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    2019年06月真题解析第2套

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    六级真题及解析（1990-2022）
    2019年06月真题解析第2套

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    2019年06月真题解析第2套

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    六级真题及解析（1990-2022）
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    2019年06月真题解析第2套

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    2019年06月真题解析第2套

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    17 views56 pages

    2019年06月真题解析第2套

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    六级真题及解析（1990-2022）
    2019年06月真题解析第2套

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    © All Rights Reserved
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    2019 #6 AAFRIEKASKAMS RIM (S—B) Part I Writing AMBKAPHABRMREHEEH 9 eS (5A LEAR) pe 3 “SAAMI R RE eS “SR ARMTRRA tolerant a. RSH, AS 45 respectful a. 4 4L 90.65 » & ak 4 ; with dignity HEF Ad sympathetic a, 44% FH a hold sb in high/great esteem 4 Pak # RA with sympathy and understanding #4 1H 28 have a high regard for sb/sth RA (AE BR have great empathy with/for sh/sth A /4588 51H never impose one’s will on others be forgiving of others’ difficulties RIKBAH MAL —-RALAAB SRM TA put oneself in sb’s shoes it is the common courtesy to respect others RIRLARAGA RLEE AORALE BHR share opinions and emotions with one another have deep respect/admiration for sb/sth PF th te 18 eS SRA PARR tie 8-8 F ERHRSETELRER, PIP MRA HER Ahab ah 5 PE Oia PE HE RISK ADL ILA LAR AREA AR LR TIE, FW LAR # WL FSRX BSB SEX @ How to deal with the complicated interpersonal Dime aL ROARK ABAR relationships always remains a major worry for most of us. | ADA S MAW KM, OBER ich us to tackle this | SAN AFAR — HR 1H HE HHL daunting issue arey almost without exceptions putting A shaltde HAAN 2 HEARS IEE, = stress on mutual understanding and respect, the | #6 ERMMEAS Har. signifi nt. @Mutual understanding requires us to put ourselves in OMZAMLLAMERE SSH ARAILA DH AEAL, Diese RAMEE doing so, we will become more easy-going and accessible, and RBH MARE HLA, Mh RTH RAP Ral th oh 5 RCH with others, @ common trigger for a failed relationship, KRLARRHELRA). OREAAH ®Wise words or books that aim 10 nee of which seems self-ev each other's place and be forgiving of others’ difficulties. @By thus more likely t0 avoid unnecessary conflicts and fri AAR: Reem @Mutual respect—for privacy, lifestyles. hobbies. professions. opinions and the like—helps create a friendly atmosphere that | encourages us to share and exchange our ideas openly without the fear of feeling offended, OTo sum up. this principle of socializing is certainly a prerequisite for healthy and stable interpersonal | relationships, @Neglect of it will lead us to end up being estranged from, or even hostile to, each other. mcm: of daunting [‘dointiy] a, RE # ARAB HY friction ['frikfon] mn, SE. Ae self-evident [''self ‘evident a. #E HH), Riz AO offend [o'fend] v. Wt .ik 2% forgiving [fo'gvi)] a, ES). hina prerequisite [ pri:'rekwizit] n, Wat. 2k fe tt ‘easy-going [i nuit] a. MM fot By Aa ae wy ‘estranged [1'streind3d] a, Mi& #9 accessible [ ak'sestbal] a. BLAM hostile [‘hostatl] a. BA MKH MH. KALA mais «of One of the most beautiful qualities of true friendship is to understand and to be understood. (Lucius Annacus Seneca) REMAMMH LAG RATA AREER, RELM REHM RAM) #When two friends understand each other totally. the words are soft and strong like an orchid’s perfume, (Martin Luther King Jr.) MAZ MERLE AMAL ATER ELLOS EMEP EM, CHT +) By mutual respect, understanding and with good will we can find acceptable solutions 10 any enhower) problems which exist or may arise between us, (Dwight Davi EMERGES LA ABA ATTA SL hE RAE RAS AA He POO He ATM. GRIRAL + Rak + Lak Ra AD RRAAA IR 1 4) 2 REA: RE Part If Listening Comprehension Section A Conversation One 3¢ 8) {8 1 92 18 + #25 foliday was more famous than|2, A) Her unique per: lity. B) Her physical condition, Audrey Hepburn had more female fans than) ©) Her shift of interest to performing arts, male ones, D) Her family’s suspension of financial ai ©) Why the woman wanted to be like Audrey Hepburn, D) Why so many girls adored Audrey Hepburn, person. 4, A) She was influenced by the roles she played in the films. 