Professional Documents
Culture Documents
https://testbankfan.com/download/business-and-professional-communication-principle
s-and-skills-for-leadership-2nd-edition-beebe-test-bank/
Chapter One
1) The process of making sense out of the world and sharing that sense with others by creating meaning
through the use of verbal and nonverbal messages is the definition of .
A. communication
B. transactional communication
C. human communication
D. interpersonal communication
Answer: C
Skill: Factual Page Ref: 5
2) In the textbook, the primary distinction between the definition of communication and human
communication involves .
A. making sense out of the world
B. managing relationships
C. interacting simultaneously
D. acting upon information
Answer: A
Skill: Factual Page Ref: 4-5
3) While David is talking during a meeting, he notices several team members beginning to shuffle their
feet, while others are nodding off. David notices this and adapts his communication by making the
meeting more interactive in hopes that it will wake people up. This simultaneous exchange of
messages is called .
A. interpersonal communication
B. transactional communication
C. feedback
D. leadership
Answer: B
Skill: Applied Page Ref: 6
4) Using unspoken symbols to communicate the emotional and relational aspects of your message is the
description of which communication principle?
A. Effectively using and interpreting verbal messages
B. Effectively using and interpreting nonverbal messages
C. Appropriately adapting your messages to others
D. Listening and responding thoughtfully to others
Answer: B
Skill: Factual Page Ref: 6
5) The of a communication message is the new information, ideas, or suggested actions the
speaker wishes to express.
A. Feedback
B. Noise
C. Channel
D. Content
Answer: D
Skill: Factual Page Ref: 6
6) Sondra is facilitating a meeting in her company’s main boardroom. Because her past meetings were
held in a much smaller, more informal meeting room, she is beginning to feel very uncomfortable and
nervous. Which of the following elements is most responsible for her uncomfortable and nervous
feelings?
A. Source
B. Noise
C. Context
D. Content
Answer: C
Skill: Applied Page Ref: 6-7
7) Kristen is delivering a presentation to a group of clients, but one of her client’s cell phones continues
to ring. This causes Kristen to become aggravated because she is worried that the other clients will
not hear her message. Which of the following elements is causing Kristen’s aggravation?
A. Feedback
B. Noise
C. Channel
D. Context
Answer: B
Skill: Applied Page Ref: 6-7
8) Laura is talking on the phone to her best friend about her weekend plans. The phone is which
component of communication?
A. Noise
B. Feedback
C. Channel
D. Context
Answer: C
Skill: Applied Page Ref: 7
9) Mark is the newest technician at his company but had seen the need to start a recycling program.
Mark takes the initiative to collect recycle bins, post signs and put them by the trash. Mark is being a
.
A. leader
B. manager
C. supervisor
D. follower
Answer: A
Skill: Applied Page Ref: 9
Vol.
