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I suggest that the pair of skambha are hieroglyphs denoting the transformation process in a fire-altar
converting dhatu, 'minerals' into cast metals in the temple, kole.l 'smithy, temple' (Kota language). They are
the prop which link earth and heaven, material manifestations and cosmic consciousness and phenomena,
knowable, unknowable.
A pair of Yupa stambha of Dholavira. Signify div 'light' svar 'twilight' -- deva and asura, worship of devi and
sun divinities symbolising cosmic energy and power.
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The origins of the worship of the Shiva-Linga are unknown. Shiva-Linga has one complete purana which is
dedicated to its form and origin. It may be a symbolic representation of self (Atma Linga) or of everything.
Some associate it with the physical form of Pranava (Om). Oval form represents even the shape of the
Universe including the existing space. The beginning of the oval form is A in OM and prolonged part is U in
OM and M is the ending part of the linga. It is single shape of Trimurti. Praying Shiva Linga is considered as
praying the Thrimurti in absolute form. Linga represents absolute and Single power of this universe. Some
associate them with the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the
sacrificial post. In that hymn a description is found of the beginningless and endless Stambha or Skambha
and it is shown that the said Skambha is put in place of the eternal Brahman. As afterwards the Yajna
(sacrificial) fire, its smoke, ashes and flames, the Soma plant and the ox that used to carry on its back the
wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny
matted-hair, his blue throat and the riding on the bull of the Shiva. The Yupa-Skambha gave place in time to
the Shiva-Linga. In the Linga Purâna the same hymn is expanded in the shape of stories, meant to establish
the glory of the great Stambha and the superiority of Mahâdeva.
In the context of Hindu mythology, stambha, also spelt as Skambha, is believed to a cosmic column. It is
believed that the stambha functions as a bond, which joins the heaven (Svarga) and the earth (prithvi). A
number of Hindu scriptures, including the Atharva Veda, have references to stambha. In the Atharva Veda, a
celestial stambha has been mentioned, and that has been described as a scaffold, which supports the
cosmos and material creation
ṅg ī Ā Āgní Ā Ā ṅg Ā Ā Ā í Ā
ṅg í ī é ' h cĀn Āh Ā āh Ā í n ṅgam 2
é Ān ī Ā Ā h ó Āgníḥ é Ān Ā Ā Ā í
Ā é Ān ī Āāh n taḥ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 4
é Ān ī Āī í Āh é dravataḥ saṃ né
Ā é Ān ī Āāh n Āḥ skambháṃ táṃ ā h Ā Ā ḥ svid evá sáḥ 6
n Āā h Ā Ā n h Ā Ā
skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 7
í Ā Ā āh ḥ Ā āh í Ā āhĀ ṣ Ān Ā 'sya
ékaṃ yád áṅgam ákrṇ ĀhĀ Ā h í Ā Ā āh ḥ Ā Ā9
Ā cĀ ó ṃ c ā h Ā n úḥ
Āc cĀ Ā cc n Ā āh ṃ táṃ ā h Ā Ā ḥ svid evá sáḥ 10
yátra tápaḥ Ā Ā Ā ṃ h Ā ú Ā Ā
rtáṃ cĀ Ā Ā h c ā h Ā Ā h ḥ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 11
yásya tráyastriṃ Ā ṅg Ā h ḥ
skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 13
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yátra rṣayaḥ Ā hĀ Ā caḥ Ā Āhī
ekarṣí nn Āḥ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 14
taṃ ca mr ú cĀ ú ṣé ' h Ā h
Ā ó Ā n ḍyàḥ púruṣé ' h Ā h ḥ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 15
Āā h Ā ú hĀ hú h ṃ Ā h Ā
Ā h húḥ skambháṃ táṃ ā h Ā Ā ḥ svid evá sáḥ 19
c Ā Ā ṣĀn Ā Āṣan
n Ā ó n Ā hĀ ṅgiráso múkhaṃ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 20
Ā Ācc h ṃ pratíṣṭhĀn īṃ Ā Ā Ā n ḥ
ó n Ān Ān é ' Ā é h Ā 21
cĀ cĀ Ā Ā cĀ Ā hí ḥ
āh ṃ ca yátra bhávyaṃ cĀ ḥ prátiṣṭh ḥ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 22
Ā ā Āh Ā í ā h Ā ṣṭh Ā
yó vái t n Ā ṣaṃ ā Āh é 24
yásya tráyastriṃ Ā ṅg g āh é
n Ā ṃ Ā né ā ĀhĀ í ḥ 27
ín ín Ā ín 'dhy r h Ā
índraṃ Ā Ā ṣaṃ skambhé sárvaṃ prátiṣṭhitam 30
n Ān n hĀ ī óṣásaḥ
yád ajáḥ prathamáṃ saṃāĀāh Ā hĀ Ā Ā Ā nn n Ā āh 31
Ā āh ḥ Ā n ṣam utódáram
dívaṃ cĀ é h nĀṃ tásmai jyeṣṭh Āā h Āṇe námaḥ 32
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Ā āhó h Ā h ī āhé é Ā āhó h n ṣam
Ā āhó h Ā Ā í Āḥ ṣáḍ īḥ skambhá idáṃ í Āṃ āhú ĀnĀ Ā 35
yáḥ Ā ó n n Ā nĀ é
sómaṃ cĀ é é Ā Āṃ tásmai jyeṣṭh Ā ā h Āṇe námaḥ 36
Ā h āh ṃ āh ṃ c ó ṇa cákṣuṣ
Ā ḥ āĀ íṃ prayáchanti vímité 'mitaṃ skambháṃ táṃ ā h ĀĀ ḥ svid evá sáḥ 39
é Ā h ú Ā Ā Āāh í Āṃ n cĀ Ā ṇ Ā 44
MEANING:
1)Which of his members is the seat of Fervour: Which is the base of Ceremonial Order? Where in him
standeth Faith? Where Holy Duty? Where, in what part of him is truth implanted?