1) She was modest and hardworking. B) Her parents taught her to sympathize with the needy. ©) She wa going on the whole, €) She learned to volunteer when she was a child, D) She (RRMA MAG) 1 GAA IA Why HIN AM LAE AD ERE LE A RAEEE TE-PRMAMTEMART SRAM - MEZA M GQ 2. CRM ARE ABM Her THAR EMP HRS A ASRS LE KAA ARAL SHAK TAMA THAR - PAE ORE AHR, 3. AE 1 MEAL She THE AEA AE AR SMT ABA LES AOR IB LU HA AT AR AAT He RRR REA SHEE, 4A ATE YA ES 1 MAM ERM She PRAM + MAL AES BCD 2ABLOMME TAME ILA RITE A MH) RP OD A TH ALT + A (HAMAR RUES) AAP RL RY — FERN REM AMAA Audrey Hepburn Roman Holiday \Break fast at Tiffany's fans, performing arts, filmss = ti #48 % Aik unique personality, outgoing, modest and hardworking, easy-going, optimistic, 2, & % ¥ & 4a X AK sympathize with the needy,volunteer,benefited from other people's helps 4 8 AX 3k 5 95 -% I MR AUB + i AGL AAMSRS ARMAS. VSR 1-W: Wow, I would give anything to be more like Audrey Hepburn, 1D) Her family benefited from other people’s help. 2M: UL never really understood why so many girls were such big fans of her. I mean, I've seen the famous films, Roman Holiday. Breakfast at Tiffany's and a few others, but I still don’t fully get it, Was she that great of an actress? 3-W: Well, for me, my adoration goes beyond her movies. She had such a classic elegance about her. She was always so poised, in part because she spent years training as a ballet dancer before becoming an actress. SPOS WH + HAAG AY, EIB ARIZA: Wow. I never really understood why... I mean. but... Well, for me... in part because... . #01. i] :give anything to be more like, .. so many girls... big fans of her... famous films. .. beyond her movies. .. classic elegance. ..as a ballet dancer before. 1 BERGA MAM FEZ HH. Wow BEB FH AILEY slike Audrey Hepburn #848 ATR. 2 ABER GAMA AM, I never really understood #48 4] st B £4 KML ALK AEH HB so many kirls,such big fans 2 a 42 Fk BAA, T mean EAE, BL aK -k HAAR: Roman Holiday. Break fast at Tiffany's BRAK IE LAE AA but RAPA 41 still don't fully get it) 0 58 AAR a FP 3 RN RAE") BIRLA 5 ATX L never really understood *f# JER LAAN ALL AR, 3 BSCE APRE RAED, Well. for me PEGA OR IEE AEM 3] dt kek a SAR A 4 A sadoration Ih" fet AL" HT AEH K such big fans of her that great of an actress HAIL, She had such. .. She we hoy a Sa oH aA HY Ih AU EP poised Ba" A MR A ARE A. TA elegance 49 38 AM in part because #1 A AJIT HA AIK HAE spent years training as a ballet dancer 2 $i e Mk. 4-M: Why didn’t she stick to dancing as a career? 5-W: It scems it was fate. “She suffered from inadequate nutrition during the wars and therefores a career as a professional dancer would have been too demanding on her body, So she focused on acting instead. Roman Holiday was her first big break which made her a star. ‘PAAR ATES MH HR. Wi ¢R IAI: Why didn't... It seems... and therefore... So.... Bedi X Hfate, .. inadequate nutrition, . , focused on acting instead. .. Roman Holiday. .. first big break. SBSLRABARRAWO MA, dancing RBG LEELA GYM MARFA IH MAD, stick to (doing) sth 4a, sa sm 25", SRKAMAAD' SARE HT MRSA. Inte CIM TAI HAIGH MA. sulfered from H% “ih 2S CIM) ALS" sand therefore 48] 31 G1 ,t00 demanding on her body aC+2i6A8 Jf Gk BAA ARR FAA KEIR 75 IRAE, SoH SR AR ARCS A BG Bot AHH (instead BPAAEIRD. her first big break. star ik 48 HF 3 4 2 YP a AMS A 6M; Was that the film that opened with her shopping for jewelry in New York city? You know, the sscene she was wearing a black dress and dark sunglasses with a pearl necklace and long black gloves, I see the photo of her in that costume everywhere. TW: Nos that one is Breakfast at Tiffany's. That costume is often referred to as the most famous little black dress of all time. Her character in that film is very outgoing and charming. “leven though in real life, Audrey always described herself as shy and qui REMARTSABAR ACMA MEBSARERMSH. Wisc though in real life... #248 XH : shopping for jewelry... wearing black dress... the most famous little black dress of all time, .. shy and quiet. ORBLRLME BH iH PB RIA. Was that the film that,in New York city $4948 #1 MBH IH #87. You know, the scene #4. 4] 4-447, everywhere 4 LEAR MK MMT DM HL, TELM EARABAS DRE MER, that one is HM Hike AAMAS — HE BOR AH FAD, is often referred to asC atm) 1E AAA ooo) 4 os RAB" A HB $e (most famous,of all time 2% EAB), even though in real life HIER IAF AEA. 3] dt Rh IL vas shy and quiet Mak Hak AA KALE POH, You know the scene... even 8M, So what did she do after her acting career? 