Hephaestus - Wikipedia

04/11/2023, 09:29 Hephaestus - Wikipedia
Hephaestus
Hephaestus (/hɪˈfiːstəs, hɪˈfɛstəs/; eight spellings; Greek: Ἥφαιστος,

translit. Hḗphaistos) is the Greek god of artisans, blacksmiths, carpenters,
Hephaestus
craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes.[1] God of fire, volcanoes,
Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus metalworking, artisans,
was either the son of Zeus and Hera or he was Hera's parthenogenous child. metallurgy, carpenters, forges,
He was cast off Mount Olympus by his mother Hera because of his lameness, sculpting, and blacksmiths
the result of a congenital impairment; or in another account, by Zeus for
Member of the Twelve Olympians
protecting Hera from his advances (in which case his lameness would have
been the result of his fall rather than the reason for it).[2][3][4]
As a smithing god, Hephaestus made all the weapons of the gods in Olympus.
He served as the blacksmith of the gods, and was worshipped in the
manufacturing and industrial centres of Greece, particularly Athens. The cult
of Hephaestus was based in Lemnos.[1] Hephaestus's symbols are a smith's
hammer, anvil, and a pair of tongs.
Etymology
Hephaestus is probably associated with the Linear B (Mycenaean Greek)
inscription 𐀀𐀞𐀂𐀴𐀍, A-pa-i-ti-jo, found at Knossos.[5] The inscription
indirectly attests his worship at that time because it is believed that it reads
the theophoric name (H)āpʰaistios,[5] or Hāphaistion.[6][7] The Greek
theonym Hēphaistos is most likely of Pre-Greek origin, as the form without -i-
(Attic Hēphastos) shows a typical Pre-Greek variation and points to an
original sy.[5] Hephaestus at the Forge by
Guillaume Coustou the Younger
Epithets (Louvre)
Abode Mount Olympus
Hephaestus is given many epithets. The meaning of each epithet is:[8] Symbol hammer, anvil, tongs
Amphigyḗeis often translated as "the lame one"; literally "lame on both Personal information
sides" vel sim. (Ἀμφιγυήεις) Parents Zeus and Hera, or
Kyllopodíōn "club-footed" or "of dragging feet" (Κυλλοποδίων) Hera alone
Khalkeús "coppersmith" (Χαλκεύς) Siblings Ares, Hebe, Eileithyia,
Klytotékhnēs "renowned artificer" (Κλυτοτέχνης) and many paternal
Polýmētis "shrewd, crafty" or "of many devices" (Πολύμητις) half siblings
Aitnaîos "Aetnaean" (Αἰτναῖος), owing to his workshop being supposedly
Consort Aphrodite (divorced)
located below Mount Aetna.[9]
Aglaea
Polýphrōn "ingenious, inventive" (Πολύφρων)
Agaklytós "very famous, glorious" (Ἀγακλυτός) Children Thalia, Erichthonius,
Eucleia, Eupheme,
Aithalóeis theós "sooty god" (Αἰθαλόεις θεός)
Philophrosyne,
Cabeiri and Euthenia
Mythology Equivalents
Roman Vulcan
Craft of Hephaestus equivalent
Hephaestus had his own palace on Olympus, containing his workshop with anvil and twenty bellows that worked
at his bidding.[10] Hephaestus crafted much of the magnificent equipment of the gods, and almost any finely
wrought metalwork imbued with powers that appears in Greek myth is said to have been forged by Hephaestus.
He designed Hermes' winged helmet and sandals, the Aegis breastplate, Aphrodite's famed girdle, Agamemnon's
https://en.wikipedia.org/wiki/Hephaestus 1/12
staff of office,[11] Achilles' armour, Diomedes' cuirass, Heracles' bronze

clappers, Helios' chariot, the shoulder of Pelops, and Eros's bow and
arrows. In later accounts, Hephaestus worked with the help of the
Cyclopes—among them his assistants in the forge, Brontes, Steropes and
Arges.[12][13]
He gave to the blinded Orion his apprentice Cedalion as a guide. In some

versions of the myth,[14] Prometheus stole the fire that he gave to man
from Hephaestus's forge. Hephaestus also created the gift that the gods
gave to man, the woman Pandora and her pithos. Being a skilled
blacksmith, Hephaestus created all the thrones in the Palace of
Olympus.[12]
Vulcan Presenting the Arms of Achilles to
Thetis by Peter Paul Rubens.
Automatons
According to Homer, Hephaestus built automatons of metal to work for

