay and water. The little dog lives
story again.
in the house. It sits on the man’s knees in the evening and sleeps in a chair in front
of the fire in the night. It eats meat and biscuits. The man gives him biscuits as he 5. Have the students to read the story silently (silent reading)
eats dinner. 6. Ask one or two of the students in the class to read the story (reading aloud)
Follow-up activities
You may ask your students to write their own poems by changing the adjectives of
the fruits in the original poem with some other fruits.
Discussion question
Do you think teaching vocabulary items in the pre-reading stage is more beneficial
than teaching them in the following stages? Why?
While-reading stage
1. Read the poem aloud.
2. While reading the poem, show the pictures of the fruits by one by. After
reading the poem, hand out the photocopies of the poem to the students.
3. Read the poem loudly to the class once more and have the students
repeat after you.
4. Divide the poem into parts with a different fruit. For instance, the part
with grapes will be read by student A, the part with the apple will be read
by student B, etc. Repeat this activity with all students present in the class
(reading aloud)
Post-reading stage
1. Ask questions about the characteristics of the fruits in the poem (scanning)
ȤȤ What colour are the grapes?
ȤȤ What colour is the apple?
Preliminary questions
ȤȤ How do you define writing for young learners? Is it writing a paragraph,
sentence or a word?
ȤȤ What are the challenges associated with teaching writing in English language
classrooms at primary schools?
ȤȤ Why is it difficult for the learner to learn how to write in English?
ȤȤ What should the teacher’s role be to facilitate learning how to write in English?
Writing and young learners
For young learners, writing in English is the most difficult skill to develop for many
reasons. First of all, young learners’ writing habits are not fully developed in their
home languages. Hence, they cannot really succeed in writing in English accurately.
Secondly, in addition to the differences between Turkish and English punctuation
rules, English spelling system poses a big problem for them simply because a single
sound (or a single phoneme) has many different spellings (paw, poor, pore, pour,
daughter, Sean) as exemplified by Harmer (2001, p. 256).
Apart from the difficulty posed by the nature of the language being learned, students’
personal states poses additional problem that hinders their development in writing.
Chastain (1998) claims that “writing is difficult even under the most supportive and
natural circumstances,” hence, “students’ psychological and emotional attitudes
toward written communication assignments and to plan toward reducing or
eliminating their potential negative effects on the students’ attitudes” (p. 251). As
Phillips (2001, p. 57) rightly put, “it is best to introduce English through listening
and speaking first, then reading, and writing last.”
The teacher’s role in teaching writing unto young learners is important in developing
this skill. One of the most important roles of the teacher while teaching to write in a
foreign language is motivating the learner (Cuenca & Carmona, 2012). Because we
are dealing with young learners, we cannot often motivate our students by lecturing
them about how writing will be helpful to them in their future in a rigid manner-
doing so, in fact, will make them feel detached from writing for sure! Thus, teachers
should share his or her own writing with her students, including her mistakes
in writing, in a light way and invite her students to participate in re-writing and
editing. Such a simple step can break the thick ice while making students feel more
comfortable and valued.
Writing, in the past, was considered to be individual work. Today, we know that
writing can be conceptualized and practiced as a pair or group work which facilitates
Literature on young learners’ writing activities suggests that writing activities tasks
should:
1. brainstorm for ideas and vocabulary together as a group or class (Kim,
2003, p. 65)
2. require the students to exercise imagination (Cuenca & Carmona, 2012, The above discussion gives us hints about the nature of writing as well as the hierarchy
p. 45). of skills to be taught in young learners’ classes. As Cameron (2005) discusses,
in young learner classes, “the helpfulness of the written language is limited, and
3. lead to published material (Linse, 2005, p. 101). This is more likely to
using reading passages, writing up words of songs or using written labels for new
result from young learners’ eagerness to touch, feel, and show what they
vocabulary may cause serious difficulties for pupils” (p. 66). In short, writing cannot
have accomplished in their classrooms (Remember how children love
be taken by teachers as the major macro skill to be taught or developed in young
showing and talking about the pictures they draw or poems they write in
learners’ foreign language classrooms. In fact, it should be given a subordinate role,
the classrooms). This reality is strongly emphasized by Boldizsár (n.d., p.
one that is only aiming to support the development of the other skills. In that sense,
56) in the context of the Common European Framework.
writing should be integrated in English language learners’ classrooms with other
skills to enhance students’ learning.
Activities
Planning writing This is my ……. . She eats ……….. and drinks ……….
We are well aware now that our background information has the most influential role She further advises that students “can write a story one line at a time, folding their
in what we make both in life as well as in language teaching. Even when we master papers over and passing them on after each sentence. The final story will be a
all the grammar rules and vocabulary items necessary for writing or speaking, we nonsense story made up of several children’s sentences” (p. 60).
can hardly drop a line unless we know about what we are to write. Think for instance,
Teachers can come up with numerous different activities that can be used young
Dear Clara,
I am going to ………………………………………. with my ………………………………... Use three of these
pictures to complete
We are going to fly tomorrow. I am happy because I will see an ……………………………………..
the story.
! I will also see a ………………………………… because we will travel from Rome to
Florence. I want to eat a lot of …………………………………….. in Rome. I will write to
you later!
Mike
…………………………………………………………………………………………………………………………………
…………………………………………………………………………………………………………………………………
…………………………………………………………………………………………………………………………………
Guessing games
Ask students to write three facts about an animal, place, city or object. Students
then say and write their clues for their friends to guess what that animal, place, city
or object is. For example: one student writes/ asks about the hospital by writing
these: 1. It is a large building. 2. Sick people stay there. 3. Doctors and nurses work
there.
Poster preparation
Young learners are interested in and sensitive about global and natural issues such
as earthquakes and forest fires. Students can choose a global issue and prepare
Most scholars believe that vocabulary instruction plays crucial role in a foreign
language teaching. Wilkins (1972, p. 111) has long ago emphasized the importance
of vocabulary instruction by arguing that “without grammar, very little can be
conveyed. Without vocabulary, nothing can be conveyed.” Although, as Allen (1983)
claims, vocabulary instruction was neglected in English language teaching education
programs, today there is much more attention given to vocabulary instruction in
many ELT programs.
Linse (2005) states that developing vocabulary is essential in foreign language
learning. It is true that we need words or visual representations of them to pass
a message across. For instance, even when you are with someone who cannot
speak the language you are speaking, non-verbal messages such as gestures are
translated into verbal ones in minds so as to continue communication. Teachers
must be careful about non-verbal messages for two major reasons. First, they
will inevitably use them while teaching vocabulary unto those who have limited
vocabulary knowledge. Hence, non-verbal communication (such as those body
movements made through drama) will help passing the message across or making
the verbal understood through the non-verbal. Second, there are important cultural
differences in the meaning of non-verbal messages about which students must be
informed. For instance, I remember my close friend who was visiting me in the US
utter the sound “Eh!” in response to an American’s question about whether or not she
could speak English. For her and any other Turkish speaker in Turkey, this utterance
means that she could “somehow” speak English. However, it has no meaning in
the US as such. Hence, the question remained unanswered and they both decided
not to continue their “awkward” communication probably thinking that neither of
them wanted to continue that conversation. Below, you can see some non-verbal
messages passed across through our bodies. Have a look at it and add more culture
specific and universal non-verbal messages that you may think of.