3)Which of his members is the earth's upholder? Which gives the middle air a base to rest on? Where, in
which member is the sky established? Where hath the space above the sky its dwelling?
5)Whitheward go the half-months, and, accordant with the full year, the months in their procession? Who
out of many, tell me, is that Skambha to whom go seasons and the groups of seasons?
6)Whitherward yearning speed the two young Damsels, accordant, Day and Night, of different colour? Who
out of many, tell me, is that Skambha to whom the Waters take their way with longing?
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7)Wh f Ān , , hĀ S Ā āhĀ, On wh P Ā Ā Ān f Āā h Ā h
worlds?
8)That un wh ch P Ā Ā c Ā , w Ā ng Ā f ,, h h gh , , w , H w fĀ
Skambha penetrate within it? What portion did he leave unpenetrated?
9)How far within the past hath Skambha entered? How much of him hath reached into the future? That one
part which he set in thousand places,—how far did Skambha penetrate within it?
10)Who out of many, tell me, is that Skambha in whom men recognize the Waters, Brahma, In whom they
know the worlds and their enclosures, in whom are non-existence and existence?
11)Declare that. Skambha, who is he of many, In whom, exerting every power, Fervour maintains her
loftiest vow; In whom are comprehended Law, Waters, Devotion and Belief
12)Who out of many, tell me, is that Skambha On whom as their foundation earth and firmament and sky
are set; In whom as their appointed place rest Fire and Moon and Sun and Wind?
13)Who out of many, tell me, is that Skambha He in whose body are contained all three-and-thirty Deities?
15)Who out of many, tell me, is the Skambha. Who comprehendeth, for mankind, both immortality and
death, He who containeth for mankind the gathered waters as his veins?
16)Who out of many, tell me, is that Skambha, He whose chief arteries stand there, the sky's four regions,
he irk whom Sacrifice putteth forth its might?
17)They who in Purusha understand Brahma know Him who is. Supreme. He who knows Him who is
Supreme, and he who knows the Lord of Life, These know the loftiest Power Divine, and thence know Skam-
bha thoroughly.
19)Who out of many, tell me, is that Skambha Whose mouth they say is Holy Lore, his tongue the Honey-
w n Wh , h V , h Ā ?
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20)Who out of many, tell me, is that Skambha From whom they hewed the lichas off, from whom they
ch h YĀ , h Wh hĀ Ā S Ā- Ān h h h A hĀ ng - rases?
21)Men count as 'twere a thing supreme nonentity's conspicuous branch; And lower man who serve thy
branch regard it as an entity.
22)Wh f Ān , , hĀ S Ā āhĀ In wh Ā w , n wh R Ā Ān VĀ Ā
contained, In whom the future and the past and all the worlds are firmly set;
23)Whose secret treasure evermore the three-and thirty Gods protect? Who knoweth now the treasure
which, O Deities ye watch and guard?
24)Where the Gods, versed in Sacred Lore, worship the loftiest Power Divine The priest who knows them
face to face may be a sage who knows the truth.
25)Great, verily, are those Gods who sprang from non-existence into life. Further, men say that that one
part of Skambha is nonentity.
26)Where Skambha generating gave the Ancient World its shape and form, They recognized that single part
of Skambha as the Ancient World,
27)The three-and-thirty Gods within his body were disposed as limbs: Some, deeply versed in Holy Lore,
some know those three-and- thirty Gods.
28)Men know Hiranyagarbha as supreme and inexpressible: In the beginning, in the midst of the world,
Skambha poured that gold.
29)On Skambha Fervour rests, the worlds and Holy Law repose on him. Skambha, I clearly know that all of
thee on Indra is imposed.