him or others. This included tripods with golden wheels, able to move at
his wish in and out the assembly hall of the celestials;[15] and servant
"handmaidens wrought of gold in the semblance of living maids", in them
was "understanding in their hearts, and speech and strength", gift of the
gods. They moved to support Hephaestus while walking.[16] And he put
golden and silver lions and dogs at the entrance of the palace of Alkinoos
in such a way that they could bite the invaders, guard dogs that didn't age
nor perish.[17]
A similar golden dog (Κυων Χρυσεος) was set by Rhea to guard the infant Thetis Receiving the Weapons of
Zeus and his nurse, the goat Amaltheia, on the island of Krete. Later Achilles from Hephaestus by Anthony
Tantalus was said to have stolen the automata when it guarded Zeus' van Dyck (1630-1632)
temple, or to have persuaded Pandareos to steal it for him. Later texts
attempt to replace the automaton with the idea that the golden dog was
actually Rhea, transformed in that way by Hephaestus.[18]
Parentage
According to Homer (Iliad, I 571-577), Hera is mentioned as the mother of Hephaestus but there is not
sufficient evidence to say that Zeus was his father (although he refers to him in such way).
According to Homer (Odyssey, VIII 306), there is not sufficient evidence to say that Zeus was the father of
Hephaestus (although he refers to him in such way). Hera is not mentioned as the mother.
According to Hesiod (Theogony, 927-928 (https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+927&fro
mdoc=Perseus%3Atext%3A1999.01.0130)), Hera gave birth to Hephaestus on her own as revenge for Zeus
giving birth to Athena without her (Zeus lay with Metis).
According to Pseudo-Apollodorus (Bibliotheca, 1.3.6 (https://www.perseus.tufts.edu/hopper/text?doc=Apollod.
+1.3.6&fromdoc=Perseus%3Atext%3A1999.01.0022)), Hera gave birth to Hephaestus alone. Pseudo-
Apollodorus also relates that, according to Homer, Hephaestus is one of the children of Zeus and Hera
(consciously contradicting Hesiod and Homer).
Several later texts follow Hesiod's account, including Hyginus and the preface to Fabulae.
In the account of Attic vase painters, Hephaestus was present at the birth of Athena and wields the axe with which
he split Zeus' head to free her. In the latter account, Hephaestus is there represented as older than Athena, so the
mythology of Hephaestus is inconsistent in this respect.
Fall from Olympus
In one branch of Greek mythology, Hera ejected Hephaestus from the heavens because of his congenital
impairment. He fell into the ocean and was raised by Thetis (mother of Achilles and one of the 50 Nereids) and
the Oceanid Eurynome.[3]
In another account, Hephaestus, attempting to rescue his mother from Zeus' advances, was flung down from the
heavens by Zeus. He fell for an entire day and landed on the island of Lemnos, where he was cared for and taught
to be a master craftsman by the Sintians – an ancient tribe native to that island.[4] Later writers describe his
physical disability as the consequence of his second fall, while Homer makes him disabled from his birth.
Return to Olympus
Hephaestus was one of the Olympians to have returned to Olympus after being exiled.
In an archaic story,[a][19][20] Hephaestus gained revenge against Hera for rejecting him by making her a magical
golden throne, which, when she sat on it, did not allow her to stand up again.[b] The other gods begged
Hephaestus to return to Olympus to let her go, but he refused, saying "I have no mother".[20]
It was Ares who undertook the task of fetching Hephaestus at first, but he was
threatened by the fire god with torches.[21] At last, Dionysus, the god of wine,
fetched him, intoxicated him with wine, and took the subdued smith back to
Olympus on the back of a mule accompanied by revelers – a scene that
sometimes appears on painted pottery of Attica and of Corinth.[22][23][24] In
the painted scenes, the padded dancers and phallic figures of the Dionysan
throng leading the mule show that the procession was a part of the
dithyrambic celebrations that were the forerunners of the satyr plays of fifth
The Doric Temple of Hephaestus,
century Athens.[25][26]
Agora of Athens
According to Hyginus, Zeus promised anything to Hephaestus in order to free
Hera, and he asked for the hand of Athena in marriage (urged by Poseidon
who was hostile toward her), leading to his attempted rape of her.[27] In another version, he demanded to be
married to Aphrodite in order to release Hera, and his mother fulfilled the request.[28]
The theme of the return of Hephaestus, popular among the Attic vase-painters whose wares were favored among
the Etruscans, may have introduced this theme to Etruria.[c][29][30] In the vase-painters' portrayal of the
procession, Hephaestus was mounted on a mule or a horse, with Dionysus holding the bridle and carrying
Hephaestus' tools (including a double-headed axe).
The traveller Pausanias reported seeing a painting in the temple of Dionysus in Athens, which had been built in
the 5th century but may have been decorated at any time before the 2nd century CE. When Pausanias saw it, he
said:
There are paintings here – Dionysus bringing Hephaestus up to heaven. One of the Greek legends is
that Hephaestus, when he was born, was thrown down by Hera. In revenge he sent as a gift a golden
chair with invisible fetters. When Hera sat down she was held fast, and Hephaestus refused to listen to
any other of the gods except Dionysus – in him he reposed the fullest trust – and after making him
drunk Dionysus brought him to heaven.
— Pausanias, 1.20.3
Hephaestus and Aphrodite
Though married to Hephaestus, Aphrodite had an affair with Ares, the god of war. Eventually, Hephaestus
discovered Aphrodite's affair through Helios, the all-seeing Sun, and planned a trap during one of their trysts.
While Aphrodite and Ares lay together in bed, Hephaestus ensnared them in an unbreakable chain-link net so
small as to be invisible and dragged them to Mount Olympus to shame them in front of the other gods for
retribution.
The gods laughed at the sight of these naked lovers, and Poseidon persuaded Hephaestus to free them in return
for a guarantee that Ares would pay the adulterer's fine or that he would pay it himself. Hephaestus states in The
Odyssey that he would return Aphrodite to her father and demand back his bride price. The Emily Wilson
translation depicts Hephaestus demanding/imploring Zeus before Poseidon offers, however, leading the reader to
assume Zeus did not give back the "price" Hephaestus paid for his daughter and was thus why Poseidon
intervened.[31] Some versions of the myth state that Zeus did not return the dowry, and in fact Aphrodite "simply
charmed her way back again into her husband’s good graces."[32] In the Iliad, Hephaestus is presented as
divorced from Aphrodite, and now married to the Grace Aglaea.[33] In the Theogony, Aglaea is presented as
Hephaestus' mate with no apparent mention of any marriage to Aphrodite.[34]
In a much later interpolated detail, Ares put the young soldier Alectryon, by
their door to warn them of Helios's arrival as he suspected that Helios would
tell Hephaestus of Aphrodite's infidelity if the two were discovered, but
Alectryon fell asleep on guard duty.[35] Helios discovered the two and alerted
Hephaestus, as Ares in rage turned Alectryon into a rooster, which always
crows at dawn when the sun is about to rise announcing its arrival.[36]
The Thebans told that the union of Ares and Aphrodite produced Harmonia.
However, of the union of Hephaestus with Aphrodite, there was no issue
unless Virgil was serious when he said that Eros was their child.[37] Later
authors explain this statement by saying that Eros was sired by Ares but
passed off to Hephaestus as his own son. Because Harmonia was conceived
during Aphrodite's marriage to Hephaestus, for revenge, on Harmonia's
wedding day to Cadmus Hephaestus gifted her with a finely worked but cursed
necklace that brought immense suffering to her descendants, culminating with
the story of Oedipus.[38] Mars and Venus Surprised by
Vulcan by Alexandre Charles
Hephaestus was somehow connected with the archaic, pre-Greek Phrygian and Guillemot (1827)
Thracian mystery cult of the Kabeiroi, who were also called the Hephaistoi,
"the Hephaestus-men", in Lemnos. One of the three Lemnian tribes also called
themselves Hephaestion and claimed direct descent from the god.
Hephaestus and Athena
Hephaestus is to the male gods as Athena is to the female, for he gives skill to mortal artists and was believed to
have taught men the arts alongside Athena.[39] At Athens, they had temples and festivals in common.[d] Both were
believed to have great healing powers, and Lemnian earth (terra Lemnia) from the spot on which Hephaestus had
fallen was believed to cure madness, the bites of snakes, and haemorrhage; and priests of Hephaestus knew how
to cure wounds inflicted by snakes.[40]
He was represented in the temple of Athena Chalcioecus (Athena of the Bronze House[41]) at Sparta, in the act of
delivering his mother;[42] on the chest of Cypselus, giving Achilles's armor to Thetis;[43] and at Athens there was
the famous statue of Hephaestus by Alcamenes, in which his physical disability was only subtly portrayed.[44] He
had almost "no cults except in Athens" and was possibly seen as a more approachable god to the city which shared
her namesake.[45] The Greeks frequently placed miniature statues of Hephaestus near their hearths, and these
figures are the oldest of all his representations.[46] During the best period of Grecian art he was represented as a
vigorous man with a beard, and is characterized by his hammer or some other crafting tool, his oval cap, and the
chiton.
Athena is sometimes thought to be the "soulmate" of Hephaestus.[47] Nonetheless, he "seeks impetuously and
passionately to make love to Athena: at the moment of climax she pushes him aside, and his semen falls to the
earth where it impregnates Gaia."[48]
Volcano god
Some state that his origin myth was that of a "daemon of fire coming up from the earth"—that he was also
associated with gas "which takes fire and burns [and] is considered by many people to be divine" and that only
later was a volcano considered Hephaestus's smithy.[45]
Hephaestus was associated by Greek colonists in southern Italy with the volcano gods Adranus (of Mount Etna)
and Vulcanus of the Lipari islands. The first-century sage Apollonius of Tyana is said to have observed, "there are
many other mountains all over the earth that are on fire, and yet we should never be done with it if we assigned to
them giants and gods like Hephaestus".[49]
Nevertheless, Hephaestus’ domain over fire goes back to Homer’s Iliad, where he uses flames to dry the waters of
Scamandrus river and force its homonym deity, who was attacking Achilles, to retreat.
Other mythology
In the Trojan war, Hephaestus sided with the Greeks, but was also worshiped by the Trojans and saved one of
their men from being killed by Diomedes.[50] Hephaestus' favourite place in the mortal world was the island of
Lemnos, where he liked to dwell among the Sintians,[51][52][53] but he also frequented other volcanic islands such
as Lipari, Hiera, Imbros and Sicily, which were called his abodes or workshops.[54][55][56][57][58][59]
Hephaestus fought against the Giants and killed Mimas by throwing molten iron at him.[60] He also fought
another Giant, Aristaeus, but he fled.[61] During the battle Hephaestus fell down exhausted, and was picked up by
Helios in his chariot. As a gift of gratitude, Hephaestus forged four ever-flowing fountains and fire-breathing bulls
for Helios' son Aeëtes.[62]
The epithets and surnames by which Hephaestus is known by the poets generally allude to his skill in the plastic
arts or to his figure or disability. The Greeks frequently placed miniature statues of Hephaestus near their hearths,
and these figures are the oldest of all his representations.[63][64][65]
At the marriage of Peleus and Thetis he gave a knife as a wedding present.[66][67]
Lovers, others and children
According to most versions, Hephaestus's consort is Aphrodite, who is unfaithful to Hephaestus with a number of
gods and mortals, including Ares. However, in Book XVIII of Homer's Iliad, the consort of Hephaestus is Charis
("the grace") or Aglaia ("the glorious") – the youngest of the Graces, as Hesiod calls her.[34]
Károly Kerényi notes that "charis" also means "the delightfulness of art" and
supposes that Aphrodite is viewed as a work of art, speculating that Aphrodite
could also have been called Charis as an alternative name, for in the Odyssey
Homer suddenly makes her his wife.[68]
In Athens, there is a Temple of Hephaestus, the Hephaesteum (miscalled the