It’s white and yellow and you make omelets with it. an egg
Using visual aids
We live in it. a house
Visual devices or objects used by a teacher to help learning are called visual aids.
We have ten of them on our hands. fingers Visual aids are available in many forms. Charts, pictures and flashcards are the
most common visual aids used in language learning classrooms. In addition, readily
It’s a pet animal and it likes sleeping on your lap all day a cat
accessible objects in classrooms such as boxes, bottles and scissors are visual aids
long.
as well. These objects are useful to help students understand the meanings of
It’s something white that you put on your food. yoghurt words. It is accepted in foreign language education that foreign words associated
with imagery are learnt more easily than words alone (Saghayer, 2001). Allen (1993)
Our flag is white and… red
states that real objects are often better than pictures in terms of their effect on
the viewer. Using real objects are also more practical especially when teaching
vocabulary items that can be found in any classrooms such as body parts, clothes
and classroom objects. However, they are not always sufficient since it is impossible
to find or bring every kind of real object in classrooms. Pictures are thus useful in
such cases. Especially when it comes to teaching actions or action verbs, handouts
such as the following one can be helpful.
Hands-on activity
Watch an episode of Peppee and try to
........................... ........................... ........................... ........................... follow the 9 steps suggested by Wang
(2012) to teach a list of vocabulary
items given in that specific episode.
Then, report your lesson plan and
improve it with the help of your friends.
........................... ........................... ........................... ........................... Note that you will be teaching “Turkish”
to foreigners. So, wait until Peppee
Multimedia and vocabulary teaching
starts speaking in English to use his
Fast developing computer technology, with the help of the Internet, offers great videos in your English lessons.
potential for language learning (Hu & Deng, 2007). Seghayer (2001) states that
the use of multimedia in language learning is an effective and useful tool that There are also many CDs that are prepared for young learners’ development of
provides context that is enriched with texts, pictures, videos and sound. The use foreign language teaching. Even pre-kindergarten (illiterate) learners can make use
of multimedia in vocabulary teaching helps students to work with information at a of them easily because of their sound-based and/ or pictorial (image-based) set-up
high cognitive and personal level. In addition, vocabulary items are more likely to and use. Below you can see a CD called Caillou prepared by Brighter Child Publishing
be remembered through the use of multimedia in vocabulary teaching (Linse 2005). in 2003. The young learner using this CD follows the verbal and sound-based
Furthermore, students more easily establish connections between new words and instructions to complete the tasks by clicking the images accordingly. Learners both
their prior knowledge by the help of multimedia (Ref. needed). play and learn with these tools while developing their technological and motor skills
along with their learning of a foreign language largely due to the exposure to the
Allen (1983) suggests three ways to show the meanings of vocabulary items:
language being learned through the medium itself.
1. Pictures,
2. Explanations in students’ own language,
3. Definitions in simple English, using vocabulary that students already know
(p. 12).
At this point, we have to remember that much has changed since Allen wrote the
above mentioned ways in 1983 such as the birth and the evolution of the Internet and
Keeping a vocabulary notebook provides young learners with opportunities to • Its spoken and written forms
develop a variety of vocabulary acquisition strategies while helping them have • What “word parts” it has (e.g., any prefix, suffix, and “root” form)
control over their learning (Carroll & Mordaunt, 1991; Fowles, 2002). Through using • Its grammatical behavior (e.g., its word class, typical grammatical patterns
an old address book or any notebook, students can create their own dictionaries. it occurs in)
They can record new words that they are learning and can also enrich them with
• Its collocations
pictures or other visual materials (Linse, 2005). In this way, students are actively
• Its register
involved in the use of the language they are learning.
• What associations it has (e.g., words that are similar or opposite in
meaning)
• What connotations it has
• Its frequency (cited in McCarten, 2007, p. 18)
It would be unrealistic to teach everything there is to know about a word the first
time it is presented to students (McCarten, 2007). Therefore, while teaching a foreign
language to young learners at beginner level, teachers should prefer to start with
teaching cognates at the first step. Cognate is a word in one language that has
the same origin as a word in another language such as police. In addition, teacher
should also prefer teaching words that young learners are familiar with or can easily
encounter or even touch in daily life (such as classroom objects) while they hear the
Preliminary questions
1. How do you define grammar? What does it include as a body of knowledge?
2. What do you understand from the terms ‘explicit’ and ‘implicit’ knowledge?
3. Is it possible to integrate grammar learning into the teaching of meaningful
communication?
4. Do we really need to teach grammar in young learners’ classrooms?
When teaching English to young learners, we do not really take the issue of teaching
grammar into consideration as an important aim of the course. There is a general
consensus in that children cannot and should not learn the structures of the language
because they lack meta-linguistic awareness while having limited cognitive abilities
both in their L1 and L2. Hence, young learners should learn a foreign language for
communication purposes only (Wood, 1998).
This is not only a concern in the matter of teaching English to young learners. In
fact, language teachers are confused about the role of grammar in the language
teaching at all levels. Some of the teachers feel that teaching grammar does not help
learners to use the language and they claim that their learners can learn a language
without explicit grammar instruction. Yet, some others insist on a more traditional
view that language learning equals learning the grammar of that language.
There has been continuous debate in ELT circles about the place and importance
of teaching grammar. There are researchers such as Fotos and Ellis (1991) who
suggest that ‘learners need to engage in communication based on an exchange
of information’ (p. 605). Krashen (1982) makes a distinction between acquired
knowledge and learned knowledge by arguing that acquisition only takes place when
learners are exposed to roughly tuned input which they are able to comprehend and
that learning is limited to a few simple practical rules.
On the other hand, there are other researchers who are in favour of teaching grammar.
For example, White (1987) stands against the notion of comprehensible input by
claiming that grammar cannot be acquired only on the basis of comprehensible
input and learners need to receive formal instruction. Moreover, Lightbown (1985)
argues that ‘knowing a language rule does not mean one will be able to use it in
a communicative interaction’ and ‘ being able to use a rule may not mean that
one will be able to state it explicitly’ (p. 177). Thus, as Brewster, Ellis and Girard
(1990) claim ‘appropriate language use requires knowledge of both the form and
the functions of a language’. At this point, it is worth considering what we really
mean when we talk about teaching grammar.
When we use stories as a means to introduce grammatical structures, we can What do you see?
consider using puppets to play out the story. Young learners will definitely pay more
attention to the puppet talk. This will give the teacher a chance to present grammar I see a red bird looking at me
indirectly but effectively. Furthermore, the repetitive patterns in the stories will Red bird red bird
provide a good opportunity for language practice. What do you see?
For example, the story of Pinocchio can be a good way of presenting the simple
present tense.
I see a yellow duck looking at me.
The picture of Pinocchio is attached on the board to introduce the main character.
Yellow duck yellow duck
Some eliciting questions are used to find out to what extent they are already familiar What do you see?
with the character and the story.
Some pictures showing Pinocchio in action are also put on the board and then
I see a green frog looking at me………. Etc.
Pinocchio starts talking about what he does every day. But as a famous liar,
Pinocchio tells some lies.