9-W; [She dedicated much of her life to helping children in need. Her family received international aid during the war when she was growing up. I think that left a big impression on her. That's where T got the idea to volunteer for children’s charity next weekend, 10-M; T'lljoin you. 1 may not be as charming as Audrey Hepburn, but I'm all for supporting a good cause, SMA BAUER A), EWARIBIA So what... 1 think. you... but Pm... #48 SCH: helping children in need, .. children’s charity. . . supporting a good cause, 8-9 OREM AHMAR IS AM, So GH MIE AB] bh IM FIM alter her acting career HA B15 6 HFT) PLE AE A. helping children in necd 4183638 FER ALA AG MH SA MILE. during the war #9 ik HAR HF] dh A 4 AF HM AB (when she was growing up)+] think that 215 HAF HE leave a impression on sb SAHRA DEH R, That's where I got the idea, ., Pll join ceived international aid... volunteer for 4 REAR: Ree 10 RAMA TAA. That's where MRAM ke Rw HM is ah Mk OD AR Ie aD TS & children’s charity next weekend Xi % volunteer to do/for sth €4* HASH. GLARE", FE 94 1'll join you FA, AWM KATA be all for sth ALLAH LAL", Ciel st ar) QL; never really understood ik EAA TR“ HEM ARM, Q2: prevented Audrey Hepburn #348 5 iA" BLAF" professional dancer Eka Kop A AE AY" se UHM”. Q3: Audrey Hepburn in real life Li, MEA TR RK AE PHA" QU: charity #48 alter her acting carcer FARA AMM EAA AMA LYE HATH”, ABER MARAE F tt tA7 NAMI SRA FLEW ERILALL, | OAMLEABRAEM HEH, B) AAT HE AK ek HE ES DATA MEARE A MAL (AQ REA) FH 3] ARAL + HE 49 3] He ECL never really understood why). (HRM) D)o ME +D) ALASH2AKLGE RARER AMS SAARC RE WMA), ADAH 2H Roman Holiday. Breakfast at Tiffany's FRAP HARA HS Au. BAH 2 IR" A AT 40 It Fe HA RRA EE AOL PRM A BRE. CH REEBOK EM AT LRA EM MATH HSE OR EME. 2, TAAL TB + AE RE A aR Adib Hy AAR aL, CH AE AREA, Bs HAR, D) 8 Ah ik ape Hh AI, (CMOS A] FER AB ACWhy. .. It seems...) [ERA] B), BRM MICL LA LAA AD ARASH II EH SOE MARS Fe APSE HE AW kT He akAHS HHO RIN”. ADL 7 SCAT AR A OH Aa AR A A HR A A SRE RA ARK A. CAR SDAA CS AAR BAB a AA ACRE a AB A AEG RA AH". DAH 9 LAE GA RANE RAR ONE AHH RAL aha LE 3. KFAREAPH MRM - ARNT MMA? ABER D IMMA, CH RIL MA, BAAR THB A. DAME RA A RA. (CRE A) i HH AF Coven though in real life...) (SRA A). RAK TOMAS ASHE A CARE — AR EAR AO BABE shy and quiet 1382 not an outgoing person. B,D) Ab A A 2 EE Hem RAE" 5 AS A BLA ABS bo DE APE RA BARA A AAR IE ARSE A RG A HO ate PE AE RA. CA A outgoing" 4 FR #9 916 "AR sE tt easy-going" EAM ArH Ard” Meat ie Pt AAER LA 4 RELERR A RAM PKAMELS RAE Ww? ADL SI BIR HY BH Boh Ch Fat SALE BTR HE ETA, Dy Ht KALA FHA HE REA: RE (iQ) BS AR X A ALC think that left a big impression on her), (RMAF) D) ME TD) EAM IH 9 iTS oy HRA AAA OR ER SL RID, RIL FT RAR MAYS RY REEL, AD AMARAR AMOS MALY GRE AES i] ALAR LP LAE DAM, B) aE 9 FET think that left a big impression on her ‘P that #748 1248s AR ERMAN DE LAKRERKE MBA, CHB 9 RATE MAD OR EBS RARE Bos a BALE, eek T RURAL + AAR SEE A ak FA, RAS IEA NEE I Hh Zak de Se RANI AP, ROE OE AE a mB A BT CF GMA LLM PRIA RR LAG H ARMA EAU, MRM ZMK A? KCAL HOT EA CER EEG Ib, A A RM, RRO AR RAL REAMAARARHAM ARSE SEE RAH, Ah AT EAE AE LO? FASE EM, RSME RA LAAT FL TRA GLB TE te ek Ai, CF MA be — MT A, Rh VL fe i 85 ERE TEI OY A Sh ANF A ARH EA RA Ok ae RO FEE, MHEMH TAO MAMA TR, KR BRE LE OPED EGE, MARA ERR YA LARLES Ho) Rie, RRA MSY MEM A GEM I PALA RARE IS PA RA TE EAA BMH RE RBS GLUT Ht A? KMAKRAMARAN TE MAELO RTP, AMM RELAY HEAR PM i SSE AR, RMRCMATTRAOR, ARATE TALES A Lams Be AR, FRIAR, RTA RAM AIA AO RAN ak, Conversation Two #24] KILI 5. W Gen mana A Wo Ga esa or 1) Rsne nome question B) Ie wl ase productivity Ci Sats oe cones ©) No waft wil be dwar D) Attend board meting D) No mew staff il be ed 7A) The timeline of etructaring 3, AD By sranding thts own dena uont mamagen 1 ‘ha ra ot ean B) By cling questions the man or the woman 6} Tie soemmantonie chee ey expan io nat ot cca 1D) The company’s new missions. 1D) By visiting the company’s own computer network. (RAR) 5. ro BIMAT A 5 Hh KATIE CLD Bh AIRS a)” te EH SH By Fah / eK ML GRAPES — FA MIHAL MF ih ARB (we M/A) ATA. 6, BAGEL CBE A IRA RAR HL EL I 2 ae EE MAE AAA BEA TASB 22 AD AAR AB TD AAR ARI A AR 2 eR AR A RH HARDRAORAR KAD B.A AAR GEA AG AL IR EA CR ly 1 8 eA A A TRE BH A SUA .AP their own department managers FAL -F Pr MAE RH“ 43k HX”.D # own computer network YRERRH LRT SLL HMM A HARI AMAL/ MATRA RES A. (HERSRARMED) AARP RLEMHAMMARY THK, —\ HATH MAAIK Start a new 6 REAR: Ree company cut production costs, raise productivity staff will be dismissed/hired, restructuring. new missions: 5.4438 MX ASK channels of communication ALHLAADLER A A/RRSAR, nsulting emailing visiting, .. computer network, "4th 1-W: So, how is our presentation about the restructuring of the company coming along? 