"Theseum") near the agora. An Athenian founding myth tells that the city's
patron goddess, Athena, refused a union with Hephaestus. Pseudo-
Apollodorus[69] records an archaic legend, which claims that Hephaestus once
attempted to rape Athena, but she pushed him away, causing him to ejaculate
on her thigh.[70][71] Athena wiped the semen off using a tuft of wool, which she
tossed into the dust, impregnating Gaia and causing her to give birth to
Erichthonius,[70][71] whom Athena adopted as her own child.[70] The Roman
mythographer Hyginus[69] records a similar story in which Hephaestus Athena Scorning the Advances of
demanded Zeus to let him marry Athena since he was the one who had Hephaestus by Paris Bordone
smashed open Zeus's skull, allowing Athena to be born.[70] Zeus agreed to this (between c. 1555 and c. 1560)
and Hephaestus and Athena were married,[70] but, when Hephaestus was
about to consummate the union, Athena vanished from the bridal bed, causing
him to ejaculate on the floor, thus impregnating Gaia with Erichthonius.[70][72]
On the island of Lemnos, Hephaestus' consort was the sea nymph Cabeiro, by whom he was the father of two
metalworking gods named the Cabeiri. In Sicily, his consort was the nymph Aetna, and his sons were two gods of
Sicilian geysers called Palici. With Thalia, Hephaestus was sometimes considered the father of the Palici.
Hephaestus fathered several children with mortals and immortals alike. One of those children was the robber
Periphetes.
Offspring Mothers
Eucleia, Euthenia, Eupheme, Philophrosyne Aglaea
Erichthonius Gaia
The Palici Aetna
The Cabeiri, The Cabeirian nymphs Cabeiro[73]