The use of songs and rhymes
In the meantime the class is divided into groups and they are expected to spot his
Apart from stories, they will be exposed to specific language patterns through songs
lies. After each lie is found, a student adds a nose to the Pinocchio picture, then he
and games. Likewise, the songs and games will also have repetitious patterns
will have a longer nose each time.
and will be useful means for introducing grammatical structures. They will have
Some of the sentences from Pinocchio: opportunity to practice the structures in a natural way and young learners will
ȤȤ I get up early enjoy themselves. Since songs will stimulate learners’ interest, they will be highly
ȤȤ I have my breakfast. motivated and want to be involved in the activity.
ȤȤ I go to school. Cameron (2001) suggests one way of using rhymes where younger learners are
ȤȤ I have my lunch given the rhyming words on cards and they are asked to put the cards in the correct
order. When they are doing this they will probably repeat the rhyme many times
ȤȤ I do not spend all of my money. and this will be very effective way of attending to the form.
At the end of the activity they will have a picture of Pinocchio with a very long nose
on the board.
We need a doll, a sponge, a bathtub and three paper clowns for this activity. We play
the song and do the actions on the doll pretending to wash the baby.
The students will come to board, turn the spinner and if it stops at ‘Like’ they will
choose something they like from the ingredients on the board and stick it on the
pizza saying ‘I like salami on my pizza’. Then teacher asks the other students
‘What does she like on her pizza’ and the class answers ‘She likes Salami on her
pizza’. If it stops at ‘don’t like’ they take something they do not like from the
board and drop it in a cup saying ‘I don’t like mushrooms on my pizza’. Likewise
the teacher asks and students answer the question.
When there is not any item on the board, the pizza is done and ready to eat. The
activity is completed.
This type of activity will help the students to practice ‘Likes/Dislikes’ in a
meaningful context without realizing that they study grammar.
PART 3
text and tools
In Turkey, it is still possible to see the traces of traditional language teaching methods
which don’t let learners go beyond repeating the same set of language patterns that
have limited communicative value. Learners are exposed to a number of courses in
English as a part of curriculum with many compulsory standardized multiple choice
exams. Consequently, learners and teachers hardly achieve the communicative
purposes in all age groups. Savignon (1983) considers drama activities (theatre arts)
as the most important language teaching program because it involves learners in
Allocated time: maximum 5 minutes Name of the activity: Stop the music
Materials: one children’s song which last maximum four minutes and is preferably Allocated time: 10 minutes
active and favorite of young language learners Purpose: While it helps learners get to know each other, it also helps practice
This activity requires whole class participation and is suitable for middle primary learnt structure with its linguistic and social functions.
and upwards language learners. Large and open play area should be prepared Language focus: like and don’t like, vocabulary (fruits; banana, grape, apple,
quickly if the physical setting of the classroom allows. orange, peach, apricot, lemon, cherry, pear)
Procedures Materials: a song which can include names of the fruits
Prepare the play area Procedures: When the music is on, all participants stand up, walk around the
Have learners move around classroom or dance. When the music stops, learners have to find a partner and
find a one thing in common by asking questions “Do you like banana, apple,
Stop the music and call out “Groups of five…four…three…two…one….stop!” You
pear etc.? and answering that questions by “Yes, I like banana or No, I don’t like
can call out the numbers depending on the activity which requires different
banana, I like apple.” When the music plays again, learners move around and find
size. Sometimes instead of calling out the numbers, you can beat the group size
another partner and one thing in common. When the teacher stops the activity,
number on a drum, board, desk or any material.
learners can report what they have found about each other.
Learners must form a group of the designated size before you have finished
counting down.
Role play
Observations have indicated that the less structured games allow students the Role-play is any speaking activity when you either put yourself into somebody
easiest switch to their mother tongue. Unstructured games also demand very else’s shoes, or when you stay in your own shoes but put yourself into an imaginary
minimal teacher control so the class can be out of control (Gaudert, 1990). It is situation (Budden, 2004). According to Kodotchigova (2001) role play prepares L2
important to choose an appropriate time and integrate them into the regular learners for L2 communication in a different social and cultural context. Role play is
syllabus and curriculum. However, because of the limitations of the syllabus, games really a worthwhile learning experience for both the students and the teacher. Not
often cannot be used, as much as they should be. Therefore, it may be challenging only can students have more opportunities to “act” and “interact” with their peers
for teachers to try to add some games in class in order to develop students’ English trying to use the English language, but also students’ English speaking, listening,
proficiency of the target language (Deesri, 2002). In order to prevent switch to and understanding will improve (Huang, 2008).
learners’ mother tongue, drama and language games should be doable so that Teachers often feel that a great deal of preparation is required from the teacher
young learners can communicate with their peers even with a couple of words and because the students must be given clear guidelines as to how to carry out the
clear guidelines must be provide beforehand, if necessary an example should be role play. Although this is true, the same could be said for any classroom activity
done by the teacher. which is not tied to a course book. The presentation needed for a role play activity
is not much more than for other non-course book activities (Gaudert, et al, 1990).
Another objection which has been expressed is that role playing is too emotionally
demanding because the task is performed in front of others. However, role play
doesn’t automatically mean that the task has to be performed in front of others. In
the pair-work described earlier, for example when students greet each other they
are not performing for the other person. The whole class could be working in pairs
Procedures: As story of Little Red Riding is commonly read and known by all
young learners, preparing scripts of the story won’t be challenging. On the first
hand, groups including the Little Red Riding Hood, Mum, Granny, Woodcutter
and Narrator should be settled by the teacher. Learners are expected to write
a different scenario and a script taking the pictures into consideration. Writing
process won’t be included in the class hours therefore, teacher is going to help
learners about vocabulary, grammar, pronunciation, writing, characters, stage
decoration and costumes and encourage learners to meet with their peers in
their groups and work in cooperation. Stage decoration and costumes should be
optimal and shouldn’t be exaggerated or learners will focus on stage decoration
and costumes more than writing the scenario and script. There should be balance
and this balance should be regularly controlled by the teacher. Although it is aimed
that learners are let be free while writing their scenario and script, the number
of lines of their script and timing of staging should be determined beforehand, in
order to give chance to each group to perform their plays in the given time. While
learners are being assessed, the following items can be considered; working in
collaboration with peers, regular consultation with the teacher, organization of
writing, spelling in the writing, use of vocabulary and grammar both in writing
and in speaking, performance including pronunciation; tone of voice, stress,
miming, being able to reflect the character. The performance of the learners can
be recorded and kept for future uses.
Children are born with an innate sense of play. They like exploring the world around
them. Therefore, language teachers should use games that are entertaining, relaxing,
and motivating in order to facilitate language learning for young learners (Sandford
& Williamson, 2005). Children have natural tendencies to play a game reflecting
their social world in which children learn to accept the rules, how to behave and how
to cooperate with others, thus become ready to enter society (Roth, 1998).
Traditionally, teachers tend to separate instruction from recreation by ignoring
the characteristics of young learners. They use games as reward which decreases
learners’ desire to finish the assigned task. Educators should realize the necessity for
integrating learning with game and play (Sandford & Williamson, 2005). A positive
environment where learners feel at home is a crucial point affecting young learners’
positive attitudes towards learning English (Moon, 2000). Hence, learning a language
through games is a very appropriate and efficient technique that provides a positive
atmosphere in young learners’ classrooms (Linse, 2006). Today, games are seen
as a part of any instructional program in the current educational context which
extends and enriches the content and delivery of many subjects (Mayer & Harris,
2010). However, much has to be learned about games and play simply because this
educational area is still in formation.