BARBUSSE (Henri)
Lauréat du Prix Goncourt 1916
L’Enfer 1
BENOIT (Pierre)
L’Atlantide (Grand Prix du Roman 1919) 1
Pour Don Carlos 1
Les Suppliantes (poèmes) 1
Le Lac Salé 1
La Chaussée des Géants 1
Mademoiselle de la Ferté 1
BÉRAUD (Henri)
Prix Goncourt 1922
Le Martyre de l’Obèse 1
Le Vitriol-de-Lune 1
Lazare 1
BERTRAND (Louis)
Cardenio, l’homme aux rubans couleur de feu 1
Le Jardin de la Mort 1
Pépète et Balthazar 1
Le Rival de Don Juan 1
Le Sang des Races 1
BRULAT (Paul)
La Gangue 1
L’Ennemie 1
CARCO (Francis)
Bob et Bobette s’amusent 1
L’Homme traqué (Grand Prix du Roman 1922) 1
Verotchka l’Étrangère 1
Rien qu’une Femme 1
CHADOURNE (Louis)
L’Inquiète Adolescence 1
Terre de Chanaan 1
Le Pot-au-Noir 1
COLETTE
L’Ingénue Libertine 1
La Vagabonde 1
CORTHIS (André)
Pour moi seule (Grand Prix du Roman 1920) 1
L’Entraîneuse 1
DERENNES (Charles)
Vie de Grillon 1
La Chauve-Souris 1
DESCAVES (Lucien)
L’Hirondelle sous le Toit 1
DONNAY (Maurice)
de l’Académie Française
Chères Madames 1
Éducation de prince 1
DORGELÈS (Roland)
Les Croix de bois (Prix Vie Heureuse 1919) 1
Saint Magloire 1
Le Réveil des Morts 1
DUCHENE (Ferdinand)
Au pas lent des Caravanes (Grand Prix Littéraire de l’Algérie 1921) 1
Thamil’la (Grand Prix littéraire de l’Algérie 1921) 1
Le Roman du Meddah 1
DUMUR (Louis)
Nach Paris ! 1
Le Boucher de Verdun 1
Les Défaitistes 1
ELDER (Marc)
Lauréat Prix Goncourt 1911
Thérèse ou la Bonne Éducation 1
Le Sang des Dieux 1
FARRÈRE (Claude)
La Bataille 1
Les Civilisés 1
Dix-sept histoire de marins 1
Fumée d’Opium 1
L’Homme qui assassina 1
Mademoiselle Dax, jeune fille 1
Les Petites Alliées 1
Thomas l’Agnelet, gentilhomme de fortune 1
GALOPIN (Arnould)
Sur le Front de Mer (Prix de l’Académie Française) 1
Les Poilus de la 9e 1
Les Gars de la Flotte 1
Mémoires d’un Cambrioleur 1
LAMANDÉ (André)
Les Lions en Croix 1
LEVIS-MIREPOIX
Montségur 1
LOUWYCK (J.-H.)
Un Homme tendre 1
La Dame au Beffroi 1
LOUYS (Pierre)
Aphrodite 1
La Femme et le Pantin 1
MALHERBE (Henry)
La Flamme au poing (Prix Goncourt 1917) 1
MARAN (René)
Le Petit Roi de Chimérie 1
MAUCLAIR (Camille)
Le Soleil des Morts 1
MIRBEAU (Octave)
L’Abbé Jules 1
Le Calvaire 1
RENARD (Jules)
L’Écornifleur 1
ROLLAND (Romain)
L’Ame enchantée 2
(I. Annette et Sylvie)
(II. L’Été)
Clérambault 1
Colas Breugnon 1
Jean-Christophe 10
Liluli 1
Pierre et Luce 1
t’SERSTEVENS (A.)
Les Sept parmi les Hommes 1
Un Apostolat 1
Le Dieu qui danse 1
Le Vagabond Sentimental 1
SEUHL (Antonin)
Petite Chose 1
VALDAGNE (Pierre)
Ce bon M. Poulgris 1
Constance, ma tendre amie 1
VAN OFFEL (Horace)
L’Oiseau de Paradis 1
Nuits de Garde 1
Le Tatouage bleu 1
Le Don Juan ridicule 1
Suzanne et son Vieillard 1
L’Exaltation 1
VILLETARD (Pierre)
Grand Prix du Roman 1921
M. et Mme Bille 1
Les Poupées se cassent (Couronné par l’Académie Française) 1
WERTH (Léon)
Clavel Soldat 1
Clavel chez les Majors 1
Yvonne et Pijallet 1
Les Amants Invisibles 1
Dix-Neuf Ans 1
Pijallet danse 1
Catalogue franco sur demande.
ÉTABL. BUSSON, Imprimeurs, 23 rue Turgot, Paris (9e). Tel. : Trudaine 61-79
*** END OF THE PROJECT GUTENBERG EBOOK LE DIABLE AU
SAHARA ***
Updated editions will replace the previous one—the old editions will
be renamed.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.
• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.F.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.