Periphetes Anticlea
Ardalus, Cercyon, Olenus, Palaemonius, Argonauts, Philottus, Pylius who cured Philoctetes at Lemnos,[66][74] Spinter Unknown
In addition, the Romans claim their equivalent god, Vulcan, to have produced the following children:
1. Cacus (Cacus was mentioned also as a child of Hephaestus)[75]

2. Caeculus
Symbolism
Hephaestus was sometimes portrayed as a vigorous man with a beard and was
characterized by his hammer or some other crafting tool, his oval cap, and the
chiton.
Hephaestus is described in mythological sources as "lame" (chōlos), and

"halting" (ēpedanos).[76] He was depicted with curved feet, an impairment he
had either from birth or as a result of his fall from Olympus. In vase paintings,
Hephaestus is sometimes shown bent over his anvil, hard at work on a metal
creation, and sometimes his feet are curved back-to-front: Hephaistos
amphigyēeis. He walked with the aid of a stick. The Argonaut Palaimonius,
"son of Hephaestus" (i.e. a bronze-smith) also had a mobility impairment.[77]
Other "sons of Hephaestus" were the Cabeiri on the island of Samothrace, who
were identified with the crab (karkinos) by the lexicographer Hesychius. The
adjective karkinopous ("crab-footed") signified "lame", according to Detienne
and Vernant.[78] The Cabeiri were also physically disabled.
In some myths, Hephaestus built himself a "wheeled chair" or chariot with

which to move around, thus helping support his mobility while demonstrating Hephaestus and 2 assistants work
his skill to the other gods.[79] In the Iliad 18.371, it is stated that Hephaestus on the arms for Achilles, the shield
built twenty bronze wheeled tripods to assist him in moving around.[80] held up by Hephaestus and one of
his assistants shows the mirror
Hephaestus's appearance and physical disability are taken by some to image of Thetis, sitting and
represent peripheral neuropathy and skin cancer resulting from arsenicosis watching the scene. Fresco from
caused by arsenic exposure from metalworking.[81] Bronze Age smiths added Pompeii.
arsenic to copper to produce harder arsenical bronze, especially during periods
of tin scarcity. Many Bronze Age smiths would have suffered from chronic
arsenic poisoning as a result of their livelihood. Consequently, the mythic image of the disabled smith is
widespread. As Hephaestus was an iron-age smith, not a bronze-age smith, the connection is one from ancient
folk memory.[82]
Comparative mythology
Parallels in other mythological systems for Hephaestus's symbolism include:
The Ugarit craftsman-god Kothar-wa-Khasis, who is identified from afar by his distinctive walk – possibly
suggesting that he limps.[83]
As Herodotus was given to understand, the Egyptian craftsman-god Ptah was a dwarf god and is often
depicted naked.[84]
In Norse mythology, Weyland the Smith was a physically disabled bronzeworker.
In Hinduism the artificer god Tvastr fills a similar role, albeit more positively portrayed.[85]
The Ossetian god Kurdalagon may share a similar origin.[85]
Worship
Solinus wrote that the Lycians dedicated a city to Hephaestus and called it Hephaestia.[86] The Hephaestia in
Lemnos was named after the god. In addition, the whole island of Lemnos was sacred to Hephaestus.[87]
Pausanias wrote that the Lycians in Patara had a bronze bowl in their temple of Apollo, saying that Telephus
dedicated it and Hephaestus made it.[88]
Pausanias also wrote that the village of Olympia in Elis contained an altar to the river Alpheios, next to which was
an altar to Hephaestus sometimes referred to as the altar of "Warlike Zeus."[89]
The island Thermessa, between Lipari and Sicily was also called Hiera of Hephaestus (ἱερὰ Ἡφαίστου), meaning
sacred place of Hephaestus in Greek.[90]
Namesakes
Pliny the Elder wrote that at Corycus there was a stone which was called Hephaestitis or Hephaestus stone.
According to Pliny, the stone was red and was reflecting images like a mirror, and when boiling water poured over
it cooled immediately or alternatively when it placed in the sun it immediately set fire to a parched substance.[91]
The minor planet 2212 Hephaistos discovered in 1978 by Soviet astronomer Lyudmila Chernykh was named in
Hephaestus' honour.[92]
Genealogy
Hephaestus's family tree [93] [show]
Uranus Gaia
Uranus' genitals Cronus Rhea
Zeus Hera Poseidon Hades Demeter Hestia
a[94]
b[95]
Ares HEPHAESTUS
Metis
Athena[96]
Leto
Apollo Artemis
Maia
Hermes
Semele
Dionysus
Dione
a[97] b[98]
Aphrodite
See also
Ancient Greece
portal
Myths portal
Religion portal
Family tree of the Greek gods