• Various types of games help teachers to cater for individual learning The study by Bilsoy (1992) and Yıldız (2001) showed that young children learnt
styles. grammar rules easily and more effectively when the material is presented and
practiced through games.
• Games elicit social interaction, particularly icebreakers and warmer
games help learners be creative, risk-takers, thoughtful, communicative, Another study by Kaya (2007) revealed that 5th grade primary school students
and happy to work together with other learners. who learnt giving directions, classroom language and shopping in English through
games indicated higher success than the students who learnt same subjects through
• Learners in this fun and comfortable environment become more likely to
traditional methods. The study by İnan (2006) indicated positive results with regard
take risks (Wright, Betteridge, & Buckybuy (2006).
to the use of games, drama and music when learning vocabulary instead of learning
• Learners experience the skills required to share and learn with others
words with their Turkish equivalence.
through either cooperative or competitive interaction when playing
Despite these positive results, there seems to be a problem using games in
games.
foreign language teaching in Turkish EFL classrooms. Yolageldili and Arıkan (2011)
• Learners increase their problem solving strategies through observing
investigated the perspectives of the Turkish EFL teachers working in primary
other students who are interacting with information and solving problems.
schools with regard to the use of games when teaching English. Results of their
• Learners grow as learners in that they learn failing is natural and they can study revealed that although they valued the use of games in teaching grammar,
learn from their mistakes and still continue on to succeed within different they still followed a rule-based approach. Moreover, the study by İnan (2006)
learning experiences. and Çelik Korkmaz (2010) revealed another problem in Turkey. Although English
• Games, particularly from social aspects, help learners to explore some teachers agreed on the necessity of using all those techniques such as games,
real-world skills and realities such as ethical choices and their results drama and music, they stated that they barely used these techniques in the realms
when gathering and using information (Mayer & Harris, 2010). of language classrooms because students, as they believed, had to be prepared
through traditional ways of teaching so as to get higher marks in national placement
Reflection time: Your beliefs about games tests such as SBS.
How far do you agree with the views below? It is frustrating to know the low frequency of using such techniques like the games in
Turkish primary schools. Only by raising their awareness with regard to the positive
Learning a foreign language through games for children …….
results of teaching English through games teachers can come to understand the
• ‘…..is integrating the authentic language with real life experiences.’
value of integrating games into their teaching. Therefore, as teachers, we should
• ‘…..is communicating in real life, as English is not a lesson but a living language.’ study our own beliefs and opinions on games to get rid of what makes us fall behind
• ‘…..is in need indeed.’ in using games in our English language classrooms.
• ‘…..is enjoyable; however too noisy.’ Discussion
• ‘…..is very motivating and attractive for them because they like moving at 1. What might be the reasons for those teachers who do not use these
these ages and through games they have a chance to learn kinesthetically.’ contemporary techniques when teaching English to young learners in Turkish
• ‘…. is fun, but because of the general teaching methods children still tend to primary schools? What are your solutions for your comments?
see games as grammar activities. Some children have a tendency to divert 2. Do you think they are not motivated enough to use these techniques when
from the games. They need modeling and clear instructions…’ teaching English or is it because of the reasons regardless of the teachers
such as dense curriculum, crowded classes, exam-oriented education system
Games and students’ success etc.?
Positive effects of games on students’ success have been confirmed with a number
Features of games
of studies conducted in Turkey with regard to different subject areas such as history,
What are the features of a good game? The involvement of significant features in a
When playing games in a language learning classroom, all players might not have the
same expertise in the target language and in that particular game. Therefore, some
students need ‘peer support’ to benefit from the game played in the classroom.
Peers who are familiar with a game and who are at higher levels may work as
partners or coaches. They help each other to initiate the game, to give advice on
how to interpret and interact with information, and to provide support and feedback
about how to play the game. Moreover, they continue exchanging information and
sharing their experiences with their peers to increase their social development.
Preparing a game
Preparing a game is particularly related to our knowledge of material preparation
which is tiring and demanding for many teachers as resources cost money, time and
effort to teachers. However, as Moon (2000) suggests, teachers can involve children
in material preparation processes or collaborate with other English or art teachers
in their own schools or via the Internet.
Some children might not feel competent enough in playing games in another
language. Therefore, it is vital for teachers to identify the learners’ active and
passive language knowledge with regard to the requirements of the game (Lewis
& Bedson, 1999) and to make children be aware of the reasons for playing games
(Read, 2007). Otherwise, children tend to use their native language and this causes
students to lose a point or a turn when playing games (Linse, 2006). In order to
reduce the time allocated for use of L1, the following are some tips for teachers to
consider;
• Avoid using complex games and remember that the simpler the game
they use, the better the results they have.
• Keep your introduction and explanation short and make sure everyone
understands what to do.
• Adjust the language for students’ level when giving the instructions.
• Demonstrate how they are going to play a game.
• Write the key language and/or instruction on the board (Slattery & Willis,
2001).
When to play games Organizing the class is an important part of using games. Here are some tips for you
When should we play games in a language classroom? This might be one of the questions to consider to get the best results:
teachers have in mind when they plan to integrate games in their structured lesson plans. • Make sure you clearly define the goals.
Steinberg (1983) answers this question and claims that children benefit from playing a game
• Demonstrate parts of the game by rehearsing it with your students. When
at any moment during the lesson. At the beginning of the lesson, to welcome children back and
you show them what to do through clear and understandable instruction,
refresh their memories and to warm them up for learning a new subject; in the middle of the
you also provide a real purpose for listening, thus learners could absorb
lesson to revive the class and make learners alert and attentive; and at the end of the lesson
new vocabulary and intonation patterns (Slattery & Willis, 2001).
to finish the lesson at its peak. If games are carefully chosen considering the characteristics
Hands-on task
1. Identify one of the English language subject matters mentioned in our primary
school curriculum which children might consider difficult or boring.
2. Decide the objectives of the game.
3. Decide the required materials to play the game.
4. Decide the best organization to play the game
5. Decide the rules of the game you have planned.
6. Write the procedure including the role of the players and the teacher.
7. Be prepared to perform the game you have prepared in the classroom.
Types of Games
Language games do not refer to traditional, competitive games such as Jeopardy,
Password, or Hangman. Language games might simply include problem solving
activities which require the use of the target language. For instance, student A has
a diagram or a picture and has to describe it in the target language and Student
B has to draw it. After finishing the task, the diagrams or pictures are compared
to check for similarity. This kind of game provides learners with the opportunity
to exchange information with each other, thus to achieve communication (Young,
1991). Moreover, they should include information gap activities and a real need
• E.g.: I___________________________ (watch) T.V. • Divide the class into two groups and give a number to each group members to
be a competitor.
• “The BINGO table including pictures of the actions” is hung on the board as a
sample and the copied bingo cards are handed out to each student. • Put the cards with instructions in the box.
• The sentences completed by the students are collected and put in a bag and • Demonstrate the activity with the help of a student in the classroom (One
the students come one by one and choose a paper from the bag. will read the instructions written on the card and the other will act on the
platform).