2-M; Fine, I'm putting the finishing touches to it now. 3] HH 2S Fy SECT HAN SE MR ARR. GHWBARIZ HW: So. how is our presentation about... HEX i: our presentation about the restructuring of the comps KEM EGE So GARMIN AO] RII, FETS Pp Fine now FR HICKS ‘#3 AEA .put/add the finishing touches(to sth) 3" 85 3 fF RG 04a © 9 ak A 0 se A OF a STA BE AS AAA finish 6 39 La I An Oy KA Mz... But we'll have to be prepared for questions. 4-W, Yes, there's already a feeling that this is a top-down change. We really need to get everyone on board. 5-M, Well, there's been an extensive consultation period. 6-W, I know, but there’s always the feeling that if it isn't broke. don’t fix it. RIAASAH-TIE-ALSSMAL. BiBARIP A: Bur we'll have to... , Well] know, but... 6 $uFH IL :prepared for questions,a top-down change, 3SRAABERRCMR—-AA HI. But (prepared for) questions 2k BEBE ih & 46 RSANCAMEAH—TIM- RIA RFLSS. £. a top-down change( f] EF #8 Ak FE) VARIA Fo AE AR Gh ME prced HIk A ty HB, 5] Bs 4547 44 get sb on board BH*IERA LS it Ry te AGE A", Well $48 3] 4 9 4:65 68€ sextensive consultation period 2k 3k & BARA A ME th" Hh LAWL ARE Pe HE ONE RAR AHL SD”, MUG GIE L know, .. always the feeling 3] 8 Saf HL Aik Aa RAL BRAY that, .. don't fix it BO HAR OP don’t Hak ALIMAMA HAE AH KR. really need to get everyone on board. 48584 have 10 EIR EA BAREE", 7-M; People are worried about their jobs, too. [II think we need to stress that while there will be some job changes, there won't be anyone getting dismissed. In fact, we're looking to take on more staff. 8-W: Agreed. You can hardly blame people for worrying though. We need to make it clear that it's not just change for change’s sake. In other words, we really must make the case for why we are doing it. RUYAHSANH—AIM: RIB RE TE. BARI :People are... In facts... .We need to,,, In other words... . #08 KAM :there won't be anyone getting dismissed it's not 100... think we need to, .. just change for change’s sake, TROBE RAAT S—TAM: ATW RTH. worried about HHH 6 sk 51 BAM dik 6 AEC AK) LA obs RAE RG Z), TROOABL MH LMM RAT. stress thar 6 HH 4] HICH A IA AE. some job changes (changes #8449) VS there won't be anyone getting dismissed (won't 8) 4Bik “ik 3 —AbAR "35 AL BAL “RR EAHA LH AAA. In fact LR GH 5] th A) ARH Ht AI HB "(more staff a FIR), YAR B“ th LAK" stake sb on JLALIE IPH ALM HAC =hire)”. SRALRTAG, JHE AMAA AL, Agreed IAEA AM KL HM AA MWe need to make it clear (P48 48 ik ke Ab K LILA for sb’s/sth’s sake % for the sake of sb/sth) A" TRA/ KA 4 4". In other words 3] # at E49 #4 make one’s/the case for sth 4" FI it PGE P why 150) Ae RAHA “JE” :why we are doing REAR: Ree 9-W.... So what's the outline of the presentation? 10-M; “Til start with a brief review of the reasons for the change that we really need to make a clean break to restart growth. After that I'll outline the new company’s structures and who's going where. Then I'll hand it over to you to discuss the timeline and summarize and we'll take questions together at the end, Anything else? FATA A BAIT MAHER. MARIZA :. So what's the... I'll start with... After that I'll... Then TIL. .and we'll... at the end, #48 :outline of the presentation. 9 BRAKE MID WIL IRAER, So MFM RR HERE 10 BRERA ICIAAEM, $67 4-H W'll start... After that... Then... (3 that structures 3) J+A AREA HAS 239 ik FL, A BILALHM, brief review, outline the new company’s structures. who's going where.discuss the timeline and summarize 49 £8 & 2 HH 4#H.%. clean break to restart growth © GRRE EF 4 4 shand it over to you MAM P you FR) Ha F dy Af A K do ded shand sth over to sb SAHRA TO BRELA, 11-W; Oh, yeah, we should let the staff know the channels of communication, you know, who they can contact or direct questions to about these changes, 12M; Yes, and we can collect some frequently asked questions and present some general answers, 13-W: Um, and we'll make the presentation and the questions available via the company’s own computer network, right? 14-M; Yes, we'll make a page on the network where staff can download all the details, PAHO AL AD Te HE AN “HO TLL BR A IE A. ARIZ HW: we should, .. you know, Yes, and we can... Um, and we'll make... Yess we'll make, #138 i :let the staff know the channels of communication available via the company's own computer network. 