Hephaestus in popular culture
Notes
a. Features within the narrative suggest to Kerenyi and others that it is archaic; the most complete literary
account, however, is a late one, in the Roman rhetorician Libanios, according to Hedreen (2004).
b. A section "The Binding of Hera" is devoted to this archaic theme in Kerenyi (1951, pp 156–158), who refers to
this "ancient story", which is one of the "tales of guileful deeds performed by cunning gods, mostly at a time
when they had not joined the family on Olympus".
c. The return of Hephaestus was painted on the Etruscan tomb at the "Grotta Campana" near Veii was identified
by Petersen (1902); the "well-known subject" was doubted in this instance by Harmon (1912).
d. See Dict of Ant. s. v. Hêphaisteia, Chalkeia.
References
1. Walter Burkert, Greek Religion 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic
Lemnos
2. Graves, Robert (1955). The Greek Myths: 1. Harmondsworth, Middlesex, England: Penguin Books. p. 51.
ISBN 0736621121.
3. Homeric Hymn to Apollo 316–321 (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.
01.0138%3Ahymn%3D3%3Acard%3D305); Homer, Iliad 395–405 (https://www.perseus.tufts.edu/hopper/text?
doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D18%3Acard%3D388).
4. Homer, Iliad 1.590–594 (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%
3Abook%3D1%3Acard%3D568); Valerius Flaccus, ii, 8.5; Apollodorus, i, 3 § 5. Apollodorus confounds the two
occasions on which Hephaestus was thrown from Olympus.
5. Beekes 2009, p. 527.
6. Chadwick, John (1976). The Mycenaean World (https://archive.org/details/mycenaeanworld00chad).
Cambridge, UK: Cambridge University Press. pp. 99 (https://archive.org/details/mycenaeanworld00chad/pag
e/99). ISBN 0-521-29037-6. At Google Books.
7. Anthology of Classical Myth: Primary Sources in translation (https://books.google.com/books?id=K4pZr3JfYqc
C&pg=PA443). Hackett Publishing. 2004. p. 443. ISBN 0-87220-721-8. At Google Books
8. Autenrieth, Georg (1891). "Hephaestus". A Homeric Dictionary for Schools and Colleges. United States of
America: Harper and Brothers.
9. Aelian, Hist. An. xi. 3, referenced under Aetnaeus (http://quod.lib.umich.edu/m/moa/acl3129.0001.001/69?pag
e=root;size=100;view=image) in William Smith's Dictionary of Greek and Roman Biography and Mythology
10. Il. xviii. 370, &c.
11. The provenance of the staff of office is recounted in Iliad II
12. Graves, Robert (1960). "The Palace of Olympus". Greek Gods and Heroes. United States of America: Dell
Laurel-Leaf. p. 150.
13. Virg. Aen. viii. 416, &c.
14. West, Martin L. (1979). "The Prometheus Trilogy". The Journal of Hellenic Studies. 99 (99): 130–148.
doi:10.2307/630637 (https://doi.org/10.2307%2F630637). JSTOR 630637 (https://www.jstor.org/stable/63063
7). S2CID 161700684 (https://api.semanticscholar.org/CorpusID:161700684).
15. Homer, Iliad, 18. 373–379
16. Homer, Iliad, 18. 417–421
17. Homer, Odyssey, 7. 91–4
18. Antoninus Liberalis, Metamorphoses, 11 and 36.
19. Guy Hedreen (2004) The Return of Hephaistos, Dionysiac Processional Ritual and the Creation of a Visual
Narrative. The Journal of Hellenic Studies, 124 (2004:38–64) p. 38 and note.
20. Kerényi 1951, p. 156–158.
21. Libanius, Progymnasmata 7 (https://books.google.com/books?id=kRi-If9IAOYC&pg=PA15)
22. Axel Seeberg (1965) Hephaistos Rides Again. The Journal of Hellenic Studies, 85, pp. 102–109, describes
and illustrates four pieces of Corinthian painted pottery with the theme
23. A black red-figure calpis in the collection of Marsden J. Perry was painted with the return of Hephaestus
(Eldridge, 1917, pp 38–54).
24. L. G. Eldridge (1917) An Unpublished Calpis. American Journal of Archaeology, 21.1, pp 38–54 (January–
March 1917).
25. The significance of the subject for the pre-history of Greek drama is argued by Webster (1958, pp 43ff.) and
more recently by Hedreen (2004, pp 38–64).
26. T.B.L. Webster (1958) Some thoughts on the pre-history of Greek drama. Bulletin of the Institute of Classical
Studies, 5, pp 43ff.
27. Hyginus, Fabulae 166 (https://topostext.org/work/206#166)
28. Slater, pp 199-200 (https://books.google.com/books?id=CEEABAAAQBAJ&pg=PA200) "And [Hera] was
released only when she swore to the truth of his birth story, or, in another version, promised Aphrodite to her
son."
29. Petersen (1902) Über die älteste etruskische Wandmälerei, pp 149ff. Rome.
30. A. M. Harmon (1912) The Paintings of the Grotta Campana. American Journal of Archaeology, 16.1, 1–10
(January–March 1912);
31. Wilson, Emily (7 November 2017). The Odyssey (https://books.google.com/books?id=PpJYDgAAQBAJ&q=E
MILY+WILSON%E2%80%99S+TRANSLATION++THE+ODYSSEY). W. W. Norton. pp. BOOK 8, LINES 265–
367. ISBN 9780393634563.
32. Richardson, Donald (1984). Great Zeus and All His Children. Prentice-Hall. p. 26. ISBN 9780133649505.
33. Homer, Iliad 18.382
34. Hesiod, Theogony, 945 (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0130%
3Acard%3D938)
35. Gallagher, David (1 January 2009). Avian and Serpentine (https://brill.com/view/book/9789042027091/B97890
42027091-s006.xml). Brill Rodopi. ISBN 978-90-420-2709-1.
36. Lucian, Gallus 3 (http://lucianofsamosata.info/wiki/doku.php?id=home:texts_and_library:dialogues:the-rooste
r), see also scholiast on Aristophanes, Birds 835 (https://archive.org/details/scholiaonavesar01whitgoog/page/
n272/mode/2up?view=theater); Eustathius, Ad Odysseam 1.300; Ausonius, 26.2.27; Libanius,
Progymnasmata 2.26. (https://books.google.com/books?id=kRi-If9IAOYC&pg=PA31)
37. Aeneid i.664
38. Roman Monica and Luke, p. 201 (https://books.google.com/books?id=tOgWfjNIxoMC&pg=PT213)
39. Od. vi. 233, xxiii. 160. Hymn. in Vaulc. 2. &c.
40. Philostr. Heroic. v. 2; Eustath. ad Hom. p. 330; Dict. Cret. ii. 14.
41. The Museum of Goddess Athena, Sanctuary of Athena Chalkiokos at Sparta (http://www.goddess-athena.org/
Museum/Temples/Sparta/index.htm)
42. Paus. iii. 17. § 3
43. v. 19. § 2
44. Cic. de Nat. Deor. i. 30; Val. Max. viii. 11. § 3
45. Nilsson, Martin Persson (1998). Greek Folk Religion (https://books.google.com/books?id=UwnGYe8WiCUC&q
=goldsmith). University of Pennsylvania Press. p. 89. ISBN 9780812210347. Retrieved 26 March 2021.
46. Herod. iii. 37; Aristoph. Av. 436; Callim. Hymnn. in Dian. 60
47. Stein, p. 11 (https://books.google.com/books?id=JwgtCgAAQBAJ&pg=PA11), which goes on to say: "Yet a
kind of cloudy mysteriousness shrouds their relationship; no single tradition was ever clearly established on
this subject, and so what confronts us is a blurred image based on rumors and conflicting reports."
48. Hillman, James (1980). Facing the Gods. Spring Pubns. ISBN 978-0882143125.
49. Life of Apollonius of Tyana, book v.16.
50. Homer, Iliad, v, 9 ff. (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Ab
ook%3D5%3Acard%3D1)
51. Od. viii. 283ff.
52. Homer, Iliad, i, 593 (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Ab
ook%3D1%3Acard%3D568).
53. Ovid, Fasti, viii, 82.
54. Apollonius of Rhodes, iii. 41.
55. Callimachus, Hymn. in Dian. 47
56. Serv. ad Aen, viii, 416.
57. Strabo, p. 275.
58. Pliny, Naturalis Historia, iii, 9.
59. Valerius Flaccus, ii, 96.