30)On Indra Fervour rests, on him the worlds and Holy Law recline. Indra, I clearly know that all of thee on
Skambha findeth rest.
31)Ere sun and dawn man calls and calls one Deity by the other's name. When the Unborn first sprang into
existence he reached that independent sovran lordship; than which aught higher never hath arisen.
32)Be reverence paid to him, that highest Brahma, whose base is Earth, his belly Air, who made the sky to
be his head.
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33)H Āg h gh B Āh Ā, h wh S Ā Ān h M n wh g w h ng Ān n w ĀgĀ n,
him who made Agni for his mouth.
34)Homage to highest Brahma, him whose two life-breathings were the Wind, The Angirases his sight: who
made the regions be his means of sense.
35)Skambha set fast these two, the earth and heaven, Skambha maintained the ample air between them.
Skambha established the six spacious regions: this whole world Skambha entered and pervaded.
36)Homage to highest Brahma, him who, sprung from Fervour and from toil, Filled all the worlds completely,
who made Soma for himself alone.
37)Why doth the Wind move ceaselessly? Why doth the spirit take no rest? Why do the Waters, seeking
truth, never at any time repose?
38)Absorbed in Fervour, is the mighty Being, in the world's centre, on the waters' surface. To him the
Deities, one and all betake them. So stand the tree- trunk with the branches round it.
39)Who out of many, tell me, is that Skambha. To whom the Deities with hands, with feet, and voice, and
ear, and eye. Present unmeasured tribute in the measured hall of sacrifice?
40)Darkness is chased away from him: he is exempt from all dist- ress. In him are all the lights, the three
Āā ng n P Ā Ā .
41)He verily who knows the Reed of Gold that stands amid the flood, is the mysterious Lord of Life.
42)Singly the two young Maids of different colours approach the six-pegged warp in turns and weave it. The
one draws out the threads, the other lays them: they break them not, they reach no end of labour.
43)Of these two, dancing round as 'twere, I cannot distinguish whether ranks before the other. A Male in
weaves this web, a Male divides it: a Male hath stretched it to the cope of heaven
44)Th g hĀ ā h . Th S Ān hĀ n h n h f h w Ā ng.
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ó āh ṃ ca bhávyaṃ ca sárvaṃ c h íṣṭhati
sv àryásya ca kévalaṃ tásmai jyeṣṭh Ā ā h Āṇe námaḥ 1
Worship to loftiest Brahma, Lord of what hath been and what shall be, To him who rules the universe, and
heavenly light is all his own!
ó hĀ Ā Ā Ān n n Ā Āāhí ' Ān Ā
brh n hĀ Ā hĀ Ā n h h ṇī Ā3
Three generations have gone by and vanished and others near have entered into sunlight. There stood on
high he who metes out the region into green, plants hath passed the Golden-coloured
Ā Ā Ā h Ā cĀ é Āṃ īṇ n āh n cc Ā
hĀ īṇ Ā n Āṅkávaḥ ṣaṣṭí cĀ hī c cĀ é4
One is the wheel, the tires are twelve in number, the naves are three What man hath understood it?Three
hundred spokes have thereupon been hammered, and sixty pins set firmly in their places.
ékacakraṃ Ā Ā Ā é Ān Āh ṣaraṃ ó ní Ā c
Ā hénĀ í Āṃ bhúvanaṃ Ā nĀ Ā h ṃ āĀāh Ā 7
Up, eastward downward in the west, 'it rolleth, with countless elements, one-wheeled, single-fellied.With
half it hath begotten all creation. Where hath the other half become unnoticed?
gā Ā cĀ Ā h ā hnĀ n níh Āṃ Ā
Ā Ā ṣayaḥ Ā ṃ éĀ g ĀhĀ ó āĀāh úḥ 9
The bowl with mouth inclined and bottom upward holds stored within it every form of glory.Thereon
together sit the Seven Rishis who have become thismighty One's protectors
cĀ Ā c cĀ Ā Āḥ
Ā ñáḥ ṅ ṃ ch ĀĀ c 10
The Verse employed at opening and conclusion, the Verseemployed in each and every portion;That by which
sacrifice proceedeth onward. I ask thee which is that of all the Verses
Ā Ā cĀ Ā g āh Ān Ā n āĀh h í Ā
Ā hénĀ í Āṃ bhúvanaṃ Ā nĀ Ā h ṃ katamáḥ sá ketúḥ 13
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Within the womb Prajapati is moving: he, though unseen, is born in sundry places. He with one half
engendered all creation. What sign is there to tell us of the other?
é ṇénĀ Ā Ā nénĀ hī Ā
mahád yakṣáṃ bhúvanasya mádhye tásmai balíṃ r ṣṭrabhrto bharanti 15
With the full vase he dwells afar, is left far off what time it fails, A mighty Being in creation's centre: to him
the rulers of the realms bring tribute.