• The student who chooses a paper reads the sentence in present continuous
tense aloud and other students listen to the sentence carefully and check the • Call a member from each group by choosing number from the bag (E.g: number
pictures in front of them to find the same sentence on the board and put the 6 from group A and B).
sentence on the suitable picture. Finally, they complete THE BINGO. • Let them choose a card randomly and read the instruction to each other.
• Let them do the action on the platform of by using the objects on the teacher
table (The competitor can say “pass” if s/he can’t do the action without getting
any points).
• Give each group 5 points for each completed action (The group with higher
score will be the winner of the game).
Discussion question
Look at the cartoon and discuss why
the child does not correct his grammar
error in his native language.
Children need to be actively involved in the learning process. Active involvement requires
emotional, physical and mental involvement. Children’s attention span is very short. Thus,
it is essential to change the flow of activities in the lesson frequently by using different and
One way to help children use their natural characteristics in the classroom is via
interesting activities that would involve them physically and mentally. The activities should
integrating songs and rhymes to our syllabus. According to Gardner (1993), musical
involve students rather than just occupy them. The activities should provide opportunities for
intelligence emerges earlier than the others. The first musical piece that we hear as
talking and be meaningful, purposeful, and enjoyable at the same time.
Cardboard puppets
Another way to make simple puppets
is via using cardboards. A desired
character is drawn and cut out from a
cardboard. Two copies of the figure are
glued to each other from the sides so
that a pocket is left in the middle to put
the hand in. The figure is colored and
decorated with crayons, colorful cards,
buttons etc. Then it is ready to use.
Discussion question
When you were a child, did you enjoy listening to stories? What made you like
them?
Children and literature
Children love stories, fairy tales and folk tales a lot and they love to hear and tell the
stories. Storytelling is an ideal introduction to foreign languages as stories provide
a familiar context for the child. Moreover, if teachers want to attract children’s
attention they must propose a motivating activity such as story telling. Children
start enjoying literature from an early age by the teacher’s use of extensive reading
of stories. Literature, in general, allows pupils to understand and appreciate cultures
and ideologies different from their own. Consequently, children learn to respect
other cultures and to be involved in them. In addition to this, storytelling provides
contexts for speaking, listening, reading, writing and other activities such as dancing
and dramatizing. According to several critics (Gomez, 2010, pp. 31-34), there are a
number of reasons why teachers use children’s stories:
• are motivating and fun,
• create a desire to communicate,
• help developing positive attitudes,
• exercise imagination,
• are a useful tool in linking the fantasy and imagination with the child’s
real world.
Literature has a social and emotional value, which is a vital part of its role in the
development of children’s language learning skills. Storytelling provokes a response
of laughter, sadness, excitement and anticipation, which can encourage the child’s
social and emotional development. In addition, there is always a sort of interaction
between the reader and his listeners so s/he can ask for listeners’ collaboration to
say what happens next, for instance. Listening to stories is a natural way of acquiring
language. The child learns to deduce what happens next, to deduce the meaning of
words from the context or visual aids.
Children enjoy listening to stories over and over again. This allows certain language
items to be acquired while others are being overtly reinforced. Little by little they
make sense out of the listening. In addition, repetition also encourages participation
in the narrative, thereby providing a type of pattern practice in a meaningful context.
Telling stories is a resource of linguistic input. The process of making input
comprehensible is an active constructive process (Genesee, 1994, p. 53). An important
• Sequence of events • making the learning of the new language an enjoyable experience
• Consequences: Why? Because…. • setting realistic targets for the students to aim for
• Characters, their motives, and reactions • creative ‘slowing down’ of real experience
Using visual means and clues is an important complement to developing oral • linking the language-learning experience with the student’s own
narrative skills. The process of hearing and producing English through visuals experience of life
could be regarded as an aspect of graphic literacy (Cortazzi et al., 1998) as visuals • the use of ‘creative tension’ (situations requiring urgent solutions);
represent the content knowledge (Mohan, 1986). The content of a chart or map, • putting more responsibility on the learner as opposed to the teacher.
for instance, can be verbalized in different ways but listening to many versions of a (Wessels, 1987, pp. 53-54)
story and writing or telling one’s own version while using visual support means that
both the content and the relevant language are likely to be remembered. Children and selection of stories
It is suggested that teachers tell (rather than read) stories by using plenty of Stories must be chosen depending on the age and the linguistic level of the
gestures, facial expressions, and a degree of dramatization accompanied by using pupils. Stories, which are culturally familiar, may be especially helpful because
the voice and mime (Colwell, 1980; Grainger, 1997). Such dramatization clarifies prior knowledge of characters and plots may make the stories potentially more
the meaning through enactment and repetition and can be practiced. Masks, hats, comprehensible to the learners than unfamiliar ones. If students already know the
puppets, posters and theme-based displays of stories, actions, songs, and role plays story in their first language they will be able to follow the English version of the
can enrich this narrative experience. Such creative activities provide a format to same story through body language or using pictures. Real language use is another
recycle the language and concepts in a story and make curricular links (Morgan & criterion to develop students’ language skills and provide them the real language
Rinvolucri, 1983; Garvie, 1990). Further activities may include: use.
• identifying and labelling people, locations, items and props, Another important aspect is illustrations. Children like stories full of illustrations
• describing attributes (colour, size, shape), in bright colours and with interesting characters. They make the meaning of the
story easier to understand than a story without any illustration at all. A story with
• examining relations by comparing, contrasting, sorting into sets and
illustrations is accessible, useful and relevant for children learning English because
categories,
they can understand the story on their own.
• predicting and sequencing of events in time or by establishing cause and
In selecting stories for the classroom, Morgan and Rinvolucri (1983, p. 9) consider
effect relationships.
two main criteria. First, the teacher would enjoy telling that story and second,
For many young students, eras and events of the past in folk tales and fairy tales pupils might find that story entertaining. Ellis and Brewster (1991, p. 12) also
seem totally unrelated to their lives. But by acting out those stories, students can give criteria for selecting storybooks. For them there are several points of view:
get intensely involved in history. As Booth (1985, p. 195) wrote, through drama, The first is linguistic (that is the difficulty of structures and vocabulary, the facility
“teachers help children acquire the means to more fully understand what they have of pronunciation given by rhymes, rhythms or intonations and the content, if it
experienced. Students need to interact with both the author’s thoughts and their is relevant and interesting). The second is psychological (if there are attractive
own thoughts in order to bring about true learning.” As Bodrova and Leong (1996, visuals, if the story encourages participation by using repetitions or prediction, if it
p. 146) explained, by retelling familiar stories, children learn about general patterns is motivating and if it arouses curiosity). Finally, the third one is cultural (if the story
common to all stories. Using these story patterns (also known as story grammar)
One night, Nasreddin Hodja and his wife A variation is the teacher writes down the names of different characters from
wake up with noise. His wife, in panic, says stories that the students have been reading. The name of one character should be
`Effendi, there are thieves downstairs. written on each card. Each student selects a card, then writes a few sentences from
We should go down!’ The Hodja does not the point of view of the character. The student then reads the sentences aloud, using
care. `Woman, there is no need. First, the mannerism, tone of voice, etc. of the selected character. The rest of the class
they have to find something to steal. If guesses who the character is. The teacher brings alot of different items of clothing
they find something, then we’ll go down.’ into the class and students guess which character has which item of clothing.