60. Apollodorus 1.6.2 (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0022%3Atex
t%3DLibrary%3Abook%3D1%3Achapter%3D6%3Asection%3D2); other sources give Mimas' killer as Zeus or
Hephaestus' brother Ares.
61. Gantz, p. 451
62. Apollonius Rhodius, Argonautica 3.220–234 (https://archive.org/details/theargonauticaof00apoliala/page/106/
mode/2up?view=theater)
63. Heroditus, iii, 37
64. Aristophanes, Av., 436.
65. Callimachus, Hymn. in Dian., 60.
66. "Bibliothèque de Photius : 190. Ptolémée Chennus, Nouvelle Histoire" (http://remacle.org/bloodwolf/erudits/ph
otius/ptolemee.htm). remacle.org.
67. "ToposText" (https://topostext.org/work/237#190.46). topostext.org.
68. Kerényi, Karl (1974). The gods of the Greeks (https://archive.org/details/godsofgreeks00kerrich/page/72/mod
e/2up?q=charis). London : Thames and Hudson. p. 94. ISBN 9780500270486. Retrieved 13 June 2021.
69. Kerényi 1951, p. 281.
70. Kerényi 1951, p. 123.
71. Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, p. 143, ISBN 0-
674-36281-0
72. Hyginus made an imaginative etymology for Erichthonius, of strife (Eris) between Athena and Hephaestus and
the Earth-child (chthonios).
73. Strabo, 10.3.21 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0099.tlg001.perseus-eng1:10.3.21) citing
Pherecydes.
75. "Plutarch, Amatorius, section 18" (https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0007.tlg1
13.perseus-grc1:18). www.perseus.tufts.edu.
76. Odyssey 8.308 (https://www.perseus.tufts.edu/hopper/text?doc=Hom.+Od.+8.308); Iliad 18.397 (https://www.p
erseus.tufts.edu/hopper/text?doc=Hom.+Il.+18.397), etc.
77. Apollonius of Rhodes, Argonautica i.204.
78. Detienne, Marcel; Vernant, Jean-Pierre (1978). Cunning Intelligence in Greek Culture and Society. Janet
Lloyd, translator. Atlantic Highlands, NJ: Humanities Press. pp. 269–272. ISBN 978-0-391-00740-6. Cited by
Silver, Morris (1992). Taking Ancient Mythology Economically. New York: Brill. p. 35 note 5. ISBN 978-90-04-
09706-3.
79. Dolmage, Jay (2006). " 'Breathe Upon Us an Even Flame': Hephaestus, History, and the Body of Rhetoric".
Rhetoric Review. 25 (2): 119–140 [p. 120]. doi:10.1207/s15327981rr2502_1 (https://doi.org/10.1207%2Fs153
27981rr2502_1). S2CID 17273927 (https://api.semanticscholar.org/CorpusID:17273927).
80. Murray, A.T. "The Iliad 18.371" (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.
0134%3Abook%3D18%3Acard%3D360). Perseus. Tufts University. Retrieved 21 March 2017.
81. Harper, M (October 1987). "Possible toxic metal exposure of prehistoric bronze workers" (https://www.ncbi.nl
m.nih.gov/pmc/articles/PMC1007896). British Journal of Industrial Medicine. 44 (10): 652–656.
doi:10.1136/oem.44.10.652 (https://doi.org/10.1136%2Foem.44.10.652). ISSN 0007-1072 (https://www.worldc
at.org/issn/0007-1072). PMC 1007896 (https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1007896).
PMID 3314977 (https://pubmed.ncbi.nlm.nih.gov/3314977).
82. Saggs, H. W. F. (1989). Civilization Before Greece and Rome (https://archive.org/details/isbn_978030005031
8/page/200). New Haven: Yale University Press. pp. 200–201 (https://archive.org/details/isbn_978030005031
8/page/200). ISBN 978-0-300-04440-9.
83. Baruch Margalit, Aqhat Epic 1989:289.
84. Herodotus, iii.36.
85. West, Martin Litchfield (2007), Indo-European Poetry and Myth, Oxford, England: Oxford University Press,
ISBN 978-0-19-928075-9
87. "ToposText" (https://topostext.org/work/201#520). topostext.org.
88. "Pausanias, Description of Greece, 9.41.1" (https://topostext.org/work/213#9.41.1).
89. "ToposText" (https://topostext.org/work/213#5.14.6). topostext.org. Retrieved 27 October 2021.
90. "Strabo, Geography, Book 6, chapter 2, section 10" (https://www.perseus.tufts.edu/hopper/text?doc=urn:cts:gr
eekLit:tlg0099.tlg001.perseus-grc1:6.2.10). www.perseus.tufts.edu.
91. Elder, Pliny the. "Natural History" (https://en.wikisource.org/wiki/Natural_History_(Rackham,_Jones,_&_Eichh