11-12 BAM RIM AY REAM, we should #28 #] dk de & THB RA H LR. you know 3618 L444 F-aF the channels of communication + vA AFF about these changes Hak , Bi" Ks zk a #984". collect some frequently asked questions, present some general answers 4) $i, HEH RRA, present sth to sb(present sb with sth) A#"#F , MERA LAH", 13-14 BEB R35 WARE @ EAR. the presentation and the questions ak #2, MLM A PEAR AR FAME BEAR AL 3] a RAE AL a Oh available vin 31 BAS 4 RCRA, RAIL own computer network a page on the network 4 126i 4 ,all the details Eik RiB“ a ek + A A" Ae OG A RE AER, 15-Ws All right. Perhaps we should do a practice run of the presentation 16-M; You bet. BERLE SLIM SEK. GIBARIBAM: Perhaps we should,.., BUDE XM il:do a pr presentation first. Perhaps we should 48 3] d: 81 first +H 8h i M1 RH LAP aK HAL A You bets "HR, BR RRND AER bE Cia) ‘e run of the Q5; What is the man going to do? Q6; What does the man say about the restructuring? Q?; What will the man explain first? Q8; How can the staff learn more about the company’s restructuring? 8 REA: Ree QS: is... going to do Pik (going HH) RK AMAA SEAL MLB" Q6: say GPM MT A ATR A He ATR the restructuring ALIA B. QZ: explain first G5, MAL -F i 1" AE AE” QB: staff £ik & AM HH MER sthe company’s res 7) Sst 5S. BLAM MA? ADE ICAL, OF AMAA. BALE D Smee RRL, (i883 A] 2 4 414 AL Chow is our presentation about. ..). [SRM AL HEE PLM MEATS MATRA RMR BERR EEA 46 #539 &1'm putting the finishing touches to it nows 4‘? it 42% presentation) . TRH LALA 5] AA, APIA ER, B)AES 3 EL Mh Oc“ 1 97 Ak A AG HY CARA Cwe'll have to be prepared for questions)” HAT OOF A. CARR PAA] MA ICI” AE RMA", D) AL ALT GE ger everyone on board(ik A ® AK HS at KARE HH a board meeting. 6 KFAABL, BERT HA? ructuring BAR Rie ALP, AERA R APRA, : OA ALAR, BERRA AAA, Dk Aa AT aA (RMSE A) RAE AE ALCL think we need to stress that). [SRM] Cle CHEK 7 HER A MTA Sk MOA (there won't be anyone getting dismissed)". A) \B)4I 0% 10.5 restart growth Aik He" MRR AAA AEA EAR Rh PAD AE AS. DHT REE RMARAM ES HHI. 7. BEARER EHD AAR. Oma Re, Bate DAA eRe. (iQ A) BRAS) ECT start with...) [SMA] B). MF +B) ALLE LICH H —F T'll start with a brief review of the reasons for the change.3# the change 4% £424] the restructuring of the company, A).C)F AFH 10 KAO discuss the timeline 42% 11 4444805 the channels of communication 123 && TH —H shat A BEB ERNE ARGH GHG AAR, DAB 10] A “MAA HH RH (the new company's structures)” $F A 4128] #4 #48 4 (company's new missions)”, 8. ALGAE TRE SA MMA? AMLFHAM ALAN MER. CMR K SHH AR, Bk BERKS AME. DaLFAAT ACH RRA, (i259 EA] F X49 F PLAC Cmake the presentation and the questions available via. [FRMH]D). BREEWARLHGALATAALARACRHAR TEM HL RMD ARAL ER, TRACER AMT MA ACEH, A.B) AH 11H who they can contact or direct questions to about these changes it EMM MAR SARK PAOLA CTS HR COHEH LL Re EAA RAE ML LT MH IK Cet the staff know the channels of communication)" A "2% RSM RG, REAR: Ree Ke IB Ze BA a A 5] AE IC AR MR oT? FH RANTLE OE. KALAMA EAA EH AA KLM CEREPAL-AKGLGFHLET. AMATERLGAAMA SER, BiB Cait AMT, KAM G EAA RH GRRE. BKELMM ACHAT, RLPGNARA-TRRSA-ERER SH, MEHBEBBRS HOR, KE, CRERAMARAML., ANGRLAROA KART RAGED, ROA AMARA LAAAMRRE, ML SAMO RA A? BARLGALAG OD ATERRK MME ERM MR TO, ARSE FHS ah ier RMA WS AAESE. KG RLM HE FIERA BE RSE Be AAR By MA EA RAE? eR AT RA A A ik AP ey A i SE ATT A RH FLAG A AAT RH EAE KR A kB A ASML A A Leb i kA ASIA GM he? FAG ANSAA MKD RRL E Rt, eA, AAT AH A He TC ARE. Ba RARE RARER A. FHL Section B Passage One 13H 892) 032 57 i i aaa 9. A) It helps passengers to take care of their pet animals. |10. A) Avoiding possible dangers, 15) Tr has animals to help passengers carry their Iugeage. B) Finding their way around, ©) It uses therapy animals to soothe nervous passengers. C) Adentifying drag smugglers. D) I allows ers to hay ly travel with them, | _D) Looking after sick passengers. passengers seared assengers 11, A) Schedule their flights around the animal visits. ) Keep some animals for therapeutic purposes. B) Photograph the therapy animals at the airport D) Bring their pet animals on board their plane, (Ca A) 9, 4% LILI A & 4h — 3h 4h (pet animals/animals/therapy animals) 4 & % (passengers), 8148 6 Tt 1A hh AEA AH CA) A 3h hy HAO AB 8h CBC) A ab th a LCD). ee Aho lt GRAZ CMG SR BB, MAK SMM MAH )AH. 10, 8583) 3 Veing 98H) ARAL IA / a t/t A Bb BAA ATR AEH / BAER AE DD) RAY RES KABA animals, TAM AAA (1 ATH ABT AY EE Ss / ERED 11, & 3) 4) 5hI0 4058 RR ATH / BME. HH AB Schedule their flights.D 2 board their plane 74028 4 EBA CHAE | BIBI A 3h animal/animals/ pet animals) ; T4184 8 34 FAIR (SAB WIAA )ITA. (A Ri EME] AM oh IGT wR 5 EM / th HF ADK, passengers carry their luggage travel, flights,airport,plane 4 += 45 #44%48X .