Peruzzi, Palazzo Madamo Alle Colonne, from 1532.

Different organization of the floors

He wanted to present different ideas of base, by adding the entrance with double columns toward the
streets.

The Sangallos, they worked for the Medici’s family:

 Giuliano 1455-1516
 Antonio the elder 1455-1534, the Military Engineer
 Antonio the Jounger 1484-1546

Monte Mario, Villa Madama, Rome.

Residential building and a garden that is used only on several periods of the year, so not the whole year.

Margherita di Parma the wife of the Alessandro de Medici. The first client of the villa was Clemente 7 th, a
Pope, Cardinal. After, Margherita received a villa as a gift. There were also the theatre, storage place for
horses, garden.

Antonio da Sangalo the elder, 1518, After the Raffaellos death he continued the work on Villa Madama,
after Antonio no one continued the work, so Villa is not a finished work. 1527 the building site was closed.

Antonio da Sangalo the elder Villa Adriana so-called Tivoli, Rome: looked very much like an ancient Roman
city. The imperial residence. Wanted to repeat the same idea.

Tuscan and Ionic orders were in use in “Rotunda”-round courtyard.

The Villa Madama was Raffaellos last architectural work cause of his death.

Baldassarre Peruzzi is another architect who build the Villa Chigi (then Villa Farnesina) 1509-1511. Scientists
consider this building as a villa and a palace together. The first façade toward the garden/courtyard is like a
villa, another lateral façade toward the entrance like a palace: 9 bases with the symmetrical composition on
the 1st level, divided the floors with the strict cross to underline the levels, above the 2 nd level he built a
bigger cornice. The main façade towards, the garden, characterized by the Logga, there are also the arches
on the ground floor, to repeat the composition from the other façade.

What is the meaning of the Logga in the building? To create a connection between the interior part of the
building and the garden. Inside the logga were expensive paintings and fresco by Raffaello. So they worked
together but Raffaello worked as a painter. Then Raffaello worked on other frescos in another rooms near
the Logga. While Peruzzi himself worked as an artist and a painter in Perspective rooms, 1512. It was named
Perspective room because, in his frescos Peruzzi painted some architectural elements in order to obtained
architectural compositions, and he painted perspective columns in order to another time, to underline the
importance of the logga.

Monte Mario, Villa Madama, Rome.

Residential building and a garden that is used only on several periods of the year, so not the whole year.

Margherita di Parma the wife of the Alessandro de Medici. The first client of the villa was Clemente 7 th, a
Pope, Cardinal. After, Margherita received a villa as a gift. There were also the theatre, storage place for
horses, garden.

Antonio da Sangalo the elder, 1518, After the Raffaellos death he continued the work on Villa Madama,
after Antonio no one continued the work, so Villa is not a finished work. 1527 the building site was closed.

Antonio da Sangalo the elder Villa Adriana so-called Tivoli, Rome: looked very much like an ancient Roman
city. The imperial residence. Wanted to repeat the same idea.

Tuscan and Ionic orders were in use in “Rotunda”-round courtyard.

The Villa Madama was Raffaellos last architectural work cause of his death.

Baldassarre Peruzzi is another architect who build the Villa Chigi (then Villa Farnesina) 1509-1511. Scientists
consider this building as a villa and a palace together. The first façade toward the garden/courtyard is like a
villa, another lateral façade toward the entrance like a palace: 9 bases with the symmetrical composition on
the 1st level, divided the floors with the strict cross to underline the levels, above the 2 nd level he built a
bigger cornice. The main façade towards, the garden, characterized by the Logga, there are also the arches
on the ground floor, to repeat the composition from the other façade.

What is the meaning of the Logga in the building? To create a connection between the interior part of the
building and the garden. Inside the logga were expensive paintings and fresco by Raffaello. So they worked
together but Raffaello worked as a painter. Then Raffaello worked on other frescos in another rooms near
the Logga. While Peruzzi himself worked as an artist and a painter in Perspective rooms, 1512. It was named
Perspective room because, in his frescos Peruzzi painted some architectural elements in order to obtained
architectural compositions, and he painted perspective columns in order to another time, to underline the
importance of the logga.