olz)/Book_37) – via Wikisource.
92. Schmadel, Lutz D. (2003). Dictionary of Minor Planet Names (5th ed.). New York: Springer Verlag. p. 180.
ISBN 3-540-00238-3.
93. This chart is based upon Hesiod's Theogony, unless otherwise noted.
94. According to Homer, Iliad 1.570–579 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg001.perseus-
eng1:1.570), 14.338 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg001.perseus-eng1:14.338),
Odyssey 8.312 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg002.perseus-eng1:8.312),
Hephaestus was apparently the son of Hera and Zeus, see Gantz, p. 74.
95. According to Hesiod, Theogony 927–929 (https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+927),
Hephaestus was produced by Hera alone, with no father, see Gantz, p. 74.
96. According to Hesiod, Theogony 886–890 (https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+886), of
Zeus' children by his seven wives, Athena was the first to be conceived, but the last to be born; Zeus
impregnated Metis then swallowed her, later Zeus himself gave birth to Athena "from his head", see Gantz,
pp. 51–52, 83–84.
97. According to Hesiod, Theogony 183–200 (https://www.perseus.tufts.edu/hopper/text?doc=Hes.+Th.+183),
Aphrodite was born from Uranus' severed genitals, see Gantz, pp. 99–100.
98. According to Homer, Aphrodite was the daughter of Zeus (Iliad 3.374 (http://data.perseus.org/citations/urn:cts:
greekLit:tlg0012.tlg001.perseus-eng1:3.374), 20.105 (http://data.perseus.org/citations/urn:cts:greekLit:tlg001
2.tlg001.perseus-eng1:20.105); Odyssey 8.308 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg00
2.perseus-eng1:8.308), 320 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg002.perseus-eng1:8.3
20)) and Dione (Iliad 5.370–71 (http://data.perseus.org/citations/urn:cts:greekLit:tlg0012.tlg001.perseus-eng1:
5.370)), see Gantz, pp. 99–100.
Bibliography
Ancient
Homer, The Iliad with an English Translation by A.T. Murray, PhD in two volumes. Cambridge, MA., Harvard
University Press; London, William Heinemann, Ltd. 1924. Online version at the Perseus Digital Library (https://
www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0134%3Abook%3D1%3Acard%3D1).
Homer; The Odyssey with an English Translation by A.T. Murray, PH.D. in two volumes. Cambridge, MA.,
Harvard University Press; London, William Heinemann, Ltd. 1919. Online version at the Perseus Digital
Library (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0136%3Abook%3D1%
3Acard%3D1).
Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-
White, Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1914. Online version at
the Perseus Digital Library (https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.013
0%3Acard%3D1).
Evelyn-White, Hugh, The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-
White. Homeric Hymns. Cambridge, Massachusetts, Harvard
Apollonius of Rhodes, Argonautica; with an English translation by R. C. Seaton. William Heinemann, 1912.
Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S.
in 2 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. Online
version at the Perseus Digital Library (https://www.perseus.tufts.edu/hopper/text;jsessionid=C431BA809CA4D
EA22A15DA9C666F3400?doc=Perseus%3atext%3a1999.01.0022%3atext%3dLibrary).
Pausanias, Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A.
Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd.
1918. Online version at the Perseus Digital Library (https://www.perseus.tufts.edu/hopper/text?doc=Paus.+1.
1.1).
Strabo, The Geography of Strabo. Edition by H.L. Jones. Cambridge, Mass.: Harvard University Press;
London: William Heinemann, Ltd. 1924. Online version at the Perseus Digital Library. (http://www.perseus.tuft
s.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0198%3Abook%3D6%3Achapter%3D1%3Asection%3
D1)
Ovid, Ovid's Fasti: With an English translation by Sir James George Frazer, London: W. Heinemann LTD;
Cambridge, Massachusetts, Harvard University Press, 1959. Internet Archive (https://archive.org/stream/ovids
fasti00oviduoft#page/n5/mode/2up).
Hyginus, Gaius Julius, The Myths of Hyginus (http://www.theoi.com/Text/HyginusFabulae1.html). Edited and