(pet/therapy) animals animal visits #. THM A LRPMMBAF RAH OM MERU RA AK. 10 REAR: Ree Sr it Se AY AS (A HH AE HEY TEA ARB. FRIAR IZA: Airline passengers... flights... passengers. #8 XH; have to deal with a lot... general anxiety. EATER, V-ing SDB AALI. AIG Airline passengers HHRMA LE UH ARS IA, lor & ERE HH ato ALS BHA ALG AE Cget/be bumped from a flight 38° % T 4” AK A MA A He A ESA") TBAB HB .on top of tne IPL SE ASE A FAL] EGR LA RE / AR ER KR IR JB” general always & 2 AACA, TW [At the Cincinnati/Northern Kentucky International Airport, miniature horses deliver a calming force two times a month. Denver and Ruby are two of the 34 therapy horses brought in from a local farm, They can usually be found in the ticket counter area interacting with travelers. TARE MR/ LTRS AR HMB. wiwRiCi Airport... . is SGI :miniature horses. .. calming force, .. therapy horses. .. interacting with travelers, DARE ALI AYER BF ARS HAIRED, RR RAP ACI miniature horses Fit HK HE FAH (deliver a) calming force dK ik RAE He AAR AEM — GRA aA HAE ODA TBM LAT SOKO LEHR. DA Denver, Ruby Ei HH MR" Hh” — HH 4635 sbrought in(4] A, $I) Ks AF 98 3] tt eH a RR $38 9 AHH HH 34 DEH. Ay usually.ticker counter area Bik A816 7B 6 FEA — 8 EBM EH interacting SRR LAGAL—SRELS. the Cincinnati/Northern Kentucky International Ill More than 30 airports across the country now have therapy dogs. San Francisco has a therapy pig. San Jose, California, began a dog program after the terrorist attacks of September 11. Since its beginning, the program has now grown and has 21 therapy dogs and a therapy cat. TBRDS AMSA OAM. BARC : More than 30 airports across the country no Francisco... San Jose, Hels 48] therapy dogs. ..a therapy pig. ..a dog program. .. therapy dogs... therapy cat. DAV H & RILIF LET HAIFRe More than 30 airports.cross the country Fl & HHH ALBA 4 $I across the country #3] HH ik 6 FLASH now, therapy dogs. HA iH XA ATH AES AA, QMPBIAS WASHES. San Francisco.pig HALLER. ikaw, DOANBE MBNA AB, D4 CH San Jose.dog terrorist 44 KI MM TAB ORK KAT A911 BHAA”, DE LH 21 BM WH AMES F HAA cat RANA FARE IE A AL WiRA DEIR. IN| The animals don’t get startled, They have had hundreds of hours of airport training, so they are used to having luggage and people crowding around them, These professional animals are probably St Bh MR FT WG HSE” BEA”. WIR ARID A: The animals. .. They... These professional animals... . $0 IGAM [nor] startled, .. training, .. better at finding their way in the eirports, OOAMH MRT METS MU, ABBR. De The animals HAMM LLG Rew RET HS startled 6 tk 6) °F 5 ) NEAR IEE GR RAP ROR EHR". O4 hundreds hours training Hk HA CALM SW MEA TK wb OO SB ps0 FT AER RG EAR A Hots BB af & (crowd round/around. .. BRA /MAR A"), DATBRRH HA MIBK. are Lk RAMS BK, 2 KH M most (frequent of travelers) ##. TANGA 3h A I HF HB 05% Ak He} —— HARA EEE TIGA, 'W The passengers often say that seeing animals makes them feel much better and helps them to calm down before a flight. This little bit of support can sometimes make a big difference. Some passengers enjoy the animals so much that they call the airport to schedule flights around their visits. ‘Hie AT A Bh A IE HM, ARICA: The passengers often say... Some rt REA: Ree passengers... #t) HX 4: feel much better... calm down... support... enjoy the animals... schedule flights around their visits. ODMR HS RA DOB ARORA, De says HM ROE Ae feel good Ht 35/4 ML) scalm (down) 4k 381 49 4h Mt RH ACH AH RR, DA little bit of support VS make a big difference abit & Bh a IF RE A, DAL BI ie Be Hy (EE SR a A ME ah Bi eB) at — 2S Bh OI §D¥B AE, Some (passengers) RM FAM HRA B LE HAT Asso much... (that...) call the airport... shedule flights a B81 RA eo SE 5h OE IO hte AE A, ADFE TERA SBS Hh A HE” BR a Ph ET AF "FARA HD: also. .. the horses’ schedule, .. Their owner is already working on a new ides... . ul Xi: Visits to nursing homes and schools, .. therapy animal, . . donkeys, OPP Bis BAK MIE. Visits to nursing homes and schools #14 / AQ MATL, EO Hs FG LA are,also HKLM Fi6 # B 65H M.LAE (be a regular part of one's schedule RAMA 444 —3R >). DP Ba HH Bh 9 HE AF HAY FE 5 alrcady 1 ih RH A Se A oh ITI A eH aE donkeys % a new idea for a therapy animal 65 B21. 