ó é Ā ṇī āh ṃ nirmathyáte vásu
n ṣṭháṃ Ān Ā ā h Āṇaṃ mahát 20
The sage who knows the kindling-sticks whence by attrition wealth is drawn,Will comprehend what is most
high, will know the mighty Brahmana.
Ā g ĀāhĀ Ā ó g āhĀ Ā
cátuṣ āh āhóg Āḥ Ā Ā Ā āhó ĀnĀ 21
Footless at first was he produced, footless he brought celestiallight. Four-footed grown, and meet for use, he
seized each thing enjoyable.
Ān nĀ nĀ h únĀ ṇavaḥ
Āh é Ān ó Ān Ā ḥ 23
Him too they call eternal; he may become new again to-day.Day and Night reproduce themselves, each
from the form the other wears.
ā é Ā Āṇī Ā Āṃ néva dr Ā
tátaḥ páriṣ Ā ī Ā ī Ā 25
One is yet finer than a hair, one is not even visible. And hence the Deity who grasps with firmer hold is dear
to me.
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iyáṃ Ā ṇ Ā g hé
yásmai kr cĀ Ā Ā Ā ḥ 26
This fair one is untouched by age, immortal in a mortal's house. He for whom she was made lies low, and he
who formed her hath grown old.
tváṃ ī ṃ ú nĀ ṃ ī
tváṃ ī ṇó daṇḍéna vañcasi tváṃ ó āhĀ Ā hĀḥ 27
Thou art a woman, and a man; thou art a damsel and a boy. Grown old thou totterest with a staff, new-born
thou lookest every way.
eṣ Ān nī nĀ ṣ ṇī Āṃ āĀāh Ā
Āhī ṣáso v āh ī nĀ nĀ ṣĀ í cĀṣṭe 30
Brought forth in olden time, the everlasting, high over all that is was she, the Ancient. The mighty Goddess
of the Morn, refulgent with one eye, looketh round with one that winketh,
n Ā Ā én ī
éṇemé vrkṣ h h Ā Ā Āḥ 31
Known by the name of Guardian Grace the Deity sits girt by Right.The trees have taken from her hue,
green-garlanded, their robe of green.
ánti sántaṃ n Āh n n Āṃ n Ā Ā
Ā Ā Ā Āṃ n Ā Ā n ī Ā 32
When he is near she leaves him not, she sees him not though he is near. Behold the wisdom of the God; he
hath not died, he grows not old.
Ā éṇeṣ cĀ Ā Ān Āh Āh
Ān ī Ā g chĀn h ā h Āṇaṃ mahát 33
Voices that never were before emitted speak as fitteth them. Whither they go and speak, they say there is
the mighty Brahmana.
Ā cĀ Ān ṣ c n āh Ā ḥ
Ā ṃ úṣpaṃ prch Ā n h 34
I ask thee where the waters' flower by wondrous magic art was placed,Thereon the Gods and men are set as
spokes are fastened in the nave.
ó Āṃ vítataṃ nn ó ḥ Ā ḥ
Āṃ Ā Ā ó ā h Āṇaṃ mahát 37
The man who knows the drawn-out string on which these creatures all are strung,The man who knows the
thread's thread, he may know the mighty Brahmana.
é h ṃ Āṃ vítataṃ nn ó ḥ Ā ḥ
Āṃ Ā h ṃ h ā h Āṇaṃ mahád 38
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I know the drawn-out string, the thread whereon these creatures all are strung. I know the thread's thread
also, thus I know the mighty Brahmana.
Ān Ā h ī Āgní Ā hĀn Ā ḥ
ṣṭhĀnn é Ā Ā nīḥ Ā īn Ā í Ā nī 39
When Agni passed between the earth and heaven devouring with his flame the all-consumer,Where dwelt
afar the spouses of one husband, where at that moment, where was Matarisvan?
Ā īn Ā í ṣṭaḥ práviṣṭ ḥ Ā n Ān
brh n hĀ Ā hĀ Ā nĀḥ Ā n hĀ í Ā Ā 40
Into the floods had Matarisvan entered, the deities had past into the waters. There stood the mighty
measurer of the region: into the verdant plants went Pavamana.
Over the Gayatri, above the immortal world he strode away.Those who by Song discovered Song--where did
the Unborn see that thing?
n é ĀnĀḥ saṃg Ān n ṃ Ā Ā Ā hĀ
ín n Ā hĀ Ā Ā é h n n 42
Luller to rest, and gatherer-up of treasures, Savitar like a God whose laws are constant, hath stood like
Indra in the war for riches.
http://hara-hara-mahadev.blogspot.in/2009/08/atharva-veda-x-78-skambha-suktam.html
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