translated by Mary A. Grant, Lawrence: University of Kansas Press, 1960.
Modern
Beekes, Robert S. P. (2009). Etymological Dictionary of Greek (https://books.google.com/books?id=lw7KxwE
ACAAJ). Brill. ISBN 978-90-04-32186-1.
Kerényi, Karl (1951). The Gods of the Greeks (https://archive.org/details/godsofgreeks00kerrich). London:
Thames and Hudson. ISBN 0-500-27048-1.
Slater, Philip Elliot (1968), The Glory of Hera: Greek Mythology and the Greek Family, Princeton, New Jersey:
Princeton University Press, ISBN 0-691-00222-3. Google books (https://books.google.com/books?id=CEEAB
AAAQBAJ).
Stein, Murray, Soul: Treatment and Recovery: The selected works of Murray Stein, Routledge, 2015.
ISBN 9781317649847.
Strabo, Geography, translated by Horace Leonard Jones; Cambridge, Massachusetts: Harvard University
Press; London: William Heinemann, Ltd. (1924). LacusCurtis (https://penelope.uchicago.edu/Thayer/E/Roma
n/Texts/Strabo/home.html), Online version at the Perseus Digital Library, Books 6–14 (https://www.perseus.tuf
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D1).
External links
Theoi Project, Hephaestus (http://www.theoi.com/Olympios/Hephaistos.html) in classical literature and art
Greek Mythology Link, Hephaestus (http://www.maicar.com/GML/Hephaestus.html) summary of the myths of
Hephaestus
The Warburg Institute Iconographic Database (images of Hephaestus) (https://iconographic.warburg.sas.ac.u
k/category/vpc-taxonomy-000202)
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04/11/2023, 09:29 Hephaestus - Wikipedia

Hephaestus (/hɪˈfiːstəs, hɪˈfɛstəs/; eight spellings; Greek: Ἥφαιστος,

staff of office,[11] Achilles' armour, Diomedes' cuirass, Heracles' bronze

He gave to the blinded Orion his apprentice Cedalion as a guide. In some

According to Homer, Hephaestus built automatons of metal to work for

Fall from Olympus

Hephaestus and Aphrodite

Hephaestus and Athena

At the marriage of Peleus and Thetis he gave a knife as a wedding present.[66][67]

Lovers, others and children

In Athens, there is a Temple of Hephaestus, the Hephaesteum (miscalled the

The Palici Aetna

The Cabeiri, The Cabeirian nymphs Cabeiro[73]

1. Cacus (Cacus was mentioned also as a child of Hephaestus)[75]

Hephaestus is described in mythological sources as "lame" (chōlos), and

In some myths, Hephaestus built himself a "wheeled chair" or chariot with

Uranus' genitals Cronus Rhea

Zeus Hera Poseidon Hades Demeter Hestia

Family tree of the Greek gods

59. Valerius Flaccus, ii, 96.

91. Elder, Pliny the. "Natural History" (https://en.wikisource.org/wiki/Natural_History_(Rackham,_Jones,_&_Eichh

Hyginus, Gaius Julius, The Myths of Hyginus (http://www.theoi.com/Text/HyginusFabulae1.html). Edited and

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