6 ik 21839, Cie S47] Q9: #416 48th the Cincinnati/Northern Kentucky International Airport, +2 © 3k4E ALI 9 48 Pet B Q10: trained animals capable of doing .airport ‘ik A #] AM i af RM HE MO hth” oh RH “He A” ALR iB ah eI eR”, QU, £4 some passengers MAE Mat H. 9, EAB / de 5 HE RRA tt ZH BS Ah? AYE RE MU HH CER Mh HE I RA TRA BYE RA AM MES AF Sb, DYE Ast RH ah ah a AP Case AR) SF AS 8, LF AL / AK 4 Jh-9B HEC At the Cincinnati/Northern Kentucky International Airport...) CERMA] C)e CHE EAS HE MIs ER RM 8) AER HH 38 Cmniniature horses/ therapy horses) 46% ik #4 % (deliver a calming force). % EM. A)4 11 4€ miniature horses KER AEA” LY RAS" Hh HILAIRE RE My, BY AAMT luggage horses donkey XA BIR“ H/F ALTAR BETH. DIAL AK passagers animal 2 IVAEM KY I AA AM CRAP ah at A 10, SESE AO 3h HAT EAT LAE LA HE 7 ARATE AEE, ORMER LE, BAB. DA HH RH (AGERE A) fF 188A /EHAL (These professional animals are probably better at... than... CERAM] B)o IV ARG REE NEL THI TRE REE RE THK BASEL HEAR. A) COPMAM EDR EKER HH Dy RA EAE KEM Sh th AT I" OH HE A.D) a therapy — 15 AE AEH RAO KPIS HY Rh Hh OT IPT RE a HUE AE ERE, 2 REA: RE Li, BER Bit Bia tA?r ADA A © ha SE Se fe shy RH I. Ou FT ARB B) Ae 6 38 Rab I De E EH. (ik Aa] 2 AE & GEA AE / 4K 54 AL (Some passengers. (HRMA] A), VARA IH REE Rh Er HHI A CO eH E414 RM their visits—animal visits) AYREREATA AH LMR, LP RAR SAMI AE 244i 4 ABE B).D). C) eh VI 4k owner, therapy animal—donkeys BEM 6 ® 126 6) IEA ACR AAT AH SD Ha LAE YE BEA 45 Ay HS TA PIB I A A ha 7 eee HOD MERE LA MES ARR ERATE IS HERR RERR ERLE R a] 48. APPR AHEAD RUN A Ae A AAAS, Fi ao ERA I EA THM REAL POHK, CHBPSACERHSREEA, AEA 0 SPMHRERE GTR, ORLA KGHM, DNEMEAI- 11 SHREGHERT— BART, ORDEAL AMIK SIA 21 Rigs RA 1 RIM, ELH ty RE RAE. CMTC MARAE AR Th Of Hy HUH HI TIT Ate AEM YA RRR, SAE A aE DAW OOS Sh HH a TR REGAN Dh ALA GLAS HOME CATT A FAR, ER ah SAAT HT AR KAAS, ERE PARK RES eM HAA COMM AT NAM ERARPERRERRE DLR TLE EMILE RY, WIN EAL HRA HLA —H, Passage Two FEM HM RMAt Ay HME H the animals. .. they call... their visits) 12, A) Beside a beautifully painted wall in Arles, B) Beside the gate of an ancient Roman city. ©) At the site of a ‘oman mansion, D) Ac the entrance to a reception hall in Rome. |. A) A number of different images. 1B) A number of mythological heroes, C) Various musical instruments. 1D) Paintings by famous French artists. 14. A) The originality and expertise shown, B) The workdly sophistication displayed C) The stunning images vividly depicted, D) The impressive skills and costly dyes. A) His artistic taste is superb. B) His identity remains unclear, €) He was a collector of antiques, D) He was a rich Italian merchant (HRA SMB) 12, S53 Ay ANG IG A AL AE ODT Sa AE ARAN) a AA a SE EA SA / TEA Bi Ab A i BE 13, S539 Ay 2 5H IACI AR APSE REAL AB BEDI TEE Re / ERP HR ALE FHA (AERAARKR. LA, th BY AB AAA AB LAI a DA IGA a ke 6) AR AR A BA AAUH) 19 25 6 ER 8 AF A He MF 18 EE AR 15, & ZI % He/ His, Sik MHS LCA ROME ORES BME RAE AD TAR MHARKEMARER, (HEAR RGRAME MB) way 2mm $s ALM:—\ RF “FFA”: ancient Roman,Romes “ER/ER E/E RAE skills, dyes 5 LTRMLE LM AIS MMERE AB. painted wall REAR: Ree itists/artistic, images, musical instruments, originality, expertis RF “*LRSMKAL" His artis je tast RF collector of antiques.a rich Italian merchant. Bl 13, T Hello, viewers. | Today I'm standing at the 2000-year-old Roman-era site. Here the brightly- colored scenes that once decorated a mansion are being dug up. These scenes are turning up in the southern French city of Arles, surprising the historians who have been working here since 2014, 3] AS iB om hos A oS RR". GEARARILAM: Today I'm standing at... Here... These scenes are... , 488 L4H :the 2000-yearold Roman-era site, .. brightly-colored scenes, .. dug up... historians, O-D A RA UE RH BRAG” Rh a SY MAAR", CD 4) Hello. viewers 1648 sk tk oH a i689 #) Today Ji ALR A A881 AE a A] ORS A OER OR sT'm standing 4PM RES IR A/D API Hest 2000-year-old Roman-era site, @4) Here A AES. 3] BURSA At Ar AL HAE A ABR 2 scenes i AR a 3] th KBE / BLAS EGE. LA SP te ik sconces # H“4 He /BG"); mansion ¥ AE DRL GEM RA BUA EMR TI 2) AB. HHA) OS AEA, are being dug up (CSE dh) LAR AEA, Mag ak £)" ONL-FSTARLAR HARM AMHA RD HSS SHRM 2014 RAM ARMA, turning up 26 AAFP 3] EAH A Arles BEATA K TLS 5 a RRA ZO FAL RG sR BH. AL Patches of paint still cling to the stone walls of the bedroom and reception hall, Some of these painted walls are preserved in places to a height of one meter. In addition, thousands of fragments that fell off the walls have been recovered, THB GR AAR RB A Ab ME. TAH ARIA HW: Patches of paint... Some of these painted wall: addition, ... Msi Lill zcling to. ... to a height of one meter. .. thousands of fragments, .. recove OOATMAE MAM. DA still LRA RH SL Hob ES a ARICA EE A A La A, DH 2H walls ZA MAA EH RG ASK FIR A height ak IE EA MRT AA TRAE GD RTE LR", faa Fe HA HR HE Hh OE HF te AE, In addition #4) EOS Me A Ew S OPE walls ¥ SEG9. M215 #F 28 AR HEAR AS AR ST OR a Be LAB Cac”, ‘ll | These pieces have been put back together with great care and display a variety of images. Some of