L’evolució de la escenografía al llarg de la història

B A S E S D E L’ E S C E N O T É C N I A

Georgina Beltrán González

Història de l’escenotècnia
L’escenografia a Grècia / Roma
Introducció

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L'espai escènic a Grècia

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H I S T Ò R I A D E L’ E S C E N O G R A F I A : L’ E V O L U C I Ó D E L T E AT R E

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Roma Grècia

Construcció Grades sobre el vessant d'una muntanya Grades sobre un sistema de voltes de formigó i galeries

Orquestra Circular i el cor actuava a dins Semicircular. Els actors no actuaven I els personatges importants
tenien un seient.

La cavea Envoltava a més de la maeitat de l'orquestra i s'accedia a partir Coincidia amb el semicercle d'orquestra i s'accedia per unes
d'unes escales exteriors escales interiors.

Parodos Entrades laterals descobertes que donave accés a l'orquestra i Corredors coberts amb una volta que donaven accés a l’orquestra.
cavea.

L’escena Edificació unida amb l'orquestra que servia com a fons Edifcació més alta que concideix amb el semicercle de l’orquestra

Prosceni Plataforma de 3 o 4 metres que ocupava la part anterior de Plataforma de 1,50 m on evolucionaven els actors
l’escena
 H I S T Ò R I A D E L’ E S C E N O T È C N I A

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H I S T Ò R I A D E L’ E S C E N O T È C N I A
L’escenografia barroca
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barroques serà l’òpera. Les escenografies, doncs, poc a poc van adquirint
variacions conceptuals amb les aparicions dels estils artístics pintant grans
telons i anant cada cop a una cosa més simple i d’un sol concepte clar.
H I S T Ò R I A D E L’ E S C E N O T È C N I A
Jaume Plensa
E S PA Ñ A

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3),)/&(4)(,0),"$3),3+"+6,$"#.04K(+#),/$(,2&%)(,3+2),)0",$0$8$%4","+8>K0+#",2$,0),@+"4K(+):,!0,"$.,4($>)00,$%,0u,$"#$%&'()*+),3),
#&%4(+>.+(,),0),#($)#+6,2u,.%,$%4&(%,3+".)08$%4,$3&#)2&(,1.$,3),$%(+1.+(,0u,$B/$(+G%#+),4$)4()0:,

!"#.04.($",!8>0$894+1.$"R,
“Macbeth” (2023)

e>($",$8>0$894+1.$",2$,T0$%")A,#&8,|W)/,2uf&8$|,+,|p.0+)|A,@)%,'.)%L)4,)#0)8)#+6,+%4$(%)#+&%)0,+,"u@)%,#&%3$(4+4,$%,*+4$",$%,
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Robert Wilson
EE.UU

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0),"$3),4&4)0+4)4A,0$",/)(4",1.$,$",3)%,2.(,),4$(8$,3)%,8&"4()(,0),#)/)#+4)4,2$,w+0"&%,/$(,#($)(,+8)4'$",3+".)0",+8/)#4)%4",+,
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0),"$3),$"4G4+#),3+".)0,".(($)0+"4),+,$B/($""+&%+"4):,w+0"&%,)#&%"$'.$+B,#($)(,.%,86%,4$)4()0,X%+#,1.$,"u)D."4),),0),%)(()4+3),*&"#),
2$,0u&>():,
Escenografía de “The Life and Death of Marina
Abramovic” (2012)
|I$)4@,I$"4(.#4+&%,~,I$4(&+4|,=\[[k?R,

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Paco Azorín
E S PA Ñ A

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Escenografía de “Rinoceronte” (2015)

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Richard Hudson
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Escenografía del musical “The Lion
King” (1994)
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