The teacher asks students to come up with the different aspect of each character
Procedures by miming. Students vary the reactions of the characters such as the step mother
is ill , or she is sick, the Prince Charming is not so charming. For the final section,
After the teacher reads the story, she divides the class into (Hodja, his wife, and
the teacher might have students practise learning the different parts and put on the
burglars) and asks them to dramatize and repeat the dialogue. Then students share
play for other classes and/or parents.
their ideas on narratives revolving around the following parts of the narration.
Aesop’s fables
Cinderella
Students learn the gestures to go with words that are A father has sons who always quarrel.
repeated in a story. Then, as the teacher reads the They never listen when he tells them about the danger of disagreement.
story, the children do the actions when they hear the This father decides to give his sons a practical lesson.
key words. He takes a bundle of sticks and asks each son in turn to break the bundle.
None of his sons are able to do this.
Then the father opens the bundle and gives his sons separate sticks.
Mother Mime an affectionate mother by showing hugging or cuddling Of course the sons could break these sticks easily.
Father Mime a man with moustache The father says, “Our family is like this bundle of sticks.
While we are together, nothing can break us.
Step mother Mime a bad person
When we are divided, our enemies will break us as easily as these sticks.
House Draw a house in the air
The teacher starts the lesson by asking some adjectives for “fathers” and each
Long Stretch both arms out straight to make a long “line”
student comes up with an adjective to describe the characteristic of father. In
Beggar Mime a poor old woman literary texts, it can be used to deepen characterization. In case the level of the
learners’ questions remains literal, or barely relevant, the teacher should intervene
Happy Mime that you are happy
and give lead. This technique operates in a controlled manner and is, therefore, very
Shoes Point to the shoes useful for the teacher who is new to drama. Texts about characters who have done
Prince Charming Draw /show a handsome star’s picture heroic feats, lived an adventurous life or wise in giving advice can be used for . Then
the teacher reads the story through mimes.
Sad Mime that you are sad
The class is told that they are going to interview the character following his/ her
The teacher practices these gestures for the repeated words and slowly reads
adventures. The character (a learner who has volunteered to take on the role) sits in
the story aloud, and has students do the appropriate gestures as they hear each
the front, facing the rest of the class and answers questions posed by the reporters.
What is culture?
Because culture is such a complex and dynamic structure, it is nearly impossible
to provide a precise and absolute definition. The phenomenon of culture is viewed
in different ways by a number of different fields of study, including psychology,
sociology, anthropology, and linguistics; and as Wintergerst and McVeigh (2011)
point out, each of these disciplines has its own perspective on culture and its own
approach to defining it. Yet, with that said, culture can be generally described as
a universal aspect of human behavior which is integral to each and every human
society (Damen, 1994) – as a system of beliefs and attitudes that permeates
everything a given group of people does, says and feels.
When people think about culture,
they often think about the aspects
of a particular culture that are on
the surface, where they are easy to
observe. However, as Peterson (2004)
emphasizes, there are in fact two
distinctive types of culture, which he
illustrates using the metaphor of an
iceberg. At the tip of the iceberg are
the visible aspects of a culture: art, music and literature; historical figures; and
prominent architecture; as well as the everyday cultural norms such as style of
dress; types of food that are consumed; gestures and other nonverbal forms of
communication; hobbies and other leisure pastimes; and so on. On the other hand,
at the bottom of the iceberg – the immense, unseen area below the surface – are
the invisible features of the culture, such as its core values, attitudes and beliefs;
its historical and legal foundations; and the common traditions, practices, popular
opinions and humor that are an integral part of everyday life. While it is a relatively
Culture and nonverbal communication • Dutch people are generally more reserved than Australians and do not
tend to discuss personal matters with people they do not know well. In
A British tourist who had recently traveled to Russia was waiting in line to use an
addition, it is not customary for any but close friends to touch one another
automated teller machine (ATM). As the Russian who was ahead of him stepped up to
casually. In Australia and much of northern Europe, making eye contact
the machine, the Englishman stood back in order to give him privacy while he conducted
is considered a sign of forthrightness and honesty; to Koreans, however,
his transaction. Thinking that the British gentleman did not intend to use the ATM,
this is not at all the case. Looking another person straight in the eyes,
another Russian stepped in line in front of him. He then became angry, thinking that he
especially one who is socially superior, would be considered rude and
was being pushed aside. He did not understand that in Russia, the accepted personal
arrogant.
distance between strangers is much closer than in the U.K.; while the Russian did not
Activities
International guidelines for teaching about culture There are endless possibilities for bringing culture into the ESL/EFL classroom. With
With the growing recognition of the importance of incorporating culture into foreign a little creativity and the use of authentic teaching materials and resources, ESL/
language learning, the Council of Europe (CoE) and many of its member countries EFL teachers can come up with a wide range of activities that will make English-
have adapted a language learning framework which includes the understanding speaking cultures come alive for their students. A few suggestions for activities are
of foreign culture as an essential competency to be gained from foreign language given below; further project ideas can be found at the end of the chapter.
study. The Common European Framework of Reference for Languages: Learning, A Day at the Cinema: Television
Teaching, Assessment, or CEFR, “describes in a comprehensive way what language shows and films are valuable tools for
learners have to learn to do in order to use a language for communication and what learning about culture; they often tell
knowledge and skills they have to develop so as to be able to act effectively” (CoE, stories that exemplify a particular
2001, p. 1) within a given linguistic and cultural context. The CEFR, which is intended cultural value or theme, at the same
to serve as a guideline in developing curricula for foreign language study, stresses time providing an opportunity for
the communicative aspects of language learning, with an emphasis on the concept listening practice. Choose an age-
of plurilingualism, an approach to language learning which maintains that: appropriate English-language film. If
As an individual person’s experience of language in its cultural contexts you can, make the experience even
expands, from the language of the home to that of society at large and more authentic by providing popcorn
then to the languages of other peoples […], he or she […] builds up a and soft drinks during the show as a treat.
communicative competence to which all knowledge and the experience of Role Play: Role play is a valuable teaching tool, as it permits students to identify
language contributes and in which languages interrelate and interact (p. 4). with and develop empathy for the characters they are playing. Use real-life situations
Pluriculturalism, by extension, refers to an individual’s “capacity to identify with and such as shopping, ordering food in a restaurant, purchasing movie tickets, attending
participate in multiple cultures” (CoE, 2009, p. 6). By fostering pluriculturalism in a sporting event, chatting with a friend about schoolwork, and so on. Have students
situated. Use the theme(s) in the story to create a lesson plan appropriate for the • Independence Day (U.S.)
A S Z P Z N L E O S N I M D R
F B O E L D E R S N E N N B V
W O E R U T L U C Y P E O V B
C A U T H O R I T Y E S R M C
J O U R M Z P U N Q D S C V C
9. Wave the hand with the palm facing outward to greet someone. • In Japan, this means “money.”
• In France, it has the additional meaning of “zero” or “worthless.”
10. Nod head up and down to say “Yes.” 7. Hold up the right “pointer” finger with hand folded and facing away from
body.
In non-British countries of Europe, it can mean two of something. They start counting
with the thumb. In Japan it would mean “four,” as the Japanese start counting with
the pinkie.