these images include figures never seen before in France, such as a woman playing a stringed instrument, possibly a character from mythology. TAB A RAT. IRR Ws These pieces, .. images... some of th X id] :put back together. .. a variety of images. .. figures never seen before in France OMMNRA TEL ERTH SMB. Li These pieces ¥ AM 1 sgreat care 4 a variety of images #4] ik, oh LEAT AMR | “Oke SH", OH AMAR LT FRE EM AMER, figures GHP. REAR HH never F GSE Bh aR HS DAY MAA GA to OA AA a I EIR.) A$) s woman Ae A HEAR aba 482E spossibly AAT HA AR a 8] ah shiek BA ay ARM aI Aa, slik SRG AH ARM W |The paintings were done with such skill and with such expensive dyes that experts believe the artists originally came from Italy. They were likely hired by one of the city's elite, MSH O RMA KOS. Zw AMia i: The paintings artists originally came from Italy. .. hired by one of the city’s elite... « OPRAH AH SH EBA BAA. such skill # such expensive dyes Wik, RISB GH WAL AAR BAL FMLATAL EE Pb AE" sdyes GAEAT ARR such, .. HADI R ZG ART HEAR that $165 Oe RATER, wee They... Mit EGA: u REAR: Ree 41 HE RARE IN AD OP vartists 2 HM DE ABGR AE AT eA ATL wa ik | Ott-—FRHRLBAM GMT AOR LRAT MA. MI hired HMA Y ABER. HAH IR one of the city's clite 4 M18 HI HA/AA W “Perhaps a Roman official wanted Pompeii-like interior to remind him of home. He was probably stationed in this provincial trading port founded in 46 B,C. as a colony for veterans of the Roman army. [Or maybe a wealthy local wanted to show off his worldly sophis ication, TRS BE AMR AP SORA GIR A". IEARIBIA Perhaps... Or maybe... BBL sn official, ...a wealthy local. .. OOMARM—:-BHLA TRA AF SBMAR". D4 Perhaps Ss PMH a a] PASE A F/G 96 RE LH HM official 2G APM AR ALG SAE Hh th 69 cimterior SIF ALARA HA RRS, OA trading port AMAL AM AL] HL I CP AT TR) HTS EHR MR AE CF Be te AG) RI QHARMR SHEA HAMS KORA” EU Aa A A BELGE APH a LAK HE socal volony Or APRA AE A TT BI AP A Aide maybe 26 08 HE ASAT AE DADA EH Ok AH KA W The paintings may yield even more stunning surprises as additional sections are put togethers like pieces of a puzzle, Whoever it was that created such magnificent pieces of art, they surely had no idea that their work would still be around thousands of years later, TPE BRE A PER TMM, LAT TY Sw AY SA mM wt Ae A ME HEH. TA IBARIG IA: The paintings may yield... Whoever it was that created, ... #8 X i] ;even more stunning surprises. .. still be around. Dane HES AE FeO SE HT RE HEE SRE yield 5 FAT ARMREST A RGD ER more stunning surprises £8 35) 3-3 46.2 5 #9 391 «ts SEAR AR Ae ied AEA PE A SE OQAFAEH SRRREA RAMS AAM EAA A LAME), surely Fit iden THM 31 Bs aE AE Ae oe AB" a RM still BHR around KG 4FM thousands Wik, SAK PL SR BRA wy Me) ZKHSATS. Cina) QI12; Where is the speaker standing? Q13; What do the thousands of fragments display when they are put back together? Ql4; What makes experts think the paintings were done by artists from Italy? Q15; What do we learn from the passage about the owner of the mansion’? Q12: standing ak Re AASE MAE" COREA) BF A” when 28 3.3 6 BL AF PLUME s fragments 4 put back together Sak IGE BE MATA a ab R Ae Hh. artists from Italy $i, & 48M owner of the mansion E38 408.48 bab at i od a 12, GEIR ATE ww NAM RHE BAKE EE COA REF HEM MIL L, BARE FIRBAOFL, DAF SRA ATA [iQRSE A] KF HK A (Today I'm standing. .. Here...) (SE RMRIC), CREAMER DA REA) ES AG FB Ob MEE RECA ME BEG BR", A)RR AMAT Arles,brightly-colored FHA MILA ARAF A 12.8) TL HLT $0 th AT AE Bh R= Gi (stone walls), LIGA RHE Y Tab AaB ALL Cat the site)” RIL A Tat 4H Beside a. wall)”, BDA LPM — RE FRE REE Ak AF aw ATI". DALAL LAB ALG reception 15 MRAM: ate nal Be 42 3. Pai JE AE a AA aR ba a Ae a a LF Roman- era)" Hiak* ¥B(Rome)". 13. Kit MMMM HORZ SRA? A) SAHA AR, OSHS, B) S Abie D#LAMER RM AM, CARMEREAT] 45.8 € HL9E (a variety of images, .. Some of these images, ..). CER) A). AS IIE OAH RG A BAP ALAR Co variety of images)”. B)AF a variety of # mythology #4 «XP RAL ARAM" AE HM EIR Hh HBX — KA APIEA AH Ca character [rom mythology)”. aba EE BRR TF ALP GG RARCA number of mythological heroes)”. C) 4 a variety of 4 a stringed instrument #48 ivi8.4, D)#I IH France it" EAE" OF LAE BER ABA, 14. BATA AERA De SA HIE AME A HHO? ADAG th AALS ILA, ©) Fra a i RB, B) A TRL AE a AR D)SA Sth #53 95 fo SEO TH CRRA] heh 6) KA Couch... that...) CHES] D). D) LM IV HAsO" Hh A Hy ABR OG Fo GR A O8 A HE ALA Cwith such skill and with such expensive dyes) Fi 4 GH RA EAA", ADP expertise REX AM skill, 42 originality wy AE originally:

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