8. Pass an item to someone with one hand. In Japan, this is perceived as very
rude. Even a small item such as a pencil must be passed with two hands. In many
Middle and Far Eastern countries, it is rude to pass something with your left hand,
which is considered “unclean.”
9. Wave the hand with the palm facing outward to greet someone. In Europe,
waving the hand back and forth can mean “No.” To wave “good-bye,” raise the palm
outward and wag the fingers in unison.
10. Nod head up and down to say “Yes.” In Bulgaria and Greece, this gesture
means “No.”
1 Adapted from Haynes (2002). everything ESL.net. Retrieved September 12, 2011 from http://www. 2 Adapted from Haynes (2002). everything ESL.net. Retrieved September 12, 2011 from http://www.
everythingesl.net/downloads/gestures_version02.pdf everythingesl.net/downloads/gestures_version02.pdf
Discussion Questions:
1. What do Internet technologies provide for an EFL teacher teaching
young learners?
Activity I
* Work in groups. Make a list of websites you can employ in teaching young learners.
Activity II
* Work in pairs. Read the texts about the websites below and answer the following
questions.
1. Is it for teachers, learners or both?
2. What does the site offer?
3. What do you like about the site?
4. What are the limitations?
5. What are the advantages of the websites?
2. Click “Login” on the Storybird homepage and choose “Need an account? Click
6. How can the site be employed with young learners in language classrooms? here to sign up. It’s free”.
Kerpoof
Children’s entertainment and educational website produced by Disney Online
Kerpoof Studios, Kerpoof (www.kerpoof.com) allows users to create cartoon avatars
and earn Kerpoof Koins by making, sharing, and voting on virtual artwork. Since
its inception in 2006, it has been extensively used by a large community of users.
This interesting and enjoyable site is specifically designed for children aged 3 and
up. Teachers in schools who may apply for free teacher accounts permitting them
to make use of additional services also use it. There are a lot of activities both
teachers and learners can do online, namely making a picture, making a drawing,
making a movie, telling a story, making a card, spelling a picture. One can also see
various tutorials which help users make use of this website. Kerpoof also publishes
an e-newsletter for educators, offering free Kerpoof-based lesson plans on a variety
of subjects.
As far as language learning is concerned, it encourages creativity through project-
based learning specifically for young learners. Working cooperatively, young 3. Provide required information.
learners can develop some projects that enable them to use the language patterns 4. Once you create an account, you can do a lot of things online.
they cover in class. In line with the assumption that language learning is more than
a classroom experience, it is highly believed that young learners are engaged in
different kinds of activities outside the classroom, which hones their language skills.
Guidelines
* It is required that one sign up once in order to save and publish her/his works.
1. Access www.xtranormal.com.
2. Click “Sign up” on the Storybird homepage and choose an account type.
2. Click “Sign up” on the Quizlet homepage and choose “Sign up”.
3. Provide required information. 3. Provide required information.
4. Once you create an account, you can start creating movies by using predesigned
characters and scenes as well as camera angles.
4. Once you create an account, you can start creating your own flashcards to practice
online communication.
5. You can even share your movies with your friends and family online.
Quizlet
Quizlet (www.quizlet.com) is an online learning tool created by a high school
sophomore Andrew Sutherland. It was originally conceived in October 2005 and
released to the public in January 2007. The website is the largest flash cards and
study games website with over 7 million free sets of flashcards covering every
possible subject. It’s the best place to play educational games, memorize vocabulary
and study online.
Guidelines
As digital technology has been quite explicitly infiltrating educational world, its value
Discussion in language education is broadly recognized (Sharma, 2008; Santos & Sobrinho,
What are some creative ways to integrate literary texts into language classrooms? 2009; Motteram & Sharma, 2009; Egorov, Jantassova, & Churchill, 2007). Yet, its
use, effectiveness, and possible drawbacks in literature classes in foreign language
setting have not been under the scope of much research. While it’s universally
In addition to these problems, it’s argued that literature classes fail to provide accepted that learners are all unique and different learning contexts requires
a student-centered and visually-assisted learning environment. Parkinson and different learning methods, it’s remarkable to see that studies carried out 11.000
Thomas (2000) claim that the most fundamental problem with literature classes kilometers away from each other have the same implications in regard to bringing
is the fact that students often consider themselves to be passive consumers of technology into literature classes. In their studies, Arıkan (2008) from Ankara, Turkey
teacher’s knowledge while teachers act as lecturers “telling the learners what and Speaker (2004) of New Jersey, the United States give voice to the opinions of
they should know and even think, perhaps even translating parts of the text” (p. students in their literature classes. Speaker (2004), reports that students learn the
12). Similar arguments are put forward by Lin and Guey (2004) who allege that content better when technology is utilized in classrooms. Similarly, Arıkan’s (2008)
the teacher-centered nature of literature classes fails “to engage students, whose findings show that incorporating technology in literature classes helps learners not
interpretative skills and analytic abilities remain underdeveloped within such a only understand the content better but also improve their communicative skills. In
traditionally transmissive approach” (p. 2). These studies are important in terms of addition to these two studies, a more tangible support to the significance of using
shedding light on a possible conflict between most literature classes and some, if not technology in literature classes comes from Maninger (2006) whose research with
all, of the core ideas of language learning and teaching pedagogies. Nonetheless, a 185 students shows that effective integration of technology into literature classes
potentially more detrimental and challenging problem brought forward is yet to be increases students’ success.
explained, one that has become a challenge in all aspects of life, namely, technology
Discuss
Literature and technology
1. Why do you think employing technology positively affects students’ learning
The US magazine, TIME has a tradition of selecting “The Person of the Year” since
of a foreign language?
1927. Several individuals, groups of people, inventions, and even our endangered
planet have received that title in their special end of the year issues (Time, 2010). In 2. It is argued that using technology deadens the critical thinking—a significant
the year 2006, “you”, along with many of your students, were titled ‘the person of part of the learning process. Do you agree? Why?
the year’ “for the growth and influence of user-generated content on the Internet” 3. Can you think of some possible ways of bringing technology into language
(BBC, 2006, para. 1). Since 2006, our lives have gotten even more digitalized, and classrooms in which students can actively participate?
the future looks even more promising for ‘the people of 2006’. A quick glimpse
at the demographics of some of the most famed online metropolises—such as
Digital story telling
YouTube, Wikipedia, Facebook, or MySpace—shows how right Time Magazine is
All technological applications have their own downsides and none of them can be considered
in giving this title to the students occupying modern day classrooms. Browsing
a panacea for the need of enhancing learners’ learning experiences. In addition to these
through various academic studies conducted on the willingness and readiness
commonly accepted views, a plethora of research examining the reasons why bringing
of teachers to incorporate technology in classrooms (see Albrini, 2006; Bauer &
technology into classroom is surprisingly low in spite of the influx of technology in every
Kenton, 2005; Duhaney, 2001), however, paradoxically challenges Time’s decision
area of our lives is concluded with very similar findings such as lack of appropriate software,
to choose such a broad title, ‘you’, encompassing everybody. The clash between the
technical difficulties, teachers’ lack of necessary technical skills, and funding. Despite all these
learners’ promptness and propensity to use, adopt, and create digital technology
concerns, though, some applications—which are not necessarily exclusively designed for
and the teachers’ hesitance and concerns to welcome it in classrooms is one of
educational purposes—have recently drawn much attention thanks to their unsophisticated
the most, if not the most, demanding challenges ever experienced in educational
yet effectual aspects and has been finding their ways into the skeptic world of academia—
world. In other words, motivating, engaging, and teaching, what Prensky (2001)
In order to help learners build 21st century communication skills, teachers can
use digital story telling in their classrooms. Digital story telling is fun, inspiring
and exciting; developing personal digital stories can be healing. According to
constructivist model digital story telling can be used as a tool in order to build a
real world experience in reading skills. Constructivism, in general, is the notion
that meaning is imposed on the world rather than extant in it (Swan, 2005). There is
evidence that storytelling contributes to deep learning (Barrett, 2006; Miley, 2009;
Jenkins & Lonsdale, 2007). Deep learning focuses is on “what is signified”. It also
relates knowledge from different courses and relates theoretical ideas to everyday
experience which makes digital stories a beneficial tool for deep learning.
The reasons that make digital storytelling a promising application to assist teaching
can be listed as follows. Initially, quite arguably everybody can survive while working
on most of the digital storytelling programs. Most programs available on the Internet
do not require users to possess high computer skills. Next, what digital storytelling
applications offer with their customizable and constructivist characteristics are
compliant with language teaching pedagogies that are accepted to be efficient, and
third, they provide students with changes to link their background knowledge with
technology and use their information-creation skills for educational purposes. The
last but not least, almost all of the digital storytelling tools can be obtained free of Getting started
charge; they can be downloaded from the websites of the manufacturers or can be
Microsoft Photo Story 3 (MPS3 hereafter) is free software for owners of a genuine
found pre-installed by default on personal computers.
version of Windows XP, Windows Vista, and Windows 7 (It will not run on Macintosh
Some of the most common free-of-charge digital storytelling programs are Windows computers). The program lets users create effective digital stories using still
Movie Maker and Microsoft Photo Story 3 (for Windows based PCs) and iMovie for images and sounds in a couple of simple steps. It does not support video recordings;
Macintosh computers. It should be remembered that these free-of-charge programs instead, MPS3 adds motion, transition, narration, and music to the digital images to
are less professional and offer fewer options to edit or modify multimedia elements create the story. There is an option to record narration; this, however, requires an
compared to their paid counterparts such as Adobe Premiere or Macromedia external or a built-in microphone.
Flash. However, their features and what they promise when combined with the
The video files created with MPS3 can be played on any computer with the capabilities
imagination of a mind would be more than enough to breathe a new life into any
of playing .wmv files or on DVD players. Below are the explanations on how to
learning experience.
create a digital story with MPS3. After being familiarized with the basic working
It’s rational in claiming that traditional literature classes, like any other classes in
Adding Texts
• Click Next to proceed to the next screen where you can add text on the
photos. First, select the picture on which you would like to insert your
text. Type your text and adjust the alignments with the options above the
• Click on the pictures you would like select and hit OK on the pop-up text box. To modify your text, click on the button with the “A” letter on it
window to add them to your story. To select more than one file at a time, at the top-left of the text box (Figure 6). Choose the font style, font size,
hold down the control key (CTRL) on your keyboard; to add all images in font color and font on the pop-up window (Figure 7).
the folder, press CTRL + A (Figure 3).
Customizing Motion • You may insert background music to your story; you may choose from the
music files saved on your computer or may choose to create new music
• If there is no voiceover attached, each picture on the storyboard will be
(Figures 11& 12).
displayed for five seconds by default before
proceeding to the next one. It is possible to • Click on the picture in the storyboard where you want the music to start.
Click Select Music or Create Music depending on your choice. Clicking the
set a longer or shorter time of display for
latter lets you choose from a good variety of pre-recorded music from
pictures by clicking on the Customize Motion
different genres and styles. You may customize your music’s tempo and
button (Figure 8).
intensity as well. Click Play to review your music.
• On the new screen, mark Number of
seconds to display the picture and set the
number of seconds you want that picture to
be displayed. The time limit you set affects
Figure 8. Customize Motion only that particular image; the action must
be repeated for each picture individually
(Figure 9).
• You may add a different piece of music play for each picture in your story.
Just click on another new image in the storyboard and repeat the actions
in the previous step.
• Click preview and view your story before the next step.
• Click Settings and then Profile to choose the quality you want to save your Discuss and list potential benefits of using digital storytelling in language
story (Figure 14). classrooms. At the end of the application when you have finished your own story
prepared with digital storytelling, go through your list once again in order to
• Click Browse button if you want to specify the location and the file name of
highlight the benefits you have gained throughout the process.
your story. You are now just a click away from your digital story; hit next
to finalize. While there is abundant support urging the use of digital applications to update
traditional literature classes, not much research has been carried out to evaluate
the validity and the applicability of any particular digital tool to assess the vitality
of these claims. Therefore, the current study aims to shed light on the effectiveness
and the applicability of digital storytelling, a widely-used digital tool coming out
of the educational world, in enhancing literature classes in English as a Foreign
Language (EFL) environment. Moreover, the study intends to reflect the attitudes
of the students towards the use of Microsoft Photo Story 3 © (MPS3) as a tool to
facilitate and enrich the literature classes in an EFL setting.
Simla Course obtained her BA in ELT from the Middle East Technical University;
her MA and PhD degrees from the University of Warwick. Currently she is working at
the ELT department of Akdeniz University. Her areas of professional interest include
developing critical reading, reading, and writing skills in EFL, critical discourse
analysis, critical theory, learner autonomy and motivation.
Servet Ҫelik, PhD, is currently an assistant professor and chair of the Department
of Foreign Language Education at Karadeniz Technical University, Turkey. Dr.
Ҫelik holds a bachelor›s degree in ELT from Gazi University, Turkey; a master›s of
education degree in TESOL from the University of Pennsylvania, USA, and a doctoral
degree in Literacy, Culture, and Language Education from Indiana University-
Bloomington, USA. He taught elementary-level EFL in Turkey, and college-level
Turkish in the U.S., and has worked as a rater for ETS scoring constructed speaking
responses for the Test of English as a Foreign Language Internet-Based Testing
(TOEFL iBT) Speaking program. Some of Dr. Ҫelik’s professional interests include
language teacher education, teaching of culture and intercultural competence,
critical literacy, narrative inquiry and qualitative research.
H. Sezgi Saraç, PhD, H. Sezgi Saraç holds a PhD from Hacettepe University (Turkey),
specializing in Teaching English as a Foreign Language. She has worked as an English
instructor (1998-2001/Baskent University, Turkey), foreign language teaching
assistant (2004-2005/New York State University, USA) and research assistant
(2001-2007/Hacettepe University, Turkey). She currently works as an Assistant
Professor at the Department of English Language Teaching at Baskent University
in Turkey and is also the editor-in-chief of the journal Novitas: ROYAL (Research on
Youth and Language). Her research areas are curriculum development, pedagogical
content knowledge, material development and syllabus design.
Gonca Yangın Ekşi has done her MA at Hacettepe University, Department of ELT
and her PhD at Gazi University, Department of ELT, where is currently working as
an Assistant Professor of ELT. Prior to that, she had lots of experience in teaching
English and working at the testing office at Gazi University School of Foreign
Languages. Her research interests include teacher training, language and culture,
teaching English to young learners, materials development, ICT and developing
language skills.